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33056 lines
1.5 MiB
The Project Gutenberg EBook of Ulysses, by James Joyce
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This eBook is for the use of anyone anywhere at no cost and with
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almost no restrictions whatsoever. You may copy it, give it away or
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re-use it under the terms of the Project Gutenberg License included
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with this eBook or online at www.gutenberg.org
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Title: Ulysses
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Author: James Joyce
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Posting Date: August 1, 2008 [EBook #4300]
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Release Date: July, 2003
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[Last updated: November 17, 2011]
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Language: English
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*** START OF THIS PROJECT GUTENBERG EBOOK ULYSSES ***
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Produced by Col Choat
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ULYSSES
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by James Joyce
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-- I --
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Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of
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lather on which a mirror and a razor lay crossed. A yellow dressinggown,
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ungirdled, was sustained gently behind him on the mild morning air. He
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held the bowl aloft and intoned:
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--_Introibo ad altare Dei_.
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Halted, he peered down the dark winding stairs and called out coarsely:
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--Come up, Kinch! Come up, you fearful jesuit!
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Solemnly he came forward and mounted the round gunrest. He faced about
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and blessed gravely thrice the tower, the surrounding land and the
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awaking mountains. Then, catching sight of Stephen Dedalus, he bent
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towards him and made rapid crosses in the air, gurgling in his throat
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and shaking his head. Stephen Dedalus, displeased and sleepy, leaned
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his arms on the top of the staircase and looked coldly at the shaking
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gurgling face that blessed him, equine in its length, and at the light
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untonsured hair, grained and hued like pale oak.
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Buck Mulligan peeped an instant under the mirror and then covered the
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bowl smartly.
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--Back to barracks! he said sternly.
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He added in a preacher's tone:
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--For this, O dearly beloved, is the genuine Christine: body and soul
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and blood and ouns. Slow music, please. Shut your eyes, gents. One
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moment. A little trouble about those white corpuscles. Silence, all.
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He peered sideways up and gave a long slow whistle of call, then paused
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awhile in rapt attention, his even white teeth glistening here and there
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with gold points. Chrysostomos. Two strong shrill whistles answered
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through the calm.
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--Thanks, old chap, he cried briskly. That will do nicely. Switch off
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the current, will you?
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He skipped off the gunrest and looked gravely at his watcher, gathering
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about his legs the loose folds of his gown. The plump shadowed face and
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sullen oval jowl recalled a prelate, patron of arts in the middle ages.
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A pleasant smile broke quietly over his lips.
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--The mockery of it! he said gaily. Your absurd name, an ancient Greek!
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He pointed his finger in friendly jest and went over to the parapet,
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laughing to himself. Stephen Dedalus stepped up, followed him wearily
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halfway and sat down on the edge of the gunrest, watching him still as
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he propped his mirror on the parapet, dipped the brush in the bowl and
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lathered cheeks and neck.
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Buck Mulligan's gay voice went on.
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--My name is absurd too: Malachi Mulligan, two dactyls. But it has a
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Hellenic ring, hasn't it? Tripping and sunny like the buck himself.
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We must go to Athens. Will you come if I can get the aunt to fork out
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twenty quid?
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He laid the brush aside and, laughing with delight, cried:
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--Will he come? The jejune jesuit!
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Ceasing, he began to shave with care.
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--Tell me, Mulligan, Stephen said quietly.
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--Yes, my love?
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--How long is Haines going to stay in this tower?
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Buck Mulligan showed a shaven cheek over his right shoulder.
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--God, isn't he dreadful? he said frankly. A ponderous Saxon. He thinks
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you're not a gentleman. God, these bloody English! Bursting with money
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and indigestion. Because he comes from Oxford. You know, Dedalus, you
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have the real Oxford manner. He can't make you out. O, my name for you
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is the best: Kinch, the knife-blade.
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He shaved warily over his chin.
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--He was raving all night about a black panther, Stephen said. Where is
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his guncase?
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--A woful lunatic! Mulligan said. Were you in a funk?
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--I was, Stephen said with energy and growing fear. Out here in the dark
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with a man I don't know raving and moaning to himself about shooting a
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black panther. You saved men from drowning. I'm not a hero, however. If
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he stays on here I am off.
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Buck Mulligan frowned at the lather on his razorblade. He hopped down
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from his perch and began to search his trouser pockets hastily.
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--Scutter! he cried thickly.
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He came over to the gunrest and, thrusting a hand into Stephen's upper
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pocket, said:
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--Lend us a loan of your noserag to wipe my razor.
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Stephen suffered him to pull out and hold up on show by its corner a
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dirty crumpled handkerchief. Buck Mulligan wiped the razorblade neatly.
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Then, gazing over the handkerchief, he said:
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--The bard's noserag! A new art colour for our Irish poets: snotgreen.
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You can almost taste it, can't you?
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He mounted to the parapet again and gazed out over Dublin bay, his fair
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oakpale hair stirring slightly.
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--God! he said quietly. Isn't the sea what Algy calls it: a grey
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sweet mother? The snotgreen sea. The scrotumtightening sea. _Epi oinopa
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ponton_. Ah, Dedalus, the Greeks! I must teach you. You must read them
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in the original. _Thalatta! Thalatta_! She is our great sweet mother.
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Come and look.
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Stephen stood up and went over to the parapet. Leaning on it he looked
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down on the water and on the mailboat clearing the harbourmouth of
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Kingstown.
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--Our mighty mother! Buck Mulligan said.
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He turned abruptly his grey searching eyes from the sea to Stephen's
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face.
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--The aunt thinks you killed your mother, he said. That's why she won't
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let me have anything to do with you.
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--Someone killed her, Stephen said gloomily.
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--You could have knelt down, damn it, Kinch, when your dying mother
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asked you, Buck Mulligan said. I'm hyperborean as much as you. But to
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think of your mother begging you with her last breath to kneel down and
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pray for her. And you refused. There is something sinister in you...
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He broke off and lathered again lightly his farther cheek. A tolerant
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smile curled his lips.
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--But a lovely mummer! he murmured to himself. Kinch, the loveliest
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mummer of them all!
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He shaved evenly and with care, in silence, seriously.
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Stephen, an elbow rested on the jagged granite, leaned his palm against
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his brow and gazed at the fraying edge of his shiny black coat-sleeve.
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Pain, that was not yet the pain of love, fretted his heart. Silently, in
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a dream she had come to him after her death, her wasted body within its
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loose brown graveclothes giving off an odour of wax and rosewood, her
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breath, that had bent upon him, mute, reproachful, a faint odour of
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wetted ashes. Across the threadbare cuffedge he saw the sea hailed as a
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great sweet mother by the wellfed voice beside him. The ring of bay
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and skyline held a dull green mass of liquid. A bowl of white china had
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stood beside her deathbed holding the green sluggish bile which she had
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torn up from her rotting liver by fits of loud groaning vomiting.
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Buck Mulligan wiped again his razorblade.
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--Ah, poor dogsbody! he said in a kind voice. I must give you a shirt
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and a few noserags. How are the secondhand breeks?
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--They fit well enough, Stephen answered.
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Buck Mulligan attacked the hollow beneath his underlip.
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--The mockery of it, he said contentedly. Secondleg they should be. God
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knows what poxy bowsy left them off. I have a lovely pair with a hair
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stripe, grey. You'll look spiffing in them. I'm not joking, Kinch. You
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look damn well when you're dressed.
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--Thanks, Stephen said. I can't wear them if they are grey.
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--He can't wear them, Buck Mulligan told his face in the mirror.
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Etiquette is etiquette. He kills his mother but he can't wear grey
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trousers.
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He folded his razor neatly and with stroking palps of fingers felt the
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smooth skin.
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Stephen turned his gaze from the sea and to the plump face with its
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smokeblue mobile eyes.
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--That fellow I was with in the Ship last night, said Buck Mulligan,
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says you have g.p.i. He's up in Dottyville with Connolly Norman. General
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paralysis of the insane!
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He swept the mirror a half circle in the air to flash the tidings abroad
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in sunlight now radiant on the sea. His curling shaven lips laughed and
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the edges of his white glittering teeth. Laughter seized all his strong
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wellknit trunk.
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--Look at yourself, he said, you dreadful bard!
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Stephen bent forward and peered at the mirror held out to him, cleft by
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a crooked crack. Hair on end. As he and others see me. Who chose this
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face for me? This dogsbody to rid of vermin. It asks me too.
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--I pinched it out of the skivvy's room, Buck Mulligan said. It does her
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all right. The aunt always keeps plainlooking servants for Malachi. Lead
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him not into temptation. And her name is Ursula.
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Laughing again, he brought the mirror away from Stephen's peering eyes.
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--The rage of Caliban at not seeing his face in a mirror, he said. If
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Wilde were only alive to see you!
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Drawing back and pointing, Stephen said with bitterness:
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--It is a symbol of Irish art. The cracked looking-glass of a servant.
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Buck Mulligan suddenly linked his arm in Stephen's and walked with him
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round the tower, his razor and mirror clacking in the pocket where he
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had thrust them.
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--It's not fair to tease you like that, Kinch, is it? he said kindly.
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God knows you have more spirit than any of them.
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Parried again. He fears the lancet of my art as I fear that of his. The
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cold steelpen.
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--Cracked lookingglass of a servant! Tell that to the oxy chap
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downstairs and touch him for a guinea. He's stinking with money and
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thinks you're not a gentleman. His old fellow made his tin by selling
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jalap to Zulus or some bloody swindle or other. God, Kinch, if you and I
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could only work together we might do something for the island. Hellenise
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it.
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Cranly's arm. His arm.
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--And to think of your having to beg from these swine. I'm the only one
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that knows what you are. Why don't you trust me more? What have you
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up your nose against me? Is it Haines? If he makes any noise here I'll
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bring down Seymour and we'll give him a ragging worse than they gave
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Clive Kempthorpe.
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Young shouts of moneyed voices in Clive Kempthorpe's rooms. Palefaces:
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they hold their ribs with laughter, one clasping another. O, I shall
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expire! Break the news to her gently, Aubrey! I shall die! With slit
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ribbons of his shirt whipping the air he hops and hobbles round the
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table, with trousers down at heels, chased by Ades of Magdalen with the
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tailor's shears. A scared calf's face gilded with marmalade. I don't
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want to be debagged! Don't you play the giddy ox with me!
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Shouts from the open window startling evening in the quadrangle. A deaf
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gardener, aproned, masked with Matthew Arnold's face, pushes his mower
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on the sombre lawn watching narrowly the dancing motes of grasshalms.
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To ourselves... new paganism... omphalos.
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--Let him stay, Stephen said. There's nothing wrong with him except at
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night.
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--Then what is it? Buck Mulligan asked impatiently. Cough it up. I'm
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quite frank with you. What have you against me now?
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They halted, looking towards the blunt cape of Bray Head that lay on the
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water like the snout of a sleeping whale. Stephen freed his arm quietly.
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--Do you wish me to tell you? he asked.
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--Yes, what is it? Buck Mulligan answered. I don't remember anything.
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He looked in Stephen's face as he spoke. A light wind passed his brow,
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fanning softly his fair uncombed hair and stirring silver points of
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anxiety in his eyes.
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Stephen, depressed by his own voice, said:
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--Do you remember the first day I went to your house after my mother's
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death?
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Buck Mulligan frowned quickly and said:
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--What? Where? I can't remember anything. I remember only ideas and
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sensations. Why? What happened in the name of God?
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--You were making tea, Stephen said, and went across the landing to
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get more hot water. Your mother and some visitor came out of the
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drawingroom. She asked you who was in your room.
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--Yes? Buck Mulligan said. What did I say? I forget.
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--You said, Stephen answered, _O, it's only Dedalus whose mother is
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beastly dead._
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A flush which made him seem younger and more engaging rose to Buck
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Mulligan's cheek.
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--Did I say that? he asked. Well? What harm is that?
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He shook his constraint from him nervously.
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--And what is death, he asked, your mother's or yours or my own? You
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saw only your mother die. I see them pop off every day in the Mater and
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Richmond and cut up into tripes in the dissectingroom. It's a beastly
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thing and nothing else. It simply doesn't matter. You wouldn't kneel
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down to pray for your mother on her deathbed when she asked you. Why?
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Because you have the cursed jesuit strain in you, only it's injected the
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wrong way. To me it's all a mockery and beastly. Her cerebral lobes
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are not functioning. She calls the doctor sir Peter Teazle and picks
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buttercups off the quilt. Humour her till it's over. You crossed her
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last wish in death and yet you sulk with me because I don't whinge like
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some hired mute from Lalouette's. Absurd! I suppose I did say it. I
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didn't mean to offend the memory of your mother.
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He had spoken himself into boldness. Stephen, shielding the gaping
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wounds which the words had left in his heart, said very coldly:
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--I am not thinking of the offence to my mother.
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--Of what then? Buck Mulligan asked.
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--Of the offence to me, Stephen answered.
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Buck Mulligan swung round on his heel.
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--O, an impossible person! he exclaimed.
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He walked off quickly round the parapet. Stephen stood at his post,
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gazing over the calm sea towards the headland. Sea and headland now grew
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dim. Pulses were beating in his eyes, veiling their sight, and he felt
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the fever of his cheeks.
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A voice within the tower called loudly:
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--Are you up there, Mulligan?
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--I'm coming, Buck Mulligan answered.
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He turned towards Stephen and said:
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--Look at the sea. What does it care about offences? Chuck Loyola,
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Kinch, and come on down. The Sassenach wants his morning rashers.
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His head halted again for a moment at the top of the staircase, level
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with the roof:
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--Don't mope over it all day, he said. I'm inconsequent. Give up the
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moody brooding.
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His head vanished but the drone of his descending voice boomed out of
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the stairhead:
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_And no more turn aside and brood
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Upon love's bitter mystery
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For Fergus rules the brazen cars._
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Woodshadows floated silently by through the morning peace from the
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stairhead seaward where he gazed. Inshore and farther out the mirror of
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water whitened, spurned by lightshod hurrying feet. White breast of
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the dim sea. The twining stresses, two by two. A hand plucking the
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harpstrings, merging their twining chords. Wavewhite wedded words
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shimmering on the dim tide.
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A cloud began to cover the sun slowly, wholly, shadowing the bay in
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deeper green. It lay beneath him, a bowl of bitter waters. Fergus' song:
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I sang it alone in the house, holding down the long dark chords. Her
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door was open: she wanted to hear my music. Silent with awe and pity
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I went to her bedside. She was crying in her wretched bed. For those
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words, Stephen: love's bitter mystery.
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Where now?
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Her secrets: old featherfans, tasselled dancecards, powdered with musk,
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a gaud of amber beads in her locked drawer. A birdcage hung in the sunny
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window of her house when she was a girl. She heard old Royce sing in the
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pantomime of Turko the Terrible and laughed with others when he sang:
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_I am the boy
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That can enjoy
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Invisibility._
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Phantasmal mirth, folded away: muskperfumed.
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_And no more turn aside and brood._
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Folded away in the memory of nature with her toys. Memories beset his
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brooding brain. Her glass of water from the kitchen tap when she had
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approached the sacrament. A cored apple, filled with brown sugar,
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roasting for her at the hob on a dark autumn evening. Her shapely
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fingernails reddened by the blood of squashed lice from the children's
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shirts.
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In a dream, silently, she had come to him, her wasted body within its
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loose graveclothes giving off an odour of wax and rosewood, her breath,
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bent over him with mute secret words, a faint odour of wetted ashes.
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Her glazing eyes, staring out of death, to shake and bend my soul. On me
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alone. The ghostcandle to light her agony. Ghostly light on the tortured
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face. Her hoarse loud breath rattling in horror, while all prayed on
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their knees. Her eyes on me to strike me down. _Liliata rutilantium te
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confessorum turma circumdet: iubilantium te virginum chorus excipiat._
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Ghoul! Chewer of corpses!
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No, mother! Let me be and let me live.
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--Kinch ahoy!
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Buck Mulligan's voice sang from within the tower. It came nearer up the
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staircase, calling again. Stephen, still trembling at his soul's cry,
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heard warm running sunlight and in the air behind him friendly words.
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--Dedalus, come down, like a good mosey. Breakfast is ready. Haines is
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apologising for waking us last night. It's all right.
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--I'm coming, Stephen said, turning.
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--Do, for Jesus' sake, Buck Mulligan said. For my sake and for all our
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sakes.
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His head disappeared and reappeared.
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--I told him your symbol of Irish art. He says it's very clever. Touch
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him for a quid, will you? A guinea, I mean.
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--I get paid this morning, Stephen said.
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--The school kip? Buck Mulligan said. How much? Four quid? Lend us one.
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--If you want it, Stephen said.
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--Four shining sovereigns, Buck Mulligan cried with delight. We'll
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have a glorious drunk to astonish the druidy druids. Four omnipotent
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sovereigns.
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He flung up his hands and tramped down the stone stairs, singing out of
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tune with a Cockney accent:
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_O, won't we have a merry time,
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Drinking whisky, beer and wine!
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On coronation,
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Coronation day!
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O, won't we have a merry time
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On coronation day!_
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Warm sunshine merrying over the sea. The nickel shavingbowl shone,
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forgotten, on the parapet. Why should I bring it down? Or leave it there
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all day, forgotten friendship?
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He went over to it, held it in his hands awhile, feeling its coolness,
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smelling the clammy slaver of the lather in which the brush was stuck.
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So I carried the boat of incense then at Clongowes. I am another now and
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yet the same. A servant too. A server of a servant.
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In the gloomy domed livingroom of the tower Buck Mulligan's gowned form
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moved briskly to and fro about the hearth, hiding and revealing its
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yellow glow. Two shafts of soft daylight fell across the flagged floor
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from the high barbacans: and at the meeting of their rays a cloud of
|
|
coalsmoke and fumes of fried grease floated, turning.
|
|
|
|
--We'll be choked, Buck Mulligan said. Haines, open that door, will you?
|
|
|
|
Stephen laid the shavingbowl on the locker. A tall figure rose from the
|
|
hammock where it had been sitting, went to the doorway and pulled open
|
|
the inner doors.
|
|
|
|
--Have you the key? a voice asked.
|
|
|
|
--Dedalus has it, Buck Mulligan said. Janey Mack, I'm choked!
|
|
|
|
He howled, without looking up from the fire:
|
|
|
|
--Kinch!
|
|
|
|
--It's in the lock, Stephen said, coming forward.
|
|
|
|
The key scraped round harshly twice and, when the heavy door had been
|
|
set ajar, welcome light and bright air entered. Haines stood at the
|
|
doorway, looking out. Stephen haled his upended valise to the table and
|
|
sat down to wait. Buck Mulligan tossed the fry on to the dish beside
|
|
him. Then he carried the dish and a large teapot over to the table, set
|
|
them down heavily and sighed with relief.
|
|
|
|
--I'm melting, he said, as the candle remarked when... But, hush! Not a
|
|
word more on that subject! Kinch, wake up! Bread, butter, honey. Haines,
|
|
come in. The grub is ready. Bless us, O Lord, and these thy gifts.
|
|
Where's the sugar? O, jay, there's no milk.
|
|
|
|
Stephen fetched the loaf and the pot of honey and the buttercooler from
|
|
the locker. Buck Mulligan sat down in a sudden pet.
|
|
|
|
--What sort of a kip is this? he said. I told her to come after eight.
|
|
|
|
--We can drink it black, Stephen said thirstily. There's a lemon in the
|
|
locker.
|
|
|
|
--O, damn you and your Paris fads! Buck Mulligan said. I want Sandycove
|
|
milk.
|
|
|
|
Haines came in from the doorway and said quietly:
|
|
|
|
--That woman is coming up with the milk.
|
|
|
|
--The blessings of God on you! Buck Mulligan cried, jumping up from his
|
|
chair. Sit down. Pour out the tea there. The sugar is in the bag. Here,
|
|
I can't go fumbling at the damned eggs.
|
|
|
|
He hacked through the fry on the dish and slapped it out on three
|
|
plates, saying:
|
|
|
|
--_In nomine Patris et Filii et Spiritus Sancti._
|
|
|
|
Haines sat down to pour out the tea.
|
|
|
|
--I'm giving you two lumps each, he said. But, I say, Mulligan, you do
|
|
make strong tea, don't you?
|
|
|
|
Buck Mulligan, hewing thick slices from the loaf, said in an old woman's
|
|
wheedling voice:
|
|
|
|
--When I makes tea I makes tea, as old mother Grogan said. And when I
|
|
makes water I makes water.
|
|
|
|
--By Jove, it is tea, Haines said.
|
|
|
|
Buck Mulligan went on hewing and wheedling:
|
|
|
|
--_So I do, Mrs Cahill,_ says she. _Begob, ma'am,_ says Mrs Cahill, _God
|
|
send you don't make them in the one pot._
|
|
|
|
He lunged towards his messmates in turn a thick slice of bread, impaled
|
|
on his knife.
|
|
|
|
--That's folk, he said very earnestly, for your book, Haines. Five
|
|
lines of text and ten pages of notes about the folk and the fishgods of
|
|
Dundrum. Printed by the weird sisters in the year of the big wind.
|
|
|
|
He turned to Stephen and asked in a fine puzzled voice, lifting his
|
|
brows:
|
|
|
|
--Can you recall, brother, is mother Grogan's tea and water pot spoken
|
|
of in the Mabinogion or is it in the Upanishads?
|
|
|
|
--I doubt it, said Stephen gravely.
|
|
|
|
--Do you now? Buck Mulligan said in the same tone. Your reasons, pray?
|
|
|
|
--I fancy, Stephen said as he ate, it did not exist in or out of the
|
|
Mabinogion. Mother Grogan was, one imagines, a kinswoman of Mary Ann.
|
|
|
|
Buck Mulligan's face smiled with delight.
|
|
|
|
--Charming! he said in a finical sweet voice, showing his white teeth
|
|
and blinking his eyes pleasantly. Do you think she was? Quite charming!
|
|
|
|
Then, suddenly overclouding all his features, he growled in a hoarsened
|
|
rasping voice as he hewed again vigorously at the loaf:
|
|
|
|
_--For old Mary Ann
|
|
She doesn't care a damn.
|
|
But, hising up her petticoats..._
|
|
|
|
|
|
He crammed his mouth with fry and munched and droned.
|
|
|
|
The doorway was darkened by an entering form.
|
|
|
|
--The milk, sir!
|
|
|
|
--Come in, ma'am, Mulligan said. Kinch, get the jug.
|
|
|
|
An old woman came forward and stood by Stephen's elbow.
|
|
|
|
--That's a lovely morning, sir, she said. Glory be to God.
|
|
|
|
--To whom? Mulligan said, glancing at her. Ah, to be sure!
|
|
|
|
Stephen reached back and took the milkjug from the locker.
|
|
|
|
--The islanders, Mulligan said to Haines casually, speak frequently of
|
|
the collector of prepuces.
|
|
|
|
--How much, sir? asked the old woman.
|
|
|
|
--A quart, Stephen said.
|
|
|
|
He watched her pour into the measure and thence into the jug rich white
|
|
milk, not hers. Old shrunken paps. She poured again a measureful and
|
|
a tilly. Old and secret she had entered from a morning world, maybe
|
|
a messenger. She praised the goodness of the milk, pouring it out.
|
|
Crouching by a patient cow at daybreak in the lush field, a witch on her
|
|
toadstool, her wrinkled fingers quick at the squirting dugs. They lowed
|
|
about her whom they knew, dewsilky cattle. Silk of the kine and poor old
|
|
woman, names given her in old times. A wandering crone, lowly form of
|
|
an immortal serving her conqueror and her gay betrayer, their common
|
|
cuckquean, a messenger from the secret morning. To serve or to upbraid,
|
|
whether he could not tell: but scorned to beg her favour.
|
|
|
|
--It is indeed, ma'am, Buck Mulligan said, pouring milk into their cups.
|
|
|
|
--Taste it, sir, she said.
|
|
|
|
He drank at her bidding.
|
|
|
|
--If we could live on good food like that, he said to her somewhat
|
|
loudly, we wouldn't have the country full of rotten teeth and rotten
|
|
guts. Living in a bogswamp, eating cheap food and the streets paved with
|
|
dust, horsedung and consumptives' spits.
|
|
|
|
--Are you a medical student, sir? the old woman asked.
|
|
|
|
--I am, ma'am, Buck Mulligan answered.
|
|
|
|
--Look at that now, she said.
|
|
|
|
Stephen listened in scornful silence. She bows her old head to a voice
|
|
that speaks to her loudly, her bonesetter, her medicineman: me she
|
|
slights. To the voice that will shrive and oil for the grave all there
|
|
is of her but her woman's unclean loins, of man's flesh made not in
|
|
God's likeness, the serpent's prey. And to the loud voice that now bids
|
|
her be silent with wondering unsteady eyes.
|
|
|
|
--Do you understand what he says? Stephen asked her.
|
|
|
|
--Is it French you are talking, sir? the old woman said to Haines.
|
|
|
|
Haines spoke to her again a longer speech, confidently.
|
|
|
|
--Irish, Buck Mulligan said. Is there Gaelic on you?
|
|
|
|
--I thought it was Irish, she said, by the sound of it. Are you from the
|
|
west, sir?
|
|
|
|
--I am an Englishman, Haines answered.
|
|
|
|
--He's English, Buck Mulligan said, and he thinks we ought to speak
|
|
Irish in Ireland.
|
|
|
|
--Sure we ought to, the old woman said, and I'm ashamed I don't speak
|
|
the language myself. I'm told it's a grand language by them that knows.
|
|
|
|
--Grand is no name for it, said Buck Mulligan. Wonderful entirely. Fill
|
|
us out some more tea, Kinch. Would you like a cup, ma'am?
|
|
|
|
--No, thank you, sir, the old woman said, slipping the ring of the
|
|
milkcan on her forearm and about to go.
|
|
|
|
Haines said to her:
|
|
|
|
--Have you your bill? We had better pay her, Mulligan, hadn't we?
|
|
|
|
Stephen filled again the three cups.
|
|
|
|
--Bill, sir? she said, halting. Well, it's seven mornings a pint at
|
|
twopence is seven twos is a shilling and twopence over and these three
|
|
mornings a quart at fourpence is three quarts is a shilling. That's a
|
|
shilling and one and two is two and two, sir.
|
|
|
|
Buck Mulligan sighed and, having filled his mouth with a crust thickly
|
|
buttered on both sides, stretched forth his legs and began to search his
|
|
trouser pockets.
|
|
|
|
--Pay up and look pleasant, Haines said to him, smiling.
|
|
|
|
Stephen filled a third cup, a spoonful of tea colouring faintly the
|
|
thick rich milk. Buck Mulligan brought up a florin, twisted it round in
|
|
his fingers and cried:
|
|
|
|
--A miracle!
|
|
|
|
He passed it along the table towards the old woman, saying:
|
|
|
|
--Ask nothing more of me, sweet. All I can give you I give.
|
|
|
|
Stephen laid the coin in her uneager hand.
|
|
|
|
--We'll owe twopence, he said.
|
|
|
|
--Time enough, sir, she said, taking the coin. Time enough. Good
|
|
morning, sir.
|
|
|
|
She curtseyed and went out, followed by Buck Mulligan's tender chant:
|
|
|
|
_--Heart of my heart, were it more,
|
|
More would be laid at your feet._
|
|
|
|
|
|
He turned to Stephen and said:
|
|
|
|
--Seriously, Dedalus. I'm stony. Hurry out to your school kip and bring
|
|
us back some money. Today the bards must drink and junket. Ireland
|
|
expects that every man this day will do his duty.
|
|
|
|
--That reminds me, Haines said, rising, that I have to visit your
|
|
national library today.
|
|
|
|
--Our swim first, Buck Mulligan said.
|
|
|
|
He turned to Stephen and asked blandly:
|
|
|
|
--Is this the day for your monthly wash, Kinch?
|
|
|
|
Then he said to Haines:
|
|
|
|
--The unclean bard makes a point of washing once a month.
|
|
|
|
--All Ireland is washed by the gulfstream, Stephen said as he let honey
|
|
trickle over a slice of the loaf.
|
|
|
|
Haines from the corner where he was knotting easily a scarf about the
|
|
loose collar of his tennis shirt spoke:
|
|
|
|
--I intend to make a collection of your sayings if you will let me.
|
|
|
|
Speaking to me. They wash and tub and scrub. Agenbite of inwit.
|
|
Conscience. Yet here's a spot.
|
|
|
|
--That one about the cracked lookingglass of a servant being the symbol
|
|
of Irish art is deuced good.
|
|
|
|
Buck Mulligan kicked Stephen's foot under the table and said with warmth
|
|
of tone:
|
|
|
|
--Wait till you hear him on Hamlet, Haines.
|
|
|
|
--Well, I mean it, Haines said, still speaking to Stephen. I was just
|
|
thinking of it when that poor old creature came in.
|
|
|
|
--Would I make any money by it? Stephen asked.
|
|
|
|
Haines laughed and, as he took his soft grey hat from the holdfast of
|
|
the hammock, said:
|
|
|
|
--I don't know, I'm sure.
|
|
|
|
He strolled out to the doorway. Buck Mulligan bent across to Stephen and
|
|
said with coarse vigour:
|
|
|
|
--You put your hoof in it now. What did you say that for?
|
|
|
|
--Well? Stephen said. The problem is to get money. From whom? From the
|
|
milkwoman or from him. It's a toss up, I think.
|
|
|
|
--I blow him out about you, Buck Mulligan said, and then you come along
|
|
with your lousy leer and your gloomy jesuit jibes.
|
|
|
|
--I see little hope, Stephen said, from her or from him.
|
|
|
|
Buck Mulligan sighed tragically and laid his hand on Stephen's arm.
|
|
|
|
--From me, Kinch, he said.
|
|
|
|
In a suddenly changed tone he added:
|
|
|
|
--To tell you the God's truth I think you're right. Damn all else they
|
|
are good for. Why don't you play them as I do? To hell with them all.
|
|
Let us get out of the kip.
|
|
|
|
He stood up, gravely ungirdled and disrobed himself of his gown, saying
|
|
resignedly:
|
|
|
|
--Mulligan is stripped of his garments.
|
|
|
|
He emptied his pockets on to the table.
|
|
|
|
--There's your snotrag, he said.
|
|
|
|
And putting on his stiff collar and rebellious tie he spoke to them,
|
|
chiding them, and to his dangling watchchain. His hands plunged and
|
|
rummaged in his trunk while he called for a clean handkerchief. God,
|
|
we'll simply have to dress the character. I want puce gloves and
|
|
green boots. Contradiction. Do I contradict myself? Very well then, I
|
|
contradict myself. Mercurial Malachi. A limp black missile flew out of
|
|
his talking hands.
|
|
|
|
--And there's your Latin quarter hat, he said.
|
|
|
|
Stephen picked it up and put it on. Haines called to them from the
|
|
doorway:
|
|
|
|
--Are you coming, you fellows?
|
|
|
|
--I'm ready, Buck Mulligan answered, going towards the door. Come out,
|
|
Kinch. You have eaten all we left, I suppose. Resigned he passed out
|
|
with grave words and gait, saying, wellnigh with sorrow:
|
|
|
|
--And going forth he met Butterly.
|
|
|
|
Stephen, taking his ashplant from its leaningplace, followed them out
|
|
and, as they went down the ladder, pulled to the slow iron door and
|
|
locked it. He put the huge key in his inner pocket.
|
|
|
|
At the foot of the ladder Buck Mulligan asked:
|
|
|
|
--Did you bring the key?
|
|
|
|
--I have it, Stephen said, preceding them.
|
|
|
|
He walked on. Behind him he heard Buck Mulligan club with his heavy
|
|
bathtowel the leader shoots of ferns or grasses.
|
|
|
|
--Down, sir! How dare you, sir!
|
|
|
|
Haines asked:
|
|
|
|
--Do you pay rent for this tower?
|
|
|
|
--Twelve quid, Buck Mulligan said.
|
|
|
|
--To the secretary of state for war, Stephen added over his shoulder.
|
|
|
|
They halted while Haines surveyed the tower and said at last:
|
|
|
|
--Rather bleak in wintertime, I should say. Martello you call it?
|
|
|
|
--Billy Pitt had them built, Buck Mulligan said, when the French were on
|
|
the sea. But ours is the _omphalos_.
|
|
|
|
--What is your idea of Hamlet? Haines asked Stephen.
|
|
|
|
--No, no, Buck Mulligan shouted in pain. I'm not equal to Thomas Aquinas
|
|
and the fiftyfive reasons he has made out to prop it up. Wait till I
|
|
have a few pints in me first.
|
|
|
|
He turned to Stephen, saying, as he pulled down neatly the peaks of his
|
|
primrose waistcoat:
|
|
|
|
--You couldn't manage it under three pints, Kinch, could you?
|
|
|
|
--It has waited so long, Stephen said listlessly, it can wait longer.
|
|
|
|
--You pique my curiosity, Haines said amiably. Is it some paradox?
|
|
|
|
--Pooh! Buck Mulligan said. We have grown out of Wilde and paradoxes.
|
|
It's quite simple. He proves by algebra that Hamlet's grandson is
|
|
Shakespeare's grandfather and that he himself is the ghost of his own
|
|
father.
|
|
|
|
--What? Haines said, beginning to point at Stephen. He himself?
|
|
|
|
Buck Mulligan slung his towel stolewise round his neck and, bending in
|
|
loose laughter, said to Stephen's ear:
|
|
|
|
--O, shade of Kinch the elder! Japhet in search of a father!
|
|
|
|
--We're always tired in the morning, Stephen said to Haines. And it is
|
|
rather long to tell.
|
|
|
|
Buck Mulligan, walking forward again, raised his hands.
|
|
|
|
--The sacred pint alone can unbind the tongue of Dedalus, he said.
|
|
|
|
--I mean to say, Haines explained to Stephen as they followed, this
|
|
tower and these cliffs here remind me somehow of Elsinore. _That beetles
|
|
o'er his base into the sea,_ isn't it?
|
|
|
|
Buck Mulligan turned suddenly for an instant towards Stephen but did
|
|
not speak. In the bright silent instant Stephen saw his own image in
|
|
cheap dusty mourning between their gay attires.
|
|
|
|
--It's a wonderful tale, Haines said, bringing them to halt again.
|
|
|
|
Eyes, pale as the sea the wind had freshened, paler, firm and prudent.
|
|
The seas' ruler, he gazed southward over the bay, empty save for the
|
|
smokeplume of the mailboat vague on the bright skyline and a sail
|
|
tacking by the Muglins.
|
|
|
|
--I read a theological interpretation of it somewhere, he said bemused.
|
|
The Father and the Son idea. The Son striving to be atoned with the
|
|
Father.
|
|
|
|
Buck Mulligan at once put on a blithe broadly smiling face. He looked
|
|
at them, his wellshaped mouth open happily, his eyes, from which he had
|
|
suddenly withdrawn all shrewd sense, blinking with mad gaiety. He moved
|
|
a doll's head to and fro, the brims of his Panama hat quivering, and
|
|
began to chant in a quiet happy foolish voice:
|
|
|
|
_--I'm the queerest young fellow that ever you heard.
|
|
My mother's a jew, my father's a bird.
|
|
With Joseph the joiner I cannot agree.
|
|
So here's to disciples and Calvary._
|
|
|
|
|
|
He held up a forefinger of warning.
|
|
|
|
_--If anyone thinks that I amn't divine
|
|
He'll get no free drinks when I'm making the wine
|
|
But have to drink water and wish it were plain
|
|
That i make when the wine becomes water again._
|
|
|
|
|
|
He tugged swiftly at Stephen's ashplant in farewell and, running forward
|
|
to a brow of the cliff, fluttered his hands at his sides like fins or
|
|
wings of one about to rise in the air, and chanted:
|
|
|
|
_--Goodbye, now, goodbye! Write down all I said
|
|
And tell Tom, Dick and Harry I rose from the dead.
|
|
What's bred in the bone cannot fail me to fly
|
|
And Olivet's breezy... Goodbye, now, goodbye!_
|
|
|
|
|
|
He capered before them down towards the fortyfoot hole, fluttering his
|
|
winglike hands, leaping nimbly, Mercury's hat quivering in the fresh
|
|
wind that bore back to them his brief birdsweet cries.
|
|
|
|
Haines, who had been laughing guardedly, walked on beside Stephen and
|
|
said:
|
|
|
|
--We oughtn't to laugh, I suppose. He's rather blasphemous. I'm not a
|
|
believer myself, that is to say. Still his gaiety takes the harm out of
|
|
it somehow, doesn't it? What did he call it? Joseph the Joiner?
|
|
|
|
--The ballad of joking Jesus, Stephen answered.
|
|
|
|
--O, Haines said, you have heard it before?
|
|
|
|
--Three times a day, after meals, Stephen said drily.
|
|
|
|
--You're not a believer, are you? Haines asked. I mean, a believer in
|
|
the narrow sense of the word. Creation from nothing and miracles and a
|
|
personal God.
|
|
|
|
--There's only one sense of the word, it seems to me, Stephen said.
|
|
|
|
Haines stopped to take out a smooth silver case in which twinkled a
|
|
green stone. He sprang it open with his thumb and offered it.
|
|
|
|
--Thank you, Stephen said, taking a cigarette.
|
|
|
|
Haines helped himself and snapped the case to. He put it back in his
|
|
sidepocket and took from his waistcoatpocket a nickel tinderbox, sprang
|
|
it open too, and, having lit his cigarette, held the flaming spunk
|
|
towards Stephen in the shell of his hands.
|
|
|
|
--Yes, of course, he said, as they went on again. Either you believe
|
|
or you don't, isn't it? Personally I couldn't stomach that idea of a
|
|
personal God. You don't stand for that, I suppose?
|
|
|
|
--You behold in me, Stephen said with grim displeasure, a horrible
|
|
example of free thought.
|
|
|
|
He walked on, waiting to be spoken to, trailing his ashplant by his
|
|
side. Its ferrule followed lightly on the path, squealing at his heels.
|
|
My familiar, after me, calling, Steeeeeeeeeeeephen! A wavering line
|
|
along the path. They will walk on it tonight, coming here in the dark.
|
|
He wants that key. It is mine. I paid the rent. Now I eat his salt
|
|
bread. Give him the key too. All. He will ask for it. That was in his
|
|
eyes.
|
|
|
|
--After all, Haines began...
|
|
|
|
Stephen turned and saw that the cold gaze which had measured him was not
|
|
all unkind.
|
|
|
|
--After all, I should think you are able to free yourself. You are your
|
|
own master, it seems to me.
|
|
|
|
--I am a servant of two masters, Stephen said, an English and an
|
|
Italian.
|
|
|
|
--Italian? Haines said.
|
|
|
|
A crazy queen, old and jealous. Kneel down before me.
|
|
|
|
--And a third, Stephen said, there is who wants me for odd jobs.
|
|
|
|
--Italian? Haines said again. What do you mean?
|
|
|
|
--The imperial British state, Stephen answered, his colour rising, and
|
|
the holy Roman catholic and apostolic church.
|
|
|
|
Haines detached from his underlip some fibres of tobacco before he
|
|
spoke.
|
|
|
|
--I can quite understand that, he said calmly. An Irishman must think
|
|
like that, I daresay. We feel in England that we have treated you rather
|
|
unfairly. It seems history is to blame.
|
|
|
|
The proud potent titles clanged over Stephen's memory the triumph
|
|
of their brazen bells: _et unam sanctam catholicam et apostolicam
|
|
ecclesiam:_ the slow growth and change of rite and dogma like his own
|
|
rare thoughts, a chemistry of stars. Symbol of the apostles in the
|
|
mass for pope Marcellus, the voices blended, singing alone loud in
|
|
affirmation: and behind their chant the vigilant angel of the church
|
|
militant disarmed and menaced her heresiarchs. A horde of heresies
|
|
fleeing with mitres awry: Photius and the brood of mockers of
|
|
whom Mulligan was one, and Arius, warring his life long upon the
|
|
consubstantiality of the Son with the Father, and Valentine, spurning
|
|
Christ's terrene body, and the subtle African heresiarch Sabellius who
|
|
held that the Father was Himself His own Son. Words Mulligan had spoken
|
|
a moment since in mockery to the stranger. Idle mockery. The void
|
|
awaits surely all them that weave the wind: a menace, a disarming and a
|
|
worsting from those embattled angels of the church, Michael's host,
|
|
who defend her ever in the hour of conflict with their lances and their
|
|
shields.
|
|
|
|
Hear, hear! Prolonged applause. _Zut! Nom de Dieu!_
|
|
|
|
--Of course I'm a Britisher, Haines's voice said, and I feel as one. I
|
|
don't want to see my country fall into the hands of German jews either.
|
|
That's our national problem, I'm afraid, just now.
|
|
|
|
Two men stood at the verge of the cliff, watching: businessman, boatman.
|
|
|
|
--She's making for Bullock harbour.
|
|
|
|
The boatman nodded towards the north of the bay with some disdain.
|
|
|
|
--There's five fathoms out there, he said. It'll be swept up that way
|
|
when the tide comes in about one. It's nine days today.
|
|
|
|
The man that was drowned. A sail veering about the blank bay waiting
|
|
for a swollen bundle to bob up, roll over to the sun a puffy face,
|
|
saltwhite. Here I am.
|
|
|
|
They followed the winding path down to the creek. Buck Mulligan stood on
|
|
a stone, in shirtsleeves, his unclipped tie rippling over his shoulder.
|
|
A young man clinging to a spur of rock near him, moved slowly frogwise
|
|
his green legs in the deep jelly of the water.
|
|
|
|
--Is the brother with you, Malachi?
|
|
|
|
--Down in Westmeath. With the Bannons.
|
|
|
|
--Still there? I got a card from Bannon. Says he found a sweet young
|
|
thing down there. Photo girl he calls her.
|
|
|
|
--Snapshot, eh? Brief exposure.
|
|
|
|
Buck Mulligan sat down to unlace his boots. An elderly man shot up near
|
|
the spur of rock a blowing red face. He scrambled up by the stones,
|
|
water glistening on his pate and on its garland of grey hair, water
|
|
rilling over his chest and paunch and spilling jets out of his black
|
|
sagging loincloth.
|
|
|
|
Buck Mulligan made way for him to scramble past and, glancing at Haines
|
|
and Stephen, crossed himself piously with his thumbnail at brow and lips
|
|
and breastbone.
|
|
|
|
--Seymour's back in town, the young man said, grasping again his spur of
|
|
rock. Chucked medicine and going in for the army.
|
|
|
|
--Ah, go to God! Buck Mulligan said.
|
|
|
|
--Going over next week to stew. You know that red Carlisle girl, Lily?
|
|
|
|
--Yes.
|
|
|
|
--Spooning with him last night on the pier. The father is rotto with
|
|
money.
|
|
|
|
--Is she up the pole?
|
|
|
|
--Better ask Seymour that.
|
|
|
|
--Seymour a bleeding officer! Buck Mulligan said.
|
|
|
|
He nodded to himself as he drew off his trousers and stood up, saying
|
|
tritely:
|
|
|
|
--Redheaded women buck like goats.
|
|
|
|
He broke off in alarm, feeling his side under his flapping shirt.
|
|
|
|
--My twelfth rib is gone, he cried. I'm the _Uebermensch._ Toothless
|
|
Kinch and I, the supermen.
|
|
|
|
He struggled out of his shirt and flung it behind him to where his
|
|
clothes lay.
|
|
|
|
--Are you going in here, Malachi?
|
|
|
|
--Yes. Make room in the bed.
|
|
|
|
The young man shoved himself backward through the water and reached
|
|
the middle of the creek in two long clean strokes. Haines sat down on a
|
|
stone, smoking.
|
|
|
|
--Are you not coming in? Buck Mulligan asked.
|
|
|
|
--Later on, Haines said. Not on my breakfast.
|
|
|
|
Stephen turned away.
|
|
|
|
--I'm going, Mulligan, he said.
|
|
|
|
--Give us that key, Kinch, Buck Mulligan said, to keep my chemise flat.
|
|
|
|
Stephen handed him the key. Buck Mulligan laid it across his heaped
|
|
clothes.
|
|
|
|
--And twopence, he said, for a pint. Throw it there.
|
|
|
|
Stephen threw two pennies on the soft heap. Dressing, undressing. Buck
|
|
Mulligan erect, with joined hands before him, said solemnly:
|
|
|
|
--He who stealeth from the poor lendeth to the Lord. Thus spake
|
|
Zarathustra.
|
|
|
|
His plump body plunged.
|
|
|
|
--We'll see you again, Haines said, turning as Stephen walked up the
|
|
path and smiling at wild Irish.
|
|
|
|
Horn of a bull, hoof of a horse, smile of a Saxon.
|
|
|
|
--The Ship, Buck Mulligan cried. Half twelve.
|
|
|
|
--Good, Stephen said.
|
|
|
|
He walked along the upwardcurving path.
|
|
|
|
_Liliata rutilantium.
|
|
Turma circumdet.
|
|
Iubilantium te virginum._
|
|
|
|
|
|
The priest's grey nimbus in a niche where he dressed discreetly. I will
|
|
not sleep here tonight. Home also I cannot go.
|
|
|
|
A voice, sweettoned and sustained, called to him from the sea. Turning
|
|
the curve he waved his hand. It called again. A sleek brown head, a
|
|
seal's, far out on the water, round.
|
|
|
|
Usurper.
|
|
|
|
|
|
|
|
--You, Cochrane, what city sent for him?
|
|
|
|
--Tarentum, sir.
|
|
|
|
--Very good. Well?
|
|
|
|
--There was a battle, sir.
|
|
|
|
--Very good. Where?
|
|
|
|
The boy's blank face asked the blank window.
|
|
|
|
Fabled by the daughters of memory. And yet it was in some way if not as
|
|
memory fabled it. A phrase, then, of impatience, thud of Blake's wings
|
|
of excess. I hear the ruin of all space, shattered glass and toppling
|
|
masonry, and time one livid final flame. What's left us then?
|
|
|
|
--I forget the place, sir. 279 B. C.
|
|
|
|
--Asculum, Stephen said, glancing at the name and date in the
|
|
gorescarred book.
|
|
|
|
--Yes, sir. And he said: _Another victory like that and we are done
|
|
for._
|
|
|
|
That phrase the world had remembered. A dull ease of the mind. From
|
|
a hill above a corpsestrewn plain a general speaking to his officers,
|
|
leaned upon his spear. Any general to any officers. They lend ear.
|
|
|
|
--You, Armstrong, Stephen said. What was the end of Pyrrhus?
|
|
|
|
--End of Pyrrhus, sir?
|
|
|
|
--I know, sir. Ask me, sir, Comyn said.
|
|
|
|
--Wait. You, Armstrong. Do you know anything about Pyrrhus?
|
|
|
|
A bag of figrolls lay snugly in Armstrong's satchel. He curled them
|
|
between his palms at whiles and swallowed them softly. Crumbs adhered to
|
|
the tissue of his lips. A sweetened boy's breath. Welloff people, proud
|
|
that their eldest son was in the navy. Vico road, Dalkey.
|
|
|
|
--Pyrrhus, sir? Pyrrhus, a pier.
|
|
|
|
All laughed. Mirthless high malicious laughter. Armstrong looked round
|
|
at his classmates, silly glee in profile. In a moment they will laugh
|
|
more loudly, aware of my lack of rule and of the fees their papas pay.
|
|
|
|
--Tell me now, Stephen said, poking the boy's shoulder with the book,
|
|
what is a pier.
|
|
|
|
--A pier, sir, Armstrong said. A thing out in the water. A kind of a
|
|
bridge. Kingstown pier, sir.
|
|
|
|
Some laughed again: mirthless but with meaning. Two in the back bench
|
|
whispered. Yes. They knew: had never learned nor ever been innocent.
|
|
All. With envy he watched their faces: Edith, Ethel, Gerty, Lily. Their
|
|
likes: their breaths, too, sweetened with tea and jam, their bracelets
|
|
tittering in the struggle.
|
|
|
|
--Kingstown pier, Stephen said. Yes, a disappointed bridge.
|
|
|
|
The words troubled their gaze.
|
|
|
|
--How, sir? Comyn asked. A bridge is across a river.
|
|
|
|
For Haines's chapbook. No-one here to hear. Tonight deftly amid wild
|
|
drink and talk, to pierce the polished mail of his mind. What then? A
|
|
jester at the court of his master, indulged and disesteemed, winning a
|
|
clement master's praise. Why had they chosen all that part? Not wholly
|
|
for the smooth caress. For them too history was a tale like any other
|
|
too often heard, their land a pawnshop.
|
|
|
|
Had Pyrrhus not fallen by a beldam's hand in Argos or Julius Caesar not
|
|
been knifed to death. They are not to be thought away. Time has
|
|
branded them and fettered they are lodged in the room of the infinite
|
|
possibilities they have ousted. But can those have been possible seeing
|
|
that they never were? Or was that only possible which came to pass?
|
|
Weave, weaver of the wind.
|
|
|
|
--Tell us a story, sir.
|
|
|
|
--O, do, sir. A ghoststory.
|
|
|
|
--Where do you begin in this? Stephen asked, opening another book.
|
|
|
|
-_-Weep no more,_ Comyn said.
|
|
|
|
--Go on then, Talbot.
|
|
|
|
--And the story, sir?
|
|
|
|
--After, Stephen said. Go on, Talbot.
|
|
|
|
A swarthy boy opened a book and propped it nimbly under the breastwork
|
|
of his satchel. He recited jerks of verse with odd glances at the text:
|
|
|
|
_--Weep no more, woful shepherds, weep no more
|
|
For Lycidas, your sorrow, is not dead,
|
|
Sunk though he be beneath the watery floor..._
|
|
|
|
|
|
It must be a movement then, an actuality of the possible as possible.
|
|
Aristotle's phrase formed itself within the gabbled verses and floated
|
|
out into the studious silence of the library of Saint Genevieve where he
|
|
had read, sheltered from the sin of Paris, night by night. By his elbow
|
|
a delicate Siamese conned a handbook of strategy. Fed and feeding brains
|
|
about me: under glowlamps, impaled, with faintly beating feelers: and
|
|
in my mind's darkness a sloth of the underworld, reluctant, shy of
|
|
brightness, shifting her dragon scaly folds. Thought is the thought of
|
|
thought. Tranquil brightness. The soul is in a manner all that is: the
|
|
soul is the form of forms. Tranquility sudden, vast, candescent: form of
|
|
forms.
|
|
|
|
Talbot repeated:
|
|
|
|
_--Through the dear might of Him that walked the waves,
|
|
Through the dear might..._
|
|
|
|
|
|
--Turn over, Stephen said quietly. I don't see anything.
|
|
|
|
--What, sir? Talbot asked simply, bending forward.
|
|
|
|
His hand turned the page over. He leaned back and went on again, having
|
|
just remembered. Of him that walked the waves. Here also over these
|
|
craven hearts his shadow lies and on the scoffer's heart and lips and
|
|
on mine. It lies upon their eager faces who offered him a coin of the
|
|
tribute. To Caesar what is Caesar's, to God what is God's. A long
|
|
look from dark eyes, a riddling sentence to be woven and woven on the
|
|
church's looms. Ay.
|
|
|
|
_Riddle me, riddle me, randy ro.
|
|
My father gave me seeds to sow._
|
|
|
|
|
|
Talbot slid his closed book into his satchel.
|
|
|
|
--Have I heard all? Stephen asked.
|
|
|
|
--Yes, sir. Hockey at ten, sir.
|
|
|
|
--Half day, sir. Thursday.
|
|
|
|
--Who can answer a riddle? Stephen asked.
|
|
|
|
They bundled their books away, pencils clacking, pages rustling.
|
|
Crowding together they strapped and buckled their satchels, all gabbling
|
|
gaily:
|
|
|
|
--A riddle, sir? Ask me, sir.
|
|
|
|
--O, ask me, sir.
|
|
|
|
--A hard one, sir.
|
|
|
|
--This is the riddle, Stephen said:
|
|
|
|
_The cock crew,
|
|
The sky was blue:
|
|
The bells in heaven
|
|
Were striking eleven.
|
|
'Tis time for this poor soul
|
|
To go to heaven._
|
|
|
|
|
|
What is that?
|
|
|
|
--What, sir?
|
|
|
|
--Again, sir. We didn't hear.
|
|
|
|
Their eyes grew bigger as the lines were repeated. After a silence
|
|
Cochrane said:
|
|
|
|
--What is it, sir? We give it up.
|
|
|
|
Stephen, his throat itching, answered:
|
|
|
|
--The fox burying his grandmother under a hollybush.
|
|
|
|
He stood up and gave a shout of nervous laughter to which their cries
|
|
echoed dismay.
|
|
|
|
A stick struck the door and a voice in the corridor called:
|
|
|
|
--Hockey!
|
|
|
|
They broke asunder, sidling out of their benches, leaping them. Quickly
|
|
they were gone and from the lumberroom came the rattle of sticks and
|
|
clamour of their boots and tongues.
|
|
|
|
Sargent who alone had lingered came forward slowly, showing an open
|
|
copybook. His thick hair and scraggy neck gave witness of unreadiness
|
|
and through his misty glasses weak eyes looked up pleading. On his
|
|
cheek, dull and bloodless, a soft stain of ink lay, dateshaped, recent
|
|
and damp as a snail's bed.
|
|
|
|
He held out his copybook. The word _Sums_ was written on the headline.
|
|
Beneath were sloping figures and at the foot a crooked signature with
|
|
blind loops and a blot. Cyril Sargent: his name and seal.
|
|
|
|
--Mr Deasy told me to write them out all again, he said, and show them
|
|
to you, sir.
|
|
|
|
Stephen touched the edges of the book. Futility.
|
|
|
|
--Do you understand how to do them now? he asked.
|
|
|
|
--Numbers eleven to fifteen, Sargent answered. Mr Deasy said I was to
|
|
copy them off the board, sir.
|
|
|
|
--Can you do them yourself? Stephen asked.
|
|
|
|
--No, sir.
|
|
|
|
Ugly and futile: lean neck and thick hair and a stain of ink, a snail's
|
|
bed. Yet someone had loved him, borne him in her arms and in her heart.
|
|
But for her the race of the world would have trampled him underfoot,
|
|
a squashed boneless snail. She had loved his weak watery blood drained
|
|
from her own. Was that then real? The only true thing in life? His
|
|
mother's prostrate body the fiery Columbanus in holy zeal bestrode.
|
|
She was no more: the trembling skeleton of a twig burnt in the fire,
|
|
an odour of rosewood and wetted ashes. She had saved him from being
|
|
trampled underfoot and had gone, scarcely having been. A poor soul
|
|
gone to heaven: and on a heath beneath winking stars a fox, red reek
|
|
of rapine in his fur, with merciless bright eyes scraped in the earth,
|
|
listened, scraped up the earth, listened, scraped and scraped.
|
|
|
|
Sitting at his side Stephen solved out the problem. He proves by algebra
|
|
that Shakespeare's ghost is Hamlet's grandfather. Sargent peered askance
|
|
through his slanted glasses. Hockeysticks rattled in the lumberroom: the
|
|
hollow knock of a ball and calls from the field.
|
|
|
|
Across the page the symbols moved in grave morrice, in the mummery of
|
|
their letters, wearing quaint caps of squares and cubes. Give hands,
|
|
traverse, bow to partner: so: imps of fancy of the Moors. Gone too from
|
|
the world, Averroes and Moses Maimonides, dark men in mien and movement,
|
|
flashing in their mocking mirrors the obscure soul of the world, a
|
|
darkness shining in brightness which brightness could not comprehend.
|
|
|
|
--Do you understand now? Can you work the second for yourself?
|
|
|
|
--Yes, sir.
|
|
|
|
In long shaky strokes Sargent copied the data. Waiting always for a word
|
|
of help his hand moved faithfully the unsteady symbols, a faint hue of
|
|
shame flickering behind his dull skin. _Amor matris:_ subjective and
|
|
objective genitive. With her weak blood and wheysour milk she had fed
|
|
him and hid from sight of others his swaddling bands.
|
|
|
|
Like him was I, these sloping shoulders, this gracelessness. My
|
|
childhood bends beside me. Too far for me to lay a hand there once or
|
|
lightly. Mine is far and his secret as our eyes. Secrets, silent, stony
|
|
sit in the dark palaces of both our hearts: secrets weary of their
|
|
tyranny: tyrants, willing to be dethroned.
|
|
|
|
The sum was done.
|
|
|
|
--It is very simple, Stephen said as he stood up.
|
|
|
|
--Yes, sir. Thanks, Sargent answered.
|
|
|
|
He dried the page with a sheet of thin blottingpaper and carried his
|
|
copybook back to his bench.
|
|
|
|
--You had better get your stick and go out to the others, Stephen said
|
|
as he followed towards the door the boy's graceless form.
|
|
|
|
--Yes, sir.
|
|
|
|
In the corridor his name was heard, called from the playfield.
|
|
|
|
--Sargent!
|
|
|
|
--Run on, Stephen said. Mr Deasy is calling you.
|
|
|
|
He stood in the porch and watched the laggard hurry towards the scrappy
|
|
field where sharp voices were in strife. They were sorted in teams and
|
|
Mr Deasy came away stepping over wisps of grass with gaitered feet. When
|
|
he had reached the schoolhouse voices again contending called to him. He
|
|
turned his angry white moustache.
|
|
|
|
--What is it now? he cried continually without listening.
|
|
|
|
--Cochrane and Halliday are on the same side, sir, Stephen said.
|
|
|
|
--Will you wait in my study for a moment, Mr Deasy said, till I restore
|
|
order here.
|
|
|
|
And as he stepped fussily back across the field his old man's voice
|
|
cried sternly:
|
|
|
|
--What is the matter? What is it now?
|
|
|
|
Their sharp voices cried about him on all sides: their many forms closed
|
|
round him, the garish sunshine bleaching the honey of his illdyed head.
|
|
|
|
Stale smoky air hung in the study with the smell of drab abraded leather
|
|
of its chairs. As on the first day he bargained with me here. As it was
|
|
in the beginning, is now. On the sideboard the tray of Stuart coins,
|
|
base treasure of a bog: and ever shall be. And snug in their spooncase
|
|
of purple plush, faded, the twelve apostles having preached to all the
|
|
gentiles: world without end.
|
|
|
|
A hasty step over the stone porch and in the corridor. Blowing out his
|
|
rare moustache Mr Deasy halted at the table.
|
|
|
|
--First, our little financial settlement, he said.
|
|
|
|
He brought out of his coat a pocketbook bound by a leather thong. It
|
|
slapped open and he took from it two notes, one of joined halves, and
|
|
laid them carefully on the table.
|
|
|
|
--Two, he said, strapping and stowing his pocketbook away.
|
|
|
|
And now his strongroom for the gold. Stephen's embarrassed hand moved
|
|
over the shells heaped in the cold stone mortar: whelks and money
|
|
cowries and leopard shells: and this, whorled as an emir's turban, and
|
|
this, the scallop of saint James. An old pilgrim's hoard, dead treasure,
|
|
hollow shells.
|
|
|
|
A sovereign fell, bright and new, on the soft pile of the tablecloth.
|
|
|
|
--Three, Mr Deasy said, turning his little savingsbox about in his hand.
|
|
These are handy things to have. See. This is for sovereigns. This is for
|
|
shillings. Sixpences, halfcrowns. And here crowns. See.
|
|
|
|
He shot from it two crowns and two shillings.
|
|
|
|
--Three twelve, he said. I think you'll find that's right.
|
|
|
|
--Thank you, sir, Stephen said, gathering the money together with shy
|
|
haste and putting it all in a pocket of his trousers.
|
|
|
|
--No thanks at all, Mr Deasy said. You have earned it.
|
|
|
|
Stephen's hand, free again, went back to the hollow shells. Symbols too
|
|
of beauty and of power. A lump in my pocket: symbols soiled by greed and
|
|
misery.
|
|
|
|
--Don't carry it like that, Mr Deasy said. You'll pull it out somewhere
|
|
and lose it. You just buy one of these machines. You'll find them very
|
|
handy.
|
|
|
|
Answer something.
|
|
|
|
--Mine would be often empty, Stephen said.
|
|
|
|
The same room and hour, the same wisdom: and I the same. Three times
|
|
now. Three nooses round me here. Well? I can break them in this instant
|
|
if I will.
|
|
|
|
--Because you don't save, Mr Deasy said, pointing his finger. You don't
|
|
know yet what money is. Money is power. When you have lived as long as I
|
|
have. I know, I know. If youth but knew. But what does Shakespeare say?
|
|
_Put but money in thy purse._
|
|
|
|
--Iago, Stephen murmured.
|
|
|
|
He lifted his gaze from the idle shells to the old man's stare.
|
|
|
|
--He knew what money was, Mr Deasy said. He made money. A poet, yes, but
|
|
an Englishman too. Do you know what is the pride of the English? Do you
|
|
know what is the proudest word you will ever hear from an Englishman's
|
|
mouth?
|
|
|
|
The seas' ruler. His seacold eyes looked on the empty bay: it seems
|
|
history is to blame: on me and on my words, unhating.
|
|
|
|
--That on his empire, Stephen said, the sun never sets.
|
|
|
|
--Ba! Mr Deasy cried. That's not English. A French Celt said that. He
|
|
tapped his savingsbox against his thumbnail.
|
|
|
|
--I will tell you, he said solemnly, what is his proudest boast. _I paid
|
|
my way._
|
|
|
|
Good man, good man.
|
|
|
|
_--I paid my way. I never borrowed a shilling in my life._ Can you feel
|
|
that? _I owe nothing._ Can you?
|
|
|
|
Mulligan, nine pounds, three pairs of socks, one pair brogues, ties.
|
|
Curran, ten guineas. McCann, one guinea. Fred Ryan, two shillings.
|
|
Temple, two lunches. Russell, one guinea, Cousins, ten shillings, Bob
|
|
Reynolds, half a guinea, Koehler, three guineas, Mrs MacKernan, five
|
|
weeks' board. The lump I have is useless.
|
|
|
|
--For the moment, no, Stephen answered.
|
|
|
|
Mr Deasy laughed with rich delight, putting back his savingsbox.
|
|
|
|
--I knew you couldn't, he said joyously. But one day you must feel it.
|
|
We are a generous people but we must also be just.
|
|
|
|
--I fear those big words, Stephen said, which make us so unhappy.
|
|
|
|
Mr Deasy stared sternly for some moments over the mantelpiece at the
|
|
shapely bulk of a man in tartan filibegs: Albert Edward, prince of
|
|
Wales.
|
|
|
|
--You think me an old fogey and an old tory, his thoughtful voice said.
|
|
I saw three generations since O'Connell's time. I remember the famine in
|
|
'46. Do you know that the orange lodges agitated for repeal of the
|
|
union twenty years before O'Connell did or before the prelates of your
|
|
communion denounced him as a demagogue? You fenians forget some things.
|
|
|
|
Glorious, pious and immortal memory. The lodge of Diamond in Armagh the
|
|
splendid behung with corpses of papishes. Hoarse, masked and armed, the
|
|
planters' covenant. The black north and true blue bible. Croppies lie
|
|
down.
|
|
|
|
Stephen sketched a brief gesture.
|
|
|
|
--I have rebel blood in me too, Mr Deasy said. On the spindle side. But
|
|
I am descended from sir John Blackwood who voted for the union. We are
|
|
all Irish, all kings' sons.
|
|
|
|
--Alas, Stephen said.
|
|
|
|
--_Per vias rectas_, Mr Deasy said firmly, was his motto. He voted for
|
|
it and put on his topboots to ride to Dublin from the Ards of Down to do
|
|
so.
|
|
|
|
_Lal the ral the ra
|
|
The rocky road to Dublin._
|
|
|
|
|
|
A gruff squire on horseback with shiny topboots. Soft day, sir John!
|
|
Soft day, your honour!... Day!... Day!... Two topboots jog dangling
|
|
on to Dublin. Lal the ral the ra. Lal the ral the raddy.
|
|
|
|
--That reminds me, Mr Deasy said. You can do me a favour, Mr Dedalus,
|
|
with some of your literary friends. I have a letter here for the press.
|
|
Sit down a moment. I have just to copy the end.
|
|
|
|
He went to the desk near the window, pulled in his chair twice and read
|
|
off some words from the sheet on the drum of his typewriter.
|
|
|
|
--Sit down. Excuse me, he said over his shoulder, _the dictates of
|
|
common sense._ Just a moment.
|
|
|
|
He peered from under his shaggy brows at the manuscript by his elbow
|
|
and, muttering, began to prod the stiff buttons of the keyboard slowly,
|
|
sometimes blowing as he screwed up the drum to erase an error.
|
|
|
|
Stephen seated himself noiselessly before the princely presence. Framed
|
|
around the walls images of vanished horses stood in homage, their meek
|
|
heads poised in air: lord Hastings' Repulse, the duke of Westminster's
|
|
Shotover, the duke of Beaufort's Ceylon, _prix de Paris_, 1866. Elfin
|
|
riders sat them, watchful of a sign. He saw their speeds, backing king's
|
|
colours, and shouted with the shouts of vanished crowds.
|
|
|
|
--Full stop, Mr Deasy bade his keys. But prompt ventilation of this
|
|
allimportant question...
|
|
|
|
Where Cranly led me to get rich quick, hunting his winners among the
|
|
mudsplashed brakes, amid the bawls of bookies on their pitches and reek
|
|
of the canteen, over the motley slush. Fair Rebel! Fair Rebel! Even
|
|
money the favourite: ten to one the field. Dicers and thimbleriggers
|
|
we hurried by after the hoofs, the vying caps and jackets and past
|
|
the meatfaced woman, a butcher's dame, nuzzling thirstily her clove of
|
|
orange.
|
|
|
|
Shouts rang shrill from the boys' playfield and a whirring whistle.
|
|
|
|
Again: a goal. I am among them, among their battling bodies in a medley,
|
|
the joust of life. You mean that knockkneed mother's darling who seems
|
|
to be slightly crawsick? Jousts. Time shocked rebounds, shock by shock.
|
|
Jousts, slush and uproar of battles, the frozen deathspew of the slain,
|
|
a shout of spearspikes baited with men's bloodied guts.
|
|
|
|
--Now then, Mr Deasy said, rising.
|
|
|
|
He came to the table, pinning together his sheets. Stephen stood up.
|
|
|
|
--I have put the matter into a nutshell, Mr Deasy said. It's about
|
|
the foot and mouth disease. Just look through it. There can be no two
|
|
opinions on the matter.
|
|
|
|
May I trespass on your valuable space. That doctrine of _laissez faire_
|
|
which so often in our history. Our cattle trade. The way of all our old
|
|
industries. Liverpool ring which jockeyed the Galway harbour scheme.
|
|
European conflagration. Grain supplies through the narrow waters of
|
|
the channel. The pluterperfect imperturbability of the department of
|
|
agriculture. Pardoned a classical allusion. Cassandra. By a woman who
|
|
was no better than she should be. To come to the point at issue.
|
|
|
|
--I don't mince words, do I? Mr Deasy asked as Stephen read on.
|
|
|
|
Foot and mouth disease. Known as Koch's preparation. Serum and virus.
|
|
Percentage of salted horses. Rinderpest. Emperor's horses at Murzsteg,
|
|
lower Austria. Veterinary surgeons. Mr Henry Blackwood Price. Courteous
|
|
offer a fair trial. Dictates of common sense. Allimportant question. In
|
|
every sense of the word take the bull by the horns. Thanking you for the
|
|
hospitality of your columns.
|
|
|
|
--I want that to be printed and read, Mr Deasy said. You will see at the
|
|
next outbreak they will put an embargo on Irish cattle. And it can
|
|
be cured. It is cured. My cousin, Blackwood Price, writes to me it is
|
|
regularly treated and cured in Austria by cattledoctors there. They
|
|
offer to come over here. I am trying to work up influence with
|
|
the department. Now I'm going to try publicity. I am surrounded by
|
|
difficulties, by... intrigues by... backstairs influence by...
|
|
|
|
He raised his forefinger and beat the air oldly before his voice spoke.
|
|
|
|
--Mark my words, Mr Dedalus, he said. England is in the hands of the
|
|
jews. In all the highest places: her finance, her press. And they are
|
|
the signs of a nation's decay. Wherever they gather they eat up the
|
|
nation's vital strength. I have seen it coming these years. As sure
|
|
as we are standing here the jew merchants are already at their work of
|
|
destruction. Old England is dying.
|
|
|
|
He stepped swiftly off, his eyes coming to blue life as they passed a
|
|
broad sunbeam. He faced about and back again.
|
|
|
|
--Dying, he said again, if not dead by now.
|
|
|
|
_The harlot's cry from street to street
|
|
Shall weave old England's windingsheet._
|
|
|
|
|
|
His eyes open wide in vision stared sternly across the sunbeam in which
|
|
he halted.
|
|
|
|
--A merchant, Stephen said, is one who buys cheap and sells dear, jew or
|
|
gentile, is he not?
|
|
|
|
--They sinned against the light, Mr Deasy said gravely. And you can see
|
|
the darkness in their eyes. And that is why they are wanderers on the
|
|
earth to this day.
|
|
|
|
On the steps of the Paris stock exchange the goldskinned men quoting
|
|
prices on their gemmed fingers. Gabble of geese. They swarmed loud,
|
|
uncouth about the temple, their heads thickplotting under maladroit silk
|
|
hats. Not theirs: these clothes, this speech, these gestures. Their full
|
|
slow eyes belied the words, the gestures eager and unoffending, but
|
|
knew the rancours massed about them and knew their zeal was vain. Vain
|
|
patience to heap and hoard. Time surely would scatter all. A hoard
|
|
heaped by the roadside: plundered and passing on. Their eyes knew their
|
|
years of wandering and, patient, knew the dishonours of their flesh.
|
|
|
|
--Who has not? Stephen said.
|
|
|
|
--What do you mean? Mr Deasy asked.
|
|
|
|
He came forward a pace and stood by the table. His underjaw fell
|
|
sideways open uncertainly. Is this old wisdom? He waits to hear from me.
|
|
|
|
--History, Stephen said, is a nightmare from which I am trying to awake.
|
|
|
|
From the playfield the boys raised a shout. A whirring whistle: goal.
|
|
What if that nightmare gave you a back kick?
|
|
|
|
--The ways of the Creator are not our ways, Mr Deasy said. All human
|
|
history moves towards one great goal, the manifestation of God.
|
|
|
|
Stephen jerked his thumb towards the window, saying:
|
|
|
|
--That is God.
|
|
|
|
Hooray! Ay! Whrrwhee!
|
|
|
|
--What? Mr Deasy asked.
|
|
|
|
--A shout in the street, Stephen answered, shrugging his shoulders.
|
|
|
|
Mr Deasy looked down and held for awhile the wings of his nose tweaked
|
|
between his fingers. Looking up again he set them free.
|
|
|
|
--I am happier than you are, he said. We have committed many errors and
|
|
many sins. A woman brought sin into the world. For a woman who was no
|
|
better than she should be, Helen, the runaway wife of Menelaus, ten
|
|
years the Greeks made war on Troy. A faithless wife first brought the
|
|
strangers to our shore here, MacMurrough's wife and her leman, O'Rourke,
|
|
prince of Breffni. A woman too brought Parnell low. Many errors, many
|
|
failures but not the one sin. I am a struggler now at the end of my
|
|
days. But I will fight for the right till the end.
|
|
|
|
_For Ulster will fight
|
|
And Ulster will be right._
|
|
|
|
|
|
Stephen raised the sheets in his hand.
|
|
|
|
--Well, sir, he began...
|
|
|
|
--I foresee, Mr Deasy said, that you will not remain here very long
|
|
at this work. You were not born to be a teacher, I think. Perhaps I am
|
|
wrong.
|
|
|
|
--A learner rather, Stephen said.
|
|
|
|
And here what will you learn more?
|
|
|
|
Mr Deasy shook his head.
|
|
|
|
--Who knows? he said. To learn one must be humble. But life is the great
|
|
teacher.
|
|
|
|
Stephen rustled the sheets again.
|
|
|
|
--As regards these, he began.
|
|
|
|
--Yes, Mr Deasy said. You have two copies there. If you can have them
|
|
published at once.
|
|
|
|
_ Telegraph. Irish Homestead._
|
|
|
|
--I will try, Stephen said, and let you know tomorrow. I know two
|
|
editors slightly.
|
|
|
|
--That will do, Mr Deasy said briskly. I wrote last night to Mr Field,
|
|
M.P. There is a meeting of the cattletraders' association today at the
|
|
City Arms hotel. I asked him to lay my letter before the meeting. You
|
|
see if you can get it into your two papers. What are they?
|
|
|
|
_--The Evening Telegraph..._
|
|
|
|
--That will do, Mr Deasy said. There is no time to lose. Now I have to
|
|
answer that letter from my cousin.
|
|
|
|
--Good morning, sir, Stephen said, putting the sheets in his pocket.
|
|
Thank you.
|
|
|
|
--Not at all, Mr Deasy said as he searched the papers on his desk. I
|
|
like to break a lance with you, old as I am.
|
|
|
|
--Good morning, sir, Stephen said again, bowing to his bent back.
|
|
|
|
He went out by the open porch and down the gravel path under the trees,
|
|
hearing the cries of voices and crack of sticks from the playfield.
|
|
The lions couchant on the pillars as he passed out through the gate:
|
|
toothless terrors. Still I will help him in his fight. Mulligan will dub
|
|
me a new name: the bullockbefriending bard.
|
|
|
|
--Mr Dedalus!
|
|
|
|
Running after me. No more letters, I hope.
|
|
|
|
--Just one moment.
|
|
|
|
--Yes, sir, Stephen said, turning back at the gate.
|
|
|
|
Mr Deasy halted, breathing hard and swallowing his breath.
|
|
|
|
--I just wanted to say, he said. Ireland, they say, has the honour of
|
|
being the only country which never persecuted the jews. Do you know
|
|
that? No. And do you know why?
|
|
|
|
He frowned sternly on the bright air.
|
|
|
|
--Why, sir? Stephen asked, beginning to smile.
|
|
|
|
--Because she never let them in, Mr Deasy said solemnly.
|
|
|
|
A coughball of laughter leaped from his throat dragging after it a
|
|
rattling chain of phlegm. He turned back quickly, coughing, laughing,
|
|
his lifted arms waving to the air.
|
|
|
|
--She never let them in, he cried again through his laughter as he
|
|
stamped on gaitered feet over the gravel of the path. That's why.
|
|
|
|
On his wise shoulders through the checkerwork of leaves the sun flung
|
|
spangles, dancing coins.
|
|
|
|
|
|
Ineluctable modality of the visible: at least that if no more, thought
|
|
through my eyes. Signatures of all things I am here to read, seaspawn
|
|
and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver,
|
|
rust: coloured signs. Limits of the diaphane. But he adds: in bodies.
|
|
Then he was aware of them bodies before of them coloured. How? By
|
|
knocking his sconce against them, sure. Go easy. Bald he was and a
|
|
millionaire, _maestro di color che sanno_. Limit of the diaphane in. Why
|
|
in? Diaphane, adiaphane. If you can put your five fingers through it it
|
|
is a gate, if not a door. Shut your eyes and see.
|
|
|
|
|
|
Stephen closed his eyes to hear his boots crush crackling wrack and
|
|
shells. You are walking through it howsomever. I am, a stride at a time.
|
|
A very short space of time through very short times of space. Five, six:
|
|
the _nacheinander_. Exactly: and that is the ineluctable modality of the
|
|
audible. Open your eyes. No. Jesus! If I fell over a cliff that beetles
|
|
o'er his base, fell through the _nebeneinander_ ineluctably! I am
|
|
getting on nicely in the dark. My ash sword hangs at my side. Tap with
|
|
it: they do. My two feet in his boots are at the ends of his legs,
|
|
_nebeneinander_. Sounds solid: made by the mallet of _Los Demiurgos_.
|
|
Am I walking into eternity along Sandymount strand? Crush, crack, crick,
|
|
crick. Wild sea money. Dominie Deasy kens them a'. Won't you come to
|
|
Sandymount, Madeline the mare?
|
|
|
|
|
|
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs
|
|
marching. No, agallop: _deline the mare_.
|
|
|
|
Open your eyes now. I will. One moment. Has all vanished since? If I
|
|
open and am for ever in the black adiaphane. _Basta_! I will see if I
|
|
can see.
|
|
|
|
See now. There all the time without you: and ever shall be, world
|
|
without end.
|
|
|
|
They came down the steps from Leahy's terrace prudently, _Frauenzimmer_:
|
|
and down the shelving shore flabbily, their splayed feet sinking in
|
|
the silted sand. Like me, like Algy, coming down to our mighty mother.
|
|
Number one swung lourdily her midwife's bag, the other's gamp poked in
|
|
the beach. From the liberties, out for the day. Mrs Florence MacCabe,
|
|
relict of the late Patk MacCabe, deeply lamented, of Bride Street. One
|
|
of her sisterhood lugged me squealing into life. Creation from nothing.
|
|
What has she in the bag? A misbirth with a trailing navelcord, hushed
|
|
in ruddy wool. The cords of all link back, strandentwining cable of
|
|
all flesh. That is why mystic monks. Will you be as gods? Gaze in your
|
|
omphalos. Hello! Kinch here. Put me on to Edenville. Aleph, alpha:
|
|
nought, nought, one.
|
|
|
|
Spouse and helpmate of Adam Kadmon: Heva, naked Eve. She had no navel.
|
|
Gaze. Belly without blemish, bulging big, a buckler of taut vellum,
|
|
no, whiteheaped corn, orient and immortal, standing from everlasting to
|
|
everlasting. Womb of sin.
|
|
|
|
Wombed in sin darkness I was too, made not begotten. By them, the man
|
|
with my voice and my eyes and a ghostwoman with ashes on her breath.
|
|
They clasped and sundered, did the coupler's will. From before the ages
|
|
He willed me and now may not will me away or ever. A _lex eterna_ stays
|
|
about Him. Is that then the divine substance wherein Father and Son are
|
|
consubstantial? Where is poor dear Arius to try conclusions? Warring
|
|
his life long upon the contransmagnificandjewbangtantiality. Illstarred
|
|
heresiarch' In a Greek watercloset he breathed his last: euthanasia.
|
|
With beaded mitre and with crozier, stalled upon his throne, widower of
|
|
a widowed see, with upstiffed omophorion, with clotted hinderparts.
|
|
|
|
Airs romped round him, nipping and eager airs. They are coming, waves.
|
|
The whitemaned seahorses, champing, brightwindbridled, the steeds of
|
|
Mananaan.
|
|
|
|
I mustn't forget his letter for the press. And after? The Ship, half
|
|
twelve. By the way go easy with that money like a good young imbecile.
|
|
|
|
Yes, I must.
|
|
|
|
His pace slackened. Here. Am I going to aunt Sara's or not? My
|
|
consubstantial father's voice. Did you see anything of your artist
|
|
brother Stephen lately? No? Sure he's not down in Strasburg terrace with
|
|
his aunt Sally? Couldn't he fly a bit higher than that, eh? And and and
|
|
and tell us, Stephen, how is uncle Si? O, weeping God, the things I
|
|
married into! De boys up in de hayloft. The drunken little costdrawer
|
|
and his brother, the cornet player. Highly respectable gondoliers! And
|
|
skeweyed Walter sirring his father, no less! Sir. Yes, sir. No, sir.
|
|
Jesus wept: and no wonder, by Christ!
|
|
|
|
I pull the wheezy bell of their shuttered cottage: and wait. They take
|
|
me for a dun, peer out from a coign of vantage.
|
|
|
|
--It's Stephen, sir.
|
|
|
|
--Let him in. Let Stephen in.
|
|
|
|
A bolt drawn back and Walter welcomes me.
|
|
|
|
--We thought you were someone else.
|
|
|
|
In his broad bed nuncle Richie, pillowed and blanketed, extends over the
|
|
hillock of his knees a sturdy forearm. Cleanchested. He has washed the
|
|
upper moiety.
|
|
|
|
--Morrow, nephew.
|
|
|
|
He lays aside the lapboard whereon he drafts his bills of costs for
|
|
the eyes of master Goff and master Shapland Tandy, filing consents and
|
|
common searches and a writ of _Duces Tecum_. A bogoak frame over his
|
|
bald head: Wilde's _Requiescat_. The drone of his misleading whistle
|
|
brings Walter back.
|
|
|
|
--Yes, sir?
|
|
|
|
--Malt for Richie and Stephen, tell mother. Where is she?
|
|
|
|
--Bathing Crissie, sir.
|
|
|
|
Papa's little bedpal. Lump of love.
|
|
|
|
--No, uncle Richie...
|
|
|
|
--Call me Richie. Damn your lithia water. It lowers. Whusky!
|
|
|
|
--Uncle Richie, really...
|
|
|
|
--Sit down or by the law Harry I'll knock you down.
|
|
|
|
Walter squints vainly for a chair.
|
|
|
|
--He has nothing to sit down on, sir.
|
|
|
|
--He has nowhere to put it, you mug. Bring in our chippendale chair.
|
|
Would you like a bite of something? None of your damned lawdeedaw airs
|
|
here. The rich of a rasher fried with a herring? Sure? So much the
|
|
better. We have nothing in the house but backache pills.
|
|
|
|
_All'erta_!
|
|
|
|
He drones bars of Ferrando's _aria di sortita_. The grandest number,
|
|
Stephen, in the whole opera. Listen.
|
|
|
|
His tuneful whistle sounds again, finely shaded, with rushes of the air,
|
|
his fists bigdrumming on his padded knees.
|
|
|
|
This wind is sweeter.
|
|
|
|
Houses of decay, mine, his and all. You told the Clongowes gentry you
|
|
had an uncle a judge and an uncle a general in the army. Come out of
|
|
them, Stephen. Beauty is not there. Nor in the stagnant bay of Marsh's
|
|
library where you read the fading prophecies of Joachim Abbas. For whom?
|
|
The hundredheaded rabble of the cathedral close. A hater of his kind
|
|
ran from them to the wood of madness, his mane foaming in the moon,
|
|
his eyeballs stars. Houyhnhnm, horsenostrilled. The oval equine
|
|
faces, Temple, Buck Mulligan, Foxy Campbell, Lanternjaws. Abbas
|
|
father,--furious dean, what offence laid fire to their brains? Paff!
|
|
_Descende, calve, ut ne amplius decalveris_. A garland of grey hair
|
|
on his comminated head see him me clambering down to the footpace
|
|
(_descende_!), clutching a monstrance, basiliskeyed. Get down, baldpoll!
|
|
A choir gives back menace and echo, assisting about the altar's horns,
|
|
the snorted Latin of jackpriests moving burly in their albs, tonsured
|
|
and oiled and gelded, fat with the fat of kidneys of wheat.
|
|
|
|
And at the same instant perhaps a priest round the corner is elevating
|
|
it. Dringdring! And two streets off another locking it into a pyx.
|
|
Dringadring! And in a ladychapel another taking housel all to his own
|
|
cheek. Dringdring! Down, up, forward, back. Dan Occam thought of that,
|
|
invincible doctor. A misty English morning the imp hypostasis tickled
|
|
his brain. Bringing his host down and kneeling he heard twine with his
|
|
second bell the first bell in the transept (he is lifting his) and,
|
|
rising, heard (now I am lifting) their two bells (he is kneeling) twang
|
|
in diphthong.
|
|
|
|
Cousin Stephen, you will never be a saint. Isle of saints. You were
|
|
awfully holy, weren't you? You prayed to the Blessed Virgin that you
|
|
might not have a red nose. You prayed to the devil in Serpentine avenue
|
|
that the fubsy widow in front might lift her clothes still more from the
|
|
wet street. _O si, certo_! Sell your soul for that, do, dyed rags pinned
|
|
round a squaw. More tell me, more still!! On the top of the Howth tram
|
|
alone crying to the rain: Naked women! _naked women_! What about that,
|
|
eh?
|
|
|
|
What about what? What else were they invented for?
|
|
|
|
Reading two pages apiece of seven books every night, eh? I was young.
|
|
You bowed to yourself in the mirror, stepping forward to applause
|
|
earnestly, striking face. Hurray for the Goddamned idiot! Hray! No-one
|
|
saw: tell no-one. Books you were going to write with letters for titles.
|
|
Have you read his F? O yes, but I prefer Q. Yes, but W is wonderful. O
|
|
yes, W. Remember your epiphanies written on green oval leaves, deeply
|
|
deep, copies to be sent if you died to all the great libraries of the
|
|
world, including Alexandria? Someone was to read them there after a few
|
|
thousand years, a mahamanvantara. Pico della Mirandola like. Ay, very
|
|
like a whale. When one reads these strange pages of one long gone one
|
|
feels that one is at one with one who once...
|
|
|
|
The grainy sand had gone from under his feet. His boots trod again
|
|
a damp crackling mast, razorshells, squeaking pebbles, that on the
|
|
unnumbered pebbles beats, wood sieved by the shipworm, lost Armada.
|
|
Unwholesome sandflats waited to suck his treading soles, breathing
|
|
upward sewage breath, a pocket of seaweed smouldered in seafire under a
|
|
midden of man's ashes. He coasted them, walking warily. A porterbottle
|
|
stood up, stogged to its waist, in the cakey sand dough. A sentinel:
|
|
isle of dreadful thirst. Broken hoops on the shore; at the land a maze
|
|
of dark cunning nets; farther away chalkscrawled backdoors and on the
|
|
higher beach a dryingline with two crucified shirts. Ringsend: wigwams
|
|
of brown steersmen and master mariners. Human shells.
|
|
|
|
He halted. I have passed the way to aunt Sara's. Am I not going there?
|
|
Seems not. No-one about. He turned northeast and crossed the firmer sand
|
|
towards the Pigeonhouse.
|
|
|
|
_--Qui vous a mis dans cette fichue position?_
|
|
|
|
_--c'est le pigeon, Joseph._
|
|
|
|
Patrice, home on furlough, lapped warm milk with me in the bar MacMahon.
|
|
Son of the wild goose, Kevin Egan of Paris. My father's a bird, he
|
|
lapped the sweet _lait chaud_ with pink young tongue, plump bunny's
|
|
face. Lap, _lapin._ He hopes to win in the _gros lots_. About the nature
|
|
of women he read in Michelet. But he must send me _La Vie de Jesus_ by
|
|
M. Leo Taxil. Lent it to his friend.
|
|
|
|
_--C'est tordant, vous savez. Moi, je suis socialiste. Je ne crois pas
|
|
en l'existence de Dieu. Faut pas le dire a mon p-re._
|
|
|
|
_--Il croit?_
|
|
|
|
_--Mon pere, oui._
|
|
|
|
_Schluss_. He laps.
|
|
|
|
My Latin quarter hat. God, we simply must dress the character. I want
|
|
puce gloves. You were a student, weren't you? Of what in the other
|
|
devil's name? Paysayenn. P. C. N., you know: _physiques, chimiques et
|
|
naturelles_. Aha. Eating your groatsworth of _mou en civet_, fleshpots
|
|
of Egypt, elbowed by belching cabmen. Just say in the most natural
|
|
tone: when I was in Paris; _boul' Mich'_, I used to. Yes, used to
|
|
carry punched tickets to prove an alibi if they arrested you for murder
|
|
somewhere. Justice. On the night of the seventeenth of February 1904 the
|
|
prisoner was seen by two witnesses. Other fellow did it: other me.
|
|
Hat, tie, overcoat, nose. _Lui, c'est moi_. You seem to have enjoyed
|
|
yourself.
|
|
|
|
Proudly walking. Whom were you trying to walk like? Forget: a
|
|
dispossessed. With mother's money order, eight shillings, the banging
|
|
door of the post office slammed in your face by the usher. Hunger
|
|
toothache. _Encore deux minutes_. Look clock. Must get. _Ferme_. Hired
|
|
dog! Shoot him to bloody bits with a bang shotgun, bits man spattered
|
|
walls all brass buttons. Bits all khrrrrklak in place clack back. Not
|
|
hurt? O, that's all right. Shake hands. See what I meant, see? O, that's
|
|
all right. Shake a shake. O, that's all only all right.
|
|
|
|
You were going to do wonders, what? Missionary to Europe after fiery
|
|
Columbanus. Fiacre and Scotus on their creepystools in heaven spilt from
|
|
their pintpots, loudlatinlaughing: _Euge! Euge_! Pretending to speak
|
|
broken English as you dragged your valise, porter threepence, across
|
|
the slimy pier at Newhaven. _Comment?_ Rich booty you brought back; _Le
|
|
Tutu_, five tattered numbers of _Pantalon Blanc et Culotte Rouge_; a
|
|
blue French telegram, curiosity to show:
|
|
|
|
--Mother dying come home father.
|
|
|
|
The aunt thinks you killed your mother. That's why she won't.
|
|
|
|
_Then here's a health to Mulligan's aunt
|
|
And I'll tell you the reason why.
|
|
She always kept things decent in
|
|
The Hannigan famileye._
|
|
|
|
|
|
His feet marched in sudden proud rhythm over the sand furrows, along by
|
|
the boulders of the south wall. He stared at them proudly, piled stone
|
|
mammoth skulls. Gold light on sea, on sand, on boulders. The sun is
|
|
there, the slender trees, the lemon houses.
|
|
|
|
Paris rawly waking, crude sunlight on her lemon streets. Moist pith of
|
|
farls of bread, the froggreen wormwood, her matin incense, court
|
|
the air. Belluomo rises from the bed of his wife's lover's wife, the
|
|
kerchiefed housewife is astir, a saucer of acetic acid in her hand. In
|
|
Rodot's Yvonne and Madeleine newmake their tumbled beauties, shattering
|
|
with gold teeth _chaussons_ of pastry, their mouths yellowed with the
|
|
_pus_ of _flan breton_. Faces of Paris men go by, their wellpleased
|
|
pleasers, curled conquistadores.
|
|
|
|
Noon slumbers. Kevin Egan rolls gunpowder cigarettes through fingers
|
|
smeared with printer's ink, sipping his green fairy as Patrice his
|
|
white. About us gobblers fork spiced beans down their gullets. _Un demi
|
|
setier!_ A jet of coffee steam from the burnished caldron. She serves me
|
|
at his beck. _Il est irlandais. Hollandais? Non fromage. Deux irlandais,
|
|
nous, Irlande, vous savez ah, oui!_ She thought you wanted a cheese
|
|
_hollandais_. Your postprandial, do you know that word? Postprandial.
|
|
There was a fellow I knew once in Barcelona, queer fellow, used to call
|
|
it his postprandial. Well: _slainte_! Around the slabbed tables the
|
|
tangle of wined breaths and grumbling gorges. His breath hangs over our
|
|
saucestained plates, the green fairy's fang thrusting between his lips.
|
|
Of Ireland, the Dalcassians, of hopes, conspiracies, of Arthur Griffith
|
|
now, A E, pimander, good shepherd of men. To yoke me as his yokefellow,
|
|
our crimes our common cause. You're your father's son. I know the voice.
|
|
His fustian shirt, sanguineflowered, trembles its Spanish tassels at
|
|
his secrets. M. Drumont, famous journalist, Drumont, know what he called
|
|
queen Victoria? Old hag with the yellow teeth. _Vieille ogresse_
|
|
with the _dents jaunes_. Maud Gonne, beautiful woman, _La Patrie_, M.
|
|
Millevoye, Felix Faure, know how he died? Licentious men. The froeken,
|
|
_bonne a tout faire_, who rubs male nakedness in the bath at Upsala.
|
|
_Moi faire_, she said, _Tous les messieurs_. Not this _Monsieur_, I
|
|
said. Most licentious custom. Bath a most private thing. I wouldn't let
|
|
my brother, not even my own brother, most lascivious thing. Green eyes,
|
|
I see you. Fang, I feel. Lascivious people.
|
|
|
|
The blue fuse burns deadly between hands and burns clear. Loose
|
|
tobaccoshreds catch fire: a flame and acrid smoke light our corner. Raw
|
|
facebones under his peep of day boy's hat. How the head centre got away,
|
|
authentic version. Got up as a young bride, man, veil, orangeblossoms,
|
|
drove out the road to Malahide. Did, faith. Of lost leaders, the
|
|
betrayed, wild escapes. Disguises, clutched at, gone, not here.
|
|
|
|
Spurned lover. I was a strapping young gossoon at that time, I tell you.
|
|
I'll show you my likeness one day. I was, faith. Lover, for her love he
|
|
prowled with colonel Richard Burke, tanist of his sept, under the walls
|
|
of Clerkenwell and, crouching, saw a flame of vengeance hurl them upward
|
|
in the fog. Shattered glass and toppling masonry. In gay Paree he hides,
|
|
Egan of Paris, unsought by any save by me. Making his day's stations,
|
|
the dingy printingcase, his three taverns, the Montmartre lair he sleeps
|
|
short night in, rue de la Goutte-d'Or, damascened with flyblown faces of
|
|
the gone. Loveless, landless, wifeless. She is quite nicey comfy
|
|
without her outcast man, madame in rue Git-le-Coeur, canary and two
|
|
buck lodgers. Peachy cheeks, a zebra skirt, frisky as a young thing's.
|
|
Spurned and undespairing. Tell Pat you saw me, won't you? I wanted to
|
|
get poor Pat a job one time. _Mon fils_, soldier of France. I taught him
|
|
to sing _The boys of Kilkenny are stout roaring blades_. Know that old
|
|
lay? I taught Patrice that. Old Kilkenny: saint Canice, Strongbow's
|
|
castle on the Nore. Goes like this. O, O. He takes me, Napper Tandy, by
|
|
the hand.
|
|
|
|
_O, O THE BOYS OF
|
|
KILKENNY..._
|
|
|
|
|
|
Weak wasting hand on mine. They have forgotten Kevin Egan, not he them.
|
|
Remembering thee, O Sion.
|
|
|
|
He had come nearer the edge of the sea and wet sand slapped his boots.
|
|
The new air greeted him, harping in wild nerves, wind of wild air of
|
|
seeds of brightness. Here, I am not walking out to the Kish lightship,
|
|
am I? He stood suddenly, his feet beginning to sink slowly in the
|
|
quaking soil. Turn back.
|
|
|
|
Turning, he scanned the shore south, his feet sinking again slowly
|
|
in new sockets. The cold domed room of the tower waits. Through the
|
|
barbacans the shafts of light are moving ever, slowly ever as my
|
|
feet are sinking, creeping duskward over the dial floor. Blue dusk,
|
|
nightfall, deep blue night. In the darkness of the dome they wait,
|
|
their pushedback chairs, my obelisk valise, around a board of abandoned
|
|
platters. Who to clear it? He has the key. I will not sleep there when
|
|
this night comes. A shut door of a silent tower, entombing their--blind
|
|
bodies, the panthersahib and his pointer. Call: no answer. He lifted his
|
|
feet up from the suck and turned back by the mole of boulders. Take
|
|
all, keep all. My soul walks with me, form of forms. So in the moon's
|
|
midwatches I pace the path above the rocks, in sable silvered, hearing
|
|
Elsinore's tempting flood.
|
|
|
|
The flood is following me. I can watch it flow past from here. Get back
|
|
then by the Poolbeg road to the strand there. He climbed over the sedge
|
|
and eely oarweeds and sat on a stool of rock, resting his ashplant in a
|
|
grike.
|
|
|
|
A bloated carcass of a dog lay lolled on bladderwrack. Before him the
|
|
gunwale of a boat, sunk in sand. _Un coche ensable_ Louis Veuillot
|
|
called Gautier's prose. These heavy sands are language tide and wind
|
|
have silted here. And these, the stoneheaps of dead builders, a warren
|
|
of weasel rats. Hide gold there. Try it. You have some. Sands and
|
|
stones. Heavy of the past. Sir Lout's toys. Mind you don't get one
|
|
bang on the ear. I'm the bloody well gigant rolls all them bloody well
|
|
boulders, bones for my steppingstones. Feefawfum. I zmellz de bloodz odz
|
|
an Iridzman.
|
|
|
|
A point, live dog, grew into sight running across the sweep of sand.
|
|
Lord, is he going to attack me? Respect his liberty. You will not
|
|
be master of others or their slave. I have my stick. Sit tight. From
|
|
farther away, walking shoreward across from the crested tide, figures,
|
|
two. The two maries. They have tucked it safe mong the bulrushes.
|
|
Peekaboo. I see you. No, the dog. He is running back to them. Who?
|
|
|
|
Galleys of the Lochlanns ran here to beach, in quest of prey, their
|
|
bloodbeaked prows riding low on a molten pewter surf. Dane vikings,
|
|
torcs of tomahawks aglitter on their breasts when Malachi wore the
|
|
collar of gold. A school of turlehide whales stranded in hot noon,
|
|
spouting, hobbling in the shallows. Then from the starving cagework city
|
|
a horde of jerkined dwarfs, my people, with flayers' knives, running,
|
|
scaling, hacking in green blubbery whalemeat. Famine, plague and
|
|
slaughters. Their blood is in me, their lusts my waves. I moved among
|
|
them on the frozen Liffey, that I, a changeling, among the spluttering
|
|
resin fires. I spoke to no-one: none to me.
|
|
|
|
The dog's bark ran towards him, stopped, ran back. Dog of my enemy. I
|
|
just simply stood pale, silent, bayed about. _Terribilia meditans_. A
|
|
primrose doublet, fortune's knave, smiled on my fear. For that are you
|
|
pining, the bark of their applause? Pretenders: live their lives. The
|
|
Bruce's brother, Thomas Fitzgerald, silken knight, Perkin Warbeck,
|
|
York's false scion, in breeches of silk of whiterose ivory, wonder of
|
|
a day, and Lambert Simnel, with a tail of nans and sutlers, a scullion
|
|
crowned. All kings' sons. Paradise of pretenders then and now. He saved
|
|
men from drowning and you shake at a cur's yelping. But the courtiers
|
|
who mocked Guido in Or san Michele were in their own house. House of...
|
|
We don't want any of your medieval abstrusiosities. Would you do what he
|
|
did? A boat would be near, a lifebuoy. _Naturlich_, put there for you.
|
|
Would you or would you not? The man that was drowned nine days ago off
|
|
Maiden's rock. They are waiting for him now. The truth, spit it out. I
|
|
would want to. I would try. I am not a strong swimmer. Water cold soft.
|
|
When I put my face into it in the basin at Clongowes. Can't see! Who's
|
|
behind me? Out quickly, quickly! Do you see the tide flowing quickly in
|
|
on all sides, sheeting the lows of sand quickly, shellcocoacoloured? If
|
|
I had land under my feet. I want his life still to be his, mine to be
|
|
mine. A drowning man. His human eyes scream to me out of horror of his
|
|
death. I... With him together down... I could not save her. Waters:
|
|
bitter death: lost.
|
|
|
|
A woman and a man. I see her skirties. Pinned up, I bet.
|
|
|
|
Their dog ambled about a bank of dwindling sand, trotting, sniffing on
|
|
all sides. Looking for something lost in a past life. Suddenly he made
|
|
off like a bounding hare, ears flung back, chasing the shadow of a
|
|
lowskimming gull. The man's shrieked whistle struck his limp ears. He
|
|
turned, bounded back, came nearer, trotted on twinkling shanks. On a
|
|
field tenney a buck, trippant, proper, unattired. At the lacefringe of
|
|
the tide he halted with stiff forehoofs, seawardpointed ears. His
|
|
snout lifted barked at the wavenoise, herds of seamorse. They serpented
|
|
towards his feet, curling, unfurling many crests, every ninth, breaking,
|
|
plashing, from far, from farther out, waves and waves.
|
|
|
|
Cocklepickers. They waded a little way in the water and, stooping,
|
|
soused their bags and, lifting them again, waded out. The dog yelped
|
|
running to them, reared up and pawed them, dropping on all fours, again
|
|
reared up at them with mute bearish fawning. Unheeded he kept by them as
|
|
they came towards the drier sand, a rag of wolf's tongue redpanting from
|
|
his jaws. His speckled body ambled ahead of them and then loped off at a
|
|
calf's gallop. The carcass lay on his path. He stopped, sniffed, stalked
|
|
round it, brother, nosing closer, went round it, sniffling rapidly like
|
|
a dog all over the dead dog's bedraggled fell. Dogskull, dogsniff, eyes
|
|
on the ground, moves to one great goal. Ah, poor dogsbody! Here lies
|
|
poor dogsbody's body.
|
|
|
|
--Tatters! Out of that, you mongrel!
|
|
|
|
The cry brought him skulking back to his master and a blunt bootless
|
|
kick sent him unscathed across a spit of sand, crouched in flight. He
|
|
slunk back in a curve. Doesn't see me. Along by the edge of the mole he
|
|
lolloped, dawdled, smelt a rock and from under a cocked hindleg pissed
|
|
against it. He trotted forward and, lifting again his hindleg, pissed
|
|
quick short at an unsmelt rock. The simple pleasures of the poor. His
|
|
hindpaws then scattered the sand: then his forepaws dabbled and delved.
|
|
Something he buried there, his grandmother. He rooted in the sand,
|
|
dabbling, delving and stopped to listen to the air, scraped up the sand
|
|
again with a fury of his claws, soon ceasing, a pard, a panther, got in
|
|
spousebreach, vulturing the dead.
|
|
|
|
After he woke me last night same dream or was it? Wait. Open hallway.
|
|
Street of harlots. Remember. Haroun al Raschid. I am almosting it. That
|
|
man led me, spoke. I was not afraid. The melon he had he held against my
|
|
face. Smiled: creamfruit smell. That was the rule, said. In. Come. Red
|
|
carpet spread. You will see who.
|
|
|
|
Shouldering their bags they trudged, the red Egyptians. His blued feet
|
|
out of turnedup trousers slapped the clammy sand, a dull brick muffler
|
|
strangling his unshaven neck. With woman steps she followed: the
|
|
ruffian and his strolling mort. Spoils slung at her back. Loose sand and
|
|
shellgrit crusted her bare feet. About her windraw face hair trailed.
|
|
Behind her lord, his helpmate, bing awast to Romeville. When night hides
|
|
her body's flaws calling under her brown shawl from an archway
|
|
where dogs have mired. Her fancyman is treating two Royal Dublins in
|
|
O'Loughlin's of Blackpitts. Buss her, wap in rogues' rum lingo, for, O,
|
|
my dimber wapping dell! A shefiend's whiteness under her rancid rags.
|
|
Fumbally's lane that night: the tanyard smells.
|
|
|
|
_White thy fambles, red thy gan
|
|
And thy quarrons dainty is.
|
|
Couch a hogshead with me then.
|
|
In the darkmans clip and kiss._
|
|
|
|
|
|
Morose delectation Aquinas tunbelly calls this, _frate porcospino_.
|
|
Unfallen Adam rode and not rutted. Call away let him: _thy quarrons
|
|
dainty is_. Language no whit worse than his. Monkwords, marybeads jabber
|
|
on their girdles: roguewords, tough nuggets patter in their pockets.
|
|
|
|
Passing now.
|
|
|
|
A side eye at my Hamlet hat. If I were suddenly naked here as I sit? I
|
|
am not. Across the sands of all the world, followed by the sun's flaming
|
|
sword, to the west, trekking to evening lands. She trudges, schlepps,
|
|
trains, drags, trascines her load. A tide westering, moondrawn, in
|
|
her wake. Tides, myriadislanded, within her, blood not mine, _oinopa
|
|
ponton_, a winedark sea. Behold the handmaid of the moon. In sleep
|
|
the wet sign calls her hour, bids her rise. Bridebed, childbed, bed of
|
|
death, ghostcandled. _Omnis caro ad te veniet_. He comes, pale vampire,
|
|
through storm his eyes, his bat sails bloodying the sea, mouth to her
|
|
mouth's kiss.
|
|
|
|
Here. Put a pin in that chap, will you? My tablets. Mouth to her kiss.
|
|
|
|
No. Must be two of em. Glue em well. Mouth to her mouth's kiss.
|
|
|
|
His lips lipped and mouthed fleshless lips of air: mouth to her moomb.
|
|
Oomb, allwombing tomb. His mouth moulded issuing breath, unspeeched:
|
|
ooeeehah: roar of cataractic planets, globed, blazing, roaring
|
|
wayawayawayawayaway. Paper. The banknotes, blast them. Old Deasy's
|
|
letter. Here. Thanking you for the hospitality tear the blank end off.
|
|
Turning his back to the sun he bent over far to a table of rock and
|
|
scribbled words. That's twice I forgot to take slips from the library
|
|
counter.
|
|
|
|
His shadow lay over the rocks as he bent, ending. Why not endless till
|
|
the farthest star? Darkly they are there behind this light, darkness
|
|
shining in the brightness, delta of Cassiopeia, worlds. Me sits there
|
|
with his augur's rod of ash, in borrowed sandals, by day beside a livid
|
|
sea, unbeheld, in violet night walking beneath a reign of uncouth stars.
|
|
I throw this ended shadow from me, manshape ineluctable, call it back.
|
|
Endless, would it be mine, form of my form? Who watches me here? Who
|
|
ever anywhere will read these written words? Signs on a white field.
|
|
Somewhere to someone in your flutiest voice. The good bishop of Cloyne
|
|
took the veil of the temple out of his shovel hat: veil of space with
|
|
coloured emblems hatched on its field. Hold hard. Coloured on a flat:
|
|
yes, that's right. Flat I see, then think distance, near, far, flat
|
|
I see, east, back. Ah, see now! Falls back suddenly, frozen in
|
|
stereoscope. Click does the trick. You find my words dark. Darkness is
|
|
in our souls do you not think? Flutier. Our souls, shamewounded by our
|
|
sins, cling to us yet more, a woman to her lover clinging, the more the
|
|
more.
|
|
|
|
She trusts me, her hand gentle, the longlashed eyes. Now where the blue
|
|
hell am I bringing her beyond the veil? Into the ineluctable modality of
|
|
the ineluctable visuality. She, she, she. What she? The virgin at Hodges
|
|
Figgis' window on Monday looking in for one of the alphabet books you
|
|
were going to write. Keen glance you gave her. Wrist through the
|
|
braided jesse of her sunshade. She lives in Leeson park with a grief
|
|
and kickshaws, a lady of letters. Talk that to someone else, Stevie: a
|
|
pickmeup. Bet she wears those curse of God stays suspenders and
|
|
yellow stockings, darned with lumpy wool. Talk about apple dumplings,
|
|
_piuttosto_. Where are your wits?
|
|
|
|
Touch me. Soft eyes. Soft soft soft hand. I am lonely here. O, touch me
|
|
soon, now. What is that word known to all men? I am quiet here alone.
|
|
Sad too. Touch, touch me.
|
|
|
|
He lay back at full stretch over the sharp rocks, cramming the scribbled
|
|
note and pencil into a pock his hat. His hat down on his eyes. That is
|
|
Kevin Egan's movement I made, nodding for his nap, sabbath sleep. _Et
|
|
vidit Deus. Et erant valde bona_. Alo! _Bonjour_. Welcome as the flowers
|
|
in May. Under its leaf he watched through peacocktwittering lashes the
|
|
southing sun. I am caught in this burning scene. Pan's hour, the faunal
|
|
noon. Among gumheavy serpentplants, milkoozing fruits, where on the
|
|
tawny waters leaves lie wide. Pain is far.
|
|
|
|
_And no more turn aside and brood._
|
|
|
|
His gaze brooded on his broadtoed boots, a buck's castoffs,
|
|
_nebeneinander_. He counted the creases of rucked leather wherein
|
|
another's foot had nested warm. The foot that beat the ground in
|
|
tripudium, foot I dislove. But you were delighted when Esther Osvalt's
|
|
shoe went on you: girl I knew in Paris. _Tiens, quel petit pied!_
|
|
Staunch friend, a brother soul: Wilde's love that dare not speak its
|
|
name. His arm: Cranly's arm. He now will leave me. And the blame? As I
|
|
am. As I am. All or not at all.
|
|
|
|
In long lassoes from the Cock lake the water flowed full, covering
|
|
greengoldenly lagoons of sand, rising, flowing. My ashplant will float
|
|
away. I shall wait. No, they will pass on, passing, chafing against the
|
|
low rocks, swirling, passing. Better get this job over quick. Listen: a
|
|
fourworded wavespeech: seesoo, hrss, rsseeiss, ooos. Vehement breath of
|
|
waters amid seasnakes, rearing horses, rocks. In cups of rocks it slops:
|
|
flop, slop, slap: bounded in barrels. And, spent, its speech ceases. It
|
|
flows purling, widely flowing, floating foampool, flower unfurling.
|
|
|
|
Under the upswelling tide he saw the writhing weeds lift languidly and
|
|
sway reluctant arms, hising up their petticoats, in whispering water
|
|
swaying and upturning coy silver fronds. Day by day: night by night:
|
|
lifted, flooded and let fall. Lord, they are weary; and, whispered to,
|
|
they sigh. Saint Ambrose heard it, sigh of leaves and waves, waiting,
|
|
awaiting the fullness of their times, _diebus ac noctibus iniurias
|
|
patiens ingemiscit_. To no end gathered; vainly then released,
|
|
forthflowing, wending back: loom of the moon. Weary too in sight of
|
|
lovers, lascivious men, a naked woman shining in her courts, she draws a
|
|
toil of waters.
|
|
|
|
Five fathoms out there. Full fathom five thy father lies. At one, he
|
|
said. Found drowned. High water at Dublin bar. Driving before it a loose
|
|
drift of rubble, fanshoals of fishes, silly shells. A corpse rising
|
|
saltwhite from the undertow, bobbing a pace a pace a porpoise landward.
|
|
There he is. Hook it quick. Pull. Sunk though he be beneath the watery
|
|
floor. We have him. Easy now.
|
|
|
|
Bag of corpsegas sopping in foul brine. A quiver of minnows, fat of a
|
|
spongy titbit, flash through the slits of his buttoned trouserfly.
|
|
God becomes man becomes fish becomes barnacle goose becomes featherbed
|
|
mountain. Dead breaths I living breathe, tread dead dust, devour a
|
|
urinous offal from all dead. Hauled stark over the gunwale he breathes
|
|
upward the stench of his green grave, his leprous nosehole snoring to
|
|
the sun.
|
|
|
|
A seachange this, brown eyes saltblue. Seadeath, mildest of all deaths
|
|
known to man. Old Father Ocean. _Prix de paris_: beware of imitations.
|
|
Just you give it a fair trial. We enjoyed ourselves immensely.
|
|
|
|
Come. I thirst. Clouding over. No black clouds anywhere, are there?
|
|
Thunderstorm. Allbright he falls, proud lightning of the intellect,
|
|
_Lucifer, dico, qui nescit occasum_. No. My cockle hat and staff and
|
|
hismy sandal shoon. Where? To evening lands. Evening will find itself.
|
|
|
|
He took the hilt of his ashplant, lunging with it softly, dallying
|
|
still. Yes, evening will find itself in me, without me. All days make
|
|
their end. By the way next when is it Tuesday will be the longest
|
|
day. Of all the glad new year, mother, the rum tum tiddledy tum. Lawn
|
|
Tennyson, gentleman poet. _Gia_. For the old hag with the yellow teeth.
|
|
And Monsieur Drumont, gentleman journalist. _Gia_. My teeth are very
|
|
bad. Why, I wonder. Feel. That one is going too. Shells. Ought I go to a
|
|
dentist, I wonder, with that money? That one. This. Toothless Kinch, the
|
|
superman. Why is that, I wonder, or does it mean something perhaps?
|
|
|
|
My handkerchief. He threw it. I remember. Did I not take it up?
|
|
|
|
His hand groped vainly in his pockets. No, I didn't. Better buy one.
|
|
|
|
He laid the dry snot picked from his nostril on a ledge of rock,
|
|
carefully. For the rest let look who will.
|
|
|
|
Behind. Perhaps there is someone.
|
|
|
|
He turned his face over a shoulder, rere regardant. Moving through the
|
|
air high spars of a threemaster, her sails brailed up on the crosstrees,
|
|
homing, upstream, silently moving, a silent ship. +
|
|
|
|
|
|
|
|
|
|
-- II --
|
|
|
|
Mr Leopold Bloom ate with relish the inner organs of beasts and fowls.
|
|
He liked thick giblet soup, nutty gizzards, a stuffed roast heart,
|
|
liverslices fried with crustcrumbs, fried hencods' roes. Most of all
|
|
he liked grilled mutton kidneys which gave to his palate a fine tang of
|
|
faintly scented urine.
|
|
|
|
Kidneys were in his mind as he moved about the kitchen softly, righting
|
|
her breakfast things on the humpy tray. Gelid light and air were in the
|
|
kitchen but out of doors gentle summer morning everywhere. Made him feel
|
|
a bit peckish.
|
|
|
|
The coals were reddening.
|
|
|
|
Another slice of bread and butter: three, four: right. She didn't like
|
|
her plate full. Right. He turned from the tray, lifted the kettle off
|
|
the hob and set it sideways on the fire. It sat there, dull and squat,
|
|
its spout stuck out. Cup of tea soon. Good. Mouth dry. The cat walked
|
|
stiffly round a leg of the table with tail on high.
|
|
|
|
--Mkgnao!
|
|
|
|
--O, there you are, Mr Bloom said, turning from the fire.
|
|
|
|
The cat mewed in answer and stalked again stiffly round a leg of the
|
|
table, mewing. Just how she stalks over my writingtable. Prr. Scratch my
|
|
head. Prr.
|
|
|
|
Mr Bloom watched curiously, kindly the lithe black form. Clean to see:
|
|
the gloss of her sleek hide, the white button under the butt of her
|
|
tail, the green flashing eyes. He bent down to her, his hands on his
|
|
knees.
|
|
|
|
--Milk for the pussens, he said.
|
|
|
|
--Mrkgnao! the cat cried.
|
|
|
|
They call them stupid. They understand what we say better than we
|
|
understand them. She understands all she wants to. Vindictive too.
|
|
Cruel. Her nature. Curious mice never squeal. Seem to like it. Wonder
|
|
what I look like to her. Height of a tower? No, she can jump me.
|
|
|
|
--Afraid of the chickens she is, he said mockingly. Afraid of the
|
|
chookchooks. I never saw such a stupid pussens as the pussens.
|
|
|
|
Cruel. Her nature. Curious mice never squeal. Seem to like it.
|
|
|
|
--Mrkrgnao! the cat said loudly.
|
|
|
|
She blinked up out of her avid shameclosing eyes, mewing plaintively
|
|
and long, showing him her milkwhite teeth. He watched the dark eyeslits
|
|
narrowing with greed till her eyes were green stones. Then he went to
|
|
the dresser, took the jug Hanlon's milkman had just filled for him,
|
|
poured warmbubbled milk on a saucer and set it slowly on the floor.
|
|
|
|
--Gurrhr! she cried, running to lap.
|
|
|
|
He watched the bristles shining wirily in the weak light as she tipped
|
|
three times and licked lightly. Wonder is it true if you clip them they
|
|
can't mouse after. Why? They shine in the dark, perhaps, the tips. Or
|
|
kind of feelers in the dark, perhaps.
|
|
|
|
He listened to her licking lap. Ham and eggs, no. No good eggs with this
|
|
drouth. Want pure fresh water. Thursday: not a good day either for a
|
|
mutton kidney at Buckley's. Fried with butter, a shake of pepper. Better
|
|
a pork kidney at Dlugacz's. While the kettle is boiling. She lapped
|
|
slower, then licking the saucer clean. Why are their tongues so rough?
|
|
To lap better, all porous holes. Nothing she can eat? He glanced round
|
|
him. No.
|
|
|
|
On quietly creaky boots he went up the staircase to the hall, paused by
|
|
the bedroom door. She might like something tasty. Thin bread and butter
|
|
she likes in the morning. Still perhaps: once in a way.
|
|
|
|
He said softly in the bare hall:
|
|
|
|
--I'm going round the corner. Be back in a minute.
|
|
|
|
And when he had heard his voice say it he added:
|
|
|
|
--You don't want anything for breakfast?
|
|
|
|
A sleepy soft grunt answered:
|
|
|
|
--Mn.
|
|
|
|
No. She didn't want anything. He heard then a warm heavy sigh, softer,
|
|
as she turned over and the loose brass quoits of the bedstead jingled.
|
|
Must get those settled really. Pity. All the way from Gibraltar.
|
|
Forgotten any little Spanish she knew. Wonder what her father gave for
|
|
it. Old style. Ah yes! of course. Bought it at the governor's auction.
|
|
Got a short knock. Hard as nails at a bargain, old Tweedy. Yes, sir. At
|
|
Plevna that was. I rose from the ranks, sir, and I'm proud of it.
|
|
Still he had brains enough to make that corner in stamps. Now that was
|
|
farseeing.
|
|
|
|
His hand took his hat from the peg over his initialled heavy overcoat
|
|
and his lost property office secondhand waterproof. Stamps: stickyback
|
|
pictures. Daresay lots of officers are in the swim too. Course they do.
|
|
The sweated legend in the crown of his hat told him mutely: Plasto's
|
|
high grade ha. He peeped quickly inside the leather headband. White slip
|
|
of paper. Quite safe.
|
|
|
|
On the doorstep he felt in his hip pocket for the latchkey. Not there.
|
|
In the trousers I left off. Must get it. Potato I have. Creaky wardrobe.
|
|
No use disturbing her. She turned over sleepily that time. He pulled
|
|
the halldoor to after him very quietly, more, till the footleaf dropped
|
|
gently over the threshold, a limp lid. Looked shut. All right till I
|
|
come back anyhow.
|
|
|
|
He crossed to the bright side, avoiding the loose cellarflap of number
|
|
seventyfive. The sun was nearing the steeple of George's church. Be a
|
|
warm day I fancy. Specially in these black clothes feel it more. Black
|
|
conducts, reflects, (refracts is it?), the heat. But I couldn't go in
|
|
that light suit. Make a picnic of it. His eyelids sank quietly often as
|
|
he walked in happy warmth. Boland's breadvan delivering with trays our
|
|
daily but she prefers yesterday's loaves turnovers crisp crowns hot.
|
|
Makes you feel young. Somewhere in the east: early morning: set off at
|
|
dawn. Travel round in front of the sun, steal a day's march on him. Keep
|
|
it up for ever never grow a day older technically. Walk along a strand,
|
|
strange land, come to a city gate, sentry there, old ranker too, old
|
|
Tweedy's big moustaches, leaning on a long kind of a spear. Wander
|
|
through awned streets. Turbaned faces going by. Dark caves of carpet
|
|
shops, big man, Turko the terrible, seated crosslegged, smoking a coiled
|
|
pipe. Cries of sellers in the streets. Drink water scented with fennel,
|
|
sherbet. Dander along all day. Might meet a robber or two. Well,
|
|
meet him. Getting on to sundown. The shadows of the mosques among the
|
|
pillars: priest with a scroll rolled up. A shiver of the trees, signal,
|
|
the evening wind. I pass on. Fading gold sky. A mother watches me from
|
|
her doorway. She calls her children home in their dark language. High
|
|
wall: beyond strings twanged. Night sky, moon, violet, colour of Molly's
|
|
new garters. Strings. Listen. A girl playing one of those instruments
|
|
what do you call them: dulcimers. I pass.
|
|
|
|
Probably not a bit like it really. Kind of stuff you read: in the track
|
|
of the sun. Sunburst on the titlepage. He smiled, pleasing himself. What
|
|
Arthur Griffith said about the headpiece over the _Freeman_ leader: a
|
|
homerule sun rising up in the northwest from the laneway behind the bank
|
|
of Ireland. He prolonged his pleased smile. Ikey touch that: homerule
|
|
sun rising up in the north-west.
|
|
|
|
He approached Larry O'Rourke's. From the cellar grating floated up the
|
|
flabby gush of porter. Through the open doorway the bar squirted out
|
|
whiffs of ginger, teadust, biscuitmush. Good house, however: just the
|
|
end of the city traffic. For instance M'Auley's down there: n. g. as
|
|
position. Of course if they ran a tramline along the North Circular from
|
|
the cattlemarket to the quays value would go up like a shot.
|
|
|
|
Baldhead over the blind. Cute old codger. No use canvassing him for an
|
|
ad. Still he knows his own business best. There he is, sure enough, my
|
|
bold Larry, leaning against the sugarbin in his shirtsleeves watching
|
|
the aproned curate swab up with mop and bucket. Simon Dedalus takes him
|
|
off to a tee with his eyes screwed up. Do you know what I'm going to
|
|
tell you? What's that, Mr O'Rourke? Do you know what? The Russians,
|
|
they'd only be an eight o'clock breakfast for the Japanese.
|
|
|
|
Stop and say a word: about the funeral perhaps. Sad thing about poor
|
|
Dignam, Mr O'Rourke.
|
|
|
|
Turning into Dorset street he said freshly in greeting through the
|
|
doorway:
|
|
|
|
--Good day, Mr O'Rourke.
|
|
|
|
--Good day to you.
|
|
|
|
--Lovely weather, sir.
|
|
|
|
--'Tis all that.
|
|
|
|
Where do they get the money? Coming up redheaded curates from the county
|
|
Leitrim, rinsing empties and old man in the cellar. Then, lo and behold,
|
|
they blossom out as Adam Findlaters or Dan Tallons. Then thin of the
|
|
competition. General thirst. Good puzzle would be cross Dublin without
|
|
passing a pub. Save it they can't. Off the drunks perhaps. Put down
|
|
three and carry five. What is that, a bob here and there, dribs and
|
|
drabs. On the wholesale orders perhaps. Doing a double shuffle with the
|
|
town travellers. Square it you with the boss and we'll split the job,
|
|
see?
|
|
|
|
How much would that tot to off the porter in the month? Say ten barrels
|
|
of stuff. Say he got ten per cent off. O more. Fifteen. He passed Saint
|
|
Joseph's National school. Brats' clamour. Windows open. Fresh air
|
|
helps memory. Or a lilt. Ahbeesee defeegee kelomen opeecue rustyouvee
|
|
doubleyou. Boys are they? Yes. Inishturk. Inishark. Inishboffin. At
|
|
their joggerfry. Mine. Slieve Bloom.
|
|
|
|
He halted before Dlugacz's window, staring at the hanks of sausages,
|
|
polonies, black and white. Fifteen multiplied by. The figures whitened
|
|
in his mind, unsolved: displeased, he let them fade. The shiny links,
|
|
packed with forcemeat, fed his gaze and he breathed in tranquilly the
|
|
lukewarm breath of cooked spicy pigs' blood.
|
|
|
|
A kidney oozed bloodgouts on the willowpatterned dish: the last. He
|
|
stood by the nextdoor girl at the counter. Would she buy it too, calling
|
|
the items from a slip in her hand? Chapped: washingsoda. And a pound and
|
|
a half of Denny's sausages. His eyes rested on her vigorous hips.
|
|
Woods his name is. Wonder what he does. Wife is oldish. New blood.
|
|
No followers allowed. Strong pair of arms. Whacking a carpet on the
|
|
clothesline. She does whack it, by George. The way her crooked skirt
|
|
swings at each whack.
|
|
|
|
The ferreteyed porkbutcher folded the sausages he had snipped off with
|
|
blotchy fingers, sausagepink. Sound meat there: like a stallfed heifer.
|
|
|
|
He took a page up from the pile of cut sheets: the model farm at
|
|
Kinnereth on the lakeshore of Tiberias. Can become ideal winter
|
|
sanatorium. Moses Montefiore. I thought he was. Farmhouse, wall round
|
|
it, blurred cattle cropping. He held the page from him: interesting:
|
|
read it nearer, the title, the blurred cropping cattle, the page
|
|
rustling. A young white heifer. Those mornings in the cattlemarket, the
|
|
beasts lowing in their pens, branded sheep, flop and fall of dung, the
|
|
breeders in hobnailed boots trudging through the litter, slapping a palm
|
|
on a ripemeated hindquarter, there's a prime one, unpeeled switches in
|
|
their hands. He held the page aslant patiently, bending his senses and
|
|
his will, his soft subject gaze at rest. The crooked skirt swinging,
|
|
whack by whack by whack.
|
|
|
|
The porkbutcher snapped two sheets from the pile, wrapped up her prime
|
|
sausages and made a red grimace.
|
|
|
|
--Now, my miss, he said.
|
|
|
|
She tendered a coin, smiling boldly, holding her thick wrist out.
|
|
|
|
--Thank you, my miss. And one shilling threepence change. For you,
|
|
please?
|
|
|
|
Mr Bloom pointed quickly. To catch up and walk behind her if she went
|
|
slowly, behind her moving hams. Pleasant to see first thing in the
|
|
morning. Hurry up, damn it. Make hay while the sun shines. She stood
|
|
outside the shop in sunlight and sauntered lazily to the right. He
|
|
sighed down his nose: they never understand. Sodachapped hands. Crusted
|
|
toenails too. Brown scapulars in tatters, defending her both ways.
|
|
The sting of disregard glowed to weak pleasure within his breast. For
|
|
another: a constable off duty cuddling her in Eccles lane. They like
|
|
them sizeable. Prime sausage. O please, Mr Policeman, I'm lost in the
|
|
wood.
|
|
|
|
--Threepence, please.
|
|
|
|
His hand accepted the moist tender gland and slid it into a sidepocket.
|
|
Then it fetched up three coins from his trousers' pocket and laid them
|
|
on the rubber prickles. They lay, were read quickly and quickly slid,
|
|
disc by disc, into the till.
|
|
|
|
--Thank you, sir. Another time.
|
|
|
|
A speck of eager fire from foxeyes thanked him. He withdrew his gaze
|
|
after an instant. No: better not: another time.
|
|
|
|
--Good morning, he said, moving away.
|
|
|
|
--Good morning, sir.
|
|
|
|
No sign. Gone. What matter?
|
|
|
|
He walked back along Dorset street, reading gravely. Agendath Netaim:
|
|
planters' company. To purchase waste sandy tracts from Turkish
|
|
government and plant with eucalyptus trees. Excellent for shade, fuel
|
|
and construction. Orangegroves and immense melonfields north of Jaffa.
|
|
You pay eighty marks and they plant a dunam of land for you with olives,
|
|
oranges, almonds or citrons. Olives cheaper: oranges need artificial
|
|
irrigation. Every year you get a sending of the crop. Your name entered
|
|
for life as owner in the book of the union. Can pay ten down and the
|
|
balance in yearly instalments. Bleibtreustrasse 34, Berlin, W. 15.
|
|
|
|
Nothing doing. Still an idea behind it.
|
|
|
|
He looked at the cattle, blurred in silver heat. Silverpowdered
|
|
olivetrees. Quiet long days: pruning, ripening. Olives are packed in
|
|
jars, eh? I have a few left from Andrews. Molly spitting them out. Knows
|
|
the taste of them now. Oranges in tissue paper packed in crates. Citrons
|
|
too. Wonder is poor Citron still in Saint Kevin's parade. And Mastiansky
|
|
with the old cither. Pleasant evenings we had then. Molly in Citron's
|
|
basketchair. Nice to hold, cool waxen fruit, hold in the hand, lift it
|
|
to the nostrils and smell the perfume. Like that, heavy, sweet, wild
|
|
perfume. Always the same, year after year. They fetched high prices too,
|
|
Moisel told me. Arbutus place: Pleasants street: pleasant old times.
|
|
Must be without a flaw, he said. Coming all that way: Spain, Gibraltar,
|
|
Mediterranean, the Levant. Crates lined up on the quayside at Jaffa,
|
|
chap ticking them off in a book, navvies handling them barefoot in
|
|
soiled dungarees. There's whatdoyoucallhim out of. How do you? Doesn't
|
|
see. Chap you know just to salute bit of a bore. His back is like that
|
|
Norwegian captain's. Wonder if I'll meet him today. Watering cart. To
|
|
provoke the rain. On earth as it is in heaven.
|
|
|
|
A cloud began to cover the sun slowly, wholly. Grey. Far.
|
|
|
|
No, not like that. A barren land, bare waste. Vulcanic lake, the dead
|
|
sea: no fish, weedless, sunk deep in the earth. No wind could lift those
|
|
waves, grey metal, poisonous foggy waters. Brimstone they called it
|
|
raining down: the cities of the plain: Sodom, Gomorrah, Edom. All dead
|
|
names. A dead sea in a dead land, grey and old. Old now. It bore the
|
|
oldest, the first race. A bent hag crossed from Cassidy's, clutching a
|
|
naggin bottle by the neck. The oldest people. Wandered far away over
|
|
all the earth, captivity to captivity, multiplying, dying, being born
|
|
everywhere. It lay there now. Now it could bear no more. Dead: an old
|
|
woman's: the grey sunken cunt of the world.
|
|
|
|
Desolation.
|
|
|
|
Grey horror seared his flesh. Folding the page into his pocket he turned
|
|
into Eccles street, hurrying homeward. Cold oils slid along his veins,
|
|
chilling his blood: age crusting him with a salt cloak. Well, I am here
|
|
now. Yes, I am here now. Morning mouth bad images. Got up wrong side of
|
|
the bed. Must begin again those Sandow's exercises. On the hands down.
|
|
Blotchy brown brick houses. Number eighty still unlet. Why is that?
|
|
Valuation is only twenty-eight. Towers, Battersby, North, MacArthur:
|
|
parlour windows plastered with bills. Plasters on a sore eye. To smell
|
|
the gentle smoke of tea, fume of the pan, sizzling butter. Be near her
|
|
ample bedwarmed flesh. Yes, yes.
|
|
|
|
Quick warm sunlight came running from Berkeley road, swiftly, in slim
|
|
sandals, along the brightening footpath. Runs, she runs to meet me, a
|
|
girl with gold hair on the wind.
|
|
|
|
Two letters and a card lay on the hallfloor. He stooped and gathered
|
|
them. Mrs Marion Bloom. His quickened heart slowed at once. Bold hand.
|
|
Mrs Marion.
|
|
|
|
--Poldy!
|
|
|
|
Entering the bedroom he halfclosed his eyes and walked through warm
|
|
yellow twilight towards her tousled head.
|
|
|
|
--Who are the letters for?
|
|
|
|
He looked at them. Mullingar. Milly.
|
|
|
|
--A letter for me from Milly, he said carefully, and a card to you. And
|
|
a letter for you.
|
|
|
|
He laid her card and letter on the twill bedspread near the curve of her
|
|
knees.
|
|
|
|
--Do you want the blind up?
|
|
|
|
Letting the blind up by gentle tugs halfway his backward eye saw her
|
|
glance at the letter and tuck it under her pillow.
|
|
|
|
--That do? he asked, turning.
|
|
|
|
She was reading the card, propped on her elbow.
|
|
|
|
--She got the things, she said.
|
|
|
|
He waited till she had laid the card aside and curled herself back
|
|
slowly with a snug sigh.
|
|
|
|
--Hurry up with that tea, she said. I'm parched.
|
|
|
|
--The kettle is boiling, he said.
|
|
|
|
But he delayed to clear the chair: her striped petticoat, tossed soiled
|
|
linen: and lifted all in an armful on to the foot of the bed.
|
|
|
|
As he went down the kitchen stairs she called:
|
|
|
|
--Poldy!
|
|
|
|
--What?
|
|
|
|
--Scald the teapot.
|
|
|
|
On the boil sure enough: a plume of steam from the spout. He scalded and
|
|
rinsed out the teapot and put in four full spoons of tea, tilting the
|
|
kettle then to let the water flow in. Having set it to draw he took off
|
|
the kettle, crushed the pan flat on the live coals and watched the lump
|
|
of butter slide and melt. While he unwrapped the kidney the cat mewed
|
|
hungrily against him. Give her too much meat she won't mouse. Say they
|
|
won't eat pork. Kosher. Here. He let the bloodsmeared paper fall to
|
|
her and dropped the kidney amid the sizzling butter sauce. Pepper. He
|
|
sprinkled it through his fingers ringwise from the chipped eggcup.
|
|
|
|
Then he slit open his letter, glancing down the page and over. Thanks:
|
|
new tam: Mr Coghlan: lough Owel picnic: young student: Blazes Boylan's
|
|
seaside girls.
|
|
|
|
The tea was drawn. He filled his own moustachecup, sham crown
|
|
|
|
Derby, smiling. Silly Milly's birthday gift. Only five she was then. No,
|
|
wait: four. I gave her the amberoid necklace she broke. Putting pieces
|
|
of folded brown paper in the letterbox for her. He smiled, pouring.
|
|
|
|
_O, Milly Bloom, you are my darling.
|
|
You are my lookingglass from night to morning.
|
|
I'd rather have you without a farthing
|
|
Than Katey Keogh with her ass and garden._
|
|
|
|
|
|
Poor old professor Goodwin. Dreadful old case. Still he was a courteous
|
|
old chap. Oldfashioned way he used to bow Molly off the platform. And
|
|
the little mirror in his silk hat. The night Milly brought it into
|
|
the parlour. O, look what I found in professor Goodwin's hat! All we
|
|
laughed. Sex breaking out even then. Pert little piece she was.
|
|
|
|
He prodded a fork into the kidney and slapped it over: then fitted the
|
|
teapot on the tray. Its hump bumped as he took it up. Everything on
|
|
it? Bread and butter, four, sugar, spoon, her cream. Yes. He carried it
|
|
upstairs, his thumb hooked in the teapot handle.
|
|
|
|
Nudging the door open with his knee he carried the tray in and set it on
|
|
the chair by the bedhead.
|
|
|
|
--What a time you were! she said.
|
|
|
|
She set the brasses jingling as she raised herself briskly, an elbow on
|
|
the pillow. He looked calmly down on her bulk and between her large soft
|
|
bubs, sloping within her nightdress like a shegoat's udder. The warmth
|
|
of her couched body rose on the air, mingling with the fragrance of the
|
|
tea she poured.
|
|
|
|
A strip of torn envelope peeped from under the dimpled pillow. In the
|
|
act of going he stayed to straighten the bedspread.
|
|
|
|
--Who was the letter from? he asked.
|
|
|
|
Bold hand. Marion.
|
|
|
|
--O, Boylan, she said. He's bringing the programme.
|
|
|
|
--What are you singing?
|
|
|
|
--_La ci darem_ with J. C. Doyle, she said, and _Love's Old Sweet Song_.
|
|
|
|
Her full lips, drinking, smiled. Rather stale smell that incense leaves
|
|
next day. Like foul flowerwater.
|
|
|
|
--Would you like the window open a little?
|
|
|
|
She doubled a slice of bread into her mouth, asking:
|
|
|
|
--What time is the funeral?
|
|
|
|
--Eleven, I think, he answered. I didn't see the paper.
|
|
|
|
Following the pointing of her finger he took up a leg of her soiled
|
|
drawers from the bed. No? Then, a twisted grey garter looped round a
|
|
stocking: rumpled, shiny sole.
|
|
|
|
--No: that book.
|
|
|
|
Other stocking. Her petticoat.
|
|
|
|
--It must have fell down, she said.
|
|
|
|
He felt here and there. _Voglio e non vorrei_. Wonder if she pronounces
|
|
that right: _voglio_. Not in the bed. Must have slid down. He stooped
|
|
and lifted the valance. The book, fallen, sprawled against the bulge of
|
|
the orangekeyed chamberpot.
|
|
|
|
--Show here, she said. I put a mark in it. There's a word I wanted to
|
|
ask you.
|
|
|
|
She swallowed a draught of tea from her cup held by nothandle and,
|
|
having wiped her fingertips smartly on the blanket, began to search the
|
|
text with the hairpin till she reached the word.
|
|
|
|
--Met him what? he asked.
|
|
|
|
--Here, she said. What does that mean?
|
|
|
|
He leaned downward and read near her polished thumbnail.
|
|
|
|
--Metempsychosis?
|
|
|
|
--Yes. Who's he when he's at home?
|
|
|
|
--Metempsychosis, he said, frowning. It's Greek: from the Greek. That
|
|
means the transmigration of souls.
|
|
|
|
--O, rocks! she said. Tell us in plain words.
|
|
|
|
He smiled, glancing askance at her mocking eyes. The same young eyes.
|
|
The first night after the charades. Dolphin's Barn. He turned over
|
|
the smudged pages. _Ruby: the Pride of the Ring_. Hello. Illustration.
|
|
Fierce Italian with carriagewhip. Must be Ruby pride of the on the floor
|
|
naked. Sheet kindly lent. _The monster Maffei desisted and flung his
|
|
victim from him with an oath_. Cruelty behind it all. Doped animals.
|
|
Trapeze at Hengler's. Had to look the other way. Mob gaping. Break your
|
|
neck and we'll break our sides. Families of them. Bone them young so
|
|
they metamspychosis. That we live after death. Our souls. That a man's
|
|
soul after he dies. Dignam's soul...
|
|
|
|
--Did you finish it? he asked.
|
|
|
|
--Yes, she said. There's nothing smutty in it. Is she in love with the
|
|
first fellow all the time?
|
|
|
|
--Never read it. Do you want another?
|
|
|
|
--Yes. Get another of Paul de Kock's. Nice name he has.
|
|
|
|
She poured more tea into her cup, watching it flow sideways.
|
|
|
|
Must get that Capel street library book renewed or they'll write to
|
|
Kearney, my guarantor. Reincarnation: that's the word.
|
|
|
|
--Some people believe, he said, that we go on living in another body
|
|
after death, that we lived before. They call it reincarnation. That
|
|
we all lived before on the earth thousands of years ago or some other
|
|
planet. They say we have forgotten it. Some say they remember their past
|
|
lives.
|
|
|
|
The sluggish cream wound curdling spirals through her tea. Better remind
|
|
her of the word: metempsychosis. An example would be better. An example?
|
|
|
|
The _Bath of the Nymph_ over the bed. Given away with the Easter number
|
|
of _Photo Bits_: Splendid masterpiece in art colours. Tea before you
|
|
put milk in. Not unlike her with her hair down: slimmer. Three and six
|
|
I gave for the frame. She said it would look nice over the bed. Naked
|
|
nymphs: Greece: and for instance all the people that lived then.
|
|
|
|
He turned the pages back.
|
|
|
|
--Metempsychosis, he said, is what the ancient Greeks called it. They
|
|
used to believe you could be changed into an animal or a tree, for
|
|
instance. What they called nymphs, for example.
|
|
|
|
Her spoon ceased to stir up the sugar. She gazed straight before her,
|
|
inhaling through her arched nostrils.
|
|
|
|
--There's a smell of burn, she said. Did you leave anything on the fire?
|
|
|
|
--The kidney! he cried suddenly.
|
|
|
|
He fitted the book roughly into his inner pocket and, stubbing his toes
|
|
against the broken commode, hurried out towards the smell, stepping
|
|
hastily down the stairs with a flurried stork's legs. Pungent smoke shot
|
|
up in an angry jet from a side of the pan. By prodding a prong of the
|
|
fork under the kidney he detached it and turned it turtle on its back.
|
|
Only a little burnt. He tossed it off the pan on to a plate and let the
|
|
scanty brown gravy trickle over it.
|
|
|
|
Cup of tea now. He sat down, cut and buttered a slice of the loaf.
|
|
He shore away the burnt flesh and flung it to the cat. Then he put a
|
|
forkful into his mouth, chewing with discernment the toothsome pliant
|
|
meat. Done to a turn. A mouthful of tea. Then he cut away dies of bread,
|
|
sopped one in the gravy and put it in his mouth. What was that about
|
|
some young student and a picnic? He creased out the letter at his side,
|
|
reading it slowly as he chewed, sopping another die of bread in the
|
|
gravy and raising it to his mouth.
|
|
|
|
Dearest Papli
|
|
|
|
Thanks ever so much for the lovely birthday present. It suits me
|
|
splendid. Everyone says I am quite the belle in my new tam. I got
|
|
mummy's Iovely box of creams and am writing. They are lovely. I am
|
|
getting on swimming in the photo business now. Mr Coghlan took one of me
|
|
and Mrs. Will send when developed. We did great biz yesterday. Fair day
|
|
and all the beef to the heels were in. We are going to lough Owel on
|
|
Monday with a few friends to make a scrap picnic. Give my love to
|
|
mummy and to yourself a big kiss and thanks. I hear them at the piano
|
|
downstairs. There is to be a concert in the Greville Arms on Saturday.
|
|
There is a young student comes here some evenings named Bannon his
|
|
cousins or something are big swells and he sings Boylan's (I was on the
|
|
pop of writing Blazes Boylan's) song about those seaside girls. Tell him
|
|
silly Milly sends my best respects. I must now close with fondest love
|
|
|
|
Your fond daughter, MILLY.
|
|
|
|
P. S. Excuse bad writing am in hurry. Byby. M.
|
|
|
|
Fifteen yesterday. Curious, fifteenth of the month too. Her first
|
|
birthday away from home. Separation. Remember the summer morning she
|
|
was born, running to knock up Mrs Thornton in Denzille street. Jolly old
|
|
woman. Lot of babies she must have helped into the world. She knew from
|
|
the first poor little Rudy wouldn't live. Well, God is good, sir. She
|
|
knew at once. He would be eleven now if he had lived.
|
|
|
|
His vacant face stared pityingly at the postscript. Excuse bad writing.
|
|
Hurry. Piano downstairs. Coming out of her shell. Row with her in the
|
|
XL Cafe about the bracelet. Wouldn't eat her cakes or speak or look.
|
|
Saucebox. He sopped other dies of bread in the gravy and ate piece after
|
|
piece of kidney. Twelve and six a week. Not much. Still, she might do
|
|
worse. Music hall stage. Young student. He drank a draught of cooler tea
|
|
to wash down his meal. Then he read the letter again: twice.
|
|
|
|
O, well: she knows how to mind herself. But if not? No, nothing has
|
|
happened. Of course it might. Wait in any case till it does. A wild
|
|
piece of goods. Her slim legs running up the staircase. Destiny.
|
|
Ripening now.
|
|
|
|
Vain: very.
|
|
|
|
He smiled with troubled affection at the kitchen window. Day I caught
|
|
her in the street pinching her cheeks to make them red. Anemic a little.
|
|
Was given milk too long. On the ERIN'S KING that day round the Kish.
|
|
Damned old tub pitching about. Not a bit funky. Her pale blue scarf
|
|
loose in the wind with her hair. _All dimpled cheeks and curls, Your
|
|
head it simply swirls._
|
|
|
|
|
|
Seaside girls. Torn envelope. Hands stuck in his trousers' pockets,
|
|
jarvey off for the day, singing. Friend of the family. Swurls, he says.
|
|
Pier with lamps, summer evening, band,
|
|
|
|
_Those girls, those girls,
|
|
Those lovely seaside girls._
|
|
|
|
|
|
Milly too. Young kisses: the first. Far away now past. Mrs Marion.
|
|
Reading, lying back now, counting the strands of her hair, smiling,
|
|
braiding.
|
|
|
|
A soft qualm, regret, flowed down his backbone, increasing. Will happen,
|
|
yes. Prevent. Useless: can't move. Girl's sweet light lips. Will happen
|
|
too. He felt the flowing qualm spread over him. Useless to move now.
|
|
Lips kissed, kissing, kissed. Full gluey woman's lips.
|
|
|
|
Better where she is down there: away. Occupy her. Wanted a dog to pass
|
|
the time. Might take a trip down there. August bank holiday, only two
|
|
and six return. Six weeks off, however. Might work a press pass. Or
|
|
through M'Coy.
|
|
|
|
The cat, having cleaned all her fur, returned to the meatstained paper,
|
|
nosed at it and stalked to the door. She looked back at him, mewing.
|
|
Wants to go out. Wait before a door sometime it will open. Let her wait.
|
|
Has the fidgets. Electric. Thunder in the air. Was washing at her ear
|
|
with her back to the fire too.
|
|
|
|
He felt heavy, full: then a gentle loosening of his bowels. He stood up,
|
|
undoing the waistband of his trousers. The cat mewed to him.
|
|
|
|
--Miaow! he said in answer. Wait till I'm ready.
|
|
|
|
Heaviness: hot day coming. Too much trouble to fag up the stairs to the
|
|
landing.
|
|
|
|
A paper. He liked to read at stool. Hope no ape comes knocking just as
|
|
I'm.
|
|
|
|
In the tabledrawer he found an old number of _Titbits_. He folded it
|
|
under his armpit, went to the door and opened it. The cat went up in
|
|
soft bounds. Ah, wanted to go upstairs, curl up in a ball on the bed.
|
|
|
|
Listening, he heard her voice:
|
|
|
|
--Come, come, pussy. Come.
|
|
|
|
He went out through the backdoor into the garden: stood to listen
|
|
towards the next garden. No sound. Perhaps hanging clothes out to dry.
|
|
The maid was in the garden. Fine morning.
|
|
|
|
He bent down to regard a lean file of spearmint growing by the wall.
|
|
Make a summerhouse here. Scarlet runners. Virginia creepers. Want to
|
|
manure the whole place over, scabby soil. A coat of liver of sulphur.
|
|
All soil like that without dung. Household slops. Loam, what is this
|
|
that is? The hens in the next garden: their droppings are very good top
|
|
dressing. Best of all though are the cattle, especially when they are
|
|
fed on those oilcakes. Mulch of dung. Best thing to clean ladies' kid
|
|
gloves. Dirty cleans. Ashes too. Reclaim the whole place. Grow peas in
|
|
that corner there. Lettuce. Always have fresh greens then. Still gardens
|
|
have their drawbacks. That bee or bluebottle here Whitmonday.
|
|
|
|
He walked on. Where is my hat, by the way? Must have put it back on the
|
|
peg. Or hanging up on the floor. Funny I don't remember that. Hallstand
|
|
too full. Four umbrellas, her raincloak. Picking up the letters.
|
|
Drago's shopbell ringing. Queer I was just thinking that moment. Brown
|
|
brillantined hair over his collar. Just had a wash and brushup. Wonder
|
|
have I time for a bath this morning. Tara street. Chap in the paybox
|
|
there got away James Stephens, they say. O'Brien.
|
|
|
|
Deep voice that fellow Dlugacz has. Agendath what is it? Now, my miss.
|
|
Enthusiast.
|
|
|
|
He kicked open the crazy door of the jakes. Better be careful not to get
|
|
these trousers dirty for the funeral. He went in, bowing his head
|
|
under the low lintel. Leaving the door ajar, amid the stench of mouldy
|
|
limewash and stale cobwebs he undid his braces. Before sitting down he
|
|
peered through a chink up at the nextdoor windows. The king was in his
|
|
countinghouse. Nobody.
|
|
|
|
Asquat on the cuckstool he folded out his paper, turning its pages over
|
|
on his bared knees. Something new and easy. No great hurry. Keep it a
|
|
bit. Our prize titbit: _Matcham's Masterstroke_. Written by Mr Philip
|
|
Beaufoy, Playgoers' Club, London. Payment at the rate of one guinea
|
|
a column has been made to the writer. Three and a half. Three pounds
|
|
three. Three pounds, thirteen and six.
|
|
|
|
Quietly he read, restraining himself, the first column and, yielding but
|
|
resisting, began the second. Midway, his last resistance yielding, he
|
|
allowed his bowels to ease themselves quietly as he read, reading still
|
|
patiently that slight constipation of yesterday quite gone. Hope it's
|
|
not too big bring on piles again. No, just right. So. Ah! Costive. One
|
|
tabloid of cascara sagrada. Life might be so. It did not move or touch
|
|
him but it was something quick and neat. Print anything now. Silly
|
|
season. He read on, seated calm above his own rising smell. Neat
|
|
certainly. _Matcham often thinks of the masterstroke by which he won the
|
|
laughing witch who now_. Begins and ends morally. _Hand in hand_. Smart.
|
|
He glanced back through what he had read and, while feeling his water
|
|
flow quietly, he envied kindly Mr Beaufoy who had written it and
|
|
received payment of three pounds, thirteen and six.
|
|
|
|
Might manage a sketch. By Mr and Mrs L. M. Bloom. Invent a story for
|
|
some proverb. Which? Time I used to try jotting down on my cuff what she
|
|
said dressing. Dislike dressing together. Nicked myself shaving. Biting
|
|
her nether lip, hooking the placket of her skirt. Timing her. 9.l5.
|
|
Did Roberts pay you yet? 9.20. What had Gretta Conroy on? 9.23. What
|
|
possessed me to buy this comb? 9.24. I'm swelled after that cabbage. A
|
|
speck of dust on the patent leather of her boot.
|
|
|
|
Rubbing smartly in turn each welt against her stockinged calf. Morning
|
|
after the bazaar dance when May's band played Ponchielli's dance of the
|
|
hours. Explain that: morning hours, noon, then evening coming on, then
|
|
night hours. Washing her teeth. That was the first night. Her head
|
|
dancing. Her fansticks clicking. Is that Boylan well off? He has money.
|
|
Why? I noticed he had a good rich smell off his breath dancing. No use
|
|
humming then. Allude to it. Strange kind of music that last night. The
|
|
mirror was in shadow. She rubbed her handglass briskly on her woollen
|
|
vest against her full wagging bub. Peering into it. Lines in her eyes.
|
|
It wouldn't pan out somehow.
|
|
|
|
Evening hours, girls in grey gauze. Night hours then: black with daggers
|
|
and eyemasks. Poetical idea: pink, then golden, then grey, then black.
|
|
Still, true to life also. Day: then the night.
|
|
|
|
He tore away half the prize story sharply and wiped himself with it.
|
|
Then he girded up his trousers, braced and buttoned himself. He pulled
|
|
back the jerky shaky door of the jakes and came forth from the gloom
|
|
into the air.
|
|
|
|
In the bright light, lightened and cooled in limb, he eyed carefully his
|
|
black trousers: the ends, the knees, the houghs of the knees. What time
|
|
is the funeral? Better find out in the paper.
|
|
|
|
A creak and a dark whirr in the air high up. The bells of George's
|
|
church. They tolled the hour: loud dark iron.
|
|
|
|
_Heigho! Heigho!
|
|
Heigho! Heigho!
|
|
Heigho! Heigho!_
|
|
|
|
|
|
Quarter to. There again: the overtone following through the air, third.
|
|
|
|
Poor Dignam!
|
|
|
|
|
|
By lorries along sir John Rogerson's quay Mr Bloom walked soberly, past
|
|
Windmill lane, Leask's the linseed crusher, the postal telegraph office.
|
|
Could have given that address too. And past the sailors' home. He turned
|
|
from the morning noises of the quayside and walked through Lime street.
|
|
By Brady's cottages a boy for the skins lolled, his bucket of offal
|
|
linked, smoking a chewed fagbutt. A smaller girl with scars of eczema
|
|
on her forehead eyed him, listlessly holding her battered caskhoop. Tell
|
|
him if he smokes he won't grow. O let him! His life isn't such a bed of
|
|
roses. Waiting outside pubs to bring da home. Come home to ma, da.
|
|
Slack hour: won't be many there. He crossed Townsend street, passed
|
|
the frowning face of Bethel. El, yes: house of: Aleph, Beth. And past
|
|
Nichols' the undertaker. At eleven it is. Time enough. Daresay Corny
|
|
Kelleher bagged the job for O'Neill's. Singing with his eyes shut.
|
|
Corny. Met her once in the park. In the dark. What a lark. Police tout.
|
|
Her name and address she then told with my tooraloom tooraloom tay.
|
|
O, surely he bagged it. Bury him cheap in a whatyoumaycall. With my
|
|
tooraloom, tooraloom, tooraloom, tooraloom.
|
|
|
|
|
|
In Westland row he halted before the window of the Belfast and Oriental
|
|
Tea Company and read the legends of leadpapered packets: choice blend,
|
|
finest quality, family tea. Rather warm. Tea. Must get some from Tom
|
|
Kernan. Couldn't ask him at a funeral, though. While his eyes still read
|
|
blandly he took off his hat quietly inhaling his hairoil and sent his
|
|
right hand with slow grace over his brow and hair. Very warm morning.
|
|
Under their dropped lids his eyes found the tiny bow of the leather
|
|
headband inside his high grade ha. Just there. His right hand came down
|
|
into the bowl of his hat. His fingers found quickly a card behind the
|
|
headband and transferred it to his waistcoat pocket.
|
|
|
|
So warm. His right hand once more more slowly went over his brow and
|
|
hair. Then he put on his hat again, relieved: and read again: choice
|
|
blend, made of the finest Ceylon brands. The far east. Lovely spot it
|
|
must be: the garden of the world, big lazy leaves to float about on,
|
|
cactuses, flowery meads, snaky lianas they call them. Wonder is it like
|
|
that. Those Cinghalese lobbing about in the sun in _dolce far niente_,
|
|
not doing a hand's turn all day. Sleep six months out of twelve. Too hot
|
|
to quarrel. Influence of the climate. Lethargy. Flowers of idleness. The
|
|
air feeds most. Azotes. Hothouse in Botanic gardens. Sensitive plants.
|
|
Waterlilies. Petals too tired to. Sleeping sickness in the air. Walk on
|
|
roseleaves. Imagine trying to eat tripe and cowheel. Where was the chap
|
|
I saw in that picture somewhere? Ah yes, in the dead sea floating on his
|
|
back, reading a book with a parasol open. Couldn't sink if you tried: so
|
|
thick with salt. Because the weight of the water, no, the weight of
|
|
the body in the water is equal to the weight of the what? Or is it the
|
|
volume is equal to the weight? It's a law something like that. Vance in
|
|
High school cracking his fingerjoints, teaching. The college curriculum.
|
|
Cracking curriculum. What is weight really when you say the weight?
|
|
Thirtytwo feet per second per second. Law of falling bodies: per second
|
|
per second. They all fall to the ground. The earth. It's the force of
|
|
gravity of the earth is the weight.
|
|
|
|
He turned away and sauntered across the road. How did she walk with her
|
|
sausages? Like that something. As he walked he took the folded _Freeman_
|
|
from his sidepocket, unfolded it, rolled it lengthwise in a baton and
|
|
tapped it at each sauntering step against his trouserleg. Careless air:
|
|
just drop in to see. Per second per second. Per second for every second
|
|
it means. From the curbstone he darted a keen glance through the door of
|
|
the postoffice. Too late box. Post here. No-one. In.
|
|
|
|
He handed the card through the brass grill.
|
|
|
|
--Are there any letters for me? he asked.
|
|
|
|
While the postmistress searched a pigeonhole he gazed at the recruiting
|
|
poster with soldiers of all arms on parade: and held the tip of his
|
|
baton against his nostrils, smelling freshprinted rag paper. No answer
|
|
probably. Went too far last time.
|
|
|
|
The postmistress handed him back through the grill his card with a
|
|
letter. He thanked her and glanced rapidly at the typed envelope.
|
|
|
|
Henry Flower Esq, c/o P. O. Westland Row, City.
|
|
|
|
Answered anyhow. He slipped card and letter into his sidepocket,
|
|
reviewing again the soldiers on parade. Where's old Tweedy's regiment?
|
|
Castoff soldier. There: bearskin cap and hackle plume. No, he's a
|
|
grenadier. Pointed cuffs. There he is: royal Dublin fusiliers. Redcoats.
|
|
Too showy. That must be why the women go after them. Uniform. Easier to
|
|
enlist and drill. Maud Gonne's letter about taking them off O'Connell
|
|
street at night: disgrace to our Irish capital. Griffith's paper is on
|
|
the same tack now: an army rotten with venereal disease: overseas or
|
|
halfseasover empire. Half baked they look: hypnotised like. Eyes front.
|
|
Mark time. Table: able. Bed: ed. The King's own. Never see him dressed
|
|
up as a fireman or a bobby. A mason, yes.
|
|
|
|
He strolled out of the postoffice and turned to the right. Talk: as if
|
|
that would mend matters. His hand went into his pocket and a forefinger
|
|
felt its way under the flap of the envelope, ripping it open in jerks.
|
|
Women will pay a lot of heed, I don't think. His fingers drew forth the
|
|
letter the letter and crumpled the envelope in his pocket. Something
|
|
pinned on: photo perhaps. Hair? No.
|
|
|
|
M'Coy. Get rid of him quickly. Take me out of my way. Hate company when
|
|
you.
|
|
|
|
--Hello, Bloom. Where are you off to?
|
|
|
|
--Hello, M'Coy. Nowhere in particular.
|
|
|
|
--How's the body?
|
|
|
|
--Fine. How are you?
|
|
|
|
--Just keeping alive, M'Coy said.
|
|
|
|
His eyes on the black tie and clothes he asked with low respect:
|
|
|
|
--Is there any... no trouble I hope? I see you're...
|
|
|
|
--O, no, Mr Bloom said. Poor Dignam, you know. The funeral is today.
|
|
|
|
--To be sure, poor fellow. So it is. What time?
|
|
|
|
A photo it isn't. A badge maybe.
|
|
|
|
--E... eleven, Mr Bloom answered.
|
|
|
|
--I must try to get out there, M'Coy said. Eleven, is it? I only heard
|
|
it last night. Who was telling me? Holohan. You know Hoppy?
|
|
|
|
--I know.
|
|
|
|
Mr Bloom gazed across the road at the outsider drawn up before the door
|
|
of the Grosvenor. The porter hoisted the valise up on the well. She
|
|
stood still, waiting, while the man, husband, brother, like her,
|
|
searched his pockets for change. Stylish kind of coat with that roll
|
|
collar, warm for a day like this, looks like blanketcloth. Careless
|
|
stand of her with her hands in those patch pockets. Like that haughty
|
|
creature at the polo match. Women all for caste till you touch the spot.
|
|
Handsome is and handsome does. Reserved about to yield. The honourable
|
|
Mrs and Brutus is an honourable man. Possess her once take the starch
|
|
out of her.
|
|
|
|
--I was with Bob Doran, he's on one of his periodical bends, and what do
|
|
you call him Bantam Lyons. Just down there in Conway's we were.
|
|
|
|
Doran Lyons in Conway's. She raised a gloved hand to her hair. In came
|
|
Hoppy. Having a wet. Drawing back his head and gazing far from beneath
|
|
his vailed eyelids he saw the bright fawn skin shine in the glare, the
|
|
braided drums. Clearly I can see today. Moisture about gives long sight
|
|
perhaps. Talking of one thing or another. Lady's hand. Which side will
|
|
she get up?
|
|
|
|
--And he said: _Sad thing about our poor friend Paddy! What Paddy?_ I
|
|
said. _Poor little Paddy Dignam_, he said.
|
|
|
|
Off to the country: Broadstone probably. High brown boots with laces
|
|
dangling. Wellturned foot. What is he foostering over that change for?
|
|
Sees me looking. Eye out for other fellow always. Good fallback. Two
|
|
strings to her bow.
|
|
|
|
--_Why?_ I said. _What's wrong with him?_ I said.
|
|
|
|
Proud: rich: silk stockings.
|
|
|
|
--Yes, Mr Bloom said.
|
|
|
|
He moved a little to the side of M'Coy's talking head. Getting up in a
|
|
minute.
|
|
|
|
--_What's wrong with him_? He said. _He's dead_, he said. And, faith,
|
|
he filled up. _Is it Paddy Dignam_? I said. I couldn't believe it when I
|
|
heard it. I was with him no later than Friday last or Thursday was it in
|
|
the Arch. _Yes,_ he said. _He's gone. He died on Monday, poor fellow_.
|
|
Watch! Watch! Silk flash rich stockings white. Watch!
|
|
|
|
A heavy tramcar honking its gong slewed between.
|
|
|
|
Lost it. Curse your noisy pugnose. Feels locked out of it. Paradise and
|
|
the peri. Always happening like that. The very moment. Girl in Eustace
|
|
street hallway Monday was it settling her garter. Her friend covering
|
|
the display of _esprit de corps_. Well, what are you gaping at?
|
|
|
|
--Yes, yes, Mr Bloom said after a dull sigh. Another gone.
|
|
|
|
--One of the best, M'Coy said.
|
|
|
|
The tram passed. They drove off towards the Loop Line bridge, her rich
|
|
gloved hand on the steel grip. Flicker, flicker: the laceflare of her
|
|
hat in the sun: flicker, flick.
|
|
|
|
--Wife well, I suppose? M'Coy's changed voice said.
|
|
|
|
--O, yes, Mr Bloom said. Tiptop, thanks.
|
|
|
|
He unrolled the newspaper baton idly and read idly:
|
|
|
|
_What is home without Plumtree's Potted Meat? Incomplete With it an
|
|
abode of bliss._
|
|
|
|
--My missus has just got an engagement. At least it's not settled yet.
|
|
|
|
Valise tack again. By the way no harm. I'm off that, thanks.
|
|
|
|
Mr Bloom turned his largelidded eyes with unhasty friendliness.
|
|
|
|
--My wife too, he said. She's going to sing at a swagger affair in the
|
|
Ulster Hall, Belfast, on the twenty-fifth.
|
|
|
|
--That so? M'Coy said. Glad to hear that, old man. Who's getting it up?
|
|
|
|
Mrs Marion Bloom. Not up yet. Queen was in her bedroom eating bread and.
|
|
No book. Blackened court cards laid along her thigh by sevens. Dark lady
|
|
and fair man. Letter. Cat furry black ball. Torn strip of envelope.
|
|
|
|
_Love's
|
|
Old
|
|
Sweet
|
|
Song
|
|
Comes lo-ove's old..._
|
|
|
|
--It's a kind of a tour, don't you see, Mr Bloom said thoughtfully.
|
|
_Sweeeet song_. There's a committee formed. Part shares and part
|
|
profits.
|
|
|
|
M'Coy nodded, picking at his moustache stubble.
|
|
|
|
--O, well, he said. That's good news.
|
|
|
|
He moved to go.
|
|
|
|
--Well, glad to see you looking fit, he said. Meet you knocking around.
|
|
|
|
--Yes, Mr Bloom said.
|
|
|
|
--Tell you what, M'Coy said. You might put down my name at the funeral,
|
|
will you? I'd like to go but I mightn't be able, you see. There's a
|
|
drowning case at Sandycove may turn up and then the coroner and myself
|
|
would have to go down if the body is found. You just shove in my name if
|
|
I'm not there, will you?
|
|
|
|
--I'll do that, Mr Bloom said, moving to get off. That'll be all right.
|
|
|
|
--Right, M'Coy said brightly. Thanks, old man. I'd go if I possibly
|
|
could. Well, tolloll. Just C. P. M'Coy will do.
|
|
|
|
--That will be done, Mr Bloom answered firmly.
|
|
|
|
Didn't catch me napping that wheeze. The quick touch. Soft mark. I'd
|
|
like my job. Valise I have a particular fancy for. Leather. Capped
|
|
corners, rivetted edges, double action lever lock. Bob Cowley lent him
|
|
his for the Wicklow regatta concert last year and never heard tidings of
|
|
it from that good day to this.
|
|
|
|
Mr Bloom, strolling towards Brunswick street, smiled. My missus has just
|
|
got an. Reedy freckled soprano. Cheeseparing nose. Nice enough in its
|
|
way: for a little ballad. No guts in it. You and me, don't you know:
|
|
in the same boat. Softsoaping. Give you the needle that would. Can't
|
|
he hear the difference? Think he's that way inclined a bit. Against
|
|
my grain somehow. Thought that Belfast would fetch him. I hope that
|
|
smallpox up there doesn't get worse. Suppose she wouldn't let herself be
|
|
vaccinated again. Your wife and my wife.
|
|
|
|
Wonder is he pimping after me?
|
|
|
|
Mr Bloom stood at the corner, his eyes wandering over the multicoloured
|
|
hoardings. Cantrell and Cochrane's Ginger Ale (Aromatic). Clery's Summer
|
|
Sale. No, he's going on straight. Hello. _Leah_ tonight. Mrs Bandmann
|
|
Palmer. Like to see her again in that. _Hamlet_ she played last night.
|
|
Male impersonator. Perhaps he was a woman. Why Ophelia committed
|
|
suicide. Poor papa! How he used to talk of Kate Bateman in that. Outside
|
|
the Adelphi in London waited all the afternoon to get in. Year before
|
|
I was born that was: sixtyfive. And Ristori in Vienna. What is this the
|
|
right name is? By Mosenthal it is. Rachel, is it? No. The scene he was
|
|
always talking about where the old blind Abraham recognises the voice
|
|
and puts his fingers on his face.
|
|
|
|
Nathan's voice! His son's voice! I hear the voice of Nathan who left his
|
|
father to die of grief and misery in my arms, who left the house of his
|
|
father and left the God of his father.
|
|
|
|
Every word is so deep, Leopold.
|
|
|
|
Poor papa! Poor man! I'm glad I didn't go into the room to look at his
|
|
face. That day! O, dear! O, dear! Ffoo! Well, perhaps it was best for
|
|
him.
|
|
|
|
Mr Bloom went round the corner and passed the drooping nags of the
|
|
hazard. No use thinking of it any more. Nosebag time. Wish I hadn't met
|
|
that M'Coy fellow.
|
|
|
|
He came nearer and heard a crunching of gilded oats, the gently champing
|
|
teeth. Their full buck eyes regarded him as he went by, amid the sweet
|
|
oaten reek of horsepiss. Their Eldorado. Poor jugginses! Damn all they
|
|
know or care about anything with their long noses stuck in nosebags.
|
|
Too full for words. Still they get their feed all right and their doss.
|
|
Gelded too: a stump of black guttapercha wagging limp between their
|
|
haunches. Might be happy all the same that way. Good poor brutes they
|
|
look. Still their neigh can be very irritating.
|
|
|
|
He drew the letter from his pocket and folded it into the newspaper he
|
|
carried. Might just walk into her here. The lane is safer.
|
|
|
|
He passed the cabman's shelter. Curious the life of drifting cabbies.
|
|
All weathers, all places, time or setdown, no will of their own. _Voglio
|
|
e non_. Like to give them an odd cigarette. Sociable. Shout a few flying
|
|
syllables as they pass. He hummed:
|
|
|
|
_La ci darem la mano
|
|
La la lala la la._
|
|
|
|
He turned into Cumberland street and, going on some paces, halted in the
|
|
lee of the station wall. No-one. Meade's timberyard. Piled balks. Ruins
|
|
and tenements. With careful tread he passed over a hopscotch court with
|
|
its forgotten pickeystone. Not a sinner. Near the timberyard a squatted
|
|
child at marbles, alone, shooting the taw with a cunnythumb. A wise
|
|
tabby, a blinking sphinx, watched from her warm sill. Pity to disturb
|
|
them. Mohammed cut a piece out of his mantle not to wake her. Open it.
|
|
And once I played marbles when I went to that old dame's school. She
|
|
liked mignonette. Mrs Ellis's. And Mr? He opened the letter within the
|
|
newspaper.
|
|
|
|
A flower. I think it's a. A yellow flower with flattened petals. Not
|
|
annoyed then? What does she say?
|
|
|
|
Dear Henry
|
|
|
|
I got your last letter to me and thank you very much for it. I am sorry
|
|
you did not like my last letter. Why did you enclose the stamps? I am
|
|
awfully angry with you. I do wish I could punish you for that. I called
|
|
you naughty boy because I do not like that other world. Please tell me
|
|
what is the real meaning of that word? Are you not happy in your home
|
|
you poor little naughty boy? I do wish I could do something for you.
|
|
Please tell me what you think of poor me. I often think of the beautiful
|
|
name you have. Dear Henry, when will we meet? I think of you so often
|
|
you have no idea. I have never felt myself so much drawn to a man as
|
|
you. I feel so bad about. Please write me a long letter and tell me
|
|
more. Remember if you do not I will punish you. So now you know what I
|
|
will do to you, you naughty boy, if you do not wrote. O how I long to
|
|
meet you. Henry dear, do not deny my request before my patience are
|
|
exhausted. Then I will tell you all. Goodbye now, naughty darling, I
|
|
have such a bad headache. today. and write _by return_ to your longing
|
|
|
|
Martha
|
|
|
|
P. S. Do tell me what kind of perfume does your wife use. I want to
|
|
know.
|
|
|
|
He tore the flower gravely from its pinhold smelt its almost no smell
|
|
and placed it in his heart pocket. Language of flowers. They like it
|
|
because no-one can hear. Or a poison bouquet to strike him down. Then
|
|
walking slowly forward he read the letter again, murmuring here and
|
|
there a word. Angry tulips with you darling manflower punish your cactus
|
|
if you don't please poor forgetmenot how I long violets to dear roses
|
|
when we soon anemone meet all naughty nightstalk wife Martha's perfume.
|
|
Having read it all he took it from the newspaper and put it back in his
|
|
sidepocket.
|
|
|
|
Weak joy opened his lips. Changed since the first letter. Wonder did she
|
|
wrote it herself. Doing the indignant: a girl of good family like me,
|
|
respectable character. Could meet one Sunday after the rosary. Thank
|
|
you: not having any. Usual love scrimmage. Then running round corners.
|
|
Bad as a row with Molly. Cigar has a cooling effect. Narcotic. Go
|
|
further next time. Naughty boy: punish: afraid of words, of course.
|
|
Brutal, why not? Try it anyhow. A bit at a time.
|
|
|
|
Fingering still the letter in his pocket he drew the pin out of it.
|
|
Common pin, eh? He threw it on the road. Out of her clothes somewhere:
|
|
pinned together. Queer the number of pins they always have. No roses
|
|
without thorns.
|
|
|
|
Flat Dublin voices bawled in his head. Those two sluts that night in the
|
|
Coombe, linked together in the rain.
|
|
|
|
_O, Mary lost the pin of her drawers.
|
|
She didn't know what to do
|
|
To keep it up
|
|
To keep it up._
|
|
|
|
It? Them. Such a bad headache. Has her roses probably. Or sitting all
|
|
day typing. Eyefocus bad for stomach nerves. What perfume does your wife
|
|
use. Now could you make out a thing like that?
|
|
|
|
_To keep it up._
|
|
|
|
Martha, Mary. I saw that picture somewhere I forget now old master or
|
|
faked for money. He is sitting in their house, talking. Mysterious. Also
|
|
the two sluts in the Coombe would listen.
|
|
|
|
_To keep it up._
|
|
|
|
Nice kind of evening feeling. No more wandering about. Just loll there:
|
|
quiet dusk: let everything rip. Forget. Tell about places you have been,
|
|
strange customs. The other one, jar on her head, was getting the supper:
|
|
fruit, olives, lovely cool water out of a well, stonecold like the hole
|
|
in the wall at Ashtown. Must carry a paper goblet next time I go to the
|
|
trottingmatches. She listens with big dark soft eyes. Tell her: more and
|
|
more: all. Then a sigh: silence. Long long long rest.
|
|
|
|
Going under the railway arch he took out the envelope, tore it swiftly
|
|
in shreds and scattered them towards the road. The shreds fluttered
|
|
away, sank in the dank air: a white flutter, then all sank.
|
|
|
|
Henry Flower. You could tear up a cheque for a hundred pounds in the
|
|
same way. Simple bit of paper. Lord Iveagh once cashed a sevenfigure
|
|
cheque for a million in the bank of Ireland. Shows you the money to be
|
|
made out of porter. Still the other brother lord Ardilaun has to change
|
|
his shirt four times a day, they say. Skin breeds lice or vermin. A
|
|
million pounds, wait a moment. Twopence a pint, fourpence a quart,
|
|
eightpence a gallon of porter, no, one and fourpence a gallon of porter.
|
|
One and four into twenty: fifteen about. Yes, exactly. Fifteen millions
|
|
of barrels of porter.
|
|
|
|
What am I saying barrels? Gallons. About a million barrels all the same.
|
|
|
|
An incoming train clanked heavily above his head, coach after coach.
|
|
Barrels bumped in his head: dull porter slopped and churned inside.
|
|
The bungholes sprang open and a huge dull flood leaked out, flowing
|
|
together, winding through mudflats all over the level land, a lazy
|
|
pooling swirl of liquor bearing along wideleaved flowers of its froth.
|
|
|
|
He had reached the open backdoor of All Hallows. Stepping into the porch
|
|
he doffed his hat, took the card from his pocket and tucked it again
|
|
behind the leather headband. Damn it. I might have tried to work M'Coy
|
|
for a pass to Mullingar.
|
|
|
|
Same notice on the door. Sermon by the very reverend John Conmee S.J.
|
|
on saint Peter Claver S.J. and the African Mission. Prayers for the
|
|
conversion of Gladstone they had too when he was almost unconscious. The
|
|
protestants are the same. Convert Dr William J. Walsh D.D. to the true
|
|
religion. Save China's millions. Wonder how they explain it to the
|
|
heathen Chinee. Prefer an ounce of opium. Celestials. Rank heresy for
|
|
them. Buddha their god lying on his side in the museum. Taking it easy
|
|
with hand under his cheek. Josssticks burning. Not like Ecce Homo. Crown
|
|
of thorns and cross. Clever idea Saint Patrick the shamrock. Chopsticks?
|
|
Conmee: Martin Cunningham knows him: distinguishedlooking. Sorry I
|
|
didn't work him about getting Molly into the choir instead of that
|
|
Father Farley who looked a fool but wasn't. They're taught that. He's
|
|
not going out in bluey specs with the sweat rolling off him to baptise
|
|
blacks, is he? The glasses would take their fancy, flashing. Like to see
|
|
them sitting round in a ring with blub lips, entranced, listening. Still
|
|
life. Lap it up like milk, I suppose.
|
|
|
|
The cold smell of sacred stone called him. He trod the worn steps,
|
|
pushed the swingdoor and entered softly by the rere.
|
|
|
|
Something going on: some sodality. Pity so empty. Nice discreet place
|
|
to be next some girl. Who is my neighbour? Jammed by the hour to slow
|
|
music. That woman at midnight mass. Seventh heaven. Women knelt in the
|
|
benches with crimson halters round their necks, heads bowed. A batch
|
|
knelt at the altarrails. The priest went along by them, murmuring,
|
|
holding the thing in his hands. He stopped at each, took out a
|
|
communion, shook a drop or two (are they in water?) off it and put it
|
|
neatly into her mouth. Her hat and head sank. Then the next one. Her hat
|
|
sank at once. Then the next one: a small old woman. The priest bent down
|
|
to put it into her mouth, murmuring all the time. Latin. The next one.
|
|
Shut your eyes and open your mouth. What? _Corpus:_ body. Corpse. Good
|
|
idea the Latin. Stupefies them first. Hospice for the dying. They
|
|
don't seem to chew it: only swallow it down. Rum idea: eating bits of a
|
|
corpse. Why the cannibals cotton to it.
|
|
|
|
He stood aside watching their blind masks pass down the aisle, one by
|
|
one, and seek their places. He approached a bench and seated himself in
|
|
its corner, nursing his hat and newspaper. These pots we have to wear.
|
|
We ought to have hats modelled on our heads. They were about him here
|
|
and there, with heads still bowed in their crimson halters, waiting for
|
|
it to melt in their stomachs. Something like those mazzoth: it's that
|
|
sort of bread: unleavened shewbread. Look at them. Now I bet it makes
|
|
them feel happy. Lollipop. It does. Yes, bread of angels it's called.
|
|
There's a big idea behind it, kind of kingdom of God is within you feel.
|
|
First communicants. Hokypoky penny a lump. Then feel all like one family
|
|
party, same in the theatre, all in the same swim. They do. I'm sure of
|
|
that. Not so lonely. In our confraternity. Then come out a bit spreeish.
|
|
Let off steam. Thing is if you really believe in it. Lourdes cure,
|
|
waters of oblivion, and the Knock apparition, statues bleeding. Old
|
|
fellow asleep near that confessionbox. Hence those snores. Blind faith.
|
|
Safe in the arms of kingdom come. Lulls all pain. Wake this time next
|
|
year.
|
|
|
|
He saw the priest stow the communion cup away, well in, and kneel an
|
|
instant before it, showing a large grey bootsole from under the lace
|
|
affair he had on. Suppose he lost the pin of his. He wouldn't know what
|
|
to do to. Bald spot behind. Letters on his back: I.N.R.I? No: I.H.S.
|
|
Molly told me one time I asked her. I have sinned: or no: I have
|
|
suffered, it is. And the other one? Iron nails ran in.
|
|
|
|
Meet one Sunday after the rosary. Do not deny my request. Turn up with
|
|
a veil and black bag. Dusk and the light behind her. She might be here
|
|
with a ribbon round her neck and do the other thing all the same on the
|
|
sly. Their character. That fellow that turned queen's evidence on the
|
|
invincibles he used to receive the, Carey was his name, the communion
|
|
every morning. This very church. Peter Carey, yes. No, Peter Claver I am
|
|
thinking of. Denis Carey. And just imagine that. Wife and six children
|
|
at home. And plotting that murder all the time. Those crawthumpers,
|
|
now that's a good name for them, there's always something shiftylooking
|
|
about them. They're not straight men of business either. O, no, she's
|
|
not here: the flower: no, no. By the way, did I tear up that envelope?
|
|
Yes: under the bridge.
|
|
|
|
The priest was rinsing out the chalice: then he tossed off the dregs
|
|
smartly. Wine. Makes it more aristocratic than for example if he drank
|
|
what they are used to Guinness's porter or some temperance beverage
|
|
Wheatley's Dublin hop bitters or Cantrell and Cochrane's ginger ale
|
|
(aromatic). Doesn't give them any of it: shew wine: only the other.
|
|
Cold comfort. Pious fraud but quite right: otherwise they'd have one old
|
|
booser worse than another coming along, cadging for a drink. Queer the
|
|
whole atmosphere of the. Quite right. Perfectly right that is.
|
|
|
|
Mr Bloom looked back towards the choir. Not going to be any music. Pity.
|
|
Who has the organ here I wonder? Old Glynn he knew how to make that
|
|
instrument talk, the _vibrato_: fifty pounds a year they say he had in
|
|
Gardiner street. Molly was in fine voice that day, the _Stabat Mater_
|
|
of Rossini. Father Bernard Vaughan's sermon first. Christ or Pilate?
|
|
Christ, but don't keep us all night over it. Music they wanted.
|
|
Footdrill stopped. Could hear a pin drop. I told her to pitch her voice
|
|
against that corner. I could feel the thrill in the air, the full, the
|
|
people looking up:
|
|
|
|
_Quis est homo._
|
|
|
|
Some of that old sacred music splendid. Mercadante: seven last words.
|
|
Mozart's twelfth mass: _Gloria_ in that. Those old popes keen on music,
|
|
on art and statues and pictures of all kinds. Palestrina for example
|
|
too. They had a gay old time while it lasted. Healthy too, chanting,
|
|
regular hours, then brew liqueurs. Benedictine. Green Chartreuse. Still,
|
|
having eunuchs in their choir that was coming it a bit thick. What kind
|
|
of voice is it? Must be curious to hear after their own strong basses.
|
|
Connoisseurs. Suppose they wouldn't feel anything after. Kind of a
|
|
placid. No worry. Fall into flesh, don't they? Gluttons, tall, long
|
|
legs. Who knows? Eunuch. One way out of it.
|
|
|
|
He saw the priest bend down and kiss the altar and then face about and
|
|
bless all the people. All crossed themselves and stood up. Mr Bloom
|
|
glanced about him and then stood up, looking over the risen hats. Stand
|
|
up at the gospel of course. Then all settled down on their knees again
|
|
and he sat back quietly in his bench. The priest came down from the
|
|
altar, holding the thing out from him, and he and the massboy answered
|
|
each other in Latin. Then the priest knelt down and began to read off a
|
|
card:
|
|
|
|
--O God, our refuge and our strength...
|
|
|
|
Mr Bloom put his face forward to catch the words. English. Throw them
|
|
the bone. I remember slightly. How long since your last mass? Glorious
|
|
and immaculate virgin. Joseph, her spouse. Peter and Paul. More
|
|
interesting if you understood what it was all about. Wonderful
|
|
organisation certainly, goes like clockwork. Confession. Everyone wants
|
|
to. Then I will tell you all. Penance. Punish me, please. Great weapon
|
|
in their hands. More than doctor or solicitor. Woman dying to. And I
|
|
schschschschschsch. And did you chachachachacha? And why did you? Look
|
|
down at her ring to find an excuse. Whispering gallery walls have ears.
|
|
Husband learn to his surprise. God's little joke. Then out she comes.
|
|
Repentance skindeep. Lovely shame. Pray at an altar. Hail Mary and Holy
|
|
Mary. Flowers, incense, candles melting. Hide her blushes. Salvation
|
|
army blatant imitation. Reformed prostitute will address the meeting.
|
|
How I found the Lord. Squareheaded chaps those must be in Rome: they
|
|
work the whole show. And don't they rake in the money too? Bequests
|
|
also: to the P.P. for the time being in his absolute discretion.
|
|
Masses for the repose of my soul to be said publicly with open doors.
|
|
Monasteries and convents. The priest in that Fermanagh will case in the
|
|
witnessbox. No browbeating him. He had his answer pat for everything.
|
|
Liberty and exaltation of our holy mother the church. The doctors of the
|
|
church: they mapped out the whole theology of it.
|
|
|
|
The priest prayed:
|
|
|
|
--Blessed Michael, archangel, defend us in the hour of conflict. Be
|
|
our safeguard against the wickedness and snares of the devil (may God
|
|
restrain him, we humbly pray!): and do thou, O prince of the heavenly
|
|
host, by the power of God thrust Satan down to hell and with him those
|
|
other wicked spirits who wander through the world for the ruin of souls.
|
|
|
|
The priest and the massboy stood up and walked off. All over. The women
|
|
remained behind: thanksgiving.
|
|
|
|
Better be shoving along. Brother Buzz. Come around with the plate
|
|
perhaps. Pay your Easter duty.
|
|
|
|
He stood up. Hello. Were those two buttons of my waistcoat open all the
|
|
time? Women enjoy it. Never tell you. But we. Excuse, miss, there's a
|
|
(whh!) just a (whh!) fluff. Or their skirt behind, placket unhooked.
|
|
Glimpses of the moon. Annoyed if you don't. Why didn't you tell me
|
|
before. Still like you better untidy. Good job it wasn't farther south.
|
|
He passed, discreetly buttoning, down the aisle and out through the main
|
|
door into the light. He stood a moment unseeing by the cold black marble
|
|
bowl while before him and behind two worshippers dipped furtive hands in
|
|
the low tide of holy water. Trams: a car of Prescott's dyeworks: a widow
|
|
in her weeds. Notice because I'm in mourning myself. He covered himself.
|
|
How goes the time? Quarter past. Time enough yet. Better get that lotion
|
|
made up. Where is this? Ah yes, the last time. Sweny's in Lincoln place.
|
|
Chemists rarely move. Their green and gold beaconjars too heavy to stir.
|
|
Hamilton Long's, founded in the year of the flood. Huguenot churchyard
|
|
near there. Visit some day.
|
|
|
|
He walked southward along Westland row. But the recipe is in the other
|
|
trousers. O, and I forgot that latchkey too. Bore this funeral affair.
|
|
O well, poor fellow, it's not his fault. When was it I got it made up
|
|
last? Wait. I changed a sovereign I remember. First of the month it must
|
|
have been or the second. O, he can look it up in the prescriptions book.
|
|
|
|
The chemist turned back page after page. Sandy shrivelled smell he seems
|
|
to have. Shrunken skull. And old. Quest for the philosopher's stone. The
|
|
alchemists. Drugs age you after mental excitement. Lethargy then. Why?
|
|
Reaction. A lifetime in a night. Gradually changes your character.
|
|
Living all the day among herbs, ointments, disinfectants. All his
|
|
alabaster lilypots. Mortar and pestle. Aq. Dist. Fol. Laur. Te Virid.
|
|
Smell almost cure you like the dentist's doorbell. Doctor Whack. He
|
|
ought to physic himself a bit. Electuary or emulsion. The first fellow
|
|
that picked an herb to cure himself had a bit of pluck. Simples. Want to
|
|
be careful. Enough stuff here to chloroform you. Test: turns blue
|
|
litmus paper red. Chloroform. Overdose of laudanum. Sleeping draughts.
|
|
Lovephiltres. Paragoric poppysyrup bad for cough. Clogs the pores or the
|
|
phlegm. Poisons the only cures. Remedy where you least expect it. Clever
|
|
of nature.
|
|
|
|
--About a fortnight ago, sir?
|
|
|
|
--Yes, Mr Bloom said.
|
|
|
|
He waited by the counter, inhaling slowly the keen reek of drugs, the
|
|
dusty dry smell of sponges and loofahs. Lot of time taken up telling
|
|
your aches and pains.
|
|
|
|
--Sweet almond oil and tincture of benzoin, Mr Bloom said, and then
|
|
orangeflower water...
|
|
|
|
It certainly did make her skin so delicate white like wax.
|
|
|
|
--And white wax also, he said.
|
|
|
|
Brings out the darkness of her eyes. Looking at me, the sheet up to
|
|
her eyes, Spanish, smelling herself, when I was fixing the links in my
|
|
cuffs. Those homely recipes are often the best: strawberries for the
|
|
teeth: nettles and rainwater: oatmeal they say steeped in buttermilk.
|
|
Skinfood. One of the old queen's sons, duke of Albany was it? had only
|
|
one skin. Leopold, yes. Three we have. Warts, bunions and pimples to
|
|
make it worse. But you want a perfume too. What perfume does your? _Peau
|
|
d'Espagne_. That orangeflower water is so fresh. Nice smell these soaps
|
|
have. Pure curd soap. Time to get a bath round the corner. Hammam.
|
|
Turkish. Massage. Dirt gets rolled up in your navel. Nicer if a nice
|
|
girl did it. Also I think I. Yes I. Do it in the bath. Curious longing
|
|
I. Water to water. Combine business with pleasure. Pity no time for
|
|
massage. Feel fresh then all the day. Funeral be rather glum.
|
|
|
|
--Yes, sir, the chemist said. That was two and nine. Have you brought a
|
|
bottle?
|
|
|
|
--No, Mr Bloom said. Make it up, please. I'll call later in the day and
|
|
I'll take one of these soaps. How much are they?
|
|
|
|
--Fourpence, sir.
|
|
|
|
Mr Bloom raised a cake to his nostrils. Sweet lemony wax.
|
|
|
|
--I'll take this one, he said. That makes three and a penny.
|
|
|
|
--Yes, sir, the chemist said. You can pay all together, sir, when you
|
|
come back.
|
|
|
|
--Good, Mr Bloom said.
|
|
|
|
He strolled out of the shop, the newspaper baton under his armpit, the
|
|
coolwrappered soap in his left hand.
|
|
|
|
At his armpit Bantam Lyons' voice and hand said:
|
|
|
|
--Hello, Bloom. What's the best news? Is that today's? Show us a minute.
|
|
|
|
Shaved off his moustache again, by Jove! Long cold upper lip. To look
|
|
younger. He does look balmy. Younger than I am.
|
|
|
|
Bantam Lyons's yellow blacknailed fingers unrolled the baton. Wants a
|
|
wash too. Take off the rough dirt. Good morning, have you used Pears'
|
|
soap? Dandruff on his shoulders. Scalp wants oiling.
|
|
|
|
--I want to see about that French horse that's running today, Bantam
|
|
Lyons said. Where the bugger is it?
|
|
|
|
He rustled the pleated pages, jerking his chin on his high collar.
|
|
Barber's itch. Tight collar he'll lose his hair. Better leave him the
|
|
paper and get shut of him.
|
|
|
|
--You can keep it, Mr Bloom said.
|
|
|
|
--Ascot. Gold cup. Wait, Bantam Lyons muttered. Half a mo. Maximum the
|
|
second.
|
|
|
|
--I was just going to throw it away, Mr Bloom said.
|
|
|
|
Bantam Lyons raised his eyes suddenly and leered weakly.
|
|
|
|
--What's that? his sharp voice said.
|
|
|
|
--I say you can keep it, Mr Bloom answered. I was going to throw it away
|
|
that moment.
|
|
|
|
Bantam Lyons doubted an instant, leering: then thrust the outspread
|
|
sheets back on Mr Bloom's arms.
|
|
|
|
--I'll risk it, he said. Here, thanks.
|
|
|
|
He sped off towards Conway's corner. God speed scut.
|
|
|
|
Mr Bloom folded the sheets again to a neat square and lodged the soap
|
|
in it, smiling. Silly lips of that chap. Betting. Regular hotbed of it
|
|
lately. Messenger boys stealing to put on sixpence. Raffle for large
|
|
tender turkey. Your Christmas dinner for threepence. Jack Fleming
|
|
embezzling to gamble then smuggled off to America. Keeps a hotel now.
|
|
They never come back. Fleshpots of Egypt.
|
|
|
|
He walked cheerfully towards the mosque of the baths. Remind you of a
|
|
mosque, redbaked bricks, the minarets. College sports today I see. He
|
|
eyed the horseshoe poster over the gate of college park: cyclist doubled
|
|
up like a cod in a pot. Damn bad ad. Now if they had made it round
|
|
like a wheel. Then the spokes: sports, sports, sports: and the hub big:
|
|
college. Something to catch the eye.
|
|
|
|
There's Hornblower standing at the porter's lodge. Keep him on hands:
|
|
might take a turn in there on the nod. How do you do, Mr Hornblower? How
|
|
do you do, sir?
|
|
|
|
Heavenly weather really. If life was always like that. Cricket weather.
|
|
Sit around under sunshades. Over after over. Out. They can't play it
|
|
here. Duck for six wickets. Still Captain Culler broke a window in the
|
|
Kildare street club with a slog to square leg. Donnybrook fair more
|
|
in their line. And the skulls we were acracking when M'Carthy took the
|
|
floor. Heatwave. Won't last. Always passing, the stream of life, which
|
|
in the stream of life we trace is dearer than them all.
|
|
|
|
Enjoy a bath now: clean trough of water, cool enamel, the gentle tepid
|
|
stream. This is my body.
|
|
|
|
He foresaw his pale body reclined in it at full, naked, in a womb of
|
|
warmth, oiled by scented melting soap, softly laved. He saw his
|
|
trunk and limbs riprippled over and sustained, buoyed lightly upward,
|
|
lemonyellow: his navel, bud of flesh: and saw the dark tangled curls of
|
|
his bush floating, floating hair of the stream around the limp father of
|
|
thousands, a languid floating flower.
|
|
|
|
|
|
|
|
Martin Cunningham, first, poked his silkhatted head into the creaking
|
|
carriage and, entering deftly, seated himself. Mr Power stepped in after
|
|
him, curving his height with care.
|
|
|
|
--Come on, Simon.
|
|
|
|
--After you, Mr Bloom said.
|
|
|
|
Mr Dedalus covered himself quickly and got in, saying:
|
|
|
|
Yes, yes.
|
|
|
|
--Are we all here now? Martin Cunningham asked. Come along, Bloom.
|
|
|
|
Mr Bloom entered and sat in the vacant place. He pulled the door to
|
|
after him and slammed it twice till it shut tight. He passed an arm
|
|
through the armstrap and looked seriously from the open carriagewindow
|
|
at the lowered blinds of the avenue. One dragged aside: an old woman
|
|
peeping. Nose whiteflattened against the pane. Thanking her stars she
|
|
was passed over. Extraordinary the interest they take in a corpse. Glad
|
|
to see us go we give them such trouble coming. Job seems to suit them.
|
|
Huggermugger in corners. Slop about in slipperslappers for fear he'd
|
|
wake. Then getting it ready. Laying it out. Molly and Mrs Fleming making
|
|
the bed. Pull it more to your side. Our windingsheet. Never know who
|
|
will touch you dead. Wash and shampoo. I believe they clip the nails and
|
|
the hair. Keep a bit in an envelope. Grows all the same after. Unclean
|
|
job.
|
|
|
|
All waited. Nothing was said. Stowing in the wreaths probably. I am
|
|
sitting on something hard. Ah, that soap: in my hip pocket. Better shift
|
|
it out of that. Wait for an opportunity.
|
|
|
|
All waited. Then wheels were heard from in front, turning: then nearer:
|
|
then horses' hoofs. A jolt. Their carriage began to move, creaking and
|
|
swaying. Other hoofs and creaking wheels started behind. The blinds of
|
|
the avenue passed and number nine with its craped knocker, door ajar. At
|
|
walking pace.
|
|
|
|
They waited still, their knees jogging, till they had turned and were
|
|
passing along the tramtracks. Tritonville road. Quicker. The wheels
|
|
rattled rolling over the cobbled causeway and the crazy glasses shook
|
|
rattling in the doorframes.
|
|
|
|
--What way is he taking us? Mr Power asked through both windows.
|
|
|
|
--Irishtown, Martin Cunningham said. Ringsend. Brunswick street.
|
|
|
|
Mr Dedalus nodded, looking out.
|
|
|
|
--That's a fine old custom, he said. I am glad to see it has not died
|
|
out.
|
|
|
|
All watched awhile through their windows caps and hats lifted by
|
|
passers. Respect. The carriage swerved from the tramtrack to the
|
|
smoother road past Watery lane. Mr Bloom at gaze saw a lithe young man,
|
|
clad in mourning, a wide hat.
|
|
|
|
--There's a friend of yours gone by, Dedalus, he said.
|
|
|
|
--Who is that?
|
|
|
|
--Your son and heir.
|
|
|
|
--Where is he? Mr Dedalus said, stretching over across.
|
|
|
|
The carriage, passing the open drains and mounds of rippedup roadway
|
|
before the tenement houses, lurched round the corner and, swerving back
|
|
to the tramtrack, rolled on noisily with chattering wheels. Mr Dedalus
|
|
fell back, saying:
|
|
|
|
--Was that Mulligan cad with him? His _fidus Achates_!
|
|
|
|
--No, Mr Bloom said. He was alone.
|
|
|
|
--Down with his aunt Sally, I suppose, Mr Dedalus said, the Goulding
|
|
faction, the drunken little costdrawer and Crissie, papa's little lump
|
|
of dung, the wise child that knows her own father.
|
|
|
|
Mr Bloom smiled joylessly on Ringsend road. Wallace Bros: the
|
|
bottleworks: Dodder bridge.
|
|
|
|
Richie Goulding and the legal bag. Goulding, Collis and Ward he calls
|
|
the firm. His jokes are getting a bit damp. Great card he was. Waltzing
|
|
in Stamer street with Ignatius Gallaher on a Sunday morning, the
|
|
landlady's two hats pinned on his head. Out on the rampage all night.
|
|
Beginning to tell on him now: that backache of his, I fear. Wife ironing
|
|
his back. Thinks he'll cure it with pills. All breadcrumbs they are.
|
|
About six hundred per cent profit.
|
|
|
|
--He's in with a lowdown crowd, Mr Dedalus snarled. That Mulligan is a
|
|
contaminated bloody doubledyed ruffian by all accounts. His name stinks
|
|
all over Dublin. But with the help of God and His blessed mother I'll
|
|
make it my business to write a letter one of those days to his mother
|
|
or his aunt or whatever she is that will open her eye as wide as a gate.
|
|
I'll tickle his catastrophe, believe you me.
|
|
|
|
He cried above the clatter of the wheels:
|
|
|
|
--I won't have her bastard of a nephew ruin my son. A counterjumper's
|
|
son. Selling tapes in my cousin, Peter Paul M'Swiney's. Not likely.
|
|
|
|
He ceased. Mr Bloom glanced from his angry moustache to Mr Power's mild
|
|
face and Martin Cunningham's eyes and beard, gravely shaking. Noisy
|
|
selfwilled man. Full of his son. He is right. Something to hand on. If
|
|
little Rudy had lived. See him grow up. Hear his voice in the house.
|
|
Walking beside Molly in an Eton suit. My son. Me in his eyes. Strange
|
|
feeling it would be. From me. Just a chance. Must have been that morning
|
|
in Raymond terrace she was at the window watching the two dogs at it by
|
|
the wall of the cease to do evil. And the sergeant grinning up. She had
|
|
that cream gown on with the rip she never stitched. Give us a touch,
|
|
Poldy. God, I'm dying for it. How life begins.
|
|
|
|
Got big then. Had to refuse the Greystones concert. My son inside her.
|
|
I could have helped him on in life. I could. Make him independent. Learn
|
|
German too.
|
|
|
|
--Are we late? Mr Power asked.
|
|
|
|
--Ten minutes, Martin Cunningham said, looking at his watch.
|
|
|
|
Molly. Milly. Same thing watered down. Her tomboy oaths. O jumping
|
|
Jupiter! Ye gods and little fishes! Still, she's a dear girl. Soon be a
|
|
woman. Mullingar. Dearest Papli. Young student. Yes, yes: a woman too.
|
|
Life, life.
|
|
|
|
The carriage heeled over and back, their four trunks swaying.
|
|
|
|
--Corny might have given us a more commodious yoke, Mr Power said.
|
|
|
|
--He might, Mr Dedalus said, if he hadn't that squint troubling him. Do
|
|
you follow me?
|
|
|
|
He closed his left eye. Martin Cunningham began to brush away
|
|
crustcrumbs from under his thighs.
|
|
|
|
--What is this, he said, in the name of God? Crumbs?
|
|
|
|
--Someone seems to have been making a picnic party here lately, Mr Power
|
|
said.
|
|
|
|
All raised their thighs and eyed with disfavour the mildewed buttonless
|
|
leather of the seats. Mr Dedalus, twisting his nose, frowned downward
|
|
and said:
|
|
|
|
--Unless I'm greatly mistaken. What do you think, Martin?
|
|
|
|
--It struck me too, Martin Cunningham said.
|
|
|
|
Mr Bloom set his thigh down. Glad I took that bath. Feel my feet quite
|
|
clean. But I wish Mrs Fleming had darned these socks better.
|
|
|
|
Mr Dedalus sighed resignedly.
|
|
|
|
--After all, he said, it's the most natural thing in the world.
|
|
|
|
--Did Tom Kernan turn up? Martin Cunningham asked, twirling the peak of
|
|
his beard gently.
|
|
|
|
--Yes, Mr Bloom answered. He's behind with Ned Lambert and Hynes.
|
|
|
|
--And Corny Kelleher himself? Mr Power asked.
|
|
|
|
--At the cemetery, Martin Cunningham said.
|
|
|
|
--I met M'Coy this morning, Mr Bloom said. He said he'd try to come.
|
|
|
|
The carriage halted short.
|
|
|
|
--What's wrong?
|
|
|
|
--We're stopped.
|
|
|
|
--Where are we?
|
|
|
|
Mr Bloom put his head out of the window.
|
|
|
|
--The grand canal, he said.
|
|
|
|
Gasworks. Whooping cough they say it cures. Good job Milly never got
|
|
it. Poor children! Doubles them up black and blue in convulsions. Shame
|
|
really. Got off lightly with illnesses compared. Only measles. Flaxseed
|
|
tea. Scarlatina, influenza epidemics. Canvassing for death. Don't miss
|
|
this chance. Dogs' home over there. Poor old Athos! Be good to Athos,
|
|
Leopold, is my last wish. Thy will be done. We obey them in the grave.
|
|
A dying scrawl. He took it to heart, pined away. Quiet brute. Old men's
|
|
dogs usually are.
|
|
|
|
A raindrop spat on his hat. He drew back and saw an instant of shower
|
|
spray dots over the grey flags. Apart. Curious. Like through a colander.
|
|
I thought it would. My boots were creaking I remember now.
|
|
|
|
--The weather is changing, he said quietly.
|
|
|
|
--A pity it did not keep up fine, Martin Cunningham said.
|
|
|
|
--Wanted for the country, Mr Power said. There's the sun again coming
|
|
out.
|
|
|
|
Mr Dedalus, peering through his glasses towards the veiled sun, hurled a
|
|
mute curse at the sky.
|
|
|
|
--It's as uncertain as a child's bottom, he said.
|
|
|
|
--We're off again.
|
|
|
|
The carriage turned again its stiff wheels and their trunks swayed
|
|
gently. Martin Cunningham twirled more quickly the peak of his beard.
|
|
|
|
--Tom Kernan was immense last night, he said. And Paddy Leonard taking
|
|
him off to his face.
|
|
|
|
--O, draw him out, Martin, Mr Power said eagerly. Wait till you hear
|
|
him, Simon, on Ben Dollard's singing of _The Croppy Boy_.
|
|
|
|
--Immense, Martin Cunningham said pompously. _His singing of that simple
|
|
ballad, Martin, is the most trenchant rendering I ever heard in the
|
|
whole course of my experience._
|
|
|
|
--Trenchant, Mr Power said laughing. He's dead nuts on that. And the
|
|
retrospective arrangement.
|
|
|
|
--Did you read Dan Dawson's speech? Martin Cunningham asked.
|
|
|
|
--I did not then, Mr Dedalus said. Where is it?
|
|
|
|
--In the paper this morning.
|
|
|
|
Mr Bloom took the paper from his inside pocket. That book I must change
|
|
for her.
|
|
|
|
--No, no, Mr Dedalus said quickly. Later on please.
|
|
|
|
Mr Bloom's glance travelled down the edge of the paper, scanning the
|
|
deaths: Callan, Coleman, Dignam, Fawcett, Lowry, Naumann, Peake, what
|
|
Peake is that? is it the chap was in Crosbie and Alleyne's? no, Sexton,
|
|
Urbright. Inked characters fast fading on the frayed breaking paper.
|
|
Thanks to the Little Flower. Sadly missed. To the inexpressible grief of
|
|
his. Aged 88 after a long and tedious illness. Month's mind: Quinlan. On
|
|
whose soul Sweet Jesus have mercy.
|
|
|
|
_It is now a month since dear Henry fled To his home up above in the sky
|
|
While his family weeps and mourns his loss Hoping some day to meet him
|
|
on high._
|
|
|
|
I tore up the envelope? Yes. Where did I put her letter after I read it
|
|
in the bath? He patted his waistcoatpocket. There all right. Dear Henry
|
|
fled. Before my patience are exhausted.
|
|
|
|
National school. Meade's yard. The hazard. Only two there now. Nodding.
|
|
Full as a tick. Too much bone in their skulls. The other trotting round
|
|
with a fare. An hour ago I was passing there. The jarvies raised their
|
|
hats.
|
|
|
|
A pointsman's back straightened itself upright suddenly against a
|
|
tramway standard by Mr Bloom's window. Couldn't they invent something
|
|
automatic so that the wheel itself much handier? Well but that fellow
|
|
would lose his job then? Well but then another fellow would get a job
|
|
making the new invention?
|
|
|
|
Antient concert rooms. Nothing on there. A man in a buff suit with a
|
|
crape armlet. Not much grief there. Quarter mourning. People in law
|
|
perhaps.
|
|
|
|
They went past the bleak pulpit of saint Mark's, under the railway
|
|
bridge, past the Queen's theatre: in silence. Hoardings: Eugene
|
|
Stratton, Mrs Bandmann Palmer. Could I go to see LEAH tonight, I wonder.
|
|
I said I. Or the _Lily of Killarney_? Elster Grimes Opera Company. Big
|
|
powerful change. Wet bright bills for next week. _Fun on the Bristol_.
|
|
Martin Cunningham could work a pass for the Gaiety. Have to stand a
|
|
drink or two. As broad as it's long.
|
|
|
|
He's coming in the afternoon. Her songs.
|
|
|
|
Plasto's. Sir Philip Crampton's memorial fountain bust. Who was he?
|
|
|
|
--How do you do? Martin Cunningham said, raising his palm to his brow in
|
|
salute.
|
|
|
|
--He doesn't see us, Mr Power said. Yes, he does. How do you do?
|
|
|
|
--Who? Mr Dedalus asked.
|
|
|
|
--Blazes Boylan, Mr Power said. There he is airing his quiff.
|
|
|
|
Just that moment I was thinking.
|
|
|
|
Mr Dedalus bent across to salute. From the door of the Red Bank the
|
|
white disc of a straw hat flashed reply: spruce figure: passed.
|
|
|
|
Mr Bloom reviewed the nails of his left hand, then those of his right
|
|
hand. The nails, yes. Is there anything more in him that they she sees?
|
|
Fascination. Worst man in Dublin. That keeps him alive. They sometimes
|
|
feel what a person is. Instinct. But a type like that. My nails. I
|
|
am just looking at them: well pared. And after: thinking alone. Body
|
|
getting a bit softy. I would notice that: from remembering. What causes
|
|
that? I suppose the skin can't contract quickly enough when the flesh
|
|
falls off. But the shape is there. The shape is there still. Shoulders.
|
|
Hips. Plump. Night of the dance dressing. Shift stuck between the cheeks
|
|
behind.
|
|
|
|
He clasped his hands between his knees and, satisfied, sent his vacant
|
|
glance over their faces.
|
|
|
|
Mr Power asked:
|
|
|
|
--How is the concert tour getting on, Bloom?
|
|
|
|
--O, very well, Mr Bloom said. I hear great accounts of it. It's a good
|
|
idea, you see...
|
|
|
|
--Are you going yourself?
|
|
|
|
--Well no, Mr Bloom said. In point of fact I have to go down to the
|
|
county Clare on some private business. You see the idea is to tour the
|
|
chief towns. What you lose on one you can make up on the other.
|
|
|
|
--Quite so, Martin Cunningham said. Mary Anderson is up there now.
|
|
|
|
Have you good artists?
|
|
|
|
--Louis Werner is touring her, Mr Bloom said. O yes, we'll have all
|
|
topnobbers. J. C. Doyle and John MacCormack I hope and. The best, in
|
|
fact.
|
|
|
|
--And _Madame_, Mr Power said smiling. Last but not least.
|
|
|
|
Mr Bloom unclasped his hands in a gesture of soft politeness and clasped
|
|
them. Smith O'Brien. Someone has laid a bunch of flowers there. Woman.
|
|
Must be his deathday. For many happy returns. The carriage wheeling by
|
|
Farrell's statue united noiselessly their unresisting knees.
|
|
|
|
Oot: a dullgarbed old man from the curbstone tendered his wares, his
|
|
mouth opening: oot.
|
|
|
|
--Four bootlaces for a penny.
|
|
|
|
Wonder why he was struck off the rolls. Had his office in Hume street.
|
|
Same house as Molly's namesake, Tweedy, crown solicitor for Waterford.
|
|
Has that silk hat ever since. Relics of old decency. Mourning too.
|
|
Terrible comedown, poor wretch! Kicked about like snuff at a wake.
|
|
O'Callaghan on his last legs.
|
|
|
|
And _Madame_. Twenty past eleven. Up. Mrs Fleming is in to clean. Doing
|
|
her hair, humming. _voglio e non vorrei_. No. _vorrei e non_. Looking at
|
|
the tips of her hairs to see if they are split. _Mi trema un poco
|
|
il_. Beautiful on that _tre_ her voice is: weeping tone. A thrush. A
|
|
throstle. There is a word throstle that expresses that.
|
|
|
|
His eyes passed lightly over Mr Power's goodlooking face. Greyish over
|
|
the ears. _Madame_: smiling. I smiled back. A smile goes a long way.
|
|
Only politeness perhaps. Nice fellow. Who knows is that true about the
|
|
woman he keeps? Not pleasant for the wife. Yet they say, who was it
|
|
told me, there is no carnal. You would imagine that would get played
|
|
out pretty quick. Yes, it was Crofton met him one evening bringing her
|
|
a pound of rumpsteak. What is this she was? Barmaid in Jury's. Or the
|
|
Moira, was it?
|
|
|
|
They passed under the hugecloaked Liberator's form.
|
|
|
|
Martin Cunningham nudged Mr Power.
|
|
|
|
--Of the tribe of Reuben, he said.
|
|
|
|
A tall blackbearded figure, bent on a stick, stumping round the corner
|
|
of Elvery's Elephant house, showed them a curved hand open on his spine.
|
|
|
|
--In all his pristine beauty, Mr Power said.
|
|
|
|
Mr Dedalus looked after the stumping figure and said mildly:
|
|
|
|
--The devil break the hasp of your back!
|
|
|
|
Mr Power, collapsing in laughter, shaded his face from the window as the
|
|
carriage passed Gray's statue.
|
|
|
|
--We have all been there, Martin Cunningham said broadly.
|
|
|
|
His eyes met Mr Bloom's eyes. He caressed his beard, adding:
|
|
|
|
--Well, nearly all of us.
|
|
|
|
Mr Bloom began to speak with sudden eagerness to his companions' faces.
|
|
|
|
--That's an awfully good one that's going the rounds about Reuben J and
|
|
the son.
|
|
|
|
--About the boatman? Mr Power asked.
|
|
|
|
--Yes. Isn't it awfully good?
|
|
|
|
--What is that? Mr Dedalus asked. I didn't hear it.
|
|
|
|
--There was a girl in the case, Mr Bloom began, and he determined to
|
|
send him to the Isle of Man out of harm's way but when they were both
|
|
...
|
|
|
|
--What? Mr Dedalus asked. That confirmed bloody hobbledehoy is it?
|
|
|
|
--Yes, Mr Bloom said. They were both on the way to the boat and he tried
|
|
to drown...
|
|
|
|
--Drown Barabbas! Mr Dedalus cried. I wish to Christ he did!
|
|
|
|
Mr Power sent a long laugh down his shaded nostrils.
|
|
|
|
--No, Mr Bloom said, the son himself...
|
|
|
|
Martin Cunningham thwarted his speech rudely:
|
|
|
|
--Reuben and the son were piking it down the quay next the river on
|
|
their way to the Isle of Man boat and the young chiseller suddenly got
|
|
loose and over the wall with him into the Liffey.
|
|
|
|
--For God's sake! Mr Dedalus exclaimed in fright. Is he dead?
|
|
|
|
--Dead! Martin Cunningham cried. Not he! A boatman got a pole and fished
|
|
him out by the slack of the breeches and he was landed up to the father
|
|
on the quay more dead than alive. Half the town was there.
|
|
|
|
--Yes, Mr Bloom said. But the funny part is...
|
|
|
|
--And Reuben J, Martin Cunningham said, gave the boatman a florin for
|
|
saving his son's life.
|
|
|
|
A stifled sigh came from under Mr Power's hand.
|
|
|
|
--O, he did, Martin Cunningham affirmed. Like a hero. A silver florin.
|
|
|
|
--Isn't it awfully good? Mr Bloom said eagerly.
|
|
|
|
--One and eightpence too much, Mr Dedalus said drily.
|
|
|
|
Mr Power's choked laugh burst quietly in the carriage.
|
|
|
|
Nelson's pillar.
|
|
|
|
--Eight plums a penny! Eight for a penny!
|
|
|
|
--We had better look a little serious, Martin Cunningham said.
|
|
|
|
Mr Dedalus sighed.
|
|
|
|
--Ah then indeed, he said, poor little Paddy wouldn't grudge us a laugh.
|
|
Many a good one he told himself.
|
|
|
|
--The Lord forgive me! Mr Power said, wiping his wet eyes with his
|
|
fingers. Poor Paddy! I little thought a week ago when I saw him last and
|
|
he was in his usual health that I'd be driving after him like this. He's
|
|
gone from us.
|
|
|
|
--As decent a little man as ever wore a hat, Mr Dedalus said. He went
|
|
very suddenly.
|
|
|
|
--Breakdown, Martin Cunningham said. Heart.
|
|
|
|
He tapped his chest sadly.
|
|
|
|
Blazing face: redhot. Too much John Barleycorn. Cure for a red nose.
|
|
Drink like the devil till it turns adelite. A lot of money he spent
|
|
colouring it.
|
|
|
|
Mr Power gazed at the passing houses with rueful apprehension.
|
|
|
|
--He had a sudden death, poor fellow, he said.
|
|
|
|
--The best death, Mr Bloom said.
|
|
|
|
Their wide open eyes looked at him.
|
|
|
|
--No suffering, he said. A moment and all is over. Like dying in sleep.
|
|
|
|
No-one spoke.
|
|
|
|
Dead side of the street this. Dull business by day, land agents,
|
|
temperance hotel, Falconer's railway guide, civil service college,
|
|
Gill's, catholic club, the industrious blind. Why? Some reason. Sun or
|
|
wind. At night too. Chummies and slaveys. Under the patronage of the
|
|
late Father Mathew. Foundation stone for Parnell. Breakdown. Heart.
|
|
|
|
White horses with white frontlet plumes came round the Rotunda corner,
|
|
galloping. A tiny coffin flashed by. In a hurry to bury. A mourning
|
|
coach. Unmarried. Black for the married. Piebald for bachelors. Dun for
|
|
a nun.
|
|
|
|
--Sad, Martin Cunningham said. A child.
|
|
|
|
A dwarf's face, mauve and wrinkled like little Rudy's was. Dwarf's body,
|
|
weak as putty, in a whitelined deal box. Burial friendly society
|
|
pays. Penny a week for a sod of turf. Our. Little. Beggar. Baby. Meant
|
|
nothing. Mistake of nature. If it's healthy it's from the mother. If not
|
|
from the man. Better luck next time.
|
|
|
|
--Poor little thing, Mr Dedalus said. It's well out of it.
|
|
|
|
The carriage climbed more slowly the hill of Rutland square. Rattle his
|
|
bones. Over the stones. Only a pauper. Nobody owns.
|
|
|
|
--In the midst of life, Martin Cunningham said.
|
|
|
|
--But the worst of all, Mr Power said, is the man who takes his own
|
|
life.
|
|
|
|
Martin Cunningham drew out his watch briskly, coughed and put it back.
|
|
|
|
--The greatest disgrace to have in the family, Mr Power added.
|
|
|
|
--Temporary insanity, of course, Martin Cunningham said decisively. We
|
|
must take a charitable view of it.
|
|
|
|
--They say a man who does it is a coward, Mr Dedalus said.
|
|
|
|
--It is not for us to judge, Martin Cunningham said.
|
|
|
|
Mr Bloom, about to speak, closed his lips again. Martin Cunningham's
|
|
large eyes. Looking away now. Sympathetic human man he is. Intelligent.
|
|
Like Shakespeare's face. Always a good word to say. They have no mercy
|
|
on that here or infanticide. Refuse christian burial. They used to drive
|
|
a stake of wood through his heart in the grave. As if it wasn't broken
|
|
already. Yet sometimes they repent too late. Found in the riverbed
|
|
clutching rushes. He looked at me. And that awful drunkard of a wife
|
|
of his. Setting up house for her time after time and then pawning the
|
|
furniture on him every Saturday almost. Leading him the life of the
|
|
damned. Wear the heart out of a stone, that. Monday morning. Start
|
|
afresh. Shoulder to the wheel. Lord, she must have looked a sight
|
|
that night Dedalus told me he was in there. Drunk about the place and
|
|
capering with Martin's umbrella.
|
|
|
|
_And they call me the jewel of Asia,
|
|
Of Asia,
|
|
The Geisha._
|
|
|
|
He looked away from me. He knows. Rattle his bones.
|
|
|
|
That afternoon of the inquest. The redlabelled bottle on the table. The
|
|
room in the hotel with hunting pictures. Stuffy it was. Sunlight through
|
|
the slats of the Venetian blind. The coroner's sunlit ears, big and
|
|
hairy. Boots giving evidence. Thought he was asleep first. Then saw like
|
|
yellow streaks on his face. Had slipped down to the foot of the bed.
|
|
Verdict: overdose. Death by misadventure. The letter. For my son
|
|
Leopold.
|
|
|
|
No more pain. Wake no more. Nobody owns.
|
|
|
|
The carriage rattled swiftly along Blessington street. Over the stones.
|
|
|
|
--We are going the pace, I think, Martin Cunningham said.
|
|
|
|
--God grant he doesn't upset us on the road, Mr Power said.
|
|
|
|
--I hope not, Martin Cunningham said. That will be a great race tomorrow
|
|
in Germany. The Gordon Bennett.
|
|
|
|
--Yes, by Jove, Mr Dedalus said. That will be worth seeing, faith.
|
|
|
|
As they turned into Berkeley street a streetorgan near the Basin sent
|
|
over and after them a rollicking rattling song of the halls. Has anybody
|
|
here seen Kelly? Kay ee double ell wy. Dead March from _Saul._ He's
|
|
as bad as old Antonio. He left me on my ownio. Pirouette! The _Mater
|
|
Misericordiae_. Eccles street. My house down there. Big place. Ward for
|
|
incurables there. Very encouraging. Our Lady's Hospice for the dying.
|
|
Deadhouse handy underneath. Where old Mrs Riordan died. They look
|
|
terrible the women. Her feeding cup and rubbing her mouth with the
|
|
spoon. Then the screen round her bed for her to die. Nice young student
|
|
that was dressed that bite the bee gave me. He's gone over to the
|
|
lying-in hospital they told me. From one extreme to the other. The
|
|
carriage galloped round a corner: stopped.
|
|
|
|
--What's wrong now?
|
|
|
|
A divided drove of branded cattle passed the windows, lowing, slouching
|
|
by on padded hoofs, whisking their tails slowly on their clotted bony
|
|
croups. Outside them and through them ran raddled sheep bleating their
|
|
fear.
|
|
|
|
--Emigrants, Mr Power said.
|
|
|
|
--Huuuh! the drover's voice cried, his switch sounding on their flanks.
|
|
|
|
Huuuh! out of that!
|
|
|
|
Thursday, of course. Tomorrow is killing day. Springers. Cuffe sold them
|
|
about twentyseven quid each. For Liverpool probably. Roastbeef for old
|
|
England. They buy up all the juicy ones. And then the fifth quarter
|
|
lost: all that raw stuff, hide, hair, horns. Comes to a big thing in a
|
|
year. Dead meat trade. Byproducts of the slaughterhouses for tanneries,
|
|
soap, margarine. Wonder if that dodge works now getting dicky meat off
|
|
the train at Clonsilla.
|
|
|
|
The carriage moved on through the drove.
|
|
|
|
--I can't make out why the corporation doesn't run a tramline from the
|
|
parkgate to the quays, Mr Bloom said. All those animals could be taken
|
|
in trucks down to the boats.
|
|
|
|
--Instead of blocking up the thoroughfare, Martin Cunningham said. Quite
|
|
right. They ought to.
|
|
|
|
--Yes, Mr Bloom said, and another thing I often thought, is to have
|
|
municipal funeral trams like they have in Milan, you know. Run the line
|
|
out to the cemetery gates and have special trams, hearse and carriage
|
|
and all. Don't you see what I mean?
|
|
|
|
--O, that be damned for a story, Mr Dedalus said. Pullman car and saloon
|
|
diningroom.
|
|
|
|
--A poor lookout for Corny, Mr Power added.
|
|
|
|
--Why? Mr Bloom asked, turning to Mr Dedalus. Wouldn't it be more decent
|
|
than galloping two abreast?
|
|
|
|
--Well, there's something in that, Mr Dedalus granted.
|
|
|
|
--And, Martin Cunningham said, we wouldn't have scenes like that when
|
|
the hearse capsized round Dunphy's and upset the coffin on to the road.
|
|
|
|
--That was terrible, Mr Power's shocked face said, and the corpse fell
|
|
about the road. Terrible!
|
|
|
|
--First round Dunphy's, Mr Dedalus said, nodding. Gordon Bennett cup.
|
|
|
|
--Praises be to God! Martin Cunningham said piously.
|
|
|
|
Bom! Upset. A coffin bumped out on to the road. Burst open. Paddy Dignam
|
|
shot out and rolling over stiff in the dust in a brown habit too large
|
|
for him. Red face: grey now. Mouth fallen open. Asking what's up now.
|
|
Quite right to close it. Looks horrid open. Then the insides decompose
|
|
quickly. Much better to close up all the orifices. Yes, also. With wax.
|
|
The sphincter loose. Seal up all.
|
|
|
|
--Dunphy's, Mr Power announced as the carriage turned right.
|
|
|
|
Dunphy's corner. Mourning coaches drawn up, drowning their grief. A
|
|
pause by the wayside. Tiptop position for a pub. Expect we'll pull up
|
|
here on the way back to drink his health. Pass round the consolation.
|
|
Elixir of life.
|
|
|
|
But suppose now it did happen. Would he bleed if a nail say cut him
|
|
in the knocking about? He would and he wouldn't, I suppose. Depends on
|
|
where. The circulation stops. Still some might ooze out of an artery. It
|
|
would be better to bury them in red: a dark red.
|
|
|
|
In silence they drove along Phibsborough road. An empty hearse trotted
|
|
by, coming from the cemetery: looks relieved.
|
|
|
|
Crossguns bridge: the royal canal.
|
|
|
|
Water rushed roaring through the sluices. A man stood on his
|
|
dropping barge, between clamps of turf. On the towpath by the lock a
|
|
slacktethered horse. Aboard of the _Bugabu._
|
|
|
|
Their eyes watched him. On the slow weedy waterway he had floated on his
|
|
raft coastward over Ireland drawn by a haulage rope past beds of
|
|
reeds, over slime, mudchoked bottles, carrion dogs. Athlone, Mullingar,
|
|
Moyvalley, I could make a walking tour to see Milly by the canal. Or
|
|
cycle down. Hire some old crock, safety. Wren had one the other day at
|
|
the auction but a lady's. Developing waterways. James M'Cann's hobby
|
|
to row me o'er the ferry. Cheaper transit. By easy stages. Houseboats.
|
|
Camping out. Also hearses. To heaven by water. Perhaps I will without
|
|
writing. Come as a surprise, Leixlip, Clonsilla. Dropping down lock by
|
|
lock to Dublin. With turf from the midland bogs. Salute. He lifted his
|
|
brown straw hat, saluting Paddy Dignam.
|
|
|
|
They drove on past Brian Boroimhe house. Near it now.
|
|
|
|
--I wonder how is our friend Fogarty getting on, Mr Power said.
|
|
|
|
--Better ask Tom Kernan, Mr Dedalus said.
|
|
|
|
--How is that? Martin Cunningham said. Left him weeping, I suppose?
|
|
|
|
--Though lost to sight, Mr Dedalus said, to memory dear.
|
|
|
|
The carriage steered left for Finglas road.
|
|
|
|
The stonecutter's yard on the right. Last lap. Crowded on the spit of
|
|
land silent shapes appeared, white, sorrowful, holding out calm hands,
|
|
knelt in grief, pointing. Fragments of shapes, hewn. In white silence:
|
|
appealing. The best obtainable. Thos. H. Dennany, monumental builder and
|
|
sculptor.
|
|
|
|
Passed.
|
|
|
|
On the curbstone before Jimmy Geary, the sexton's, an old tramp sat,
|
|
grumbling, emptying the dirt and stones out of his huge dustbrown
|
|
yawning boot. After life's journey.
|
|
|
|
Gloomy gardens then went by: one by one: gloomy houses.
|
|
|
|
Mr Power pointed.
|
|
|
|
--That is where Childs was murdered, he said. The last house.
|
|
|
|
--So it is, Mr Dedalus said. A gruesome case. Seymour Bushe got him off.
|
|
Murdered his brother. Or so they said.
|
|
|
|
--The crown had no evidence, Mr Power said.
|
|
|
|
--Only circumstantial, Martin Cunningham added. That's the maxim of the
|
|
law. Better for ninetynine guilty to escape than for one innocent person
|
|
to be wrongfully condemned.
|
|
|
|
They looked. Murderer's ground. It passed darkly. Shuttered, tenantless,
|
|
unweeded garden. Whole place gone to hell. Wrongfully condemned. Murder.
|
|
The murderer's image in the eye of the murdered. They love reading about
|
|
it. Man's head found in a garden. Her clothing consisted of. How she met
|
|
her death. Recent outrage. The weapon used. Murderer is still at large.
|
|
Clues. A shoelace. The body to be exhumed. Murder will out.
|
|
|
|
Cramped in this carriage. She mightn't like me to come that way without
|
|
letting her know. Must be careful about women. Catch them once with
|
|
their pants down. Never forgive you after. Fifteen.
|
|
|
|
The high railings of Prospect rippled past their gaze. Dark poplars,
|
|
rare white forms. Forms more frequent, white shapes thronged amid the
|
|
trees, white forms and fragments streaming by mutely, sustaining vain
|
|
gestures on the air.
|
|
|
|
The felly harshed against the curbstone: stopped. Martin Cunningham put
|
|
out his arm and, wrenching back the handle, shoved the door open with
|
|
his knee. He stepped out. Mr Power and Mr Dedalus followed.
|
|
|
|
Change that soap now. Mr Bloom's hand unbuttoned his hip pocket swiftly
|
|
and transferred the paperstuck soap to his inner handkerchief pocket.
|
|
He stepped out of the carriage, replacing the newspaper his other hand
|
|
still held.
|
|
|
|
Paltry funeral: coach and three carriages. It's all the same.
|
|
Pallbearers, gold reins, requiem mass, firing a volley. Pomp of death.
|
|
Beyond the hind carriage a hawker stood by his barrow of cakes and
|
|
fruit. Simnel cakes those are, stuck together: cakes for the dead.
|
|
Dogbiscuits. Who ate them? Mourners coming out.
|
|
|
|
He followed his companions. Mr Kernan and Ned Lambert followed, Hynes
|
|
walking after them. Corny Kelleher stood by the opened hearse and took
|
|
out the two wreaths. He handed one to the boy.
|
|
|
|
Where is that child's funeral disappeared to?
|
|
|
|
A team of horses passed from Finglas with toiling plodding tread,
|
|
dragging through the funereal silence a creaking waggon on which lay a
|
|
granite block. The waggoner marching at their head saluted.
|
|
|
|
Coffin now. Got here before us, dead as he is. Horse looking round at it
|
|
with his plume skeowways. Dull eye: collar tight on his neck, pressing
|
|
on a bloodvessel or something. Do they know what they cart out here
|
|
every day? Must be twenty or thirty funerals every day. Then Mount
|
|
Jerome for the protestants. Funerals all over the world everywhere every
|
|
minute. Shovelling them under by the cartload doublequick. Thousands
|
|
every hour. Too many in the world.
|
|
|
|
Mourners came out through the gates: woman and a girl. Leanjawed harpy,
|
|
hard woman at a bargain, her bonnet awry. Girl's face stained with dirt
|
|
and tears, holding the woman's arm, looking up at her for a sign to cry.
|
|
Fish's face, bloodless and livid.
|
|
|
|
The mutes shouldered the coffin and bore it in through the gates. So
|
|
much dead weight. Felt heavier myself stepping out of that bath. First
|
|
the stiff: then the friends of the stiff. Corny Kelleher and the
|
|
boy followed with their wreaths. Who is that beside them? Ah, the
|
|
brother-in-law.
|
|
|
|
All walked after.
|
|
|
|
Martin Cunningham whispered:
|
|
|
|
--I was in mortal agony with you talking of suicide before Bloom.
|
|
|
|
--What? Mr Power whispered. How so?
|
|
|
|
--His father poisoned himself, Martin Cunningham whispered. Had the
|
|
Queen's hotel in Ennis. You heard him say he was going to Clare.
|
|
Anniversary.
|
|
|
|
--O God! Mr Power whispered. First I heard of it. Poisoned himself?
|
|
|
|
He glanced behind him to where a face with dark thinking eyes followed
|
|
towards the cardinal's mausoleum. Speaking.
|
|
|
|
--Was he insured? Mr Bloom asked.
|
|
|
|
--I believe so, Mr Kernan answered. But the policy was heavily
|
|
mortgaged. Martin is trying to get the youngster into Artane.
|
|
|
|
--How many children did he leave?
|
|
|
|
--Five. Ned Lambert says he'll try to get one of the girls into Todd's.
|
|
|
|
--A sad case, Mr Bloom said gently. Five young children.
|
|
|
|
--A great blow to the poor wife, Mr Kernan added.
|
|
|
|
--Indeed yes, Mr Bloom agreed.
|
|
|
|
Has the laugh at him now.
|
|
|
|
He looked down at the boots he had blacked and polished. She had
|
|
outlived him. Lost her husband. More dead for her than for me. One must
|
|
outlive the other. Wise men say. There are more women than men in the
|
|
world. Condole with her. Your terrible loss. I hope you'll soon follow
|
|
him. For Hindu widows only. She would marry another. Him? No. Yet who
|
|
knows after. Widowhood not the thing since the old queen died. Drawn on
|
|
a guncarriage. Victoria and Albert. Frogmore memorial mourning. But
|
|
in the end she put a few violets in her bonnet. Vain in her heart of
|
|
hearts. All for a shadow. Consort not even a king. Her son was the
|
|
substance. Something new to hope for not like the past she wanted back,
|
|
waiting. It never comes. One must go first: alone, under the ground: and
|
|
lie no more in her warm bed.
|
|
|
|
--How are you, Simon? Ned Lambert said softly, clasping hands. Haven't
|
|
seen you for a month of Sundays.
|
|
|
|
--Never better. How are all in Cork's own town?
|
|
|
|
--I was down there for the Cork park races on Easter Monday, Ned Lambert
|
|
said. Same old six and eightpence. Stopped with Dick Tivy.
|
|
|
|
--And how is Dick, the solid man?
|
|
|
|
--Nothing between himself and heaven, Ned Lambert answered.
|
|
|
|
--By the holy Paul! Mr Dedalus said in subdued wonder. Dick Tivy bald?
|
|
|
|
--Martin is going to get up a whip for the youngsters, Ned Lambert said,
|
|
pointing ahead. A few bob a skull. Just to keep them going till the
|
|
insurance is cleared up.
|
|
|
|
--Yes, yes, Mr Dedalus said dubiously. Is that the eldest boy in front?
|
|
|
|
--Yes, Ned Lambert said, with the wife's brother. John Henry Menton is
|
|
behind. He put down his name for a quid.
|
|
|
|
--I'll engage he did, Mr Dedalus said. I often told poor Paddy he ought
|
|
to mind that job. John Henry is not the worst in the world.
|
|
|
|
--How did he lose it? Ned Lambert asked. Liquor, what?
|
|
|
|
--Many a good man's fault, Mr Dedalus said with a sigh.
|
|
|
|
They halted about the door of the mortuary chapel. Mr Bloom stood behind
|
|
the boy with the wreath looking down at his sleekcombed hair and at the
|
|
slender furrowed neck inside his brandnew collar. Poor boy! Was he there
|
|
when the father? Both unconscious. Lighten up at the last moment
|
|
and recognise for the last time. All he might have done. I owe three
|
|
shillings to O'Grady. Would he understand? The mutes bore the coffin
|
|
into the chapel. Which end is his head?
|
|
|
|
After a moment he followed the others in, blinking in the screened
|
|
light. The coffin lay on its bier before the chancel, four tall yellow
|
|
candles at its corners. Always in front of us. Corny Kelleher, laying a
|
|
wreath at each fore corner, beckoned to the boy to kneel. The mourners
|
|
knelt here and there in prayingdesks. Mr Bloom stood behind near the
|
|
font and, when all had knelt, dropped carefully his unfolded newspaper
|
|
from his pocket and knelt his right knee upon it. He fitted his black
|
|
hat gently on his left knee and, holding its brim, bent over piously.
|
|
|
|
A server bearing a brass bucket with something in it came out through a
|
|
door. The whitesmocked priest came after him, tidying his stole with one
|
|
hand, balancing with the other a little book against his toad's belly.
|
|
Who'll read the book? I, said the rook.
|
|
|
|
They halted by the bier and the priest began to read out of his book
|
|
with a fluent croak.
|
|
|
|
Father Coffey. I knew his name was like a coffin. _Domine-namine._ Bully
|
|
about the muzzle he looks. Bosses the show. Muscular christian. Woe
|
|
betide anyone that looks crooked at him: priest. Thou art Peter. Burst
|
|
sideways like a sheep in clover Dedalus says he will. With a belly on
|
|
him like a poisoned pup. Most amusing expressions that man finds. Hhhn:
|
|
burst sideways.
|
|
|
|
_--Non intres in judicium cum servo tuo, Domine._
|
|
|
|
Makes them feel more important to be prayed over in Latin. Requiem mass.
|
|
Crape weepers. Blackedged notepaper. Your name on the altarlist. Chilly
|
|
place this. Want to feed well, sitting in there all the morning in the
|
|
gloom kicking his heels waiting for the next please. Eyes of a toad too.
|
|
What swells him up that way? Molly gets swelled after cabbage. Air of
|
|
the place maybe. Looks full up of bad gas. Must be an infernal lot
|
|
of bad gas round the place. Butchers, for instance: they get like raw
|
|
beefsteaks. Who was telling me? Mervyn Browne. Down in the vaults of
|
|
saint Werburgh's lovely old organ hundred and fifty they have to bore a
|
|
hole in the coffins sometimes to let out the bad gas and burn it. Out it
|
|
rushes: blue. One whiff of that and you're a goner.
|
|
|
|
My kneecap is hurting me. Ow. That's better.
|
|
|
|
The priest took a stick with a knob at the end of it out of the boy's
|
|
bucket and shook it over the coffin. Then he walked to the other end and
|
|
shook it again. Then he came back and put it back in the bucket. As you
|
|
were before you rested. It's all written down: he has to do it.
|
|
|
|
_--Et ne nos inducas in tentationem._
|
|
|
|
The server piped the answers in the treble. I often thought it would be
|
|
better to have boy servants. Up to fifteen or so. After that, of course
|
|
...
|
|
|
|
Holy water that was, I expect. Shaking sleep out of it. He must be fed
|
|
up with that job, shaking that thing over all the corpses they trot up.
|
|
What harm if he could see what he was shaking it over. Every mortal
|
|
day a fresh batch: middleaged men, old women, children, women dead in
|
|
childbirth, men with beards, baldheaded businessmen, consumptive girls
|
|
with little sparrows' breasts. All the year round he prayed the same
|
|
thing over them all and shook water on top of them: sleep. On Dignam
|
|
now.
|
|
|
|
_--In paradisum._
|
|
|
|
Said he was going to paradise or is in paradise. Says that over
|
|
everybody. Tiresome kind of a job. But he has to say something.
|
|
|
|
The priest closed his book and went off, followed by the server. Corny
|
|
Kelleher opened the sidedoors and the gravediggers came in, hoisted the
|
|
coffin again, carried it out and shoved it on their cart. Corny Kelleher
|
|
gave one wreath to the boy and one to the brother-in-law. All followed
|
|
them out of the sidedoors into the mild grey air. Mr Bloom came last
|
|
folding his paper again into his pocket. He gazed gravely at the ground
|
|
till the coffincart wheeled off to the left. The metal wheels ground the
|
|
gravel with a sharp grating cry and the pack of blunt boots followed the
|
|
trundled barrow along a lane of sepulchres.
|
|
|
|
The ree the ra the ree the ra the roo. Lord, I mustn't lilt here.
|
|
|
|
--The O'Connell circle, Mr Dedalus said about him.
|
|
|
|
Mr Power's soft eyes went up to the apex of the lofty cone.
|
|
|
|
--He's at rest, he said, in the middle of his people, old Dan O'. But
|
|
his heart is buried in Rome. How many broken hearts are buried here,
|
|
Simon!
|
|
|
|
--Her grave is over there, Jack, Mr Dedalus said. I'll soon be stretched
|
|
beside her. Let Him take me whenever He likes.
|
|
|
|
Breaking down, he began to weep to himself quietly, stumbling a little
|
|
in his walk. Mr Power took his arm.
|
|
|
|
--She's better where she is, he said kindly.
|
|
|
|
--I suppose so, Mr Dedalus said with a weak gasp. I suppose she is in
|
|
heaven if there is a heaven.
|
|
|
|
Corny Kelleher stepped aside from his rank and allowed the mourners to
|
|
plod by.
|
|
|
|
--Sad occasions, Mr Kernan began politely.
|
|
|
|
Mr Bloom closed his eyes and sadly twice bowed his head.
|
|
|
|
--The others are putting on their hats, Mr Kernan said. I suppose we can
|
|
do so too. We are the last. This cemetery is a treacherous place.
|
|
|
|
They covered their heads.
|
|
|
|
--The reverend gentleman read the service too quickly, don't you think?
|
|
Mr Kernan said with reproof.
|
|
|
|
Mr Bloom nodded gravely looking in the quick bloodshot eyes. Secret
|
|
eyes, secretsearching. Mason, I think: not sure. Beside him again. We
|
|
are the last. In the same boat. Hope he'll say something else.
|
|
|
|
Mr Kernan added:
|
|
|
|
--The service of the Irish church used in Mount Jerome is simpler, more
|
|
impressive I must say.
|
|
|
|
Mr Bloom gave prudent assent. The language of course was another thing.
|
|
|
|
Mr Kernan said with solemnity:
|
|
|
|
--_I am the resurrection and the life_. That touches a man's inmost
|
|
heart.
|
|
|
|
--It does, Mr Bloom said.
|
|
|
|
Your heart perhaps but what price the fellow in the six feet by two
|
|
with his toes to the daisies? No touching that. Seat of the affections.
|
|
Broken heart. A pump after all, pumping thousands of gallons of blood
|
|
every day. One fine day it gets bunged up: and there you are. Lots of
|
|
them lying around here: lungs, hearts, livers. Old rusty pumps: damn
|
|
the thing else. The resurrection and the life. Once you are dead you are
|
|
dead. That last day idea. Knocking them all up out of their graves. Come
|
|
forth, Lazarus! And he came fifth and lost the job. Get up! Last day!
|
|
Then every fellow mousing around for his liver and his lights and the
|
|
rest of his traps. Find damn all of himself that morning. Pennyweight of
|
|
powder in a skull. Twelve grammes one pennyweight. Troy measure.
|
|
|
|
Corny Kelleher fell into step at their side.
|
|
|
|
--Everything went off A1, he said. What?
|
|
|
|
He looked on them from his drawling eye. Policeman's shoulders. With
|
|
your tooraloom tooraloom.
|
|
|
|
--As it should be, Mr Kernan said.
|
|
|
|
--What? Eh? Corny Kelleher said.
|
|
|
|
Mr Kernan assured him.
|
|
|
|
--Who is that chap behind with Tom Kernan? John Henry Menton asked. I
|
|
know his face.
|
|
|
|
Ned Lambert glanced back.
|
|
|
|
--Bloom, he said, Madame Marion Tweedy that was, is, I mean, the
|
|
soprano. She's his wife.
|
|
|
|
--O, to be sure, John Henry Menton said. I haven't seen her for some
|
|
time. He was a finelooking woman. I danced with her, wait, fifteen
|
|
seventeen golden years ago, at Mat Dillon's in Roundtown. And a good
|
|
armful she was.
|
|
|
|
He looked behind through the others.
|
|
|
|
--What is he? he asked. What does he do? Wasn't he in the stationery
|
|
line? I fell foul of him one evening, I remember, at bowls.
|
|
|
|
Ned Lambert smiled.
|
|
|
|
--Yes, he was, he said, in Wisdom Hely's. A traveller for blottingpaper.
|
|
|
|
--In God's name, John Henry Menton said, what did she marry a coon like
|
|
that for? She had plenty of game in her then.
|
|
|
|
--Has still, Ned Lambert said. He does some canvassing for ads.
|
|
|
|
John Henry Menton's large eyes stared ahead.
|
|
|
|
The barrow turned into a side lane. A portly man, ambushed among the
|
|
grasses, raised his hat in homage. The gravediggers touched their caps.
|
|
|
|
--John O'Connell, Mr Power said pleased. He never forgets a friend.
|
|
|
|
Mr O'Connell shook all their hands in silence. Mr Dedalus said:
|
|
|
|
--I am come to pay you another visit.
|
|
|
|
--My dear Simon, the caretaker answered in a low voice. I don't want
|
|
your custom at all.
|
|
|
|
Saluting Ned Lambert and John Henry Menton he walked on at Martin
|
|
Cunningham's side puzzling two long keys at his back.
|
|
|
|
--Did you hear that one, he asked them, about Mulcahy from the Coombe?
|
|
|
|
--I did not, Martin Cunningham said.
|
|
|
|
They bent their silk hats in concert and Hynes inclined his ear. The
|
|
caretaker hung his thumbs in the loops of his gold watchchain and spoke
|
|
in a discreet tone to their vacant smiles.
|
|
|
|
--They tell the story, he said, that two drunks came out here one foggy
|
|
evening to look for the grave of a friend of theirs. They asked for
|
|
Mulcahy from the Coombe and were told where he was buried. After
|
|
traipsing about in the fog they found the grave sure enough. One of the
|
|
drunks spelt out the name: Terence Mulcahy. The other drunk was blinking
|
|
up at a statue of Our Saviour the widow had got put up.
|
|
|
|
The caretaker blinked up at one of the sepulchres they passed. He
|
|
resumed:
|
|
|
|
--And, after blinking up at the sacred figure, _Not a bloody bit like
|
|
the man_, says he. _That's not Mulcahy_, says he, _whoever done it_.
|
|
|
|
Rewarded by smiles he fell back and spoke with Corny Kelleher, accepting
|
|
the dockets given him, turning them over and scanning them as he walked.
|
|
|
|
--That's all done with a purpose, Martin Cunningham explained to Hynes.
|
|
|
|
--I know, Hynes said. I know that.
|
|
|
|
--To cheer a fellow up, Martin Cunningham said. It's pure
|
|
goodheartedness: damn the thing else.
|
|
|
|
Mr Bloom admired the caretaker's prosperous bulk. All want to be on good
|
|
terms with him. Decent fellow, John O'Connell, real good sort. Keys:
|
|
like Keyes's ad: no fear of anyone getting out. No passout checks.
|
|
_Habeas corpus_. I must see about that ad after the funeral. Did I
|
|
write Ballsbridge on the envelope I took to cover when she disturbed me
|
|
writing to Martha? Hope it's not chucked in the dead letter office. Be
|
|
the better of a shave. Grey sprouting beard. That's the first sign when
|
|
the hairs come out grey. And temper getting cross. Silver threads among
|
|
the grey. Fancy being his wife. Wonder he had the gumption to propose to
|
|
any girl. Come out and live in the graveyard. Dangle that before her. It
|
|
might thrill her first. Courting death... Shades of night hovering
|
|
here with all the dead stretched about. The shadows of the tombs when
|
|
churchyards yawn and Daniel O'Connell must be a descendant I suppose
|
|
who is this used to say he was a queer breedy man great catholic all the
|
|
same like a big giant in the dark. Will o' the wisp. Gas of graves.
|
|
Want to keep her mind off it to conceive at all. Women especially are so
|
|
touchy. Tell her a ghost story in bed to make her sleep. Have you ever
|
|
seen a ghost? Well, I have. It was a pitchdark night. The clock was on
|
|
the stroke of twelve. Still they'd kiss all right if properly keyed up.
|
|
Whores in Turkish graveyards. Learn anything if taken young. You might
|
|
pick up a young widow here. Men like that. Love among the tombstones.
|
|
Romeo. Spice of pleasure. In the midst of death we are in life. Both
|
|
ends meet. Tantalising for the poor dead. Smell of grilled beefsteaks to
|
|
the starving. Gnawing their vitals. Desire to grig people. Molly wanting
|
|
to do it at the window. Eight children he has anyway.
|
|
|
|
He has seen a fair share go under in his time, lying around him field
|
|
after field. Holy fields. More room if they buried them standing.
|
|
Sitting or kneeling you couldn't. Standing? His head might come up some
|
|
day above ground in a landslip with his hand pointing. All honeycombed
|
|
the ground must be: oblong cells. And very neat he keeps it too: trim
|
|
grass and edgings. His garden Major Gamble calls Mount Jerome. Well,
|
|
so it is. Ought to be flowers of sleep. Chinese cemeteries with giant
|
|
poppies growing produce the best opium Mastiansky told me. The Botanic
|
|
Gardens are just over there. It's the blood sinking in the earth gives
|
|
new life. Same idea those jews they said killed the christian boy. Every
|
|
man his price. Well preserved fat corpse, gentleman, epicure, invaluable
|
|
for fruit garden. A bargain. By carcass of William Wilkinson, auditor
|
|
and accountant, lately deceased, three pounds thirteen and six. With
|
|
thanks.
|
|
|
|
I daresay the soil would be quite fat with corpsemanure, bones, flesh,
|
|
nails. Charnelhouses. Dreadful. Turning green and pink decomposing. Rot
|
|
quick in damp earth. The lean old ones tougher. Then a kind of a tallowy
|
|
kind of a cheesy. Then begin to get black, black treacle oozing out of
|
|
them. Then dried up. Deathmoths. Of course the cells or whatever they
|
|
are go on living. Changing about. Live for ever practically. Nothing to
|
|
feed on feed on themselves.
|
|
|
|
But they must breed a devil of a lot of maggots. Soil must be simply
|
|
swirling with them. Your head it simply swurls. Those pretty little
|
|
seaside gurls. He looks cheerful enough over it. Gives him a sense of
|
|
power seeing all the others go under first. Wonder how he looks at life.
|
|
Cracking his jokes too: warms the cockles of his heart. The one about
|
|
the bulletin. Spurgeon went to heaven 4 a.m. this morning. 11 p.m.
|
|
(closing time). Not arrived yet. Peter. The dead themselves the men
|
|
anyhow would like to hear an odd joke or the women to know what's in
|
|
fashion. A juicy pear or ladies' punch, hot, strong and sweet. Keep
|
|
out the damp. You must laugh sometimes so better do it that way.
|
|
Gravediggers in _Hamlet_. Shows the profound knowledge of the human
|
|
heart. Daren't joke about the dead for two years at least. _De mortuis
|
|
nil nisi prius_. Go out of mourning first. Hard to imagine his funeral.
|
|
Seems a sort of a joke. Read your own obituary notice they say you live
|
|
longer. Gives you second wind. New lease of life.
|
|
|
|
--How many have-you for tomorrow? the caretaker asked.
|
|
|
|
--Two, Corny Kelleher said. Half ten and eleven.
|
|
|
|
The caretaker put the papers in his pocket. The barrow had ceased to
|
|
trundle. The mourners split and moved to each side of the hole, stepping
|
|
with care round the graves. The gravediggers bore the coffin and set its
|
|
nose on the brink, looping the bands round it.
|
|
|
|
Burying him. We come to bury Caesar. His ides of March or June. He
|
|
doesn't know who is here nor care. Now who is that lankylooking galoot
|
|
over there in the macintosh? Now who is he I'd like to know? Now I'd
|
|
give a trifle to know who he is. Always someone turns up you never
|
|
dreamt of. A fellow could live on his lonesome all his life. Yes, he
|
|
could. Still he'd have to get someone to sod him after he died though he
|
|
could dig his own grave. We all do. Only man buries. No, ants too. First
|
|
thing strikes anybody. Bury the dead. Say Robinson Crusoe was true to
|
|
life. Well then Friday buried him. Every Friday buries a Thursday if you
|
|
come to look at it.
|
|
|
|
_O, poor Robinson Crusoe!
|
|
How could you possibly do so?_
|
|
|
|
Poor Dignam! His last lie on the earth in his box. When you think of
|
|
them all it does seem a waste of wood. All gnawed through. They could
|
|
invent a handsome bier with a kind of panel sliding, let it down that
|
|
way. Ay but they might object to be buried out of another fellow's.
|
|
They're so particular. Lay me in my native earth. Bit of clay from
|
|
the holy land. Only a mother and deadborn child ever buried in the one
|
|
coffin. I see what it means. I see. To protect him as long as possible
|
|
even in the earth. The Irishman's house is his coffin. Embalming in
|
|
catacombs, mummies the same idea.
|
|
|
|
Mr Bloom stood far back, his hat in his hand, counting the bared heads.
|
|
Twelve. I'm thirteen. No. The chap in the macintosh is thirteen. Death's
|
|
number. Where the deuce did he pop out of? He wasn't in the chapel, that
|
|
I'll swear. Silly superstition that about thirteen.
|
|
|
|
Nice soft tweed Ned Lambert has in that suit. Tinge of purple. I had
|
|
one like that when we lived in Lombard street west. Dressy fellow he was
|
|
once. Used to change three suits in the day. Must get that grey suit
|
|
of mine turned by Mesias. Hello. It's dyed. His wife I forgot he's not
|
|
married or his landlady ought to have picked out those threads for him.
|
|
|
|
The coffin dived out of sight, eased down by the men straddled on the
|
|
gravetrestles. They struggled up and out: and all uncovered. Twenty.
|
|
|
|
Pause.
|
|
|
|
If we were all suddenly somebody else.
|
|
|
|
Far away a donkey brayed. Rain. No such ass. Never see a dead one, they
|
|
say. Shame of death. They hide. Also poor papa went away.
|
|
|
|
Gentle sweet air blew round the bared heads in a whisper. Whisper. The
|
|
boy by the gravehead held his wreath with both hands staring quietly in
|
|
the black open space. Mr Bloom moved behind the portly kindly caretaker.
|
|
Wellcut frockcoat. Weighing them up perhaps to see which will go next.
|
|
Well, it is a long rest. Feel no more. It's the moment you feel. Must be
|
|
damned unpleasant. Can't believe it at first. Mistake must be: someone
|
|
else. Try the house opposite. Wait, I wanted to. I haven't yet. Then
|
|
darkened deathchamber. Light they want. Whispering around you. Would you
|
|
like to see a priest? Then rambling and wandering. Delirium all you hid
|
|
all your life. The death struggle. His sleep is not natural. Press his
|
|
lower eyelid. Watching is his nose pointed is his jaw sinking are the
|
|
soles of his feet yellow. Pull the pillow away and finish it off on the
|
|
floor since he's doomed. Devil in that picture of sinner's death showing
|
|
him a woman. Dying to embrace her in his shirt. Last act of _Lucia.
|
|
Shall i nevermore behold thee_? Bam! He expires. Gone at last. People
|
|
talk about you a bit: forget you. Don't forget to pray for him. Remember
|
|
him in your prayers. Even Parnell. Ivy day dying out. Then they follow:
|
|
dropping into a hole, one after the other.
|
|
|
|
We are praying now for the repose of his soul. Hoping you're well and
|
|
not in hell. Nice change of air. Out of the fryingpan of life into the
|
|
fire of purgatory.
|
|
|
|
Does he ever think of the hole waiting for himself? They say you do when
|
|
you shiver in the sun. Someone walking over it. Callboy's warning. Near
|
|
you. Mine over there towards Finglas, the plot I bought. Mamma, poor
|
|
mamma, and little Rudy.
|
|
|
|
The gravediggers took up their spades and flung heavy clods of clay in
|
|
on the coffin. Mr Bloom turned away his face. And if he was alive all
|
|
the time? Whew! By jingo, that would be awful! No, no: he is dead, of
|
|
course. Of course he is dead. Monday he died. They ought to have
|
|
some law to pierce the heart and make sure or an electric clock or
|
|
a telephone in the coffin and some kind of a canvas airhole. Flag of
|
|
distress. Three days. Rather long to keep them in summer. Just as well
|
|
to get shut of them as soon as you are sure there's no.
|
|
|
|
The clay fell softer. Begin to be forgotten. Out of sight, out of mind.
|
|
|
|
The caretaker moved away a few paces and put on his hat. Had enough of
|
|
it. The mourners took heart of grace, one by one, covering themselves
|
|
without show. Mr Bloom put on his hat and saw the portly figure make its
|
|
way deftly through the maze of graves. Quietly, sure of his ground, he
|
|
traversed the dismal fields.
|
|
|
|
Hynes jotting down something in his notebook. Ah, the names. But he
|
|
knows them all. No: coming to me.
|
|
|
|
--I am just taking the names, Hynes said below his breath. What is your
|
|
christian name? I'm not sure.
|
|
|
|
--L, Mr Bloom said. Leopold. And you might put down M'Coy's name too. He
|
|
asked me to.
|
|
|
|
--Charley, Hynes said writing. I know. He was on the _Freeman_ once.
|
|
|
|
So he was before he got the job in the morgue under Louis Byrne. Good
|
|
idea a postmortem for doctors. Find out what they imagine they know.
|
|
He died of a Tuesday. Got the run. Levanted with the cash of a few ads.
|
|
Charley, you're my darling. That was why he asked me to. O well, does
|
|
no harm. I saw to that, M'Coy. Thanks, old chap: much obliged. Leave him
|
|
under an obligation: costs nothing.
|
|
|
|
--And tell us, Hynes said, do you know that fellow in the, fellow was
|
|
over there in the...
|
|
|
|
He looked around.
|
|
|
|
--Macintosh. Yes, I saw him, Mr Bloom said. Where is he now?
|
|
|
|
--M'Intosh, Hynes said scribbling. I don't know who he is. Is that his
|
|
name?
|
|
|
|
He moved away, looking about him.
|
|
|
|
--No, Mr Bloom began, turning and stopping. I say, Hynes!
|
|
|
|
Didn't hear. What? Where has he disappeared to? Not a sign. Well of all
|
|
the. Has anybody here seen? Kay ee double ell. Become invisible. Good
|
|
Lord, what became of him?
|
|
|
|
A seventh gravedigger came beside Mr Bloom to take up an idle spade.
|
|
|
|
--O, excuse me!
|
|
|
|
He stepped aside nimbly.
|
|
|
|
Clay, brown, damp, began to be seen in the hole. It rose. Nearly over.
|
|
A mound of damp clods rose more, rose, and the gravediggers rested their
|
|
spades. All uncovered again for a few instants. The boy propped
|
|
his wreath against a corner: the brother-in-law his on a lump. The
|
|
gravediggers put on their caps and carried their earthy spades towards
|
|
the barrow. Then knocked the blades lightly on the turf: clean. One bent
|
|
to pluck from the haft a long tuft of grass. One, leaving his mates,
|
|
walked slowly on with shouldered weapon, its blade blueglancing.
|
|
Silently at the gravehead another coiled the coffinband. His navelcord.
|
|
The brother-in-law, turning away, placed something in his free hand.
|
|
Thanks in silence. Sorry, sir: trouble. Headshake. I know that. For
|
|
yourselves just.
|
|
|
|
The mourners moved away slowly without aim, by devious paths, staying at
|
|
whiles to read a name on a tomb.
|
|
|
|
--Let us go round by the chief's grave, Hynes said. We have time.
|
|
|
|
--Let us, Mr Power said.
|
|
|
|
They turned to the right, following their slow thoughts. With awe Mr
|
|
Power's blank voice spoke:
|
|
|
|
--Some say he is not in that grave at all. That the coffin was filled
|
|
with stones. That one day he will come again.
|
|
|
|
Hynes shook his head.
|
|
|
|
--Parnell will never come again, he said. He's there, all that was
|
|
mortal of him. Peace to his ashes.
|
|
|
|
Mr Bloom walked unheeded along his grove by saddened angels, crosses,
|
|
broken pillars, family vaults, stone hopes praying with upcast eyes,
|
|
old Ireland's hearts and hands. More sensible to spend the money on some
|
|
charity for the living. Pray for the repose of the soul of. Does anybody
|
|
really? Plant him and have done with him. Like down a coalshoot. Then
|
|
lump them together to save time. All souls' day. Twentyseventh I'll be
|
|
at his grave. Ten shillings for the gardener. He keeps it free of weeds.
|
|
Old man himself. Bent down double with his shears clipping. Near death's
|
|
door. Who passed away. Who departed this life. As if they did it of
|
|
their own accord. Got the shove, all of them. Who kicked the
|
|
bucket. More interesting if they told you what they were. So and So,
|
|
wheelwright. I travelled for cork lino. I paid five shillings in the
|
|
pound. Or a woman's with her saucepan. I cooked good Irish stew.
|
|
Eulogy in a country churchyard it ought to be that poem of whose is it
|
|
Wordsworth or Thomas Campbell. Entered into rest the protestants put it.
|
|
Old Dr Murren's. The great physician called him home. Well it's God's
|
|
acre for them. Nice country residence. Newly plastered and painted.
|
|
Ideal spot to have a quiet smoke and read the _Church Times._ Marriage
|
|
ads they never try to beautify. Rusty wreaths hung on knobs, garlands of
|
|
bronzefoil. Better value that for the money. Still, the flowers are more
|
|
poetical. The other gets rather tiresome, never withering. Expresses
|
|
nothing. Immortelles.
|
|
|
|
A bird sat tamely perched on a poplar branch. Like stuffed. Like the
|
|
wedding present alderman Hooper gave us. Hoo! Not a budge out of him.
|
|
Knows there are no catapults to let fly at him. Dead animal even sadder.
|
|
Silly-Milly burying the little dead bird in the kitchen matchbox, a
|
|
daisychain and bits of broken chainies on the grave.
|
|
|
|
The Sacred Heart that is: showing it. Heart on his sleeve. Ought to be
|
|
sideways and red it should be painted like a real heart. Ireland was
|
|
dedicated to it or whatever that. Seems anything but pleased. Why this
|
|
infliction? Would birds come then and peck like the boy with the basket
|
|
of fruit but he said no because they ought to have been afraid of the
|
|
boy. Apollo that was.
|
|
|
|
How many! All these here once walked round Dublin. Faithful departed. As
|
|
you are now so once were we.
|
|
|
|
Besides how could you remember everybody? Eyes, walk, voice. Well, the
|
|
voice, yes: gramophone. Have a gramophone in every grave or keep it in
|
|
the house. After dinner on a Sunday. Put on poor old greatgrandfather.
|
|
Kraahraark! Hellohellohello amawfullyglad kraark awfullygladaseeagain
|
|
hellohello amawf krpthsth. Remind you of the voice like the photograph
|
|
reminds you of the face. Otherwise you couldn't remember the face after
|
|
fifteen years, say. For instance who? For instance some fellow that died
|
|
when I was in Wisdom Hely's.
|
|
|
|
Rtststr! A rattle of pebbles. Wait. Stop!
|
|
|
|
He looked down intently into a stone crypt. Some animal. Wait. There he
|
|
goes.
|
|
|
|
An obese grey rat toddled along the side of the crypt, moving the
|
|
pebbles. An old stager: greatgrandfather: he knows the ropes. The grey
|
|
alive crushed itself in under the plinth, wriggled itself in under it.
|
|
Good hidingplace for treasure.
|
|
|
|
Who lives there? Are laid the remains of Robert Emery. Robert Emmet was
|
|
buried here by torchlight, wasn't he? Making his rounds.
|
|
|
|
Tail gone now.
|
|
|
|
One of those chaps would make short work of a fellow. Pick the bones
|
|
clean no matter who it was. Ordinary meat for them. A corpse is meat
|
|
gone bad. Well and what's cheese? Corpse of milk. I read in that
|
|
_Voyages in China_ that the Chinese say a white man smells like a
|
|
corpse. Cremation better. Priests dead against it. Devilling for the
|
|
other firm. Wholesale burners and Dutch oven dealers. Time of the
|
|
plague. Quicklime feverpits to eat them. Lethal chamber. Ashes to ashes.
|
|
Or bury at sea. Where is that Parsee tower of silence? Eaten by birds.
|
|
Earth, fire, water. Drowning they say is the pleasantest. See your whole
|
|
life in a flash. But being brought back to life no. Can't bury in the
|
|
air however. Out of a flying machine. Wonder does the news go about
|
|
whenever a fresh one is let down. Underground communication. We learned
|
|
that from them. Wouldn't be surprised. Regular square feed for them.
|
|
Flies come before he's well dead. Got wind of Dignam. They wouldn't care
|
|
about the smell of it. Saltwhite crumbling mush of corpse: smell, taste
|
|
like raw white turnips.
|
|
|
|
The gates glimmered in front: still open. Back to the world again.
|
|
Enough of this place. Brings you a bit nearer every time. Last time I
|
|
was here was Mrs Sinico's funeral. Poor papa too. The love that kills.
|
|
And even scraping up the earth at night with a lantern like that case
|
|
I read of to get at fresh buried females or even putrefied with running
|
|
gravesores. Give you the creeps after a bit. I will appear to you after
|
|
death. You will see my ghost after death. My ghost will haunt you after
|
|
death. There is another world after death named hell. I do not like that
|
|
other world she wrote. No more do I. Plenty to see and hear and feel
|
|
yet. Feel live warm beings near you. Let them sleep in their maggoty
|
|
beds. They are not going to get me this innings. Warm beds: warm
|
|
fullblooded life.
|
|
|
|
Martin Cunningham emerged from a sidepath, talking gravely.
|
|
|
|
Solicitor, I think. I know his face. Menton, John Henry, solicitor,
|
|
commissioner for oaths and affidavits. Dignam used to be in his office.
|
|
Mat Dillon's long ago. Jolly Mat. Convivial evenings. Cold fowl, cigars,
|
|
the Tantalus glasses. Heart of gold really. Yes, Menton. Got his rag out
|
|
that evening on the bowlinggreen because I sailed inside him. Pure fluke
|
|
of mine: the bias. Why he took such a rooted dislike to me. Hate
|
|
at first sight. Molly and Floey Dillon linked under the lilactree,
|
|
laughing. Fellow always like that, mortified if women are by.
|
|
|
|
Got a dinge in the side of his hat. Carriage probably.
|
|
|
|
--Excuse me, sir, Mr Bloom said beside them.
|
|
|
|
They stopped.
|
|
|
|
--Your hat is a little crushed, Mr Bloom said pointing.
|
|
|
|
John Henry Menton stared at him for an instant without moving.
|
|
|
|
--There, Martin Cunningham helped, pointing also. John Henry Menton took
|
|
off his hat, bulged out the dinge and smoothed the nap with care on his
|
|
coatsleeve. He clapped the hat on his head again.
|
|
|
|
--It's all right now, Martin Cunningham said.
|
|
|
|
John Henry Menton jerked his head down in acknowledgment.
|
|
|
|
--Thank you, he said shortly.
|
|
|
|
They walked on towards the gates. Mr Bloom, chapfallen, drew behind
|
|
a few paces so as not to overhear. Martin laying down the law. Martin
|
|
could wind a sappyhead like that round his little finger, without his
|
|
seeing it.
|
|
|
|
Oyster eyes. Never mind. Be sorry after perhaps when it dawns on him.
|
|
Get the pull over him that way.
|
|
|
|
Thank you. How grand we are this morning!
|
|
|
|
|
|
IN THE HEART OF THE HIBERNIAN METROPOLIS
|
|
|
|
|
|
Before Nelson's pillar trams slowed, shunted, changed trolley, started
|
|
for Blackrock, Kingstown and Dalkey, Clonskea, Rathgar and Terenure,
|
|
Palmerston Park and upper Rathmines, Sandymount Green, Rathmines,
|
|
Ringsend and Sandymount Tower, Harold's Cross. The hoarse Dublin United
|
|
Tramway Company's timekeeper bawled them off:
|
|
|
|
--Rathgar and Terenure!
|
|
|
|
--Come on, Sandymount Green!
|
|
|
|
Right and left parallel clanging ringing a doubledecker and a singledeck
|
|
moved from their railheads, swerved to the down line, glided parallel.
|
|
|
|
--Start, Palmerston Park!
|
|
|
|
|
|
THE WEARER OF THE CROWN
|
|
|
|
|
|
Under the porch of the general post office shoeblacks called and
|
|
polished. Parked in North Prince's street His Majesty's vermilion
|
|
mailcars, bearing on their sides the royal initials, E. R., received
|
|
loudly flung sacks of letters, postcards, lettercards, parcels, insured
|
|
and paid, for local, provincial, British and overseas delivery.
|
|
|
|
GENTLEMEN OF THE PRESS
|
|
|
|
|
|
Grossbooted draymen rolled barrels dullthudding out of Prince's stores
|
|
and bumped them up on the brewery float. On the brewery float bumped
|
|
dullthudding barrels rolled by grossbooted draymen out of Prince's
|
|
stores.
|
|
|
|
--There it is, Red Murray said. Alexander Keyes.
|
|
|
|
--Just cut it out, will you? Mr Bloom said, and I'll take it round to
|
|
the _Telegraph_ office.
|
|
|
|
The door of Ruttledge's office creaked again. Davy Stephens, minute in a
|
|
large capecoat, a small felt hat crowning his ringlets, passed out with
|
|
a roll of papers under his cape, a king's courier.
|
|
|
|
Red Murray's long shears sliced out the advertisement from the newspaper
|
|
in four clean strokes. Scissors and paste.
|
|
|
|
--I'll go through the printingworks, Mr Bloom said, taking the cut
|
|
square.
|
|
|
|
--Of course, if he wants a par, Red Murray said earnestly, a pen behind
|
|
his ear, we can do him one.
|
|
|
|
--Right, Mr Bloom said with a nod. I'll rub that in.
|
|
|
|
We.
|
|
|
|
WILLIAM BRAYDEN, ESQUIRE, OF OAKLANDS, SANDYMOUNT
|
|
|
|
|
|
Red Murray touched Mr Bloom's arm with the shears and whispered:
|
|
|
|
--Brayden.
|
|
|
|
Mr Bloom turned and saw the liveried porter raise his lettered cap as a
|
|
stately figure entered between the newsboards of the _Weekly Freeman
|
|
and National Press_ and the _Freeman's Journal and National Press_.
|
|
Dullthudding Guinness's barrels. It passed statelily up the staircase,
|
|
steered by an umbrella, a solemn beardframed face. The broadcloth back
|
|
ascended each step: back. All his brains are in the nape of his neck,
|
|
Simon Dedalus says. Welts of flesh behind on him. Fat folds of neck,
|
|
fat, neck, fat, neck.
|
|
|
|
--Don't you think his face is like Our Saviour? Red Murray whispered.
|
|
|
|
The door of Ruttledge's office whispered: ee: cree. They always build
|
|
one door opposite another for the wind to. Way in. Way out.
|
|
|
|
Our Saviour: beardframed oval face: talking in the dusk. Mary, Martha.
|
|
Steered by an umbrella sword to the footlights: Mario the tenor.
|
|
|
|
--Or like Mario, Mr Bloom said.
|
|
|
|
--Yes, Red Murray agreed. But Mario was said to be the picture of Our
|
|
Saviour.
|
|
|
|
Jesusmario with rougy cheeks, doublet and spindle legs. Hand on his
|
|
heart. In _Martha._
|
|
|
|
_Co-ome thou lost one,
|
|
Co-ome thou dear one!_
|
|
|
|
THE CROZIER AND THE PEN
|
|
|
|
|
|
--His grace phoned down twice this morning, Red Murray said gravely.
|
|
|
|
They watched the knees, legs, boots vanish. Neck.
|
|
|
|
A telegram boy stepped in nimbly, threw an envelope on the counter and
|
|
stepped off posthaste with a word:
|
|
|
|
_--Freeman!_
|
|
|
|
Mr Bloom said slowly:
|
|
|
|
--Well, he is one of our saviours also.
|
|
|
|
A meek smile accompanied him as he lifted the counterflap, as he passed
|
|
in through a sidedoor and along the warm dark stairs and passage,
|
|
along the now reverberating boards. But will he save the circulation?
|
|
Thumping. Thumping.
|
|
|
|
He pushed in the glass swingdoor and entered, stepping over strewn
|
|
packing paper. Through a lane of clanking drums he made his way towards
|
|
Nannetti's reading closet.
|
|
|
|
WITH UNFEIGNED REGRET IT IS WE ANNOUNCE THE DISSOLUTION OF A MOST
|
|
RESPECTED DUBLIN BURGESS
|
|
|
|
|
|
Hynes here too: account of the funeral probably. Thumping. Thump. This
|
|
morning the remains of the late Mr Patrick Dignam. Machines. Smash a man
|
|
to atoms if they got him caught. Rule the world today. His machineries
|
|
are pegging away too. Like these, got out of hand: fermenting. Working
|
|
away, tearing away. And that old grey rat tearing to get in.
|
|
|
|
HOW A GREAT DAILY ORGAN IS TURNED OUT
|
|
|
|
|
|
Mr Bloom halted behind the foreman's spare body, admiring a glossy
|
|
crown.
|
|
|
|
Strange he never saw his real country. Ireland my country. Member for
|
|
College green. He boomed that workaday worker tack for all it was worth.
|
|
It's the ads and side features sell a weekly, not the stale news in the
|
|
official gazette. Queen Anne is dead. Published by authority in the year
|
|
one thousand and. Demesne situate in the townland of Rosenallis, barony
|
|
of Tinnahinch. To all whom it may concern schedule pursuant to statute
|
|
showing return of number of mules and jennets exported from Ballina.
|
|
Nature notes. Cartoons. Phil Blake's weekly Pat and Bull story. Uncle
|
|
Toby's page for tiny tots. Country bumpkin's queries. Dear Mr Editor,
|
|
what is a good cure for flatulence? I'd like that part. Learn a lot
|
|
teaching others. The personal note. M. A. P. Mainly all pictures.
|
|
Shapely bathers on golden strand. World's biggest balloon. Double
|
|
marriage of sisters celebrated. Two bridegrooms laughing heartily at
|
|
each other. Cuprani too, printer. More Irish than the Irish.
|
|
|
|
The machines clanked in threefour time. Thump, thump, thump. Now if he
|
|
got paralysed there and no-one knew how to stop them they'd clank on and
|
|
on the same, print it over and over and up and back. Monkeydoodle the
|
|
whole thing. Want a cool head.
|
|
|
|
--Well, get it into the evening edition, councillor, Hynes said.
|
|
|
|
Soon be calling him my lord mayor. Long John is backing him, they say.
|
|
|
|
The foreman, without answering, scribbled press on a corner of the sheet
|
|
and made a sign to a typesetter. He handed the sheet silently over the
|
|
dirty glass screen.
|
|
|
|
--Right: thanks, Hynes said moving off.
|
|
|
|
Mr Bloom stood in his way.
|
|
|
|
--If you want to draw the cashier is just going to lunch, he said,
|
|
pointing backward with his thumb.
|
|
|
|
--Did you? Hynes asked.
|
|
|
|
--Mm, Mr Bloom said. Look sharp and you'll catch him.
|
|
|
|
--Thanks, old man, Hynes said. I'll tap him too.
|
|
|
|
He hurried on eagerly towards the _Freeman's Journal_.
|
|
|
|
Three bob I lent him in Meagher's. Three weeks. Third hint.
|
|
|
|
WE SEE THE CANVASSER AT WORK
|
|
|
|
|
|
Mr Bloom laid his cutting on Mr Nannetti's desk.
|
|
|
|
--Excuse me, councillor, he said. This ad, you see. Keyes, you remember?
|
|
|
|
Mr Nannetti considered the cutting awhile and nodded.
|
|
|
|
--He wants it in for July, Mr Bloom said.
|
|
|
|
The foreman moved his pencil towards it.
|
|
|
|
--But wait, Mr Bloom said. He wants it changed. Keyes, you see. He wants
|
|
two keys at the top.
|
|
|
|
Hell of a racket they make. He doesn't hear it. Nannan. Iron nerves.
|
|
Maybe he understands what I.
|
|
|
|
The foreman turned round to hear patiently and, lifting an elbow, began
|
|
to scratch slowly in the armpit of his alpaca jacket.
|
|
|
|
--Like that, Mr Bloom said, crossing his forefingers at the top.
|
|
|
|
Let him take that in first.
|
|
|
|
Mr Bloom, glancing sideways up from the cross he had made, saw the
|
|
foreman's sallow face, think he has a touch of jaundice, and beyond the
|
|
obedient reels feeding in huge webs of paper. Clank it. Clank it. Miles
|
|
of it unreeled. What becomes of it after? O, wrap up meat, parcels:
|
|
various uses, thousand and one things.
|
|
|
|
Slipping his words deftly into the pauses of the clanking he drew
|
|
swiftly on the scarred woodwork.
|
|
|
|
HOUSE OF KEY(E)S
|
|
|
|
|
|
--Like that, see. Two crossed keys here. A circle. Then here the name.
|
|
Alexander Keyes, tea, wine and spirit merchant. So on.
|
|
|
|
Better not teach him his own business.
|
|
|
|
--You know yourself, councillor, just what he wants. Then round the top
|
|
in leaded: the house of keys. You see? Do you think that's a good idea?
|
|
|
|
The foreman moved his scratching hand to his lower ribs and scratched
|
|
there quietly.
|
|
|
|
--The idea, Mr Bloom said, is the house of keys. You know, councillor,
|
|
the Manx parliament. Innuendo of home rule. Tourists, you know, from the
|
|
isle of Man. Catches the eye, you see. Can you do that?
|
|
|
|
I could ask him perhaps about how to pronounce that _voglio._ But then
|
|
if he didn't know only make it awkward for him. Better not.
|
|
|
|
--We can do that, the foreman said. Have you the design?
|
|
|
|
--I can get it, Mr Bloom said. It was in a Kilkenny paper. He has a
|
|
house there too. I'll just run out and ask him. Well, you can do that
|
|
and just a little par calling attention. You know the usual. Highclass
|
|
licensed premises. Longfelt want. So on.
|
|
|
|
The foreman thought for an instant.
|
|
|
|
--We can do that, he said. Let him give us a three months' renewal.
|
|
|
|
A typesetter brought him a limp galleypage. He began to check it
|
|
silently. Mr Bloom stood by, hearing the loud throbs of cranks, watching
|
|
the silent typesetters at their cases.
|
|
|
|
ORTHOGRAPHICAL
|
|
|
|
|
|
Want to be sure of his spelling. Proof fever. Martin Cunningham forgot
|
|
to give us his spellingbee conundrum this morning. It is amusing to view
|
|
the unpar one ar alleled embarra two ars is it? double ess ment of a
|
|
harassed pedlar while gauging au the symmetry with a y of a peeled pear
|
|
under a cemetery wall. Silly, isn't it? Cemetery put in of course on
|
|
account of the symmetry.
|
|
|
|
I should have said when he clapped on his topper. Thank you. I ought
|
|
to have said something about an old hat or something. No. I could have
|
|
said. Looks as good as new now. See his phiz then.
|
|
|
|
Sllt. The nethermost deck of the first machine jogged forward its
|
|
flyboard with sllt the first batch of quirefolded papers. Sllt. Almost
|
|
human the way it sllt to call attention. Doing its level best to speak.
|
|
That door too sllt creaking, asking to be shut. Everything speaks in its
|
|
own way. Sllt.
|
|
|
|
NOTED CHURCHMAN AN OCCASIONAL CONTRIBUTOR
|
|
|
|
|
|
The foreman handed back the galleypage suddenly, saying:
|
|
|
|
--Wait. Where's the archbishop's letter? It's to be repeated in the
|
|
_Telegraph._ Where's what's his name?
|
|
|
|
He looked about him round his loud unanswering machines.
|
|
|
|
--Monks, sir? a voice asked from the castingbox.
|
|
|
|
--Ay. Where's Monks?
|
|
|
|
--Monks!
|
|
|
|
Mr Bloom took up his cutting. Time to get out.
|
|
|
|
--Then I'll get the design, Mr Nannetti, he said, and you'll give it a
|
|
good place I know.
|
|
|
|
--Monks!
|
|
|
|
--Yes, sir.
|
|
|
|
Three months' renewal. Want to get some wind off my chest first. Try it
|
|
anyhow. Rub in August: good idea: horseshow month. Ballsbridge. Tourists
|
|
over for the show.
|
|
|
|
A DAYFATHER
|
|
|
|
|
|
He walked on through the caseroom passing an old man, bowed, spectacled,
|
|
aproned. Old Monks, the dayfather. Queer lot of stuff he must have put
|
|
through his hands in his time: obituary notices, pubs' ads, speeches,
|
|
divorce suits, found drowned. Nearing the end of his tether now. Sober
|
|
serious man with a bit in the savingsbank I'd say. Wife a good cook and
|
|
washer. Daughter working the machine in the parlour. Plain Jane, no damn
|
|
nonsense. AND IT WAS THE FEAST OF THE PASSOVER
|
|
|
|
|
|
He stayed in his walk to watch a typesetter neatly distributing type.
|
|
Reads it backwards first. Quickly he does it. Must require some practice
|
|
that. mangiD kcirtaP. Poor papa with his hagadah book, reading backwards
|
|
with his finger to me. Pessach. Next year in Jerusalem. Dear, O dear!
|
|
All that long business about that brought us out of the land of Egypt
|
|
and into the house of bondage _Alleluia. Shema Israel Adonai Elohenu_.
|
|
No, that's the other. Then the twelve brothers, Jacob's sons. And then
|
|
the lamb and the cat and the dog and the stick and the water and the
|
|
butcher. And then the angel of death kills the butcher and he kills the
|
|
ox and the dog kills the cat. Sounds a bit silly till you come to look
|
|
into it well. Justice it means but it's everybody eating everyone else.
|
|
That's what life is after all. How quickly he does that job. Practice
|
|
makes perfect. Seems to see with his fingers.
|
|
|
|
Mr Bloom passed on out of the clanking noises through the gallery on to
|
|
the landing. Now am I going to tram it out all the way and then catch
|
|
him out perhaps. Better phone him up first. Number? Yes. Same as
|
|
Citron's house. Twentyeight. Twentyeight double four.
|
|
|
|
ONLY ONCE MORE THAT SOAP
|
|
|
|
|
|
He went down the house staircase. Who the deuce scrawled all over those
|
|
walls with matches? Looks as if they did it for a bet. Heavy greasy
|
|
smell there always is in those works. Lukewarm glue in Thom's next door
|
|
when I was there.
|
|
|
|
He took out his handkerchief to dab his nose. Citronlemon? Ah, the soap
|
|
I put there. Lose it out of that pocket. Putting back his handkerchief
|
|
he took out the soap and stowed it away, buttoned, into the hip pocket
|
|
of his trousers.
|
|
|
|
What perfume does your wife use? I could go home still: tram: something
|
|
I forgot. Just to see: before: dressing. No. Here. No.
|
|
|
|
A sudden screech of laughter came from the _Evening Telegraph_ office.
|
|
Know who that is. What's up? Pop in a minute to phone. Ned Lambert it
|
|
is.
|
|
|
|
He entered softly.
|
|
|
|
ERIN, GREEN GEM OF THE SILVER SEA
|
|
|
|
|
|
--The ghost walks, professor MacHugh murmured softly, biscuitfully to
|
|
the dusty windowpane.
|
|
|
|
Mr Dedalus, staring from the empty fireplace at Ned Lambert's quizzing
|
|
face, asked of it sourly:
|
|
|
|
--Agonising Christ, wouldn't it give you a heartburn on your arse?
|
|
|
|
Ned Lambert, seated on the table, read on:
|
|
|
|
--_Or again, note the meanderings of some purling rill as it babbles
|
|
on its way, tho' quarrelling with the stony obstacles, to the tumbling
|
|
waters of Neptune's blue domain, 'mid mossy banks, fanned by gentlest
|
|
zephyrs, played on by the glorious sunlight or 'neath the shadows cast
|
|
o'er its pensive bosom by the overarching leafage of the giants of
|
|
the forest_. What about that, Simon? he asked over the fringe of his
|
|
newspaper. How's that for high?
|
|
|
|
--Changing his drink, Mr Dedalus said.
|
|
|
|
Ned Lambert, laughing, struck the newspaper on his knees, repeating:
|
|
|
|
--_The pensive bosom and the overarsing leafage_. O boys! O boys!
|
|
|
|
--And Xenophon looked upon Marathon, Mr Dedalus said, looking again on
|
|
the fireplace and to the window, and Marathon looked on the sea.
|
|
|
|
--That will do, professor MacHugh cried from the window. I don't want to
|
|
hear any more of the stuff.
|
|
|
|
He ate off the crescent of water biscuit he had been nibbling and,
|
|
hungered, made ready to nibble the biscuit in his other hand.
|
|
|
|
High falutin stuff. Bladderbags. Ned Lambert is taking a day off I see.
|
|
Rather upsets a man's day, a funeral does. He has influence they
|
|
say. Old Chatterton, the vicechancellor, is his granduncle or his
|
|
greatgranduncle. Close on ninety they say. Subleader for his death
|
|
written this long time perhaps. Living to spite them. Might go first
|
|
himself. Johnny, make room for your uncle. The right honourable Hedges
|
|
Eyre Chatterton. Daresay he writes him an odd shaky cheque or two on
|
|
gale days. Windfall when he kicks out. Alleluia.
|
|
|
|
--Just another spasm, Ned Lambert said.
|
|
|
|
--What is it? Mr Bloom asked.
|
|
|
|
--A recently discovered fragment of Cicero, professor MacHugh answered
|
|
with pomp of tone. _Our lovely land_. SHORT BUT TO THE POINT
|
|
|
|
|
|
--Whose land? Mr Bloom said simply.
|
|
|
|
--Most pertinent question, the professor said between his chews. With an
|
|
accent on the whose.
|
|
|
|
--Dan Dawson's land Mr Dedalus said.
|
|
|
|
--Is it his speech last night? Mr Bloom asked.
|
|
|
|
Ned Lambert nodded.
|
|
|
|
--But listen to this, he said.
|
|
|
|
The doorknob hit Mr Bloom in the small of the back as the door was
|
|
pushed in.
|
|
|
|
--Excuse me, J. J. O'Molloy said, entering.
|
|
|
|
Mr Bloom moved nimbly aside.
|
|
|
|
--I beg yours, he said.
|
|
|
|
--Good day, Jack.
|
|
|
|
--Come in. Come in.
|
|
|
|
--Good day.
|
|
|
|
--How are you, Dedalus?
|
|
|
|
--Well. And yourself?
|
|
|
|
J. J. O'Molloy shook his head.
|
|
|
|
SAD
|
|
|
|
|
|
Cleverest fellow at the junior bar he used to be. Decline, poor chap.
|
|
That hectic flush spells finis for a man. Touch and go with him. What's
|
|
in the wind, I wonder. Money worry.
|
|
|
|
--_Or again if we but climb the serried mountain peaks._
|
|
|
|
--You're looking extra.
|
|
|
|
--Is the editor to be seen? J. J. O'Molloy asked, looking towards the
|
|
inner door.
|
|
|
|
--Very much so, professor MacHugh said. To be seen and heard. He's in
|
|
his sanctum with Lenehan.
|
|
|
|
J. J. O'Molloy strolled to the sloping desk and began to turn back the
|
|
pink pages of the file.
|
|
|
|
Practice dwindling. A mighthavebeen. Losing heart. Gambling. Debts of
|
|
honour. Reaping the whirlwind. Used to get good retainers from D. and T.
|
|
Fitzgerald. Their wigs to show the grey matter. Brains on their sleeve
|
|
like the statue in Glasnevin. Believe he does some literary work for the
|
|
_Express_ with Gabriel Conroy. Wellread fellow. Myles Crawford began
|
|
on the _Independent._ Funny the way those newspaper men veer about when
|
|
they get wind of a new opening. Weathercocks. Hot and cold in the same
|
|
breath. Wouldn't know which to believe. One story good till you hear
|
|
the next. Go for one another baldheaded in the papers and then all blows
|
|
over. Hail fellow well met the next moment.
|
|
|
|
--Ah, listen to this for God' sake, Ned Lambert pleaded. _Or again if we
|
|
but climb the serried mountain peaks..._
|
|
|
|
--Bombast! the professor broke in testily. Enough of the inflated
|
|
windbag!
|
|
|
|
--_Peaks_, Ned Lambert went on, _towering high on high, to bathe our
|
|
souls, as it were..._
|
|
|
|
--Bathe his lips, Mr Dedalus said. Blessed and eternal God! Yes? Is he
|
|
taking anything for it?
|
|
|
|
_--As 'twere, in the peerless panorama of Ireland's portfolio,
|
|
unmatched, despite their wellpraised prototypes in other vaunted prize
|
|
regions, for very beauty, of bosky grove and undulating plain and
|
|
luscious pastureland of vernal green, steeped in the transcendent
|
|
translucent glow of our mild mysterious Irish twilight..._
|
|
|
|
HIS NATIVE DORIC
|
|
|
|
|
|
--The moon, professor MacHugh said. He forgot Hamlet.
|
|
|
|
_--That mantles the vista far and wide and wait till the glowing orb of
|
|
the moon shine forth to irradiate her silver effulgence..._
|
|
|
|
--O! Mr Dedalus cried, giving vent to a hopeless groan. Shite and
|
|
onions! That'll do, Ned. Life is too short.
|
|
|
|
He took off his silk hat and, blowing out impatiently his bushy
|
|
moustache, welshcombed his hair with raking fingers.
|
|
|
|
Ned Lambert tossed the newspaper aside, chuckling with delight. An
|
|
instant after a hoarse bark of laughter burst over professor MacHugh's
|
|
unshaven blackspectacled face.
|
|
|
|
--Doughy Daw! he cried.
|
|
|
|
WHAT WETHERUP SAID
|
|
|
|
|
|
All very fine to jeer at it now in cold print but it goes down like hot
|
|
cake that stuff. He was in the bakery line too, wasn't he? Why they call
|
|
him Doughy Daw. Feathered his nest well anyhow. Daughter engaged to that
|
|
chap in the inland revenue office with the motor. Hooked that nicely.
|
|
Entertainments. Open house. Big blowout. Wetherup always said that. Get
|
|
a grip of them by the stomach.
|
|
|
|
The inner door was opened violently and a scarlet beaked face, crested
|
|
by a comb of feathery hair, thrust itself in. The bold blue eyes stared
|
|
about them and the harsh voice asked:
|
|
|
|
--What is it?
|
|
|
|
--And here comes the sham squire himself! professor MacHugh said
|
|
grandly.
|
|
|
|
--Getonouthat, you bloody old pedagogue! the editor said in recognition.
|
|
|
|
--Come, Ned, Mr Dedalus said, putting on his hat. I must get a drink
|
|
after that.
|
|
|
|
--Drink! the editor cried. No drinks served before mass.
|
|
|
|
--Quite right too, Mr Dedalus said, going out. Come on, Ned.
|
|
|
|
Ned Lambert sidled down from the table. The editor's blue eyes roved
|
|
towards Mr Bloom's face, shadowed by a smile.
|
|
|
|
--Will you join us, Myles? Ned Lambert asked.
|
|
|
|
MEMORABLE BATTLES RECALLED
|
|
|
|
|
|
--North Cork militia! the editor cried, striding to the mantelpiece. We
|
|
won every time! North Cork and Spanish officers!
|
|
|
|
--Where was that, Myles? Ned Lambert asked with a reflective glance at
|
|
his toecaps.
|
|
|
|
--In Ohio! the editor shouted.
|
|
|
|
--So it was, begad, Ned Lambert agreed.
|
|
|
|
Passing out he whispered to J. J. O'Molloy:
|
|
|
|
--Incipient jigs. Sad case.
|
|
|
|
--Ohio! the editor crowed in high treble from his uplifted scarlet face.
|
|
My Ohio!
|
|
|
|
--A perfect cretic! the professor said. Long, short and long.
|
|
|
|
O, HARP EOLIAN!
|
|
|
|
|
|
He took a reel of dental floss from his waistcoat pocket and, breaking
|
|
off a piece, twanged it smartly between two and two of his resonant
|
|
unwashed teeth.
|
|
|
|
--Bingbang, bangbang.
|
|
|
|
Mr Bloom, seeing the coast clear, made for the inner door.
|
|
|
|
--Just a moment, Mr Crawford, he said. I just want to phone about an ad.
|
|
|
|
He went in.
|
|
|
|
--What about that leader this evening? professor MacHugh asked, coming
|
|
to the editor and laying a firm hand on his shoulder.
|
|
|
|
--That'll be all right, Myles Crawford said more calmly. Never you fret.
|
|
Hello, Jack. That's all right.
|
|
|
|
--Good day, Myles, J. J. O'Molloy said, letting the pages he held slip
|
|
limply back on the file. Is that Canada swindle case on today?
|
|
|
|
The telephone whirred inside.
|
|
|
|
--Twentyeight... No, twenty... Double four... Yes.
|
|
|
|
SPOT THE WINNER
|
|
|
|
|
|
Lenehan came out of the inner office with SPORT'S tissues.
|
|
|
|
--Who wants a dead cert for the Gold cup? he asked. Sceptre with O.
|
|
Madden up.
|
|
|
|
He tossed the tissues on to the table.
|
|
|
|
Screams of newsboys barefoot in the hall rushed near and the door was
|
|
flung open.
|
|
|
|
--Hush, Lenehan said. I hear feetstoops.
|
|
|
|
Professor MacHugh strode across the room and seized the cringing urchin
|
|
by the collar as the others scampered out of the hall and down the
|
|
steps. The tissues rustled up in the draught, floated softly in the air
|
|
blue scrawls and under the table came to earth.
|
|
|
|
--It wasn't me, sir. It was the big fellow shoved me, sir.
|
|
|
|
--Throw him out and shut the door, the editor said. There's a hurricane
|
|
blowing.
|
|
|
|
Lenehan began to paw the tissues up from the floor, grunting as he
|
|
stooped twice.
|
|
|
|
--Waiting for the racing special, sir, the newsboy said. It was Pat
|
|
Farrell shoved me, sir.
|
|
|
|
He pointed to two faces peering in round the doorframe.
|
|
|
|
--Him, sir.
|
|
|
|
--Out of this with you, professor MacHugh said gruffly.
|
|
|
|
He hustled the boy out and banged the door to.
|
|
|
|
J. J. O'Molloy turned the files crackingly over, murmuring, seeking:
|
|
|
|
--Continued on page six, column four.
|
|
|
|
--Yes, _Evening Telegraph_ here, Mr Bloom phoned from the inner office.
|
|
Is the boss...? Yes, _Telegraph_... To where? Aha! Which auction rooms
|
|
?... Aha! I see... Right. I'll catch him.
|
|
|
|
A COLLISION ENSUES
|
|
|
|
|
|
The bell whirred again as he rang off. He came in quickly and bumped
|
|
against Lenehan who was struggling up with the second tissue.
|
|
|
|
--_Pardon, monsieur_, Lenehan said, clutching him for an instant and
|
|
making a grimace.
|
|
|
|
--My fault, Mr Bloom said, suffering his grip. Are you hurt? I'm in a
|
|
hurry.
|
|
|
|
--Knee, Lenehan said.
|
|
|
|
He made a comic face and whined, rubbing his knee:
|
|
|
|
--The accumulation of the _anno Domini_.
|
|
|
|
--Sorry, Mr Bloom said.
|
|
|
|
He went to the door and, holding it ajar, paused. J. J. O'Molloy slapped
|
|
the heavy pages over. The noise of two shrill voices, a mouthorgan,
|
|
echoed in the bare hallway from the newsboys squatted on the doorsteps:
|
|
|
|
_--We are the boys of Wexford
|
|
Who fought with heart and hand._
|
|
|
|
EXIT BLOOM
|
|
|
|
|
|
--I'm just running round to Bachelor's walk, Mr Bloom said, about this
|
|
ad of Keyes's. Want to fix it up. They tell me he's round there in
|
|
Dillon's.
|
|
|
|
He looked indecisively for a moment at their faces. The editor who,
|
|
leaning against the mantelshelf, had propped his head on his hand,
|
|
suddenly stretched forth an arm amply.
|
|
|
|
--Begone! he said. The world is before you.
|
|
|
|
--Back in no time, Mr Bloom said, hurrying out.
|
|
|
|
J. J. O'Molloy took the tissues from Lenehan's hand and read them,
|
|
blowing them apart gently, without comment.
|
|
|
|
--He'll get that advertisement, the professor said, staring through his
|
|
blackrimmed spectacles over the crossblind. Look at the young scamps
|
|
after him.
|
|
|
|
--Show. Where? Lenehan cried, running to the window.
|
|
|
|
A STREET CORTEGE
|
|
|
|
|
|
Both smiled over the crossblind at the file of capering newsboys in Mr
|
|
Bloom's wake, the last zigzagging white on the breeze a mocking kite, a
|
|
tail of white bowknots.
|
|
|
|
--Look at the young guttersnipe behind him hue and cry, Lenehan said,
|
|
and you'll kick. O, my rib risible! Taking off his flat spaugs and the
|
|
walk. Small nines. Steal upon larks.
|
|
|
|
He began to mazurka in swift caricature across the floor on sliding
|
|
feet past the fireplace to J. J. O'Molloy who placed the tissues in his
|
|
receiving hands.
|
|
|
|
--What's that? Myles Crawford said with a start. Where are the other two
|
|
gone?
|
|
|
|
--Who? the professor said, turning. They're gone round to the Oval for a
|
|
drink. Paddy Hooper is there with Jack Hall. Came over last night.
|
|
|
|
--Come on then, Myles Crawford said. Where's my hat?
|
|
|
|
He walked jerkily into the office behind, parting the vent of his
|
|
jacket, jingling his keys in his back pocket. They jingled then in the
|
|
air and against the wood as he locked his desk drawer.
|
|
|
|
--He's pretty well on, professor MacHugh said in a low voice.
|
|
|
|
--Seems to be, J. J. O'Molloy said, taking out a cigarettecase in
|
|
murmuring meditation, but it is not always as it seems. Who has the most
|
|
matches?
|
|
|
|
THE CALUMET OF PEACE
|
|
|
|
|
|
He offered a cigarette to the professor and took one himself. Lenehan
|
|
promptly struck a match for them and lit their cigarettes in turn. J. J.
|
|
O'Molloy opened his case again and offered it.
|
|
|
|
--_Thanky vous_, Lenehan said, helping himself.
|
|
|
|
The editor came from the inner office, a straw hat awry on his brow. He
|
|
declaimed in song, pointing sternly at professor MacHugh:
|
|
|
|
_--'Twas rank and fame that tempted thee, 'Twas empire charmed thy
|
|
heart._
|
|
|
|
The professor grinned, locking his long lips.
|
|
|
|
--Eh? You bloody old Roman empire? Myles Crawford said.
|
|
|
|
He took a cigarette from the open case. Lenehan, lighting it for him
|
|
with quick grace, said:
|
|
|
|
--Silence for my brandnew riddle!
|
|
|
|
--_Imperium romanum_, J. J. O'Molloy said gently. It sounds nobler than
|
|
British or Brixton. The word reminds one somehow of fat in the fire.
|
|
|
|
Myles Crawford blew his first puff violently towards the ceiling.
|
|
|
|
--That's it, he said. We are the fat. You and I are the fat in the fire.
|
|
We haven't got the chance of a snowball in hell.
|
|
|
|
THE GRANDEUR THAT WAS ROME
|
|
|
|
|
|
--Wait a moment, professor MacHugh said, raising two quiet claws. We
|
|
mustn't be led away by words, by sounds of words. We think of Rome,
|
|
imperial, imperious, imperative.
|
|
|
|
He extended elocutionary arms from frayed stained shirtcuffs, pausing:
|
|
|
|
--What was their civilisation? Vast, I allow: but vile. Cloacae: sewers.
|
|
The Jews in the wilderness and on the mountaintop said: _It is meet
|
|
to be here. Let us build an altar to Jehovah_. The Roman, like the
|
|
Englishman who follows in his footsteps, brought to every new shore on
|
|
which he set his foot (on our shore he never set it) only his cloacal
|
|
obsession. He gazed about him in his toga and he said: _It is meet to be
|
|
here. Let us construct a watercloset._
|
|
|
|
--Which they accordingly did do, Lenehan said. Our old ancient
|
|
ancestors, as we read in the first chapter of Guinness's, were partial
|
|
to the running stream.
|
|
|
|
--They were nature's gentlemen, J. J. O'Molloy murmured. But we have
|
|
also Roman law.
|
|
|
|
--And Pontius Pilate is its prophet, professor MacHugh responded.
|
|
|
|
--Do you know that story about chief baron Palles? J. J. O'Molloy asked.
|
|
It was at the royal university dinner. Everything was going swimmingly
|
|
...
|
|
|
|
--First my riddle, Lenehan said. Are you ready?
|
|
|
|
Mr O'Madden Burke, tall in copious grey of Donegal tweed, came in from
|
|
the hallway. Stephen Dedalus, behind him, uncovered as he entered.
|
|
|
|
--_Entrez, mes enfants!_ Lenehan cried.
|
|
|
|
--I escort a suppliant, Mr O'Madden Burke said melodiously. Youth led by
|
|
Experience visits Notoriety.
|
|
|
|
--How do you do? the editor said, holding out a hand. Come in. Your
|
|
governor is just gone.???
|
|
|
|
|
|
Lenehan said to all:
|
|
|
|
--Silence! What opera resembles a railwayline? Reflect, ponder,
|
|
excogitate, reply.
|
|
|
|
Stephen handed over the typed sheets, pointing to the title and
|
|
signature.
|
|
|
|
--Who? the editor asked.
|
|
|
|
Bit torn off.
|
|
|
|
--Mr Garrett Deasy, Stephen said.
|
|
|
|
--That old pelters, the editor said. Who tore it? Was he short taken?
|
|
|
|
_On swift sail flaming
|
|
From storm and south
|
|
He comes, pale vampire,
|
|
Mouth to my mouth._
|
|
|
|
--Good day, Stephen, the professor said, coming to peer over their
|
|
shoulders. Foot and mouth? Are you turned...?
|
|
|
|
Bullockbefriending bard.
|
|
|
|
SHINDY IN WELLKNOWN RESTAURANT
|
|
|
|
|
|
--Good day, sir, Stephen answered blushing. The letter is not mine. Mr
|
|
Garrett Deasy asked me to...
|
|
|
|
--O, I know him, Myles Crawford said, and I knew his wife too. The
|
|
bloodiest old tartar God ever made. By Jesus, she had the foot and mouth
|
|
disease and no mistake! The night she threw the soup in the waiter's
|
|
face in the Star and Garter. Oho!
|
|
|
|
A woman brought sin into the world. For Helen, the runaway wife of
|
|
Menelaus, ten years the Greeks. O'Rourke, prince of Breffni.
|
|
|
|
--Is he a widower? Stephen asked.
|
|
|
|
--Ay, a grass one, Myles Crawford said, his eye running down the
|
|
typescript. Emperor's horses. Habsburg. An Irishman saved his life on
|
|
the ramparts of Vienna. Don't you forget! Maximilian Karl O'Donnell,
|
|
graf von Tirconnell in Ireland. Sent his heir over to make the king
|
|
an Austrian fieldmarshal now. Going to be trouble there one day. Wild
|
|
geese. O yes, every time. Don't you forget that!
|
|
|
|
--The moot point is did he forget it, J. J. O'Molloy said quietly,
|
|
turning a horseshoe paperweight. Saving princes is a thank you job.
|
|
|
|
Professor MacHugh turned on him.
|
|
|
|
--And if not? he said.
|
|
|
|
--I'll tell you how it was, Myles Crawford began. A Hungarian it was one
|
|
day... LOST CAUSES
|
|
|
|
NOBLE MARQUESS MENTIONED
|
|
|
|
|
|
--We were always loyal to lost causes, the professor said. Success for
|
|
us is the death of the intellect and of the imagination. We were never
|
|
loyal to the successful. We serve them. I teach the blatant Latin
|
|
language. I speak the tongue of a race the acme of whose mentality is
|
|
the maxim: time is money. Material domination. _Dominus!_ Lord! Where is
|
|
the spirituality? Lord Jesus? Lord Salisbury? A sofa in a westend club.
|
|
But the Greek!
|
|
|
|
KYRIE ELEISON!
|
|
|
|
|
|
A smile of light brightened his darkrimmed eyes, lengthened his long
|
|
lips.
|
|
|
|
--The Greek! he said again. _Kyrios!_ Shining word! The vowels the
|
|
Semite and the Saxon know not. _Kyrie!_ The radiance of the intellect.
|
|
I ought to profess Greek, the language of the mind. _Kyrie eleison!_ The
|
|
closetmaker and the cloacamaker will never be lords of our spirit. We
|
|
are liege subjects of the catholic chivalry of Europe that foundered at
|
|
Trafalgar and of the empire of the spirit, not an _imperium,_ that
|
|
went under with the Athenian fleets at Aegospotami. Yes, yes. They went
|
|
under. Pyrrhus, misled by an oracle, made a last attempt to retrieve the
|
|
fortunes of Greece. Loyal to a lost cause.
|
|
|
|
He strode away from them towards the window.
|
|
|
|
--They went forth to battle, Mr O'Madden Burke said greyly, but they
|
|
always fell.
|
|
|
|
--Boohoo! Lenehan wept with a little noise. Owing to a brick received in
|
|
the latter half of the _matinee_. Poor, poor, poor Pyrrhus!
|
|
|
|
He whispered then near Stephen's ear:
|
|
|
|
LENEHAN'S LIMERICK
|
|
|
|
|
|
_There's a ponderous pundit MacHugh
|
|
Who wears goggles of ebony hue.
|
|
As he mostly sees double
|
|
To wear them why trouble?
|
|
I can't see the Joe Miller. Can you?_
|
|
|
|
In mourning for Sallust, Mulligan says. Whose mother is beastly dead.
|
|
|
|
Myles Crawford crammed the sheets into a sidepocket.
|
|
|
|
--That'll be all right, he said. I'll read the rest after. That'll be
|
|
all right.
|
|
|
|
Lenehan extended his hands in protest.
|
|
|
|
--But my riddle! he said. What opera is like a railwayline?
|
|
|
|
--Opera? Mr O'Madden Burke's sphinx face reriddled.
|
|
|
|
Lenehan announced gladly:
|
|
|
|
--_The Rose of Castile_. See the wheeze? Rows of cast steel. Gee!
|
|
|
|
He poked Mr O'Madden Burke mildly in the spleen. Mr O'Madden Burke fell
|
|
back with grace on his umbrella, feigning a gasp.
|
|
|
|
--Help! he sighed. I feel a strong weakness.
|
|
|
|
Lenehan, rising to tiptoe, fanned his face rapidly with the rustling
|
|
tissues.
|
|
|
|
The professor, returning by way of the files, swept his hand across
|
|
Stephen's and Mr O'Madden Burke's loose ties.
|
|
|
|
--Paris, past and present, he said. You look like communards.
|
|
|
|
--Like fellows who had blown up the Bastile, J. J. O'Molloy said in
|
|
quiet mockery. Or was it you shot the lord lieutenant of Finland between
|
|
you? You look as though you had done the deed. General Bobrikoff.
|
|
|
|
OMNIUM GATHERUM
|
|
|
|
|
|
--We were only thinking about it, Stephen said.
|
|
|
|
--All the talents, Myles Crawford said. Law, the classics...
|
|
|
|
--The turf, Lenehan put in.
|
|
|
|
--Literature, the press.
|
|
|
|
--If Bloom were here, the professor said. The gentle art of
|
|
advertisement.
|
|
|
|
--And Madam Bloom, Mr O'Madden Burke added. The vocal muse. Dublin's
|
|
prime favourite.
|
|
|
|
Lenehan gave a loud cough.
|
|
|
|
--Ahem! he said very softly. O, for a fresh of breath air! I caught a
|
|
cold in the park. The gate was open.
|
|
|
|
YOU CAN DO IT!
|
|
|
|
|
|
The editor laid a nervous hand on Stephen's shoulder.
|
|
|
|
--I want you to write something for me, he said. Something with a bite
|
|
in it. You can do it. I see it in your face. _In the lexicon of youth_
|
|
...
|
|
|
|
See it in your face. See it in your eye. Lazy idle little schemer.
|
|
|
|
--Foot and mouth disease! the editor cried in scornful invective. Great
|
|
nationalist meeting in Borris-in-Ossory. All balls! Bulldosing the
|
|
public! Give them something with a bite in it. Put us all into it, damn
|
|
its soul. Father, Son and Holy Ghost and Jakes M'Carthy.
|
|
|
|
--We can all supply mental pabulum, Mr O'Madden Burke said.
|
|
|
|
Stephen raised his eyes to the bold unheeding stare.
|
|
|
|
--He wants you for the pressgang, J. J. O'Molloy said.
|
|
|
|
THE GREAT GALLAHER
|
|
|
|
|
|
--You can do it, Myles Crawford repeated, clenching his hand in
|
|
emphasis. Wait a minute. We'll paralyse Europe as Ignatius Gallaher
|
|
used to say when he was on the shaughraun, doing billiardmarking in the
|
|
Clarence. Gallaher, that was a pressman for you. That was a pen. You
|
|
know how he made his mark? I'll tell you. That was the smartest piece of
|
|
journalism ever known. That was in eightyone, sixth of May, time of
|
|
the invincibles, murder in the Phoenix park, before you were born, I
|
|
suppose. I'll show you.
|
|
|
|
He pushed past them to the files.
|
|
|
|
--Look at here, he said turning. The _New York World_ cabled for a
|
|
special. Remember that time?
|
|
|
|
Professor MacHugh nodded.
|
|
|
|
--_New York World_, the editor said, excitedly pushing back his straw
|
|
hat. Where it took place. Tim Kelly, or Kavanagh I mean. Joe Brady and
|
|
the rest of them. Where Skin-the-Goat drove the car. Whole route, see?
|
|
|
|
--Skin-the-Goat, Mr O'Madden Burke said. Fitzharris. He has that
|
|
cabman's shelter, they say, down there at Butt bridge. Holohan told me.
|
|
You know Holohan?
|
|
|
|
--Hop and carry one, is it? Myles Crawford said.
|
|
|
|
--And poor Gumley is down there too, so he told me, minding stones for
|
|
the corporation. A night watchman.
|
|
|
|
Stephen turned in surprise.
|
|
|
|
--Gumley? he said. You don't say so? A friend of my father's, is it?
|
|
|
|
--Never mind Gumley, Myles Crawford cried angrily. Let Gumley mind
|
|
the stones, see they don't run away. Look at here. What did Ignatius
|
|
Gallaher do? I'll tell you. Inspiration of genius. Cabled right away.
|
|
Have you _Weekly Freeman_ of 17 March? Right. Have you got that?
|
|
|
|
He flung back pages of the files and stuck his finger on a point.
|
|
|
|
--Take page four, advertisement for Bransome's coffee, let us say. Have
|
|
you got that? Right.
|
|
|
|
The telephone whirred.
|
|
|
|
A DISTANT VOICE
|
|
|
|
|
|
--I'll answer it, the professor said, going.
|
|
|
|
--B is parkgate. Good.
|
|
|
|
His finger leaped and struck point after point, vibrating.
|
|
|
|
--T is viceregal lodge. C is where murder took place. K is Knockmaroon
|
|
gate.
|
|
|
|
The loose flesh of his neck shook like a cock's wattles. An illstarched
|
|
dicky jutted up and with a rude gesture he thrust it back into his
|
|
waistcoat.
|
|
|
|
--Hello? _Evening Telegraph_ here... Hello?... Who's there?... Yes...
|
|
Yes... Yes.
|
|
|
|
--F to P is the route Skin-the-Goat drove the car for an alibi,
|
|
Inchicore, Roundtown, Windy Arbour, Palmerston Park, Ranelagh. F.A.B.P.
|
|
Got that? X is Davy's publichouse in upper Leeson street.
|
|
|
|
The professor came to the inner door.
|
|
|
|
--Bloom is at the telephone, he said.
|
|
|
|
--Tell him go to hell, the editor said promptly. X is Davy's
|
|
publichouse, see? CLEVER, VERY
|
|
|
|
|
|
--Clever, Lenehan said. Very.
|
|
|
|
--Gave it to them on a hot plate, Myles Crawford said, the whole bloody
|
|
history.
|
|
|
|
Nightmare from which you will never awake.
|
|
|
|
--I saw it, the editor said proudly. I was present. Dick Adams, the
|
|
besthearted bloody Corkman the Lord ever put the breath of life in, and
|
|
myself.
|
|
|
|
Lenehan bowed to a shape of air, announcing:
|
|
|
|
--Madam, I'm Adam. And Able was I ere I saw Elba.
|
|
|
|
--History! Myles Crawford cried. The Old Woman of Prince's street was
|
|
there first. There was weeping and gnashing of teeth over that. Out of
|
|
an advertisement. Gregor Grey made the design for it. That gave him the
|
|
leg up. Then Paddy Hooper worked Tay Pay who took him on to the _Star._
|
|
Now he's got in with Blumenfeld. That's press. That's talent. Pyatt! He
|
|
was all their daddies!
|
|
|
|
--The father of scare journalism, Lenehan confirmed, and the
|
|
brother-in-law of Chris Callinan.
|
|
|
|
--Hello?... Are you there?... Yes, he's here still. Come across
|
|
yourself.
|
|
|
|
--Where do you find a pressman like that now, eh? the editor cried. He
|
|
flung the pages down.
|
|
|
|
--Clamn dever, Lenehan said to Mr O'Madden Burke.
|
|
|
|
--Very smart, Mr O'Madden Burke said.
|
|
|
|
Professor MacHugh came from the inner office.
|
|
|
|
--Talking about the invincibles, he said, did you see that some hawkers
|
|
were up before the recorder?
|
|
|
|
--O yes, J. J. O'Molloy said eagerly. Lady Dudley was walking home
|
|
through the park to see all the trees that were blown down by that
|
|
cyclone last year and thought she'd buy a view of Dublin. And it
|
|
turned out to be a commemoration postcard of Joe Brady or Number One or
|
|
Skin-the-Goat. Right outside the viceregal lodge, imagine!
|
|
|
|
--They're only in the hook and eye department, Myles Crawford said.
|
|
Psha! Press and the bar! Where have you a man now at the bar like those
|
|
fellows, like Whiteside, like Isaac Butt, like silvertongued O'Hagan.
|
|
Eh? Ah, bloody nonsense. Psha! Only in the halfpenny place.
|
|
|
|
His mouth continued to twitch unspeaking in nervous curls of disdain.
|
|
|
|
Would anyone wish that mouth for her kiss? How do you know? Why did you
|
|
write it then?
|
|
|
|
RHYMES AND REASONS
|
|
|
|
|
|
Mouth, south. Is the mouth south someway? Or the south a mouth? Must be
|
|
some. South, pout, out, shout, drouth. Rhymes: two men dressed the same,
|
|
looking the same, two by two.
|
|
|
|
_........................ la tua pace
|
|
.................. che parlar ti piace
|
|
.... mentreche il vento, come fa, si tace._
|
|
|
|
He saw them three by three, approaching girls, in green, in rose, in
|
|
russet, entwining, _per l'aer perso_, in mauve, in purple, _quella
|
|
pacifica oriafiamma_, gold of oriflamme, _di rimirar fe piu ardenti._
|
|
But I old men, penitent, leadenfooted, underdarkneath the night: mouth
|
|
south: tomb womb.
|
|
|
|
--Speak up for yourself, Mr O'Madden Burke said.
|
|
|
|
SUFFICIENT FOR THE DAY...
|
|
|
|
|
|
J. J. O'Molloy, smiling palely, took up the gage.
|
|
|
|
--My dear Myles, he said, flinging his cigarette aside, you put a false
|
|
construction on my words. I hold no brief, as at present advised, for
|
|
the third profession qua profession but your Cork legs are running away
|
|
with you. Why not bring in Henry Grattan and Flood and Demosthenes and
|
|
Edmund Burke? Ignatius Gallaher we all know and his Chapelizod boss,
|
|
Harmsworth of the farthing press, and his American cousin of the Bowery
|
|
guttersheet not to mention _Paddy Kelly's Budget, Pue's Occurrences_
|
|
and our watchful friend _The Skibbereen Eagle_. Why bring in a master
|
|
of forensic eloquence like Whiteside? Sufficient for the day is the
|
|
newspaper thereof. LINKS WITH BYGONE DAYS OF YORE
|
|
|
|
|
|
--Grattan and Flood wrote for this very paper, the editor cried in his
|
|
face. Irish volunteers. Where are you now? Established 1763. Dr Lucas.
|
|
Who have you now like John Philpot Curran? Psha!
|
|
|
|
--Well, J. J. O'Molloy said, Bushe K.C., for example.
|
|
|
|
--Bushe? the editor said. Well, yes: Bushe, yes. He has a strain of it
|
|
in his blood. Kendal Bushe or I mean Seymour Bushe.
|
|
|
|
--He would have been on the bench long ago, the professor said, only for
|
|
... But no matter.
|
|
|
|
J. J. O'Molloy turned to Stephen and said quietly and slowly:
|
|
|
|
--One of the most polished periods I think I ever listened to in my life
|
|
fell from the lips of Seymour Bushe. It was in that case of fratricide,
|
|
the Childs murder case. Bushe defended him. _And in the porches of mine
|
|
ear did pour._
|
|
|
|
|
|
By the way how did he find that out? He died in his sleep. Or the other
|
|
story, beast with two backs?
|
|
|
|
--What was that? the professor asked.
|
|
|
|
ITALIA, MAGISTRA ARTIUM
|
|
|
|
|
|
--He spoke on the law of evidence, J. J. O'Molloy said, of Roman justice
|
|
as contrasted with the earlier Mosaic code, the _lex talionis_. And he
|
|
cited the Moses of Michelangelo in the vatican.
|
|
|
|
--Ha.
|
|
|
|
--A few wellchosen words, Lenehan prefaced. Silence!
|
|
|
|
Pause. J. J. O'Molloy took out his cigarettecase.
|
|
|
|
False lull. Something quite ordinary.
|
|
|
|
Messenger took out his matchbox thoughtfully and lit his cigar.
|
|
|
|
I have often thought since on looking back over that strange time that
|
|
it was that small act, trivial in itself, that striking of that match,
|
|
that determined the whole aftercourse of both our lives. A POLISHED
|
|
PERIOD
|
|
|
|
|
|
J. J. O'Molloy resumed, moulding his words:
|
|
|
|
--He said of it: _that stony effigy in frozen music, horned and
|
|
terrible, of the human form divine, that eternal symbol of wisdom and
|
|
of prophecy which, if aught that the imagination or the hand of sculptor
|
|
has wrought in marble of soultransfigured and of soultransfiguring
|
|
deserves to live, deserves to live._
|
|
|
|
His slim hand with a wave graced echo and fall.
|
|
|
|
--Fine! Myles Crawford said at once.
|
|
|
|
--The divine afflatus, Mr O'Madden Burke said.
|
|
|
|
--You like it? J. J. O'Molloy asked Stephen.
|
|
|
|
Stephen, his blood wooed by grace of language and gesture, blushed. He
|
|
took a cigarette from the case. J. J. O'Molloy offered his case to Myles
|
|
Crawford. Lenehan lit their cigarettes as before and took his trophy,
|
|
saying:
|
|
|
|
--Muchibus thankibus.
|
|
|
|
A MAN OF HIGH MORALE
|
|
|
|
|
|
--Professor Magennis was speaking to me about you, J. J. O'Molloy said
|
|
to Stephen. What do you think really of that hermetic crowd, the opal
|
|
hush poets: A. E. the mastermystic? That Blavatsky woman started it.
|
|
She was a nice old bag of tricks. A. E. has been telling some yankee
|
|
interviewer that you came to him in the small hours of the morning to
|
|
ask him about planes of consciousness. Magennis thinks you must have
|
|
been pulling A. E.'s leg. He is a man of the very highest morale,
|
|
Magennis.
|
|
|
|
Speaking about me. What did he say? What did he say? What did he say
|
|
about me? Don't ask.
|
|
|
|
--No, thanks, professor MacHugh said, waving the cigarettecase aside.
|
|
Wait a moment. Let me say one thing. The finest display of oratory I
|
|
ever heard was a speech made by John F Taylor at the college historical
|
|
society. Mr Justice Fitzgibbon, the present lord justice of appeal, had
|
|
spoken and the paper under debate was an essay (new for those days),
|
|
advocating the revival of the Irish tongue.
|
|
|
|
He turned towards Myles Crawford and said:
|
|
|
|
--You know Gerald Fitzgibbon. Then you can imagine the style of his
|
|
discourse.
|
|
|
|
--He is sitting with Tim Healy, J. J. O'Molloy said, rumour has it, on
|
|
the Trinity college estates commission.
|
|
|
|
--He is sitting with a sweet thing, Myles Crawford said, in a child's
|
|
frock. Go on. Well?
|
|
|
|
--It was the speech, mark you, the professor said, of a finished orator,
|
|
full of courteous haughtiness and pouring in chastened diction I will
|
|
not say the vials of his wrath but pouring the proud man's contumely
|
|
upon the new movement. It was then a new movement. We were weak,
|
|
therefore worthless.
|
|
|
|
He closed his long thin lips an instant but, eager to be on, raised
|
|
an outspanned hand to his spectacles and, with trembling thumb and
|
|
ringfinger touching lightly the black rims, steadied them to a new
|
|
focus.
|
|
|
|
IMPROMPTU
|
|
|
|
|
|
In ferial tone he addressed J. J. O'Molloy:
|
|
|
|
--Taylor had come there, you must know, from a sickbed. That he
|
|
had prepared his speech I do not believe for there was not even one
|
|
shorthandwriter in the hall. His dark lean face had a growth of shaggy
|
|
beard round it. He wore a loose white silk neckcloth and altogether he
|
|
looked (though he was not) a dying man.
|
|
|
|
His gaze turned at once but slowly from J. J. O'Molloy's towards
|
|
Stephen's face and then bent at once to the ground, seeking. His
|
|
unglazed linen collar appeared behind his bent head, soiled by his
|
|
withering hair. Still seeking, he said:
|
|
|
|
--When Fitzgibbon's speech had ended John F Taylor rose to reply.
|
|
Briefly, as well as I can bring them to mind, his words were these.
|
|
|
|
He raised his head firmly. His eyes bethought themselves once more.
|
|
Witless shellfish swam in the gross lenses to and fro, seeking outlet.
|
|
|
|
He began:
|
|
|
|
_--Mr Chairman, ladies and gentlemen: Great was my admiration in
|
|
listening to the remarks addressed to the youth of Ireland a moment
|
|
since by my learned friend. It seemed to me that I had been transported
|
|
into a country far away from this country, into an age remote from
|
|
this age, that I stood in ancient Egypt and that I was listening to the
|
|
speech of some highpriest of that land addressed to the youthful Moses._
|
|
|
|
His listeners held their cigarettes poised to hear, their smokes
|
|
ascending in frail stalks that flowered with his speech. _And let our
|
|
crooked smokes._ Noble words coming. Look out. Could you try your hand
|
|
at it yourself?
|
|
|
|
_--And it seemed to me that I heard the voice of that Egyptian
|
|
highpriest raised in a tone of like haughtiness and like pride. I heard
|
|
his words and their meaning was revealed to me._
|
|
|
|
FROM THE FATHERS
|
|
|
|
|
|
It was revealed to me that those things are good which yet are corrupted
|
|
which neither if they were supremely good nor unless they were good
|
|
could be corrupted. Ah, curse you! That's saint Augustine.
|
|
|
|
_--Why will you jews not accept our culture, our religion and our
|
|
language? You are a tribe of nomad herdsmen: we are a mighty people. You
|
|
have no cities nor no wealth: our cities are hives of humanity and
|
|
our galleys, trireme and quadrireme, laden with all manner merchandise
|
|
furrow the waters of the known globe. You have but emerged from
|
|
primitive conditions: we have a literature, a priesthood, an agelong
|
|
history and a polity._
|
|
|
|
Nile.
|
|
|
|
Child, man, effigy.
|
|
|
|
By the Nilebank the babemaries kneel, cradle of bulrushes: a man supple
|
|
in combat: stonehorned, stonebearded, heart of stone.
|
|
|
|
_--You pray to a local and obscure idol: our temples, majestic and
|
|
mysterious, are the abodes of Isis and Osiris, of Horus and Ammon Ra.
|
|
Yours serfdom, awe and humbleness: ours thunder and the seas. Israel
|
|
is weak and few are her children: Egypt is an host and terrible are her
|
|
arms. Vagrants and daylabourers are you called: the world trembles at
|
|
our name._
|
|
|
|
A dumb belch of hunger cleft his speech. He lifted his voice above it
|
|
boldly:
|
|
|
|
_--But, ladies and gentlemen, had the youthful Moses listened to and
|
|
accepted that view of life, had he bowed his head and bowed his will
|
|
and bowed his spirit before that arrogant admonition he would never have
|
|
brought the chosen people out of their house of bondage, nor followed
|
|
the pillar of the cloud by day. He would never have spoken with the
|
|
Eternal amid lightnings on Sinai's mountaintop nor ever have come down
|
|
with the light of inspiration shining in his countenance and bearing in
|
|
his arms the tables of the law, graven in the language of the outlaw._
|
|
|
|
He ceased and looked at them, enjoying a silence.
|
|
|
|
OMINOUS--FOR HIM!
|
|
|
|
J. J. O'Molloy said not without regret:
|
|
|
|
--And yet he died without having entered the land of promise.
|
|
|
|
--A sudden--at--the--moment--though--from--lingering--illness--often--
|
|
previously--expectorated--demise, Lenehan added. And with a great future
|
|
behind him.
|
|
|
|
The troop of bare feet was heard rushing along the hallway and pattering
|
|
up the staircase.
|
|
|
|
--That is oratory, the professor said uncontradicted. Gone with the
|
|
wind. Hosts at Mullaghmast and Tara of the kings. Miles of ears of
|
|
porches. The tribune's words, howled and scattered to the four winds.
|
|
A people sheltered within his voice. Dead noise. Akasic records of all
|
|
that ever anywhere wherever was. Love and laud him: me no more.
|
|
|
|
I have money.
|
|
|
|
--Gentlemen, Stephen said. As the next motion on the agenda paper may I
|
|
suggest that the house do now adjourn?
|
|
|
|
--You take my breath away. It is not perchance a French compliment?
|
|
Mr O'Madden Burke asked. 'Tis the hour, methinks, when the winejug,
|
|
metaphorically speaking, is most grateful in Ye ancient hostelry.
|
|
|
|
--That it be and hereby is resolutely resolved. All that are in favour
|
|
say ay, Lenehan announced. The contrary no. I declare it carried. To
|
|
which particular boosing shed?... My casting vote is: Mooney's!
|
|
|
|
He led the way, admonishing:
|
|
|
|
--We will sternly refuse to partake of strong waters, will we not? Yes,
|
|
we will not. By no manner of means.
|
|
|
|
Mr O'Madden Burke, following close, said with an ally's lunge of his
|
|
umbrella:
|
|
|
|
--Lay on, Macduff!
|
|
|
|
--Chip of the old block! the editor cried, clapping Stephen on the
|
|
shoulder. Let us go. Where are those blasted keys?
|
|
|
|
He fumbled in his pocket pulling out the crushed typesheets.
|
|
|
|
--Foot and mouth. I know. That'll be all right. That'll go in. Where are
|
|
they? That's all right.
|
|
|
|
He thrust the sheets back and went into the inner office. LET US HOPE
|
|
|
|
|
|
J. J. O'Molloy, about to follow him in, said quietly to Stephen:
|
|
|
|
--I hope you will live to see it published. Myles, one moment.
|
|
|
|
He went into the inner office, closing the door behind him.
|
|
|
|
--Come along, Stephen, the professor said. That is fine, isn't it? It
|
|
has the prophetic vision. _Fuit Ilium!_ The sack of windy Troy. Kingdoms
|
|
of this world. The masters of the Mediterranean are fellaheen today.
|
|
|
|
The first newsboy came pattering down the stairs at their heels and
|
|
rushed out into the street, yelling:
|
|
|
|
--Racing special!
|
|
|
|
Dublin. I have much, much to learn.
|
|
|
|
They turned to the left along Abbey street.
|
|
|
|
--I have a vision too, Stephen said.
|
|
|
|
--Yes? the professor said, skipping to get into step. Crawford will
|
|
follow.
|
|
|
|
Another newsboy shot past them, yelling as he ran:
|
|
|
|
--Racing special!
|
|
|
|
DEAR DIRTY DUBLIN
|
|
|
|
|
|
Dubliners.
|
|
|
|
--Two Dublin vestals, Stephen said, elderly and pious, have lived fifty
|
|
and fiftythree years in Fumbally's lane.
|
|
|
|
--Where is that? the professor asked.
|
|
|
|
--Off Blackpitts, Stephen said.
|
|
|
|
Damp night reeking of hungry dough. Against the wall. Face glistering
|
|
tallow under her fustian shawl. Frantic hearts. Akasic records. Quicker,
|
|
darlint!
|
|
|
|
On now. Dare it. Let there be life.
|
|
|
|
--They want to see the views of Dublin from the top of Nelson's pillar.
|
|
They save up three and tenpence in a red tin letterbox moneybox. They
|
|
shake out the threepenny bits and sixpences and coax out the pennies
|
|
with the blade of a knife. Two and three in silver and one and seven
|
|
in coppers. They put on their bonnets and best clothes and take their
|
|
umbrellas for fear it may come on to rain.
|
|
|
|
--Wise virgins, professor MacHugh said.
|
|
|
|
LIFE ON THE RAW
|
|
|
|
|
|
--They buy one and fourpenceworth of brawn and four slices of panloaf at
|
|
the north city diningrooms in Marlborough street from Miss Kate Collins,
|
|
proprietress... They purchase four and twenty ripe plums from a girl
|
|
at the foot of Nelson's pillar to take off the thirst of the brawn. They
|
|
give two threepenny bits to the gentleman at the turnstile and begin
|
|
to waddle slowly up the winding staircase, grunting, encouraging each
|
|
other, afraid of the dark, panting, one asking the other have you the
|
|
brawn, praising God and the Blessed Virgin, threatening to come down,
|
|
peeping at the airslits. Glory be to God. They had no idea it was that
|
|
high.
|
|
|
|
Their names are Anne Kearns and Florence MacCabe. Anne Kearns has the
|
|
lumbago for which she rubs on Lourdes water, given her by a lady who got
|
|
a bottleful from a passionist father. Florence MacCabe takes a crubeen
|
|
and a bottle of double X for supper every Saturday.
|
|
|
|
--Antithesis, the professor said nodding twice. Vestal virgins. I can
|
|
see them. What's keeping our friend?
|
|
|
|
He turned.
|
|
|
|
A bevy of scampering newsboys rushed down the steps, scattering in all
|
|
directions, yelling, their white papers fluttering. Hard after them
|
|
Myles Crawford appeared on the steps, his hat aureoling his scarlet
|
|
face, talking with J. J. O'Molloy.
|
|
|
|
--Come along, the professor cried, waving his arm.
|
|
|
|
He set off again to walk by Stephen's side. RETURN OF BLOOM
|
|
|
|
|
|
--Yes, he said. I see them.
|
|
|
|
Mr Bloom, breathless, caught in a whirl of wild newsboys near the
|
|
offices of the _Irish Catholic and Dublin Penny Journal_, called:
|
|
|
|
--Mr Crawford! A moment!
|
|
|
|
--_Telegraph_! Racing special!
|
|
|
|
--What is it? Myles Crawford said, falling back a pace.
|
|
|
|
A newsboy cried in Mr Bloom's face:
|
|
|
|
--Terrible tragedy in Rathmines! A child bit by a bellows!
|
|
|
|
INTERVIEW WITH THE EDITOR
|
|
|
|
|
|
--Just this ad, Mr Bloom said, pushing through towards the steps,
|
|
puffing, and taking the cutting from his pocket. I spoke with Mr Keyes
|
|
just now. He'll give a renewal for two months, he says. After he'll
|
|
see. But he wants a par to call attention in the _Telegraph_ too,
|
|
the Saturday pink. And he wants it copied if it's not too late I told
|
|
councillor Nannetti from the _Kilkenny People_. I can have access to
|
|
it in the national library. House of keys, don't you see? His name is
|
|
Keyes. It's a play on the name. But he practically promised he'd give
|
|
the renewal. But he wants just a little puff. What will I tell him, Mr
|
|
Crawford? K.M.A.
|
|
|
|
|
|
--Will you tell him he can kiss my arse? Myles Crawford said throwing
|
|
out his arm for emphasis. Tell him that straight from the stable.
|
|
|
|
A bit nervy. Look out for squalls. All off for a drink. Arm in arm.
|
|
Lenehan's yachting cap on the cadge beyond. Usual blarney. Wonder is
|
|
that young Dedalus the moving spirit. Has a good pair of boots on him
|
|
today. Last time I saw him he had his heels on view. Been walking in
|
|
muck somewhere. Careless chap. What was he doing in Irishtown?
|
|
|
|
--Well, Mr Bloom said, his eyes returning, if I can get the design I
|
|
suppose it's worth a short par. He'd give the ad, I think. I'll tell him
|
|
... K.M.R.I.A.
|
|
|
|
|
|
--He can kiss my royal Irish arse, Myles Crawford cried loudly over his
|
|
shoulder. Any time he likes, tell him.
|
|
|
|
While Mr Bloom stood weighing the point and about to smile he strode on
|
|
jerkily.
|
|
|
|
RAISING THE WIND
|
|
|
|
|
|
--_Nulla bona_, Jack, he said, raising his hand to his chin. I'm up to
|
|
here. I've been through the hoop myself. I was looking for a fellow to
|
|
back a bill for me no later than last week. Sorry, Jack. You must take
|
|
the will for the deed. With a heart and a half if I could raise the wind
|
|
anyhow.
|
|
|
|
J. J. O'Molloy pulled a long face and walked on silently. They caught up
|
|
on the others and walked abreast.
|
|
|
|
--When they have eaten the brawn and the bread and wiped their twenty
|
|
fingers in the paper the bread was wrapped in they go nearer to the
|
|
railings.
|
|
|
|
--Something for you, the professor explained to Myles Crawford. Two old
|
|
Dublin women on the top of Nelson's pillar.
|
|
|
|
SOME COLUMN!--THAT'S WHAT WADDLER ONE SAID
|
|
|
|
|
|
--That's new, Myles Crawford said. That's copy. Out for the waxies
|
|
Dargle. Two old trickies, what?
|
|
|
|
--But they are afraid the pillar will fall, Stephen went on. They see
|
|
the roofs and argue about where the different churches are: Rathmines'
|
|
blue dome, Adam and Eve's, saint Laurence O'Toole's. But it makes them
|
|
giddy to look so they pull up their skirts...
|
|
|
|
THOSE SLIGHTLY RAMBUNCTIOUS FEMALES
|
|
|
|
|
|
--Easy all, Myles Crawford said. No poetic licence. We're in the
|
|
archdiocese here.
|
|
|
|
--And settle down on their striped petticoats, peering up at the statue
|
|
of the onehandled adulterer.
|
|
|
|
--Onehandled adulterer! the professor cried. I like that. I see the
|
|
idea. I see what you mean.
|
|
|
|
DAMES DONATE DUBLIN'S CITS SPEEDPILLS VELOCITOUS AEROLITHS, BELIEF
|
|
|
|
|
|
--It gives them a crick in their necks, Stephen said, and they are too
|
|
tired to look up or down or to speak. They put the bag of plums between
|
|
them and eat the plums out of it, one after another, wiping off with
|
|
their handkerchiefs the plumjuice that dribbles out of their mouths and
|
|
spitting the plumstones slowly out between the railings.
|
|
|
|
He gave a sudden loud young laugh as a close. Lenehan and Mr O'Madden
|
|
Burke, hearing, turned, beckoned and led on across towards Mooney's.
|
|
|
|
--Finished? Myles Crawford said. So long as they do no worse.
|
|
|
|
SOPHIST WALLOPS HAUGHTY HELEN SQUARE ON PROBOSCIS. SPARTANS GNASH
|
|
MOLARS. ITHACANS VOW PEN IS CHAMP.
|
|
|
|
|
|
--You remind me of Antisthenes, the professor said, a disciple of
|
|
Gorgias, the sophist. It is said of him that none could tell if he were
|
|
bitterer against others or against himself. He was the son of a noble
|
|
and a bondwoman. And he wrote a book in which he took away the palm of
|
|
beauty from Argive Helen and handed it to poor Penelope.
|
|
|
|
Poor Penelope. Penelope Rich.
|
|
|
|
They made ready to cross O'Connell street.
|
|
|
|
HELLO THERE, CENTRAL!
|
|
|
|
|
|
At various points along the eight lines tramcars with motionless
|
|
trolleys stood in their tracks, bound for or from Rathmines,
|
|
Rathfarnham, Blackrock, Kingstown and Dalkey, Sandymount Green, Ringsend
|
|
and Sandymount Tower, Donnybrook, Palmerston Park and Upper Rathmines,
|
|
all still, becalmed in short circuit. Hackney cars, cabs, delivery
|
|
waggons, mailvans, private broughams, aerated mineral water floats with
|
|
rattling crates of bottles, rattled, rolled, horsedrawn, rapidly.
|
|
|
|
WHAT?--AND LIKEWISE--WHERE?
|
|
|
|
|
|
--But what do you call it? Myles Crawford asked. Where did they get the
|
|
plums?
|
|
|
|
VIRGILIAN, SAYS PEDAGOGUE. SOPHOMORE PLUMPS FOR OLD MAN MOSES.
|
|
|
|
|
|
--Call it, wait, the professor said, opening his long lips wide to
|
|
reflect. Call it, let me see. Call it: _deus nobis haec otia fecit._
|
|
|
|
--No, Stephen said. I call it _A Pisgah Sight of Palestine or the
|
|
Parable of The Plums._
|
|
|
|
--I see, the professor said.
|
|
|
|
He laughed richly.
|
|
|
|
--I see, he said again with new pleasure. Moses and the promised land.
|
|
We gave him that idea, he added to J. J. O'Molloy.
|
|
|
|
HORATIO IS CYNOSURE THIS FAIR JUNE DAY
|
|
|
|
|
|
J. J. O'Molloy sent a weary sidelong glance towards the statue and held
|
|
his peace.
|
|
|
|
--I see, the professor said.
|
|
|
|
He halted on sir John Gray's pavement island and peered aloft at Nelson
|
|
through the meshes of his wry smile.
|
|
|
|
DIMINISHED DIGITS PROVE TOO TITILLATING FOR FRISKY FRUMPS. ANNE WIMBLES,
|
|
FLO WANGLES--YET CAN YOU BLAME THEM?
|
|
|
|
|
|
--Onehandled adulterer, he said smiling grimly. That tickles me, I must
|
|
say.
|
|
|
|
--Tickled the old ones too, Myles Crawford said, if the God Almighty's
|
|
truth was known.
|
|
|
|
|
|
Pineapple rock, lemon platt, butter scotch. A sugarsticky girl
|
|
shovelling scoopfuls of creams for a christian brother. Some school
|
|
treat. Bad for their tummies. Lozenge and comfit manufacturer to His
|
|
Majesty the King. God. Save. Our. Sitting on his throne sucking red
|
|
jujubes white.
|
|
|
|
|
|
A sombre Y.M.C.A. young man, watchful among the warm sweet fumes of
|
|
Graham Lemon's, placed a throwaway in a hand of Mr Bloom.
|
|
|
|
Heart to heart talks.
|
|
|
|
Bloo... Me? No.
|
|
|
|
Blood of the Lamb.
|
|
|
|
His slow feet walked him riverward, reading. Are you saved? All are
|
|
washed in the blood of the lamb. God wants blood victim. Birth, hymen,
|
|
martyr, war, foundation of a building, sacrifice, kidney burntoffering,
|
|
druids' altars. Elijah is coming. Dr John Alexander Dowie restorer of
|
|
the church in Zion is coming.
|
|
|
|
_Is coming! Is coming!! Is coming!!! All heartily welcome._ Paying game.
|
|
Torry and Alexander last year. Polygamy. His wife will put the stopper
|
|
on that. Where was that ad some Birmingham firm the luminous crucifix.
|
|
Our Saviour. Wake up in the dead of night and see him on the wall,
|
|
hanging. Pepper's ghost idea. Iron nails ran in.
|
|
|
|
|
|
Phosphorus it must be done with. If you leave a bit of codfish for
|
|
instance. I could see the bluey silver over it. Night I went down to the
|
|
pantry in the kitchen. Don't like all the smells in it waiting to rush
|
|
out. What was it she wanted? The Malaga raisins. Thinking of Spain.
|
|
Before Rudy was born. The phosphorescence, that bluey greeny. Very good
|
|
for the brain.
|
|
|
|
From Butler's monument house corner he glanced along Bachelor's walk.
|
|
Dedalus' daughter there still outside Dillon's auctionrooms. Must be
|
|
selling off some old furniture. Knew her eyes at once from the father.
|
|
Lobbing about waiting for him. Home always breaks up when the mother
|
|
goes. Fifteen children he had. Birth every year almost. That's in their
|
|
theology or the priest won't give the poor woman the confession, the
|
|
absolution. Increase and multiply. Did you ever hear such an idea? Eat
|
|
you out of house and home. No families themselves to feed. Living on the
|
|
fat of the land. Their butteries and larders. I'd like to see them do
|
|
the black fast Yom Kippur. Crossbuns. One meal and a collation for fear
|
|
he'd collapse on the altar. A housekeeper of one of those fellows if you
|
|
could pick it out of her. Never pick it out of her. Like getting l.s.d.
|
|
out of him. Does himself well. No guests. All for number one. Watching
|
|
his water. Bring your own bread and butter. His reverence: mum's the
|
|
word.
|
|
|
|
Good Lord, that poor child's dress is in flitters. Underfed she looks
|
|
too. Potatoes and marge, marge and potatoes. It's after they feel it.
|
|
Proof of the pudding. Undermines the constitution.
|
|
|
|
As he set foot on O'Connell bridge a puffball of smoke plumed up from
|
|
the parapet. Brewery barge with export stout. England. Sea air sours it,
|
|
I heard. Be interesting some day get a pass through Hancock to see the
|
|
brewery. Regular world in itself. Vats of porter wonderful. Rats get in
|
|
too. Drink themselves bloated as big as a collie floating. Dead drunk on
|
|
the porter. Drink till they puke again like christians. Imagine drinking
|
|
that! Rats: vats. Well, of course, if we knew all the things.
|
|
|
|
Looking down he saw flapping strongly, wheeling between the gaunt
|
|
quaywalls, gulls. Rough weather outside. If I threw myself down? Reuben
|
|
J's son must have swallowed a good bellyful of that sewage. One and
|
|
eightpence too much. Hhhhm. It's the droll way he comes out with the
|
|
things. Knows how to tell a story too.
|
|
|
|
They wheeled lower. Looking for grub. Wait.
|
|
|
|
He threw down among them a crumpled paper ball. Elijah thirtytwo feet
|
|
per sec is com. Not a bit. The ball bobbed unheeded on the wake of
|
|
swells, floated under by the bridgepiers. Not such damn fools. Also the
|
|
day I threw that stale cake out of the Erin's King picked it up in the
|
|
wake fifty yards astern. Live by their wits. They wheeled, flapping.
|
|
|
|
_The hungry famished gull
|
|
Flaps o'er the waters dull._
|
|
|
|
That is how poets write, the similar sounds. But then Shakespeare has
|
|
no rhymes: blank verse. The flow of the language it is. The thoughts.
|
|
Solemn.
|
|
|
|
|
|
_Hamlet, I am thy father's spirit
|
|
Doomed for a certain time to walk the earth._
|
|
--Two apples a penny! Two for a penny!
|
|
|
|
|
|
His gaze passed over the glazed apples serried on her stand. Australians
|
|
they must be this time of year. Shiny peels: polishes them up with a rag
|
|
or a handkerchief.
|
|
|
|
Wait. Those poor birds.
|
|
|
|
He halted again and bought from the old applewoman two Banbury cakes for
|
|
a penny and broke the brittle paste and threw its fragments down into
|
|
the Liffey. See that? The gulls swooped silently, two, then all from
|
|
their heights, pouncing on prey. Gone. Every morsel.
|
|
|
|
Aware of their greed and cunning he shook the powdery crumb from his
|
|
hands. They never expected that. Manna. Live on fish, fishy flesh they
|
|
have, all seabirds, gulls, seagoose. Swans from Anna Liffey swim down
|
|
here sometimes to preen themselves. No accounting for tastes. Wonder
|
|
what kind is swanmeat. Robinson Crusoe had to live on them.
|
|
|
|
They wheeled flapping weakly. I'm not going to throw any more. Penny
|
|
quite enough. Lot of thanks I get. Not even a caw. They spread foot and
|
|
mouth disease too. If you cram a turkey say on chestnutmeal it tastes
|
|
like that. Eat pig like pig. But then why is it that saltwater fish are
|
|
not salty? How is that?
|
|
|
|
His eyes sought answer from the river and saw a rowboat rock at anchor
|
|
on the treacly swells lazily its plastered board.
|
|
|
|
_Kino's_ 11/- _Trousers_
|
|
|
|
Good idea that. Wonder if he pays rent to the corporation. How can you
|
|
own water really? It's always flowing in a stream, never the same, which
|
|
in the stream of life we trace. Because life is a stream. All kinds of
|
|
places are good for ads. That quack doctor for the clap used to be stuck
|
|
up in all the greenhouses. Never see it now. Strictly confidential. Dr
|
|
Hy Franks. Didn't cost him a red like Maginni the dancing master self
|
|
advertisement. Got fellows to stick them up or stick them up himself for
|
|
that matter on the q. t. running in to loosen a button. Flybynight.
|
|
Just the place too. POST NO BILLS. POST 110 PILLS. Some chap with a dose
|
|
burning him.
|
|
|
|
If he...?
|
|
|
|
O!
|
|
|
|
Eh?
|
|
|
|
No... No.
|
|
|
|
No, no. I don't believe it. He wouldn't surely?
|
|
|
|
No, no.
|
|
|
|
Mr Bloom moved forward, raising his troubled eyes. Think no more about
|
|
that. After one. Timeball on the ballastoffice is down. Dunsink time.
|
|
Fascinating little book that is of sir Robert Ball's. Parallax. I never
|
|
exactly understood. There's a priest. Could ask him. Par it's Greek:
|
|
parallel, parallax. Met him pike hoses she called it till I told her
|
|
about the transmigration. O rocks!
|
|
|
|
Mr Bloom smiled O rocks at two windows of the ballastoffice. She's right
|
|
after all. Only big words for ordinary things on account of the sound.
|
|
She's not exactly witty. Can be rude too. Blurt out what I was thinking.
|
|
Still, I don't know. She used to say Ben Dollard had a base barreltone
|
|
voice. He has legs like barrels and you'd think he was singing into a
|
|
barrel. Now, isn't that wit. They used to call him big Ben. Not half as
|
|
witty as calling him base barreltone. Appetite like an albatross. Get
|
|
outside of a baron of beef. Powerful man he was at stowing away number
|
|
one Bass. Barrel of Bass. See? It all works out.
|
|
|
|
A procession of whitesmocked sandwichmen marched slowly towards him
|
|
along the gutter, scarlet sashes across their boards. Bargains. Like
|
|
that priest they are this morning: we have sinned: we have suffered. He
|
|
read the scarlet letters on their five tall white hats: H. E. L. Y. S.
|
|
Wisdom Hely's. Y lagging behind drew a chunk of bread from under his
|
|
foreboard, crammed it into his mouth and munched as he walked. Our
|
|
staple food. Three bob a day, walking along the gutters, street after
|
|
street. Just keep skin and bone together, bread and skilly. They are
|
|
not Boyl: no, M Glade's men. Doesn't bring in any business either.
|
|
I suggested to him about a transparent showcart with two smart girls
|
|
sitting inside writing letters, copybooks, envelopes, blottingpaper. I
|
|
bet that would have caught on. Smart girls writing something catch the
|
|
eye at once. Everyone dying to know what she's writing. Get twenty of
|
|
them round you if you stare at nothing. Have a finger in the pie. Women
|
|
too. Curiosity. Pillar of salt. Wouldn't have it of course because he
|
|
didn't think of it himself first. Or the inkbottle I suggested with a
|
|
false stain of black celluloid. His ideas for ads like Plumtree's potted
|
|
under the obituaries, cold meat department. You can't lick 'em. What?
|
|
Our envelopes. Hello, Jones, where are you going? Can't stop, Robinson,
|
|
I am hastening to purchase the only reliable inkeraser _Kansell,_ sold
|
|
by Hely's Ltd, 85 Dame street. Well out of that ruck I am. Devil of a
|
|
job it was collecting accounts of those convents. Tranquilla convent.
|
|
That was a nice nun there, really sweet face. Wimple suited her small
|
|
head. Sister? Sister? I am sure she was crossed in love by her eyes.
|
|
Very hard to bargain with that sort of a woman. I disturbed her at her
|
|
devotions that morning. But glad to communicate with the outside world.
|
|
Our great day, she said. Feast of Our Lady of Mount Carmel. Sweet name
|
|
too: caramel. She knew I, I think she knew by the way she. If she had
|
|
married she would have changed. I suppose they really were short of
|
|
money. Fried everything in the best butter all the same. No lard for
|
|
them. My heart's broke eating dripping. They like buttering themselves
|
|
in and out. Molly tasting it, her veil up. Sister? Pat Claffey, the
|
|
pawnbroker's daughter. It was a nun they say invented barbed wire.
|
|
|
|
He crossed Westmoreland street when apostrophe S had plodded by. Rover
|
|
cycleshop. Those races are on today. How long ago is that? Year Phil
|
|
Gilligan died. We were in Lombard street west. Wait: was in Thom's.
|
|
Got the job in Wisdom Hely's year we married. Six years. Ten years ago:
|
|
ninetyfour he died yes that's right the big fire at Arnott's. Val Dillon
|
|
was lord mayor. The Glencree dinner. Alderman Robert O'Reilly emptying
|
|
the port into his soup before the flag fell. Bobbob lapping it for the
|
|
inner alderman. Couldn't hear what the band played. For what we have
|
|
already received may the Lord make us. Milly was a kiddy then. Molly
|
|
had that elephantgrey dress with the braided frogs. Mantailored with
|
|
selfcovered buttons. She didn't like it because I sprained my ankle
|
|
first day she wore choir picnic at the Sugarloaf. As if that. Old
|
|
Goodwin's tall hat done up with some sticky stuff. Flies' picnic
|
|
too. Never put a dress on her back like it. Fitted her like a glove,
|
|
shoulders and hips. Just beginning to plump it out well. Rabbitpie we
|
|
had that day. People looking after her.
|
|
|
|
Happy. Happier then. Snug little room that was with the red wallpaper.
|
|
Dockrell's, one and ninepence a dozen. Milly's tubbing night. American
|
|
soap I bought: elderflower. Cosy smell of her bathwater. Funny she
|
|
looked soaped all over. Shapely too. Now photography. Poor papa's
|
|
daguerreotype atelier he told me of. Hereditary taste.
|
|
|
|
He walked along the curbstone.
|
|
|
|
Stream of life. What was the name of that priestylooking chap was always
|
|
squinting in when he passed? Weak eyes, woman. Stopped in Citron's saint
|
|
Kevin's parade. Pen something. Pendennis? My memory is getting. Pen
|
|
...? Of course it's years ago. Noise of the trams probably. Well, if he
|
|
couldn't remember the dayfather's name that he sees every day.
|
|
|
|
Bartell d'Arcy was the tenor, just coming out then. Seeing her home
|
|
after practice. Conceited fellow with his waxedup moustache. Gave her
|
|
that song _Winds that blow from the south_.
|
|
|
|
Windy night that was I went to fetch her there was that lodge meeting on
|
|
about those lottery tickets after Goodwin's concert in the supperroom or
|
|
oakroom of the Mansion house. He and I behind. Sheet of her music blew
|
|
out of my hand against the High school railings. Lucky it didn't.
|
|
Thing like that spoils the effect of a night for her. Professor Goodwin
|
|
linking her in front. Shaky on his pins, poor old sot. His farewell
|
|
concerts. Positively last appearance on any stage. May be for months and
|
|
may be for never. Remember her laughing at the wind, her blizzard collar
|
|
up. Corner of Harcourt road remember that gust. Brrfoo! Blew up all her
|
|
skirts and her boa nearly smothered old Goodwin. She did get flushed
|
|
in the wind. Remember when we got home raking up the fire and frying up
|
|
those pieces of lap of mutton for her supper with the Chutney sauce she
|
|
liked. And the mulled rum. Could see her in the bedroom from the hearth
|
|
unclamping the busk of her stays: white.
|
|
|
|
Swish and soft flop her stays made on the bed. Always warm from her.
|
|
Always liked to let her self out. Sitting there after till near two
|
|
taking out her hairpins. Milly tucked up in beddyhouse. Happy. Happy.
|
|
That was the night...
|
|
|
|
--O, Mr Bloom, how do you do?
|
|
|
|
--O, how do you do, Mrs Breen?
|
|
|
|
--No use complaining. How is Molly those times? Haven't seen her for
|
|
ages.
|
|
|
|
--In the pink, Mr Bloom said gaily. Milly has a position down in
|
|
Mullingar, you know.
|
|
|
|
--Go away! Isn't that grand for her?
|
|
|
|
--Yes. In a photographer's there. Getting on like a house on fire. How
|
|
are all your charges?
|
|
|
|
--All on the baker's list, Mrs Breen said.
|
|
|
|
How many has she? No other in sight.
|
|
|
|
--You're in black, I see. You have no...
|
|
|
|
--No, Mr Bloom said. I have just come from a funeral.
|
|
|
|
Going to crop up all day, I foresee. Who's dead, when and what did he
|
|
die of? Turn up like a bad penny.
|
|
|
|
--O, dear me, Mrs Breen said. I hope it wasn't any near relation.
|
|
|
|
May as well get her sympathy.
|
|
|
|
--Dignam, Mr Bloom said. An old friend of mine. He died quite suddenly,
|
|
poor fellow. Heart trouble, I believe. Funeral was this morning.
|
|
|
|
_Your funeral's tomorrow While you're coming through the rye.
|
|
Diddlediddle dumdum Diddlediddle..._
|
|
|
|
--Sad to lose the old friends, Mrs Breen's womaneyes said melancholily.
|
|
|
|
Now that's quite enough about that. Just: quietly: husband.
|
|
|
|
--And your lord and master?
|
|
|
|
Mrs Breen turned up her two large eyes. Hasn't lost them anyhow.
|
|
|
|
--O, don't be talking! she said. He's a caution to rattlesnakes. He's
|
|
in there now with his lawbooks finding out the law of libel. He has me
|
|
heartscalded. Wait till I show you.
|
|
|
|
Hot mockturtle vapour and steam of newbaked jampuffs rolypoly poured
|
|
out from Harrison's. The heavy noonreek tickled the top of Mr Bloom's
|
|
gullet. Want to make good pastry, butter, best flour, Demerara sugar,
|
|
or they'd taste it with the hot tea. Or is it from her? A barefoot
|
|
arab stood over the grating, breathing in the fumes. Deaden the gnaw of
|
|
hunger that way. Pleasure or pain is it? Penny dinner. Knife and fork
|
|
chained to the table.
|
|
|
|
Opening her handbag, chipped leather. Hatpin: ought to have a guard on
|
|
those things. Stick it in a chap's eye in the tram. Rummaging. Open.
|
|
Money. Please take one. Devils if they lose sixpence. Raise Cain.
|
|
Husband barging. Where's the ten shillings I gave you on Monday? Are
|
|
you feeding your little brother's family? Soiled handkerchief:
|
|
medicinebottle. Pastille that was fell. What is she?...
|
|
|
|
--There must be a new moon out, she said. He's always bad then. Do you
|
|
know what he did last night?
|
|
|
|
Her hand ceased to rummage. Her eyes fixed themselves on him, wide in
|
|
alarm, yet smiling.
|
|
|
|
--What? Mr Bloom asked.
|
|
|
|
Let her speak. Look straight in her eyes. I believe you. Trust me.
|
|
|
|
--Woke me up in the night, she said. Dream he had, a nightmare.
|
|
|
|
Indiges.
|
|
|
|
--Said the ace of spades was walking up the stairs.
|
|
|
|
--The ace of spades! Mr Bloom said.
|
|
|
|
She took a folded postcard from her handbag.
|
|
|
|
--Read that, she said. He got it this morning.
|
|
|
|
--What is it? Mr Bloom asked, taking the card. U.P.?
|
|
|
|
--U.P.: up, she said. Someone taking a rise out of him. It's a great
|
|
shame for them whoever he is.
|
|
|
|
--Indeed it is, Mr Bloom said.
|
|
|
|
She took back the card, sighing.
|
|
|
|
--And now he's going round to Mr Menton's office. He's going to take an
|
|
action for ten thousand pounds, he says.
|
|
|
|
She folded the card into her untidy bag and snapped the catch.
|
|
|
|
Same blue serge dress she had two years ago, the nap bleaching. Seen its
|
|
best days. Wispish hair over her ears. And that dowdy toque: three old
|
|
grapes to take the harm out of it. Shabby genteel. She used to be a
|
|
tasty dresser. Lines round her mouth. Only a year or so older than
|
|
Molly.
|
|
|
|
See the eye that woman gave her, passing. Cruel. The unfair sex.
|
|
|
|
He looked still at her, holding back behind his look his discontent.
|
|
Pungent mockturtle oxtail mulligatawny. I'm hungry too. Flakes of pastry
|
|
on the gusset of her dress: daub of sugary flour stuck to her cheek.
|
|
Rhubarb tart with liberal fillings, rich fruit interior. Josie Powell
|
|
that was. In Luke Doyle's long ago. Dolphin's Barn, the charades. U.P.:
|
|
up.
|
|
|
|
Change the subject.
|
|
|
|
--Do you ever see anything of Mrs Beaufoy? Mr Bloom asked.
|
|
|
|
--Mina Purefoy? she said.
|
|
|
|
Philip Beaufoy I was thinking. Playgoers' Club. Matcham often thinks of
|
|
the masterstroke. Did I pull the chain? Yes. The last act.
|
|
|
|
--Yes.
|
|
|
|
--I just called to ask on the way in is she over it. She's in the
|
|
lying-in hospital in Holles street. Dr Horne got her in. She's three
|
|
days bad now.
|
|
|
|
--O, Mr Bloom said. I'm sorry to hear that.
|
|
|
|
--Yes, Mrs Breen said. And a houseful of kids at home. It's a very stiff
|
|
birth, the nurse told me.
|
|
|
|
---O, Mr Bloom said.
|
|
|
|
His heavy pitying gaze absorbed her news. His tongue clacked in
|
|
compassion. Dth! Dth!
|
|
|
|
--I'm sorry to hear that, he said. Poor thing! Three days! That's
|
|
terrible for her.
|
|
|
|
Mrs Breen nodded.
|
|
|
|
--She was taken bad on the Tuesday...
|
|
|
|
Mr Bloom touched her funnybone gently, warning her:
|
|
|
|
--Mind! Let this man pass.
|
|
|
|
A bony form strode along the curbstone from the river staring with a
|
|
rapt gaze into the sunlight through a heavystringed glass. Tight as a
|
|
skullpiece a tiny hat gripped his head. From his arm a folded dustcoat,
|
|
a stick and an umbrella dangled to his stride.
|
|
|
|
--Watch him, Mr Bloom said. He always walks outside the lampposts.
|
|
Watch!
|
|
|
|
--Who is he if it's a fair question? Mrs Breen asked. Is he dotty?
|
|
|
|
--His name is Cashel Boyle O'Connor Fitzmaurice Tisdall Farrell, Mr
|
|
Bloom said smiling. Watch!
|
|
|
|
--He has enough of them, she said. Denis will be like that one of these
|
|
days.
|
|
|
|
She broke off suddenly.
|
|
|
|
--There he is, she said. I must go after him. Goodbye. Remember me to
|
|
Molly, won't you?
|
|
|
|
--I will, Mr Bloom said.
|
|
|
|
He watched her dodge through passers towards the shopfronts. Denis Breen
|
|
in skimpy frockcoat and blue canvas shoes shuffled out of Harrison's
|
|
hugging two heavy tomes to his ribs. Blown in from the bay. Like old
|
|
times. He suffered her to overtake him without surprise and thrust
|
|
his dull grey beard towards her, his loose jaw wagging as he spoke
|
|
earnestly.
|
|
|
|
Meshuggah. Off his chump.
|
|
|
|
Mr Bloom walked on again easily, seeing ahead of him in sunlight the
|
|
tight skullpiece, the dangling stickumbrelladustcoat. Going the two
|
|
days. Watch him! Out he goes again. One way of getting on in the world.
|
|
And that other old mosey lunatic in those duds. Hard time she must have
|
|
with him.
|
|
|
|
U.P.: up. I'll take my oath that's Alf Bergan or Richie Goulding. Wrote
|
|
it for a lark in the Scotch house I bet anything. Round to Menton's
|
|
office. His oyster eyes staring at the postcard. Be a feast for the
|
|
gods.
|
|
|
|
He passed the _Irish Times_. There might be other answers Iying there.
|
|
Like to answer them all. Good system for criminals. Code. At their lunch
|
|
now. Clerk with the glasses there doesn't know me. O, leave them there
|
|
to simmer. Enough bother wading through fortyfour of them. Wanted, smart
|
|
lady typist to aid gentleman in literary work. I called you naughty
|
|
darling because I do not like that other world. Please tell me what is
|
|
the meaning. Please tell me what perfume does your wife. Tell me who
|
|
made the world. The way they spring those questions on you. And the
|
|
other one Lizzie Twigg. My literary efforts have had the good fortune to
|
|
meet with the approval of the eminent poet A. E. (Mr Geo. Russell). No
|
|
time to do her hair drinking sloppy tea with a book of poetry.
|
|
|
|
Best paper by long chalks for a small ad. Got the provinces now. Cook
|
|
and general, exc. cuisine, housemaid kept. Wanted live man for spirit
|
|
counter. Resp. girl (R.C.) wishes to hear of post in fruit or pork shop.
|
|
James Carlisle made that. Six and a half per cent dividend. Made a big
|
|
deal on Coates's shares. Ca' canny. Cunning old Scotch hunks. All the
|
|
toady news. Our gracious and popular vicereine. Bought the _Irish Field_
|
|
now. Lady Mountcashel has quite recovered after her confinement and
|
|
rode out with the Ward Union staghounds at the enlargement yesterday
|
|
at Rathoath. Uneatable fox. Pothunters too. Fear injects juices make
|
|
it tender enough for them. Riding astride. Sit her horse like a man.
|
|
Weightcarrying huntress. No sidesaddle or pillion for her, not for Joe.
|
|
First to the meet and in at the death. Strong as a brood mare some of
|
|
those horsey women. Swagger around livery stables. Toss off a glass
|
|
of brandy neat while you'd say knife. That one at the Grosvenor this
|
|
morning. Up with her on the car: wishswish. Stonewall or fivebarred gate
|
|
put her mount to it. Think that pugnosed driver did it out of spite. Who
|
|
is this she was like? O yes! Mrs Miriam Dandrade that sold me her old
|
|
wraps and black underclothes in the Shelbourne hotel. Divorced Spanish
|
|
American. Didn't take a feather out of her my handling them. As if I was
|
|
her clotheshorse. Saw her in the viceregal party when Stubbs the park
|
|
ranger got me in with Whelan of the _Express._ Scavenging what the
|
|
quality left. High tea. Mayonnaise I poured on the plums thinking it was
|
|
custard. Her ears ought to have tingled for a few weeks after. Want to
|
|
be a bull for her. Born courtesan. No nursery work for her, thanks.
|
|
|
|
Poor Mrs Purefoy! Methodist husband. Method in his madness. Saffron bun
|
|
and milk and soda lunch in the educational dairy. Y. M. C. A. Eating
|
|
with a stopwatch, thirtytwo chews to the minute. And still his
|
|
muttonchop whiskers grew. Supposed to be well connected. Theodore's
|
|
cousin in Dublin Castle. One tony relative in every family. Hardy
|
|
annuals he presents her with. Saw him out at the Three Jolly Topers
|
|
marching along bareheaded and his eldest boy carrying one in a
|
|
marketnet. The squallers. Poor thing! Then having to give the breast
|
|
year after year all hours of the night. Selfish those t.t's are. Dog in
|
|
the manger. Only one lump of sugar in my tea, if you please.
|
|
|
|
He stood at Fleet street crossing. Luncheon interval. A sixpenny at
|
|
Rowe's? Must look up that ad in the national library. An eightpenny in
|
|
the Burton. Better. On my way.
|
|
|
|
He walked on past Bolton's Westmoreland house. Tea. Tea. Tea. I forgot
|
|
to tap Tom Kernan.
|
|
|
|
Sss. Dth, dth, dth! Three days imagine groaning on a bed with a
|
|
vinegared handkerchief round her forehead, her belly swollen out. Phew!
|
|
Dreadful simply! Child's head too big: forceps. Doubled up inside her
|
|
trying to butt its way out blindly, groping for the way out. Kill me
|
|
that would. Lucky Molly got over hers lightly. They ought to invent
|
|
something to stop that. Life with hard labour. Twilight sleep idea:
|
|
queen Victoria was given that. Nine she had. A good layer. Old
|
|
woman that lived in a shoe she had so many children. Suppose he was
|
|
consumptive. Time someone thought about it instead of gassing about the
|
|
what was it the pensive bosom of the silver effulgence. Flapdoodle to
|
|
feed fools on. They could easily have big establishments whole thing
|
|
quite painless out of all the taxes give every child born five quid at
|
|
compound interest up to twentyone five per cent is a hundred shillings
|
|
and five tiresome pounds multiply by twenty decimal system encourage
|
|
people to put by money save hundred and ten and a bit twentyone years
|
|
want to work it out on paper come to a tidy sum more than you think.
|
|
|
|
Not stillborn of course. They are not even registered. Trouble for
|
|
nothing.
|
|
|
|
Funny sight two of them together, their bellies out. Molly and Mrs
|
|
Moisel. Mothers' meeting. Phthisis retires for the time being, then
|
|
returns. How flat they look all of a sudden after. Peaceful eyes. Weight
|
|
off their mind. Old Mrs Thornton was a jolly old soul. All my babies,
|
|
she said. The spoon of pap in her mouth before she fed them. O, that's
|
|
nyumnyum. Got her hand crushed by old Tom Wall's son. His first bow to
|
|
the public. Head like a prize pumpkin. Snuffy Dr Murren. People knocking
|
|
them up at all hours. For God' sake, doctor. Wife in her throes. Then
|
|
keep them waiting months for their fee. To attendance on your wife. No
|
|
gratitude in people. Humane doctors, most of them.
|
|
|
|
Before the huge high door of the Irish house of parliament a flock of
|
|
pigeons flew. Their little frolic after meals. Who will we do it on? I
|
|
pick the fellow in black. Here goes. Here's good luck. Must be thrilling
|
|
from the air. Apjohn, myself and Owen Goldberg up in the trees near
|
|
Goose green playing the monkeys. Mackerel they called me.
|
|
|
|
A squad of constables debouched from College street, marching in Indian
|
|
file. Goosestep. Foodheated faces, sweating helmets, patting their
|
|
truncheons. After their feed with a good load of fat soup under their
|
|
belts. Policeman's lot is oft a happy one. They split up in groups and
|
|
scattered, saluting, towards their beats. Let out to graze. Best moment
|
|
to attack one in pudding time. A punch in his dinner. A squad of others,
|
|
marching irregularly, rounded Trinity railings making for the station.
|
|
Bound for their troughs. Prepare to receive cavalry. Prepare to receive
|
|
soup.
|
|
|
|
He crossed under Tommy Moore's roguish finger. They did right to put him
|
|
up over a urinal: meeting of the waters. Ought to be places for women.
|
|
Running into cakeshops. Settle my hat straight. _There is not in this
|
|
wide world a vallee_. Great song of Julia Morkan's. Kept her voice up to
|
|
the very last. Pupil of Michael Balfe's, wasn't she?
|
|
|
|
He gazed after the last broad tunic. Nasty customers to tackle. Jack
|
|
Power could a tale unfold: father a G man. If a fellow gave them trouble
|
|
being lagged they let him have it hot and heavy in the bridewell.
|
|
Can't blame them after all with the job they have especially the young
|
|
hornies. That horsepoliceman the day Joe Chamberlain was given his
|
|
degree in Trinity he got a run for his money. My word he did! His
|
|
horse's hoofs clattering after us down Abbey street. Lucky I had the
|
|
presence of mind to dive into Manning's or I was souped. He did come a
|
|
wallop, by George. Must have cracked his skull on the cobblestones. I
|
|
oughtn't to have got myself swept along with those medicals. And the
|
|
Trinity jibs in their mortarboards. Looking for trouble. Still I got to
|
|
know that young Dixon who dressed that sting for me in the Mater and now
|
|
he's in Holles street where Mrs Purefoy. Wheels within wheels. Police
|
|
whistle in my ears still. All skedaddled. Why he fixed on me. Give me in
|
|
charge. Right here it began.
|
|
|
|
--Up the Boers!
|
|
|
|
--Three cheers for De Wet!
|
|
|
|
--We'll hang Joe Chamberlain on a sourapple tree.
|
|
|
|
Silly billies: mob of young cubs yelling their guts out. Vinegar hill.
|
|
The Butter exchange band. Few years' time half of them magistrates and
|
|
civil servants. War comes on: into the army helterskelter: same fellows
|
|
used to. Whether on the scaffold high.
|
|
|
|
Never know who you're talking to. Corny Kelleher he has Harvey Duff in
|
|
his eye. Like that Peter or Denis or James Carey that blew the gaff on
|
|
the invincibles. Member of the corporation too. Egging raw youths on to
|
|
get in the know all the time drawing secret service pay from the castle.
|
|
Drop him like a hot potato. Why those plainclothes men are always
|
|
courting slaveys. Easily twig a man used to uniform. Squarepushing up
|
|
against a backdoor. Maul her a bit. Then the next thing on the menu. And
|
|
who is the gentleman does be visiting there? Was the young master saying
|
|
anything? Peeping Tom through the keyhole. Decoy duck. Hotblooded young
|
|
student fooling round her fat arms ironing.
|
|
|
|
--Are those yours, Mary?
|
|
|
|
--I don't wear such things... Stop or I'll tell the missus on you. Out
|
|
half the night.
|
|
|
|
--There are great times coming, Mary. Wait till you see.
|
|
|
|
--Ah, gelong with your great times coming.
|
|
|
|
Barmaids too. Tobaccoshopgirls.
|
|
|
|
James Stephens' idea was the best. He knew them. Circles of ten so that
|
|
a fellow couldn't round on more than his own ring. Sinn Fein. Back out
|
|
you get the knife. Hidden hand. Stay in. The firing squad. Turnkey's
|
|
daughter got him out of Richmond, off from Lusk. Putting up in the
|
|
Buckingham Palace hotel under their very noses. Garibaldi.
|
|
|
|
You must have a certain fascination: Parnell. Arthur Griffith is a
|
|
squareheaded fellow but he has no go in him for the mob. Or gas about
|
|
our lovely land. Gammon and spinach. Dublin Bakery Company's tearoom.
|
|
Debating societies. That republicanism is the best form of government.
|
|
That the language question should take precedence of the economic
|
|
question. Have your daughters inveigling them to your house. Stuff them
|
|
up with meat and drink. Michaelmas goose. Here's a good lump of thyme
|
|
seasoning under the apron for you. Have another quart of goosegrease
|
|
before it gets too cold. Halffed enthusiasts. Penny roll and a walk with
|
|
the band. No grace for the carver. The thought that the other chap pays
|
|
best sauce in the world. Make themselves thoroughly at home. Show us
|
|
over those apricots, meaning peaches. The not far distant day. Homerule
|
|
sun rising up in the northwest.
|
|
|
|
His smile faded as he walked, a heavy cloud hiding the sun slowly,
|
|
shadowing Trinity's surly front. Trams passed one another, ingoing,
|
|
outgoing, clanging. Useless words. Things go on same, day after day:
|
|
squads of police marching out, back: trams in, out. Those two loonies
|
|
mooching about. Dignam carted off. Mina Purefoy swollen belly on a
|
|
bed groaning to have a child tugged out of her. One born every second
|
|
somewhere. Other dying every second. Since I fed the birds five minutes.
|
|
Three hundred kicked the bucket. Other three hundred born, washing the
|
|
blood off, all are washed in the blood of the lamb, bawling maaaaaa.
|
|
|
|
Cityful passing away, other cityful coming, passing away too: other
|
|
coming on, passing on. Houses, lines of houses, streets, miles of
|
|
pavements, piledup bricks, stones. Changing hands. This owner, that.
|
|
Landlord never dies they say. Other steps into his shoes when he gets
|
|
his notice to quit. They buy the place up with gold and still they have
|
|
all the gold. Swindle in it somewhere. Piled up in cities, worn away age
|
|
after age. Pyramids in sand. Built on bread and onions. Slaves Chinese
|
|
wall. Babylon. Big stones left. Round towers. Rest rubble, sprawling
|
|
suburbs, jerrybuilt. Kerwan's mushroom houses built of breeze. Shelter,
|
|
for the night.
|
|
|
|
No-one is anything.
|
|
|
|
This is the very worst hour of the day. Vitality. Dull, gloomy: hate
|
|
this hour. Feel as if I had been eaten and spewed.
|
|
|
|
Provost's house. The reverend Dr Salmon: tinned salmon. Well tinned in
|
|
there. Like a mortuary chapel. Wouldn't live in it if they paid me. Hope
|
|
they have liver and bacon today. Nature abhors a vacuum.
|
|
|
|
The sun freed itself slowly and lit glints of light among the silverware
|
|
opposite in Walter Sexton's window by which John Howard Parnell passed,
|
|
unseeing.
|
|
|
|
There he is: the brother. Image of him. Haunting face. Now that's a
|
|
coincidence. Course hundreds of times you think of a person and don't
|
|
meet him. Like a man walking in his sleep. No-one knows him. Must be a
|
|
corporation meeting today. They say he never put on the city marshal's
|
|
uniform since he got the job. Charley Kavanagh used to come out on
|
|
his high horse, cocked hat, puffed, powdered and shaved. Look at the
|
|
woebegone walk of him. Eaten a bad egg. Poached eyes on ghost. I have a
|
|
pain. Great man's brother: his brother's brother. He'd look nice on the
|
|
city charger. Drop into the D.B.C. probably for his coffee, play chess
|
|
there. His brother used men as pawns. Let them all go to pot. Afraid to
|
|
pass a remark on him. Freeze them up with that eye of his. That's the
|
|
fascination: the name. All a bit touched. Mad Fanny and his other sister
|
|
Mrs Dickinson driving about with scarlet harness. Bolt upright lik
|
|
surgeon M'Ardle. Still David Sheehy beat him for south Meath. Apply
|
|
for the Chiltern Hundreds and retire into public life. The patriot's
|
|
banquet. Eating orangepeels in the park. Simon Dedalus said when they
|
|
put him in parliament that Parnell would come back from the grave and
|
|
lead him out of the house of commons by the arm.
|
|
|
|
--Of the twoheaded octopus, one of whose heads is the head upon which
|
|
the ends of the world have forgotten to come while the other speaks with
|
|
a Scotch accent. The tentacles...
|
|
|
|
They passed from behind Mr Bloom along the curbstone. Beard and bicycle.
|
|
Young woman.
|
|
|
|
And there he is too. Now that's really a coincidence: second time.
|
|
Coming events cast their shadows before. With the approval of the
|
|
eminent poet, Mr Geo. Russell. That might be Lizzie Twigg with him. A.
|
|
E.: what does that mean? Initials perhaps. Albert Edward, Arthur Edmund,
|
|
Alphonsus Eb Ed El Esquire. What was he saying? The ends of the world
|
|
with a Scotch accent. Tentacles: octopus. Something occult: symbolism.
|
|
Holding forth. She's taking it all in. Not saying a word. To aid
|
|
gentleman in literary work.
|
|
|
|
His eyes followed the high figure in homespun, beard and bicycle,
|
|
a listening woman at his side. Coming from the vegetarian. Only
|
|
weggebobbles and fruit. Don't eat a beefsteak. If you do the eyes of
|
|
that cow will pursue you through all eternity. They say it's healthier.
|
|
Windandwatery though. Tried it. Keep you on the run all day. Bad as
|
|
a bloater. Dreams all night. Why do they call that thing they gave me
|
|
nutsteak? Nutarians. Fruitarians. To give you the idea you are eating
|
|
rumpsteak. Absurd. Salty too. They cook in soda. Keep you sitting by the
|
|
tap all night.
|
|
|
|
Her stockings are loose over her ankles. I detest that: so tasteless.
|
|
Those literary etherial people they are all. Dreamy, cloudy,
|
|
symbolistic. Esthetes they are. I wouldn't be surprised if it was that
|
|
kind of food you see produces the like waves of the brain the poetical.
|
|
For example one of those policemen sweating Irish stew into their shirts
|
|
you couldn't squeeze a line of poetry out of him. Don't know what poetry
|
|
is even. Must be in a certain mood.
|
|
|
|
_The dreamy cloudy gull
|
|
Waves o'er the waters dull._
|
|
|
|
He crossed at Nassau street corner and stood before the window of Yeates
|
|
and Son, pricing the fieldglasses. Or will I drop into old Harris's and
|
|
have a chat with young Sinclair? Wellmannered fellow. Probably at his
|
|
lunch. Must get those old glasses of mine set right. Goerz lenses six
|
|
guineas. Germans making their way everywhere. Sell on easy terms to
|
|
capture trade. Undercutting. Might chance on a pair in the railway lost
|
|
property office. Astonishing the things people leave behind them in
|
|
trains and cloakrooms. What do they be thinking about? Women too.
|
|
Incredible. Last year travelling to Ennis had to pick up that farmer's
|
|
daughter's ba and hand it to her at Limerick junction. Unclaimed money
|
|
too. There's a little watch up there on the roof of the bank to test
|
|
those glasses by.
|
|
|
|
|
|
His lids came down on the lower rims of his irides. Can't see it. If you
|
|
imagine it's there you can almost see it. Can't see it.
|
|
|
|
He faced about and, standing between the awnings, held out his right
|
|
hand at arm's length towards the sun. Wanted to try that often. Yes:
|
|
completely. The tip of his little finger blotted out the sun's disk.
|
|
Must be the focus where the rays cross. If I had black glasses.
|
|
Interesting. There was a lot of talk about those sunspots when we
|
|
were in Lombard street west. Looking up from the back garden. Terrific
|
|
explosions they are. There will be a total eclipse this year: autumn
|
|
some time.
|
|
|
|
Now that I come to think of it that ball falls at Greenwich time. It's
|
|
the clock is worked by an electric wire from Dunsink. Must go out there
|
|
some first Saturday of the month. If I could get an introduction to
|
|
professor Joly or learn up something about his family. That would do to:
|
|
man always feels complimented. Flattery where least expected. Nobleman
|
|
proud to be descended from some king's mistress. His foremother. Lay it
|
|
on with a trowel. Cap in hand goes through the land. Not go in and blurt
|
|
out what you know you're not to: what's parallax? Show this gentleman
|
|
the door.
|
|
|
|
Ah.
|
|
|
|
His hand fell to his side again.
|
|
|
|
Never know anything about it. Waste of time. Gasballs spinning about,
|
|
crossing each other, passing. Same old dingdong always. Gas: then solid:
|
|
then world: then cold: then dead shell drifting around, frozen rock,
|
|
like that pineapple rock. The moon. Must be a new moon out, she said. I
|
|
believe there is.
|
|
|
|
He went on by la maison Claire.
|
|
|
|
Wait. The full moon was the night we were Sunday fortnight exactly there
|
|
is a new moon. Walking down by the Tolka. Not bad for a Fairview moon.
|
|
She was humming. The young May moon she's beaming, love. He other side
|
|
of her. Elbow, arm. He. Glowworm's la-amp is gleaming, love. Touch.
|
|
Fingers. Asking. Answer. Yes.
|
|
|
|
Stop. Stop. If it was it was. Must.
|
|
|
|
Mr Bloom, quickbreathing, slowlier walking passed Adam court.
|
|
|
|
With a keep quiet relief his eyes took note this is the street here
|
|
middle of the day of Bob Doran's bottle shoulders. On his annual bend,
|
|
M Coy said. They drink in order to say or do something or _cherchez la
|
|
femme_. Up in the Coombe with chummies and streetwalkers and then the
|
|
rest of the year sober as a judge.
|
|
|
|
Yes. Thought so. Sloping into the Empire. Gone. Plain soda would do him
|
|
good. Where Pat Kinsella had his Harp theatre before Whitbred ran the
|
|
Queen's. Broth of a boy. Dion Boucicault business with his harvestmoon
|
|
face in a poky bonnet. Three Purty Maids from School. How time flies,
|
|
eh? Showing long red pantaloons under his skirts. Drinkers, drinking,
|
|
laughed spluttering, their drink against their breath. More power, Pat.
|
|
Coarse red: fun for drunkards: guffaw and smoke. Take off that white
|
|
hat. His parboiled eyes. Where is he now? Beggar somewhere. The harp
|
|
that once did starve us all.
|
|
|
|
I was happier then. Or was that I? Or am I now I? Twentyeight I was. She
|
|
twentythree. When we left Lombard street west something changed. Could
|
|
never like it again after Rudy. Can't bring back time. Like holding
|
|
water in your hand. Would you go back to then? Just beginning then.
|
|
Would you? Are you not happy in your home you poor little naughty boy?
|
|
Wants to sew on buttons for me. I must answer. Write it in the library.
|
|
|
|
Grafton street gay with housed awnings lured his senses. Muslin prints,
|
|
silkdames and dowagers, jingle of harnesses, hoofthuds lowringing in the
|
|
baking causeway. Thick feet that woman has in the white stockings. Hope
|
|
the rain mucks them up on her. Countrybred chawbacon. All the beef to
|
|
the heels were in. Always gives a woman clumsy feet. Molly looks out of
|
|
plumb.
|
|
|
|
He passed, dallying, the windows of Brown Thomas, silk mercers. Cascades
|
|
of ribbons. Flimsy China silks. A tilted urn poured from its mouth a
|
|
flood of bloodhued poplin: lustrous blood. The huguenots brought that
|
|
here. _La causa e santa_! Tara tara. Great chorus that. Taree tara. Must
|
|
be washed in rainwater. Meyerbeer. Tara: bom bom bom.
|
|
|
|
Pincushions. I'm a long time threatening to buy one. Sticking them all
|
|
over the place. Needles in window curtains.
|
|
|
|
He bared slightly his left forearm. Scrape: nearly gone. Not today
|
|
anyhow. Must go back for that lotion. For her birthday perhaps.
|
|
Junejulyaugseptember eighth. Nearly three months off. Then she mightn't
|
|
like it. Women won't pick up pins. Say it cuts lo.
|
|
|
|
Gleaming silks, petticoats on slim brass rails, rays of flat silk
|
|
stockings.
|
|
|
|
Useless to go back. Had to be. Tell me all.
|
|
|
|
High voices. Sunwarm silk. Jingling harnesses. All for a woman, home and
|
|
houses, silkwebs, silver, rich fruits spicy from Jaffa. Agendath Netaim.
|
|
Wealth of the world.
|
|
|
|
A warm human plumpness settled down on his brain. His brain yielded.
|
|
Perfume of embraces all him assailed. With hungered flesh obscurely, he
|
|
mutely craved to adore.
|
|
|
|
Duke street. Here we are. Must eat. The Burton. Feel better then.
|
|
|
|
He turned Combridge's corner, still pursued. Jingling, hoofthuds.
|
|
Perfumed bodies, warm, full. All kissed, yielded: in deep summer fields,
|
|
tangled pressed grass, in trickling hallways of tenements, along sofas,
|
|
creaking beds.
|
|
|
|
--Jack, love!
|
|
|
|
--Darling!
|
|
|
|
--Kiss me, Reggy!
|
|
|
|
--My boy!
|
|
|
|
--Love!
|
|
|
|
His heart astir he pushed in the door of the Burton restaurant. Stink
|
|
gripped his trembling breath: pungent meatjuice, slush of greens. See
|
|
the animals feed.
|
|
|
|
Men, men, men.
|
|
|
|
Perched on high stools by the bar, hats shoved back, at the tables
|
|
calling for more bread no charge, swilling, wolfing gobfuls of sloppy
|
|
food, their eyes bulging, wiping wetted moustaches. A pallid suetfaced
|
|
young man polished his tumbler knife fork and spoon with his napkin. New
|
|
set of microbes. A man with an infant's saucestained napkin tucked round
|
|
him shovelled gurgling soup down his gullet. A man spitting back on his
|
|
plate: halfmasticated gristle: gums: no teeth to chewchewchew it. Chump
|
|
chop from the grill. Bolting to get it over. Sad booser's eyes. Bitten
|
|
off more than he can chew. Am I like that? See ourselves as others see
|
|
us. Hungry man is an angry man. Working tooth and jaw. Don't! O! A bone!
|
|
That last pagan king of Ireland Cormac in the schoolpoem choked himself
|
|
at Sletty southward of the Boyne. Wonder what he was eating. Something
|
|
galoptious. Saint Patrick converted him to Christianity. Couldn't
|
|
swallow it all however.
|
|
|
|
--Roast beef and cabbage.
|
|
|
|
--One stew.
|
|
|
|
Smells of men. His gorge rose. Spaton sawdust, sweetish warmish
|
|
cigarette smoke, reek of plug, spilt beer, men's beery piss, the stale
|
|
of ferment.
|
|
|
|
Couldn't eat a morsel here. Fellow sharpening knife and fork to eat all
|
|
before him, old chap picking his tootles. Slight spasm, full, chewing
|
|
the cud. Before and after. Grace after meals. Look on this picture then
|
|
on that. Scoffing up stewgravy with sopping sippets of bread. Lick it
|
|
off the plate, man! Get out of this.
|
|
|
|
He gazed round the stooled and tabled eaters, tightening the wings of
|
|
his nose.
|
|
|
|
--Two stouts here.
|
|
|
|
--One corned and cabbage.
|
|
|
|
That fellow ramming a knifeful of cabbage down as if his life depended
|
|
on it. Good stroke. Give me the fidgets to look. Safer to eat from his
|
|
three hands. Tear it limb from limb. Second nature to him. Born with a
|
|
silver knife in his mouth. That's witty, I think. Or no. Silver means
|
|
born rich. Born with a knife. But then the allusion is lost.
|
|
|
|
An illgirt server gathered sticky clattering plates. Rock, the head
|
|
bailiff, standing at the bar blew the foamy crown from his tankard. Well
|
|
up: it splashed yellow near his boot. A diner, knife and fork upright,
|
|
elbows on table, ready for a second helping stared towards the foodlift
|
|
across his stained square of newspaper. Other chap telling him something
|
|
with his mouth full. Sympathetic listener. Table talk. I munched hum un
|
|
thu Unchster Bunk un Munchday. Ha? Did you, faith?
|
|
|
|
Mr Bloom raised two fingers doubtfully to his lips. His eyes said:
|
|
|
|
--Not here. Don't see him.
|
|
|
|
Out. I hate dirty eaters.
|
|
|
|
He backed towards the door. Get a light snack in Davy Byrne's. Stopgap.
|
|
Keep me going. Had a good breakfast.
|
|
|
|
--Roast and mashed here.
|
|
|
|
--Pint of stout.
|
|
|
|
Every fellow for his own, tooth and nail. Gulp. Grub. Gulp. Gobstuff.
|
|
|
|
He came out into clearer air and turned back towards Grafton street. Eat
|
|
or be eaten. Kill! Kill!
|
|
|
|
Suppose that communal kitchen years to come perhaps. All trotting down
|
|
with porringers and tommycans to be filled. Devour contents in the
|
|
street. John Howard Parnell example the provost of Trinity every
|
|
mother's son don't talk of your provosts and provost of Trinity women
|
|
and children cabmen priests parsons fieldmarshals archbishops. From
|
|
Ailesbury road, Clyde road, artisans' dwellings, north Dublin union,
|
|
lord mayor in his gingerbread coach, old queen in a bathchair. My
|
|
plate's empty. After you with our incorporated drinkingcup. Like sir
|
|
Philip Crampton's fountain. Rub off the microbes with your handkerchief.
|
|
Next chap rubs on a new batch with his. Father O'Flynn would make
|
|
hares of them all. Have rows all the same. All for number one. Children
|
|
fighting for the scrapings of the pot. Want a souppot as big as the
|
|
Phoenix park. Harpooning flitches and hindquarters out of it. Hate
|
|
people all round you. City Arms hotel _table d'hote_ she called it.
|
|
Soup, joint and sweet. Never know whose thoughts you're chewing. Then
|
|
who'd wash up all the plates and forks? Might be all feeding on tabloids
|
|
that time. Teeth getting worse and worse.
|
|
|
|
After all there's a lot in that vegetarian fine flavour of things from
|
|
the earth garlic of course it stinks after Italian organgrinders crisp
|
|
of onions mushrooms truffles. Pain to the animal too. Pluck and draw
|
|
fowl. Wretched brutes there at the cattlemarket waiting for the poleaxe
|
|
to split their skulls open. Moo. Poor trembling calves. Meh. Staggering
|
|
bob. Bubble and squeak. Butchers' buckets wobbly lights. Give us that
|
|
brisket off the hook. Plup. Rawhead and bloody bones. Flayed glasseyed
|
|
sheep hung from their haunches, sheepsnouts bloodypapered snivelling
|
|
nosejam on sawdust. Top and lashers going out. Don't maul them pieces,
|
|
young one.
|
|
|
|
Hot fresh blood they prescribe for decline. Blood always needed.
|
|
Insidious. Lick it up smokinghot, thick sugary. Famished ghosts.
|
|
|
|
Ah, I'm hungry.
|
|
|
|
He entered Davy Byrne's. Moral pub. He doesn't chat. Stands a drink now
|
|
and then. But in leapyear once in four. Cashed a cheque for me once.
|
|
|
|
What will I take now? He drew his watch. Let me see now. Shandygaff?
|
|
|
|
--Hello, Bloom, Nosey Flynn said from his nook.
|
|
|
|
--Hello, Flynn.
|
|
|
|
--How's things?
|
|
|
|
--Tiptop... Let me see. I'll take a glass of burgundy and... let me
|
|
see.
|
|
|
|
Sardines on the shelves. Almost taste them by looking. Sandwich? Ham
|
|
and his descendants musterred and bred there. Potted meats. What is home
|
|
without Plumtree's potted meat? Incomplete. What a stupid ad! Under the
|
|
obituary notices they stuck it. All up a plumtree. Dignam's potted meat.
|
|
Cannibals would with lemon and rice. White missionary too salty. Like
|
|
pickled pork. Expect the chief consumes the parts of honour. Ought to be
|
|
tough from exercise. His wives in a row to watch the effect. _There was
|
|
a right royal old nigger. Who ate or something the somethings of the
|
|
reverend Mr MacTrigger_. With it an abode of bliss. Lord knows what
|
|
concoction. Cauls mouldy tripes windpipes faked and minced up. Puzzle
|
|
find the meat. Kosher. No meat and milk together. Hygiene that was what
|
|
they call now. Yom Kippur fast spring cleaning of inside. Peace and
|
|
war depend on some fellow's digestion. Religions. Christmas turkeys and
|
|
geese. Slaughter of innocents. Eat drink and be merry. Then casual wards
|
|
full after. Heads bandaged. Cheese digests all but itself. Mity cheese.
|
|
|
|
--Have you a cheese sandwich?
|
|
|
|
--Yes, sir.
|
|
|
|
Like a few olives too if they had them. Italian I prefer. Good glass of
|
|
burgundy take away that. Lubricate. A nice salad, cool as a cucumber,
|
|
Tom Kernan can dress. Puts gusto into it. Pure olive oil. Milly served
|
|
me that cutlet with a sprig of parsley. Take one Spanish onion. God made
|
|
food, the devil the cooks. Devilled crab.
|
|
|
|
--Wife well?
|
|
|
|
--Quite well, thanks... A cheese sandwich, then. Gorgonzola, have you?
|
|
|
|
--Yes, sir.
|
|
|
|
Nosey Flynn sipped his grog.
|
|
|
|
--Doing any singing those times?
|
|
|
|
Look at his mouth. Could whistle in his own ear. Flap ears to match.
|
|
Music. Knows as much about it as my coachman. Still better tell him.
|
|
Does no harm. Free ad.
|
|
|
|
--She's engaged for a big tour end of this month. You may have heard
|
|
perhaps.
|
|
|
|
--No. O, that's the style. Who's getting it up?
|
|
|
|
The curate served.
|
|
|
|
--How much is that?
|
|
|
|
--Seven d., sir... Thank you, sir.
|
|
|
|
Mr Bloom cut his sandwich into slender strips. _Mr MacTrigger_. Easier
|
|
than the dreamy creamy stuff. _His five hundred wives. Had the time of
|
|
their lives._
|
|
|
|
--Mustard, sir?
|
|
|
|
--Thank you.
|
|
|
|
He studded under each lifted strip yellow blobs. _Their lives_. I have
|
|
it. _It grew bigger and bigger and bigger_.
|
|
|
|
--Getting it up? he said. Well, it's like a company idea, you see. Part
|
|
shares and part profits.
|
|
|
|
--Ay, now I remember, Nosey Flynn said, putting his hand in his pocket
|
|
to scratch his groin. Who is this was telling me? Isn't Blazes Boylan
|
|
mixed up in it?
|
|
|
|
A warm shock of air heat of mustard hanched on Mr Bloom's heart. He
|
|
raised his eyes and met the stare of a bilious clock. Two. Pub clock
|
|
five minutes fast. Time going on. Hands moving. Two. Not yet.
|
|
|
|
His midriff yearned then upward, sank within him, yearned more longly,
|
|
longingly.
|
|
|
|
Wine.
|
|
|
|
He smellsipped the cordial juice and, bidding his throat strongly to
|
|
speed it, set his wineglass delicately down.
|
|
|
|
--Yes, he said. He's the organiser in point of fact.
|
|
|
|
No fear: no brains.
|
|
|
|
Nosey Flynn snuffled and scratched. Flea having a good square meal.
|
|
|
|
--He had a good slice of luck, Jack Mooney was telling me, over that
|
|
boxingmatch Myler Keogh won again that soldier in the Portobello
|
|
barracks. By God, he had the little kipper down in the county Carlow he
|
|
was telling me...
|
|
|
|
Hope that dewdrop doesn't come down into his glass. No, snuffled it up.
|
|
|
|
--For near a month, man, before it came off. Sucking duck eggs by God
|
|
till further orders. Keep him off the boose, see? O, by God, Blazes is a
|
|
hairy chap.
|
|
|
|
Davy Byrne came forward from the hindbar in tuckstitched shirtsleeves,
|
|
cleaning his lips with two wipes of his napkin. Herring's blush. Whose
|
|
smile upon each feature plays with such and such replete. Too much fat
|
|
on the parsnips.
|
|
|
|
--And here's himself and pepper on him, Nosey Flynn said. Can you give
|
|
us a good one for the Gold cup?
|
|
|
|
--I'm off that, Mr Flynn, Davy Byrne answered. I never put anything on a
|
|
horse.
|
|
|
|
--You're right there, Nosey Flynn said.
|
|
|
|
Mr Bloom ate his strips of sandwich, fresh clean bread, with relish of
|
|
disgust pungent mustard, the feety savour of green cheese. Sips of his
|
|
wine soothed his palate. Not logwood that. Tastes fuller this weather
|
|
with the chill off.
|
|
|
|
Nice quiet bar. Nice piece of wood in that counter. Nicely planed. Like
|
|
the way it curves there.
|
|
|
|
--I wouldn't do anything at all in that line, Davy Byrne said. It ruined
|
|
many a man, the same horses.
|
|
|
|
Vintners' sweepstake. Licensed for the sale of beer, wine and spirits
|
|
for consumption on the premises. Heads I win tails you lose.
|
|
|
|
--True for you, Nosey Flynn said. Unless you're in the know. There's
|
|
no straight sport going now. Lenehan gets some good ones. He's giving
|
|
Sceptre today. Zinfandel's the favourite, lord Howard de Walden's, won
|
|
at Epsom. Morny Cannon is riding him. I could have got seven to one
|
|
against Saint Amant a fortnight before.
|
|
|
|
--That so? Davy Byrne said...
|
|
|
|
He went towards the window and, taking up the pettycash book, scanned
|
|
its pages.
|
|
|
|
--I could, faith, Nosey Flynn said, snuffling. That was a rare bit of
|
|
horseflesh. Saint Frusquin was her sire. She won in a thunderstorm,
|
|
Rothschild's filly, with wadding in her ears. Blue jacket and yellow
|
|
cap. Bad luck to big Ben Dollard and his John O'Gaunt. He put me off it.
|
|
Ay.
|
|
|
|
He drank resignedly from his tumbler, running his fingers down the
|
|
flutes.
|
|
|
|
--Ay, he said, sighing.
|
|
|
|
Mr Bloom, champing, standing, looked upon his sigh. Nosey numbskull.
|
|
Will I tell him that horse Lenehan? He knows already. Better let him
|
|
forget. Go and lose more. Fool and his money. Dewdrop coming down again.
|
|
Cold nose he'd have kissing a woman. Still they might like. Prickly
|
|
beards they like. Dogs' cold noses. Old Mrs Riordan with the rumbling
|
|
stomach's Skye terrier in the City Arms hotel. Molly fondling him in her
|
|
lap. O, the big doggybowwowsywowsy!
|
|
|
|
Wine soaked and softened rolled pith of bread mustard a moment mawkish
|
|
cheese. Nice wine it is. Taste it better because I'm not thirsty. Bath
|
|
of course does that. Just a bite or two. Then about six o'clock I can.
|
|
Six. Six. Time will be gone then. She...
|
|
|
|
Mild fire of wine kindled his veins. I wanted that badly. Felt so
|
|
off colour. His eyes unhungrily saw shelves of tins: sardines, gaudy
|
|
lobsters' claws. All the odd things people pick up for food. Out of
|
|
shells, periwinkles with a pin, off trees, snails out of the ground the
|
|
French eat, out of the sea with bait on a hook. Silly fish learn nothing
|
|
in a thousand years. If you didn't know risky putting anything into your
|
|
mouth. Poisonous berries. Johnny Magories. Roundness you think good.
|
|
Gaudy colour warns you off. One fellow told another and so on. Try it
|
|
on the dog first. Led on by the smell or the look. Tempting fruit.
|
|
Ice cones. Cream. Instinct. Orangegroves for instance. Need artificial
|
|
irrigation. Bleibtreustrasse. Yes but what about oysters. Unsightly like
|
|
a clot of phlegm. Filthy shells. Devil to open them too. Who found them
|
|
out? Garbage, sewage they feed on. Fizz and Red bank oysters. Effect
|
|
on the sexual. Aphrodis. He was in the Red Bank this morning. Was he
|
|
oysters old fish at table perhaps he young flesh in bed no June has
|
|
no ar no oysters. But there are people like things high. Tainted game.
|
|
Jugged hare. First catch your hare. Chinese eating eggs fifty years old,
|
|
blue and green again. Dinner of thirty courses. Each dish harmless might
|
|
mix inside. Idea for a poison mystery. That archduke Leopold was it no
|
|
yes or was it Otto one of those Habsburgs? Or who was it used to eat the
|
|
scruff off his own head? Cheapest lunch in town. Of course aristocrats,
|
|
then the others copy to be in the fashion. Milly too rock oil and flour.
|
|
Raw pastry I like myself. Half the catch of oysters they throw back in
|
|
the sea to keep up the price. Cheap no-one would buy. Caviare. Do the
|
|
grand. Hock in green glasses. Swell blowout. Lady this. Powdered bosom
|
|
pearls. The _elite. Creme de la creme_. They want special dishes to
|
|
pretend they're. Hermit with a platter of pulse keep down the stings
|
|
of the flesh. Know me come eat with me. Royal sturgeon high sheriff,
|
|
Coffey, the butcher, right to venisons of the forest from his ex. Send
|
|
him back the half of a cow. Spread I saw down in the Master of the
|
|
Rolls' kitchen area. Whitehatted _chef_ like a rabbi. Combustible duck.
|
|
Curly cabbage _a la duchesse de Parme_. Just as well to write it on the
|
|
bill of fare so you can know what you've eaten. Too many drugs spoil the
|
|
broth. I know it myself. Dosing it with Edwards' desiccated soup. Geese
|
|
stuffed silly for them. Lobsters boiled alive. Do ptake some ptarmigan.
|
|
Wouldn't mind being a waiter in a swell hotel. Tips, evening dress,
|
|
halfnaked ladies. May I tempt you to a little more filleted lemon sole,
|
|
miss Dubedat? Yes, do bedad. And she did bedad. Huguenot name I expect
|
|
that. A miss Dubedat lived in Killiney, I remember. _Du, de la_ French.
|
|
Still it's the same fish perhaps old Micky Hanlon of Moore street ripped
|
|
the guts out of making money hand over fist finger in fishes' gills
|
|
can't write his name on a cheque think he was painting the landscape
|
|
with his mouth twisted. Moooikill A Aitcha Ha ignorant as a kish of
|
|
brogues, worth fifty thousand pounds.
|
|
|
|
Stuck on the pane two flies buzzed, stuck.
|
|
|
|
Glowing wine on his palate lingered swallowed. Crushing in the winepress
|
|
grapes of Burgundy. Sun's heat it is. Seems to a secret touch telling me
|
|
memory. Touched his sense moistened remembered. Hidden under wild ferns
|
|
on Howth below us bay sleeping: sky. No sound. The sky. The bay purple
|
|
by the Lion's head. Green by Drumleck. Yellowgreen towards Sutton.
|
|
Fields of undersea, the lines faint brown in grass, buried cities.
|
|
Pillowed on my coat she had her hair, earwigs in the heather scrub
|
|
my hand under her nape, you'll toss me all. O wonder! Coolsoft with
|
|
ointments her hand touched me, caressed: her eyes upon me did not turn
|
|
away. Ravished over her I lay, full lips full open, kissed her mouth.
|
|
Yum. Softly she gave me in my mouth the seedcake warm and chewed.
|
|
Mawkish pulp her mouth had mumbled sweetsour of her spittle. Joy: I ate
|
|
it: joy. Young life, her lips that gave me pouting. Soft warm sticky
|
|
gumjelly lips. Flowers her eyes were, take me, willing eyes. Pebbles
|
|
fell. She lay still. A goat. No-one. High on Ben Howth rhododendrons a
|
|
nannygoat walking surefooted, dropping currants. Screened under ferns
|
|
she laughed warmfolded. Wildly I lay on her, kissed her: eyes, her lips,
|
|
her stretched neck beating, woman's breasts full in her blouse of nun's
|
|
veiling, fat nipples upright. Hot I tongued her. She kissed me. I was
|
|
kissed. All yielding she tossed my hair. Kissed, she kissed me.
|
|
|
|
Me. And me now.
|
|
|
|
Stuck, the flies buzzed.
|
|
|
|
His downcast eyes followed the silent veining of the oaken slab. Beauty:
|
|
it curves: curves are beauty. Shapely goddesses, Venus, Juno: curves the
|
|
world admires. Can see them library museum standing in the round hall,
|
|
naked goddesses. Aids to digestion. They don't care what man looks. All
|
|
to see. Never speaking. I mean to say to fellows like Flynn. Suppose she
|
|
did Pygmalion and Galatea what would she say first? Mortal! Put you in
|
|
your proper place. Quaffing nectar at mess with gods golden dishes, all
|
|
ambrosial. Not like a tanner lunch we have, boiled mutton, carrots and
|
|
turnips, bottle of Allsop. Nectar imagine it drinking electricity: gods'
|
|
food. Lovely forms of women sculped Junonian. Immortal lovely. And we
|
|
stuffing food in one hole and out behind: food, chyle, blood, dung,
|
|
earth, food: have to feed it like stoking an engine. They have no. Never
|
|
looked. I'll look today. Keeper won't see. Bend down let something drop
|
|
see if she.
|
|
|
|
Dribbling a quiet message from his bladder came to go to do not to
|
|
do there to do. A man and ready he drained his glass to the lees and
|
|
walked, to men too they gave themselves, manly conscious, lay with men
|
|
lovers, a youth enjoyed her, to the yard.
|
|
|
|
When the sound of his boots had ceased Davy Byrne said from his book:
|
|
|
|
--What is this he is? Isn't he in the insurance line?
|
|
|
|
--He's out of that long ago, Nosey Flynn said. He does canvassing for
|
|
the _Freeman._
|
|
|
|
--I know him well to see, Davy Byrne said. Is he in trouble?
|
|
|
|
--Trouble? Nosey Flynn said. Not that I heard of. Why?
|
|
|
|
--I noticed he was in mourning.
|
|
|
|
--Was he? Nosey Flynn said. So he was, faith. I asked him how was all at
|
|
home. You're right, by God. So he was.
|
|
|
|
--I never broach the subject, Davy Byrne said humanely, if I see a
|
|
gentleman is in trouble that way. It only brings it up fresh in their
|
|
minds.
|
|
|
|
--It's not the wife anyhow, Nosey Flynn said. I met him the day before
|
|
yesterday and he coming out of that Irish farm dairy John Wyse Nolan's
|
|
wife has in Henry street with a jar of cream in his hand taking it home
|
|
to his better half. She's well nourished, I tell you. Plovers on toast.
|
|
|
|
--And is he doing for the _Freeman?_ Davy Byrne said.
|
|
|
|
Nosey Flynn pursed his lips.
|
|
|
|
---He doesn't buy cream on the ads he picks up. You can make bacon of
|
|
that.
|
|
|
|
--How so? Davy Byrne asked, coming from his book.
|
|
|
|
Nosey Flynn made swift passes in the air with juggling fingers. He
|
|
winked.
|
|
|
|
--He's in the craft, he said.
|
|
|
|
---Do you tell me so? Davy Byrne said.
|
|
|
|
--Very much so, Nosey Flynn said. Ancient free and accepted order. He's
|
|
an excellent brother. Light, life and love, by God. They give him a leg
|
|
up. I was told that by a--well, I won't say who.
|
|
|
|
--Is that a fact?
|
|
|
|
--O, it's a fine order, Nosey Flynn said. They stick to you when you're
|
|
down. I know a fellow was trying to get into it. But they're as close as
|
|
damn it. By God they did right to keep the women out of it.
|
|
|
|
Davy Byrne smiledyawnednodded all in one:
|
|
|
|
--Iiiiiichaaaaaaach!
|
|
|
|
--There was one woman, Nosey Flynn said, hid herself in a clock to find
|
|
out what they do be doing. But be damned but they smelt her out and
|
|
swore her in on the spot a master mason. That was one of the saint
|
|
Legers of Doneraile.
|
|
|
|
Davy Byrne, sated after his yawn, said with tearwashed eyes:
|
|
|
|
--And is that a fact? Decent quiet man he is. I often saw him in here
|
|
and I never once saw him--you know, over the line.
|
|
|
|
--God Almighty couldn't make him drunk, Nosey Flynn said firmly. Slips
|
|
off when the fun gets too hot. Didn't you see him look at his watch? Ah,
|
|
you weren't there. If you ask him to have a drink first thing he does
|
|
he outs with the watch to see what he ought to imbibe. Declare to God he
|
|
does.
|
|
|
|
--There are some like that, Davy Byrne said. He's a safe man, I'd say.
|
|
|
|
--He's not too bad, Nosey Flynn said, snuffling it up. He's been known
|
|
to put his hand down too to help a fellow. Give the devil his due. O,
|
|
Bloom has his good points. But there's one thing he'll never do.
|
|
|
|
His hand scrawled a dry pen signature beside his grog.
|
|
|
|
--I know, Davy Byrne said.
|
|
|
|
--Nothing in black and white, Nosey Flynn said.
|
|
|
|
Paddy Leonard and Bantam Lyons came in. Tom Rochford followed frowning,
|
|
a plaining hand on his claret waistcoat.
|
|
|
|
--Day, Mr Byrne.
|
|
|
|
--Day, gentlemen.
|
|
|
|
They paused at the counter.
|
|
|
|
--Who's standing? Paddy Leonard asked.
|
|
|
|
--I'm sitting anyhow, Nosey Flynn answered.
|
|
|
|
--Well, what'll it be? Paddy Leonard asked.
|
|
|
|
--I'll take a stone ginger, Bantam Lyons said.
|
|
|
|
--How much? Paddy Leonard cried. Since when, for God' sake? What's
|
|
yours, Tom?
|
|
|
|
--How is the main drainage? Nosey Flynn asked, sipping.
|
|
|
|
For answer Tom Rochford pressed his hand to his breastbone and
|
|
hiccupped.
|
|
|
|
--Would I trouble you for a glass of fresh water, Mr Byrne? he said.
|
|
|
|
--Certainly, sir.
|
|
|
|
Paddy Leonard eyed his alemates.
|
|
|
|
--Lord love a duck, he said. Look at what I'm standing drinks to! Cold
|
|
water and gingerpop! Two fellows that would suck whisky off a sore leg.
|
|
He has some bloody horse up his sleeve for the Gold cup. A dead snip.
|
|
|
|
--Zinfandel is it? Nosey Flynn asked.
|
|
|
|
Tom Rochford spilt powder from a twisted paper into the water set before
|
|
him.
|
|
|
|
--That cursed dyspepsia, he said before drinking.
|
|
|
|
--Breadsoda is very good, Davy Byrne said.
|
|
|
|
Tom Rochford nodded and drank.
|
|
|
|
--Is it Zinfandel?
|
|
|
|
--Say nothing! Bantam Lyons winked. I'm going to plunge five bob on my
|
|
own.
|
|
|
|
--Tell us if you're worth your salt and be damned to you, Paddy Leonard
|
|
said. Who gave it to you?
|
|
|
|
Mr Bloom on his way out raised three fingers in greeting.
|
|
|
|
--So long! Nosey Flynn said.
|
|
|
|
The others turned.
|
|
|
|
--That's the man now that gave it to me, Bantam Lyons whispered.
|
|
|
|
--Prrwht! Paddy Leonard said with scorn. Mr Byrne, sir, we'll take two
|
|
of your small Jamesons after that and a...
|
|
|
|
--Stone ginger, Davy Byrne added civilly.
|
|
|
|
--Ay, Paddy Leonard said. A suckingbottle for the baby.
|
|
|
|
Mr Bloom walked towards Dawson street, his tongue brushing his teeth
|
|
smooth. Something green it would have to be: spinach, say. Then with
|
|
those Rontgen rays searchlight you could.
|
|
|
|
At Duke lane a ravenous terrier choked up a sick knuckly cud on the
|
|
cobblestones and lapped it with new zest. Surfeit. Returned with thanks
|
|
having fully digested the contents. First sweet then savoury. Mr Bloom
|
|
coasted warily. Ruminants. His second course. Their upper jaw they move.
|
|
Wonder if Tom Rochford will do anything with that invention of his?
|
|
Wasting time explaining it to Flynn's mouth. Lean people long mouths.
|
|
Ought to be a hall or a place where inventors could go in and invent
|
|
free. Course then you'd have all the cranks pestering.
|
|
|
|
He hummed, prolonging in solemn echo the closes of the bars:
|
|
|
|
_Don Giovanni, a cenar teco M'invitasti._
|
|
|
|
Feel better. Burgundy. Good pick me up. Who distilled first? Some chap
|
|
in the blues. Dutch courage. That _Kilkenny People_ in the national
|
|
library now I must.
|
|
|
|
Bare clean closestools waiting in the window of William Miller, plumber,
|
|
turned back his thoughts. They could: and watch it all the way down,
|
|
swallow a pin sometimes come out of the ribs years after, tour round the
|
|
body changing biliary duct spleen squirting liver gastric juice coils of
|
|
intestines like pipes. But the poor buffer would have to stand all the
|
|
time with his insides entrails on show. Science.
|
|
|
|
--_A cenar teco._
|
|
|
|
What does that _teco_ mean? Tonight perhaps.
|
|
|
|
_Don Giovanni, thou hast me invited
|
|
To come to supper tonight,
|
|
The rum the rumdum._
|
|
|
|
Doesn't go properly.
|
|
|
|
Keyes: two months if I get Nannetti to. That'll be two pounds ten about
|
|
two pounds eight. Three Hynes owes me. Two eleven. Prescott's dyeworks
|
|
van over there. If I get Billy Prescott's ad: two fifteen. Five guineas
|
|
about. On the pig's back.
|
|
|
|
Could buy one of those silk petticoats for Molly, colour of her new
|
|
garters.
|
|
|
|
Today. Today. Not think.
|
|
|
|
Tour the south then. What about English wateringplaces? Brighton,
|
|
Margate. Piers by moonlight. Her voice floating out. Those lovely
|
|
seaside girls. Against John Long's a drowsing loafer lounged in heavy
|
|
thought, gnawing a crusted knuckle. Handy man wants job. Small wages.
|
|
Will eat anything.
|
|
|
|
Mr Bloom turned at Gray's confectioner's window of unbought tarts and
|
|
passed the reverend Thomas Connellan's bookstore. _Why I left the church
|
|
of Rome? Birds' Nest._ Women run him. They say they used to give pauper
|
|
children soup to change to protestants in the time of the potato blight.
|
|
Society over the way papa went to for the conversion of poor jews. Same
|
|
bait. Why we left the church of Rome.
|
|
|
|
A blind stripling stood tapping the curbstone with his slender cane. No
|
|
tram in sight. Wants to cross.
|
|
|
|
--Do you want to cross? Mr Bloom asked.
|
|
|
|
The blind stripling did not answer. His wallface frowned weakly. He
|
|
moved his head uncertainly.
|
|
|
|
--You're in Dawson street, Mr Bloom said. Molesworth street is opposite.
|
|
Do you want to cross? There's nothing in the way.
|
|
|
|
The cane moved out trembling to the left. Mr Bloom's eye followed its
|
|
line and saw again the dyeworks' van drawn up before Drago's. Where I
|
|
saw his brillantined hair just when I was. Horse drooping. Driver in
|
|
John Long's. Slaking his drouth.
|
|
|
|
--There's a van there, Mr Bloom said, but it's not moving. I'll see you
|
|
across. Do you want to go to Molesworth street?
|
|
|
|
--Yes, the stripling answered. South Frederick street.
|
|
|
|
--Come, Mr Bloom said.
|
|
|
|
He touched the thin elbow gently: then took the limp seeing hand to
|
|
guide it forward.
|
|
|
|
Say something to him. Better not do the condescending. They mistrust
|
|
what you tell them. Pass a common remark.
|
|
|
|
--The rain kept off.
|
|
|
|
No answer.
|
|
|
|
Stains on his coat. Slobbers his food, I suppose. Tastes all different
|
|
for him. Have to be spoonfed first. Like a child's hand, his hand. Like
|
|
Milly's was. Sensitive. Sizing me up I daresay from my hand. Wonder
|
|
if he has a name. Van. Keep his cane clear of the horse's legs: tired
|
|
drudge get his doze. That's right. Clear. Behind a bull: in front of a
|
|
horse.
|
|
|
|
--Thanks, sir.
|
|
|
|
Knows I'm a man. Voice.
|
|
|
|
--Right now? First turn to the left.
|
|
|
|
The blind stripling tapped the curbstone and went on his way, drawing
|
|
his cane back, feeling again.
|
|
|
|
Mr Bloom walked behind the eyeless feet, a flatcut suit of herringbone
|
|
tweed. Poor young fellow! How on earth did he know that van was there?
|
|
Must have felt it. See things in their forehead perhaps: kind of sense
|
|
of volume. Weight or size of it, something blacker than the dark. Wonder
|
|
would he feel it if something was removed. Feel a gap. Queer idea of
|
|
Dublin he must have, tapping his way round by the stones. Could he walk
|
|
in a beeline if he hadn't that cane? Bloodless pious face like a fellow
|
|
going in to be a priest.
|
|
|
|
Penrose! That was that chap's name.
|
|
|
|
Look at all the things they can learn to do. Read with their fingers.
|
|
Tune pianos. Or we are surprised they have any brains. Why we think a
|
|
deformed person or a hunchback clever if he says something we might say.
|
|
Of course the other senses are more. Embroider. Plait baskets. People
|
|
ought to help. Workbasket I could buy for Molly's birthday. Hates
|
|
sewing. Might take an objection. Dark men they call them.
|
|
|
|
Sense of smell must be stronger too. Smells on all sides, bunched
|
|
together. Each street different smell. Each person too. Then the spring,
|
|
the summer: smells. Tastes? They say you can't taste wines with your
|
|
eyes shut or a cold in the head. Also smoke in the dark they say get no
|
|
pleasure.
|
|
|
|
And with a woman, for instance. More shameless not seeing. That girl
|
|
passing the Stewart institution, head in the air. Look at me. I have
|
|
them all on. Must be strange not to see her. Kind of a form in his
|
|
mind's eye. The voice, temperatures: when he touches her with his
|
|
fingers must almost see the lines, the curves. His hands on her hair,
|
|
for instance. Say it was black, for instance. Good. We call it black.
|
|
Then passing over her white skin. Different feel perhaps. Feeling of
|
|
white.
|
|
|
|
Postoffice. Must answer. Fag today. Send her a postal order two
|
|
shillings, half a crown. Accept my little present. Stationer's just here
|
|
too. Wait. Think over it.
|
|
|
|
With a gentle finger he felt ever so slowly the hair combed back above
|
|
his ears. Again. Fibres of fine fine straw. Then gently his finger felt
|
|
the skin of his right cheek. Downy hair there too. Not smooth enough.
|
|
The belly is the smoothest. No-one about. There he goes into Frederick
|
|
street. Perhaps to Levenston's dancing academy piano. Might be settling
|
|
my braces.
|
|
|
|
Walking by Doran's publichouse he slid his hand between his waistcoat
|
|
and trousers and, pulling aside his shirt gently, felt a slack fold of
|
|
his belly. But I know it's whitey yellow. Want to try in the dark to
|
|
see.
|
|
|
|
He withdrew his hand and pulled his dress to.
|
|
|
|
Poor fellow! Quite a boy. Terrible. Really terrible. What dreams would
|
|
he have, not seeing? Life a dream for him. Where is the justice being
|
|
born that way? All those women and children excursion beanfeast burned
|
|
and drowned in New York. Holocaust. Karma they call that transmigration
|
|
for sins you did in a past life the reincarnation met him pike hoses.
|
|
Dear, dear, dear. Pity, of course: but somehow you can't cotton on to
|
|
them someway.
|
|
|
|
Sir Frederick Falkiner going into the freemasons' hall. Solemn as Troy.
|
|
After his good lunch in Earlsfort terrace. Old legal cronies cracking
|
|
a magnum. Tales of the bench and assizes and annals of the bluecoat
|
|
school. I sentenced him to ten years. I suppose he'd turn up his nose
|
|
at that stuff I drank. Vintage wine for them, the year marked on a
|
|
dusty bottle. Has his own ideas of justice in the recorder's court.
|
|
Wellmeaning old man. Police chargesheets crammed with cases get their
|
|
percentage manufacturing crime. Sends them to the rightabout. The devil
|
|
on moneylenders. Gave Reuben J. a great strawcalling. Now he's really
|
|
what they call a dirty jew. Power those judges have. Crusty old topers
|
|
in wigs. Bear with a sore paw. And may the Lord have mercy on your soul.
|
|
|
|
Hello, placard. Mirus bazaar. His Excellency the lord lieutenant.
|
|
Sixteenth. Today it is. In aid of funds for Mercer's hospital. _The
|
|
Messiah_ was first given for that. Yes. Handel. What about going out
|
|
there: Ballsbridge. Drop in on Keyes. No use sticking to him like a
|
|
leech. Wear out my welcome. Sure to know someone on the gate.
|
|
|
|
Mr Bloom came to Kildare street. First I must. Library.
|
|
|
|
Straw hat in sunlight. Tan shoes. Turnedup trousers. It is. It is.
|
|
|
|
His heart quopped softly. To the right. Museum. Goddesses. He swerved to
|
|
the right.
|
|
|
|
Is it? Almost certain. Won't look. Wine in my face. Why did I? Too
|
|
heady. Yes, it is. The walk. Not see. Get on.
|
|
|
|
Making for the museum gate with long windy steps he lifted his eyes.
|
|
Handsome building. Sir Thomas Deane designed. Not following me?
|
|
|
|
Didn't see me perhaps. Light in his eyes.
|
|
|
|
The flutter of his breath came forth in short sighs. Quick. Cold
|
|
statues: quiet there. Safe in a minute.
|
|
|
|
No. Didn't see me. After two. Just at the gate.
|
|
|
|
My heart!
|
|
|
|
His eyes beating looked steadfastly at cream curves of stone. Sir Thomas
|
|
Deane was the Greek architecture.
|
|
|
|
Look for something I.
|
|
|
|
His hasty hand went quick into a pocket, took out, read unfolded
|
|
Agendath Netaim. Where did I?
|
|
|
|
Busy looking.
|
|
|
|
He thrust back quick Agendath.
|
|
|
|
Afternoon she said.
|
|
|
|
I am looking for that. Yes, that. Try all pockets. Handker. _Freeman._
|
|
Where did I? Ah, yes. Trousers. Potato. Purse. Where?
|
|
|
|
Hurry. Walk quietly. Moment more. My heart.
|
|
|
|
His hand looking for the where did I put found in his hip pocket soap
|
|
lotion have to call tepid paper stuck. Ah soap there I yes. Gate.
|
|
|
|
Safe!
|
|
|
|
|
|
Urbane, to comfort them, the quaker librarian purred:
|
|
|
|
|
|
--And we have, have we not, those priceless pages of _Wilhelm Meister_.
|
|
A great poet on a great brother poet. A hesitating soul taking arms
|
|
against a sea of troubles, torn by conflicting doubts, as one sees in
|
|
real life.
|
|
|
|
He came a step a sinkapace forward on neatsleather creaking and a step
|
|
backward a sinkapace on the solemn floor.
|
|
|
|
A noiseless attendant setting open the door but slightly made him a
|
|
noiseless beck.
|
|
|
|
--Directly, said he, creaking to go, albeit lingering. The beautiful
|
|
ineffectual dreamer who comes to grief against hard facts. One always
|
|
feels that Goethe's judgments are so true. True in the larger analysis.
|
|
|
|
Twicreakingly analysis he corantoed off. Bald, most zealous by the door
|
|
he gave his large ear all to the attendant's words: heard them: and was
|
|
gone.
|
|
|
|
Two left.
|
|
|
|
--Monsieur de la Palice, Stephen sneered, was alive fifteen minutes
|
|
before his death.
|
|
|
|
--Have you found those six brave medicals, John Eglinton asked with
|
|
elder's gall, to write _Paradise Lost_ at your dictation? _The Sorrows
|
|
of Satan_ he calls it.
|
|
|
|
Smile. Smile Cranly's smile.
|
|
|
|
_First he tickled her
|
|
Then he patted her
|
|
Then he passed the female catheter.
|
|
For he was a medical
|
|
Jolly old medi..._
|
|
|
|
--I feel you would need one more for _Hamlet._ Seven is dear to the
|
|
mystic mind. The shining seven W.B. calls them.
|
|
|
|
Glittereyed his rufous skull close to his greencapped desklamp sought
|
|
the face bearded amid darkgreener shadow, an ollav, holyeyed. He laughed
|
|
low: a sizar's laugh of Trinity: unanswered.
|
|
|
|
_Orchestral Satan, weeping many a rood
|
|
Tears such as angels weep.
|
|
Ed egli avea del cul fatto trombetta._
|
|
|
|
He holds my follies hostage.
|
|
|
|
Cranly's eleven true Wicklowmen to free their sireland. Gaptoothed
|
|
Kathleen, her four beautiful green fields, the stranger in her house.
|
|
And one more to hail him: _ave, rabbi_: the Tinahely twelve. In the
|
|
shadow of the glen he cooees for them. My soul's youth I gave him, night
|
|
by night. God speed. Good hunting.
|
|
|
|
Mulligan has my telegram.
|
|
|
|
Folly. Persist.
|
|
|
|
--Our young Irish bards, John Eglinton censured, have yet to create a
|
|
figure which the world will set beside Saxon Shakespeare's Hamlet though
|
|
I admire him, as old Ben did, on this side idolatry.
|
|
|
|
--All these questions are purely academic, Russell oracled out of his
|
|
shadow. I mean, whether Hamlet is Shakespeare or James I or Essex.
|
|
Clergymen's discussions of the historicity of Jesus. Art has to reveal
|
|
to us ideas, formless spiritual essences. The supreme question about a
|
|
work of art is out of how deep a life does it spring. The painting of
|
|
Gustave Moreau is the painting of ideas. The deepest poetry of Shelley,
|
|
the words of Hamlet bring our minds into contact with the eternal
|
|
wisdom, Plato's world of ideas. All the rest is the speculation of
|
|
schoolboys for schoolboys.
|
|
|
|
A. E. has been telling some yankee interviewer. Wall, tarnation strike
|
|
me!
|
|
|
|
--The schoolmen were schoolboys first, Stephen said superpolitely.
|
|
Aristotle was once Plato's schoolboy.
|
|
|
|
--And has remained so, one should hope, John Eglinton sedately said. One
|
|
can see him, a model schoolboy with his diploma under his arm.
|
|
|
|
He laughed again at the now smiling bearded face.
|
|
|
|
Formless spiritual. Father, Word and Holy Breath. Allfather, the
|
|
heavenly man. Hiesos Kristos, magician of the beautiful, the Logos who
|
|
suffers in us at every moment. This verily is that. I am the fire upon
|
|
the altar. I am the sacrificial butter.
|
|
|
|
Dunlop, Judge, the noblest Roman of them all, A.E., Arval, the Name
|
|
Ineffable, in heaven hight: K.H., their master, whose identity is no
|
|
secret to adepts. Brothers of the great white lodge always watching
|
|
to see if they can help. The Christ with the bridesister, moisture of
|
|
light, born of an ensouled virgin, repentant sophia, departed to the
|
|
plane of buddhi. The life esoteric is not for ordinary person. O.P.
|
|
must work off bad karma first. Mrs Cooper Oakley once glimpsed our very
|
|
illustrious sister H.P.B.'s elemental.
|
|
|
|
O, fie! Out on't! _Pfuiteufel!_ You naughtn't to look, missus, so you
|
|
naughtn't when a lady's ashowing of her elemental.
|
|
|
|
Mr Best entered, tall, young, mild, light. He bore in his hand with
|
|
grace a notebook, new, large, clean, bright.
|
|
|
|
--That model schoolboy, Stephen said, would find Hamlet's musings about
|
|
the afterlife of his princely soul, the improbable, insignificant and
|
|
undramatic monologue, as shallow as Plato's.
|
|
|
|
John Eglinton, frowning, said, waxing wroth:
|
|
|
|
--Upon my word it makes my blood boil to hear anyone compare Aristotle
|
|
with Plato.
|
|
|
|
--Which of the two, Stephen asked, would have banished me from his
|
|
commonwealth?
|
|
|
|
Unsheathe your dagger definitions. Horseness is the whatness of
|
|
allhorse. Streams of tendency and eons they worship. God: noise in the
|
|
street: very peripatetic. Space: what you damn well have to see. Through
|
|
spaces smaller than red globules of man's blood they creepycrawl after
|
|
Blake's buttocks into eternity of which this vegetable world is but a
|
|
shadow. Hold to the now, the here, through which all future plunges to
|
|
the past.
|
|
|
|
Mr Best came forward, amiable, towards his colleague.
|
|
|
|
--Haines is gone, he said.
|
|
|
|
--Is he?
|
|
|
|
--I was showing him Jubainville's book. He's quite enthusiastic, don't
|
|
you know, about Hyde's _Lovesongs of Connacht._ I couldn't bring him in
|
|
to hear the discussion. He's gone to Gill's to buy it.
|
|
|
|
_Bound thee forth, my booklet, quick
|
|
To greet the callous public.
|
|
Writ, I ween, 'twas not my wish
|
|
In lean unlovely English._
|
|
|
|
--The peatsmoke is going to his head, John Eglinton opined.
|
|
|
|
We feel in England. Penitent thief. Gone. I smoked his baccy. Green
|
|
twinkling stone. An emerald set in the ring of the sea.
|
|
|
|
--People do not know how dangerous lovesongs can be, the auric egg of
|
|
Russell warned occultly. The movements which work revolutions in the
|
|
world are born out of the dreams and visions in a peasant's heart on the
|
|
hillside. For them the earth is not an exploitable ground but the
|
|
living mother. The rarefied air of the academy and the arena produce the
|
|
sixshilling novel, the musichall song. France produces the finest flower
|
|
of corruption in Mallarme but the desirable life is revealed only to the
|
|
poor of heart, the life of Homer's Phaeacians.
|
|
|
|
From these words Mr Best turned an unoffending face to Stephen.
|
|
|
|
--Mallarme, don't you know, he said, has written those wonderful prose
|
|
poems Stephen MacKenna used to read to me in Paris. The one about
|
|
_Hamlet._ He says: _il se promene, lisant au livre de lui-meme_, don't
|
|
you know, _reading the book of himself_. He describes _Hamlet_ given in
|
|
a French town, don't you know, a provincial town. They advertised it.
|
|
|
|
His free hand graciously wrote tiny signs in air.
|
|
|
|
_HAMLET
|
|
ou
|
|
LE DISTRAIT
|
|
Piece de Shakespeare_
|
|
|
|
He repeated to John Eglinton's newgathered frown:
|
|
|
|
--_Piece de Shakespeare_, don't you know. It's so French. The French
|
|
point of view. _Hamlet ou_...
|
|
|
|
--The absentminded beggar, Stephen ended.
|
|
|
|
John Eglinton laughed.
|
|
|
|
--Yes, I suppose it would be, he said. Excellent people, no doubt, but
|
|
distressingly shortsighted in some matters.
|
|
|
|
Sumptuous and stagnant exaggeration of murder.
|
|
|
|
--A deathsman of the soul Robert Greene called him, Stephen said. Not
|
|
for nothing was he a butcher's son, wielding the sledded poleaxe and
|
|
spitting in his palms. Nine lives are taken off for his father's one.
|
|
Our Father who art in purgatory. Khaki Hamlets don't hesitate to
|
|
shoot. The bloodboltered shambles in act five is a forecast of the
|
|
concentration camp sung by Mr Swinburne.
|
|
|
|
Cranly, I his mute orderly, following battles from afar.
|
|
|
|
_Whelps and dams of murderous foes whom none But we had spared..._
|
|
|
|
Between the Saxon smile and yankee yawp. The devil and the deep sea.
|
|
|
|
--He will have it that _Hamlet_ is a ghoststory, John Eglinton said
|
|
for Mr Best's behoof. Like the fat boy in Pickwick he wants to make our
|
|
flesh creep.
|
|
|
|
_List! List! O List!_
|
|
|
|
My flesh hears him: creeping, hears.
|
|
|
|
_If thou didst ever..._
|
|
|
|
--What is a ghost? Stephen said with tingling energy. One who has faded
|
|
into impalpability through death, through absence, through change of
|
|
manners. Elizabethan London lay as far from Stratford as corrupt Paris
|
|
lies from virgin Dublin. Who is the ghost from _limbo patrum_, returning
|
|
to the world that has forgotten him? Who is King Hamlet?
|
|
|
|
John Eglinton shifted his spare body, leaning back to judge.
|
|
|
|
Lifted.
|
|
|
|
--It is this hour of a day in mid June, Stephen said, begging with
|
|
a swift glance their hearing. The flag is up on the playhouse by the
|
|
bankside. The bear Sackerson growls in the pit near it, Paris garden.
|
|
Canvasclimbers who sailed with Drake chew their sausages among the
|
|
groundlings.
|
|
|
|
Local colour. Work in all you know. Make them accomplices.
|
|
|
|
--Shakespeare has left the huguenot's house in Silver street and walks
|
|
by the swanmews along the riverbank. But he does not stay to feed the
|
|
pen chivying her game of cygnets towards the rushes. The swan of Avon
|
|
has other thoughts.
|
|
|
|
Composition of place. Ignatius Loyola, make haste to help me!
|
|
|
|
--The play begins. A player comes on under the shadow, made up in the
|
|
castoff mail of a court buck, a wellset man with a bass voice. It is the
|
|
ghost, the king, a king and no king, and the player is Shakespeare who
|
|
has studied _Hamlet_ all the years of his life which were not vanity in
|
|
order to play the part of the spectre. He speaks the words to Burbage,
|
|
the young player who stands before him beyond the rack of cerecloth,
|
|
calling him by a name:
|
|
|
|
_Hamlet, I am thy father's spirit,_
|
|
|
|
bidding him list. To a son he speaks, the son of his soul, the prince,
|
|
young Hamlet and to the son of his body, Hamnet Shakespeare, who has
|
|
died in Stratford that his namesake may live for ever.
|
|
|
|
Is it possible that that player Shakespeare, a ghost by absence, and in
|
|
the vesture of buried Denmark, a ghost by death, speaking his own words
|
|
to his own son's name (had Hamnet Shakespeare lived he would have been
|
|
prince Hamlet's twin), is it possible, I want to know, or probable that
|
|
he did not draw or foresee the logical conclusion of those premises: you
|
|
are the dispossessed son: I am the murdered father: your mother is the
|
|
guilty queen, Ann Shakespeare, born Hathaway?
|
|
|
|
--But this prying into the family life of a great man, Russell began
|
|
impatiently.
|
|
|
|
Art thou there, truepenny?
|
|
|
|
--Interesting only to the parish clerk. I mean, we have the plays. I
|
|
mean when we read the poetry of _King Lear_ what is it to us how the
|
|
poet lived? As for living our servants can do that for us, Villiers de
|
|
l'Isle has said. Peeping and prying into greenroom gossip of the day,
|
|
the poet's drinking, the poet's debts. We have _King Lear_: and it is
|
|
immortal.
|
|
|
|
Mr Best's face, appealed to, agreed.
|
|
|
|
_Flow over them with your waves and with your waters, Mananaan, Mananaan
|
|
MacLir..._
|
|
|
|
How now, sirrah, that pound he lent you when you were hungry?
|
|
|
|
Marry, I wanted it.
|
|
|
|
Take thou this noble.
|
|
|
|
Go to! You spent most of it in Georgina Johnson's bed, clergyman's
|
|
daughter. Agenbite of inwit.
|
|
|
|
Do you intend to pay it back?
|
|
|
|
O, yes.
|
|
|
|
When? Now?
|
|
|
|
Well... No.
|
|
|
|
When, then?
|
|
|
|
I paid my way. I paid my way.
|
|
|
|
Steady on. He's from beyant Boyne water. The northeast corner. You owe
|
|
it.
|
|
|
|
Wait. Five months. Molecules all change. I am other I now. Other I got
|
|
pound.
|
|
|
|
Buzz. Buzz.
|
|
|
|
But I, entelechy, form of forms, am I by memory because under
|
|
everchanging forms.
|
|
|
|
I that sinned and prayed and fasted.
|
|
|
|
A child Conmee saved from pandies.
|
|
|
|
I, I and I. I.
|
|
|
|
A.E.I.O.U.
|
|
|
|
--Do you mean to fly in the face of the tradition of three centuries?
|
|
John Eglinton's carping voice asked. Her ghost at least has been laid
|
|
for ever. She died, for literature at least, before she was born.
|
|
|
|
--She died, Stephen retorted, sixtyseven years after she was born. She
|
|
saw him into and out of the world. She took his first embraces. She bore
|
|
his children and she laid pennies on his eyes to keep his eyelids closed
|
|
when he lay on his deathbed.
|
|
|
|
Mother's deathbed. Candle. The sheeted mirror. Who brought me into
|
|
this world lies there, bronzelidded, under few cheap flowers. _Liliata
|
|
rutilantium._
|
|
|
|
I wept alone.
|
|
|
|
John Eglinton looked in the tangled glowworm of his lamp.
|
|
|
|
--The world believes that Shakespeare made a mistake, he said, and got
|
|
out of it as quickly and as best he could.
|
|
|
|
--Bosh! Stephen said rudely. A man of genius makes no mistakes. His
|
|
errors are volitional and are the portals of discovery.
|
|
|
|
Portals of discovery opened to let in the quaker librarian,
|
|
softcreakfooted, bald, eared and assiduous.
|
|
|
|
--A shrew, John Eglinton said shrewdly, is not a useful portal of
|
|
discovery, one should imagine. What useful discovery did Socrates learn
|
|
from Xanthippe?
|
|
|
|
--Dialectic, Stephen answered: and from his mother how to bring thoughts
|
|
into the world. What he learnt from his other wife Myrto (_absit
|
|
nomen!_), Socratididion's Epipsychidion, no man, not a woman, will ever
|
|
know. But neither the midwife's lore nor the caudlelectures saved him
|
|
from the archons of Sinn Fein and their naggin of hemlock.
|
|
|
|
--But Ann Hathaway? Mr Best's quiet voice said forgetfully. Yes, we seem
|
|
to be forgetting her as Shakespeare himself forgot her.
|
|
|
|
His look went from brooder's beard to carper's skull, to remind, to
|
|
chide them not unkindly, then to the baldpink lollard costard, guiltless
|
|
though maligned.
|
|
|
|
--He had a good groatsworth of wit, Stephen said, and no truant memory.
|
|
He carried a memory in his wallet as he trudged to Romeville whistling
|
|
_The girl I left behind me._ If the earthquake did not time it we should
|
|
know where to place poor Wat, sitting in his form, the cry of hounds,
|
|
the studded bridle and her blue windows. That memory, _Venus and
|
|
Adonis_, lay in the bedchamber of every light-of-love in London.
|
|
Is Katharine the shrew illfavoured? Hortensio calls her young and
|
|
beautiful. Do you think the writer of _Antony and Cleopatra_, a
|
|
passionate pilgrim, had his eyes in the back of his head that he chose
|
|
the ugliest doxy in all Warwickshire to lie withal? Good: he left her
|
|
and gained the world of men. But his boywomen are the women of a boy.
|
|
Their life, thought, speech are lent them by males. He chose badly? He
|
|
was chosen, it seems to me. If others have their will Ann hath a way.
|
|
By cock, she was to blame. She put the comether on him, sweet and
|
|
twentysix. The greyeyed goddess who bends over the boy Adonis, stooping
|
|
to conquer, as prologue to the swelling act, is a boldfaced Stratford
|
|
wench who tumbles in a cornfield a lover younger than herself.
|
|
|
|
And my turn? When?
|
|
|
|
Come!
|
|
|
|
--Ryefield, Mr Best said brightly, gladly, raising his new book, gladly,
|
|
brightly.
|
|
|
|
He murmured then with blond delight for all:
|
|
|
|
_Between the acres of the rye These pretty countryfolk would lie._
|
|
|
|
Paris: the wellpleased pleaser.
|
|
|
|
A tall figure in bearded homespun rose from shadow and unveiled its
|
|
cooperative watch.
|
|
|
|
--I am afraid I am due at the _Homestead._
|
|
|
|
Whither away? Exploitable ground.
|
|
|
|
--Are you going? John Eglinton's active eyebrows asked. Shall we see you
|
|
at Moore's tonight? Piper is coming.
|
|
|
|
--Piper! Mr Best piped. Is Piper back?
|
|
|
|
Peter Piper pecked a peck of pick of peck of pickled pepper.
|
|
|
|
--I don't know if I can. Thursday. We have our meeting. If I can get
|
|
away in time.
|
|
|
|
Yogibogeybox in Dawson chambers. _Isis Unveiled._ Their Pali book we
|
|
tried to pawn. Crosslegged under an umbrel umbershoot he thrones an
|
|
Aztec logos, functioning on astral levels, their oversoul, mahamahatma.
|
|
The faithful hermetists await the light, ripe for chelaship,
|
|
ringroundabout him. Louis H. Victory. T. Caulfield Irwin. Lotus ladies
|
|
tend them i'the eyes, their pineal glands aglow. Filled with his god,
|
|
he thrones, Buddh under plantain. Gulfer of souls, engulfer. Hesouls,
|
|
shesouls, shoals of souls. Engulfed with wailing creecries, whirled,
|
|
whirling, they bewail.
|
|
|
|
_In quintessential triviality
|
|
For years in this fleshcase a shesoul dwelt._
|
|
|
|
--They say we are to have a literary surprise, the quaker librarian
|
|
said, friendly and earnest. Mr Russell, rumour has it, is gathering
|
|
together a sheaf of our younger poets' verses. We are all looking
|
|
forward anxiously.
|
|
|
|
Anxiously he glanced in the cone of lamplight where three faces,
|
|
lighted, shone.
|
|
|
|
See this. Remember.
|
|
|
|
Stephen looked down on a wide headless caubeen, hung on his
|
|
ashplanthandle over his knee. My casque and sword. Touch lightly with
|
|
two index fingers. Aristotle's experiment. One or two? Necessity is that
|
|
in virtue of which it is impossible that one can be otherwise. Argal,
|
|
one hat is one hat.
|
|
|
|
Listen.
|
|
|
|
Young Colum and Starkey. George Roberts is doing the commercial part.
|
|
Longworth will give it a good puff in the _Express._ O, will he? I liked
|
|
Colum's _Drover._ Yes, I think he has that queer thing genius. Do you
|
|
think he has genius really? Yeats admired his line: _As in wild earth
|
|
a Grecian vase_. Did he? I hope you'll be able to come tonight. Malachi
|
|
Mulligan is coming too. Moore asked him to bring Haines. Did you hear
|
|
Miss Mitchell's joke about Moore and Martyn? That Moore is Martyn's
|
|
wild oats? Awfully clever, isn't it? They remind one of Don Quixote and
|
|
Sancho Panza. Our national epic has yet to be written, Dr Sigerson says.
|
|
Moore is the man for it. A knight of the rueful countenance here in
|
|
Dublin. With a saffron kilt? O'Neill Russell? O, yes, he must speak the
|
|
grand old tongue. And his Dulcinea? James Stephens is doing some clever
|
|
sketches. We are becoming important, it seems.
|
|
|
|
Cordelia. _Cordoglio._ Lir's loneliest daughter.
|
|
|
|
Nookshotten. Now your best French polish.
|
|
|
|
--Thank you very much, Mr Russell, Stephen said, rising. If you will be
|
|
so kind as to give the letter to Mr Norman...
|
|
|
|
--O, yes. If he considers it important it will go in. We have so much
|
|
correspondence.
|
|
|
|
--I understand, Stephen said. Thanks.
|
|
|
|
God ild you. The pigs' paper. Bullockbefriending.
|
|
|
|
Synge has promised me an article for _Dana_ too. Are we going to be
|
|
read? I feel we are. The Gaelic league wants something in Irish. I hope
|
|
you will come round tonight. Bring Starkey.
|
|
|
|
Stephen sat down.
|
|
|
|
The quaker librarian came from the leavetakers. Blushing, his mask said:
|
|
|
|
--Mr Dedalus, your views are most illuminating.
|
|
|
|
He creaked to and fro, tiptoing up nearer heaven by the altitude of a
|
|
chopine, and, covered by the noise of outgoing, said low:
|
|
|
|
--Is it your view, then, that she was not faithful to the poet?
|
|
|
|
Alarmed face asks me. Why did he come? Courtesy or an inward light?
|
|
|
|
--Where there is a reconciliation, Stephen said, there must have been
|
|
first a sundering.
|
|
|
|
--Yes.
|
|
|
|
Christfox in leather trews, hiding, a runaway in blighted treeforks,
|
|
from hue and cry. Knowing no vixen, walking lonely in the chase. Women
|
|
he won to him, tender people, a whore of Babylon, ladies of justices,
|
|
bully tapsters' wives. Fox and geese. And in New Place a slack
|
|
dishonoured body that once was comely, once as sweet, as fresh as
|
|
cinnamon, now her leaves falling, all, bare, frighted of the narrow
|
|
grave and unforgiven.
|
|
|
|
--Yes. So you think...
|
|
|
|
The door closed behind the outgoer.
|
|
|
|
Rest suddenly possessed the discreet vaulted cell, rest of warm and
|
|
brooding air.
|
|
|
|
A vestal's lamp.
|
|
|
|
Here he ponders things that were not: what Caesar would have lived to do
|
|
had he believed the soothsayer: what might have been: possibilities of
|
|
the possible as possible: things not known: what name Achilles bore when
|
|
he lived among women.
|
|
|
|
Coffined thoughts around me, in mummycases, embalmed in spice of words.
|
|
Thoth, god of libraries, a birdgod, moonycrowned. And I heard the
|
|
voice of that Egyptian highpriest. _In painted chambers loaded with
|
|
tilebooks._
|
|
|
|
They are still. Once quick in the brains of men. Still: but an itch of
|
|
death is in them, to tell me in my ear a maudlin tale, urge me to wreak
|
|
their will.
|
|
|
|
--Certainly, John Eglinton mused, of all great men he is the most
|
|
enigmatic. We know nothing but that he lived and suffered. Not even so
|
|
much. Others abide our question. A shadow hangs over all the rest.
|
|
|
|
--But _Hamlet_ is so personal, isn't it? Mr Best pleaded. I mean, a kind
|
|
of private paper, don't you know, of his private life. I mean, I don't
|
|
care a button, don't you know, who is killed or who is guilty...
|
|
|
|
He rested an innocent book on the edge of the desk, smiling his
|
|
defiance. His private papers in the original. _Ta an bad ar an tir. Taim
|
|
in mo shagart_. Put beurla on it, littlejohn.
|
|
|
|
Quoth littlejohn Eglinton:
|
|
|
|
--I was prepared for paradoxes from what Malachi Mulligan told us but
|
|
I may as well warn you that if you want to shake my belief that
|
|
Shakespeare is Hamlet you have a stern task before you.
|
|
|
|
Bear with me.
|
|
|
|
Stephen withstood the bane of miscreant eyes glinting stern under
|
|
wrinkled brows. A basilisk. _E quando vede l'uomo l'attosca_. Messer
|
|
Brunetto, I thank thee for the word.
|
|
|
|
--As we, or mother Dana, weave and unweave our bodies, Stephen said,
|
|
from day to day, their molecules shuttled to and fro, so does the artist
|
|
weave and unweave his image. And as the mole on my right breast is where
|
|
it was when I was born, though all my body has been woven of new stuff
|
|
time after time, so through the ghost of the unquiet father the image
|
|
of the unliving son looks forth. In the intense instant of imagination,
|
|
when the mind, Shelley says, is a fading coal, that which I was is that
|
|
which I am and that which in possibility I may come to be. So in the
|
|
future, the sister of the past, I may see myself as I sit here now but
|
|
by reflection from that which then I shall be.
|
|
|
|
Drummond of Hawthornden helped you at that stile.
|
|
|
|
--Yes, Mr Best said youngly. I feel Hamlet quite young. The bitterness
|
|
might be from the father but the passages with Ophelia are surely from
|
|
the son.
|
|
|
|
Has the wrong sow by the lug. He is in my father. I am in his son.
|
|
|
|
--That mole is the last to go, Stephen said, laughing.
|
|
|
|
John Eglinton made a nothing pleasing mow.
|
|
|
|
--If that were the birthmark of genius, he said, genius would be a
|
|
drug in the market. The plays of Shakespeare's later years which Renan
|
|
admired so much breathe another spirit.
|
|
|
|
--The spirit of reconciliation, the quaker librarian breathed.
|
|
|
|
--There can be no reconciliation, Stephen said, if there has not been a
|
|
sundering.
|
|
|
|
Said that.
|
|
|
|
--If you want to know what are the events which cast their shadow over
|
|
the hell of time of _King Lear, Othello, Hamlet, Troilus and Cressida,_
|
|
look to see when and how the shadow lifts. What softens the heart of a
|
|
man, shipwrecked in storms dire, Tried, like another Ulysses, Pericles,
|
|
prince of Tyre?
|
|
|
|
Head, redconecapped, buffeted, brineblinded.
|
|
|
|
--A child, a girl, placed in his arms, Marina.
|
|
|
|
--The leaning of sophists towards the bypaths of apocrypha is a constant
|
|
quantity, John Eglinton detected. The highroads are dreary but they lead
|
|
to the town.
|
|
|
|
Good Bacon: gone musty. Shakespeare Bacon's wild oats. Cypherjugglers
|
|
going the highroads. Seekers on the great quest. What town, good
|
|
masters? Mummed in names: A. E., eon: Magee, John Eglinton. East of the
|
|
sun, west of the moon: _Tir na n-og_. Booted the twain and staved.
|
|
|
|
_How many miles to Dublin? Three score and ten, sir. Will we be there by
|
|
candlelight?_
|
|
|
|
--Mr Brandes accepts it, Stephen said, as the first play of the closing
|
|
period.
|
|
|
|
--Does he? What does Mr Sidney Lee, or Mr Simon Lazarus as some aver his
|
|
name is, say of it?
|
|
|
|
--Marina, Stephen said, a child of storm, Miranda, a wonder, Perdita,
|
|
that which was lost. What was lost is given back to him: his daughter's
|
|
child. _My dearest wife_, Pericles says, _was like this maid._ Will any
|
|
man love the daughter if he has not loved the mother?
|
|
|
|
--The art of being a grandfather, Mr Best gan murmur. _l'art d'etre
|
|
grand_...
|
|
|
|
--Will he not see reborn in her, with the memory of his own youth added,
|
|
another image?
|
|
|
|
Do you know what you are talking about? Love, yes. Word known to all
|
|
men. Amor vero aliquid alicui bonum vult unde et ea quae concupiscimus
|
|
...
|
|
|
|
--His own image to a man with that queer thing genius is the standard of
|
|
all experience, material and moral. Such an appeal will touch him. The
|
|
images of other males of his blood will repel him. He will see in them
|
|
grotesque attempts of nature to foretell or to repeat himself.
|
|
|
|
The benign forehead of the quaker librarian enkindled rosily with hope.
|
|
|
|
--I hope Mr Dedalus will work out his theory for the enlightenment of
|
|
the public. And we ought to mention another Irish commentator, Mr George
|
|
Bernard Shaw. Nor should we forget Mr Frank Harris. His articles on
|
|
Shakespeare in the _Saturday Review_ were surely brilliant. Oddly
|
|
enough he too draws for us an unhappy relation with the dark lady of the
|
|
sonnets. The favoured rival is William Herbert, earl of Pembroke. I own
|
|
that if the poet must be rejected such a rejection would seem more in
|
|
harmony with--what shall I say?--our notions of what ought not to have
|
|
been.
|
|
|
|
Felicitously he ceased and held a meek head among them, auk's egg, prize
|
|
of their fray.
|
|
|
|
He thous and thees her with grave husbandwords. Dost love, Miriam? Dost
|
|
love thy man?
|
|
|
|
--That may be too, Stephen said. There's a saying of Goethe's which Mr
|
|
Magee likes to quote. Beware of what you wish for in youth because
|
|
you will get it in middle life. Why does he send to one who is
|
|
a _buonaroba,_ a bay where all men ride, a maid of honour with a
|
|
scandalous girlhood, a lordling to woo for him? He was himself a lord
|
|
of language and had made himself a coistrel gentleman and he had written
|
|
_Romeo and Juliet_. Why? Belief in himself has been untimely killed. He
|
|
was overborne in a cornfield first (ryefield, I should say) and he will
|
|
never be a victor in his own eyes after nor play victoriously the game
|
|
of laugh and lie down. Assumed dongiovannism will not save him. No later
|
|
undoing will undo the first undoing. The tusk of the boar has wounded
|
|
him there where love lies ableeding. If the shrew is worsted yet there
|
|
remains to her woman's invisible weapon. There is, I feel in the words,
|
|
some goad of the flesh driving him into a new passion, a darker shadow
|
|
of the first, darkening even his own understanding of himself. A like
|
|
fate awaits him and the two rages commingle in a whirlpool.
|
|
|
|
They list. And in the porches of their ears I pour.
|
|
|
|
--The soul has been before stricken mortally, a poison poured in the
|
|
porch of a sleeping ear. But those who are done to death in sleep cannot
|
|
know the manner of their quell unless their Creator endow their souls
|
|
with that knowledge in the life to come. The poisoning and the beast
|
|
with two backs that urged it King Hamlet's ghost could not know of were
|
|
he not endowed with knowledge by his creator. That is why the speech
|
|
(his lean unlovely English) is always turned elsewhere, backward.
|
|
Ravisher and ravished, what he would but would not, go with him from
|
|
Lucrece's bluecircled ivory globes to Imogen's breast, bare, with its
|
|
mole cinquespotted. He goes back, weary of the creation he has piled up
|
|
to hide him from himself, an old dog licking an old sore. But, because
|
|
loss is his gain, he passes on towards eternity in undiminished
|
|
personality, untaught by the wisdom he has written or by the laws he
|
|
has revealed. His beaver is up. He is a ghost, a shadow now, the wind by
|
|
Elsinore's rocks or what you will, the sea's voice, a voice heard
|
|
only in the heart of him who is the substance of his shadow, the son
|
|
consubstantial with the father.
|
|
|
|
--Amen! was responded from the doorway.
|
|
|
|
Hast thou found me, O mine enemy?
|
|
|
|
_Entr'acte_.
|
|
|
|
A ribald face, sullen as a dean's, Buck Mulligan came forward, then
|
|
blithe in motley, towards the greeting of their smiles. My telegram.
|
|
|
|
--You were speaking of the gaseous vertebrate, if I mistake not? he
|
|
asked of Stephen.
|
|
|
|
Primrosevested he greeted gaily with his doffed Panama as with a bauble.
|
|
|
|
They make him welcome. _Was Du verlachst wirst Du noch dienen._
|
|
|
|
Brood of mockers: Photius, pseudomalachi, Johann Most.
|
|
|
|
He Who Himself begot middler the Holy Ghost and Himself sent Himself,
|
|
Agenbuyer, between Himself and others, Who, put upon by His fiends,
|
|
stripped and whipped, was nailed like bat to barndoor, starved on
|
|
crosstree, Who let Him bury, stood up, harrowed hell, fared into heaven
|
|
and there these nineteen hundred years sitteth on the right hand of His
|
|
Own Self but yet shall come in the latter day to doom the quick and dead
|
|
when all the quick shall be dead already.
|
|
|
|
Glo--o--ri--a in ex--cel--sis De--o.
|
|
|
|
He lifts his hands. Veils fall. O, flowers! Bells with bells with bells
|
|
aquiring.
|
|
|
|
--Yes, indeed, the quaker librarian said. A most instructive discussion.
|
|
Mr Mulligan, I'll be bound, has his theory too of the play and of
|
|
Shakespeare. All sides of life should be represented.
|
|
|
|
He smiled on all sides equally.
|
|
|
|
Buck Mulligan thought, puzzled:
|
|
|
|
--Shakespeare? he said. I seem to know the name.
|
|
|
|
A flying sunny smile rayed in his loose features.
|
|
|
|
--To be sure, he said, remembering brightly. The chap that writes like
|
|
Synge.
|
|
|
|
Mr Best turned to him.
|
|
|
|
--Haines missed you, he said. Did you meet him? He'll see you after at
|
|
the D. B. C. He's gone to Gill's to buy Hyde's _Lovesongs of Connacht_.
|
|
|
|
--I came through the museum, Buck Mulligan said. Was he here?
|
|
|
|
--The bard's fellowcountrymen, John Eglinton answered, are rather tired
|
|
perhaps of our brilliancies of theorising. I hear that an actress played
|
|
Hamlet for the fourhundredandeighth time last night in Dublin. Vining
|
|
held that the prince was a woman. Has no-one made him out to be an
|
|
Irishman? Judge Barton, I believe, is searching for some clues. He
|
|
swears (His Highness not His Lordship) by saint Patrick.
|
|
|
|
--The most brilliant of all is that story of Wilde's, Mr Best said,
|
|
lifting his brilliant notebook. That _Portrait of Mr W. H._ where he
|
|
proves that the sonnets were written by a Willie Hughes, a man all hues.
|
|
|
|
--For Willie Hughes, is it not? the quaker librarian asked.
|
|
|
|
Or Hughie Wills? Mr William Himself. W. H.: who am I?
|
|
|
|
--I mean, for Willie Hughes, Mr Best said, amending his gloss easily. Of
|
|
course it's all paradox, don't you know, Hughes and hews and hues,
|
|
the colour, but it's so typical the way he works it out. It's the very
|
|
essence of Wilde, don't you know. The light touch.
|
|
|
|
His glance touched their faces lightly as he smiled, a blond ephebe.
|
|
Tame essence of Wilde.
|
|
|
|
You're darned witty. Three drams of usquebaugh you drank with Dan
|
|
Deasy's ducats.
|
|
|
|
How much did I spend? O, a few shillings.
|
|
|
|
For a plump of pressmen. Humour wet and dry.
|
|
|
|
Wit. You would give your five wits for youth's proud livery he pranks
|
|
in. Lineaments of gratified desire.
|
|
|
|
There be many mo. Take her for me. In pairing time. Jove, a cool ruttime
|
|
send them. Yea, turtledove her.
|
|
|
|
Eve. Naked wheatbellied sin. A snake coils her, fang in's kiss.
|
|
|
|
--Do you think it is only a paradox? the quaker librarian was asking.
|
|
The mocker is never taken seriously when he is most serious.
|
|
|
|
They talked seriously of mocker's seriousness.
|
|
|
|
Buck Mulligan's again heavy face eyed Stephen awhile. Then, his head
|
|
wagging, he came near, drew a folded telegram from his pocket. His
|
|
mobile lips read, smiling with new delight.
|
|
|
|
--Telegram! he said. Wonderful inspiration! Telegram! A papal bull!
|
|
|
|
He sat on a corner of the unlit desk, reading aloud joyfully:
|
|
|
|
--_The sentimentalist is he who would enjoy without incurring the
|
|
immense debtorship for a thing done._ Signed: Dedalus. Where did you
|
|
launch it from? The kips? No. College Green. Have you drunk the four
|
|
quid? The aunt is going to call on your unsubstantial father. Telegram!
|
|
Malachi Mulligan, The Ship, lower Abbey street. O, you peerless mummer!
|
|
O, you priestified Kinchite!
|
|
|
|
Joyfully he thrust message and envelope into a pocket but keened in a
|
|
querulous brogue:
|
|
|
|
--It's what I'm telling you, mister honey, it's queer and sick we were,
|
|
Haines and myself, the time himself brought it in. 'Twas murmur we did
|
|
for a gallus potion would rouse a friar, I'm thinking, and he limp with
|
|
leching. And we one hour and two hours and three hours in Connery's
|
|
sitting civil waiting for pints apiece.
|
|
|
|
He wailed:
|
|
|
|
--And we to be there, mavrone, and you to be unbeknownst sending us your
|
|
conglomerations the way we to have our tongues out a yard long like the
|
|
drouthy clerics do be fainting for a pussful.
|
|
|
|
Stephen laughed.
|
|
|
|
Quickly, warningfully Buck Mulligan bent down.
|
|
|
|
--The tramper Synge is looking for you, he said, to murder you. He
|
|
heard you pissed on his halldoor in Glasthule. He's out in pampooties to
|
|
murder you.
|
|
|
|
--Me! Stephen exclaimed. That was your contribution to literature.
|
|
|
|
Buck Mulligan gleefully bent back, laughing to the dark eavesdropping
|
|
ceiling.
|
|
|
|
--Murder you! he laughed.
|
|
|
|
Harsh gargoyle face that warred against me over our mess of hash
|
|
of lights in rue Saint-Andre-des-Arts. In words of words for words,
|
|
palabras. Oisin with Patrick. Faunman he met in Clamart woods,
|
|
brandishing a winebottle. _C'est vendredi saint!_ Murthering Irish. His
|
|
image, wandering, he met. I mine. I met a fool i'the forest.
|
|
|
|
--Mr Lyster, an attendant said from the door ajar.
|
|
|
|
--... in which everyone can find his own. So Mr Justice Madden in his
|
|
_Diary of Master William Silence_ has found the hunting terms... Yes?
|
|
What is it?
|
|
|
|
--There's a gentleman here, sir, the attendant said, coming forward and
|
|
offering a card. From the _Freeman._ He wants to see the files of the
|
|
_Kilkenny People_ for last year.
|
|
|
|
--Certainly, certainly, certainly. Is the gentleman?...
|
|
|
|
He took the eager card, glanced, not saw, laid down unglanced, looked,
|
|
asked, creaked, asked:
|
|
|
|
--Is he?... O, there!
|
|
|
|
Brisk in a galliard he was off, out. In the daylit corridor he talked
|
|
with voluble pains of zeal, in duty bound, most fair, most kind, most
|
|
honest broadbrim.
|
|
|
|
--This gentleman? _Freeman's Journal? Kilkenny People?_ To be sure. Good
|
|
day, sir. _Kilkenny_... We have certainly...
|
|
|
|
A patient silhouette waited, listening.
|
|
|
|
--All the leading provincial... _Northern Whig, Cork Examiner,
|
|
Enniscorthy Guardian,_ 1903... Will you please?... Evans, conduct this
|
|
gentleman... If you just follow the atten... Or, please allow me...
|
|
This way... Please, sir...
|
|
|
|
Voluble, dutiful, he led the way to all the provincial papers, a bowing
|
|
dark figure following his hasty heels.
|
|
|
|
The door closed.
|
|
|
|
--The sheeny! Buck Mulligan cried.
|
|
|
|
He jumped up and snatched the card.
|
|
|
|
--What's his name? Ikey Moses? Bloom.
|
|
|
|
He rattled on:
|
|
|
|
--Jehovah, collector of prepuces, is no more. I found him over in the
|
|
museum where I went to hail the foamborn Aphrodite. The Greek mouth that
|
|
has never been twisted in prayer. Every day we must do homage to her.
|
|
_Life of life, thy lips enkindle._
|
|
|
|
Suddenly he turned to Stephen:
|
|
|
|
--He knows you. He knows your old fellow. O, I fear me, he is Greeker
|
|
than the Greeks. His pale Galilean eyes were upon her mesial groove.
|
|
Venus Kallipyge. O, the thunder of those loins! _The god pursuing the
|
|
maiden hid_.
|
|
|
|
--We want to hear more, John Eglinton decided with Mr Best's approval.
|
|
We begin to be interested in Mrs S. Till now we had thought of her, if
|
|
at all, as a patient Griselda, a Penelope stayathome.
|
|
|
|
--Antisthenes, pupil of Gorgias, Stephen said, took the palm of beauty
|
|
from Kyrios Menelaus' brooddam, Argive Helen, the wooden mare of Troy
|
|
in whom a score of heroes slept, and handed it to poor Penelope. Twenty
|
|
years he lived in London and, during part of that time, he drew a salary
|
|
equal to that of the lord chancellor of Ireland. His life was rich. His
|
|
art, more than the art of feudalism as Walt Whitman called it, is the
|
|
art of surfeit. Hot herringpies, green mugs of sack, honeysauces, sugar
|
|
of roses, marchpane, gooseberried pigeons, ringocandies. Sir Walter
|
|
Raleigh, when they arrested him, had half a million francs on his
|
|
back including a pair of fancy stays. The gombeenwoman Eliza Tudor had
|
|
underlinen enough to vie with her of Sheba. Twenty years he dallied
|
|
there between conjugial love and its chaste delights and scortatory love
|
|
and its foul pleasures. You know Manningham's story of the burgher's
|
|
wife who bade Dick Burbage to her bed after she had seen him in _Richard
|
|
III_ and how Shakespeare, overhearing, without more ado about nothing,
|
|
took the cow by the horns and, when Burbage came knocking at the gate,
|
|
answered from the capon's blankets: _William the conqueror came before
|
|
Richard III_. And the gay lakin, mistress Fitton, mount and cry O,
|
|
and his dainty birdsnies, lady Penelope Rich, a clean quality woman is
|
|
suited for a player, and the punks of the bankside, a penny a time.
|
|
|
|
Cours la Reine. _Encore vingt sous. Nous ferons de petites cochonneries.
|
|
Minette? Tu veux?_
|
|
|
|
--The height of fine society. And sir William Davenant of oxford's
|
|
mother with her cup of canary for any cockcanary.
|
|
|
|
Buck Mulligan, his pious eyes upturned, prayed:
|
|
|
|
--Blessed Margaret Mary Anycock!
|
|
|
|
--And Harry of six wives' daughter. And other lady friends from
|
|
neighbour seats as Lawn Tennyson, gentleman poet, sings. But all those
|
|
twenty years what do you suppose poor Penelope in Stratford was doing
|
|
behind the diamond panes?
|
|
|
|
Do and do. Thing done. In a rosery of Fetter lane of Gerard, herbalist,
|
|
he walks, greyedauburn. An azured harebell like her veins. Lids of
|
|
Juno's eyes, violets. He walks. One life is all. One body. Do. But do.
|
|
Afar, in a reek of lust and squalor, hands are laid on whiteness.
|
|
|
|
Buck Mulligan rapped John Eglinton's desk sharply.
|
|
|
|
--Whom do you suspect? he challenged.
|
|
|
|
--Say that he is the spurned lover in the sonnets. Once spurned twice
|
|
spurned. But the court wanton spurned him for a lord, his dearmylove.
|
|
|
|
Love that dare not speak its name.
|
|
|
|
--As an Englishman, you mean, John sturdy Eglinton put in, he loved a
|
|
lord.
|
|
|
|
Old wall where sudden lizards flash. At Charenton I watched them.
|
|
|
|
--It seems so, Stephen said, when he wants to do for him, and for all
|
|
other and singular uneared wombs, the holy office an ostler does for the
|
|
stallion. Maybe, like Socrates, he had a midwife to mother as he had a
|
|
shrew to wife. But she, the giglot wanton, did not break a bedvow. Two
|
|
deeds are rank in that ghost's mind: a broken vow and the dullbrained
|
|
yokel on whom her favour has declined, deceased husband's brother. Sweet
|
|
Ann, I take it, was hot in the blood. Once a wooer, twice a wooer.
|
|
|
|
Stephen turned boldly in his chair.
|
|
|
|
--The burden of proof is with you not with me, he said frowning. If you
|
|
deny that in the fifth scene of _Hamlet_ he has branded her with infamy
|
|
tell me why there is no mention of her during the thirtyfour years
|
|
between the day she married him and the day she buried him. All those
|
|
women saw their men down and under: Mary, her goodman John, Ann, her
|
|
poor dear Willun, when he went and died on her, raging that he was the
|
|
first to go, Joan, her four brothers, Judith, her husband and all her
|
|
sons, Susan, her husband too, while Susan's daughter, Elizabeth, to use
|
|
granddaddy's words, wed her second, having killed her first.
|
|
|
|
O, yes, mention there is. In the years when he was living richly in
|
|
royal London to pay a debt she had to borrow forty shillings from her
|
|
father's shepherd. Explain you then. Explain the swansong too wherein he
|
|
has commended her to posterity.
|
|
|
|
He faced their silence.
|
|
|
|
To whom thus Eglinton:
|
|
You mean the will.
|
|
But that has been explained, I believe, by jurists.
|
|
She was entitled to her widow's dower
|
|
At common law. His legal knowledge was great
|
|
Our judges tell us.
|
|
Him Satan fleers,
|
|
Mocker:
|
|
And therefore he left out her name
|
|
From the first draft but he did not leave out
|
|
The presents for his granddaughter, for his daughters,
|
|
For his sister, for his old cronies in Stratford
|
|
And in London. And therefore when he was urged,
|
|
As I believe, to name her
|
|
He left her his
|
|
Secondbest
|
|
Bed.
|
|
_Punkt._
|
|
Leftherhis
|
|
Secondbest
|
|
Leftherhis
|
|
Bestabed
|
|
Secabest
|
|
Leftabed.
|
|
|
|
|
|
Woa!
|
|
|
|
--Pretty countryfolk had few chattels then, John Eglinton observed, as
|
|
they have still if our peasant plays are true to type.
|
|
|
|
--He was a rich country gentleman, Stephen said, with a coat of arms
|
|
and landed estate at Stratford and a house in Ireland yard, a capitalist
|
|
shareholder, a bill promoter, a tithefarmer. Why did he not leave her
|
|
his best bed if he wished her to snore away the rest of her nights in
|
|
peace?
|
|
|
|
--It is clear that there were two beds, a best and a secondbest, Mr
|
|
Secondbest Best said finely.
|
|
|
|
--_Separatio a mensa et a thalamo_, bettered Buck Mulligan and was
|
|
smiled on.
|
|
|
|
--Antiquity mentions famous beds, Second Eglinton puckered, bedsmiling.
|
|
Let me think.
|
|
|
|
--Antiquity mentions that Stagyrite schoolurchin and bald heathen sage,
|
|
Stephen said, who when dying in exile frees and endows his slaves, pays
|
|
tribute to his elders, wills to be laid in earth near the bones of his
|
|
dead wife and bids his friends be kind to an old mistress (don't forget
|
|
Nell Gwynn Herpyllis) and let her live in his villa.
|
|
|
|
--Do you mean he died so? Mr Best asked with slight concern. I mean...
|
|
|
|
--He died dead drunk, Buck Mulligan capped. A quart of ale is a dish for
|
|
a king. O, I must tell you what Dowden said!
|
|
|
|
--What? asked Besteglinton.
|
|
|
|
William Shakespeare and company, limited. The people's William. For
|
|
terms apply: E. Dowden, Highfield house...
|
|
|
|
--Lovely! Buck Mulligan suspired amorously. I asked him what he thought
|
|
of the charge of pederasty brought against the bard. He lifted his hands
|
|
and said: _All we can say is that life ran very high in those days._
|
|
Lovely!
|
|
|
|
Catamite.
|
|
|
|
--The sense of beauty leads us astray, said beautifulinsadness Best to
|
|
ugling Eglinton.
|
|
|
|
Steadfast John replied severe:
|
|
|
|
--The doctor can tell us what those words mean. You cannot eat your cake
|
|
and have it.
|
|
|
|
Sayest thou so? Will they wrest from us, from me, the palm of beauty?
|
|
|
|
--And the sense of property, Stephen said. He drew Shylock out of his
|
|
own long pocket. The son of a maltjobber and moneylender he was himself
|
|
a cornjobber and moneylender, with ten tods of corn hoarded in the
|
|
famine riots. His borrowers are no doubt those divers of worship
|
|
mentioned by Chettle Falstaff who reported his uprightness of dealing.
|
|
He sued a fellowplayer for the price of a few bags of malt and exacted
|
|
his pound of flesh in interest for every money lent. How else could
|
|
Aubrey's ostler and callboy get rich quick? All events brought grist to
|
|
his mill. Shylock chimes with the jewbaiting that followed the hanging
|
|
and quartering of the queen's leech Lopez, his jew's heart being plucked
|
|
forth while the sheeny was yet alive: _Hamlet_ and _Macbeth_ with
|
|
the coming to the throne of a Scotch philosophaster with a turn for
|
|
witchroasting. The lost armada is his jeer in _Love's Labour Lost_.
|
|
His pageants, the histories, sail fullbellied on a tide of Mafeking
|
|
enthusiasm. Warwickshire jesuits are tried and we have a porter's theory
|
|
of equivocation. The _Sea Venture_ comes home from Bermudas and the play
|
|
Renan admired is written with Patsy Caliban, our American cousin.
|
|
The sugared sonnets follow Sidney's. As for fay Elizabeth, otherwise
|
|
carrotty Bess, the gross virgin who inspired _The Merry Wives of
|
|
Windsor_, let some meinherr from Almany grope his life long for deephid
|
|
meanings in the depths of the buckbasket.
|
|
|
|
I think you're getting on very nicely. Just mix up a mixture of
|
|
theolologicophilolological. _Mingo, minxi, mictum, mingere._
|
|
|
|
--Prove that he was a jew, John Eglinton dared,'expectantly. Your dean
|
|
of studies holds he was a holy Roman.
|
|
|
|
_Sufflaminandus sum._
|
|
|
|
--He was made in Germany, Stephen replied, as the champion French
|
|
polisher of Italian scandals.
|
|
|
|
--A myriadminded man, Mr Best reminded. Coleridge called him
|
|
myriadminded.
|
|
|
|
_Amplius. In societate humana hoc est maxime necessarium ut sit amicitia
|
|
inter multos._
|
|
|
|
--Saint Thomas, Stephen began...
|
|
|
|
--_Ora pro nobis_, Monk Mulligan groaned, sinking to a chair.
|
|
|
|
There he keened a wailing rune.
|
|
|
|
--_Pogue mahone! Acushla machree!_ It's destroyed we are from this day!
|
|
It's destroyed we are surely!
|
|
|
|
All smiled their smiles.
|
|
|
|
--Saint Thomas, Stephen smiling said, whose gorbellied works I enjoy
|
|
reading in the original, writing of incest from a standpoint different
|
|
from that of the new Viennese school Mr Magee spoke of, likens it in his
|
|
wise and curious way to an avarice of the emotions. He means that the
|
|
love so given to one near in blood is covetously withheld from some
|
|
stranger who, it may be, hungers for it. Jews, whom christians tax with
|
|
avarice, are of all races the most given to intermarriage. Accusations
|
|
are made in anger. The christian laws which built up the hoards of the
|
|
jews (for whom, as for the lollards, storm was shelter) bound their
|
|
affections too with hoops of steel. Whether these be sins or virtues old
|
|
Nobodaddy will tell us at doomsday leet. But a man who holds so tightly
|
|
to what he calls his rights over what he calls his debts will hold
|
|
tightly also to what he calls his rights over her whom he calls his
|
|
wife. No sir smile neighbour shall covet his ox or his wife or his
|
|
manservant or his maidservant or his jackass.
|
|
|
|
--Or his jennyass, Buck Mulligan antiphoned.
|
|
|
|
--Gentle Will is being roughly handled, gentle Mr Best said gently.
|
|
|
|
--Which will? gagged sweetly Buck Mulligan. We are getting mixed.
|
|
|
|
--The will to live, John Eglinton philosophised, for poor Ann, Will's
|
|
widow, is the will to die.
|
|
|
|
_--Requiescat!_ Stephen prayed.
|
|
|
|
_What of all the will to do?
|
|
It has vanished long ago..._
|
|
|
|
--She lies laid out in stark stiffness in that secondbest bed, the
|
|
mobled queen, even though you prove that a bed in those days was as
|
|
rare as a motorcar is now and that its carvings were the wonder of seven
|
|
parishes. In old age she takes up with gospellers (one stayed with her
|
|
at New Place and drank a quart of sack the town council paid for but in
|
|
which bed he slept it skills not to ask) and heard she had a soul. She
|
|
read or had read to her his chapbooks preferring them to the _Merry
|
|
Wives_ and, loosing her nightly waters on the jordan, she thought
|
|
over _Hooks and Eyes for Believers' Breeches_ and _The most Spiritual
|
|
Snuffbox to Make the Most Devout Souls Sneeze_. Venus has twisted her
|
|
lips in prayer. Agenbite of inwit: remorse of conscience. It is an age
|
|
of exhausted whoredom groping for its god.
|
|
|
|
--History shows that to be true, _inquit Eglintonus Chronolologos_. The
|
|
ages succeed one another. But we have it on high authority that a man's
|
|
worst enemies shall be those of his own house and family. I feel that
|
|
Russell is right. What do we care for his wife or father? I should say
|
|
that only family poets have family lives. Falstaff was not a family man.
|
|
I feel that the fat knight is his supreme creation.
|
|
|
|
Lean, he lay back. Shy, deny thy kindred, the unco guid. Shy, supping
|
|
with the godless, he sneaks the cup. A sire in Ultonian Antrim bade it
|
|
him. Visits him here on quarter days. Mr Magee, sir, there's a gentleman
|
|
to see you. Me? Says he's your father, sir. Give me my Wordsworth. Enter
|
|
Magee Mor Matthew, a rugged rough rugheaded kern, in strossers with
|
|
a buttoned codpiece, his nether stocks bemired with clauber of ten
|
|
forests, a wand of wilding in his hand.
|
|
|
|
Your own? He knows your old fellow. The widower.
|
|
|
|
Hurrying to her squalid deathlair from gay Paris on the quayside I
|
|
touched his hand. The voice, new warmth, speaking. Dr Bob Kenny is
|
|
attending her. The eyes that wish me well. But do not know me.
|
|
|
|
--A father, Stephen said, battling against hopelessness, is a necessary
|
|
evil. He wrote the play in the months that followed his father's death.
|
|
If you hold that he, a greying man with two marriageable daughters, with
|
|
thirtyfive years of life, _nel mezzo del cammin di nostra vita_, with
|
|
fifty of experience, is the beardless undergraduate from Wittenberg then
|
|
you must hold that his seventyyear old mother is the lustful queen. No.
|
|
The corpse of John Shakespeare does not walk the night. From hour to
|
|
hour it rots and rots. He rests, disarmed of fatherhood, having devised
|
|
that mystical estate upon his son. Boccaccio's Calandrino was the first
|
|
and last man who felt himself with child. Fatherhood, in the sense of
|
|
conscious begetting, is unknown to man. It is a mystical estate, an
|
|
apostolic succession, from only begetter to only begotten. On that
|
|
mystery and not on the madonna which the cunning Italian intellect
|
|
flung to the mob of Europe the church is founded and founded irremovably
|
|
because founded, like the world, macro and microcosm, upon the void.
|
|
Upon incertitude, upon unlikelihood. _Amor matris_, subjective and
|
|
objective genitive, may be the only true thing in life. Paternity may be
|
|
a legal fiction. Who is the father of any son that any son should love
|
|
him or he any son?
|
|
|
|
What the hell are you driving at?
|
|
|
|
I know. Shut up. Blast you. I have reasons.
|
|
|
|
_Amplius. Adhuc. Iterum. Postea._
|
|
|
|
Are you condemned to do this?
|
|
|
|
--They are sundered by a bodily shame so steadfast that the criminal
|
|
annals of the world, stained with all other incests and bestialities,
|
|
hardly record its breach. Sons with mothers, sires with daughters,
|
|
lesbic sisters, loves that dare not speak their name, nephews with
|
|
grandmothers, jailbirds with keyholes, queens with prize bulls. The son
|
|
unborn mars beauty: born, he brings pain, divides affection, increases
|
|
care. He is a new male: his growth is his father's decline, his youth
|
|
his father's envy, his friend his father's enemy.
|
|
|
|
In rue Monsieur-le-Prince I thought it.
|
|
|
|
--What links them in nature? An instant of blind rut.
|
|
|
|
Am I a father? If I were?
|
|
|
|
Shrunken uncertain hand.
|
|
|
|
--Sabellius, the African, subtlest heresiarch of all the beasts of the
|
|
field, held that the Father was Himself His Own Son. The bulldog of
|
|
Aquin, with whom no word shall be impossible, refutes him. Well: if
|
|
the father who has not a son be not a father can the son who has not a
|
|
father be a son? When Rutlandbaconsouthamptonshakespeare or another poet
|
|
of the same name in the comedy of errors wrote _Hamlet_ he was not the
|
|
father of his own son merely but, being no more a son, he was and felt
|
|
himself the father of all his race, the father of his own grandfather,
|
|
the father of his unborn grandson who, by the same token, never was
|
|
born, for nature, as Mr Magee understands her, abhors perfection.
|
|
|
|
Eglintoneyes, quick with pleasure, looked up shybrightly. Gladly
|
|
glancing, a merry puritan, through the twisted eglantine.
|
|
|
|
Flatter. Rarely. But flatter.
|
|
|
|
--Himself his own father, Sonmulligan told himself. Wait. I am big with
|
|
child. I have an unborn child in my brain. Pallas Athena! A play! The
|
|
play's the thing! Let me parturiate!
|
|
|
|
He clasped his paunchbrow with both birthaiding hands.
|
|
|
|
--As for his family, Stephen said, his mother's name lives in the
|
|
forest of Arden. Her death brought from him the scene with Volumnia in
|
|
_Coriolanus._ His boyson's death is the deathscene of young Arthur in
|
|
_King John._ Hamlet, the black prince, is Hamnet Shakespeare. Who the
|
|
girls in _The Tempest_, in _Pericles,_ in _Winter's Tale_ are we know.
|
|
Who Cleopatra, fleshpot of Egypt, and Cressid and Venus are we may
|
|
guess. But there is another member of his family who is recorded.
|
|
|
|
--The plot thickens, John Eglinton said.
|
|
|
|
The quaker librarian, quaking, tiptoed in, quake, his mask, quake, with
|
|
haste, quake, quack.
|
|
|
|
Door closed. Cell. Day.
|
|
|
|
They list. Three. They.
|
|
|
|
I you he they.
|
|
|
|
Come, mess.
|
|
|
|
STEPHEN: He had three brothers, Gilbert, Edmund, Richard. Gilbert in his
|
|
old age told some cavaliers he got a pass for nowt from Maister Gatherer
|
|
one time mass he did and he seen his brud Maister Wull the playwriter up
|
|
in Lunnon in a wrastling play wud a man on's back. The playhouse sausage
|
|
filled Gilbert's soul. He is nowhere: but an Edmund and a Richard are
|
|
recorded in the works of sweet William.
|
|
|
|
MAGEEGLINJOHN: Names! What's in a name?
|
|
|
|
BEST: That is my name, Richard, don't you know. I hope you are going to
|
|
say a good word for Richard, don't you know, for my sake. _(Laughter)_
|
|
|
|
|
|
BUCKMULLIGAN: (_Piano, diminuendo_)
|
|
|
|
_Then outspoke medical Dick
|
|
To his comrade medical Davy..._
|
|
|
|
STEPHEN: In his trinity of black Wills, the villain shakebags, Iago,
|
|
Richard Crookback, Edmund in _King Lear_, two bear the wicked uncles'
|
|
names. Nay, that last play was written or being written while his
|
|
brother Edmund lay dying in Southwark.
|
|
|
|
BEST: I hope Edmund is going to catch it. I don't want Richard, my name
|
|
...
|
|
|
|
_(Laughter)_
|
|
|
|
QUAKERLYSTER: (_A tempo_) But he that filches from me my good name...
|
|
|
|
STEPHEN: _(Stringendo)_ He has hidden his own name, a fair name,
|
|
William, in the plays, a super here, a clown there, as a painter of old
|
|
Italy set his face in a dark corner of his canvas. He has revealed it in
|
|
the sonnets where there is Will in overplus. Like John o'Gaunt his name
|
|
is dear to him, as dear as the coat and crest he toadied for, on a bend
|
|
sable a spear or steeled argent, honorificabilitudinitatibus, dearer
|
|
than his glory of greatest shakescene in the country. What's in a name?
|
|
That is what we ask ourselves in childhood when we write the name that
|
|
we are told is ours. A star, a daystar, a firedrake, rose at his birth.
|
|
It shone by day in the heavens alone, brighter than Venus in the
|
|
night, and by night it shone over delta in Cassiopeia, the recumbent
|
|
constellation which is the signature of his initial among the stars. His
|
|
eyes watched it, lowlying on the horizon, eastward of the bear, as
|
|
he walked by the slumberous summer fields at midnight returning from
|
|
Shottery and from her arms.
|
|
|
|
Both satisfied. I too.
|
|
|
|
Don't tell them he was nine years old when it was quenched.
|
|
|
|
And from her arms.
|
|
|
|
Wait to be wooed and won. Ay, meacock. Who will woo you?
|
|
|
|
Read the skies. _Autontimorumenos. Bous Stephanoumenos._ Where's your
|
|
configuration? Stephen, Stephen, cut the bread even. S. D: _sua donna.
|
|
Gia: di lui. gelindo risolve di non amare_ S. D.
|
|
|
|
--What is that, Mr Dedalus? the quaker librarian asked. Was it a
|
|
celestial phenomenon?
|
|
|
|
--A star by night, Stephen said. A pillar of the cloud by day.
|
|
|
|
What more's to speak?
|
|
|
|
Stephen looked on his hat, his stick, his boots.
|
|
|
|
_Stephanos,_ my crown. My sword. His boots are spoiling the shape of my
|
|
feet. Buy a pair. Holes in my socks. Handkerchief too.
|
|
|
|
--You make good use of the name, John Eglinton allowed. Your own name is
|
|
strange enough. I suppose it explains your fantastical humour.
|
|
|
|
Me, Magee and Mulligan.
|
|
|
|
Fabulous artificer. The hawklike man. You flew. Whereto?
|
|
Newhaven-Dieppe, steerage passenger. Paris and back. Lapwing. Icarus.
|
|
_Pater, ait._ Seabedabbled, fallen, weltering. Lapwing you are. Lapwing
|
|
be.
|
|
|
|
Mr Best eagerquietly lifted his book to say:
|
|
|
|
--That's very interesting because that brother motive, don't you know,
|
|
we find also in the old Irish myths. Just what you say. The three
|
|
brothers Shakespeare. In Grimm too, don't you know, the fairytales. The
|
|
third brother that always marries the sleeping beauty and wins the best
|
|
prize.
|
|
|
|
Best of Best brothers. Good, better, best.
|
|
|
|
The quaker librarian springhalted near.
|
|
|
|
--I should like to know, he said, which brother you... I understand you
|
|
to suggest there was misconduct with one of the brothers... But perhaps
|
|
I am anticipating?
|
|
|
|
He caught himself in the act: looked at all: refrained.
|
|
|
|
An attendant from the doorway called:
|
|
|
|
--Mr Lyster! Father Dineen wants...
|
|
|
|
--O, Father Dineen! Directly.
|
|
|
|
Swiftly rectly creaking rectly rectly he was rectly gone.
|
|
|
|
John Eglinton touched the foil.
|
|
|
|
--Come, he said. Let us hear what you have to say of Richard and Edmund.
|
|
You kept them for the last, didn't you?
|
|
|
|
--In asking you to remember those two noble kinsmen nuncle Richie and
|
|
nuncle Edmund, Stephen answered, I feel I am asking too much perhaps. A
|
|
brother is as easily forgotten as an umbrella.
|
|
|
|
Lapwing.
|
|
|
|
Where is your brother? Apothecaries' hall. My whetstone. Him, then
|
|
Cranly, Mulligan: now these. Speech, speech. But act. Act speech. They
|
|
mock to try you. Act. Be acted on.
|
|
|
|
Lapwing.
|
|
|
|
I am tired of my voice, the voice of Esau. My kingdom for a drink.
|
|
|
|
On.
|
|
|
|
--You will say those names were already in the chronicles from which he
|
|
took the stuff of his plays. Why did he take them rather than others?
|
|
Richard, a whoreson crookback, misbegotten, makes love to a widowed Ann
|
|
(what's in a name?), woos and wins her, a whoreson merry widow. Richard
|
|
the conqueror, third brother, came after William the conquered. The
|
|
other four acts of that play hang limply from that first. Of all his
|
|
kings Richard is the only king unshielded by Shakespeare's reverence,
|
|
the angel of the world. Why is the underplot of _King Lear_ in which
|
|
Edmund figures lifted out of Sidney's _Arcadia_ and spatchcocked on to a
|
|
Celtic legend older than history?
|
|
|
|
--That was Will's way, John Eglinton defended. We should not now combine
|
|
a Norse saga with an excerpt from a novel by George Meredith. _Que
|
|
voulez-vous?_ Moore would say. He puts Bohemia on the seacoast and makes
|
|
Ulysses quote Aristotle.
|
|
|
|
--Why? Stephen answered himself. Because the theme of the false or
|
|
the usurping or the adulterous brother or all three in one is to
|
|
Shakespeare, what the poor are not, always with him. The note of
|
|
banishment, banishment from the heart, banishment from home, sounds
|
|
uninterruptedly from _The Two Gentlemen of Verona_ onward till Prospero
|
|
breaks his staff, buries it certain fathoms in the earth and drowns his
|
|
book. It doubles itself in the middle of his life, reflects itself in
|
|
another, repeats itself, protasis, epitasis, catastasis, catastrophe.
|
|
It repeats itself again when he is near the grave, when his married
|
|
daughter Susan, chip of the old block, is accused of adultery. But it
|
|
was the original sin that darkened his understanding, weakened his will
|
|
and left in him a strong inclination to evil. The words are those of
|
|
my lords bishops of Maynooth. An original sin and, like original sin,
|
|
committed by another in whose sin he too has sinned. It is between the
|
|
lines of his last written words, it is petrified on his tombstone under
|
|
which her four bones are not to be laid. Age has not withered it. Beauty
|
|
and peace have not done it away. It is in infinite variety everywhere in
|
|
the world he has created, in _Much Ado about Nothing_, twice in _As you
|
|
like It_, in _The Tempest_, in _Hamlet,_ in _Measure for Measure_--and
|
|
in all the other plays which I have not read.
|
|
|
|
He laughed to free his mind from his mind's bondage.
|
|
|
|
Judge Eglinton summed up.
|
|
|
|
--The truth is midway, he affirmed. He is the ghost and the prince. He
|
|
is all in all.
|
|
|
|
--He is, Stephen said. The boy of act one is the mature man of act five.
|
|
All in all. In _Cymbeline,_ in _Othello_ he is bawd and cuckold. He acts
|
|
and is acted on. Lover of an ideal or a perversion, like Jose he
|
|
kills the real Carmen. His unremitting intellect is the hornmad Iago
|
|
ceaselessly willing that the moor in him shall suffer.
|
|
|
|
--Cuckoo! Cuckoo! Cuck Mulligan clucked lewdly. O word of fear!
|
|
|
|
Dark dome received, reverbed.
|
|
|
|
--And what a character is Iago! undaunted John Eglinton exclaimed. When
|
|
all is said Dumas _fils_ (or is it Dumas _pere?)_ is right. After God
|
|
Shakespeare has created most.
|
|
|
|
--Man delights him not nor woman neither, Stephen said. He returns after
|
|
a life of absence to that spot of earth where he was born, where he has
|
|
always been, man and boy, a silent witness and there, his journey of
|
|
life ended, he plants his mulberrytree in the earth. Then dies. The
|
|
motion is ended. Gravediggers bury Hamlet _(pere?)_ and Hamlet _fils._
|
|
A king and a prince at last in death, with incidental music. And, what
|
|
though murdered and betrayed, bewept by all frail tender hearts for,
|
|
Dane or Dubliner, sorrow for the dead is the only husband from whom
|
|
they refuse to be divorced. If you like the epilogue look long on it:
|
|
prosperous Prospero, the good man rewarded, Lizzie, grandpa's lump of
|
|
love, and nuncle Richie, the bad man taken off by poetic justice to the
|
|
place where the bad niggers go. Strong curtain. He found in the world
|
|
without as actual what was in his world within as possible. Maeterlinck
|
|
says: _If Socrates leave his house today he will find the sage seated
|
|
on his doorstep. If Judas go forth tonight it is to Judas his steps
|
|
will tend._ Every life is many days, day after day. We walk through
|
|
ourselves, meeting robbers, ghosts, giants, old men, young men, wives,
|
|
widows, brothers-in-love, but always meeting ourselves. The playwright
|
|
who wrote the folio of this world and wrote it badly (He gave us light
|
|
first and the sun two days later), the lord of things as they are whom
|
|
the most Roman of catholics call _dio boia_, hangman god, is doubtless
|
|
all in all in all of us, ostler and butcher, and would be bawd and
|
|
cuckold too but that in the economy of heaven, foretold by Hamlet, there
|
|
are no more marriages, glorified man, an androgynous angel, being a wife
|
|
unto himself.
|
|
|
|
_--Eureka!_ Buck Mulligan cried. _Eureka!_
|
|
|
|
Suddenly happied he jumped up and reached in a stride John Eglinton's
|
|
desk.
|
|
|
|
--May I? he said. The Lord has spoken to Malachi.
|
|
|
|
He began to scribble on a slip of paper.
|
|
|
|
Take some slips from the counter going out.
|
|
|
|
--Those who are married, Mr Best, douce herald, said, all save one,
|
|
shall live. The rest shall keep as they are.
|
|
|
|
He laughed, unmarried, at Eglinton Johannes, of arts a bachelor.
|
|
|
|
Unwed, unfancied, ware of wiles, they fingerponder nightly each his
|
|
variorum edition of _The Taming of the Shrew._
|
|
|
|
--You are a delusion, said roundly John Eglinton to Stephen. You have
|
|
brought us all this way to show us a French triangle. Do you believe
|
|
your own theory?
|
|
|
|
--No, Stephen said promptly.
|
|
|
|
--Are you going to write it? Mr Best asked. You ought to make it a
|
|
dialogue, don't you know, like the Platonic dialogues Wilde wrote.
|
|
|
|
John Eclecticon doubly smiled.
|
|
|
|
--Well, in that case, he said, I don't see why you should expect payment
|
|
for it since you don't believe it yourself. Dowden believes there is
|
|
some mystery in _Hamlet_ but will say no more. Herr Bleibtreu, the man
|
|
Piper met in Berlin, who is working up that Rutland theory, believes
|
|
that the secret is hidden in the Stratford monument. He is going to
|
|
visit the present duke, Piper says, and prove to him that his ancestor
|
|
wrote the plays. It will come as a surprise to his grace. But he
|
|
believes his theory.
|
|
|
|
I believe, O Lord, help my unbelief. That is, help me to believe or help
|
|
me to unbelieve? Who helps to believe? _Egomen._ Who to unbelieve? Other
|
|
chap.
|
|
|
|
--You are the only contributor to _Dana_ who asks for pieces of silver.
|
|
Then I don't know about the next number. Fred Ryan wants space for an
|
|
article on economics.
|
|
|
|
Fraidrine. Two pieces of silver he lent me. Tide you over. Economics.
|
|
|
|
--For a guinea, Stephen said, you can publish this interview.
|
|
|
|
Buck Mulligan stood up from his laughing scribbling, laughing: and then
|
|
gravely said, honeying malice:
|
|
|
|
--I called upon the bard Kinch at his summer residence in upper
|
|
Mecklenburgh street and found him deep in the study of the _Summa contra
|
|
Gentiles_ in the company of two gonorrheal ladies, Fresh Nelly and
|
|
Rosalie, the coalquay whore.
|
|
|
|
He broke away.
|
|
|
|
--Come, Kinch. Come, wandering Aengus of the birds.
|
|
|
|
Come, Kinch. You have eaten all we left. Ay. I will serve you your orts
|
|
and offals.
|
|
|
|
Stephen rose.
|
|
|
|
Life is many days. This will end.
|
|
|
|
--We shall see you tonight, John Eglinton said. _Notre ami_ Moore says
|
|
Malachi Mulligan must be there.
|
|
|
|
Buck Mulligan flaunted his slip and panama.
|
|
|
|
--Monsieur Moore, he said, lecturer on French letters to the youth of
|
|
Ireland. I'll be there. Come, Kinch, the bards must drink. Can you walk
|
|
straight?
|
|
|
|
Laughing, he...
|
|
|
|
Swill till eleven. Irish nights entertainment.
|
|
|
|
Lubber...
|
|
|
|
Stephen followed a lubber...
|
|
|
|
One day in the national library we had a discussion. Shakes. After. His
|
|
lub back: I followed. I gall his kibe.
|
|
|
|
Stephen, greeting, then all amort, followed a lubber jester, a wellkempt
|
|
head, newbarbered, out of the vaulted cell into a shattering daylight of
|
|
no thought.
|
|
|
|
What have I learned? Of them? Of me?
|
|
|
|
Walk like Haines now.
|
|
|
|
The constant readers' room. In the readers' book Cashel Boyle O'Connor
|
|
Fitzmaurice Tisdall Farrell parafes his polysyllables. Item: was Hamlet
|
|
mad? The quaker's pate godlily with a priesteen in booktalk.
|
|
|
|
--O please do, sir... I shall be most pleased...
|
|
|
|
Amused Buck Mulligan mused in pleasant murmur with himself, selfnodding:
|
|
|
|
--A pleased bottom.
|
|
|
|
The turnstile.
|
|
|
|
Is that?... Blueribboned hat... Idly writing... What? Looked?...
|
|
|
|
The curving balustrade: smoothsliding Mincius.
|
|
|
|
Puck Mulligan, panamahelmeted, went step by step, iambing, trolling:
|
|
|
|
_John Eglinton, my jo, John, Why won't you wed a wife?_
|
|
|
|
He spluttered to the air:
|
|
|
|
--O, the chinless Chinaman! Chin Chon Eg Lin Ton. We went over to their
|
|
playbox, Haines and I, the plumbers' hall. Our players are creating a
|
|
new art for Europe like the Greeks or M. Maeterlinck. Abbey Theatre! I
|
|
smell the pubic sweat of monks.
|
|
|
|
He spat blank.
|
|
|
|
Forgot: any more than he forgot the whipping lousy Lucy gave him. And
|
|
left the _femme de trente ans._ And why no other children born? And his
|
|
first child a girl?
|
|
|
|
Afterwit. Go back.
|
|
|
|
The dour recluse still there (he has his cake) and the douce youngling,
|
|
minion of pleasure, Phedo's toyable fair hair.
|
|
|
|
Eh... I just eh... wanted... I forgot... he...
|
|
|
|
--Longworth and M'Curdy Atkinson were there...
|
|
|
|
Puck Mulligan footed featly, trilling:
|
|
|
|
_I hardly hear the purlieu cry
|
|
Or a tommy talk as I pass one by
|
|
Before my thoughts begin to run
|
|
On F. M'Curdy Atkinson,
|
|
The same that had the wooden leg
|
|
And that filibustering filibeg
|
|
That never dared to slake his drouth,
|
|
Magee that had the chinless mouth.
|
|
Being afraid to marry on earth
|
|
They masturbated for all they were worth._
|
|
|
|
|
|
Jest on. Know thyself.
|
|
|
|
Halted, below me, a quizzer looks at me. I halt.
|
|
|
|
--Mournful mummer, Buck Mulligan moaned. Synge has left off wearing
|
|
black to be like nature. Only crows, priests and English coal are black.
|
|
|
|
A laugh tripped over his lips.
|
|
|
|
--Longworth is awfully sick, he said, after what you wrote about that
|
|
old hake Gregory. O you inquisitional drunken jewjesuit! She gets you
|
|
a job on the paper and then you go and slate her drivel to Jaysus.
|
|
Couldn't you do the Yeats touch?
|
|
|
|
He went on and down, mopping, chanting with waving graceful arms:
|
|
|
|
--The most beautiful book that has come out of our country in my time.
|
|
One thinks of Homer.
|
|
|
|
He stopped at the stairfoot.
|
|
|
|
--I have conceived a play for the mummers, he said solemnly.
|
|
|
|
The pillared Moorish hall, shadows entwined. Gone the nine men's morrice
|
|
with caps of indices.
|
|
|
|
In sweetly varying voices Buck Mulligan read his tablet: _Everyman His
|
|
own Wife or A Honeymoon in the Hand (a national immorality in three
|
|
orgasms) by Ballocky Mulligan._
|
|
|
|
|
|
He turned a happy patch's smirk to Stephen, saying:
|
|
|
|
--The disguise, I fear, is thin. But listen.
|
|
|
|
He read, _marcato:_
|
|
|
|
--Characters:
|
|
|
|
TODY TOSTOFF (a ruined Pole)
|
|
CRAB (a bushranger)
|
|
MEDICAL DICK )
|
|
and ) (two birds with one stone)
|
|
MEDICAL DAVY )
|
|
MOTHER GROGAN (a watercarrier)
|
|
FRESH NELLY
|
|
and
|
|
ROSALIE (the coalquay whore).
|
|
|
|
He laughed, lolling a to and fro head, walking on, followed by Stephen:
|
|
and mirthfully he told the shadows, souls of men:
|
|
|
|
--O, the night in the Camden hall when the daughters of Erin had to
|
|
lift their skirts to step over you as you lay in your mulberrycoloured,
|
|
multicoloured, multitudinous vomit!
|
|
|
|
--The most innocent son of Erin, Stephen said, for whom they ever lifted
|
|
them.
|
|
|
|
About to pass through the doorway, feeling one behind, he stood aside.
|
|
|
|
Part. The moment is now. Where then? If Socrates leave his house today,
|
|
if Judas go forth tonight. Why? That lies in space which I in time must
|
|
come to, ineluctably.
|
|
|
|
My will: his will that fronts me. Seas between.
|
|
|
|
A man passed out between them, bowing, greeting.
|
|
|
|
--Good day again, Buck Mulligan said.
|
|
|
|
The portico.
|
|
|
|
Here I watched the birds for augury. Aengus of the birds. They go, they
|
|
come. Last night I flew. Easily flew. Men wondered. Street of harlots
|
|
after. A creamfruit melon he held to me. In. You will see.
|
|
|
|
--The wandering jew, Buck Mulligan whispered with clown's awe. Did you
|
|
see his eye? He looked upon you to lust after you. I fear thee, ancient
|
|
mariner. O, Kinch, thou art in peril. Get thee a breechpad.
|
|
|
|
Manner of Oxenford.
|
|
|
|
Day. Wheelbarrow sun over arch of bridge.
|
|
|
|
A dark back went before them, step of a pard, down, out by the gateway,
|
|
under portcullis barbs.
|
|
|
|
They followed.
|
|
|
|
Offend me still. Speak on.
|
|
|
|
Kind air defined the coigns of houses in Kildare street. No birds. Frail
|
|
from the housetops two plumes of smoke ascended, pluming, and in a flaw
|
|
of softness softly were blown.
|
|
|
|
Cease to strive. Peace of the druid priests of Cymbeline: hierophantic:
|
|
from wide earth an altar.
|
|
|
|
_Laud we the gods
|
|
And let our crooked smokes climb to their nostrils
|
|
From our bless'd altars._
|
|
|
|
|
|
The superior, the very reverend John Conmee S.J. reset his smooth watch
|
|
in his interior pocket as he came down the presbytery steps. Five to
|
|
three. Just nice time to walk to Artane. What was that boy's name again?
|
|
Dignam. Yes. _Vere dignum et iustum est._ Brother Swan was the person
|
|
to see. Mr Cunningham's letter. Yes. Oblige him, if possible. Good
|
|
practical catholic: useful at mission time.
|
|
|
|
A onelegged sailor, swinging himself onward by lazy jerks of his
|
|
crutches, growled some notes. He jerked short before the convent of the
|
|
sisters of charity and held out a peaked cap for alms towards the very
|
|
reverend John Conmee S. J. Father Conmee blessed him in the sun for his
|
|
purse held, he knew, one silver crown.
|
|
|
|
Father Conmee crossed to Mountjoy square. He thought, but not for long,
|
|
of soldiers and sailors, whose legs had been shot off by cannonballs,
|
|
ending their days in some pauper ward, and of cardinal Wolsey's words:
|
|
_If I had served my God as I have served my king He would not have
|
|
abandoned me in my old days._ He walked by the treeshade of sunnywinking
|
|
leaves: and towards him came the wife of Mr David Sheehy M.P.
|
|
|
|
--Very well, indeed, father. And you, father?
|
|
|
|
Father Conmee was wonderfully well indeed. He would go to Buxton
|
|
probably for the waters. And her boys, were they getting on well at
|
|
Belvedere? Was that so? Father Conmee was very glad indeed to hear that.
|
|
And Mr Sheehy himself? Still in London. The house was still sitting, to
|
|
be sure it was. Beautiful weather it was, delightful indeed. Yes, it was
|
|
very probable that Father Bernard Vaughan would come again to preach. O,
|
|
yes: a very great success. A wonderful man really.
|
|
|
|
Father Conmee was very glad to see the wife of Mr David Sheehy M.P.
|
|
Iooking so well and he begged to be remembered to Mr David Sheehy M.P.
|
|
Yes, he would certainly call.
|
|
|
|
--Good afternoon, Mrs Sheehy.
|
|
|
|
Father Conmee doffed his silk hat and smiled, as he took leave, at the
|
|
jet beads of her mantilla inkshining in the sun. And smiled yet again,
|
|
in going. He had cleaned his teeth, he knew, with arecanut paste.
|
|
|
|
Father Conmee walked and, walking, smiled for he thought on Father
|
|
Bernard Vaughan's droll eyes and cockney voice.
|
|
|
|
--Pilate! Wy don't you old back that owlin mob?
|
|
|
|
A zealous man, however. Really he was. And really did great good in his
|
|
way. Beyond a doubt. He loved Ireland, he said, and he loved the Irish.
|
|
Of good family too would one think it? Welsh, were they not?
|
|
|
|
O, lest he forget. That letter to father provincial.
|
|
|
|
Father Conmee stopped three little schoolboys at the corner of Mountjoy
|
|
square. Yes: they were from Belvedere. The little house. Aha. And were
|
|
they good boys at school? O. That was very good now. And what was his
|
|
name? Jack Sohan. And his name? Ger. Gallaher. And the other little man?
|
|
His name was Brunny Lynam. O, that was a very nice name to have.
|
|
|
|
Father Conmee gave a letter from his breast to Master Brunny Lynam and
|
|
pointed to the red pillarbox at the corner of Fitzgibbon street.
|
|
|
|
--But mind you don't post yourself into the box, little man, he said.
|
|
|
|
The boys sixeyed Father Conmee and laughed:
|
|
|
|
--O, sir.
|
|
|
|
--Well, let me see if you can post a letter, Father Conmee said.
|
|
|
|
Master Brunny Lynam ran across the road and put Father Conmee's letter
|
|
to father provincial into the mouth of the bright red letterbox. Father
|
|
Conmee smiled and nodded and smiled and walked along Mountjoy square
|
|
east.
|
|
|
|
Mr Denis J Maginni, professor of dancing &c, in silk hat, slate
|
|
frockcoat with silk facings, white kerchief tie, tight lavender
|
|
trousers, canary gloves and pointed patent boots, walking with grave
|
|
deportment most respectfully took the curbstone as he passed lady
|
|
Maxwell at the corner of Dignam's court.
|
|
|
|
Was that not Mrs M'Guinness?
|
|
|
|
Mrs M'Guinness, stately, silverhaired, bowed to Father Conmee from the
|
|
farther footpath along which she sailed. And Father Conmee smiled and
|
|
saluted. How did she do?
|
|
|
|
A fine carriage she had. Like Mary, queen of Scots, something. And to
|
|
think that she was a pawnbroker! Well, now! Such a... what should he
|
|
say?... such a queenly mien.
|
|
|
|
Father Conmee walked down Great Charles street and glanced at the shutup
|
|
free church on his left. The reverend T. R. Greene B.A. will (D.V.)
|
|
speak. The incumbent they called him. He felt it incumbent on him to say
|
|
a few words. But one should be charitable. Invincible ignorance. They
|
|
acted according to their lights.
|
|
|
|
Father Conmee turned the corner and walked along the North Circular
|
|
road. It was a wonder that there was not a tramline in such an important
|
|
thoroughfare. Surely, there ought to be.
|
|
|
|
A band of satchelled schoolboys crossed from Richmond street. All
|
|
raised untidy caps. Father Conmee greeted them more than once benignly.
|
|
Christian brother boys.
|
|
|
|
Father Conmee smelt incense on his right hand as he walked. Saint
|
|
Joseph's church, Portland row. For aged and virtuous females.
|
|
Father Conmee raised his hat to the Blessed Sacrament. Virtuous: but
|
|
occasionally they were also badtempered.
|
|
|
|
Near Aldborough house Father Conmee thought of that spendthrift
|
|
nobleman. And now it was an office or something.
|
|
|
|
Father Conmee began to walk along the North Strand road and was saluted
|
|
by Mr William Gallagher who stood in the doorway of his shop. Father
|
|
Conmee saluted Mr William Gallagher and perceived the odours that came
|
|
from baconflitches and ample cools of butter. He passed Grogan's the
|
|
Tobacconist against which newsboards leaned and told of a dreadful
|
|
catastrophe in New York. In America those things were continually
|
|
happening. Unfortunate people to die like that, unprepared. Still, an
|
|
act of perfect contrition.
|
|
|
|
Father Conmee went by Daniel Bergin's publichouse against the window of
|
|
which two unlabouring men lounged. They saluted him and were saluted.
|
|
|
|
Father Conmee passed H. J. O'Neill's funeral establishment where Corny
|
|
Kelleher totted figures in the daybook while he chewed a blade of hay.
|
|
A constable on his beat saluted Father Conmee and Father Conmee saluted
|
|
the constable. In Youkstetter's, the porkbutcher's, Father Conmee
|
|
observed pig's puddings, white and black and red, lie neatly curled in
|
|
tubes.
|
|
|
|
Moored under the trees of Charleville Mall Father Conmee saw a
|
|
turfbarge, a towhorse with pendent head, a bargeman with a hat of dirty
|
|
straw seated amidships, smoking and staring at a branch of poplar above
|
|
him. It was idyllic: and Father Conmee reflected on the providence of
|
|
the Creator who had made turf to be in bogs whence men might dig it
|
|
out and bring it to town and hamlet to make fires in the houses of poor
|
|
people.
|
|
|
|
On Newcomen bridge the very reverend John Conmee S.J. of saint Francis
|
|
Xavier's church, upper Gardiner street, stepped on to an outward bound
|
|
tram.
|
|
|
|
Off an inward bound tram stepped the reverend Nicholas Dudley C. C. of
|
|
saint Agatha's church, north William street, on to Newcomen bridge.
|
|
|
|
At Newcomen bridge Father Conmee stepped into an outward bound tram for
|
|
he disliked to traverse on foot the dingy way past Mud Island.
|
|
|
|
Father Conmee sat in a corner of the tramcar, a blue ticket tucked with
|
|
care in the eye of one plump kid glove, while four shillings, a sixpence
|
|
and five pennies chuted from his other plump glovepalm into his purse.
|
|
Passing the ivy church he reflected that the ticket inspector usually
|
|
made his visit when one had carelessly thrown away the ticket. The
|
|
solemnity of the occupants of the car seemed to Father Conmee excessive
|
|
for a journey so short and cheap. Father Conmee liked cheerful decorum.
|
|
|
|
It was a peaceful day. The gentleman with the glasses opposite Father
|
|
Conmee had finished explaining and looked down. His wife, Father Conmee
|
|
supposed. A tiny yawn opened the mouth of the wife of the gentleman with
|
|
the glasses. She raised her small gloved fist, yawned ever so gently,
|
|
tiptapping her small gloved fist on her opening mouth and smiled tinily,
|
|
sweetly.
|
|
|
|
Father Conmee perceived her perfume in the car. He perceived also that
|
|
the awkward man at the other side of her was sitting on the edge of the
|
|
seat.
|
|
|
|
Father Conmee at the altarrails placed the host with difficulty in the
|
|
mouth of the awkward old man who had the shaky head.
|
|
|
|
At Annesley bridge the tram halted and, when it was about to go, an old
|
|
woman rose suddenly from her place to alight. The conductor pulled the
|
|
bellstrap to stay the car for her. She passed out with her basket and
|
|
a marketnet: and Father Conmee saw the conductor help her and net and
|
|
basket down: and Father Conmee thought that, as she had nearly passed
|
|
the end of the penny fare, she was one of those good souls who had
|
|
always to be told twice _bless you, my child,_ that they have been
|
|
absolved, _pray for me._ But they had so many worries in life, so many
|
|
cares, poor creatures.
|
|
|
|
From the hoardings Mr Eugene Stratton grimaced with thick niggerlips at
|
|
Father Conmee.
|
|
|
|
Father Conmee thought of the souls of black and brown and yellow men and
|
|
of his sermon on saint Peter Claver S.J. and the African mission and of
|
|
the propagation of the faith and of the millions of black and brown and
|
|
yellow souls that had not received the baptism of water when their last
|
|
hour came like a thief in the night. That book by the Belgian jesuit,
|
|
_Le Nombre des Elus,_ seemed to Father Conmee a reasonable plea. Those
|
|
were millions of human souls created by God in His Own likeness to
|
|
whom the faith had not (D.V.) been brought. But they were God's souls,
|
|
created by God. It seemed to Father Conmee a pity that they should all
|
|
be lost, a waste, if one might say.
|
|
|
|
At the Howth road stop Father Conmee alighted, was saluted by the
|
|
conductor and saluted in his turn.
|
|
|
|
The Malahide road was quiet. It pleased Father Conmee, road and name.
|
|
The joybells were ringing in gay Malahide. Lord Talbot de Malahide,
|
|
immediate hereditary lord admiral of Malahide and the seas adjoining.
|
|
Then came the call to arms and she was maid, wife and widow in one day.
|
|
Those were old worldish days, loyal times in joyous townlands, old times
|
|
in the barony.
|
|
|
|
Father Conmee, walking, thought of his little book _Old Times in the
|
|
Barony_ and of the book that might be written about jesuit houses and of
|
|
Mary Rochfort, daughter of lord Molesworth, first countess of Belvedere.
|
|
|
|
A listless lady, no more young, walked alone the shore of lough Ennel,
|
|
Mary, first countess of Belvedere, listlessly walking in the evening,
|
|
not startled when an otter plunged. Who could know the truth? Not the
|
|
jealous lord Belvedere and not her confessor if she had not committed
|
|
adultery fully, _eiaculatio seminis inter vas naturale mulieris,_ with
|
|
her husband's brother? She would half confess if she had not all sinned
|
|
as women did. Only God knew and she and he, her husband's brother.
|
|
|
|
Father Conmee thought of that tyrannous incontinence, needed however for
|
|
man's race on earth, and of the ways of God which were not our ways.
|
|
|
|
Don John Conmee walked and moved in times of yore. He was humane and
|
|
honoured there. He bore in mind secrets confessed and he smiled at
|
|
smiling noble faces in a beeswaxed drawingroom, ceiled with full fruit
|
|
clusters. And the hands of a bride and of a bridegroom, noble to noble,
|
|
were impalmed by Don John Conmee.
|
|
|
|
It was a charming day.
|
|
|
|
The lychgate of a field showed Father Conmee breadths of cabbages,
|
|
curtseying to him with ample underleaves. The sky showed him a flock of
|
|
small white clouds going slowly down the wind. _Moutonner,_ the French
|
|
said. A just and homely word.
|
|
|
|
Father Conmee, reading his office, watched a flock of muttoning clouds
|
|
over Rathcoffey. His thinsocked ankles were tickled by the stubble of
|
|
Clongowes field. He walked there, reading in the evening, and heard
|
|
the cries of the boys' lines at their play, young cries in the quiet
|
|
evening. He was their rector: his reign was mild.
|
|
|
|
Father Conmee drew off his gloves and took his rededged breviary out. An
|
|
ivory bookmark told him the page.
|
|
|
|
Nones. He should have read that before lunch. But lady Maxwell had come.
|
|
|
|
Father Conmee read in secret _Pater_ and _Ave_ and crossed his breast.
|
|
_Deus in adiutorium._
|
|
|
|
He walked calmly and read mutely the nones, walking and reading till he
|
|
came to _Res_ in _Beati immaculati: Principium verborum tuorum veritas:
|
|
in eternum omnia indicia iustitiae tuae._
|
|
|
|
A flushed young man came from a gap of a hedge and after him came a
|
|
young woman with wild nodding daisies in her hand. The young man raised
|
|
his cap abruptly: the young woman abruptly bent and with slow care
|
|
detached from her light skirt a clinging twig.
|
|
|
|
Father Conmee blessed both gravely and turned a thin page of his
|
|
breviary. _Sin: Principes persecuti sunt me gratis: et a verbis tuis
|
|
formidavit cor meum._
|
|
|
|
* * * * *
|
|
|
|
Corny Kelleher closed his long daybook and glanced with his drooping eye
|
|
at a pine coffinlid sentried in a corner. He pulled himself erect,
|
|
went to it and, spinning it on its axle, viewed its shape and brass
|
|
furnishings. Chewing his blade of hay he laid the coffinlid by and came
|
|
to the doorway. There he tilted his hatbrim to give shade to his eyes
|
|
and leaned against the doorcase, looking idly out.
|
|
|
|
Father John Conmee stepped into the Dollymount tram on Newcomen bridge.
|
|
|
|
Corny Kelleher locked his largefooted boots and gazed, his hat
|
|
downtilted, chewing his blade of hay.
|
|
|
|
Constable 57C, on his beat, stood to pass the time of day.
|
|
|
|
--That's a fine day, Mr Kelleher.
|
|
|
|
--Ay, Corny Kelleher said.
|
|
|
|
--It's very close, the constable said.
|
|
|
|
Corny Kelleher sped a silent jet of hayjuice arching from his mouth
|
|
while a generous white arm from a window in Eccles street flung forth a
|
|
coin.
|
|
|
|
--What's the best news? he asked.
|
|
|
|
--I seen that particular party last evening, the constable said with
|
|
bated breath.
|
|
|
|
* * * * *
|
|
|
|
A onelegged sailor crutched himself round MacConnell's corner, skirting
|
|
Rabaiotti's icecream car, and jerked himself up Eccles street. Towards
|
|
Larry O'Rourke, in shirtsleeves in his doorway, he growled unamiably:
|
|
|
|
--_For England_...
|
|
|
|
He swung himself violently forward past Katey and Boody Dedalus, halted
|
|
and growled:
|
|
|
|
--_home and beauty._
|
|
|
|
J. J. O'Molloy's white careworn face was told that Mr Lambert was in the
|
|
warehouse with a visitor.
|
|
|
|
A stout lady stopped, took a copper coin from her purse and dropped it
|
|
into the cap held out to her. The sailor grumbled thanks, glanced sourly
|
|
at the unheeding windows, sank his head and swung himself forward four
|
|
strides.
|
|
|
|
He halted and growled angrily:
|
|
|
|
--_For England_...
|
|
|
|
Two barefoot urchins, sucking long liquorice laces, halted near him,
|
|
gaping at his stump with their yellowslobbered mouths.
|
|
|
|
He swung himself forward in vigorous jerks, halted, lifted his head
|
|
towards a window and bayed deeply:
|
|
|
|
--_home and beauty._
|
|
|
|
The gay sweet chirping whistling within went on a bar or two, ceased.
|
|
The blind of the window was drawn aside. A card _Unfurnished Apartments_
|
|
slipped from the sash and fell. A plump bare generous arm shone, was
|
|
seen, held forth from a white petticoatbodice and taut shiftstraps. A
|
|
woman's hand flung forth a coin over the area railings. It fell on the
|
|
path.
|
|
|
|
One of the urchins ran to it, picked it up and dropped it into the
|
|
minstrel's cap, saying:
|
|
|
|
--There, sir.
|
|
|
|
* * * * *
|
|
|
|
Katey and Boody Dedalus shoved in the door of the closesteaming kitchen.
|
|
|
|
--Did you put in the books? Boody asked.
|
|
|
|
Maggy at the range rammed down a greyish mass beneath bubbling suds
|
|
twice with her potstick and wiped her brow.
|
|
|
|
--They wouldn't give anything on them, she said.
|
|
|
|
Father Conmee walked through Clongowes fields, his thinsocked ankles
|
|
tickled by stubble.
|
|
|
|
--Where did you try? Boody asked.
|
|
|
|
--M'Guinness's.
|
|
|
|
Boody stamped her foot and threw her satchel on the table.
|
|
|
|
--Bad cess to her big face! she cried.
|
|
|
|
Katey went to the range and peered with squinting eyes.
|
|
|
|
--What's in the pot? she asked.
|
|
|
|
--Shirts, Maggy said.
|
|
|
|
Boody cried angrily:
|
|
|
|
--Crickey, is there nothing for us to eat?
|
|
|
|
Katey, lifting the kettlelid in a pad of her stained skirt, asked:
|
|
|
|
--And what's in this?
|
|
|
|
A heavy fume gushed in answer.
|
|
|
|
--Peasoup, Maggy said.
|
|
|
|
--Where did you get it? Katey asked.
|
|
|
|
--Sister Mary Patrick, Maggy said.
|
|
|
|
The lacquey rang his bell.
|
|
|
|
--Barang!
|
|
|
|
Boody sat down at the table and said hungrily:
|
|
|
|
--Give us it here.
|
|
|
|
Maggy poured yellow thick soup from the kettle into a bowl. Katey,
|
|
sitting opposite Boody, said quietly, as her fingertip lifted to her
|
|
mouth random crumbs:
|
|
|
|
--A good job we have that much. Where's Dilly?
|
|
|
|
--Gone to meet father, Maggy said.
|
|
|
|
Boody, breaking big chunks of bread into the yellow soup, added:
|
|
|
|
--Our father who art not in heaven.
|
|
|
|
Maggy, pouring yellow soup in Katey's bowl, exclaimed:
|
|
|
|
--Boody! For shame!
|
|
|
|
A skiff, a crumpled throwaway, Elijah is coming, rode lightly down the
|
|
Liffey, under Loopline bridge, shooting the rapids where water chafed
|
|
around the bridgepiers, sailing eastward past hulls and anchorchains,
|
|
between the Customhouse old dock and George's quay.
|
|
|
|
* * * * *
|
|
|
|
The blond girl in Thornton's bedded the wicker basket with rustling
|
|
fibre. Blazes Boylan handed her the bottle swathed in pink tissue paper
|
|
and a small jar.
|
|
|
|
--Put these in first, will you? he said.
|
|
|
|
--Yes, sir, the blond girl said. And the fruit on top.
|
|
|
|
--That'll do, game ball, Blazes Boylan said.
|
|
|
|
She bestowed fat pears neatly, head by tail, and among them ripe
|
|
shamefaced peaches.
|
|
|
|
Blazes Boylan walked here and there in new tan shoes about the
|
|
fruitsmelling shop, lifting fruits, young juicy crinkled and plump red
|
|
tomatoes, sniffing smells.
|
|
|
|
H. E. L. Y.'S filed before him, tallwhitehatted, past Tangier lane,
|
|
plodding towards their goal.
|
|
|
|
He turned suddenly from a chip of strawberries, drew a gold watch from
|
|
his fob and held it at its chain's length.
|
|
|
|
--Can you send them by tram? Now?
|
|
|
|
A darkbacked figure under Merchants' arch scanned books on the hawker's
|
|
cart.
|
|
|
|
--Certainly, sir. Is it in the city?
|
|
|
|
--O, yes, Blazes Boylan said. Ten minutes.
|
|
|
|
The blond girl handed him a docket and pencil.
|
|
|
|
--Will you write the address, sir?
|
|
|
|
Blazes Boylan at the counter wrote and pushed the docket to her.
|
|
|
|
--Send it at once, will you? he said. It's for an invalid.
|
|
|
|
--Yes, sir. I will, sir.
|
|
|
|
Blazes Boylan rattled merry money in his trousers' pocket.
|
|
|
|
--What's the damage? he asked.
|
|
|
|
The blond girl's slim fingers reckoned the fruits.
|
|
|
|
Blazes Boylan looked into the cut of her blouse. A young pullet. He took
|
|
a red carnation from the tall stemglass.
|
|
|
|
--This for me? he asked gallantly.
|
|
|
|
The blond girl glanced sideways at him, got up regardless, with his tie
|
|
a bit crooked, blushing.
|
|
|
|
--Yes, sir, she said.
|
|
|
|
Bending archly she reckoned again fat pears and blushing peaches.
|
|
|
|
Blazes Boylan looked in her blouse with more favour, the stalk of the
|
|
red flower between his smiling teeth.
|
|
|
|
--May I say a word to your telephone, missy? he asked roguishly.
|
|
|
|
* * * * *
|
|
|
|
_--Ma!_ Almidano Artifoni said.
|
|
|
|
He gazed over Stephen's shoulder at Goldsmith's knobby poll.
|
|
|
|
Two carfuls of tourists passed slowly, their women sitting fore,
|
|
gripping the handrests. Palefaces. Men's arms frankly round their
|
|
stunted forms. They looked from Trinity to the blind columned porch of
|
|
the bank of Ireland where pigeons roocoocooed.
|
|
|
|
--_Anch'io ho avuto di queste idee, ALMIDANO ARTIFONI SAID, quand' ero
|
|
giovine come Lei. Eppoi mi sono convinto che il mondo e una bestia.
|
|
E peccato. Perche la sua voce... sarebbe un cespite di rendita, via.
|
|
Invece, Lei si sacrifica._
|
|
|
|
--_Sacrifizio incruento,_ Stephen said smiling, swaying his ashplant in
|
|
slow swingswong from its midpoint, lightly.
|
|
|
|
_--Speriamo,_ the round mustachioed face said pleasantly. _Ma, dia retta
|
|
a me. Ci rifletta_.
|
|
|
|
By the stern stone hand of Grattan, bidding halt, an Inchicore tram
|
|
unloaded straggling Highland soldiers of a band.
|
|
|
|
--_Ci riflettero,_ Stephen said, glancing down the solid trouserleg.
|
|
|
|
--_Ma, sul serio, eh?_ Almidano Artifoni said.
|
|
|
|
His heavy hand took Stephen's firmly. Human eyes. They gazed curiously
|
|
an instant and turned quickly towards a Dalkey tram.
|
|
|
|
_--Eccolo,_ Almidano Artifoni said in friendly haste. _Venga a trovarmi
|
|
e ci pensi. Addio, caro._
|
|
|
|
--_Arrivederla, maestro,_ Stephen said, raising his hat when his hand
|
|
was freed. _E grazie._
|
|
|
|
--_Di che?_ Almidano Artifoni said. _Scusi, eh? Tante belle cose!_
|
|
|
|
Almidano Artifoni, holding up a baton of rolled music as a signal,
|
|
trotted on stout trousers after the Dalkey tram. In vain he trotted,
|
|
signalling in vain among the rout of barekneed gillies smuggling
|
|
implements of music through Trinity gates.
|
|
|
|
* * * * *
|
|
|
|
Miss Dunne hid the Capel street library copy of _The Woman in White_
|
|
far back in her drawer and rolled a sheet of gaudy notepaper into her
|
|
typewriter.
|
|
|
|
Too much mystery business in it. Is he in love with that one, Marion?
|
|
Change it and get another by Mary Cecil Haye.
|
|
|
|
The disk shot down the groove, wobbled a while, ceased and ogled them:
|
|
six.
|
|
|
|
Miss Dunne clicked on the keyboard:
|
|
|
|
--16 June 1904.
|
|
|
|
Five tallwhitehatted sandwichmen between Monypeny's corner and the slab
|
|
where Wolfe Tone's statue was not, eeled themselves turning H. E. L.
|
|
Y.'S and plodded back as they had come.
|
|
|
|
Then she stared at the large poster of Marie Kendall, charming
|
|
soubrette, and, listlessly lolling, scribbled on the jotter sixteens and
|
|
capital esses. Mustard hair and dauby cheeks. She's not nicelooking,
|
|
is she? The way she's holding up her bit of a skirt. Wonder will that
|
|
fellow be at the band tonight. If I could get that dressmaker to make a
|
|
concertina skirt like Susy Nagle's. They kick out grand. Shannon and
|
|
all the boatclub swells never took his eyes off her. Hope to goodness he
|
|
won't keep me here till seven.
|
|
|
|
The telephone rang rudely by her ear.
|
|
|
|
--Hello. Yes, sir. No, sir. Yes, sir. I'll ring them up after five. Only
|
|
those two, sir, for Belfast and Liverpool. All right, sir. Then I can go
|
|
after six if you're not back. A quarter after. Yes, sir. Twentyseven and
|
|
six. I'll tell him. Yes: one, seven, six.
|
|
|
|
She scribbled three figures on an envelope.
|
|
|
|
--Mr Boylan! Hello! That gentleman from SPORT was in looking for you. Mr
|
|
Lenehan, yes. He said he'll be in the Ormond at four. No, sir. Yes, sir.
|
|
I'll ring them up after five.
|
|
|
|
* * * * *
|
|
|
|
Two pink faces turned in the flare of the tiny torch.
|
|
|
|
--Who's that? Ned Lambert asked. Is that Crotty?
|
|
|
|
--Ringabella and Crosshaven, a voice replied groping for foothold.
|
|
|
|
--Hello, Jack, is that yourself? Ned Lambert said, raising in salute his
|
|
pliant lath among the flickering arches. Come on. Mind your steps there.
|
|
|
|
The vesta in the clergyman's uplifted hand consumed itself in a long
|
|
soft flame and was let fall. At their feet its red speck died: and
|
|
mouldy air closed round them.
|
|
|
|
--How interesting! a refined accent said in the gloom.
|
|
|
|
--Yes, sir, Ned Lambert said heartily. We are standing in the historic
|
|
council chamber of saint Mary's abbey where silken Thomas proclaimed
|
|
himself a rebel in 1534. This is the most historic spot in all Dublin.
|
|
O'Madden Burke is going to write something about it one of these days.
|
|
The old bank of Ireland was over the way till the time of the union and
|
|
the original jews' temple was here too before they built their synagogue
|
|
over in Adelaide road. You were never here before, Jack, were you?
|
|
|
|
--No, Ned.
|
|
|
|
--He rode down through Dame walk, the refined accent said, if my memory
|
|
serves me. The mansion of the Kildares was in Thomas court.
|
|
|
|
--That's right, Ned Lambert said. That's quite right, sir.
|
|
|
|
--If you will be so kind then, the clergyman said, the next time to
|
|
allow me perhaps...
|
|
|
|
--Certainly, Ned Lambert said. Bring the camera whenever you like. I'll
|
|
get those bags cleared away from the windows. You can take it from here
|
|
or from here.
|
|
|
|
In the still faint light he moved about, tapping with his lath the piled
|
|
seedbags and points of vantage on the floor.
|
|
|
|
From a long face a beard and gaze hung on a chessboard.
|
|
|
|
--I'm deeply obliged, Mr Lambert, the clergyman said. I won't trespass
|
|
on your valuable time...
|
|
|
|
--You're welcome, sir, Ned Lambert said. Drop in whenever you like. Next
|
|
week, say. Can you see?
|
|
|
|
--Yes, yes. Good afternoon, Mr Lambert. Very pleased to have met you.
|
|
|
|
--Pleasure is mine, sir, Ned Lambert answered.
|
|
|
|
He followed his guest to the outlet and then whirled his lath away among
|
|
the pillars. With J. J. O'Molloy he came forth slowly into Mary's abbey
|
|
where draymen were loading floats with sacks of carob and palmnut meal,
|
|
O'Connor, Wexford.
|
|
|
|
He stood to read the card in his hand.
|
|
|
|
--The reverend Hugh C. Love, Rathcoffey. Present address: Saint
|
|
Michael's, Sallins. Nice young chap he is. He's writing a book about the
|
|
Fitzgeralds he told me. He's well up in history, faith.
|
|
|
|
The young woman with slow care detached from her light skirt a clinging
|
|
twig.
|
|
|
|
--I thought you were at a new gunpowder plot, J. J. O'Molloy said.
|
|
|
|
Ned Lambert cracked his fingers in the air.
|
|
|
|
--God! he cried. I forgot to tell him that one about the earl of Kildare
|
|
after he set fire to Cashel cathedral. You know that one? _I'm bloody
|
|
sorry I did it,_ says he, _but I declare to God I thought the archbishop
|
|
was inside._ He mightn't like it, though. What? God, I'll tell him
|
|
anyhow. That was the great earl, the Fitzgerald Mor. Hot members they
|
|
were all of them, the Geraldines.
|
|
|
|
The horses he passed started nervously under their slack harness. He
|
|
slapped a piebald haunch quivering near him and cried:
|
|
|
|
--Woa, sonny!
|
|
|
|
He turned to J. J. O'Molloy and asked:
|
|
|
|
--Well, Jack. What is it? What's the trouble? Wait awhile. Hold hard.
|
|
|
|
With gaping mouth and head far back he stood still and, after an
|
|
instant, sneezed loudly.
|
|
|
|
--Chow! he said. Blast you!
|
|
|
|
--The dust from those sacks, J. J. O'Molloy said politely.
|
|
|
|
--No, Ned Lambert gasped, I caught a... cold night before... blast
|
|
your soul... night before last... and there was a hell of a lot of
|
|
draught...
|
|
|
|
He held his handkerchief ready for the coming...
|
|
|
|
--I was... Glasnevin this morning... poor little... what do you call
|
|
him... Chow!... Mother of Moses!
|
|
|
|
* * * * *
|
|
|
|
Tom Rochford took the top disk from the pile he clasped against his
|
|
claret waistcoat.
|
|
|
|
--See? he said. Say it's turn six. In here, see. Turn Now On.
|
|
|
|
He slid it into the left slot for them. It shot down the groove, wobbled
|
|
a while, ceased, ogling them: six.
|
|
|
|
Lawyers of the past, haughty, pleading, beheld pass from the
|
|
consolidated taxing office to Nisi Prius court Richie Goulding carrying
|
|
the costbag of Goulding, Collis and Ward and heard rustling from the
|
|
admiralty division of king's bench to the court of appeal an elderly
|
|
female with false teeth smiling incredulously and a black silk skirt of
|
|
great amplitude.
|
|
|
|
--See? he said. See now the last one I put in is over here: Turns Over.
|
|
The impact. Leverage, see?
|
|
|
|
He showed them the rising column of disks on the right.
|
|
|
|
--Smart idea, Nosey Flynn said, snuffling. So a fellow coming in late
|
|
can see what turn is on and what turns are over.
|
|
|
|
--See? Tom Rochford said.
|
|
|
|
He slid in a disk for himself: and watched it shoot, wobble, ogle, stop:
|
|
four. Turn Now On.
|
|
|
|
--I'll see him now in the Ormond, Lenehan said, and sound him. One good
|
|
turn deserves another.
|
|
|
|
--Do, Tom Rochford said. Tell him I'm Boylan with impatience.
|
|
|
|
--Goodnight, M'Coy said abruptly. When you two begin
|
|
|
|
Nosey Flynn stooped towards the lever, snuffling at it.
|
|
|
|
--But how does it work here, Tommy? he asked.
|
|
|
|
--Tooraloo, Lenehan said. See you later.
|
|
|
|
He followed M'Coy out across the tiny square of Crampton court.
|
|
|
|
--He's a hero, he said simply.
|
|
|
|
--I know, M'Coy said. The drain, you mean.
|
|
|
|
--Drain? Lenehan said. It was down a manhole.
|
|
|
|
They passed Dan Lowry's musichall where Marie Kendall, charming
|
|
soubrette, smiled on them from a poster a dauby smile.
|
|
|
|
Going down the path of Sycamore street beside the Empire musichall
|
|
Lenehan showed M'Coy how the whole thing was. One of those manholes like
|
|
a bloody gaspipe and there was the poor devil stuck down in it, half
|
|
choked with sewer gas. Down went Tom Rochford anyhow, booky's vest and
|
|
all, with the rope round him. And be damned but he got the rope round
|
|
the poor devil and the two were hauled up.
|
|
|
|
--The act of a hero, he said.
|
|
|
|
At the Dolphin they halted to allow the ambulance car to gallop past
|
|
them for Jervis street.
|
|
|
|
--This way, he said, walking to the right. I want to pop into Lynam's
|
|
to see Sceptre's starting price. What's the time by your gold watch and
|
|
chain?
|
|
|
|
M'Coy peered into Marcus Tertius Moses' sombre office, then at O'Neill's
|
|
clock.
|
|
|
|
--After three, he said. Who's riding her?
|
|
|
|
--O. Madden, Lenehan said. And a game filly she is.
|
|
|
|
While he waited in Temple bar M'Coy dodged a banana peel with gentle
|
|
pushes of his toe from the path to the gutter. Fellow might damn easy
|
|
get a nasty fall there coming along tight in the dark.
|
|
|
|
The gates of the drive opened wide to give egress to the viceregal
|
|
cavalcade.
|
|
|
|
--Even money, Lenehan said returning. I knocked against Bantam Lyons
|
|
in there going to back a bloody horse someone gave him that hasn't an
|
|
earthly. Through here.
|
|
|
|
They went up the steps and under Merchants' arch. A darkbacked figure
|
|
scanned books on the hawker's cart.
|
|
|
|
--There he is, Lenehan said.
|
|
|
|
--Wonder what he's buying, M'Coy said, glancing behind.
|
|
|
|
--_Leopoldo or the Bloom is on the Rye,_ Lenehan said.
|
|
|
|
--He's dead nuts on sales, M'Coy said. I was with him one day and he
|
|
bought a book from an old one in Liffey street for two bob. There were
|
|
fine plates in it worth double the money, the stars and the moon and
|
|
comets with long tails. Astronomy it was about.
|
|
|
|
Lenehan laughed.
|
|
|
|
--I'll tell you a damn good one about comets' tails, he said. Come over
|
|
in the sun.
|
|
|
|
They crossed to the metal bridge and went along Wellington quay by the
|
|
riverwall.
|
|
|
|
Master Patrick Aloysius Dignam came out of Mangan's, late Fehrenbach's,
|
|
carrying a pound and a half of porksteaks.
|
|
|
|
--There was a long spread out at Glencree reformatory, Lenehan said
|
|
eagerly. The annual dinner, you know. Boiled shirt affair. The lord
|
|
mayor was there, Val Dillon it was, and sir Charles Cameron and Dan
|
|
Dawson spoke and there was music. Bartell d'Arcy sang and Benjamin
|
|
Dollard...
|
|
|
|
--I know, M'Coy broke in. My missus sang there once.
|
|
|
|
--Did she? Lenehan said.
|
|
|
|
A card _Unfurnished Apartments_ reappeared on the windowsash of number 7
|
|
Eccles street.
|
|
|
|
He checked his tale a moment but broke out in a wheezy laugh.
|
|
|
|
--But wait till I tell you, he said. Delahunt of Camden street had the
|
|
catering and yours truly was chief bottlewasher. Bloom and the wife were
|
|
there. Lashings of stuff we put up: port wine and sherry and curacao to
|
|
which we did ample justice. Fast and furious it was. After liquids came
|
|
solids. Cold joints galore and mince pies...
|
|
|
|
--I know, M'Coy said. The year the missus was there...
|
|
|
|
Lenehan linked his arm warmly.
|
|
|
|
--But wait till I tell you, he said. We had a midnight lunch too after
|
|
all the jollification and when we sallied forth it was blue o'clock the
|
|
morning after the night before. Coming home it was a gorgeous winter's
|
|
night on the Featherbed Mountain. Bloom and Chris Callinan were on one
|
|
side of the car and I was with the wife on the other. We started singing
|
|
glees and duets: _Lo, the early beam of morning_. She was well primed
|
|
with a good load of Delahunt's port under her bellyband. Every jolt the
|
|
bloody car gave I had her bumping up against me. Hell's delights! She
|
|
has a fine pair, God bless her. Like that.
|
|
|
|
He held his caved hands a cubit from him, frowning:
|
|
|
|
--I was tucking the rug under her and settling her boa all the time.
|
|
Know what I mean?
|
|
|
|
His hands moulded ample curves of air. He shut his eyes tight in
|
|
delight, his body shrinking, and blew a sweet chirp from his lips.
|
|
|
|
--The lad stood to attention anyhow, he said with a sigh. She's a gamey
|
|
mare and no mistake. Bloom was pointing out all the stars and the comets
|
|
in the heavens to Chris Callinan and the jarvey: the great bear and
|
|
Hercules and the dragon, and the whole jingbang lot. But, by God, I was
|
|
lost, so to speak, in the milky way. He knows them all, faith. At last
|
|
she spotted a weeny weeshy one miles away. _And what star is that,
|
|
Poldy?_ says she. By God, she had Bloom cornered. _That one, is it?_
|
|
says Chris Callinan, _sure that's only what you might call a pinprick._
|
|
By God, he wasn't far wide of the mark.
|
|
|
|
Lenehan stopped and leaned on the riverwall, panting with soft laughter.
|
|
|
|
--I'm weak, he gasped.
|
|
|
|
M'Coy's white face smiled about it at instants and grew grave. Lenehan
|
|
walked on again. He lifted his yachtingcap and scratched his hindhead
|
|
rapidly. He glanced sideways in the sunlight at M'Coy.
|
|
|
|
--He's a cultured allroundman, Bloom is, he said seriously. He's not one
|
|
of your common or garden... you know... There's a touch of the artist
|
|
about old Bloom.
|
|
|
|
* * * * *
|
|
|
|
Mr Bloom turned over idly pages of _The Awful Disclosures of Maria
|
|
Monk,_ then of Aristotle's _Masterpiece._ Crooked botched print. Plates:
|
|
infants cuddled in a ball in bloodred wombs like livers of slaughtered
|
|
cows. Lots of them like that at this moment all over the world. All
|
|
butting with their skulls to get out of it. Child born every minute
|
|
somewhere. Mrs Purefoy.
|
|
|
|
He laid both books aside and glanced at the third: _Tales of the Ghetto_
|
|
by Leopold von Sacher Masoch.
|
|
|
|
--That I had, he said, pushing it by.
|
|
|
|
The shopman let two volumes fall on the counter.
|
|
|
|
--Them are two good ones, he said.
|
|
|
|
Onions of his breath came across the counter out of his ruined mouth.
|
|
He bent to make a bundle of the other books, hugged them against his
|
|
unbuttoned waistcoat and bore them off behind the dingy curtain.
|
|
|
|
On O'Connell bridge many persons observed the grave deportment and gay
|
|
apparel of Mr Denis J Maginni, professor of dancing &c.
|
|
|
|
Mr Bloom, alone, looked at the titles. _Fair Tyrants_ by James
|
|
Lovebirch. Know the kind that is. Had it? Yes.
|
|
|
|
He opened it. Thought so.
|
|
|
|
A woman's voice behind the dingy curtain. Listen: the man.
|
|
|
|
No: she wouldn't like that much. Got her it once.
|
|
|
|
He read the other title: _Sweets of Sin_. More in her line. Let us see.
|
|
|
|
He read where his finger opened.
|
|
|
|
_--All the dollarbills her husband gave her were spent in the stores on
|
|
wondrous gowns and costliest frillies. For him! For raoul!_
|
|
|
|
Yes. This. Here. Try.
|
|
|
|
--_Her mouth glued on his in a luscious voluptuous kiss while his hands
|
|
felt for the opulent curves inside her deshabille._
|
|
|
|
Yes. Take this. The end.
|
|
|
|
--_You are late, he spoke hoarsely, eying her with a suspicious glare.
|
|
The beautiful woman threw off her sabletrimmed wrap, displaying her
|
|
queenly shoulders and heaving embonpoint. An imperceptible smile played
|
|
round her perfect lips as she turned to him calmly._
|
|
|
|
Mr Bloom read again: _The beautiful woman._
|
|
|
|
Warmth showered gently over him, cowing his flesh. Flesh yielded amply
|
|
amid rumpled clothes: whites of eyes swooning up. His nostrils arched
|
|
themselves for prey. Melting breast ointments (_for Him! For Raoul!_).
|
|
Armpits' oniony sweat. Fishgluey slime (_her heaving embonpoint!_).
|
|
Feel! Press! Crushed! Sulphur dung of lions!
|
|
|
|
Young! Young!
|
|
|
|
An elderly female, no more young, left the building of the courts of
|
|
chancery, king's bench, exchequer and common pleas, having heard in
|
|
the lord chancellor's court the case in lunacy of Potterton, in the
|
|
admiralty division the summons, exparte motion, of the owners of the
|
|
Lady Cairns versus the owners of the barque Mona, in the court of appeal
|
|
reservation of judgment in the case of Harvey versus the Ocean Accident
|
|
and Guarantee Corporation.
|
|
|
|
Phlegmy coughs shook the air of the bookshop, bulging out the dingy
|
|
curtains. The shopman's uncombed grey head came out and his unshaven
|
|
reddened face, coughing. He raked his throat rudely, puked phlegm on the
|
|
floor. He put his boot on what he had spat, wiping his sole along it,
|
|
and bent, showing a rawskinned crown, scantily haired.
|
|
|
|
Mr Bloom beheld it.
|
|
|
|
Mastering his troubled breath, he said:
|
|
|
|
--I'll take this one.
|
|
|
|
The shopman lifted eyes bleared with old rheum.
|
|
|
|
--_Sweets of Sin,_ he said, tapping on it. That's a good one.
|
|
|
|
* * * * *
|
|
|
|
The lacquey by the door of Dillon's auctionrooms shook his handbell
|
|
twice again and viewed himself in the chalked mirror of the cabinet.
|
|
|
|
Dilly Dedalus, loitering by the curbstone, heard the beats of the
|
|
bell, the cries of the auctioneer within. Four and nine. Those lovely
|
|
curtains. Five shillings. Cosy curtains. Selling new at two guineas. Any
|
|
advance on five shillings? Going for five shillings.
|
|
|
|
The lacquey lifted his handbell and shook it:
|
|
|
|
--Barang!
|
|
|
|
Bang of the lastlap bell spurred the halfmile wheelmen to their sprint.
|
|
J. A. Jackson, W. E. Wylie, A. Munro and H. T. Gahan, their stretched
|
|
necks wagging, negotiated the curve by the College library.
|
|
|
|
Mr Dedalus, tugging a long moustache, came round from Williams's row. He
|
|
halted near his daughter.
|
|
|
|
--It's time for you, she said.
|
|
|
|
--Stand up straight for the love of the lord Jesus, Mr Dedalus said.
|
|
Are you trying to imitate your uncle John, the cornetplayer, head upon
|
|
shoulder? Melancholy God!
|
|
|
|
Dilly shrugged her shoulders. Mr Dedalus placed his hands on them and
|
|
held them back.
|
|
|
|
--Stand up straight, girl, he said. You'll get curvature of the spine.
|
|
Do you know what you look like?
|
|
|
|
He let his head sink suddenly down and forward, hunching his shoulders
|
|
and dropping his underjaw.
|
|
|
|
--Give it up, father, Dilly said. All the people are looking at you.
|
|
|
|
Mr Dedalus drew himself upright and tugged again at his moustache.
|
|
|
|
--Did you get any money? Dilly asked.
|
|
|
|
--Where would I get money? Mr Dedalus said. There is no-one in Dublin
|
|
would lend me fourpence.
|
|
|
|
--You got some, Dilly said, looking in his eyes.
|
|
|
|
--How do you know that? Mr Dedalus asked, his tongue in his cheek.
|
|
|
|
Mr Kernan, pleased with the order he had booked, walked boldly along
|
|
James's street.
|
|
|
|
--I know you did, Dilly answered. Were you in the Scotch house now?
|
|
|
|
--I was not, then, Mr Dedalus said, smiling. Was it the little nuns
|
|
taught you to be so saucy? Here.
|
|
|
|
He handed her a shilling.
|
|
|
|
--See if you can do anything with that, he said.
|
|
|
|
--I suppose you got five, Dilly said. Give me more than that.
|
|
|
|
--Wait awhile, Mr Dedalus said threateningly. You're like the rest of
|
|
them, are you? An insolent pack of little bitches since your poor mother
|
|
died. But wait awhile. You'll all get a short shrift and a long day from
|
|
me. Low blackguardism! I'm going to get rid of you. Wouldn't care if I
|
|
was stretched out stiff. He's dead. The man upstairs is dead.
|
|
|
|
He left her and walked on. Dilly followed quickly and pulled his coat.
|
|
|
|
--Well, what is it? he said, stopping.
|
|
|
|
The lacquey rang his bell behind their backs.
|
|
|
|
--Barang!
|
|
|
|
--Curse your bloody blatant soul, Mr Dedalus cried, turning on him.
|
|
|
|
The lacquey, aware of comment, shook the lolling clapper of his bell but
|
|
feebly:
|
|
|
|
--Bang!
|
|
|
|
Mr Dedalus stared at him.
|
|
|
|
--Watch him, he said. It's instructive. I wonder will he allow us to
|
|
talk.
|
|
|
|
--You got more than that, father, Dilly said.
|
|
|
|
--I'm going to show you a little trick, Mr Dedalus said. I'll leave
|
|
you all where Jesus left the jews. Look, there's all I have. I got
|
|
two shillings from Jack Power and I spent twopence for a shave for the
|
|
funeral.
|
|
|
|
He drew forth a handful of copper coins, nervously.
|
|
|
|
--Can't you look for some money somewhere? Dilly said.
|
|
|
|
Mr Dedalus thought and nodded.
|
|
|
|
--I will, he said gravely. I looked all along the gutter in O'Connell
|
|
street. I'll try this one now.
|
|
|
|
--You're very funny, Dilly said, grinning.
|
|
|
|
--Here, Mr Dedalus said, handing her two pennies. Get a glass of milk
|
|
for yourself and a bun or a something. I'll be home shortly.
|
|
|
|
He put the other coins in his pocket and started to walk on.
|
|
|
|
The viceregal cavalcade passed, greeted by obsequious policemen, out of
|
|
Parkgate.
|
|
|
|
--I'm sure you have another shilling, Dilly said.
|
|
|
|
The lacquey banged loudly.
|
|
|
|
Mr Dedalus amid the din walked off, murmuring to himself with a pursing
|
|
mincing mouth gently:
|
|
|
|
--The little nuns! Nice little things! O, sure they wouldn't do
|
|
anything! O, sure they wouldn't really! Is it little sister Monica!
|
|
|
|
* * * * *
|
|
|
|
From the sundial towards James's gate walked Mr Kernan, pleased with the
|
|
order he had booked for Pulbrook Robertson, boldly along James's street,
|
|
past Shackleton's offices. Got round him all right. How do you do, Mr
|
|
Crimmins? First rate, sir. I was afraid you might be up in your other
|
|
establishment in Pimlico. How are things going? Just keeping alive.
|
|
Lovely weather we're having. Yes, indeed. Good for the country. Those
|
|
farmers are always grumbling. I'll just take a thimbleful of your best
|
|
gin, Mr Crimmins. A small gin, sir. Yes, sir. Terrible affair that
|
|
General Slocum explosion. Terrible, terrible! A thousand casualties. And
|
|
heartrending scenes. Men trampling down women and children. Most brutal
|
|
thing. What do they say was the cause? Spontaneous combustion. Most
|
|
scandalous revelation. Not a single lifeboat would float and the
|
|
firehose all burst. What I can't understand is how the inspectors ever
|
|
allowed a boat like that... Now, you're talking straight, Mr Crimmins.
|
|
You know why? Palm oil. Is that a fact? Without a doubt. Well now, look
|
|
at that. And America they say is the land of the free. I thought we were
|
|
bad here.
|
|
|
|
I smiled at him. _America,_ I said quietly, just like that. _What is
|
|
it? The sweepings of every country including our own. Isn't that true?_
|
|
That's a fact.
|
|
|
|
Graft, my dear sir. Well, of course, where there's money going there's
|
|
always someone to pick it up.
|
|
|
|
Saw him looking at my frockcoat. Dress does it. Nothing like a dressy
|
|
appearance. Bowls them over.
|
|
|
|
--Hello, Simon, Father Cowley said. How are things?
|
|
|
|
--Hello, Bob, old man, Mr Dedalus answered, stopping.
|
|
|
|
Mr Kernan halted and preened himself before the sloping mirror of Peter
|
|
Kennedy, hairdresser. Stylish coat, beyond a doubt. Scott of Dawson
|
|
street. Well worth the half sovereign I gave Neary for it. Never built
|
|
under three guineas. Fits me down to the ground. Some Kildare street
|
|
club toff had it probably. John Mulligan, the manager of the Hibernian
|
|
bank, gave me a very sharp eye yesterday on Carlisle bridge as if he
|
|
remembered me.
|
|
|
|
Aham! Must dress the character for those fellows. Knight of the road.
|
|
Gentleman. And now, Mr Crimmins, may we have the honour of your custom
|
|
again, sir. The cup that cheers but not inebriates, as the old saying
|
|
has it.
|
|
|
|
North wall and sir John Rogerson's quay, with hulls and anchorchains,
|
|
sailing westward, sailed by a skiff, a crumpled throwaway, rocked on the
|
|
ferrywash, Elijah is coming.
|
|
|
|
Mr Kernan glanced in farewell at his image. High colour, of course.
|
|
Grizzled moustache. Returned Indian officer. Bravely he bore his stumpy
|
|
body forward on spatted feet, squaring his shoulders. Is that Ned
|
|
Lambert's brother over the way, Sam? What? Yes. He's as like it as damn
|
|
it. No. The windscreen of that motorcar in the sun there. Just a flash
|
|
like that. Damn like him.
|
|
|
|
Aham! Hot spirit of juniper juice warmed his vitals and his breath. Good
|
|
drop of gin, that was. His frocktails winked in bright sunshine to his
|
|
fat strut.
|
|
|
|
Down there Emmet was hanged, drawn and quartered. Greasy black rope.
|
|
Dogs licking the blood off the street when the lord lieutenant's wife
|
|
drove by in her noddy.
|
|
|
|
Bad times those were. Well, well. Over and done with. Great topers too.
|
|
Fourbottle men.
|
|
|
|
Let me see. Is he buried in saint Michan's? Or no, there was a midnight
|
|
burial in Glasnevin. Corpse brought in through a secret door in the
|
|
wall. Dignam is there now. Went out in a puff. Well, well. Better turn
|
|
down here. Make a detour.
|
|
|
|
Mr Kernan turned and walked down the slope of Watling street by
|
|
the corner of Guinness's visitors' waitingroom. Outside the Dublin
|
|
Distillers Company's stores an outside car without fare or jarvey stood,
|
|
the reins knotted to the wheel. Damn dangerous thing. Some Tipperary
|
|
bosthoon endangering the lives of the citizens. Runaway horse.
|
|
|
|
Denis Breen with his tomes, weary of having waited an hour in John
|
|
Henry Menton's office, led his wife over O'Connell bridge, bound for the
|
|
office of Messrs Collis and Ward.
|
|
|
|
Mr Kernan approached Island street.
|
|
|
|
Times of the troubles. Must ask Ned Lambert to lend me those
|
|
reminiscences of sir Jonah Barrington. When you look back on it all
|
|
now in a kind of retrospective arrangement. Gaming at Daly's. No
|
|
cardsharping then. One of those fellows got his hand nailed to the table
|
|
by a dagger. Somewhere here lord Edward Fitzgerald escaped from major
|
|
Sirr. Stables behind Moira house.
|
|
|
|
Damn good gin that was.
|
|
|
|
Fine dashing young nobleman. Good stock, of course. That ruffian, that
|
|
sham squire, with his violet gloves gave him away. Course they were
|
|
on the wrong side. They rose in dark and evil days. Fine poem that
|
|
is: Ingram. They were gentlemen. Ben Dollard does sing that ballad
|
|
touchingly. Masterly rendition.
|
|
|
|
_At the siege of Ross did my father fall._
|
|
|
|
A cavalcade in easy trot along Pembroke quay passed, outriders leaping,
|
|
leaping in their, in their saddles. Frockcoats. Cream sunshades.
|
|
|
|
Mr Kernan hurried forward, blowing pursily.
|
|
|
|
His Excellency! Too bad! Just missed that by a hair. Damn it! What a
|
|
pity!
|
|
|
|
* * * * *
|
|
|
|
Stephen Dedalus watched through the webbed window the lapidary's fingers
|
|
prove a timedulled chain. Dust webbed the window and the showtrays. Dust
|
|
darkened the toiling fingers with their vulture nails. Dust slept
|
|
on dull coils of bronze and silver, lozenges of cinnabar, on rubies,
|
|
leprous and winedark stones.
|
|
|
|
Born all in the dark wormy earth, cold specks of fire, evil, lights
|
|
shining in the darkness. Where fallen archangels flung the stars of
|
|
their brows. Muddy swinesnouts, hands, root and root, gripe and wrest
|
|
them.
|
|
|
|
She dances in a foul gloom where gum bums with garlic. A sailorman,
|
|
rustbearded, sips from a beaker rum and eyes her. A long and seafed
|
|
silent rut. She dances, capers, wagging her sowish haunches and her
|
|
hips, on her gross belly flapping a ruby egg.
|
|
|
|
Old Russell with a smeared shammy rag burnished again his gem, turned it
|
|
and held it at the point of his Moses' beard. Grandfather ape gloating
|
|
on a stolen hoard.
|
|
|
|
And you who wrest old images from the burial earth? The brainsick words
|
|
of sophists: Antisthenes. A lore of drugs. Orient and immortal wheat
|
|
standing from everlasting to everlasting.
|
|
|
|
Two old women fresh from their whiff of the briny trudged through
|
|
Irishtown along London bridge road, one with a sanded tired umbrella,
|
|
one with a midwife's bag in which eleven cockles rolled.
|
|
|
|
The whirr of flapping leathern bands and hum of dynamos from the
|
|
powerhouse urged Stephen to be on. Beingless beings. Stop! Throb always
|
|
without you and the throb always within. Your heart you sing of. I
|
|
between them. Where? Between two roaring worlds where they swirl, I.
|
|
Shatter them, one and both. But stun myself too in the blow. Shatter me
|
|
you who can. Bawd and butcher were the words. I say! Not yet awhile. A
|
|
look around.
|
|
|
|
Yes, quite true. Very large and wonderful and keeps famous time. You say
|
|
right, sir. A Monday morning, 'twas so, indeed.
|
|
|
|
Stephen went down Bedford row, the handle of the ash clacking against
|
|
his shoulderblade. In Clohissey's window a faded 1860 print of Heenan
|
|
boxing Sayers held his eye. Staring backers with square hats stood
|
|
round the roped prizering. The heavyweights in tight loincloths proposed
|
|
gently each to other his bulbous fists. And they are throbbing: heroes'
|
|
hearts.
|
|
|
|
He turned and halted by the slanted bookcart.
|
|
|
|
--Twopence each, the huckster said. Four for sixpence.
|
|
|
|
Tattered pages. _The Irish Beekeeper. Life and Miracles of the Cure of
|
|
Ars. Pocket Guide to Killarney._
|
|
|
|
I might find here one of my pawned schoolprizes. _Stephano Dedalo,
|
|
alumno optimo, palmam ferenti._
|
|
|
|
Father Conmee, having read his little hours, walked through the hamlet
|
|
of Donnycarney, murmuring vespers.
|
|
|
|
Binding too good probably. What is this? Eighth and ninth book of Moses.
|
|
Secret of all secrets. Seal of King David. Thumbed pages: read and read.
|
|
Who has passed here before me? How to soften chapped hands. Recipe for
|
|
white wine vinegar. How to win a woman's love. For me this. Say the
|
|
following talisman three times with hands folded:
|
|
|
|
--_Se el yilo nebrakada femininum! Amor me solo! Sanktus! Amen._
|
|
|
|
Who wrote this? Charms and invocations of the most blessed abbot Peter
|
|
Salanka to all true believers divulged. As good as any other abbot's
|
|
charms, as mumbling Joachim's. Down, baldynoddle, or we'll wool your
|
|
wool.
|
|
|
|
--What are you doing here, Stephen?
|
|
|
|
Dilly's high shoulders and shabby dress.
|
|
|
|
Shut the book quick. Don't let see.
|
|
|
|
--What are you doing? Stephen said.
|
|
|
|
A Stuart face of nonesuch Charles, lank locks falling at its sides. It
|
|
glowed as she crouched feeding the fire with broken boots. I told her
|
|
of Paris. Late lieabed under a quilt of old overcoats, fingering a
|
|
pinchbeck bracelet, Dan Kelly's token. _Nebrakada femininum._
|
|
|
|
--What have you there? Stephen asked.
|
|
|
|
--I bought it from the other cart for a penny, Dilly said, laughing
|
|
nervously. Is it any good?
|
|
|
|
My eyes they say she has. Do others see me so? Quick, far and daring.
|
|
Shadow of my mind.
|
|
|
|
He took the coverless book from her hand. Chardenal's French primer.
|
|
|
|
--What did you buy that for? he asked. To learn French?
|
|
|
|
She nodded, reddening and closing tight her lips.
|
|
|
|
Show no surprise. Quite natural.
|
|
|
|
--Here, Stephen said. It's all right. Mind Maggy doesn't pawn it on you.
|
|
I suppose all my books are gone.
|
|
|
|
--Some, Dilly said. We had to.
|
|
|
|
She is drowning. Agenbite. Save her. Agenbite. All against us. She will
|
|
drown me with her, eyes and hair. Lank coils of seaweed hair around me,
|
|
my heart, my soul. Salt green death.
|
|
|
|
We.
|
|
|
|
Agenbite of inwit. Inwit's agenbite.
|
|
|
|
Misery! Misery!
|
|
|
|
* * * * *
|
|
|
|
--Hello, Simon, Father Cowley said. How are things?
|
|
|
|
--Hello, Bob, old man, Mr Dedalus answered, stopping.
|
|
|
|
They clasped hands loudly outside Reddy and Daughter's. Father Cowley
|
|
brushed his moustache often downward with a scooping hand.
|
|
|
|
--What's the best news? Mr Dedalus said.
|
|
|
|
--Why then not much, Father Cowley said. I'm barricaded up, Simon, with
|
|
two men prowling around the house trying to effect an entrance.
|
|
|
|
--Jolly, Mr Dedalus said. Who is it?
|
|
|
|
--O, Father Cowley said. A certain gombeen man of our acquaintance.
|
|
|
|
--With a broken back, is it? Mr Dedalus asked.
|
|
|
|
--The same, Simon, Father Cowley answered. Reuben of that ilk. I'm just
|
|
waiting for Ben Dollard. He's going to say a word to long John to get
|
|
him to take those two men off. All I want is a little time.
|
|
|
|
He looked with vague hope up and down the quay, a big apple bulging in
|
|
his neck.
|
|
|
|
--I know, Mr Dedalus said, nodding. Poor old bockedy Ben! He's always
|
|
doing a good turn for someone. Hold hard!
|
|
|
|
He put on his glasses and gazed towards the metal bridge an instant.
|
|
|
|
--There he is, by God, he said, arse and pockets.
|
|
|
|
Ben Dollard's loose blue cutaway and square hat above large slops
|
|
crossed the quay in full gait from the metal bridge. He came towards
|
|
them at an amble, scratching actively behind his coattails.
|
|
|
|
As he came near Mr Dedalus greeted:
|
|
|
|
--Hold that fellow with the bad trousers.
|
|
|
|
--Hold him now, Ben Dollard said.
|
|
|
|
Mr Dedalus eyed with cold wandering scorn various points of Ben
|
|
Dollard's figure. Then, turning to Father Cowley with a nod, he muttered
|
|
sneeringly:
|
|
|
|
--That's a pretty garment, isn't it, for a summer's day?
|
|
|
|
--Why, God eternally curse your soul, Ben Dollard growled furiously, I
|
|
threw out more clothes in my time than you ever saw.
|
|
|
|
He stood beside them beaming, on them first and on his roomy clothes
|
|
from points of which Mr Dedalus flicked fluff, saying:
|
|
|
|
--They were made for a man in his health, Ben, anyhow.
|
|
|
|
--Bad luck to the jewman that made them, Ben Dollard said. Thanks be to
|
|
God he's not paid yet.
|
|
|
|
--And how is that _basso profondo_, Benjamin? Father Cowley asked.
|
|
|
|
Cashel Boyle O'Connor Fitzmaurice Tisdall Farrell, murmuring,
|
|
glassyeyed, strode past the Kildare street club.
|
|
|
|
Ben Dollard frowned and, making suddenly a chanter's mouth, gave forth a
|
|
deep note.
|
|
|
|
--Aw! he said.
|
|
|
|
--That's the style, Mr Dedalus said, nodding to its drone.
|
|
|
|
--What about that? Ben Dollard said. Not too dusty? What?
|
|
|
|
He turned to both.
|
|
|
|
--That'll do, Father Cowley said, nodding also.
|
|
|
|
The reverend Hugh C. Love walked from the old chapterhouse of saint
|
|
Mary's abbey past James and Charles Kennedy's, rectifiers, attended by
|
|
Geraldines tall and personable, towards the Tholsel beyond the ford of
|
|
hurdles.
|
|
|
|
Ben Dollard with a heavy list towards the shopfronts led them forward,
|
|
his joyful fingers in the air.
|
|
|
|
--Come along with me to the subsheriff's office, he said. I want to
|
|
show you the new beauty Rock has for a bailiff. He's a cross between
|
|
Lobengula and Lynchehaun. He's well worth seeing, mind you. Come along.
|
|
I saw John Henry Menton casually in the Bodega just now and it will cost
|
|
me a fall if I don't... Wait awhile... We're on the right lay, Bob,
|
|
believe you me.
|
|
|
|
--For a few days tell him, Father Cowley said anxiously.
|
|
|
|
Ben Dollard halted and stared, his loud orifice open, a dangling button
|
|
of his coat wagging brightbacked from its thread as he wiped away the
|
|
heavy shraums that clogged his eyes to hear aright.
|
|
|
|
--What few days? he boomed. Hasn't your landlord distrained for rent?
|
|
|
|
--He has, Father Cowley said.
|
|
|
|
--Then our friend's writ is not worth the paper it's printed on, Ben
|
|
Dollard said. The landlord has the prior claim. I gave him all the
|
|
particulars. 29 Windsor avenue. Love is the name?
|
|
|
|
--That's right, Father Cowley said. The reverend Mr Love. He's a
|
|
minister in the country somewhere. But are you sure of that?
|
|
|
|
--You can tell Barabbas from me, Ben Dollard said, that he can put that
|
|
writ where Jacko put the nuts.
|
|
|
|
He led Father Cowley boldly forward, linked to his bulk.
|
|
|
|
--Filberts I believe they were, Mr Dedalus said, as he dropped his
|
|
glasses on his coatfront, following them.
|
|
|
|
* * * * *
|
|
|
|
--The youngster will be all right, Martin Cunningham said, as they
|
|
passed out of the Castleyard gate.
|
|
|
|
The policeman touched his forehead.
|
|
|
|
--God bless you, Martin Cunningham said, cheerily.
|
|
|
|
He signed to the waiting jarvey who chucked at the reins and set on
|
|
towards Lord Edward street.
|
|
|
|
Bronze by gold, Miss Kennedy's head by Miss Douce's head, appeared above
|
|
the crossblind of the Ormond hotel.
|
|
|
|
--Yes, Martin Cunningham said, fingering his beard. I wrote to Father
|
|
Conmee and laid the whole case before him.
|
|
|
|
--You could try our friend, Mr Power suggested backward.
|
|
|
|
--Boyd? Martin Cunningham said shortly. Touch me not.
|
|
|
|
John Wyse Nolan, lagging behind, reading the list, came after them
|
|
quickly down Cork hill.
|
|
|
|
On the steps of the City hall Councillor Nannetti, descending, hailed
|
|
Alderman Cowley and Councillor Abraham Lyon ascending.
|
|
|
|
The castle car wheeled empty into upper Exchange street.
|
|
|
|
--Look here, Martin, John Wyse Nolan said, overtaking them at the _Mail_
|
|
office. I see Bloom put his name down for five shillings.
|
|
|
|
--Quite right, Martin Cunningham said, taking the list. And put down the
|
|
five shillings too.
|
|
|
|
--Without a second word either, Mr Power said.
|
|
|
|
--Strange but true, Martin Cunningham added.
|
|
|
|
John Wyse Nolan opened wide eyes.
|
|
|
|
--I'll say there is much kindness in the jew, he quoted, elegantly.
|
|
|
|
They went down Parliament street.
|
|
|
|
--There's Jimmy Henry, Mr Power said, just heading for Kavanagh's.
|
|
|
|
--Righto, Martin Cunningham said. Here goes.
|
|
|
|
Outside _la Maison Claire_ Blazes Boylan waylaid Jack Mooney's
|
|
brother-in-law, humpy, tight, making for the liberties.
|
|
|
|
John Wyse Nolan fell back with Mr Power, while Martin Cunningham took
|
|
the elbow of a dapper little man in a shower of hail suit, who walked
|
|
uncertainly, with hasty steps past Micky Anderson's watches.
|
|
|
|
--The assistant town clerk's corns are giving him some trouble, John
|
|
Wyse Nolan told Mr Power.
|
|
|
|
They followed round the corner towards James Kavanagh's winerooms. The
|
|
empty castle car fronted them at rest in Essex gate. Martin Cunningham,
|
|
speaking always, showed often the list at which Jimmy Henry did not
|
|
glance.
|
|
|
|
--And long John Fanning is here too, John Wyse Nolan said, as large as
|
|
life.
|
|
|
|
The tall form of long John Fanning filled the doorway where he stood.
|
|
|
|
--Good day, Mr Subsheriff, Martin Cunningham said, as all halted and
|
|
greeted.
|
|
|
|
Long John Fanning made no way for them. He removed his large Henry Clay
|
|
decisively and his large fierce eyes scowled intelligently over all
|
|
their faces.
|
|
|
|
--Are the conscript fathers pursuing their peaceful deliberations? he
|
|
said with rich acrid utterance to the assistant town clerk.
|
|
|
|
Hell open to christians they were having, Jimmy Henry said pettishly,
|
|
about their damned Irish language. Where was the marshal, he wanted
|
|
to know, to keep order in the council chamber. And old Barlow the
|
|
macebearer laid up with asthma, no mace on the table, nothing in order,
|
|
no quorum even, and Hutchinson, the lord mayor, in Llandudno and little
|
|
Lorcan Sherlock doing _locum tenens_ for him. Damned Irish language,
|
|
language of our forefathers.
|
|
|
|
Long John Fanning blew a plume of smoke from his lips.
|
|
|
|
Martin Cunningham spoke by turns, twirling the peak of his beard, to the
|
|
assistant town clerk and the subsheriff, while John Wyse Nolan held his
|
|
peace.
|
|
|
|
--What Dignam was that? long John Fanning asked.
|
|
|
|
Jimmy Henry made a grimace and lifted his left foot.
|
|
|
|
--O, my corns! he said plaintively. Come upstairs for goodness' sake
|
|
till I sit down somewhere. Uff! Ooo! Mind!
|
|
|
|
Testily he made room for himself beside long John Fanning's flank and
|
|
passed in and up the stairs.
|
|
|
|
--Come on up, Martin Cunningham said to the subsheriff. I don't think
|
|
you knew him or perhaps you did, though.
|
|
|
|
With John Wyse Nolan Mr Power followed them in.
|
|
|
|
--Decent little soul he was, Mr Power said to the stalwart back of long
|
|
John Fanning ascending towards long John Fanning in the mirror.
|
|
|
|
--Rather lowsized. Dignam of Menton's office that was, Martin Cunningham
|
|
said.
|
|
|
|
Long John Fanning could not remember him.
|
|
|
|
Clatter of horsehoofs sounded from the air.
|
|
|
|
--What's that? Martin Cunningham said.
|
|
|
|
All turned where they stood. John Wyse Nolan came down again. From the
|
|
cool shadow of the doorway he saw the horses pass Parliament street,
|
|
harness and glossy pasterns in sunlight shimmering. Gaily they went past
|
|
before his cool unfriendly eyes, not quickly. In saddles of the leaders,
|
|
leaping leaders, rode outriders.
|
|
|
|
--What was it? Martin Cunningham asked, as they went on up the
|
|
staircase.
|
|
|
|
--The lord lieutenantgeneral and general governor of Ireland, John Wyse
|
|
Nolan answered from the stairfoot.
|
|
|
|
* * * * *
|
|
|
|
As they trod across the thick carpet Buck Mulligan whispered behind his
|
|
Panama to Haines:
|
|
|
|
--Parnell's brother. There in the corner.
|
|
|
|
They chose a small table near the window, opposite a longfaced man whose
|
|
beard and gaze hung intently down on a chessboard.
|
|
|
|
--Is that he? Haines asked, twisting round in his seat.
|
|
|
|
--Yes, Mulligan said. That's John Howard, his brother, our city marshal.
|
|
|
|
John Howard Parnell translated a white bishop quietly and his grey claw
|
|
went up again to his forehead whereat it rested. An instant after, under
|
|
its screen, his eyes looked quickly, ghostbright, at his foe and fell
|
|
once more upon a working corner.
|
|
|
|
--I'll take a _melange,_ Haines said to the waitress.
|
|
|
|
--Two _melanges,_ Buck Mulligan said. And bring us some scones and
|
|
butter and some cakes as well.
|
|
|
|
When she had gone he said, laughing:
|
|
|
|
--We call it D.B.C. because they have damn bad cakes. O, but you missed
|
|
Dedalus on _Hamlet._
|
|
|
|
Haines opened his newbought book.
|
|
|
|
--I'm sorry, he said. Shakespeare is the happy huntingground of all
|
|
minds that have lost their balance.
|
|
|
|
The onelegged sailor growled at the area of 14 Nelson street:
|
|
|
|
--_England expects_...
|
|
|
|
Buck Mulligan's primrose waistcoat shook gaily to his laughter.
|
|
|
|
--You should see him, he said, when his body loses its balance.
|
|
Wandering Aengus I call him.
|
|
|
|
--I am sure he has an _idee fixe,_ Haines said, pinching his chin
|
|
thoughtfully with thumb and forefinger. Now I am speculating what it
|
|
would be likely to be. Such persons always have.
|
|
|
|
Buck Mulligan bent across the table gravely.
|
|
|
|
--They drove his wits astray, he said, by visions of hell. He will never
|
|
capture the Attic note. The note of Swinburne, of all poets, the white
|
|
death and the ruddy birth. That is his tragedy. He can never be a poet.
|
|
The joy of creation...
|
|
|
|
--Eternal punishment, Haines said, nodding curtly. I see. I tackled him
|
|
this morning on belief. There was something on his mind, I saw.
|
|
It's rather interesting because professor Pokorny of Vienna makes an
|
|
interesting point out of that.
|
|
|
|
Buck Mulligan's watchful eyes saw the waitress come. He helped her to
|
|
unload her tray.
|
|
|
|
--He can find no trace of hell in ancient Irish myth, Haines said, amid
|
|
the cheerful cups. The moral idea seems lacking, the sense of destiny,
|
|
of retribution. Rather strange he should have just that fixed idea. Does
|
|
he write anything for your movement?
|
|
|
|
He sank two lumps of sugar deftly longwise through the whipped cream.
|
|
Buck Mulligan slit a steaming scone in two and plastered butter over its
|
|
smoking pith. He bit off a soft piece hungrily.
|
|
|
|
--Ten years, he said, chewing and laughing. He is going to write
|
|
something in ten years.
|
|
|
|
--Seems a long way off, Haines said, thoughtfully lifting his spoon.
|
|
Still, I shouldn't wonder if he did after all.
|
|
|
|
He tasted a spoonful from the creamy cone of his cup.
|
|
|
|
--This is real Irish cream I take it, he said with forbearance. I don't
|
|
want to be imposed on.
|
|
|
|
Elijah, skiff, light crumpled throwaway, sailed eastward by flanks of
|
|
ships and trawlers, amid an archipelago of corks, beyond new Wapping
|
|
street past Benson's ferry, and by the threemasted schooner _Rosevean_
|
|
from Bridgwater with bricks.
|
|
|
|
* * * * *
|
|
|
|
Almidano Artifoni walked past Holles street, past Sewell's yard.
|
|
Behind him Cashel Boyle O'Connor Fitzmaurice Tisdall Farrell, with
|
|
stickumbrelladustcoat dangling, shunned the lamp before Mr Law Smith's
|
|
house and, crossing, walked along Merrion square. Distantly behind him a
|
|
blind stripling tapped his way by the wall of College park.
|
|
|
|
Cashel Boyle O'Connor Fitzmaurice Tisdall Farrell walked as far as
|
|
Mr Lewis Werner's cheerful windows, then turned and strode back along
|
|
Merrion square, his stickumbrelladustcoat dangling.
|
|
|
|
At the corner of Wilde's house he halted, frowned at Elijah's name
|
|
announced on the Metropolitan hall, frowned at the distant pleasance of
|
|
duke's lawn. His eyeglass flashed frowning in the sun. With ratsteeth
|
|
bared he muttered:
|
|
|
|
--_Coactus volui._
|
|
|
|
He strode on for Clare street, grinding his fierce word.
|
|
|
|
As he strode past Mr Bloom's dental windows the sway of his dustcoat
|
|
brushed rudely from its angle a slender tapping cane and swept onwards,
|
|
having buffeted a thewless body. The blind stripling turned his sickly
|
|
face after the striding form.
|
|
|
|
--God's curse on you, he said sourly, whoever you are! You're blinder
|
|
nor I am, you bitch's bastard!
|
|
|
|
* * * * *
|
|
|
|
Opposite Ruggy O'Donohoe's Master Patrick Aloysius Dignam, pawing the
|
|
pound and a half of Mangan's, late Fehrenbach's, porksteaks he had been
|
|
sent for, went along warm Wicklow street dawdling. It was too blooming
|
|
dull sitting in the parlour with Mrs Stoer and Mrs Quigley and Mrs
|
|
MacDowell and the blind down and they all at their sniffles and sipping
|
|
sups of the superior tawny sherry uncle Barney brought from Tunney's.
|
|
And they eating crumbs of the cottage fruitcake, jawing the whole
|
|
blooming time and sighing.
|
|
|
|
After Wicklow lane the window of Madame Doyle, courtdress milliner,
|
|
stopped him. He stood looking in at the two puckers stripped to their
|
|
pelts and putting up their props. From the sidemirrors two mourning
|
|
Masters Dignam gaped silently. Myler Keogh, Dublin's pet lamb, will
|
|
meet sergeantmajor Bennett, the Portobello bruiser, for a purse of fifty
|
|
sovereigns. Gob, that'd be a good pucking match to see. Myler Keogh,
|
|
that's the chap sparring out to him with the green sash. Two bar
|
|
entrance, soldiers half price. I could easy do a bunk on ma. Master
|
|
Dignam on his left turned as he turned. That's me in mourning. When
|
|
is it? May the twentysecond. Sure, the blooming thing is all over. He
|
|
turned to the right and on his right Master Dignam turned, his cap awry,
|
|
his collar sticking up. Buttoning it down, his chin lifted, he saw the
|
|
image of Marie Kendall, charming soubrette, beside the two puckers. One
|
|
of them mots that do be in the packets of fags Stoer smokes that his old
|
|
fellow welted hell out of him for one time he found out.
|
|
|
|
Master Dignam got his collar down and dawdled on. The best pucker going
|
|
for strength was Fitzsimons. One puck in the wind from that fellow would
|
|
knock you into the middle of next week, man. But the best pucker for
|
|
science was Jem Corbet before Fitzsimons knocked the stuffings out of
|
|
him, dodging and all.
|
|
|
|
In Grafton street Master Dignam saw a red flower in a toff's mouth and
|
|
a swell pair of kicks on him and he listening to what the drunk was
|
|
telling him and grinning all the time.
|
|
|
|
No Sandymount tram.
|
|
|
|
Master Dignam walked along Nassau street, shifted the porksteaks to
|
|
his other hand. His collar sprang up again and he tugged it down. The
|
|
blooming stud was too small for the buttonhole of the shirt, blooming
|
|
end to it. He met schoolboys with satchels. I'm not going tomorrow
|
|
either, stay away till Monday. He met other schoolboys. Do they notice
|
|
I'm in mourning? Uncle Barney said he'd get it into the paper tonight.
|
|
Then they'll all see it in the paper and read my name printed and pa's
|
|
name.
|
|
|
|
His face got all grey instead of being red like it was and there was a
|
|
fly walking over it up to his eye. The scrunch that was when they
|
|
were screwing the screws into the coffin: and the bumps when they were
|
|
bringing it downstairs.
|
|
|
|
Pa was inside it and ma crying in the parlour and uncle Barney telling
|
|
the men how to get it round the bend. A big coffin it was, and high and
|
|
heavylooking. How was that? The last night pa was boosed he was standing
|
|
on the landing there bawling out for his boots to go out to Tunney's for
|
|
to boose more and he looked butty and short in his shirt. Never see him
|
|
again. Death, that is. Pa is dead. My father is dead. He told me to be
|
|
a good son to ma. I couldn't hear the other things he said but I saw
|
|
his tongue and his teeth trying to say it better. Poor pa. That was
|
|
Mr Dignam, my father. I hope he's in purgatory now because he went to
|
|
confession to Father Conroy on Saturday night.
|
|
|
|
* * * * *
|
|
|
|
William Humble, earl of Dudley, and lady Dudley, accompanied by
|
|
lieutenantcolonel Heseltine, drove out after luncheon from the viceregal
|
|
lodge. In the following carriage were the honourable Mrs Paget, Miss de
|
|
Courcy and the honourable Gerald Ward A.D.C. in attendance.
|
|
|
|
The cavalcade passed out by the lower gate of Phoenix park saluted by
|
|
obsequious policemen and proceeded past Kingsbridge along the northern
|
|
quays. The viceroy was most cordially greeted on his way through the
|
|
metropolis. At Bloody bridge Mr Thomas Kernan beyond the river greeted
|
|
him vainly from afar Between Queen's and Whitworth bridges lord Dudley's
|
|
viceregal carriages passed and were unsaluted by Mr Dudley White, B.
|
|
L., M. A., who stood on Arran quay outside Mrs M. E. White's, the
|
|
pawnbroker's, at the corner of Arran street west stroking his nose with
|
|
his forefinger, undecided whether he should arrive at Phibsborough
|
|
more quickly by a triple change of tram or by hailing a car or on foot
|
|
through Smithfield, Constitution hill and Broadstone terminus. In the
|
|
porch of Four Courts Richie Goulding with the costbag of Goulding,
|
|
Collis and Ward saw him with surprise. Past Richmond bridge at the
|
|
doorstep of the office of Reuben J Dodd, solicitor, agent for the
|
|
Patriotic Insurance Company, an elderly female about to enter changed
|
|
her plan and retracing her steps by King's windows smiled credulously
|
|
on the representative of His Majesty. From its sluice in Wood quay wall
|
|
under Tom Devan's office Poddle river hung out in fealty a tongue of
|
|
liquid sewage. Above the crossblind of the Ormond hotel, gold by bronze,
|
|
Miss Kennedy's head by Miss Douce's head watched and admired. On Ormond
|
|
quay Mr Simon Dedalus, steering his way from the greenhouse for the
|
|
subsheriff's office, stood still in midstreet and brought his hat low.
|
|
His Excellency graciously returned Mr Dedalus' greeting. From Cahill's
|
|
corner the reverend Hugh C. Love, M.A., made obeisance unperceived,
|
|
mindful of lords deputies whose hands benignant had held of yore rich
|
|
advowsons. On Grattan bridge Lenehan and M'Coy, taking leave of each
|
|
other, watched the carriages go by. Passing by Roger Greene's office and
|
|
Dollard's big red printinghouse Gerty MacDowell, carrying the Catesby's
|
|
cork lino letters for her father who was laid up, knew by the style
|
|
it was the lord and lady lieutenant but she couldn't see what Her
|
|
Excellency had on because the tram and Spring's big yellow furniture van
|
|
had to stop in front of her on account of its being the lord lieutenant.
|
|
Beyond Lundy Foot's from the shaded door of Kavanagh's winerooms
|
|
John Wyse Nolan smiled with unseen coldness towards the lord
|
|
lieutenantgeneral and general governor of Ireland. The Right Honourable
|
|
William Humble, earl of Dudley, G. C. V. O., passed Micky Anderson's all
|
|
times ticking watches and Henry and James's wax smartsuited freshcheeked
|
|
models, the gentleman Henry, _dernier cri_ James. Over against Dame gate
|
|
Tom Rochford and Nosey Flynn watched the approach of the cavalcade. Tom
|
|
Rochford, seeing the eyes of lady Dudley fixed on him, took his thumbs
|
|
quickly out of the pockets of his claret waistcoat and doffed his cap to
|
|
her. A charming _soubrette,_ great Marie Kendall, with dauby cheeks and
|
|
lifted skirt smiled daubily from her poster upon William Humble, earl
|
|
of Dudley, and upon lieutenantcolonel H. G. Heseltine, and also upon
|
|
the honourable Gerald Ward A. D. C. From the window of the D. B. C. Buck
|
|
Mulligan gaily, and Haines gravely, gazed down on the viceregal equipage
|
|
over the shoulders of eager guests, whose mass of forms darkened the
|
|
chessboard whereon John Howard Parnell looked intently. In Fownes's
|
|
street Dilly Dedalus, straining her sight upward from Chardenal's first
|
|
French primer, saw sunshades spanned and wheelspokes spinning in the
|
|
glare. John Henry Menton, filling the doorway of Commercial Buildings,
|
|
stared from winebig oyster eyes, holding a fat gold hunter watch not
|
|
looked at in his fat left hand not feeling it. Where the foreleg of King
|
|
Billy's horse pawed the air Mrs Breen plucked her hastening husband
|
|
back from under the hoofs of the outriders. She shouted in his ear the
|
|
tidings. Understanding, he shifted his tomes to his left breast
|
|
and saluted the second carriage. The honourable Gerald Ward A.D.C.,
|
|
agreeably surprised, made haste to reply. At Ponsonby's corner a jaded
|
|
white flagon H. halted and four tallhatted white flagons halted behind
|
|
him, E.L.Y'S, while outriders pranced past and carriages. Opposite
|
|
Pigott's music warerooms Mr Denis J Maginni, professor of dancing &c,
|
|
gaily apparelled, gravely walked, outpassed by a viceroy and unobserved.
|
|
By the provost's wall came jauntily Blazes Boylan, stepping in tan shoes
|
|
and socks with skyblue clocks to the refrain of _My girl's a Yorkshire
|
|
girl._
|
|
|
|
Blazes Boylan presented to the leaders' skyblue frontlets and high
|
|
action a skyblue tie, a widebrimmed straw hat at a rakish angle and a
|
|
suit of indigo serge. His hands in his jacket pockets forgot to salute
|
|
but he offered to the three ladies the bold admiration of his eyes and
|
|
the red flower between his lips. As they drove along Nassau street His
|
|
Excellency drew the attention of his bowing consort to the programme of
|
|
music which was being discoursed in College park. Unseen brazen highland
|
|
laddies blared and drumthumped after the _cortege_:
|
|
|
|
_But though she's a factory lass
|
|
And wears no fancy clothes.
|
|
Baraabum.
|
|
Yet I've a sort of a
|
|
Yorkshire relish for
|
|
My little Yorkshire rose.
|
|
Baraabum._
|
|
|
|
Thither of the wall the quartermile flat handicappers, M. C. Green, H.
|
|
Shrift, T. M. Patey, C. Scaife, J. B. Jeffs, G. N. Morphy, F. Stevenson,
|
|
C. Adderly and W. C. Huggard, started in pursuit. Striding past Finn's
|
|
hotel Cashel Boyle O'Connor Fitzmaurice Tisdall Farrell stared through a
|
|
fierce eyeglass across the carriages at the head of Mr M. E. Solomons
|
|
in the window of the Austro-Hungarian viceconsulate. Deep in Leinster
|
|
street by Trinity's postern a loyal king's man, Hornblower, touched
|
|
his tallyho cap. As the glossy horses pranced by Merrion square Master
|
|
Patrick Aloysius Dignam, waiting, saw salutes being given to the gent
|
|
with the topper and raised also his new black cap with fingers greased
|
|
by porksteak paper. His collar too sprang up. The viceroy, on his way to
|
|
inaugurate the Mirus bazaar in aid of funds for Mercer's hospital,
|
|
drove with his following towards Lower Mount street. He passed a blind
|
|
stripling opposite Broadbent's. In Lower Mount street a pedestrian in a
|
|
brown macintosh, eating dry bread, passed swiftly and unscathed across
|
|
the viceroy's path. At the Royal Canal bridge, from his hoarding,
|
|
Mr Eugene Stratton, his blub lips agrin, bade all comers welcome to
|
|
Pembroke township. At Haddington road corner two sanded women halted
|
|
themselves, an umbrella and a bag in which eleven cockles rolled to view
|
|
with wonder the lord mayor and lady mayoress without his golden chain.
|
|
On Northumberland and Lansdowne roads His Excellency acknowledged
|
|
punctually salutes from rare male walkers, the salute of two small
|
|
schoolboys at the garden gate of the house said to have been admired
|
|
by the late queen when visiting the Irish capital with her husband, the
|
|
prince consort, in 1849 and the salute of Almidano Artifoni's sturdy
|
|
trousers swallowed by a closing door.
|
|
|
|
|
|
|
|
Bronze by gold heard the hoofirons, steelyringing Imperthnthn thnthnthn.
|
|
|
|
Chips, picking chips off rocky thumbnail, chips.
|
|
|
|
Horrid! And gold flushed more.
|
|
|
|
A husky fifenote blew.
|
|
|
|
Blew. Blue bloom is on the.
|
|
|
|
Goldpinnacled hair.
|
|
|
|
A jumping rose on satiny breast of satin, rose of Castile.
|
|
|
|
Trilling, trilling: Idolores.
|
|
|
|
Peep! Who's in the... peepofgold?
|
|
|
|
Tink cried to bronze in pity.
|
|
|
|
And a call, pure, long and throbbing. Longindying call.
|
|
|
|
Decoy. Soft word. But look: the bright stars fade. Notes chirruping
|
|
answer.
|
|
|
|
O rose! Castile. The morn is breaking.
|
|
|
|
Jingle jingle jaunted jingling.
|
|
|
|
Coin rang. Clock clacked.
|
|
|
|
Avowal. _Sonnez._ I could. Rebound of garter. Not leave thee. Smack. _La
|
|
cloche!_ Thigh smack. Avowal. Warm. Sweetheart, goodbye!
|
|
|
|
Jingle. Bloo.
|
|
|
|
Boomed crashing chords. When love absorbs. War! War! The tympanum.
|
|
|
|
A sail! A veil awave upon the waves.
|
|
|
|
Lost. Throstle fluted. All is lost now.
|
|
|
|
Horn. Hawhorn.
|
|
|
|
When first he saw. Alas!
|
|
|
|
Full tup. Full throb.
|
|
|
|
Warbling. Ah, lure! Alluring.
|
|
|
|
Martha! Come!
|
|
|
|
Clapclap. Clipclap. Clappyclap.
|
|
|
|
Goodgod henev erheard inall.
|
|
|
|
Deaf bald Pat brought pad knife took up.
|
|
|
|
A moonlit nightcall: far, far.
|
|
|
|
I feel so sad. P. S. So lonely blooming.
|
|
|
|
Listen!
|
|
|
|
The spiked and winding cold seahorn. Have you the? Each, and for other,
|
|
plash and silent roar.
|
|
|
|
Pearls: when she. Liszt's rhapsodies. Hissss.
|
|
|
|
You don't?
|
|
|
|
Did not: no, no: believe: Lidlyd. With a cock with a carra.
|
|
|
|
Black. Deepsounding. Do, Ben, do.
|
|
|
|
Wait while you wait. Hee hee. Wait while you hee.
|
|
|
|
But wait!
|
|
|
|
Low in dark middle earth. Embedded ore.
|
|
|
|
Naminedamine. Preacher is he:
|
|
|
|
All gone. All fallen.
|
|
|
|
Tiny, her tremulous fernfoils of maidenhair.
|
|
|
|
Amen! He gnashed in fury.
|
|
|
|
Fro. To, fro. A baton cool protruding.
|
|
|
|
Bronzelydia by Minagold.
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By bronze, by gold, in oceangreen of shadow. Bloom. Old Bloom.
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One rapped, one tapped, with a carra, with a cock.
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Pray for him! Pray, good people!
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His gouty fingers nakkering.
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Big Benaben. Big Benben.
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Last rose Castile of summer left bloom I feel so sad alone.
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Pwee! Little wind piped wee.
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True men. Lid Ker Cow De and Doll. Ay, ay. Like you men. Will lift your
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tschink with tschunk.
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Fff! Oo!
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Where bronze from anear? Where gold from afar? Where hoofs?
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Rrrpr. Kraa. Kraandl.
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Then not till then. My eppripfftaph. Be pfrwritt.
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Done.
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Begin!
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Bronze by gold, miss Douce's head by miss Kennedy's head, over the
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crossblind of the Ormond bar heard the viceregal hoofs go by, ringing
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steel.
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--Is that her? asked miss Kennedy.
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Miss Douce said yes, sitting with his ex, pearl grey and _eau de Nil._
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--Exquisite contrast, miss Kennedy said.
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When all agog miss Douce said eagerly:
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--Look at the fellow in the tall silk.
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--Who? Where? gold asked more eagerly.
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--In the second carriage, miss Douce's wet lips said, laughing in the
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sun.
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He's looking. Mind till I see.
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She darted, bronze, to the backmost corner, flattening her face against
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the pane in a halo of hurried breath.
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Her wet lips tittered:
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--He's killed looking back.
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She laughed:
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--O wept! Aren't men frightful idiots?
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With sadness.
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Miss Kennedy sauntered sadly from bright light, twining a loose hair
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behind an ear. Sauntering sadly, gold no more, she twisted twined a
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hair.
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Sadly she twined in sauntering gold hair behind a curving ear.
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--It's them has the fine times, sadly then she said.
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A man.
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Bloowho went by by Moulang's pipes bearing in his breast the sweets
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of sin, by Wine's antiques, in memory bearing sweet sinful words, by
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Carroll's dusky battered plate, for Raoul.
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The boots to them, them in the bar, them barmaids came. For them
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unheeding him he banged on the counter his tray of chattering china. And
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--There's your teas, he said.
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Miss Kennedy with manners transposed the teatray down to an upturned
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lithia crate, safe from eyes, low.
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--What is it? loud boots unmannerly asked.
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--Find out, miss Douce retorted, leaving her spyingpoint.
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--Your _beau,_ is it?
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A haughty bronze replied:
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--I'll complain to Mrs de Massey on you if I hear any more of your
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impertinent insolence.
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--Imperthnthn thnthnthn, bootssnout sniffed rudely, as he retreated as
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she threatened as he had come.
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Bloom.
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On her flower frowning miss Douce said:
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--Most aggravating that young brat is. If he doesn't conduct himself
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I'll wring his ear for him a yard long.
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Ladylike in exquisite contrast.
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--Take no notice, miss Kennedy rejoined.
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She poured in a teacup tea, then back in the teapot tea. They cowered
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under their reef of counter, waiting on footstools, crates upturned,
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waiting for their teas to draw. They pawed their blouses, both of black
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satin, two and nine a yard, waiting for their teas to draw, and two and
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seven.
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Yes, bronze from anear, by gold from afar, heard steel from anear, hoofs
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ring from afar, and heard steelhoofs ringhoof ringsteel.
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--Am I awfully sunburnt?
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Miss bronze unbloused her neck.
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--No, said miss Kennedy. It gets brown after. Did you try the borax with
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the cherry laurel water?
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Miss Douce halfstood to see her skin askance in the barmirror
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gildedlettered where hock and claret glasses shimmered and in their
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midst a shell.
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--And leave it to my hands, she said.
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--Try it with the glycerine, miss Kennedy advised.
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Bidding her neck and hands adieu miss Douce
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--Those things only bring out a rash, replied, reseated. I asked that
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old fogey in Boyd's for something for my skin.
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Miss Kennedy, pouring now a fulldrawn tea, grimaced and prayed:
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--O, don't remind me of him for mercy' sake!
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--But wait till I tell you, miss Douce entreated.
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Sweet tea miss Kennedy having poured with milk plugged both two ears
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with little fingers.
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--No, don't, she cried.
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--I won't listen, she cried.
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But Bloom?
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Miss Douce grunted in snuffy fogey's tone:
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--For your what? says he.
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Miss Kennedy unplugged her ears to hear, to speak: but said, but prayed
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again:
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--Don't let me think of him or I'll expire. The hideous old wretch! That
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night in the Antient Concert Rooms.
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She sipped distastefully her brew, hot tea, a sip, sipped, sweet tea.
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--Here he was, miss Douce said, cocking her bronze head three quarters,
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ruffling her nosewings. Hufa! Hufa!
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Shrill shriek of laughter sprang from miss Kennedy's throat. Miss Douce
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huffed and snorted down her nostrils that quivered imperthnthn like a
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snout in quest.
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--O! shrieking, miss Kennedy cried. Will you ever forget his goggle eye?
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Miss Douce chimed in in deep bronze laughter, shouting:
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--And your other eye!
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Bloowhose dark eye read Aaron Figatner's name. Why do I always think
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Figather? Gathering figs, I think. And Prosper Lore's huguenot name.
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By Bassi's blessed virgins Bloom's dark eyes went by. Bluerobed, white
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under, come to me. God they believe she is: or goddess. Those today. I
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could not see. That fellow spoke. A student. After with Dedalus' son.
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He might be Mulligan. All comely virgins. That brings those rakes of
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fellows in: her white.
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By went his eyes. The sweets of sin. Sweet are the sweets.
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Of sin.
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In a giggling peal young goldbronze voices blended, Douce with Kennedy
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your other eye. They threw young heads back, bronze gigglegold, to let
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freefly their laughter, screaming, your other, signals to each other,
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high piercing notes.
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Ah, panting, sighing, sighing, ah, fordone, their mirth died down.
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Miss Kennedy lipped her cup again, raised, drank a sip and
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gigglegiggled. Miss Douce, bending over the teatray, ruffled again her
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nose and rolled droll fattened eyes. Again Kennygiggles, stooping,
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her fair pinnacles of hair, stooping, her tortoise napecomb showed,
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spluttered out of her mouth her tea, choking in tea and laughter,
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coughing with choking, crying:
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--O greasy eyes! Imagine being married to a man like that! she cried.
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With his bit of beard!
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Douce gave full vent to a splendid yell, a full yell of full woman,
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delight, joy, indignation.
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--Married to the greasy nose! she yelled.
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Shrill, with deep laughter, after, gold after bronze, they urged each
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each to peal after peal, ringing in changes, bronzegold, goldbronze,
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shrilldeep, to laughter after laughter. And then laughed more. Greasy I
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knows. Exhausted, breathless, their shaken heads they laid, braided and
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pinnacled by glossycombed, against the counterledge. All flushed (O!),
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panting, sweating (O!), all breathless.
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Married to Bloom, to greaseabloom.
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--O saints above! miss Douce said, sighed above her jumping rose. I
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wished
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I hadn't laughed so much. I feel all wet.
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--O, miss Douce! miss Kennedy protested. You horrid thing!
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And flushed yet more (you horrid!), more goldenly.
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By Cantwell's offices roved Greaseabloom, by Ceppi's virgins, bright of
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their oils. Nannetti's father hawked those things about, wheedling at
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doors as I. Religion pays. Must see him for that par. Eat first. I want.
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Not yet. At four, she said. Time ever passing. Clockhands turning. On.
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Where eat? The Clarence, Dolphin. On. For Raoul. Eat. If I net five
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guineas with those ads. The violet silk petticoats. Not yet. The sweets
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of sin.
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Flushed less, still less, goldenly paled.
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Into their bar strolled Mr Dedalus. Chips, picking chips off one of his
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rocky thumbnails. Chips. He strolled.
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--O, welcome back, miss Douce.
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He held her hand. Enjoyed her holidays?
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--Tiptop.
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He hoped she had nice weather in Rostrevor.
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--Gorgeous, she said. Look at the holy show I am. Lying out on the
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strand all day.
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Bronze whiteness.
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--That was exceedingly naughty of you, Mr Dedalus told her and pressed
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her hand indulgently. Tempting poor simple males.
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Miss Douce of satin douced her arm away.
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--O go away! she said. You're very simple, I don't think.
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He was.
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--Well now I am, he mused. I looked so simple in the cradle they
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christened me simple Simon.
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--You must have been a doaty, miss Douce made answer. And what did the
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doctor order today?
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--Well now, he mused, whatever you say yourself. I think I'll trouble
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you for some fresh water and a half glass of whisky.
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Jingle.
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--With the greatest alacrity, miss Douce agreed.
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With grace of alacrity towards the mirror gilt Cantrell and Cochrane's
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she turned herself. With grace she tapped a measure of gold whisky from
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her crystal keg. Forth from the skirt of his coat Mr Dedalus brought
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pouch and pipe. Alacrity she served. He blew through the flue two husky
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fifenotes.
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--By Jove, he mused, I often wanted to see the Mourne mountains. Must
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be a great tonic in the air down there. But a long threatening comes at
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last, they say. Yes. Yes.
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Yes. He fingered shreds of hair, her maidenhair, her mermaid's, into the
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bowl. Chips. Shreds. Musing. Mute.
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None nought said nothing. Yes.
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Gaily miss Douce polished a tumbler, trilling:
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--_O, Idolores, queen of the eastern seas!_
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--Was Mr Lidwell in today?
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In came Lenehan. Round him peered Lenehan. Mr Bloom reached Essex
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bridge. Yes, Mr Bloom crossed bridge of Yessex. To Martha I must write.
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Buy paper. Daly's. Girl there civil. Bloom. Old Bloom. Blue bloom is on
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the rye.
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--He was in at lunchtime, miss Douce said.
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Lenehan came forward.
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--Was Mr Boylan looking for me?
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He asked. She answered:
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--Miss Kennedy, was Mr Boylan in while I was upstairs?
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She asked. Miss voice of Kennedy answered, a second teacup poised, her
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gaze upon a page:
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--No. He was not.
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Miss gaze of Kennedy, heard, not seen, read on. Lenehan round the
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sandwichbell wound his round body round.
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--Peep! Who's in the corner?
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No glance of Kennedy rewarding him he yet made overtures. To mind her
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stops. To read only the black ones: round o and crooked ess.
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Jingle jaunty jingle.
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Girlgold she read and did not glance. Take no notice. She took no notice
|
|
while he read by rote a solfa fable for her, plappering flatly:
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--Ah fox met ah stork. Said thee fox too thee stork: Will you put your
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bill down inn my troath and pull upp ah bone?
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He droned in vain. Miss Douce turned to her tea aside.
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He sighed aside:
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--Ah me! O my!
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He greeted Mr Dedalus and got a nod.
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--Greetings from the famous son of a famous father.
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--Who may he be? Mr Dedalus asked.
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Lenehan opened most genial arms. Who?
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--Who may he be? he asked. Can you ask? Stephen, the youthful bard.
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Dry.
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Mr Dedalus, famous father, laid by his dry filled pipe.
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--I see, he said. I didn't recognise him for the moment. I hear he is
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keeping very select company. Have you seen him lately?
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He had.
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--I quaffed the nectarbowl with him this very day, said Lenehan. In
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Mooney's _en ville_ and in Mooney's _sur mer._ He had received the rhino
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for the labour of his muse.
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He smiled at bronze's teabathed lips, at listening lips and eyes:
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--The _elite_ of Erin hung upon his lips. The ponderous pundit, Hugh
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MacHugh, Dublin's most brilliant scribe and editor and that minstrel boy
|
|
of the wild wet west who is known by the euphonious appellation of the
|
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O'Madden Burke.
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After an interval Mr Dedalus raised his grog and
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--That must have been highly diverting, said he. I see.
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He see. He drank. With faraway mourning mountain eye. Set down his
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glass.
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He looked towards the saloon door.
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--I see you have moved the piano.
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--The tuner was in today, miss Douce replied, tuning it for the smoking
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concert and I never heard such an exquisite player.
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--Is that a fact?
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--Didn't he, miss Kennedy? The real classical, you know. And blind too,
|
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poor fellow. Not twenty I'm sure he was.
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--Is that a fact? Mr Dedalus said.
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He drank and strayed away.
|
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--So sad to look at his face, miss Douce condoled.
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God's curse on bitch's bastard.
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Tink to her pity cried a diner's bell. To the door of the bar and
|
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diningroom came bald Pat, came bothered Pat, came Pat, waiter of Ormond.
|
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Lager for diner. Lager without alacrity she served.
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With patience Lenehan waited for Boylan with impatience, for
|
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jinglejaunty blazes boy.
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Upholding the lid he (who?) gazed in the coffin (coffin?) at the oblique
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triple (piano!) wires. He pressed (the same who pressed indulgently her
|
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hand), soft pedalling, a triple of keys to see the thicknesses of felt
|
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advancing, to hear the muffled hammerfall in action.
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Two sheets cream vellum paper one reserve two envelopes when I was in
|
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Wisdom Hely's wise Bloom in Daly's Henry Flower bought. Are you not
|
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happy in your home? Flower to console me and a pin cuts lo. Means
|
|
something, language of flow. Was it a daisy? Innocence that is.
|
|
Respectable girl meet after mass. Thanks awfully muchly. Wise Bloom eyed
|
|
on the door a poster, a swaying mermaid smoking mid nice waves. Smoke
|
|
mermaids, coolest whiff of all. Hair streaming: lovelorn. For some man.
|
|
For Raoul. He eyed and saw afar on Essex bridge a gay hat riding on a
|
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jaunting car. It is. Again. Third time. Coincidence.
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Jingling on supple rubbers it jaunted from the bridge to Ormond quay.
|
|
Follow. Risk it. Go quick. At four. Near now. Out.
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--Twopence, sir, the shopgirl dared to say.
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--Aha... I was forgetting... Excuse...
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--And four.
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|
At four she. Winsomely she on Bloohimwhom smiled. Bloo smi qui go.
|
|
Ternoon. Think you're the only pebble on the beach? Does that to all.
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|
For men.
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|
In drowsy silence gold bent on her page.
|
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|
From the saloon a call came, long in dying. That was a tuningfork the
|
|
tuner had that he forgot that he now struck. A call again. That he now
|
|
poised that it now throbbed. You hear? It throbbed, pure, purer, softly
|
|
and softlier, its buzzing prongs. Longer in dying call.
|
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|
|
Pat paid for diner's popcorked bottle: and over tumbler, tray and
|
|
popcorked bottle ere he went he whispered, bald and bothered, with miss
|
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Douce.
|
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|
|
--_The bright stars fade_...
|
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|
|
A voiceless song sang from within, singing:
|
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|
|
--... _the morn is breaking._
|
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|
|
A duodene of birdnotes chirruped bright treble answer under sensitive
|
|
hands. Brightly the keys, all twinkling, linked, all harpsichording,
|
|
called to a voice to sing the strain of dewy morn, of youth, of love's
|
|
leavetaking, life's, love's morn.
|
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|
|
--_The dewdrops pearl_...
|
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|
|
Lenehan's lips over the counter lisped a low whistle of decoy.
|
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|
|
--But look this way, he said, rose of Castile.
|
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|
Jingle jaunted by the curb and stopped.
|
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|
|
She rose and closed her reading, rose of Castile: fretted, forlorn,
|
|
dreamily rose.
|
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|
|
--Did she fall or was she pushed? he asked her.
|
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|
|
She answered, slighting:
|
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|
|
--Ask no questions and you'll hear no lies.
|
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|
|
Like lady, ladylike.
|
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|
|
Blazes Boylan's smart tan shoes creaked on the barfloor where he strode.
|
|
Yes, gold from anear by bronze from afar. Lenehan heard and knew and
|
|
hailed him:
|
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|
|
--See the conquering hero comes.
|
|
|
|
Between the car and window, warily walking, went Bloom, unconquered
|
|
hero. See me he might. The seat he sat on: warm. Black wary hecat walked
|
|
towards Richie Goulding's legal bag, lifted aloft, saluting.
|
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|
|
--_And I from thee_...
|
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|
|
--I heard you were round, said Blazes Boylan.
|
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|
|
He touched to fair miss Kennedy a rim of his slanted straw. She smiled
|
|
on him. But sister bronze outsmiled her, preening for him her richer
|
|
hair, a bosom and a rose.
|
|
|
|
Smart Boylan bespoke potions.
|
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|
|
--What's your cry? Glass of bitter? Glass of bitter, please, and a
|
|
sloegin for me. Wire in yet?
|
|
|
|
Not yet. At four she. Who said four?
|
|
|
|
Cowley's red lugs and bulging apple in the door of the sheriff's office.
|
|
|
|
Avoid. Goulding a chance. What is he doing in the Ormond? Car waiting.
|
|
|
|
Wait.
|
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|
|
Hello. Where off to? Something to eat? I too was just. In here. What,
|
|
Ormond? Best value in Dublin. Is that so? Diningroom. Sit tight there.
|
|
See, not be seen. I think I'll join you. Come on. Richie led on. Bloom
|
|
followed bag. Dinner fit for a prince.
|
|
|
|
Miss Douce reached high to take a flagon, stretching her satin arm, her
|
|
bust, that all but burst, so high.
|
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|
|
--O! O! jerked Lenehan, gasping at each stretch. O!
|
|
|
|
But easily she seized her prey and led it low in triumph.
|
|
|
|
--Why don't you grow? asked Blazes Boylan.
|
|
|
|
Shebronze, dealing from her oblique jar thick syrupy liquor for his
|
|
lips, looked as it flowed (flower in his coat: who gave him?), and
|
|
syrupped with her voice:
|
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|
|
--Fine goods in small parcels.
|
|
|
|
That is to say she. Neatly she poured slowsyrupy sloe.
|
|
|
|
--Here's fortune, Blazes said.
|
|
|
|
He pitched a broad coin down. Coin rang.
|
|
|
|
--Hold on, said Lenehan, till I...
|
|
|
|
--Fortune, he wished, lifting his bubbled ale.
|
|
|
|
--Sceptre will win in a canter, he said.
|
|
|
|
--I plunged a bit, said Boylan winking and drinking. Not on my own, you
|
|
know. Fancy of a friend of mine.
|
|
|
|
Lenehan still drank and grinned at his tilted ale and at miss Douce's
|
|
lips that all but hummed, not shut, the oceansong her lips had trilled.
|
|
|
|
Idolores. The eastern seas.
|
|
|
|
Clock whirred. Miss Kennedy passed their way (flower, wonder who gave),
|
|
bearing away teatray. Clock clacked.
|
|
|
|
Miss Douce took Boylan's coin, struck boldly the cashregister. It
|
|
clanged. Clock clacked. Fair one of Egypt teased and sorted in the till
|
|
and hummed and handed coins in change. Look to the west. A clack. For
|
|
me.
|
|
|
|
--What time is that? asked Blazes Boylan. Four?
|
|
|
|
O'clock.
|
|
|
|
Lenehan, small eyes ahunger on her humming, bust ahumming, tugged Blazes
|
|
Boylan's elbowsleeve.
|
|
|
|
--Let's hear the time, he said.
|
|
|
|
The bag of Goulding, Collis, Ward led Bloom by ryebloom flowered tables.
|
|
Aimless he chose with agitated aim, bald Pat attending, a table near
|
|
the door. Be near. At four. Has he forgotten? Perhaps a trick. Not come:
|
|
whet appetite. I couldn't do. Wait, wait. Pat, waiter, waited.
|
|
|
|
Sparkling bronze azure eyed Blazure's skyblue bow and eyes.
|
|
|
|
--Go on, pressed Lenehan. There's no-one. He never heard.
|
|
|
|
--... _to Flora's lips did hie._
|
|
|
|
High, a high note pealed in the treble clear.
|
|
|
|
Bronzedouce communing with her rose that sank and rose sought
|
|
|
|
Blazes Boylan's flower and eyes.
|
|
|
|
--Please, please.
|
|
|
|
He pleaded over returning phrases of avowal.
|
|
|
|
--_I could not leave thee_...
|
|
|
|
--Afterwits, miss Douce promised coyly.
|
|
|
|
--No, now, urged Lenehan. _Sonnezlacloche!_ O do! There's no-one.
|
|
|
|
She looked. Quick. Miss Kenn out of earshot. Sudden bent. Two kindling
|
|
faces watched her bend.
|
|
|
|
Quavering the chords strayed from the air, found it again, lost chord,
|
|
and lost and found it, faltering.
|
|
|
|
--Go on! Do! _Sonnez!_
|
|
|
|
Bending, she nipped a peak of skirt above her knee. Delayed. Taunted
|
|
them still, bending, suspending, with wilful eyes.
|
|
|
|
_--Sonnez!_
|
|
|
|
Smack. She set free sudden in rebound her nipped elastic garter
|
|
smackwarm against her smackable a woman's warmhosed thigh.
|
|
|
|
--_La Cloche!_ cried gleeful Lenehan. Trained by owner. No sawdust
|
|
there.
|
|
|
|
She smilesmirked supercilious (wept! aren't men?), but, lightward
|
|
gliding, mild she smiled on Boylan.
|
|
|
|
--You're the essence of vulgarity, she in gliding said.
|
|
|
|
Boylan, eyed, eyed. Tossed to fat lips his chalice, drank off his
|
|
chalice tiny, sucking the last fat violet syrupy drops. His spellbound
|
|
eyes went after, after her gliding head as it went down the bar by
|
|
mirrors, gilded arch for ginger ale, hock and claret glasses shimmering,
|
|
a spiky shell, where it concerted, mirrored, bronze with sunnier bronze.
|
|
|
|
Yes, bronze from anearby.
|
|
|
|
--... _Sweetheart, goodbye!_
|
|
|
|
--I'm off, said Boylan with impatience.
|
|
|
|
He slid his chalice brisk away, grasped his change.
|
|
|
|
--Wait a shake, begged Lenehan, drinking quickly. I wanted to tell you.
|
|
|
|
Tom Rochford...
|
|
|
|
--Come on to blazes, said Blazes Boylan, going.
|
|
|
|
Lenehan gulped to go.
|
|
|
|
--Got the horn or what? he said. Wait. I'm coming.
|
|
|
|
He followed the hasty creaking shoes but stood by nimbly by the
|
|
threshold, saluting forms, a bulky with a slender.
|
|
|
|
--How do you do, Mr Dollard?
|
|
|
|
--Eh? How do? How do? Ben Dollard's vague bass answered, turning an
|
|
instant from Father Cowley's woe. He won't give you any trouble, Bob.
|
|
Alf Bergan will speak to the long fellow. We'll put a barleystraw in
|
|
that Judas Iscariot's ear this time.
|
|
|
|
Sighing Mr Dedalus came through the saloon, a finger soothing an eyelid.
|
|
|
|
--Hoho, we will, Ben Dollard yodled jollily. Come on, Simon. Give us a
|
|
ditty. We heard the piano.
|
|
|
|
Bald Pat, bothered waiter, waited for drink orders. Power for Richie.
|
|
And Bloom? Let me see. Not make him walk twice. His corns. Four now. How
|
|
warm this black is. Course nerves a bit. Refracts (is it?) heat. Let me
|
|
see. Cider. Yes, bottle of cider.
|
|
|
|
--What's that? Mr Dedalus said. I was only vamping, man.
|
|
|
|
--Come on, come on, Ben Dollard called. Begone dull care. Come, Bob.
|
|
|
|
He ambled Dollard, bulky slops, before them (hold that fellow with the:
|
|
hold him now) into the saloon. He plumped him Dollard on the stool. His
|
|
gouty paws plumped chords. Plumped, stopped abrupt.
|
|
|
|
Bald Pat in the doorway met tealess gold returning. Bothered, he wanted
|
|
Power and cider. Bronze by the window, watched, bronze from afar.
|
|
|
|
Jingle a tinkle jaunted.
|
|
|
|
Bloom heard a jing, a little sound. He's off. Light sob of breath Bloom
|
|
sighed on the silent bluehued flowers. Jingling. He's gone. Jingle.
|
|
Hear.
|
|
|
|
--Love and War, Ben, Mr Dedalus said. God be with old times.
|
|
|
|
Miss Douce's brave eyes, unregarded, turned from the crossblind, smitten
|
|
by sunlight. Gone. Pensive (who knows?), smitten (the smiting light),
|
|
she lowered the dropblind with a sliding cord. She drew down pensive
|
|
(why did he go so quick when I?) about her bronze, over the bar where
|
|
bald stood by sister gold, inexquisite contrast, contrast inexquisite
|
|
nonexquisite, slow cool dim seagreen sliding depth of shadow, _eau de
|
|
Nil._
|
|
|
|
--Poor old Goodwin was the pianist that night, Father Cowley reminded
|
|
them. There was a slight difference of opinion between himself and the
|
|
Collard grand.
|
|
|
|
There was.
|
|
|
|
--A symposium all his own, Mr Dedalus said. The devil wouldn't stop him.
|
|
He was a crotchety old fellow in the primary stage of drink.
|
|
|
|
--God, do you remember? Ben bulky Dollard said, turning from the
|
|
punished keyboard. And by Japers I had no wedding garment.
|
|
|
|
They laughed all three. He had no wed. All trio laughed. No wedding
|
|
garment.
|
|
|
|
--Our friend Bloom turned in handy that night, Mr Dedalus said. Where's
|
|
my pipe, by the way?
|
|
|
|
He wandered back to the bar to the lost chord pipe. Bald Pat carried two
|
|
diners' drinks, Richie and Poldy. And Father Cowley laughed again.
|
|
|
|
--I saved the situation, Ben, I think.
|
|
|
|
--You did, averred Ben Dollard. I remember those tight trousers too.
|
|
That was a brilliant idea, Bob.
|
|
|
|
Father Cowley blushed to his brilliant purply lobes. He saved the situa.
|
|
Tight trou. Brilliant ide.
|
|
|
|
--I knew he was on the rocks, he said. The wife was playing the piano in
|
|
the coffee palace on Saturdays for a very trifling consideration and
|
|
who was it gave me the wheeze she was doing the other business? Do you
|
|
remember? We had to search all Holles street to find them till the
|
|
chap in Keogh's gave us the number. Remember? Ben remembered, his broad
|
|
visage wondering.
|
|
|
|
--By God, she had some luxurious operacloaks and things there.
|
|
|
|
Mr Dedalus wandered back, pipe in hand.
|
|
|
|
--Merrion square style. Balldresses, by God, and court dresses. He
|
|
wouldn't take any money either. What? Any God's quantity of cocked hats
|
|
and boleros and trunkhose. What?
|
|
|
|
--Ay, ay, Mr Dedalus nodded. Mrs Marion Bloom has left off clothes of
|
|
all descriptions.
|
|
|
|
Jingle jaunted down the quays. Blazes sprawled on bounding tyres.
|
|
|
|
Liver and bacon. Steak and kidney pie. Right, sir. Right, Pat.
|
|
|
|
Mrs Marion. Met him pike hoses. Smell of burn. Of Paul de Kock. Nice
|
|
name he.
|
|
|
|
--What's this her name was? A buxom lassy. Marion...
|
|
|
|
--Tweedy.
|
|
|
|
--Yes. Is she alive?
|
|
|
|
--And kicking.
|
|
|
|
--She was a daughter of...
|
|
|
|
--Daughter of the regiment.
|
|
|
|
--Yes, begad. I remember the old drummajor.
|
|
|
|
Mr Dedalus struck, whizzed, lit, puffed savoury puff after
|
|
|
|
--Irish? I don't know, faith. Is she, Simon?
|
|
|
|
Puff after stiff, a puff, strong, savoury, crackling.
|
|
|
|
--Buccinator muscle is... What?... Bit rusty... O, she is... My
|
|
Irish Molly, O.
|
|
|
|
He puffed a pungent plumy blast.
|
|
|
|
--From the rock of Gibraltar... all the way.
|
|
|
|
They pined in depth of ocean shadow, gold by the beerpull, bronze
|
|
by maraschino, thoughtful all two. Mina Kennedy, 4 Lismore terrace,
|
|
Drumcondra with Idolores, a queen, Dolores, silent.
|
|
|
|
Pat served, uncovered dishes. Leopold cut liverslices. As said before he
|
|
ate with relish the inner organs, nutty gizzards, fried cods' roes while
|
|
Richie Goulding, Collis, Ward ate steak and kidney, steak then kidney,
|
|
bite by bite of pie he ate Bloom ate they ate.
|
|
|
|
Bloom with Goulding, married in silence, ate. Dinners fit for princes.
|
|
|
|
By Bachelor's walk jogjaunty jingled Blazes Boylan, bachelor, in sun in
|
|
heat, mare's glossy rump atrot, with flick of whip, on bounding tyres:
|
|
sprawled, warmseated, Boylan impatience, ardentbold. Horn. Have you the?
|
|
Horn. Have you the? Haw haw horn.
|
|
|
|
Over their voices Dollard bassooned attack, booming over bombarding
|
|
chords:
|
|
|
|
--_When love absorbs my ardent soul_...
|
|
|
|
Roll of Bensoulbenjamin rolled to the quivery loveshivery roofpanes.
|
|
|
|
--War! War! cried Father Cowley. You're the warrior.
|
|
|
|
--So I am, Ben Warrior laughed. I was thinking of your landlord. Love or
|
|
money.
|
|
|
|
He stopped. He wagged huge beard, huge face over his blunder huge.
|
|
|
|
--Sure, you'd burst the tympanum of her ear, man, Mr Dedalus said
|
|
through smoke aroma, with an organ like yours.
|
|
|
|
In bearded abundant laughter Dollard shook upon the keyboard. He would.
|
|
|
|
--Not to mention another membrane, Father Cowley added. Half time, Ben.
|
|
_Amoroso ma non troppo._ Let me there.
|
|
|
|
Miss Kennedy served two gentlemen with tankards of cool stout. She
|
|
passed a remark. It was indeed, first gentleman said, beautiful weather.
|
|
They drank cool stout. Did she know where the lord lieutenant was going?
|
|
And heard steelhoofs ringhoof ring. No, she couldn't say. But it would
|
|
be in the paper. O, she need not trouble. No trouble. She waved about
|
|
her outspread _Independent,_ searching, the lord lieutenant, her
|
|
pinnacles of hair slowmoving, lord lieuten. Too much trouble,
|
|
first gentleman said. O, not in the least. Way he looked that. Lord
|
|
lieutenant. Gold by bronze heard iron steel.
|
|
|
|
--............ _my ardent soul_
|
|
_I care not foror the morrow._
|
|
|
|
In liver gravy Bloom mashed mashed potatoes. Love and War someone is.
|
|
Ben Dollard's famous. Night he ran round to us to borrow a dress suit
|
|
for that concert. Trousers tight as a drum on him. Musical porkers.
|
|
Molly did laugh when he went out. Threw herself back across the bed,
|
|
screaming, kicking. With all his belongings on show. O saints above,
|
|
I'm drenched! O, the women in the front row! O, I never laughed so many!
|
|
Well, of course that's what gives him the base barreltone. For instance
|
|
eunuchs. Wonder who's playing. Nice touch. Must be Cowley. Musical.
|
|
Knows whatever note you play. Bad breath he has, poor chap. Stopped.
|
|
|
|
Miss Douce, engaging, Lydia Douce, bowed to suave solicitor, George
|
|
Lidwell, gentleman, entering. Good afternoon. She gave her moist (a
|
|
lady's) hand to his firm clasp. Afternoon. Yes, she was back. To the old
|
|
dingdong again.
|
|
|
|
--Your friends are inside, Mr Lidwell.
|
|
|
|
George Lidwell, suave, solicited, held a lydiahand.
|
|
|
|
Bloom ate liv as said before. Clean here at least. That chap in the
|
|
Burton, gummy with gristle. No-one here: Goulding and I. Clean tables,
|
|
flowers, mitres of napkins. Pat to and fro. Bald Pat. Nothing to do.
|
|
Best value in Dub.
|
|
|
|
Piano again. Cowley it is. Way he sits in to it, like one together,
|
|
mutual understanding. Tiresome shapers scraping fiddles, eye on the
|
|
bowend, sawing the cello, remind you of toothache. Her high long snore.
|
|
Night we were in the box. Trombone under blowing like a grampus, between
|
|
the acts, other brass chap unscrewing, emptying spittle. Conductor's
|
|
legs too, bagstrousers, jiggedy jiggedy. Do right to hide them.
|
|
|
|
Jiggedy jingle jaunty jaunty.
|
|
|
|
Only the harp. Lovely. Gold glowering light. Girl touched it. Poop of a
|
|
lovely. Gravy's rather good fit for a. Golden ship. Erin. The harp that
|
|
once or twice. Cool hands. Ben Howth, the rhododendrons. We are their
|
|
harps. I. He. Old. Young.
|
|
|
|
--Ah, I couldn't, man, Mr Dedalus said, shy, listless.
|
|
|
|
Strongly.
|
|
|
|
--Go on, blast you! Ben Dollard growled. Get it out in bits.
|
|
|
|
--_M'appari,_ Simon, Father Cowley said.
|
|
|
|
Down stage he strode some paces, grave, tall in affliction, his long
|
|
arms outheld. Hoarsely the apple of his throat hoarsed softly. Softly he
|
|
sang to a dusty seascape there: _A Last Farewell._ A headland, a ship, a
|
|
sail upon the billows. Farewell. A lovely girl, her veil awave upon the
|
|
wind upon the headland, wind around her.
|
|
|
|
Cowley sang:
|
|
|
|
_--M'appari tutt'amor:
|
|
Il mio sguardo l'incontr..._
|
|
|
|
She waved, unhearing Cowley, her veil, to one departing, dear one, to
|
|
wind, love, speeding sail, return.
|
|
|
|
--Go on, Simon.
|
|
|
|
--Ah, sure, my dancing days are done, Ben... Well...
|
|
|
|
Mr Dedalus laid his pipe to rest beside the tuningfork and, sitting,
|
|
touched the obedient keys.
|
|
|
|
--No, Simon, Father Cowley turned. Play it in the original. One flat.
|
|
|
|
The keys, obedient, rose higher, told, faltered, confessed, confused.
|
|
|
|
Up stage strode Father Cowley.
|
|
|
|
--Here, Simon, I'll accompany you, he said. Get up.
|
|
|
|
By Graham Lemon's pineapple rock, by Elvery's elephant jingly jogged.
|
|
Steak, kidney, liver, mashed, at meat fit for princes sat princes Bloom
|
|
and Goulding. Princes at meat they raised and drank, Power and cider.
|
|
|
|
Most beautiful tenor air ever written, Richie said: _Sonnambula._ He
|
|
heard Joe Maas sing that one night. Ah, what M'Guckin! Yes. In his way.
|
|
Choirboy style. Maas was the boy. Massboy. A lyrical tenor if you like.
|
|
Never forget it. Never.
|
|
|
|
Tenderly Bloom over liverless bacon saw the tightened features strain.
|
|
Backache he. Bright's bright eye. Next item on the programme. Paying the
|
|
piper. Pills, pounded bread, worth a guinea a box. Stave it off awhile.
|
|
Sings too: _Down among the dead men._ Appropriate. Kidney pie. Sweets to
|
|
the. Not making much hand of it. Best value in. Characteristic of him.
|
|
Power. Particular about his drink. Flaw in the glass, fresh Vartry
|
|
water. Fecking matches from counters to save. Then squander a sovereign
|
|
in dribs and drabs. And when he's wanted not a farthing. Screwed
|
|
refusing to pay his fare. Curious types.
|
|
|
|
Never would Richie forget that night. As long as he lived: never. In the
|
|
gods of the old Royal with little Peake. And when the first note.
|
|
|
|
Speech paused on Richie's lips.
|
|
|
|
Coming out with a whopper now. Rhapsodies about damn all.
|
|
|
|
Believes his own lies. Does really. Wonderful liar. But want a good
|
|
memory.
|
|
|
|
--Which air is that? asked Leopold Bloom.
|
|
|
|
--_All is lost now_.
|
|
|
|
Richie cocked his lips apout. A low incipient note sweet banshee
|
|
murmured: all. A thrush. A throstle. His breath, birdsweet, good teeth
|
|
he's proud of, fluted with plaintive woe. Is lost. Rich sound. Two
|
|
notes in one there. Blackbird I heard in the hawthorn valley. Taking my
|
|
motives he twined and turned them. All most too new call is lost in all.
|
|
Echo. How sweet the answer. How is that done? All lost now. Mournful he
|
|
whistled. Fall, surrender, lost.
|
|
|
|
Bloom bent leopold ear, turning a fringe of doyley down under the vase.
|
|
Order. Yes, I remember. Lovely air. In sleep she went to him. Innocence
|
|
in the moon. Brave. Don't know their danger. Still hold her back. Call
|
|
name. Touch water. Jingle jaunty. Too late. She longed to go. That's
|
|
why. Woman. As easy stop the sea. Yes: all is lost.
|
|
|
|
--A beautiful air, said Bloom lost Leopold. I know it well.
|
|
|
|
Never in all his life had Richie Goulding.
|
|
|
|
He knows it well too. Or he feels. Still harping on his daughter. Wise
|
|
child that knows her father, Dedalus said. Me?
|
|
|
|
Bloom askance over liverless saw. Face of the all is lost. Rollicking
|
|
Richie once. Jokes old stale now. Wagging his ear. Napkinring in his
|
|
eye. Now begging letters he sends his son with. Crosseyed Walter sir I
|
|
did sir. Wouldn't trouble only I was expecting some money. Apologise.
|
|
|
|
Piano again. Sounds better than last time I heard. Tuned probably.
|
|
Stopped again.
|
|
|
|
Dollard and Cowley still urged the lingering singer out with it.
|
|
|
|
--With it, Simon.
|
|
|
|
--It, Simon.
|
|
|
|
--Ladies and gentlemen, I am most deeply obliged by your kind
|
|
solicitations.
|
|
|
|
--It, Simon.
|
|
|
|
--I have no money but if you will lend me your attention I shall
|
|
endeavour to sing to you of a heart bowed down.
|
|
|
|
By the sandwichbell in screening shadow Lydia, her bronze and rose, a
|
|
lady's grace, gave and withheld: as in cool glaucous _eau de Nil_ Mina
|
|
to tankards two her pinnacles of gold.
|
|
|
|
The harping chords of prelude closed. A chord, longdrawn, expectant,
|
|
drew a voice away.
|
|
|
|
--_When first I saw that form endearing_...
|
|
|
|
Richie turned.
|
|
|
|
--Si Dedalus' voice, he said.
|
|
|
|
Braintipped, cheek touched with flame, they listened feeling that flow
|
|
endearing flow over skin limbs human heart soul spine. Bloom signed to
|
|
Pat, bald Pat is a waiter hard of hearing, to set ajar the door of the
|
|
bar. The door of the bar. So. That will do. Pat, waiter, waited, waiting
|
|
to hear, for he was hard of hear by the door.
|
|
|
|
--_Sorrow from me seemed to depart._
|
|
|
|
Through the hush of air a voice sang to them, low, not rain, not leaves
|
|
in murmur, like no voice of strings or reeds or whatdoyoucallthem
|
|
dulcimers touching their still ears with words, still hearts of their
|
|
each his remembered lives. Good, good to hear: sorrow from them each
|
|
seemed to from both depart when first they heard. When first they saw,
|
|
lost Richie Poldy, mercy of beauty, heard from a person wouldn't expect
|
|
it in the least, her first merciful lovesoft oftloved word.
|
|
|
|
Love that is singing: love's old sweet song. Bloom unwound slowly the
|
|
elastic band of his packet. Love's old sweet _sonnez la_ gold. Bloom
|
|
wound a skein round four forkfingers, stretched it, relaxed, and wound
|
|
it round his troubled double, fourfold, in octave, gyved them fast.
|
|
|
|
--_Full of hope and all delighted_...
|
|
|
|
Tenors get women by the score. Increase their flow. Throw flower at his
|
|
feet. When will we meet? My head it simply. Jingle all delighted. He
|
|
can't sing for tall hats. Your head it simply swurls. Perfumed for him.
|
|
What perfume does your wife? I want to know. Jing. Stop. Knock. Last
|
|
look at mirror always before she answers the door. The hall. There? How
|
|
do you? I do well. There? What? Or? Phial of cachous, kissing comfits,
|
|
in her satchel. Yes? Hands felt for the opulent.
|
|
|
|
Alas the voice rose, sighing, changed: loud, full, shining, proud.
|
|
|
|
--_But alas, 'twas idle dreaming_...
|
|
|
|
Glorious tone he has still. Cork air softer also their brogue. Silly
|
|
man! Could have made oceans of money. Singing wrong words. Wore out
|
|
his wife: now sings. But hard to tell. Only the two themselves. If he
|
|
doesn't break down. Keep a trot for the avenue. His hands and feet sing
|
|
too. Drink. Nerves overstrung. Must be abstemious to sing. Jenny Lind
|
|
soup: stock, sage, raw eggs, half pint of cream. For creamy dreamy.
|
|
|
|
Tenderness it welled: slow, swelling, full it throbbed. That's the chat.
|
|
Ha, give! Take! Throb, a throb, a pulsing proud erect.
|
|
|
|
Words? Music? No: it's what's behind.
|
|
|
|
Bloom looped, unlooped, noded, disnoded.
|
|
|
|
Bloom. Flood of warm jamjam lickitup secretness flowed to flow in music
|
|
out, in desire, dark to lick flow invading. Tipping her tepping her
|
|
tapping her topping her. Tup. Pores to dilate dilating. Tup. The joy
|
|
the feel the warm the. Tup. To pour o'er sluices pouring gushes. Flood,
|
|
gush, flow, joygush, tupthrob. Now! Language of love.
|
|
|
|
--... _ray of hope is_...
|
|
|
|
Beaming. Lydia for Lidwell squeak scarcely hear so ladylike the muse
|
|
unsqueaked a ray of hopk.
|
|
|
|
_Martha_ it is. Coincidence. Just going to write. Lionel's song.
|
|
Lovely name you have. Can't write. Accept my little pres. Play on her
|
|
heartstrings pursestrings too. She's a. I called you naughty boy. Still
|
|
the name: Martha. How strange! Today.
|
|
|
|
The voice of Lionel returned, weaker but unwearied. It sang again to
|
|
Richie Poldy Lydia Lidwell also sang to Pat open mouth ear waiting to
|
|
wait. How first he saw that form endearing, how sorrow seemed to part,
|
|
how look, form, word charmed him Gould Lidwell, won Pat Bloom's heart.
|
|
|
|
Wish I could see his face, though. Explain better. Why the barber in
|
|
Drago's always looked my face when I spoke his face in the glass. Still
|
|
hear it better here than in the bar though farther.
|
|
|
|
--_Each graceful look_...
|
|
|
|
First night when first I saw her at Mat Dillon's in Terenure. Yellow,
|
|
black lace she wore. Musical chairs. We two the last. Fate. After her.
|
|
Fate.
|
|
|
|
Round and round slow. Quick round. We two. All looked. Halt. Down she
|
|
sat. All ousted looked. Lips laughing. Yellow knees.
|
|
|
|
--_Charmed my eye_...
|
|
|
|
Singing. _Waiting_ she sang. I turned her music. Full voice of perfume
|
|
of what perfume does your lilactrees. Bosom I saw, both full, throat
|
|
warbling. First I saw. She thanked me. Why did she me? Fate. Spanishy
|
|
eyes. Under a peartree alone patio this hour in old Madrid one side in
|
|
shadow Dolores shedolores. At me. Luring. Ah, alluring.
|
|
|
|
--_Martha! Ah, Martha!_
|
|
|
|
Quitting all languor Lionel cried in grief, in cry of passion dominant
|
|
to love to return with deepening yet with rising chords of harmony. In
|
|
cry of lionel loneliness that she should know, must martha feel. For
|
|
only her he waited. Where? Here there try there here all try where.
|
|
Somewhere.
|
|
|
|
--_Co-ome, thou lost one!
|
|
Co-ome, thou dear one!_
|
|
|
|
Alone. One love. One hope. One comfort me. Martha, chestnote, return!
|
|
|
|
_--Come!_
|
|
|
|
It soared, a bird, it held its flight, a swift pure cry, soar silver orb
|
|
it leaped serene, speeding, sustained, to come, don't spin it out too
|
|
long long breath he breath long life, soaring high, high resplendent,
|
|
aflame, crowned, high in the effulgence symbolistic, high, of the
|
|
etherial bosom, high, of the high vast irradiation everywhere all
|
|
soaring all around about the all, the endlessnessnessness...
|
|
|
|
--_To me!_
|
|
|
|
Siopold!
|
|
|
|
Consumed.
|
|
|
|
Come. Well sung. All clapped. She ought to. Come. To me, to him, to her,
|
|
you too, me, us.
|
|
|
|
--Bravo! Clapclap. Good man, Simon. Clappyclapclap. Encore! Clapclipclap
|
|
clap. Sound as a bell. Bravo, Simon! Clapclopclap. Encore, enclap, said,
|
|
cried, clapped all, Ben Dollard, Lydia Douce, George Lidwell, Pat, Mina
|
|
Kennedy, two gentlemen with two tankards, Cowley, first gent with tank
|
|
and bronze miss Douce and gold MJiss Mina.
|
|
|
|
Blazes Boylan's smart tan shoes creaked on the barfloor, said before.
|
|
Jingle by monuments of sir John Gray, Horatio onehandled Nelson,
|
|
reverend father Theobald Mathew, jaunted, as said before just now.
|
|
Atrot, in heat, heatseated. _Cloche. Sonnez la. Cloche. Sonnez la._
|
|
Slower the mare went up the hill by the Rotunda, Rutland square. Too
|
|
slow for Boylan, blazes Boylan, impatience Boylan, joggled the mare.
|
|
|
|
An afterclang of Cowley's chords closed, died on the air made richer.
|
|
|
|
And Richie Goulding drank his Power and Leopold Bloom his cider drank,
|
|
Lidwell his Guinness, second gentleman said they would partake of two
|
|
more tankards if she did not mind. Miss Kennedy smirked, disserving,
|
|
coral lips, at first, at second. She did not mind.
|
|
|
|
--Seven days in jail, Ben Dollard said, on bread and water. Then you'd
|
|
sing, Simon, like a garden thrush.
|
|
|
|
Lionel Simon, singer, laughed. Father Bob Cowley played. Mina Kennedy
|
|
served. Second gentleman paid. Tom Kernan strutted in. Lydia, admired,
|
|
admired. But Bloom sang dumb.
|
|
|
|
Admiring.
|
|
|
|
Richie, admiring, descanted on that man's glorious voice. He remembered
|
|
one night long ago. Never forget that night. Si sang _'Twas rank and
|
|
fame_: in Ned Lambert's 'twas. Good God he never heard in all his life a
|
|
note like that he never did _then false one we had better part_ so clear
|
|
so God he never heard _since love lives not_ a clinking voice lives not
|
|
ask Lambert he can tell you too.
|
|
|
|
Goulding, a flush struggling in his pale, told Mr Bloom, face of the
|
|
night, Si in Ned Lambert's, Dedalus house, sang _'Twas rank and fame._
|
|
|
|
He, Mr Bloom, listened while he, Richie Goulding, told him, Mr Bloom, of
|
|
the night he, Richie, heard him, Si Dedalus, sing 'TWAS RANK AND FAME in
|
|
his, Ned Lambert's, house.
|
|
|
|
Brothers-in-law: relations. We never speak as we pass by. Rift in the
|
|
lute I think. Treats him with scorn. See. He admires him all the more.
|
|
The night Si sang. The human voice, two tiny silky chords, wonderful,
|
|
more than all others.
|
|
|
|
That voice was a lamentation. Calmer now. It's in the silence after you
|
|
feel you hear. Vibrations. Now silent air.
|
|
|
|
Bloom ungyved his crisscrossed hands and with slack fingers plucked the
|
|
slender catgut thong. He drew and plucked. It buzz, it twanged. While
|
|
Goulding talked of Barraclough's voice production, while Tom Kernan,
|
|
harking back in a retrospective sort of arrangement talked to listening
|
|
Father Cowley, who played a voluntary, who nodded as he played. While
|
|
big Ben Dollard talked with Simon Dedalus, lighting, who nodded as he
|
|
smoked, who smoked.
|
|
|
|
Thou lost one. All songs on that theme. Yet more Bloom stretched his
|
|
string. Cruel it seems. Let people get fond of each other: lure them on.
|
|
Then tear asunder. Death. Explos. Knock on the head. Outtohelloutofthat.
|
|
Human life. Dignam. Ugh, that rat's tail wriggling! Five bob I gave.
|
|
_Corpus paradisum._ Corncrake croaker: belly like a poisoned pup. Gone.
|
|
They sing. Forgotten. I too; And one day she with. Leave her: get
|
|
tired. Suffer then. Snivel. Big spanishy eyes goggling at nothing. Her
|
|
wavyavyeavyheavyeavyevyevyhair un comb:'d.
|
|
|
|
Yet too much happy bores. He stretched more, more. Are you not happy in
|
|
your? Twang. It snapped.
|
|
|
|
Jingle into Dorset street.
|
|
|
|
Miss Douce withdrew her satiny arm, reproachful, pleased.
|
|
|
|
--Don't make half so free, said she, till we are better acquainted.
|
|
|
|
George Lidwell told her really and truly: but she did not believe.
|
|
|
|
First gentleman told Mina that was so. She asked him was that so. And
|
|
second tankard told her so. That that was so.
|
|
|
|
Miss Douce, miss Lydia, did not believe: miss Kennedy, Mina, did not
|
|
believe: George Lidwell, no: miss Dou did not: the first, the first:
|
|
gent with the tank: believe, no, no: did not, miss Kenn: Lidlydiawell:
|
|
the tank.
|
|
|
|
Better write it here. Quills in the postoffice chewed and twisted.
|
|
|
|
Bald Pat at a sign drew nigh. A pen and ink. He went. A pad. He went. A
|
|
pad to blot. He heard, deaf Pat.
|
|
|
|
--Yes, Mr Bloom said, teasing the curling catgut line. It certainly is.
|
|
Few lines will do. My present. All that Italian florid music is. Who
|
|
is this wrote? Know the name you know better. Take out sheet notepaper,
|
|
envelope: unconcerned. It's so characteristic.
|
|
|
|
--Grandest number in the whole opera, Goulding said.
|
|
|
|
--It is, Bloom said.
|
|
|
|
Numbers it is. All music when you come to think. Two multiplied by two
|
|
divided by half is twice one. Vibrations: chords those are. One plus two
|
|
plus six is seven. Do anything you like with figures juggling. Always
|
|
find out this equal to that. Symmetry under a cemetery wall. He doesn't
|
|
see my mourning. Callous: all for his own gut. Musemathematics. And you
|
|
think you're listening to the etherial. But suppose you said it like:
|
|
Martha, seven times nine minus x is thirtyfive thousand. Fall quite
|
|
flat. It's on account of the sounds it is.
|
|
|
|
Instance he's playing now. Improvising. Might be what you like, till you
|
|
hear the words. Want to listen sharp. Hard. Begin all right: then hear
|
|
chords a bit off: feel lost a bit. In and out of sacks, over barrels,
|
|
through wirefences, obstacle race. Time makes the tune. Question of mood
|
|
you're in. Still always nice to hear. Except scales up and down, girls
|
|
learning. Two together nextdoor neighbours. Ought to invent dummy pianos
|
|
for that. _Blumenlied_ I bought for her. The name. Playing it slow,
|
|
a girl, night I came home, the girl. Door of the stables near Cecilia
|
|
street. Milly no taste. Queer because we both, I mean.
|
|
|
|
Bald deaf Pat brought quite flat pad ink. Pat set with ink pen quite
|
|
flat pad. Pat took plate dish knife fork. Pat went.
|
|
|
|
It was the only language Mr Dedalus said to Ben. He heard them as a
|
|
boy in Ringabella, Crosshaven, Ringabella, singing their barcaroles.
|
|
Queenstown harbour full of Italian ships. Walking, you know, Ben, in the
|
|
moonlight with those earthquake hats. Blending their voices. God, such
|
|
music, Ben. Heard as a boy. Cross Ringabella haven mooncarole.
|
|
|
|
Sour pipe removed he held a shield of hand beside his lips that cooed a
|
|
moonlight nightcall, clear from anear, a call from afar, replying.
|
|
|
|
Down the edge of his _Freeman_ baton ranged Bloom's, your other eye,
|
|
scanning for where did I see that. Callan, Coleman, Dignam Patrick.
|
|
Heigho! Heigho! Fawcett. Aha! Just I was looking...
|
|
|
|
Hope he's not looking, cute as a rat. He held unfurled his _Freeman._
|
|
Can't see now. Remember write Greek ees. Bloom dipped, Bloo mur: dear
|
|
sir. Dear Henry wrote: dear Mady. Got your lett and flow. Hell did I
|
|
put? Some pock or oth. It is utterl imposs. Underline _imposs._ To write
|
|
today.
|
|
|
|
Bore this. Bored Bloom tambourined gently with I am just reflecting
|
|
fingers on flat pad Pat brought.
|
|
|
|
On. Know what I mean. No, change that ee. Accep my poor litt pres
|
|
enclos. Ask her no answ. Hold on. Five Dig. Two about here. Penny the
|
|
gulls. Elijah is com. Seven Davy Byrne's. Is eight about. Say half a
|
|
crown. My poor little pres: p. o. two and six. Write me a long. Do you
|
|
despise? Jingle, have you the? So excited. Why do you call me naught?
|
|
You naughty too? O, Mairy lost the string of her. Bye for today. Yes,
|
|
yes, will tell you. Want to. To keep it up. Call me that other. Other
|
|
world she wrote. My patience are exhaust. To keep it up. You must
|
|
believe. Believe. The tank. It. Is. True.
|
|
|
|
Folly am I writing? Husbands don't. That's marriage does, their wives.
|
|
Because I'm away from. Suppose. But how? She must. Keep young. If she
|
|
found out. Card in my high grade ha. No, not tell all. Useless pain. If
|
|
they don't see. Woman. Sauce for the gander.
|
|
|
|
A hackney car, number three hundred and twentyfour, driver Barton James
|
|
of number one Harmony avenue, Donnybrook, on which sat a fare, a young
|
|
gentleman, stylishly dressed in an indigoblue serge suit made by George
|
|
Robert Mesias, tailor and cutter, of number five Eden quay, and wearing
|
|
a straw hat very dressy, bought of John Plasto of number one Great
|
|
Brunswick street, hatter. Eh? This is the jingle that joggled and
|
|
jingled. By Dlugacz' porkshop bright tubes of Agendath trotted a
|
|
gallantbuttocked mare.
|
|
|
|
--Answering an ad? keen Richie's eyes asked Bloom.
|
|
|
|
--Yes, Mr Bloom said. Town traveller. Nothing doing, I expect.
|
|
|
|
Bloom mur: best references. But Henry wrote: it will excite me. You
|
|
know how. In haste. Henry. Greek ee. Better add postscript. What is he
|
|
playing now? Improvising. Intermezzo. P. S. The rum tum tum. How will
|
|
you pun? You punish me? Crooked skirt swinging, whack by. Tell me I want
|
|
to. Know. O. Course if I didn't I wouldn't ask. La la la ree. Trails off
|
|
there sad in minor. Why minor sad? Sign H. They like sad tail at end. P.
|
|
P. S. La la la ree. I feel so sad today. La ree. So lonely. Dee.
|
|
|
|
He blotted quick on pad of Pat. Envel. Address. Just copy out of paper.
|
|
Murmured: Messrs Callan, Coleman and Co, limited. Henry wrote:
|
|
|
|
Miss Martha Clifford c/o P. O. Dolphin's Barn Lane Dublin
|
|
|
|
Blot over the other so he can't read. There. Right. Idea prize titbit.
|
|
Something detective read off blottingpad. Payment at the rate of guinea
|
|
per col. Matcham often thinks the laughing witch. Poor Mrs Purefoy. U.
|
|
P: up.
|
|
|
|
Too poetical that about the sad. Music did that. Music hath charms.
|
|
Shakespeare said. Quotations every day in the year. To be or not to be.
|
|
Wisdom while you wait.
|
|
|
|
In Gerard's rosery of Fetter lane he walks, greyedauburn. One life is
|
|
all. One body. Do. But do.
|
|
|
|
Done anyhow. Postal order, stamp. Postoffice lower down. Walk now.
|
|
Enough. Barney Kiernan's I promised to meet them. Dislike that job.
|
|
|
|
House of mourning. Walk. Pat! Doesn't hear. Deaf beetle he is.
|
|
|
|
Car near there now. Talk. Talk. Pat! Doesn't. Settling those napkins.
|
|
Lot of ground he must cover in the day. Paint face behind on him then
|
|
he'd be two. Wish they'd sing more. Keep my mind off.
|
|
|
|
Bald Pat who is bothered mitred the napkins. Pat is a waiter hard of his
|
|
hearing. Pat is a waiter who waits while you wait. Hee hee hee hee. He
|
|
waits while you wait. Hee hee. A waiter is he. Hee hee hee hee. He waits
|
|
while you wait. While you wait if you wait he will wait while you wait.
|
|
Hee hee hee hee. Hoh. Wait while you wait.
|
|
|
|
Douce now. Douce Lydia. Bronze and rose.
|
|
|
|
She had a gorgeous, simply gorgeous, time. And look at the lovely shell
|
|
she brought.
|
|
|
|
To the end of the bar to him she bore lightly the spiked and winding
|
|
seahorn that he, George Lidwell, solicitor, might hear.
|
|
|
|
--Listen! she bade him.
|
|
|
|
Under Tom Kernan's ginhot words the accompanist wove music slow.
|
|
Authentic fact. How Walter Bapty lost his voice. Well, sir, the husband
|
|
took him by the throat. _Scoundrel,_ said he, _You'll sing no more
|
|
lovesongs._ He did, faith, sir Tom. Bob Cowley wove. Tenors get wom.
|
|
Cowley lay back.
|
|
|
|
Ah, now he heard, she holding it to his ear. Hear! He heard.
|
|
|
|
Wonderful. She held it to her own. And through the sifted light pale
|
|
gold in contrast glided. To hear.
|
|
|
|
Tap.
|
|
|
|
Bloom through the bardoor saw a shell held at their ears. He heard more
|
|
faintly that that they heard, each for herself alone, then each for
|
|
other, hearing the plash of waves, loudly, a silent roar.
|
|
|
|
Bronze by a weary gold, anear, afar, they listened.
|
|
|
|
Her ear too is a shell, the peeping lobe there. Been to the seaside.
|
|
Lovely seaside girls. Skin tanned raw. Should have put on coldcream
|
|
first make it brown. Buttered toast. O and that lotion mustn't forget.
|
|
Fever near her mouth. Your head it simply. Hair braided over: shell with
|
|
seaweed. Why do they hide their ears with seaweed hair? And Turks the
|
|
mouth, why? Her eyes over the sheet. Yashmak. Find the way in. A cave.
|
|
No admittance except on business.
|
|
|
|
The sea they think they hear. Singing. A roar. The blood it is. Souse in
|
|
the ear sometimes. Well, it's a sea. Corpuscle islands.
|
|
|
|
Wonderful really. So distinct. Again. George Lidwell held its murmur,
|
|
hearing: then laid it by, gently.
|
|
|
|
--What are the wild waves saying? he asked her, smiled.
|
|
|
|
Charming, seasmiling and unanswering Lydia on Lidwell smiled.
|
|
|
|
Tap.
|
|
|
|
By Larry O'Rourke's, by Larry, bold Larry O', Boylan swayed and Boylan
|
|
turned.
|
|
|
|
From the forsaken shell miss Mina glided to her tankards waiting. No,
|
|
she was not so lonely archly miss Douce's head let Mr Lidwell know.
|
|
Walks in the moonlight by the sea. No, not alone. With whom? She nobly
|
|
answered: with a gentleman friend.
|
|
|
|
Bob Cowley's twinkling fingers in the treble played again. The landlord
|
|
has the prior. A little time. Long John. Big Ben. Lightly he played a
|
|
light bright tinkling measure for tripping ladies, arch and smiling,
|
|
and for their gallants, gentlemen friends. One: one, one, one, one, one:
|
|
two, one, three, four.
|
|
|
|
Sea, wind, leaves, thunder, waters, cows lowing, the cattlemarket,
|
|
cocks, hens don't crow, snakes hissss. There's music everywhere.
|
|
Ruttledge's door: ee creaking. No, that's noise. Minuet of _Don
|
|
Giovanni_ he's playing now. Court dresses of all descriptions in castle
|
|
chambers dancing. Misery. Peasants outside. Green starving faces eating
|
|
dockleaves. Nice that is. Look: look, look, look, look, look: you look
|
|
at us.
|
|
|
|
That's joyful I can feel. Never have written it. Why? My joy is other
|
|
joy. But both are joys. Yes, joy it must be. Mere fact of music shows
|
|
you are. Often thought she was in the dumps till she began to lilt. Then
|
|
know.
|
|
|
|
M'Coy valise. My wife and your wife. Squealing cat. Like tearing silk.
|
|
Tongue when she talks like the clapper of a bellows. They can't manage
|
|
men's intervals. Gap in their voices too. Fill me. I'm warm, dark, open.
|
|
Molly in _quis est homo_: Mercadante. My ear against the wall to hear.
|
|
Want a woman who can deliver the goods.
|
|
|
|
Jog jig jogged stopped. Dandy tan shoe of dandy Boylan socks skyblue
|
|
clocks came light to earth.
|
|
|
|
O, look we are so! Chamber music. Could make a kind of pun on that.
|
|
It is a kind of music I often thought when she. Acoustics that is.
|
|
Tinkling. Empty vessels make most noise. Because the acoustics, the
|
|
resonance changes according as the weight of the water is equal to
|
|
the law of falling water. Like those rhapsodies of Liszt's, Hungarian,
|
|
gipsyeyed. Pearls. Drops. Rain. Diddleiddle addleaddle ooddleooddle.
|
|
Hissss. Now. Maybe now. Before.
|
|
|
|
One rapped on a door, one tapped with a knock, did he knock Paul de Kock
|
|
with a loud proud knocker with a cock carracarracarra cock. Cockcock.
|
|
|
|
Tap.
|
|
|
|
--_Qui sdegno,_ Ben, said Father Cowley.
|
|
|
|
--No, Ben, Tom Kernan interfered. _The Croppy Boy._ Our native Doric.
|
|
|
|
--Ay do, Ben, Mr Dedalus said. Good men and true.
|
|
|
|
--Do, do, they begged in one.
|
|
|
|
I'll go. Here, Pat, return. Come. He came, he came, he did not stay. To
|
|
me. How much?
|
|
|
|
--What key? Six sharps?
|
|
|
|
--F sharp major, Ben Dollard said.
|
|
|
|
Bob Cowley's outstretched talons griped the black deepsounding chords.
|
|
|
|
Must go prince Bloom told Richie prince. No, Richie said. Yes, must. Got
|
|
money somewhere. He's on for a razzle backache spree. Much? He seehears
|
|
lipspeech. One and nine. Penny for yourself. Here. Give him twopence
|
|
tip. Deaf, bothered. But perhaps he has wife and family waiting, waiting
|
|
Patty come home. Hee hee hee hee. Deaf wait while they wait.
|
|
|
|
But wait. But hear. Chords dark. Lugugugubrious. Low. In a cave of the
|
|
dark middle earth. Embedded ore. Lumpmusic.
|
|
|
|
The voice of dark age, of unlove, earth's fatigue made grave approach
|
|
and painful, come from afar, from hoary mountains, called on good men
|
|
and true. The priest he sought. With him would he speak a word.
|
|
|
|
Tap.
|
|
|
|
Ben Dollard's voice. Base barreltone. Doing his level best to say it.
|
|
Croak of vast manless moonless womoonless marsh. Other comedown. Big
|
|
ships' chandler's business he did once. Remember: rosiny ropes, ships'
|
|
lanterns. Failed to the tune of ten thousand pounds. Now in the Iveagh
|
|
home. Cubicle number so and so. Number one Bass did that for him.
|
|
|
|
The priest's at home. A false priest's servant bade him welcome. Step
|
|
in. The holy father. With bows a traitor servant. Curlycues of chords.
|
|
|
|
Ruin them. Wreck their lives. Then build them cubicles to end their days
|
|
in. Hushaby. Lullaby. Die, dog. Little dog, die.
|
|
|
|
The voice of warning, solemn warning, told them the youth had entered
|
|
a lonely hall, told them how solemn fell his footsteps there, told them
|
|
the gloomy chamber, the vested priest sitting to shrive.
|
|
|
|
Decent soul. Bit addled now. Thinks he'll win in _Answers,_ poets'
|
|
picture puzzle. We hand you crisp five pound note. Bird sitting hatching
|
|
in a nest. Lay of the last minstrel he thought it was. See blank tee
|
|
what domestic animal? Tee dash ar most courageous mariner. Good voice he
|
|
has still. No eunuch yet with all his belongings.
|
|
|
|
Listen. Bloom listened. Richie Goulding listened. And by the door deaf
|
|
Pat, bald Pat, tipped Pat, listened. The chords harped slower.
|
|
|
|
The voice of penance and of grief came slow, embellished, tremulous.
|
|
Ben's contrite beard confessed. _in nomine Domini,_ in God's name he
|
|
knelt. He beat his hand upon his breast, confessing: _mea culpa._
|
|
|
|
Latin again. That holds them like birdlime. Priest with the communion
|
|
corpus for those women. Chap in the mortuary, coffin or coffey,
|
|
_corpusnomine._ Wonder where that rat is by now. Scrape.
|
|
|
|
Tap.
|
|
|
|
They listened. Tankards and miss Kennedy. George Lidwell, eyelid well
|
|
expressive, fullbusted satin. Kernan. Si.
|
|
|
|
The sighing voice of sorrow sang. His sins. Since Easter he had cursed
|
|
three times. You bitch's bast. And once at masstime he had gone to play.
|
|
Once by the churchyard he had passed and for his mother's rest he had
|
|
not prayed. A boy. A croppy boy.
|
|
|
|
Bronze, listening, by the beerpull gazed far away. Soulfully. Doesn't
|
|
half know I'm. Molly great dab at seeing anyone looking.
|
|
|
|
Bronze gazed far sideways. Mirror there. Is that best side of her face?
|
|
They always know. Knock at the door. Last tip to titivate.
|
|
|
|
Cockcarracarra.
|
|
|
|
What do they think when they hear music? Way to catch rattlesnakes.
|
|
Night Michael Gunn gave us the box. Tuning up. Shah of Persia liked
|
|
that best. Remind him of home sweet home. Wiped his nose in curtain too.
|
|
Custom his country perhaps. That's music too. Not as bad as it sounds.
|
|
Tootling. Brasses braying asses through uptrunks. Doublebasses helpless,
|
|
gashes in their sides. Woodwinds mooing cows. Semigrand open crocodile
|
|
music hath jaws. Woodwind like Goodwin's name.
|
|
|
|
She looked fine. Her crocus dress she wore lowcut, belongings on show.
|
|
Clove her breath was always in theatre when she bent to ask a question.
|
|
Told her what Spinoza says in that book of poor papa's. Hypnotised,
|
|
listening. Eyes like that. She bent. Chap in dresscircle staring down
|
|
into her with his operaglass for all he was worth. Beauty of music you
|
|
must hear twice. Nature woman half a look. God made the country man the
|
|
tune. Met him pike hoses. Philosophy. O rocks!
|
|
|
|
All gone. All fallen. At the siege of Ross his father, at Gorey all his
|
|
brothers fell. To Wexford, we are the boys of Wexford, he would. Last of
|
|
his name and race.
|
|
|
|
I too. Last of my race. Milly young student. Well, my fault perhaps. No
|
|
son. Rudy. Too late now. Or if not? If not? If still?
|
|
|
|
He bore no hate.
|
|
|
|
Hate. Love. Those are names. Rudy. Soon I am old. Big Ben his voice
|
|
unfolded. Great voice Richie Goulding said, a flush struggling in his
|
|
pale, to Bloom soon old. But when was young?
|
|
|
|
Ireland comes now. My country above the king. She listens. Who fears to
|
|
speak of nineteen four? Time to be shoving. Looked enough.
|
|
|
|
--_Bless me, father,_ Dollard the croppy cried. _Bless me and let me
|
|
go._
|
|
|
|
Tap.
|
|
|
|
Bloom looked, unblessed to go. Got up to kill: on eighteen bob a week.
|
|
Fellows shell out the dibs. Want to keep your weathereye open. Those
|
|
girls, those lovely. By the sad sea waves. Chorusgirl's romance. Letters
|
|
read out for breach of promise. From Chickabiddy's owny Mumpsypum.
|
|
Laughter in court. Henry. I never signed it. The lovely name you.
|
|
|
|
Low sank the music, air and words. Then hastened. The false priest
|
|
rustling soldier from his cassock. A yeoman captain. They know it all by
|
|
heart. The thrill they itch for. Yeoman cap.
|
|
|
|
Tap. Tap.
|
|
|
|
Thrilled she listened, bending in sympathy to hear.
|
|
|
|
Blank face. Virgin should say: or fingered only. Write something on it:
|
|
page. If not what becomes of them? Decline, despair. Keeps them young.
|
|
Even admire themselves. See. Play on her. Lip blow. Body of white woman,
|
|
a flute alive. Blow gentle. Loud. Three holes, all women. Goddess I
|
|
didn't see. They want it. Not too much polite. That's why he gets them.
|
|
Gold in your pocket, brass in your face. Say something. Make her hear.
|
|
With look to look. Songs without words. Molly, that hurdygurdy boy.
|
|
She knew he meant the monkey was sick. Or because so like the Spanish.
|
|
Understand animals too that way. Solomon did. Gift of nature.
|
|
|
|
Ventriloquise. My lips closed. Think in my stom. What?
|
|
|
|
Will? You? I. Want. You. To.
|
|
|
|
With hoarse rude fury the yeoman cursed, swelling in apoplectic bitch's
|
|
bastard. A good thought, boy, to come. One hour's your time to live,
|
|
your last.
|
|
|
|
Tap. Tap.
|
|
|
|
Thrill now. Pity they feel. To wipe away a tear for martyrs that want
|
|
to, dying to, die. For all things dying, for all things born. Poor Mrs
|
|
Purefoy. Hope she's over. Because their wombs.
|
|
|
|
A liquid of womb of woman eyeball gazed under a fence of lashes, calmly,
|
|
hearing. See real beauty of the eye when she not speaks. On yonder
|
|
river. At each slow satiny heaving bosom's wave (her heaving embon) red
|
|
rose rose slowly sank red rose. Heartbeats: her breath: breath that is
|
|
life. And all the tiny tiny fernfoils trembled of maidenhair.
|
|
|
|
But look. The bright stars fade. O rose! Castile. The morn. Ha. Lidwell.
|
|
For him then not for. Infatuated. I like that? See her from here though.
|
|
Popped corks, splashes of beerfroth, stacks of empties.
|
|
|
|
On the smooth jutting beerpull laid Lydia hand, lightly, plumply, leave
|
|
it to my hands. All lost in pity for croppy. Fro, to: to, fro: over
|
|
the polished knob (she knows his eyes, my eyes, her eyes) her thumb and
|
|
finger passed in pity: passed, reposed and, gently touching, then slid
|
|
so smoothly, slowly down, a cool firm white enamel baton protruding
|
|
through their sliding ring.
|
|
|
|
With a cock with a carra.
|
|
|
|
Tap. Tap. Tap.
|
|
|
|
I hold this house. Amen. He gnashed in fury. Traitors swing.
|
|
|
|
The chords consented. Very sad thing. But had to be. Get out before the
|
|
end. Thanks, that was heavenly. Where's my hat. Pass by her. Can leave
|
|
that Freeman. Letter I have. Suppose she were the? No. Walk, walk,
|
|
walk. Like Cashel Boylo Connoro Coylo Tisdall Maurice Tisntdall Farrell.
|
|
Waaaaaaalk.
|
|
|
|
Well, I must be. Are you off? Yrfmstbyes. Blmstup. O'er ryehigh blue.
|
|
Ow. Bloom stood up. Soap feeling rather sticky behind. Must have
|
|
sweated: music. That lotion, remember. Well, so long. High grade. Card
|
|
inside. Yes.
|
|
|
|
By deaf Pat in the doorway straining ear Bloom passed.
|
|
|
|
At Geneva barrack that young man died. At Passage was his body laid.
|
|
Dolor! O, he dolores! The voice of the mournful chanter called to
|
|
dolorous prayer.
|
|
|
|
By rose, by satiny bosom, by the fondling hand, by slops, by empties,
|
|
by popped corks, greeting in going, past eyes and maidenhair, bronze and
|
|
faint gold in deepseashadow, went Bloom, soft Bloom, I feel so lonely
|
|
Bloom.
|
|
|
|
Tap. Tap. Tap.
|
|
|
|
Pray for him, prayed the bass of Dollard. You who hear in peace. Breathe
|
|
a prayer, drop a tear, good men, good people. He was the croppy boy.
|
|
|
|
Scaring eavesdropping boots croppy bootsboy Bloom in the Ormond hallway
|
|
heard the growls and roars of bravo, fat backslapping, their boots all
|
|
treading, boots not the boots the boy. General chorus off for a swill to
|
|
wash it down. Glad I avoided.
|
|
|
|
--Come on, Ben, Simon Dedalus cried. By God, you're as good as ever you
|
|
were.
|
|
|
|
--Better, said Tomgin Kernan. Most trenchant rendition of that ballad,
|
|
upon my soul and honour It is.
|
|
|
|
--Lablache, said Father Cowley.
|
|
|
|
Ben Dollard bulkily cachuchad towards the bar, mightily praisefed
|
|
and all big roseate, on heavyfooted feet, his gouty fingers nakkering
|
|
castagnettes in the air.
|
|
|
|
Big Benaben Dollard. Big Benben. Big Benben.
|
|
|
|
Rrr.
|
|
|
|
And deepmoved all, Simon trumping compassion from foghorn nose, all
|
|
laughing they brought him forth, Ben Dollard, in right good cheer.
|
|
|
|
--You're looking rubicund, George Lidwell said.
|
|
|
|
Miss Douce composed her rose to wait.
|
|
|
|
--Ben machree, said Mr Dedalus, clapping Ben's fat back shoulderblade.
|
|
Fit as a fiddle only he has a lot of adipose tissue concealed about his
|
|
person.
|
|
|
|
Rrrrrrrsss.
|
|
|
|
--Fat of death, Simon, Ben Dollard growled.
|
|
|
|
Richie rift in the lute alone sat: Goulding, Collis, Ward. Uncertainly
|
|
he waited. Unpaid Pat too.
|
|
|
|
Tap. Tap. Tap. Tap.
|
|
|
|
Miss Mina Kennedy brought near her lips to ear of tankard one.
|
|
|
|
--Mr Dollard, they murmured low.
|
|
|
|
--Dollard, murmured tankard.
|
|
|
|
Tank one believed: miss Kenn when she: that doll he was: she doll: the
|
|
tank.
|
|
|
|
He murmured that he knew the name. The name was familiar to him, that
|
|
is to say. That was to say he had heard the name of. Dollard, was it?
|
|
Dollard, yes.
|
|
|
|
Yes, her lips said more loudly, Mr Dollard. He sang that song lovely,
|
|
murmured Mina. Mr Dollard. And _The last rose of summer_ was a lovely
|
|
song. Mina loved that song. Tankard loved the song that Mina.
|
|
|
|
'Tis the last rose of summer dollard left bloom felt wind wound round
|
|
inside.
|
|
|
|
Gassy thing that cider: binding too. Wait. Postoffice near Reuben J's
|
|
one and eightpence too. Get shut of it. Dodge round by Greek street.
|
|
Wish I hadn't promised to meet. Freer in air. Music. Gets on your
|
|
nerves. Beerpull. Her hand that rocks the cradle rules the. Ben Howth.
|
|
That rules the world.
|
|
|
|
Far. Far. Far. Far.
|
|
|
|
Tap. Tap. Tap. Tap.
|
|
|
|
Up the quay went Lionelleopold, naughty Henry with letter for Mady, with
|
|
sweets of sin with frillies for Raoul with met him pike hoses went Poldy
|
|
on.
|
|
|
|
Tap blind walked tapping by the tap the curbstone tapping, tap by tap.
|
|
|
|
Cowley, he stuns himself with it: kind of drunkenness. Better give way
|
|
only half way the way of a man with a maid. Instance enthusiasts. All
|
|
ears. Not lose a demisemiquaver. Eyes shut. Head nodding in time. Dotty.
|
|
You daren't budge. Thinking strictly prohibited. Always talking shop.
|
|
Fiddlefaddle about notes.
|
|
|
|
All a kind of attempt to talk. Unpleasant when it stops because you
|
|
never know exac. Organ in Gardiner street. Old Glynn fifty quid a year.
|
|
Queer up there in the cockloft, alone, with stops and locks and keys.
|
|
Seated all day at the organ. Maunder on for hours, talking to himself or
|
|
the other fellow blowing the bellows. Growl angry, then shriek cursing
|
|
(want to have wadding or something in his no don't she cried), then all
|
|
of a soft sudden wee little wee little pipy wind.
|
|
|
|
Pwee! A wee little wind piped eeee. In Bloom's little wee.
|
|
|
|
--Was he? Mr Dedalus said, returning with fetched pipe. I was with him
|
|
this morning at poor little Paddy Dignam's...
|
|
|
|
--Ay, the Lord have mercy on him.
|
|
|
|
--By the bye there's a tuningfork in there on the...
|
|
|
|
Tap. Tap. Tap. Tap.
|
|
|
|
--The wife has a fine voice. Or had. What? Lidwell asked.
|
|
|
|
--O, that must be the tuner, Lydia said to Simonlionel first I saw,
|
|
forgot it when he was here.
|
|
|
|
Blind he was she told George Lidwell second I saw. And played so
|
|
exquisitely, treat to hear. Exquisite contrast: bronzelid, minagold.
|
|
|
|
--Shout! Ben Dollard shouted, pouring. Sing out!
|
|
|
|
--'lldo! cried Father Cowley.
|
|
|
|
Rrrrrr.
|
|
|
|
I feel I want...
|
|
|
|
Tap. Tap. Tap. Tap. Tap
|
|
|
|
--Very, Mr Dedalus said, staring hard at a headless sardine.
|
|
|
|
Under the sandwichbell lay on a bier of bread one last, one lonely, last
|
|
sardine of summer. Bloom alone.
|
|
|
|
--Very, he stared. The lower register, for choice.
|
|
|
|
Tap. Tap. Tap. Tap. Tap. Tap. Tap. Tap.
|
|
|
|
Bloom went by Barry's. Wish I could. Wait. That wonderworker if I had.
|
|
Twentyfour solicitors in that one house. Counted them. Litigation. Love
|
|
one another. Piles of parchment. Messrs Pick and Pocket have power of
|
|
attorney. Goulding, Collis, Ward.
|
|
|
|
But for example the chap that wallops the big drum. His vocation: Mickey
|
|
Rooney's band. Wonder how it first struck him. Sitting at home after
|
|
pig's cheek and cabbage nursing it in the armchair. Rehearsing his band
|
|
part. Pom. Pompedy. Jolly for the wife. Asses' skins. Welt them through
|
|
life, then wallop after death. Pom. Wallop. Seems to be what you call
|
|
yashmak or I mean kismet. Fate.
|
|
|
|
Tap. Tap. A stripling, blind, with a tapping cane came taptaptapping by
|
|
Daly's window where a mermaid hair all streaming (but he couldn't see)
|
|
blew whiffs of a mermaid (blind couldn't), mermaid, coolest whiff of
|
|
all.
|
|
|
|
Instruments. A blade of grass, shell of her hands, then blow. Even
|
|
comb and tissuepaper you can knock a tune out of. Molly in her shift in
|
|
Lombard street west, hair down. I suppose each kind of trade made its
|
|
own, don't you see? Hunter with a horn. Haw. Have you the? _Cloche.
|
|
Sonnez la._ Shepherd his pipe. Pwee little wee. Policeman a whistle.
|
|
Locks and keys! Sweep! Four o'clock's all's well! Sleep! All is lost
|
|
now. Drum? Pompedy. Wait. I know. Towncrier, bumbailiff. Long John.
|
|
Waken the dead. Pom. Dignam. Poor little _nominedomine._ Pom. It is
|
|
music. I mean of course it's all pom pom pom very much what they call
|
|
_da capo._ Still you can hear. As we march, we march along, march along.
|
|
Pom.
|
|
|
|
I must really. Fff. Now if I did that at a banquet. Just a question of
|
|
custom shah of Persia. Breathe a prayer, drop a tear. All the same
|
|
he must have been a bit of a natural not to see it was a yeoman cap.
|
|
Muffled up. Wonder who was that chap at the grave in the brown macin. O,
|
|
the whore of the lane!
|
|
|
|
A frowsy whore with black straw sailor hat askew came glazily in the day
|
|
along the quay towards Mr Bloom. When first he saw that form endearing?
|
|
Yes, it is. I feel so lonely. Wet night in the lane. Horn. Who had
|
|
the? Heehaw shesaw. Off her beat here. What is she? Hope she. Psst! Any
|
|
chance of your wash. Knew Molly. Had me decked. Stout lady does be with
|
|
you in the brown costume. Put you off your stroke, that. Appointment
|
|
we made knowing we'd never, well hardly ever. Too dear too near to home
|
|
sweet home. Sees me, does she? Looks a fright in the day. Face like dip.
|
|
Damn her. O, well, she has to live like the rest. Look in here.
|
|
|
|
In Lionel Marks's antique saleshop window haughty Henry Lionel Leopold
|
|
dear Henry Flower earnestly Mr Leopold Bloom envisaged battered
|
|
candlesticks melodeon oozing maggoty blowbags. Bargain: six bob. Might
|
|
learn to play. Cheap. Let her pass. Course everything is dear if you
|
|
don't want it. That's what good salesman is. Make you buy what he wants
|
|
to sell. Chap sold me the Swedish razor he shaved me with. Wanted to
|
|
charge me for the edge he gave it. She's passing now. Six bob.
|
|
|
|
Must be the cider or perhaps the burgund.
|
|
|
|
Near bronze from anear near gold from afar they chinked their clinking
|
|
glasses all, brighteyed and gallant, before bronze Lydia's tempting last
|
|
rose of summer, rose of Castile. First Lid, De, Cow, Ker, Doll, a fifth:
|
|
Lidwell, Si Dedalus, Bob Cowley, Kernan and big Ben Dollard.
|
|
|
|
Tap. A youth entered a lonely Ormond hall.
|
|
|
|
Bloom viewed a gallant pictured hero in Lionel Marks's window. Robert
|
|
Emmet's last words. Seven last words. Of Meyerbeer that is.
|
|
|
|
--True men like you men.
|
|
|
|
--Ay, ay, Ben.
|
|
|
|
--Will lift your glass with us.
|
|
|
|
They lifted.
|
|
|
|
Tschink. Tschunk.
|
|
|
|
Tip. An unseeing stripling stood in the door. He saw not bronze. He saw
|
|
not gold. Nor Ben nor Bob nor Tom nor Si nor George nor tanks nor Richie
|
|
nor Pat. Hee hee hee hee. He did not see.
|
|
|
|
Seabloom, greaseabloom viewed last words. Softly. _When my country takes
|
|
her place among._
|
|
|
|
Prrprr.
|
|
|
|
Must be the bur.
|
|
|
|
Fff! Oo. Rrpr.
|
|
|
|
_Nations of the earth._ No-one behind. She's passed. _Then and not till
|
|
then._ Tram kran kran kran. Good oppor. Coming. Krandlkrankran. I'm
|
|
sure it's the burgund. Yes. One, two. _Let my epitaph be._ Kraaaaaa.
|
|
_Written. I have._
|
|
|
|
Pprrpffrrppffff.
|
|
|
|
_Done._
|
|
|
|
|
|
|
|
I was just passing the time of day with old Troy of the D. M. P. at the
|
|
corner of Arbour hill there and be damned but a bloody sweep came along
|
|
and he near drove his gear into my eye. I turned around to let him have
|
|
the weight of my tongue when who should I see dodging along Stony Batter
|
|
only Joe Hynes.
|
|
|
|
--Lo, Joe, says I. How are you blowing? Did you see that bloody
|
|
chimneysweep near shove my eye out with his brush?
|
|
|
|
--Soot's luck, says Joe. Who's the old ballocks you were talking to?
|
|
|
|
--Old Troy, says I, was in the force. I'm on two minds not to give that
|
|
fellow in charge for obstructing the thoroughfare with his brooms and
|
|
ladders.
|
|
|
|
--What are you doing round those parts? says Joe.
|
|
|
|
--Devil a much, says I. There's a bloody big foxy thief beyond by the
|
|
garrison church at the corner of Chicken lane--old Troy was just giving
|
|
me a wrinkle about him--lifted any God's quantity of tea and sugar
|
|
to pay three bob a week said he had a farm in the county Down off a
|
|
hop-of-my-thumb by the name of Moses Herzog over there near Heytesbury
|
|
street.
|
|
|
|
--Circumcised? says Joe.
|
|
|
|
--Ay, says I. A bit off the top. An old plumber named Geraghty. I'm
|
|
hanging on to his taw now for the past fortnight and I can't get a penny
|
|
out of him.
|
|
|
|
--That the lay you're on now? says Joe.
|
|
|
|
--Ay, says I. How are the mighty fallen! Collector of bad and doubtful
|
|
debts. But that's the most notorious bloody robber you'd meet in a day's
|
|
walk and the face on him all pockmarks would hold a shower of rain.
|
|
_Tell him,_ says he, _I dare him,_ says he, _and I doubledare him
|
|
to send you round here again or if he does,_ says he, _I'll have
|
|
him summonsed up before the court, so I will, for trading without a
|
|
licence._ And he after stuffing himself till he's fit to burst. Jesus,
|
|
I had to laugh at the little jewy getting his shirt out. _He drink me my
|
|
teas. He eat me my sugars. Because he no pay me my moneys?_
|
|
|
|
For nonperishable goods bought of Moses Herzog, of 13 Saint Kevin's
|
|
parade in the city of Dublin, Wood quay ward, merchant, hereinafter
|
|
called the vendor, and sold and delivered to Michael E. Geraghty,
|
|
esquire, of 29 Arbour hill in the city of Dublin, Arran quay ward,
|
|
gentleman, hereinafter called the purchaser, videlicet, five pounds
|
|
avoirdupois of first choice tea at three shillings and no pence per
|
|
pound avoirdupois and three stone avoirdupois of sugar, crushed crystal,
|
|
at threepence per pound avoirdupois, the said purchaser debtor to the
|
|
said vendor of one pound five shillings and sixpence sterling for value
|
|
received which amount shall be paid by said purchaser to said vendor in
|
|
weekly instalments every seven calendar days of three shillings and no
|
|
pence sterling: and the said nonperishable goods shall not be pawned or
|
|
pledged or sold or otherwise alienated by the said purchaser but shall
|
|
be and remain and be held to be the sole and exclusive property of the
|
|
said vendor to be disposed of at his good will and pleasure until the
|
|
said amount shall have been duly paid by the said purchaser to the said
|
|
vendor in the manner herein set forth as this day hereby agreed between
|
|
the said vendor, his heirs, successors, trustees and assigns of the one
|
|
part and the said purchaser, his heirs, successors, trustees and assigns
|
|
of the other part.
|
|
|
|
--Are you a strict t.t.? says Joe.
|
|
|
|
--Not taking anything between drinks, says I.
|
|
|
|
--What about paying our respects to our friend? says Joe.
|
|
|
|
--Who? says I. Sure, he's out in John of God's off his head, poor man.
|
|
|
|
--Drinking his own stuff? says Joe.
|
|
|
|
--Ay, says I. Whisky and water on the brain.
|
|
|
|
--Come around to Barney Kiernan's, says Joe. I want to see the citizen.
|
|
|
|
--Barney mavourneen's be it, says I. Anything strange or wonderful, Joe?
|
|
|
|
--Not a word, says Joe. I was up at that meeting in the City Arms.
|
|
|
|
---What was that, Joe? says I.
|
|
|
|
--Cattle traders, says Joe, about the foot and mouth disease. I want to
|
|
give the citizen the hard word about it.
|
|
|
|
So we went around by the Linenhall barracks and the back of the
|
|
courthouse talking of one thing or another. Decent fellow Joe when he
|
|
has it but sure like that he never has it. Jesus, I couldn't get over
|
|
that bloody foxy Geraghty, the daylight robber. For trading without a
|
|
licence, says he.
|
|
|
|
In Inisfail the fair there lies a land, the land of holy Michan. There
|
|
rises a watchtower beheld of men afar. There sleep the mighty dead as in
|
|
life they slept, warriors and princes of high renown. A pleasant land
|
|
it is in sooth of murmuring waters, fishful streams where sport the
|
|
gurnard, the plaice, the roach, the halibut, the gibbed haddock, the
|
|
grilse, the dab, the brill, the flounder, the pollock, the mixed coarse
|
|
fish generally and other denizens of the aqueous kingdom too numerous to
|
|
be enumerated. In the mild breezes of the west and of the east the lofty
|
|
trees wave in different directions their firstclass foliage, the wafty
|
|
sycamore, the Lebanonian cedar, the exalted planetree, the eugenic
|
|
eucalyptus and other ornaments of the arboreal world with which
|
|
that region is thoroughly well supplied. Lovely maidens sit in close
|
|
proximity to the roots of the lovely trees singing the most lovely songs
|
|
while they play with all kinds of lovely objects as for example golden
|
|
ingots, silvery fishes, crans of herrings, drafts of eels, codlings,
|
|
creels of fingerlings, purple seagems and playful insects. And heroes
|
|
voyage from afar to woo them, from Eblana to Slievemargy, the peerless
|
|
princes of unfettered Munster and of Connacht the just and of smooth
|
|
sleek Leinster and of Cruahan's land and of Armagh the splendid and of
|
|
the noble district of Boyle, princes, the sons of kings.
|
|
|
|
And there rises a shining palace whose crystal glittering roof is seen
|
|
by mariners who traverse the extensive sea in barks built expressly for
|
|
that purpose, and thither come all herds and fatlings and firstfruits
|
|
of that land for O'Connell Fitzsimon takes toll of them, a chieftain
|
|
descended from chieftains. Thither the extremely large wains bring
|
|
foison of the fields, flaskets of cauliflowers, floats of spinach,
|
|
pineapple chunks, Rangoon beans, strikes of tomatoes, drums of figs,
|
|
drills of Swedes, spherical potatoes and tallies of iridescent kale,
|
|
York and Savoy, and trays of onions, pearls of the earth, and punnets of
|
|
mushrooms and custard marrows and fat vetches and bere and rape and red
|
|
green yellow brown russet sweet big bitter ripe pomellated apples and
|
|
chips of strawberries and sieves of gooseberries, pulpy and pelurious,
|
|
and strawberries fit for princes and raspberries from their canes.
|
|
|
|
I dare him, says he, and I doubledare him. Come out here, Geraghty, you
|
|
notorious bloody hill and dale robber!
|
|
|
|
And by that way wend the herds innumerable of bellwethers and flushed
|
|
ewes and shearling rams and lambs and stubble geese and medium steers
|
|
and roaring mares and polled calves and longwoods and storesheep and
|
|
Cuffe's prime springers and culls and sowpigs and baconhogs and the
|
|
various different varieties of highly distinguished swine and Angus
|
|
heifers and polly bulllocks of immaculate pedigree together with prime
|
|
premiated milchcows and beeves: and there is ever heard a trampling,
|
|
cackling, roaring, lowing, bleating, bellowing, rumbling, grunting,
|
|
champing, chewing, of sheep and pigs and heavyhooved kine from
|
|
pasturelands of Lusk and Rush and Carrickmines and from the streamy
|
|
vales of Thomond, from the M'Gillicuddy's reeks the inaccessible and
|
|
lordly Shannon the unfathomable, and from the gentle declivities of the
|
|
place of the race of Kiar, their udders distended with superabundance of
|
|
milk and butts of butter and rennets of cheese and farmer's firkins and
|
|
targets of lamb and crannocks of corn and oblong eggs in great hundreds,
|
|
various in size, the agate with this dun.
|
|
|
|
So we turned into Barney Kiernan's and there, sure enough, was the
|
|
citizen up in the corner having a great confab with himself and that
|
|
bloody mangy mongrel, Garryowen, and he waiting for what the sky would
|
|
drop in the way of drink.
|
|
|
|
--There he is, says I, in his gloryhole, with his cruiskeen lawn and his
|
|
load of papers, working for the cause.
|
|
|
|
The bloody mongrel let a grouse out of him would give you the creeps. Be
|
|
a corporal work of mercy if someone would take the life of that bloody
|
|
dog. I'm told for a fact he ate a good part of the breeches off a
|
|
constabulary man in Santry that came round one time with a blue paper
|
|
about a licence.
|
|
|
|
--Stand and deliver, says he.
|
|
|
|
--That's all right, citizen, says Joe. Friends here.
|
|
|
|
--Pass, friends, says he.
|
|
|
|
Then he rubs his hand in his eye and says he:
|
|
|
|
--What's your opinion of the times?
|
|
|
|
Doing the rapparee and Rory of the hill. But, begob, Joe was equal to
|
|
the occasion.
|
|
|
|
--I think the markets are on a rise, says he, sliding his hand down his
|
|
fork.
|
|
|
|
So begob the citizen claps his paw on his knee and he says:
|
|
|
|
--Foreign wars is the cause of it.
|
|
|
|
And says Joe, sticking his thumb in his pocket:
|
|
|
|
--It's the Russians wish to tyrannise.
|
|
|
|
--Arrah, give over your bloody codding, Joe, says I. I've a thirst on me
|
|
I wouldn't sell for half a crown.
|
|
|
|
--Give it a name, citizen, says Joe.
|
|
|
|
--Wine of the country, says he.
|
|
|
|
--What's yours? says Joe.
|
|
|
|
--Ditto MacAnaspey, says I.
|
|
|
|
--Three pints, Terry, says Joe. And how's the old heart, citizen? says
|
|
he.
|
|
|
|
--Never better, _a chara_, says he. What Garry? Are we going to win? Eh?
|
|
|
|
And with that he took the bloody old towser by the scruff of the neck
|
|
and, by Jesus, he near throttled him.
|
|
|
|
The figure seated on a large boulder at the foot of a round tower was
|
|
that of a broadshouldered deepchested stronglimbed frankeyed redhaired
|
|
freelyfreckled shaggybearded widemouthed largenosed longheaded
|
|
deepvoiced barekneed brawnyhanded hairylegged ruddyfaced sinewyarmed
|
|
hero. From shoulder to shoulder he measured several ells and his
|
|
rocklike mountainous knees were covered, as was likewise the rest of his
|
|
body wherever visible, with a strong growth of tawny prickly hair in
|
|
hue and toughness similar to the mountain gorse (_Ulex Europeus_).
|
|
The widewinged nostrils, from which bristles of the same tawny hue
|
|
projected, were of such capaciousness that within their cavernous
|
|
obscurity the fieldlark might easily have lodged her nest. The eyes
|
|
in which a tear and a smile strove ever for the mastery were of the
|
|
dimensions of a goodsized cauliflower. A powerful current of warm breath
|
|
issued at regular intervals from the profound cavity of his mouth
|
|
while in rhythmic resonance the loud strong hale reverberations of his
|
|
formidable heart thundered rumblingly causing the ground, the summit of
|
|
the lofty tower and the still loftier walls of the cave to vibrate and
|
|
tremble.
|
|
|
|
He wore a long unsleeved garment of recently flayed oxhide reaching
|
|
to the knees in a loose kilt and this was bound about his middle by
|
|
a girdle of plaited straw and rushes. Beneath this he wore trews of
|
|
deerskin, roughly stitched with gut. His nether extremities were encased
|
|
in high Balbriggan buskins dyed in lichen purple, the feet being shod
|
|
with brogues of salted cowhide laced with the windpipe of the same
|
|
beast. From his girdle hung a row of seastones which jangled at every
|
|
movement of his portentous frame and on these were graven with rude
|
|
yet striking art the tribal images of many Irish heroes and heroines of
|
|
antiquity, Cuchulin, Conn of hundred battles, Niall of nine hostages,
|
|
Brian of Kincora, the ardri Malachi, Art MacMurragh, Shane O'Neill,
|
|
Father John Murphy, Owen Roe, Patrick Sarsfield, Red Hugh O'Donnell,
|
|
Red Jim MacDermott, Soggarth Eoghan O'Growney, Michael Dwyer, Francy
|
|
Higgins, Henry Joy M'Cracken, Goliath, Horace Wheatley, Thomas Conneff,
|
|
Peg Woffington, the Village Blacksmith, Captain Moonlight, Captain
|
|
Boycott, Dante Alighieri, Christopher Columbus, S. Fursa, S. Brendan,
|
|
Marshal MacMahon, Charlemagne, Theobald Wolfe Tone, the Mother of the
|
|
Maccabees, the Last of the Mohicans, the Rose of Castile, the Man for
|
|
Galway, The Man that Broke the Bank at Monte Carlo, The Man in the Gap,
|
|
The Woman Who Didn't, Benjamin Franklin, Napoleon Bonaparte, John L.
|
|
Sullivan, Cleopatra, Savourneen Deelish, Julius Caesar, Paracelsus, sir
|
|
Thomas Lipton, William Tell, Michelangelo Hayes, Muhammad, the Bride of
|
|
Lammermoor, Peter the Hermit, Peter the Packer, Dark Rosaleen, Patrick
|
|
W. Shakespeare, Brian Confucius, Murtagh Gutenberg, Patricio Velasquez,
|
|
Captain Nemo, Tristan and Isolde, the first Prince of Wales, Thomas
|
|
Cook and Son, the Bold Soldier Boy, Arrah na Pogue, Dick Turpin, Ludwig
|
|
Beethoven, the Colleen Bawn, Waddler Healy, Angus the Culdee, Dolly
|
|
Mount, Sidney Parade, Ben Howth, Valentine Greatrakes, Adam and Eve,
|
|
Arthur Wellesley, Boss Croker, Herodotus, Jack the Giantkiller, Gautama
|
|
Buddha, Lady Godiva, The Lily of Killarney, Balor of the Evil Eye,
|
|
the Queen of Sheba, Acky Nagle, Joe Nagle, Alessandro Volta, Jeremiah
|
|
O'Donovan Rossa, Don Philip O'Sullivan Beare. A couched spear of
|
|
acuminated granite rested by him while at his feet reposed a savage
|
|
animal of the canine tribe whose stertorous gasps announced that he was
|
|
sunk in uneasy slumber, a supposition confirmed by hoarse growls and
|
|
spasmodic movements which his master repressed from time to time
|
|
by tranquilising blows of a mighty cudgel rudely fashioned out of
|
|
paleolithic stone.
|
|
|
|
So anyhow Terry brought the three pints Joe was standing and begob the
|
|
sight nearly left my eyes when I saw him land out a quid O, as true as
|
|
I'm telling you. A goodlooking sovereign.
|
|
|
|
--And there's more where that came from, says he.
|
|
|
|
--Were you robbing the poorbox, Joe? says I.
|
|
|
|
--Sweat of my brow, says Joe. 'Twas the prudent member gave me the
|
|
wheeze.
|
|
|
|
--I saw him before I met you, says I, sloping around by Pill lane and
|
|
Greek street with his cod's eye counting up all the guts of the fish.
|
|
|
|
Who comes through Michan's land, bedight in sable armour? O'Bloom,
|
|
the son of Rory: it is he. Impervious to fear is Rory's son: he of the
|
|
prudent soul.
|
|
|
|
--For the old woman of Prince's street, says the citizen, the subsidised
|
|
organ. The pledgebound party on the floor of the house. And look at this
|
|
blasted rag, says he. Look at this, says he. _The Irish Independent,_ if
|
|
you please, founded by Parnell to be the workingman's friend. Listen to
|
|
the births and deaths in the _Irish all for Ireland Independent,_ and
|
|
I'll thank you and the marriages.
|
|
|
|
And he starts reading them out:
|
|
|
|
--Gordon, Barnfield crescent, Exeter; Redmayne of Iffley, Saint Anne's
|
|
on Sea: the wife of William T Redmayne of a son. How's that, eh? Wright
|
|
and Flint, Vincent and Gillett to Rotha Marion daughter of Rosa and the
|
|
late George Alfred Gillett, 179 Clapham road, Stockwell, Playwood and
|
|
Ridsdale at Saint Jude's, Kensington by the very reverend Dr Forrest,
|
|
dean of Worcester. Eh? Deaths. Bristow, at Whitehall lane, London: Carr,
|
|
Stoke Newington, of gastritis and heart disease: Cockburn, at the Moat
|
|
house, Chepstow...
|
|
|
|
--I know that fellow, says Joe, from bitter experience.
|
|
|
|
--Cockburn. Dimsey, wife of David Dimsey, late of the admiralty: Miller,
|
|
Tottenham, aged eightyfive: Welsh, June 12, at 35 Canning street,
|
|
Liverpool, Isabella Helen. How's that for a national press, eh, my brown
|
|
son! How's that for Martin Murphy, the Bantry jobber?
|
|
|
|
--Ah, well, says Joe, handing round the boose. Thanks be to God they had
|
|
the start of us. Drink that, citizen.
|
|
|
|
--I will, says he, honourable person.
|
|
|
|
--Health, Joe, says I. And all down the form.
|
|
|
|
Ah! Ow! Don't be talking! I was blue mouldy for the want of that pint.
|
|
Declare to God I could hear it hit the pit of my stomach with a click.
|
|
|
|
And lo, as they quaffed their cup of joy, a godlike messenger came
|
|
swiftly in, radiant as the eye of heaven, a comely youth and behind him
|
|
there passed an elder of noble gait and countenance, bearing the sacred
|
|
scrolls of law and with him his lady wife a dame of peerless lineage,
|
|
fairest of her race.
|
|
|
|
Little Alf Bergan popped in round the door and hid behind Barney's
|
|
snug, squeezed up with the laughing. And who was sitting up there in
|
|
the corner that I hadn't seen snoring drunk blind to the world only Bob
|
|
Doran. I didn't know what was up and Alf kept making signs out of the
|
|
door. And begob what was it only that bloody old pantaloon Denis Breen
|
|
in his bathslippers with two bloody big books tucked under his oxter and
|
|
the wife hotfoot after him, unfortunate wretched woman, trotting like a
|
|
poodle. I thought Alf would split.
|
|
|
|
--Look at him, says he. Breen. He's traipsing all round Dublin with a
|
|
postcard someone sent him with U. p: up on it to take a li...
|
|
|
|
And he doubled up.
|
|
|
|
--Take a what? says I.
|
|
|
|
--Libel action, says he, for ten thousand pounds.
|
|
|
|
--O hell! says I.
|
|
|
|
The bloody mongrel began to growl that'd put the fear of God in you
|
|
seeing something was up but the citizen gave him a kick in the ribs.
|
|
|
|
_--Bi i dho husht,_ says he.
|
|
|
|
--Who? says Joe.
|
|
|
|
--Breen, says Alf. He was in John Henry Menton's and then he went round
|
|
to Collis and Ward's and then Tom Rochford met him and sent him round to
|
|
the subsheriff's for a lark. O God, I've a pain laughing. U. p: up. The
|
|
long fellow gave him an eye as good as a process and now the bloody old
|
|
lunatic is gone round to Green street to look for a G man.
|
|
|
|
--When is long John going to hang that fellow in Mountjoy? says Joe.
|
|
|
|
--Bergan, says Bob Doran, waking up. Is that Alf Bergan?
|
|
|
|
--Yes, says Alf. Hanging? Wait till I show you. Here, Terry, give us a
|
|
pony. That bloody old fool! Ten thousand pounds. You should have seen
|
|
long John's eye. U. p...
|
|
|
|
And he started laughing.
|
|
|
|
--Who are you laughing at? says Bob Doran. Is that Bergan?
|
|
|
|
--Hurry up, Terry boy, says Alf.
|
|
|
|
Terence O'Ryan heard him and straightway brought him a crystal cup
|
|
full of the foamy ebon ale which the noble twin brothers Bungiveagh and
|
|
Bungardilaun brew ever in their divine alevats, cunning as the sons of
|
|
deathless Leda. For they garner the succulent berries of the hop and
|
|
mass and sift and bruise and brew them and they mix therewith sour
|
|
juices and bring the must to the sacred fire and cease not night or day
|
|
from their toil, those cunning brothers, lords of the vat.
|
|
|
|
Then did you, chivalrous Terence, hand forth, as to the manner born,
|
|
that nectarous beverage and you offered the crystal cup to him that
|
|
thirsted, the soul of chivalry, in beauty akin to the immortals.
|
|
|
|
But he, the young chief of the O'Bergan's, could ill brook to be outdone
|
|
in generous deeds but gave therefor with gracious gesture a testoon of
|
|
costliest bronze. Thereon embossed in excellent smithwork was seen
|
|
the image of a queen of regal port, scion of the house of Brunswick,
|
|
Victoria her name, Her Most Excellent Majesty, by grace of God of the
|
|
United Kingdom of Great Britain and Ireland and of the British dominions
|
|
beyond the sea, queen, defender of the faith, Empress of India, even
|
|
she, who bore rule, a victress over many peoples, the wellbeloved, for
|
|
they knew and loved her from the rising of the sun to the going down
|
|
thereof, the pale, the dark, the ruddy and the ethiop.
|
|
|
|
--What's that bloody freemason doing, says the citizen, prowling up and
|
|
down outside?
|
|
|
|
--What's that? says Joe.
|
|
|
|
--Here you are, says Alf, chucking out the rhino. Talking about hanging,
|
|
I'll show you something you never saw. Hangmen's letters. Look at here.
|
|
|
|
So he took a bundle of wisps of letters and envelopes out of his pocket.
|
|
|
|
--Are you codding? says I.
|
|
|
|
--Honest injun, says Alf. Read them.
|
|
|
|
So Joe took up the letters.
|
|
|
|
--Who are you laughing at? says Bob Doran.
|
|
|
|
So I saw there was going to be a bit of a dust Bob's a queer chap when
|
|
the porter's up in him so says I just to make talk:
|
|
|
|
--How's Willy Murray those times, Alf?
|
|
|
|
--I don't know, says Alf I saw him just now in Capel street with Paddy
|
|
Dignam. Only I was running after that...
|
|
|
|
--You what? says Joe, throwing down the letters. With who?
|
|
|
|
--With Dignam, says Alf.
|
|
|
|
--Is it Paddy? says Joe.
|
|
|
|
--Yes, says Alf. Why?
|
|
|
|
--Don't you know he's dead? says Joe.
|
|
|
|
--Paddy Dignam dead! says Alf.
|
|
|
|
--Ay, says Joe.
|
|
|
|
--Sure I'm after seeing him not five minutes ago, says Alf, as plain as
|
|
a pikestaff.
|
|
|
|
--Who's dead? says Bob Doran.
|
|
|
|
--You saw his ghost then, says Joe, God between us and harm.
|
|
|
|
--What? says Alf. Good Christ, only five... What?... And Willy Murray
|
|
with him, the two of them there near whatdoyoucallhim's... What? Dignam
|
|
dead?
|
|
|
|
--What about Dignam? says Bob Doran. Who's talking about...?
|
|
|
|
--Dead! says Alf. He's no more dead than you are.
|
|
|
|
--Maybe so, says Joe. They took the liberty of burying him this morning
|
|
anyhow.
|
|
|
|
--Paddy? says Alf.
|
|
|
|
--Ay, says Joe. He paid the debt of nature, God be merciful to him.
|
|
|
|
--Good Christ! says Alf.
|
|
|
|
Begob he was what you might call flabbergasted.
|
|
|
|
In the darkness spirit hands were felt to flutter and when prayer by
|
|
tantras had been directed to the proper quarter a faint but increasing
|
|
luminosity of ruby light became gradually visible, the apparition of
|
|
the etheric double being particularly lifelike owing to the discharge
|
|
of jivic rays from the crown of the head and face. Communication was
|
|
effected through the pituitary body and also by means of the orangefiery
|
|
and scarlet rays emanating from the sacral region and solar plexus.
|
|
Questioned by his earthname as to his whereabouts in the heavenworld he
|
|
stated that he was now on the path of pr l ya or return but was still
|
|
submitted to trial at the hands of certain bloodthirsty entities on the
|
|
lower astral levels. In reply to a question as to his first sensations
|
|
in the great divide beyond he stated that previously he had seen as in a
|
|
glass darkly but that those who had passed over had summit possibilities
|
|
of atmic development opened up to them. Interrogated as to whether life
|
|
there resembled our experience in the flesh he stated that he had heard
|
|
from more favoured beings now in the spirit that their abodes were
|
|
equipped with every modern home comfort such as talafana, alavatar,
|
|
hatakalda, wataklasat and that the highest adepts were steeped in
|
|
waves of volupcy of the very purest nature. Having requested a quart of
|
|
buttermilk this was brought and evidently afforded relief. Asked if he
|
|
had any message for the living he exhorted all who were still at the
|
|
wrong side of Maya to acknowledge the true path for it was reported
|
|
in devanic circles that Mars and Jupiter were out for mischief on the
|
|
eastern angle where the ram has power. It was then queried whether there
|
|
were any special desires on the part of the defunct and the reply was:
|
|
_We greet you, friends of earth, who are still in the body. Mind C. K.
|
|
doesn't pile it on._ It was ascertained that the reference was to Mr
|
|
Cornelius Kelleher, manager of Messrs H. J. O'Neill's popular
|
|
funeral establishment, a personal friend of the defunct, who had been
|
|
responsible for the carrying out of the interment arrangements. Before
|
|
departing he requested that it should be told to his dear son Patsy that
|
|
the other boot which he had been looking for was at present under the
|
|
commode in the return room and that the pair should be sent to Cullen's
|
|
to be soled only as the heels were still good. He stated that this had
|
|
greatly perturbed his peace of mind in the other region and earnestly
|
|
requested that his desire should be made known.
|
|
|
|
Assurances were given that the matter would be attended to and it was
|
|
intimated that this had given satisfaction.
|
|
|
|
He is gone from mortal haunts: O'Dignam, sun of our morning. Fleet was
|
|
his foot on the bracken: Patrick of the beamy brow. Wail, Banba, with
|
|
your wind: and wail, O ocean, with your whirlwind.
|
|
|
|
--There he is again, says the citizen, staring out.
|
|
|
|
--Who? says I.
|
|
|
|
--Bloom, says he. He's on point duty up and down there for the last ten
|
|
minutes.
|
|
|
|
And, begob, I saw his physog do a peep in and then slidder off again.
|
|
|
|
Little Alf was knocked bawways. Faith, he was.
|
|
|
|
--Good Christ! says he. I could have sworn it was him.
|
|
|
|
And says Bob Doran, with the hat on the back of his poll, lowest
|
|
blackguard in Dublin when he's under the influence:
|
|
|
|
--Who said Christ is good?
|
|
|
|
--I beg your parsnips, says Alf.
|
|
|
|
--Is that a good Christ, says Bob Doran, to take away poor little Willy
|
|
Dignam?
|
|
|
|
--Ah, well, says Alf, trying to pass it off. He's over all his troubles.
|
|
|
|
But Bob Doran shouts out of him.
|
|
|
|
--He's a bloody ruffian, I say, to take away poor little Willy Dignam.
|
|
|
|
Terry came down and tipped him the wink to keep quiet, that they didn't
|
|
want that kind of talk in a respectable licensed premises. And Bob Doran
|
|
starts doing the weeps about Paddy Dignam, true as you're there.
|
|
|
|
--The finest man, says he, snivelling, the finest purest character.
|
|
|
|
The tear is bloody near your eye. Talking through his bloody hat. Fitter
|
|
for him go home to the little sleepwalking bitch he married, Mooney, the
|
|
bumbailiff's daughter, mother kept a kip in Hardwicke street, that
|
|
used to be stravaging about the landings Bantam Lyons told me that was
|
|
stopping there at two in the morning without a stitch on her, exposing
|
|
her person, open to all comers, fair field and no favour.
|
|
|
|
--The noblest, the truest, says he. And he's gone, poor little Willy,
|
|
poor little Paddy Dignam.
|
|
|
|
And mournful and with a heavy heart he bewept the extinction of that
|
|
beam of heaven.
|
|
|
|
Old Garryowen started growling again at Bloom that was skeezing round
|
|
the door.
|
|
|
|
--Come in, come on, he won't eat you, says the citizen.
|
|
|
|
So Bloom slopes in with his cod's eye on the dog and he asks Terry was
|
|
Martin Cunningham there.
|
|
|
|
--O, Christ M'Keown, says Joe, reading one of the letters. Listen to
|
|
this, will you?
|
|
|
|
And he starts reading out one.
|
|
|
|
_7 Hunter Street, Liverpool. To the High Sheriff of Dublin, Dublin._
|
|
|
|
_Honoured sir i beg to offer my services in the abovementioned painful
|
|
case i hanged Joe Gann in Bootle jail on the 12 of Febuary 1900 and i
|
|
hanged..._
|
|
|
|
--Show us, Joe, says I.
|
|
|
|
--_... private Arthur Chace for fowl murder of Jessie Tilsit in
|
|
Pentonville prison and i was assistant when..._
|
|
|
|
--Jesus, says I.
|
|
|
|
--_... Billington executed the awful murderer Toad Smith..._
|
|
|
|
The citizen made a grab at the letter.
|
|
|
|
--Hold hard, says Joe, _i have a special nack of putting the noose once
|
|
in he can't get out hoping to be favoured i remain, honoured sir, my
|
|
terms is five ginnees._
|
|
|
|
_H. RUMBOLD, MASTER BARBER._
|
|
|
|
--And a barbarous bloody barbarian he is too, says the citizen.
|
|
|
|
--And the dirty scrawl of the wretch, says Joe. Here, says he, take them
|
|
to hell out of my sight, Alf. Hello, Bloom, says he, what will you have?
|
|
|
|
So they started arguing about the point, Bloom saying he wouldn't and he
|
|
couldn't and excuse him no offence and all to that and then he said well
|
|
he'd just take a cigar. Gob, he's a prudent member and no mistake.
|
|
|
|
--Give us one of your prime stinkers, Terry, says Joe.
|
|
|
|
And Alf was telling us there was one chap sent in a mourning card with a
|
|
black border round it.
|
|
|
|
--They're all barbers, says he, from the black country that would hang
|
|
their own fathers for five quid down and travelling expenses.
|
|
|
|
And he was telling us there's two fellows waiting below to pull his
|
|
heels down when he gets the drop and choke him properly and then they
|
|
chop up the rope after and sell the bits for a few bob a skull.
|
|
|
|
In the dark land they bide, the vengeful knights of the razor. Their
|
|
deadly coil they grasp: yea, and therein they lead to Erebus whatsoever
|
|
wight hath done a deed of blood for I will on nowise suffer it even so
|
|
saith the Lord.
|
|
|
|
So they started talking about capital punishment and of course Bloom
|
|
comes out with the why and the wherefore and all the codology of the
|
|
business and the old dog smelling him all the time I'm told those jewies
|
|
does have a sort of a queer odour coming off them for dogs about I don't
|
|
know what all deterrent effect and so forth and so on.
|
|
|
|
--There's one thing it hasn't a deterrent effect on, says Alf.
|
|
|
|
--What's that? says Joe.
|
|
|
|
--The poor bugger's tool that's being hanged, says Alf.
|
|
|
|
--That so? says Joe.
|
|
|
|
--God's truth, says Alf. I heard that from the head warder that was in
|
|
|
|
Kilmainham when they hanged Joe Brady, the invincible. He told me when
|
|
they cut him down after the drop it was standing up in their faces like
|
|
a poker.
|
|
|
|
--Ruling passion strong in death, says Joe, as someone said.
|
|
|
|
--That can be explained by science, says Bloom. It's only a natural
|
|
phenomenon, don't you see, because on account of the...
|
|
|
|
And then he starts with his jawbreakers about phenomenon and science and
|
|
this phenomenon and the other phenomenon.
|
|
|
|
The distinguished scientist Herr Professor Luitpold Blumenduft tendered
|
|
medical evidence to the effect that the instantaneous fracture of the
|
|
cervical vertebrae and consequent scission of the spinal cord would,
|
|
according to the best approved tradition of medical science, be
|
|
calculated to inevitably produce in the human subject a violent
|
|
ganglionic stimulus of the nerve centres of the genital apparatus,
|
|
thereby causing the elastic pores of the _corpora cavernosa_ to rapidly
|
|
dilate in such a way as to instantaneously facilitate the flow of blood
|
|
to that part of the human anatomy known as the penis or male organ
|
|
resulting in the phenomenon which has been denominated by the faculty
|
|
a morbid upwards and outwards philoprogenitive erection _in articulo
|
|
mortis per diminutionem capitis._
|
|
|
|
So of course the citizen was only waiting for the wink of the word and
|
|
he starts gassing out of him about the invincibles and the old guard and
|
|
the men of sixtyseven and who fears to speak of ninetyeight and Joe with
|
|
him about all the fellows that were hanged, drawn and transported for
|
|
the cause by drumhead courtmartial and a new Ireland and new this, that
|
|
and the other. Talking about new Ireland he ought to go and get a new
|
|
dog so he ought. Mangy ravenous brute sniffing and sneezing all round
|
|
the place and scratching his scabs. And round he goes to Bob Doran that
|
|
was standing Alf a half one sucking up for what he could get. So of
|
|
course Bob Doran starts doing the bloody fool with him:
|
|
|
|
--Give us the paw! Give the paw, doggy! Good old doggy! Give the paw
|
|
here! Give us the paw!
|
|
|
|
Arrah, bloody end to the paw he'd paw and Alf trying to keep him from
|
|
tumbling off the bloody stool atop of the bloody old dog and he talking
|
|
all kinds of drivel about training by kindness and thoroughbred dog and
|
|
intelligent dog: give you the bloody pip. Then he starts scraping a few
|
|
bits of old biscuit out of the bottom of a Jacobs' tin he told Terry to
|
|
bring. Gob, he golloped it down like old boots and his tongue hanging
|
|
out of him a yard long for more. Near ate the tin and all, hungry bloody
|
|
mongrel.
|
|
|
|
And the citizen and Bloom having an argument about the point, the
|
|
brothers Sheares and Wolfe Tone beyond on Arbour Hill and Robert Emmet
|
|
and die for your country, the Tommy Moore touch about Sara Curran and
|
|
she's far from the land. And Bloom, of course, with his knockmedown
|
|
cigar putting on swank with his lardy face. Phenomenon! The fat heap he
|
|
married is a nice old phenomenon with a back on her like a ballalley.
|
|
Time they were stopping up in the _City Arms_ pisser Burke told me there
|
|
was an old one there with a cracked loodheramaun of a nephew and Bloom
|
|
trying to get the soft side of her doing the mollycoddle playing bezique
|
|
to come in for a bit of the wampum in her will and not eating meat of a
|
|
Friday because the old one was always thumping her craw and taking the
|
|
lout out for a walk. And one time he led him the rounds of Dublin and,
|
|
by the holy farmer, he never cried crack till he brought him home as
|
|
drunk as a boiled owl and he said he did it to teach him the evils of
|
|
alcohol and by herrings, if the three women didn't near roast him, it's
|
|
a queer story, the old one, Bloom's wife and Mrs O'Dowd that kept the
|
|
hotel. Jesus, I had to laugh at pisser Burke taking them off chewing
|
|
the fat. And Bloom with his _but don't you see?_ and _but on the other
|
|
hand_. And sure, more be token, the lout I'm told was in Power's after,
|
|
the blender's, round in Cope street going home footless in a cab five
|
|
times in the week after drinking his way through all the samples in the
|
|
bloody establishment. Phenomenon!
|
|
|
|
--The memory of the dead, says the citizen taking up his pintglass and
|
|
glaring at Bloom.
|
|
|
|
--Ay, ay, says Joe.
|
|
|
|
--You don't grasp my point, says Bloom. What I mean is...
|
|
|
|
--_Sinn Fein!_ says the citizen. _Sinn Fein amhain!_ The friends we love
|
|
are by our side and the foes we hate before us.
|
|
|
|
The last farewell was affecting in the extreme. From the belfries far
|
|
and near the funereal deathbell tolled unceasingly while all around the
|
|
gloomy precincts rolled the ominous warning of a hundred muffled drums
|
|
punctuated by the hollow booming of pieces of ordnance. The deafening
|
|
claps of thunder and the dazzling flashes of lightning which lit up
|
|
the ghastly scene testified that the artillery of heaven had lent its
|
|
supernatural pomp to the already gruesome spectacle. A torrential rain
|
|
poured down from the floodgates of the angry heavens upon the
|
|
bared heads of the assembled multitude which numbered at the
|
|
lowest computation five hundred thousand persons. A posse of Dublin
|
|
Metropolitan police superintended by the Chief Commissioner in person
|
|
maintained order in the vast throng for whom the York street brass and
|
|
reed band whiled away the intervening time by admirably rendering on
|
|
their blackdraped instruments the matchless melody endeared to us from
|
|
the cradle by Speranza's plaintive muse. Special quick excursion trains
|
|
and upholstered charabancs had been provided for the comfort of our
|
|
country cousins of whom there were large contingents. Considerable
|
|
amusement was caused by the favourite Dublin streetsingers L-n-h-n and
|
|
M-ll-g-n who sang _The Night before Larry was stretched_ in their usual
|
|
mirth-provoking fashion. Our two inimitable drolls did a roaring trade
|
|
with their broadsheets among lovers of the comedy element and nobody
|
|
who has a corner in his heart for real Irish fun without vulgarity
|
|
will grudge them their hardearned pennies. The children of the Male and
|
|
Female Foundling Hospital who thronged the windows overlooking the scene
|
|
were delighted with this unexpected addition to the day's entertainment
|
|
and a word of praise is due to the Little Sisters of the Poor for their
|
|
excellent idea of affording the poor fatherless and motherless children
|
|
a genuinely instructive treat. The viceregal houseparty which included
|
|
many wellknown ladies was chaperoned by Their Excellencies to the most
|
|
favourable positions on the grandstand while the picturesque foreign
|
|
delegation known as the Friends of the Emerald Isle was accommodated
|
|
on a tribune directly opposite. The delegation, present in full force,
|
|
consisted of Commendatore Bacibaci Beninobenone (the semiparalysed
|
|
_doyen_ of the party who had to be assisted to his seat by the aid of a
|
|
powerful steam crane), Monsieur Pierrepaul Petitepatant, the Grandjoker
|
|
Vladinmire Pokethankertscheff, the Archjoker Leopold Rudolph von
|
|
Schwanzenbad-Hodenthaler, Countess Marha Viraga Kisaszony Putrapesthi,
|
|
Hiram Y. Bomboost, Count Athanatos Karamelopulos, Ali Baba Backsheesh
|
|
Rahat Lokum Effendi, Senor Hidalgo Caballero Don Pecadillo y Palabras
|
|
y Paternoster de la Malora de la Malaria, Hokopoko Harakiri, Hi Hung
|
|
Chang, Olaf Kobberkeddelsen, Mynheer Trik van Trumps, Pan Poleaxe
|
|
Paddyrisky, Goosepond Prhklstr Kratchinabritchisitch, Borus
|
|
Hupinkoff, Herr Hurhausdirektorpresident Hans Chuechli-Steuerli,
|
|
Nationalgymnasiummuseumsanatoriumandsuspensoriumsordinaryprivatdocent
|
|
-generalhistoryspecialprofessordoctor Kriegfried Ueberallgemein. All the
|
|
delegates without exception expressed themselves in the strongest
|
|
possible heterogeneous terms concerning the nameless barbarity which
|
|
they had been called upon to witness. An animated altercation (in which
|
|
all took part) ensued among the F. O. T. E. I. as to whether the eighth
|
|
or the ninth of March was the correct date of the birth of Ireland's
|
|
patron saint. In the course of the argument cannonballs, scimitars,
|
|
boomerangs, blunderbusses, stinkpots, meatchoppers, umbrellas,
|
|
catapults, knuckledusters, sandbags, lumps of pig iron were resorted to
|
|
and blows were freely exchanged. The baby policeman, Constable
|
|
MacFadden, summoned by special courier from Booterstown, quickly
|
|
restored order and with lightning promptitude proposed the seventeenth
|
|
of the month as a solution equally honourable for both contending
|
|
parties. The readywitted ninefooter's suggestion at once appealed to all
|
|
and was unanimously accepted. Constable MacFadden was heartily
|
|
congratulated by all the F.O.T.E.I., several of whom were bleeding
|
|
profusely. Commendatore Beninobenone having been extricated from
|
|
underneath the presidential armchair, it was explained by his legal
|
|
adviser Avvocato Pagamimi that the various articles secreted in his
|
|
thirtytwo pockets had been abstracted by him during the affray from the
|
|
pockets of his junior colleagues in the hope of bringing them to their
|
|
senses. The objects (which included several hundred ladies' and
|
|
gentlemen's gold and silver watches) were promptly restored to their
|
|
rightful owners and general harmony reigned supreme.
|
|
|
|
Quietly, unassumingly Rumbold stepped on to the scaffold in faultless
|
|
morning dress and wearing his favourite flower, the _Gladiolus
|
|
Cruentus_. He announced his presence by that gentle Rumboldian cough
|
|
which so many have tried (unsuccessfully) to imitate--short,
|
|
painstaking yet withal so characteristic of the man. The arrival of the
|
|
worldrenowned headsman was greeted by a roar of acclamation from the
|
|
huge concourse, the viceregal ladies waving their handkerchiefs in
|
|
their excitement while the even more excitable foreign delegates
|
|
cheered vociferously in a medley of cries, _hoch, banzai, eljen, zivio,
|
|
chinchin, polla kronia, hiphip, vive, Allah_, amid which the ringing
|
|
_evviva_ of the delegate of the land of song (a high double F recalling
|
|
those piercingly lovely notes with which the eunuch Catalani beglamoured
|
|
our greatgreatgrandmothers) was easily distinguishable. It was exactly
|
|
seventeen o'clock. The signal for prayer was then promptly given by
|
|
megaphone and in an instant all heads were bared, the commendatore's
|
|
patriarchal sombrero, which has been in the possession of his family
|
|
since the revolution of Rienzi, being removed by his medical adviser
|
|
in attendance, Dr Pippi. The learned prelate who administered the last
|
|
comforts of holy religion to the hero martyr when about to pay the death
|
|
penalty knelt in a most christian spirit in a pool of rainwater, his
|
|
cassock above his hoary head, and offered up to the throne of grace
|
|
fervent prayers of supplication. Hand by the block stood the grim figure
|
|
of the executioner, his visage being concealed in a tengallon pot
|
|
with two circular perforated apertures through which his eyes glowered
|
|
furiously. As he awaited the fatal signal he tested the edge of his
|
|
horrible weapon by honing it upon his brawny forearm or decapitated
|
|
in rapid succession a flock of sheep which had been provided by the
|
|
admirers of his fell but necessary office. On a handsome mahogany table
|
|
near him were neatly arranged the quartering knife, the various
|
|
finely tempered disembowelling appliances (specially supplied by the
|
|
worldfamous firm of cutlers, Messrs John Round and Sons, Sheffield),
|
|
a terra cotta saucepan for the reception of the duodenum, colon,
|
|
blind intestine and appendix etc when successfully extracted and two
|
|
commodious milkjugs destined to receive the most precious blood of the
|
|
most precious victim. The housesteward of the amalgamated cats' and
|
|
dogs' home was in attendance to convey these vessels when replenished
|
|
to that beneficent institution. Quite an excellent repast consisting of
|
|
rashers and eggs, fried steak and onions, done to a nicety, delicious
|
|
hot breakfast rolls and invigorating tea had been considerately provided
|
|
by the authorities for the consumption of the central figure of the
|
|
tragedy who was in capital spirits when prepared for death and evinced
|
|
the keenest interest in the proceedings from beginning to end but he,
|
|
with an abnegation rare in these our times, rose nobly to the occasion
|
|
and expressed the dying wish (immediately acceded to) that the meal
|
|
should be divided in aliquot parts among the members of the sick and
|
|
indigent roomkeepers' association as a token of his regard and esteem.
|
|
The _nec_ and _non plus ultra_ of emotion were reached when the blushing
|
|
bride elect burst her way through the serried ranks of the bystanders
|
|
and flung herself upon the muscular bosom of him who was about to be
|
|
launched into eternity for her sake. The hero folded her willowy form in
|
|
a loving embrace murmuring fondly _Sheila, my own_. Encouraged by
|
|
this use of her christian name she kissed passionately all the various
|
|
suitable areas of his person which the decencies of prison garb
|
|
permitted her ardour to reach. She swore to him as they mingled the salt
|
|
streams of their tears that she would ever cherish his memory, that she
|
|
would never forget her hero boy who went to his death with a song on his
|
|
lips as if he were but going to a hurling match in Clonturk park. She
|
|
brought back to his recollection the happy days of blissful childhood
|
|
together on the banks of Anna Liffey when they had indulged in the
|
|
innocent pastimes of the young and, oblivious of the dreadful present,
|
|
they both laughed heartily, all the spectators, including the venerable
|
|
pastor, joining in the general merriment. That monster audience simply
|
|
rocked with delight. But anon they were overcome with grief and clasped
|
|
their hands for the last time. A fresh torrent of tears burst from their
|
|
lachrymal ducts and the vast concourse of people, touched to the inmost
|
|
core, broke into heartrending sobs, not the least affected being the
|
|
aged prebendary himself. Big strong men, officers of the peace and
|
|
genial giants of the royal Irish constabulary, were making frank use of
|
|
their handkerchiefs and it is safe to say that there was not a dry eye
|
|
in that record assemblage. A most romantic incident occurred when a
|
|
handsome young Oxford graduate, noted for his chivalry towards the fair
|
|
sex, stepped forward and, presenting his visiting card, bankbook
|
|
and genealogical tree, solicited the hand of the hapless young lady,
|
|
requesting her to name the day, and was accepted on the spot. Every lady
|
|
in the audience was presented with a tasteful souvenir of the occasion
|
|
in the shape of a skull and crossbones brooch, a timely and generous
|
|
act which evoked a fresh outburst of emotion: and when the gallant young
|
|
Oxonian (the bearer, by the way, of one of the most timehonoured names
|
|
in Albion's history) placed on the finger of his blushing _fiancee_ an
|
|
expensive engagement ring with emeralds set in the form of a
|
|
fourleaved shamrock the excitement knew no bounds. Nay, even the
|
|
ster provostmarshal, lieutenantcolonel Tomkin-Maxwell ffrenchmullan
|
|
Tomlinson, who presided on the sad occasion, he who had blown a
|
|
considerable number of sepoys from the cannonmouth without flinching,
|
|
could not now restrain his natural emotion. With his mailed gauntlet
|
|
he brushed away a furtive tear and was overheard, by those privileged
|
|
burghers who happened to be in his immediate _entourage,_ to murmur to
|
|
himself in a faltering undertone:
|
|
|
|
--God blimey if she aint a clinker, that there bleeding tart. Blimey it
|
|
makes me kind of bleeding cry, straight, it does, when I sees her cause
|
|
I thinks of my old mashtub what's waiting for me down Limehouse way.
|
|
|
|
So then the citizen begins talking about the Irish language and the
|
|
corporation meeting and all to that and the shoneens that can't speak
|
|
their own language and Joe chipping in because he stuck someone for a
|
|
quid and Bloom putting in his old goo with his twopenny stump that
|
|
he cadged off of Joe and talking about the Gaelic league and the
|
|
antitreating league and drink, the curse of Ireland. Antitreating is
|
|
about the size of it. Gob, he'd let you pour all manner of drink down
|
|
his throat till the Lord would call him before you'd ever see the froth
|
|
of his pint. And one night I went in with a fellow into one of their
|
|
musical evenings, song and dance about she could get up on a truss of
|
|
hay she could my Maureen Lay and there was a fellow with a Ballyhooly
|
|
blue ribbon badge spiffing out of him in Irish and a lot of colleen
|
|
bawns going about with temperance beverages and selling medals
|
|
and oranges and lemonade and a few old dry buns, gob, flahoolagh
|
|
entertainment, don't be talking. Ireland sober is Ireland free. And
|
|
then an old fellow starts blowing into his bagpipes and all the gougers
|
|
shuffling their feet to the tune the old cow died of. And one or two
|
|
sky pilots having an eye around that there was no goings on with the
|
|
females, hitting below the belt.
|
|
|
|
So howandever, as I was saying, the old dog seeing the tin was empty
|
|
starts mousing around by Joe and me. I'd train him by kindness, so I
|
|
would, if he was my dog. Give him a rousing fine kick now and again
|
|
where it wouldn't blind him.
|
|
|
|
--Afraid he'll bite you? says the citizen, jeering.
|
|
|
|
--No, says I. But he might take my leg for a lamppost.
|
|
|
|
So he calls the old dog over.
|
|
|
|
--What's on you, Garry? says he.
|
|
|
|
Then he starts hauling and mauling and talking to him in Irish and the
|
|
old towser growling, letting on to answer, like a duet in the opera.
|
|
Such growling you never heard as they let off between them. Someone that
|
|
has nothing better to do ought to write a letter _pro bono publico_ to
|
|
the papers about the muzzling order for a dog the like of that. Growling
|
|
and grousing and his eye all bloodshot from the drouth is in it and the
|
|
hydrophobia dropping out of his jaws.
|
|
|
|
All those who are interested in the spread of human culture among the
|
|
lower animals (and their name is legion) should make a point of not
|
|
missing the really marvellous exhibition of cynanthropy given by the
|
|
famous old Irish red setter wolfdog formerly known by the _sobriquet_ of
|
|
Garryowen and recently rechristened by his large circle of friends and
|
|
acquaintances Owen Garry. The exhibition, which is the result of years
|
|
of training by kindness and a carefully thoughtout dietary system,
|
|
comprises, among other achievements, the recitation of verse. Our
|
|
greatest living phonetic expert (wild horses shall not drag it from us!)
|
|
has left no stone unturned in his efforts to delucidate and compare
|
|
the verse recited and has found it bears a _striking_ resemblance (the
|
|
italics are ours) to the ranns of ancient Celtic bards. We are not
|
|
speaking so much of those delightful lovesongs with which the writer who
|
|
conceals his identity under the graceful pseudonym of the Little
|
|
Sweet Branch has familiarised the bookloving world but rather (as
|
|
a contributor D. O. C. points out in an interesting communication
|
|
published by an evening contemporary) of the harsher and more personal
|
|
note which is found in the satirical effusions of the famous Raftery and
|
|
of Donal MacConsidine to say nothing of a more modern lyrist at present
|
|
very much in the public eye. We subjoin a specimen which has been
|
|
rendered into English by an eminent scholar whose name for the moment we
|
|
are not at liberty to disclose though we believe that our readers will
|
|
find the topical allusion rather more than an indication. The metrical
|
|
system of the canine original, which recalls the intricate alliterative
|
|
and isosyllabic rules of the Welsh englyn, is infinitely more
|
|
complicated but we believe our readers will agree that the spirit has
|
|
been well caught. Perhaps it should be added that the effect is greatly
|
|
increased if Owen's verse be spoken somewhat slowly and indistinctly in
|
|
a tone suggestive of suppressed rancour.
|
|
|
|
_The curse of my curses
|
|
Seven days every day
|
|
And seven dry Thursdays
|
|
On you, Barney Kiernan,
|
|
Has no sup of water
|
|
To cool my courage,
|
|
And my guts red roaring
|
|
After Lowry's lights._
|
|
|
|
So he told Terry to bring some water for the dog and, gob, you could
|
|
hear him lapping it up a mile off. And Joe asked him would he have
|
|
another.
|
|
|
|
--I will, says he, _a chara_, to show there's no ill feeling.
|
|
|
|
Gob, he's not as green as he's cabbagelooking. Arsing around from one
|
|
pub to another, leaving it to your own honour, with old Giltrap's dog
|
|
and getting fed up by the ratepayers and corporators. Entertainment for
|
|
man and beast. And says Joe:
|
|
|
|
--Could you make a hole in another pint?
|
|
|
|
--Could a swim duck? says I.
|
|
|
|
--Same again, Terry, says Joe. Are you sure you won't have anything in
|
|
the way of liquid refreshment? says he.
|
|
|
|
--Thank you, no, says Bloom. As a matter of fact I just wanted to meet
|
|
Martin Cunningham, don't you see, about this insurance of poor Dignam's.
|
|
Martin asked me to go to the house. You see, he, Dignam, I mean, didn't
|
|
serve any notice of the assignment on the company at the time and
|
|
nominally under the act the mortgagee can't recover on the policy.
|
|
|
|
--Holy Wars, says Joe, laughing, that's a good one if old Shylock is
|
|
landed. So the wife comes out top dog, what?
|
|
|
|
--Well, that's a point, says Bloom, for the wife's admirers.
|
|
|
|
--Whose admirers? says Joe.
|
|
|
|
--The wife's advisers, I mean, says Bloom.
|
|
|
|
Then he starts all confused mucking it up about mortgagor under the act
|
|
like the lord chancellor giving it out on the bench and for the benefit
|
|
of the wife and that a trust is created but on the other hand that
|
|
Dignam owed Bridgeman the money and if now the wife or the widow
|
|
contested the mortgagee's right till he near had the head of me addled
|
|
with his mortgagor under the act. He was bloody safe he wasn't run in
|
|
himself under the act that time as a rogue and vagabond only he had a
|
|
friend in court. Selling bazaar tickets or what do you call it royal
|
|
Hungarian privileged lottery. True as you're there. O, commend me to an
|
|
israelite! Royal and privileged Hungarian robbery.
|
|
|
|
So Bob Doran comes lurching around asking Bloom to tell Mrs Dignam he
|
|
was sorry for her trouble and he was very sorry about the funeral and
|
|
to tell her that he said and everyone who knew him said that there was
|
|
never a truer, a finer than poor little Willy that's dead to tell her.
|
|
Choking with bloody foolery. And shaking Bloom's hand doing the tragic
|
|
to tell her that. Shake hands, brother. You're a rogue and I'm another.
|
|
|
|
--Let me, said he, so far presume upon our acquaintance which, however
|
|
slight it may appear if judged by the standard of mere time, is founded,
|
|
as I hope and believe, on a sentiment of mutual esteem as to request of
|
|
you this favour. But, should I have overstepped the limits of reserve
|
|
let the sincerity of my feelings be the excuse for my boldness.
|
|
|
|
--No, rejoined the other, I appreciate to the full the motives which
|
|
actuate your conduct and I shall discharge the office you entrust to
|
|
me consoled by the reflection that, though the errand be one of sorrow,
|
|
this proof of your confidence sweetens in some measure the bitterness of
|
|
the cup.
|
|
|
|
--Then suffer me to take your hand, said he. The goodness of your heart,
|
|
I feel sure, will dictate to you better than my inadequate words
|
|
the expressions which are most suitable to convey an emotion whose
|
|
poignancy, were I to give vent to my feelings, would deprive me even of
|
|
speech.
|
|
|
|
And off with him and out trying to walk straight. Boosed at five
|
|
o'clock. Night he was near being lagged only Paddy Leonard knew the
|
|
bobby, 14A. Blind to the world up in a shebeen in Bride street after
|
|
closing time, fornicating with two shawls and a bully on guard, drinking
|
|
porter out of teacups. And calling himself a Frenchy for the shawls,
|
|
Joseph Manuo, and talking against the Catholic religion, and he serving
|
|
mass in Adam and Eve's when he was young with his eyes shut, who wrote
|
|
the new testament, and the old testament, and hugging and smugging. And
|
|
the two shawls killed with the laughing, picking his pockets, the bloody
|
|
fool and he spilling the porter all over the bed and the two shawls
|
|
screeching laughing at one another. _How is your testament? Have you got
|
|
an old testament?_ Only Paddy was passing there, I tell you what. Then
|
|
see him of a Sunday with his little concubine of a wife, and she wagging
|
|
her tail up the aisle of the chapel with her patent boots on her, no
|
|
less, and her violets, nice as pie, doing the little lady. Jack Mooney's
|
|
sister. And the old prostitute of a mother procuring rooms to street
|
|
couples. Gob, Jack made him toe the line. Told him if he didn't patch up
|
|
the pot, Jesus, he'd kick the shite out of him.
|
|
|
|
So Terry brought the three pints.
|
|
|
|
--Here, says Joe, doing the honours. Here, citizen.
|
|
|
|
--_Slan leat_, says he.
|
|
|
|
--Fortune, Joe, says I. Good health, citizen.
|
|
|
|
Gob, he had his mouth half way down the tumbler already. Want a small
|
|
fortune to keep him in drinks.
|
|
|
|
--Who is the long fellow running for the mayoralty, Alf? says Joe.
|
|
|
|
--Friend of yours, says Alf.
|
|
|
|
--Nannan? says Joe. The mimber?
|
|
|
|
--I won't mention any names, says Alf.
|
|
|
|
--I thought so, says Joe. I saw him up at that meeting now with William
|
|
Field, M. P., the cattle traders.
|
|
|
|
--Hairy Iopas, says the citizen, that exploded volcano, the darling of
|
|
all countries and the idol of his own.
|
|
|
|
So Joe starts telling the citizen about the foot and mouth disease
|
|
and the cattle traders and taking action in the matter and the citizen
|
|
sending them all to the rightabout and Bloom coming out with his
|
|
sheepdip for the scab and a hoose drench for coughing calves and the
|
|
guaranteed remedy for timber tongue. Because he was up one time in a
|
|
knacker's yard. Walking about with his book and pencil here's my head
|
|
and my heels are coming till Joe Cuffe gave him the order of the boot
|
|
for giving lip to a grazier. Mister Knowall. Teach your grandmother how
|
|
to milk ducks. Pisser Burke was telling me in the hotel the wife used
|
|
to be in rivers of tears some times with Mrs O'Dowd crying her eyes out
|
|
with her eight inches of fat all over her. Couldn't loosen her farting
|
|
strings but old cod's eye was waltzing around her showing her how to do
|
|
it. What's your programme today? Ay. Humane methods. Because the poor
|
|
animals suffer and experts say and the best known remedy that doesn't
|
|
cause pain to the animal and on the sore spot administer gently. Gob,
|
|
he'd have a soft hand under a hen.
|
|
|
|
Ga Ga Gara. Klook Klook Klook. Black Liz is our hen. She lays eggs for
|
|
us. When she lays her egg she is so glad. Gara. Klook Klook Klook. Then
|
|
comes good uncle Leo. He puts his hand under black Liz and takes her
|
|
fresh egg. Ga ga ga ga Gara. Klook Klook Klook.
|
|
|
|
--Anyhow, says Joe, Field and Nannetti are going over tonight to London
|
|
to ask about it on the floor of the house of commons.
|
|
|
|
--Are you sure, says Bloom, the councillor is going? I wanted to see
|
|
him, as it happens.
|
|
|
|
--Well, he's going off by the mailboat, says Joe, tonight.
|
|
|
|
--That's too bad, says Bloom. I wanted particularly. Perhaps only Mr
|
|
Field is going. I couldn't phone. No. You're sure?
|
|
|
|
--Nannan's going too, says Joe. The league told him to ask a question
|
|
tomorrow about the commissioner of police forbidding Irish games in the
|
|
park. What do you think of that, citizen? _The Sluagh na h-Eireann_.
|
|
|
|
Mr Cowe Conacre (Multifarnham. Nat.): Arising out of the question of
|
|
my honourable friend, the member for Shillelagh, may I ask the right
|
|
honourable gentleman whether the government has issued orders that these
|
|
animals shall be slaughtered though no medical evidence is forthcoming
|
|
as to their pathological condition?
|
|
|
|
Mr Allfours (Tamoshant. Con.): Honourable members are already in
|
|
possession of the evidence produced before a committee of the whole
|
|
house. I feel I cannot usefully add anything to that. The answer to the
|
|
honourable member's question is in the affirmative.
|
|
|
|
Mr Orelli O'Reilly (Montenotte. Nat.): Have similar orders been issued
|
|
for the slaughter of human animals who dare to play Irish games in the
|
|
Phoenix park?
|
|
|
|
Mr Allfours: The answer is in the negative.
|
|
|
|
Mr Cowe Conacre: Has the right honourable gentleman's famous
|
|
Mitchelstown telegram inspired the policy of gentlemen on the Treasury
|
|
bench? (O! O!)
|
|
|
|
Mr Allfours: I must have notice of that question.
|
|
|
|
Mr Staylewit (Buncombe. Ind.): Don't hesitate to shoot.
|
|
|
|
(Ironical opposition cheers.)
|
|
|
|
The speaker: Order! Order!
|
|
|
|
(The house rises. Cheers.)
|
|
|
|
--There's the man, says Joe, that made the Gaelic sports revival. There
|
|
he is sitting there. The man that got away James Stephens. The champion
|
|
of all Ireland at putting the sixteen pound shot. What was your best
|
|
throw, citizen?
|
|
|
|
--_Na bacleis_, says the citizen, letting on to be modest. There was a
|
|
time I was as good as the next fellow anyhow.
|
|
|
|
--Put it there, citizen, says Joe. You were and a bloody sight better.
|
|
|
|
--Is that really a fact? says Alf.
|
|
|
|
--Yes, says Bloom. That's well known. Did you not know that?
|
|
|
|
So off they started about Irish sports and shoneen games the like of
|
|
lawn tennis and about hurley and putting the stone and racy of the soil
|
|
and building up a nation once again and all to that. And of course Bloom
|
|
had to have his say too about if a fellow had a rower's heart violent
|
|
exercise was bad. I declare to my antimacassar if you took up a straw
|
|
from the bloody floor and if you said to Bloom: _Look at, Bloom. Do you
|
|
see that straw? That's a straw_. Declare to my aunt he'd talk about it
|
|
for an hour so he would and talk steady.
|
|
|
|
A most interesting discussion took place in the ancient hall of _Brian
|
|
O'ciarnain's_ in _Sraid na Bretaine Bheag_, under the auspices of
|
|
_Sluagh na h-Eireann_, on the revival of ancient Gaelic sports and the
|
|
importance of physical culture, as understood in ancient Greece and
|
|
ancient Rome and ancient Ireland, for the development of the race.
|
|
The venerable president of the noble order was in the chair and the
|
|
attendance was of large dimensions. After an instructive discourse by
|
|
the chairman, a magnificent oration eloquently and forcibly expressed,
|
|
a most interesting and instructive discussion of the usual high standard
|
|
of excellence ensued as to the desirability of the revivability of
|
|
the ancient games and sports of our ancient Panceltic forefathers. The
|
|
wellknown and highly respected worker in the cause of our old tongue, Mr
|
|
Joseph M'Carthy Hynes, made an eloquent appeal for the resuscitation of
|
|
the ancient Gaelic sports and pastimes, practised morning and evening
|
|
by Finn MacCool, as calculated to revive the best traditions of manly
|
|
strength and prowess handed down to us from ancient ages. L. Bloom, who
|
|
met with a mixed reception of applause and hisses, having espoused the
|
|
negative the vocalist chairman brought the discussion to a close, in
|
|
response to repeated requests and hearty plaudits from all parts of
|
|
a bumper house, by a remarkably noteworthy rendering of the immortal
|
|
Thomas Osborne Davis' evergreen verses (happily too familiar to need
|
|
recalling here) _A nation once again_ in the execution of which the
|
|
veteran patriot champion may be said without fear of contradiction
|
|
to have fairly excelled himself. The Irish Caruso-Garibaldi was in
|
|
superlative form and his stentorian notes were heard to the greatest
|
|
advantage in the timehonoured anthem sung as only our citizen can sing
|
|
it. His superb highclass vocalism, which by its superquality greatly
|
|
enhanced his already international reputation, was vociferously
|
|
applauded by the large audience among which were to be noticed many
|
|
prominent members of the clergy as well as representatives of the press
|
|
and the bar and the other learned professions. The proceedings then
|
|
terminated.
|
|
|
|
Amongst the clergy present were the very rev. William Delany, S. J., L.
|
|
L. D.; the rt rev. Gerald Molloy, D. D.; the rev. P. J. Kavanagh, C. S.
|
|
Sp.; the rev. T. Waters, C. C.; the rev. John M. Ivers, P. P.; the rev.
|
|
P. J. Cleary, O. S. F.; the rev. L. J. Hickey, O. P.; the very rev. Fr.
|
|
Nicholas, O. S. F. C.; the very rev. B. Gorman, O. D. C.; the rev. T.
|
|
Maher, S. J.; the very rev. James Murphy, S. J.; the rev. John Lavery,
|
|
V. F.; the very rev. William Doherty, D. D.; the rev. Peter Fagan, O.
|
|
M.; the rev. T. Brangan, O. S. A.; the rev. J. Flavin, C. C.; the
|
|
rev. M. A. Hackett, C. C.; the rev. W. Hurley, C. C.; the rt rev. Mgr
|
|
M'Manus, V. G.; the rev. B. R. Slattery, O. M. I.; the very rev. M.
|
|
D. Scally, P. P.; the rev. F. T. Purcell, O. P.; the very rev. Timothy
|
|
canon Gorman, P. P.; the rev. J. Flanagan, C. C. The laity included P.
|
|
Fay, T. Quirke, etc., etc.
|
|
|
|
--Talking about violent exercise, says Alf, were you at that
|
|
Keogh-Bennett match?
|
|
|
|
--No, says Joe.
|
|
|
|
--I heard So and So made a cool hundred quid over it, says Alf.
|
|
|
|
--Who? Blazes? says Joe.
|
|
|
|
And says Bloom:
|
|
|
|
--What I meant about tennis, for example, is the agility and training
|
|
the eye.
|
|
|
|
--Ay, Blazes, says Alf. He let out that Myler was on the beer to run up
|
|
the odds and he swatting all the time.
|
|
|
|
--We know him, says the citizen. The traitor's son. We know what put
|
|
English gold in his pocket.
|
|
|
|
---True for you, says Joe.
|
|
|
|
And Bloom cuts in again about lawn tennis and the circulation of the
|
|
blood, asking Alf:
|
|
|
|
--Now, don't you think, Bergan?
|
|
|
|
--Myler dusted the floor with him, says Alf. Heenan and Sayers was only
|
|
a bloody fool to it. Handed him the father and mother of a beating. See
|
|
the little kipper not up to his navel and the big fellow swiping. God,
|
|
he gave him one last puck in the wind, Queensberry rules and all, made
|
|
him puke what he never ate.
|
|
|
|
It was a historic and a hefty battle when Myler and Percy were scheduled
|
|
to don the gloves for the purse of fifty sovereigns. Handicapped as he
|
|
was by lack of poundage, Dublin's pet lamb made up for it by superlative
|
|
skill in ringcraft. The final bout of fireworks was a gruelling for both
|
|
champions. The welterweight sergeantmajor had tapped some lively claret
|
|
in the previous mixup during which Keogh had been receivergeneral of
|
|
rights and lefts, the artilleryman putting in some neat work on the
|
|
pet's nose, and Myler came on looking groggy. The soldier got to
|
|
business, leading off with a powerful left jab to which the Irish
|
|
gladiator retaliated by shooting out a stiff one flush to the point of
|
|
Bennett's jaw. The redcoat ducked but the Dubliner lifted him with a
|
|
left hook, the body punch being a fine one. The men came to handigrips.
|
|
Myler quickly became busy and got his man under, the bout ending with
|
|
the bulkier man on the ropes, Myler punishing him. The Englishman, whose
|
|
right eye was nearly closed, took his corner where he was liberally
|
|
drenched with water and when the bell went came on gamey and brimful of
|
|
pluck, confident of knocking out the fistic Eblanite in jigtime. It was
|
|
a fight to a finish and the best man for it. The two fought like tigers
|
|
and excitement ran fever high. The referee twice cautioned Pucking Percy
|
|
for holding but the pet was tricky and his footwork a treat to watch.
|
|
After a brisk exchange of courtesies during which a smart upper cut of
|
|
the military man brought blood freely from his opponent's mouth the
|
|
lamb suddenly waded in all over his man and landed a terrific left to
|
|
Battling Bennett's stomach, flooring him flat. It was a knockout clean
|
|
and clever. Amid tense expectation the Portobello bruiser was being
|
|
counted out when Bennett's second Ole Pfotts Wettstein threw in the
|
|
towel and the Santry boy was declared victor to the frenzied cheers of
|
|
the public who broke through the ringropes and fairly mobbed him with
|
|
delight.
|
|
|
|
--He knows which side his bread is buttered, says Alf. I hear he's
|
|
running a concert tour now up in the north.
|
|
|
|
--He is, says Joe. Isn't he?
|
|
|
|
--Who? says Bloom. Ah, yes. That's quite true. Yes, a kind of summer
|
|
tour, you see. Just a holiday.
|
|
|
|
--Mrs B. is the bright particular star, isn't she? says Joe.
|
|
|
|
--My wife? says Bloom. She's singing, yes. I think it will be a success
|
|
too.
|
|
|
|
He's an excellent man to organise. Excellent.
|
|
|
|
Hoho begob says I to myself says I. That explains the milk in the
|
|
cocoanut and absence of hair on the animal's chest. Blazes doing the
|
|
tootle on the flute. Concert tour. Dirty Dan the dodger's son off Island
|
|
bridge that sold the same horses twice over to the government to fight
|
|
the Boers. Old Whatwhat. I called about the poor and water rate, Mr
|
|
Boylan. You what? The water rate, Mr Boylan. You whatwhat? That's the
|
|
bucko that'll organise her, take my tip. 'Twixt me and you Caddareesh.
|
|
|
|
Pride of Calpe's rocky mount, the ravenhaired daughter of Tweedy. There
|
|
grew she to peerless beauty where loquat and almond scent the air. The
|
|
gardens of Alameda knew her step: the garths of olives knew and bowed.
|
|
The chaste spouse of Leopold is she: Marion of the bountiful bosoms.
|
|
|
|
And lo, there entered one of the clan of the O'Molloy's, a comely hero
|
|
of white face yet withal somewhat ruddy, his majesty's counsel learned
|
|
in the law, and with him the prince and heir of the noble line of
|
|
Lambert.
|
|
|
|
--Hello, Ned.
|
|
|
|
--Hello, Alf.
|
|
|
|
--Hello, Jack.
|
|
|
|
--Hello, Joe.
|
|
|
|
--God save you, says the citizen.
|
|
|
|
--Save you kindly, says J. J. What'll it be, Ned?
|
|
|
|
--Half one, says Ned.
|
|
|
|
So J. J. ordered the drinks.
|
|
|
|
--Were you round at the court? says Joe.
|
|
|
|
--Yes, says J. J. He'll square that, Ned, says he.
|
|
|
|
--Hope so, says Ned.
|
|
|
|
Now what were those two at? J. J. getting him off the grand jury list
|
|
and the other give him a leg over the stile. With his name in Stubbs's.
|
|
Playing cards, hobnobbing with flash toffs with a swank glass in their
|
|
eye, adrinking fizz and he half smothered in writs and garnishee orders.
|
|
Pawning his gold watch in Cummins of Francis street where no-one would
|
|
know him in the private office when I was there with Pisser releasing
|
|
his boots out of the pop. What's your name, sir? Dunne, says he. Ay, and
|
|
done says I. Gob, he'll come home by weeping cross one of those days,
|
|
I'm thinking.
|
|
|
|
--Did you see that bloody lunatic Breen round there? says Alf. U. p: up.
|
|
|
|
--Yes, says J. J. Looking for a private detective.
|
|
|
|
--Ay, says Ned. And he wanted right go wrong to address the court only
|
|
Corny Kelleher got round him telling him to get the handwriting examined
|
|
first.
|
|
|
|
--Ten thousand pounds, says Alf, laughing. God, I'd give anything to
|
|
hear him before a judge and jury.
|
|
|
|
--Was it you did it, Alf? says Joe. The truth, the whole truth and
|
|
nothing but the truth, so help you Jimmy Johnson.
|
|
|
|
--Me? says Alf. Don't cast your nasturtiums on my character.
|
|
|
|
--Whatever statement you make, says Joe, will be taken down in evidence
|
|
against you.
|
|
|
|
--Of course an action would lie, says J. J. It implies that he is not
|
|
_compos mentis_. U. p: up.
|
|
|
|
_--Compos_ your eye! says Alf, laughing. Do you know that he's balmy?
|
|
Look at his head. Do you know that some mornings he has to get his hat
|
|
on with a shoehorn.
|
|
|
|
--Yes, says J. J., but the truth of a libel is no defence to an
|
|
indictment for publishing it in the eyes of the law.
|
|
|
|
--Ha ha, Alf, says Joe.
|
|
|
|
--Still, says Bloom, on account of the poor woman, I mean his wife.
|
|
|
|
--Pity about her, says the citizen. Or any other woman marries a half
|
|
and half.
|
|
|
|
--How half and half? says Bloom. Do you mean he...
|
|
|
|
--Half and half I mean, says the citizen. A fellow that's neither fish
|
|
nor flesh.
|
|
|
|
--Nor good red herring, says Joe.
|
|
|
|
--That what's I mean, says the citizen. A pishogue, if you know what
|
|
that is.
|
|
|
|
Begob I saw there was trouble coming. And Bloom explaining he meant on
|
|
account of it being cruel for the wife having to go round after the
|
|
old stuttering fool. Cruelty to animals so it is to let that bloody
|
|
povertystricken Breen out on grass with his beard out tripping him,
|
|
bringing down the rain. And she with her nose cockahoop after she
|
|
married him because a cousin of his old fellow's was pewopener to the
|
|
pope. Picture of him on the wall with his Smashall Sweeney's moustaches,
|
|
the signior Brini from Summerhill, the eyetallyano, papal Zouave to the
|
|
Holy Father, has left the quay and gone to Moss street. And who was
|
|
he, tell us? A nobody, two pair back and passages, at seven shillings a
|
|
week, and he covered with all kinds of breastplates bidding defiance to
|
|
the world.
|
|
|
|
--And moreover, says J. J., a postcard is publication. It was held to
|
|
be sufficient evidence of malice in the testcase Sadgrove v. Hole. In my
|
|
opinion an action might lie.
|
|
|
|
Six and eightpence, please. Who wants your opinion? Let us drink our
|
|
pints in peace. Gob, we won't be let even do that much itself.
|
|
|
|
--Well, good health, Jack, says Ned.
|
|
|
|
--Good health, Ned, says J. J.
|
|
|
|
---There he is again, says Joe.
|
|
|
|
--Where? says Alf.
|
|
|
|
And begob there he was passing the door with his books under his oxter
|
|
and the wife beside him and Corny Kelleher with his wall eye looking in
|
|
as they went past, talking to him like a father, trying to sell him a
|
|
secondhand coffin.
|
|
|
|
--How did that Canada swindle case go off? says Joe.
|
|
|
|
--Remanded, says J. J.
|
|
|
|
One of the bottlenosed fraternity it was went by the name of James
|
|
Wought alias Saphiro alias Spark and Spiro, put an ad in the papers
|
|
saying he'd give a passage to Canada for twenty bob. What? Do you see
|
|
any green in the white of my eye? Course it was a bloody barney. What?
|
|
Swindled them all, skivvies and badhachs from the county Meath, ay, and
|
|
his own kidney too. J. J. was telling us there was an ancient Hebrew
|
|
Zaretsky or something weeping in the witnessbox with his hat on him,
|
|
swearing by the holy Moses he was stuck for two quid.
|
|
|
|
--Who tried the case? says Joe.
|
|
|
|
--Recorder, says Ned.
|
|
|
|
--Poor old sir Frederick, says Alf, you can cod him up to the two eyes.
|
|
|
|
--Heart as big as a lion, says Ned. Tell him a tale of woe about arrears
|
|
of rent and a sick wife and a squad of kids and, faith, he'll dissolve
|
|
in tears on the bench.
|
|
|
|
--Ay, says Alf. Reuben J was bloody lucky he didn't clap him in the dock
|
|
the other day for suing poor little Gumley that's minding stones, for
|
|
the corporation there near Butt bridge.
|
|
|
|
And he starts taking off the old recorder letting on to cry:
|
|
|
|
--A most scandalous thing! This poor hardworking man! How many children?
|
|
Ten, did you say?
|
|
|
|
--Yes, your worship. And my wife has the typhoid.
|
|
|
|
--And the wife with typhoid fever! Scandalous! Leave the court
|
|
immediately, sir. No, sir, I'll make no order for payment. How dare you,
|
|
sir, come up before me and ask me to make an order! A poor hardworking
|
|
industrious man! I dismiss the case.
|
|
|
|
And whereas on the sixteenth day of the month of the oxeyed goddess and
|
|
in the third week after the feastday of the Holy and Undivided Trinity,
|
|
the daughter of the skies, the virgin moon being then in her first
|
|
quarter, it came to pass that those learned judges repaired them to the
|
|
halls of law. There master Courtenay, sitting in his own chamber, gave
|
|
his rede and master Justice Andrews, sitting without a jury in the
|
|
probate court, weighed well and pondered the claim of the first
|
|
chargeant upon the property in the matter of the will propounded and
|
|
final testamentary disposition _in re_ the real and personal estate of
|
|
the late lamented Jacob Halliday, vintner, deceased, versus Livingstone,
|
|
an infant, of unsound mind, and another. And to the solemn court of
|
|
Green street there came sir Frederick the Falconer. And he sat him there
|
|
about the hour of five o'clock to administer the law of the brehons at
|
|
the commission for all that and those parts to be holden in and for the
|
|
county of the city of Dublin. And there sat with him the high sinhedrim
|
|
of the twelve tribes of Iar, for every tribe one man, of the tribe of
|
|
Patrick and of the tribe of Hugh and of the tribe of Owen and of the
|
|
tribe of Conn and of the tribe of Oscar and of the tribe of Fergus and
|
|
of the tribe of Finn and of the tribe of Dermot and of the tribe of
|
|
Cormac and of the tribe of Kevin and of the tribe of Caolte and of the
|
|
tribe of Ossian, there being in all twelve good men and true. And he
|
|
conjured them by Him who died on rood that they should well and
|
|
truly try and true deliverance make in the issue joined between their
|
|
sovereign lord the king and the prisoner at the bar and true verdict
|
|
give according to the evidence so help them God and kiss the book. And
|
|
they rose in their seats, those twelve of Iar, and they swore by
|
|
the name of Him Who is from everlasting that they would do His
|
|
rightwiseness. And straightway the minions of the law led forth from
|
|
their donjon keep one whom the sleuthhounds of justice had apprehended
|
|
in consequence of information received. And they shackled him hand and
|
|
foot and would take of him ne bail ne mainprise but preferred a charge
|
|
against him for he was a malefactor.
|
|
|
|
--Those are nice things, says the citizen, coming over here to Ireland
|
|
filling the country with bugs.
|
|
|
|
So Bloom lets on he heard nothing and he starts talking with Joe,
|
|
telling him he needn't trouble about that little matter till the first
|
|
but if he would just say a word to Mr Crawford. And so Joe swore high
|
|
and holy by this and by that he'd do the devil and all.
|
|
|
|
--Because, you see, says Bloom, for an advertisement you must have
|
|
repetition. That's the whole secret.
|
|
|
|
--Rely on me, says Joe.
|
|
|
|
--Swindling the peasants, says the citizen, and the poor of Ireland. We
|
|
want no more strangers in our house.
|
|
|
|
--O, I'm sure that will be all right, Hynes, says Bloom. It's just that
|
|
Keyes, you see.
|
|
|
|
--Consider that done, says Joe.
|
|
|
|
--Very kind of you, says Bloom.
|
|
|
|
--The strangers, says the citizen. Our own fault. We let them come in.
|
|
We brought them in. The adulteress and her paramour brought the Saxon
|
|
robbers here.
|
|
|
|
--Decree _nisi,_ says J. J.
|
|
|
|
And Bloom letting on to be awfully deeply interested in nothing, a
|
|
spider's web in the corner behind the barrel, and the citizen scowling
|
|
after him and the old dog at his feet looking up to know who to bite and
|
|
when.
|
|
|
|
--A dishonoured wife, says the citizen, that's what's the cause of all
|
|
our misfortunes.
|
|
|
|
--And here she is, says Alf, that was giggling over the _Police Gazette_
|
|
with Terry on the counter, in all her warpaint.
|
|
|
|
--Give us a squint at her, says I.
|
|
|
|
And what was it only one of the smutty yankee pictures Terry borrows off
|
|
of Corny Kelleher. Secrets for enlarging your private parts. Misconduct
|
|
of society belle. Norman W. Tupper, wealthy Chicago contractor, finds
|
|
pretty but faithless wife in lap of officer Taylor. Belle in her
|
|
bloomers misconducting herself, and her fancyman feeling for her tickles
|
|
and Norman W. Tupper bouncing in with his peashooter just in time to be
|
|
late after she doing the trick of the loop with officer Taylor.
|
|
|
|
--O jakers, Jenny, says Joe, how short your shirt is!
|
|
|
|
--There's hair, Joe, says I. Get a queer old tailend of corned beef off
|
|
of that one, what?
|
|
|
|
So anyhow in came John Wyse Nolan and Lenehan with him with a face on
|
|
him as long as a late breakfast.
|
|
|
|
--Well, says the citizen, what's the latest from the scene of action?
|
|
What did those tinkers in the city hall at their caucus meeting decide
|
|
about the Irish language?
|
|
|
|
O'Nolan, clad in shining armour, low bending made obeisance to the
|
|
puissant and high and mighty chief of all Erin and did him to wit of
|
|
that which had befallen, how that the grave elders of the most obedient
|
|
city, second of the realm, had met them in the tholsel, and there, after
|
|
due prayers to the gods who dwell in ether supernal, had taken solemn
|
|
counsel whereby they might, if so be it might be, bring once more into
|
|
honour among mortal men the winged speech of the seadivided Gael.
|
|
|
|
--It's on the march, says the citizen. To hell with the bloody brutal
|
|
Sassenachs and their _patois._
|
|
|
|
So J. J. puts in a word, doing the toff about one story was good till
|
|
you heard another and blinking facts and the Nelson policy, putting your
|
|
blind eye to the telescope and drawing up a bill of attainder to impeach
|
|
a nation, and Bloom trying to back him up moderation and botheration and
|
|
their colonies and their civilisation.
|
|
|
|
--Their syphilisation, you mean, says the citizen. To hell with
|
|
them! The curse of a goodfornothing God light sideways on the bloody
|
|
thicklugged sons of whores' gets! No music and no art and no literature
|
|
worthy of the name. Any civilisation they have they stole from us.
|
|
Tonguetied sons of bastards' ghosts.
|
|
|
|
--The European family, says J. J....
|
|
|
|
--They're not European, says the citizen. I was in Europe with Kevin
|
|
Egan of Paris. You wouldn't see a trace of them or their language
|
|
anywhere in Europe except in a _cabinet d'aisance._
|
|
|
|
And says John Wyse:
|
|
|
|
--Full many a flower is born to blush unseen.
|
|
|
|
And says Lenehan that knows a bit of the lingo:
|
|
|
|
--_Conspuez les Anglais! Perfide Albion!_
|
|
|
|
He said and then lifted he in his rude great brawny strengthy hands the
|
|
medher of dark strong foamy ale and, uttering his tribal slogan _Lamh
|
|
Dearg Abu_, he drank to the undoing of his foes, a race of mighty
|
|
valorous heroes, rulers of the waves, who sit on thrones of alabaster
|
|
silent as the deathless gods.
|
|
|
|
--What's up with you, says I to Lenehan. You look like a fellow that had
|
|
lost a bob and found a tanner.
|
|
|
|
--Gold cup, says he.
|
|
|
|
--Who won, Mr Lenehan? says Terry.
|
|
|
|
_--Throwaway,_ says he, at twenty to one. A rank outsider. And the rest
|
|
nowhere.
|
|
|
|
--And Bass's mare? says Terry.
|
|
|
|
--Still running, says he. We're all in a cart. Boylan plunged two quid
|
|
on my tip _Sceptre_ for himself and a lady friend.
|
|
|
|
--I had half a crown myself, says Terry, on _Zinfandel_ that Mr Flynn
|
|
gave me. Lord Howard de Walden's.
|
|
|
|
--Twenty to one, says Lenehan. Such is life in an outhouse. _Throwaway,_
|
|
says he. Takes the biscuit, and talking about bunions. Frailty, thy name
|
|
is _Sceptre._
|
|
|
|
So he went over to the biscuit tin Bob Doran left to see if there was
|
|
anything he could lift on the nod, the old cur after him backing his
|
|
luck with his mangy snout up. Old Mother Hubbard went to the cupboard.
|
|
|
|
--Not there, my child, says he.
|
|
|
|
--Keep your pecker up, says Joe. She'd have won the money only for the
|
|
other dog.
|
|
|
|
And J. J. and the citizen arguing about law and history with Bloom
|
|
sticking in an odd word.
|
|
|
|
--Some people, says Bloom, can see the mote in others' eyes but they
|
|
can't see the beam in their own.
|
|
|
|
--_Raimeis_, says the citizen. There's no-one as blind as the fellow
|
|
that won't see, if you know what that means. Where are our missing
|
|
twenty millions of Irish should be here today instead of four, our lost
|
|
tribes? And our potteries and textiles, the finest in the whole world!
|
|
And our wool that was sold in Rome in the time of Juvenal and our flax
|
|
and our damask from the looms of Antrim and our Limerick lace, our
|
|
tanneries and our white flint glass down there by Ballybough and our
|
|
Huguenot poplin that we have since Jacquard de Lyon and our woven silk
|
|
and our Foxford tweeds and ivory raised point from the Carmelite convent
|
|
in New Ross, nothing like it in the whole wide world. Where are the
|
|
Greek merchants that came through the pillars of Hercules, the Gibraltar
|
|
now grabbed by the foe of mankind, with gold and Tyrian purple to
|
|
sell in Wexford at the fair of Carmen? Read Tacitus and Ptolemy, even
|
|
Giraldus Cambrensis. Wine, peltries, Connemara marble, silver from
|
|
Tipperary, second to none, our farfamed horses even today, the Irish
|
|
hobbies, with king Philip of Spain offering to pay customs duties for
|
|
the right to fish in our waters. What do the yellowjohns of Anglia owe
|
|
us for our ruined trade and our ruined hearths? And the beds of the
|
|
Barrow and Shannon they won't deepen with millions of acres of marsh and
|
|
bog to make us all die of consumption?
|
|
|
|
--As treeless as Portugal we'll be soon, says John Wyse, or Heligoland
|
|
with its one tree if something is not done to reafforest the land.
|
|
Larches, firs, all the trees of the conifer family are going fast. I was
|
|
reading a report of lord Castletown's...
|
|
|
|
--Save them, says the citizen, the giant ash of Galway and the chieftain
|
|
elm of Kildare with a fortyfoot bole and an acre of foliage. Save the
|
|
trees of Ireland for the future men of Ireland on the fair hills of
|
|
Eire, O.
|
|
|
|
--Europe has its eyes on you, says Lenehan.
|
|
|
|
The fashionable international world attended EN MASSE this afternoon
|
|
at the wedding of the chevalier Jean Wyse de Neaulan, grand high chief
|
|
ranger of the Irish National Foresters, with Miss Fir Conifer of Pine
|
|
Valley. Lady Sylvester Elmshade, Mrs Barbara Lovebirch, Mrs Poll Ash,
|
|
Mrs Holly Hazeleyes, Miss Daphne Bays, Miss Dorothy Canebrake, Mrs Clyde
|
|
Twelvetrees, Mrs Rowan Greene, Mrs Helen Vinegadding, Miss Virginia
|
|
Creeper, Miss Gladys Beech, Miss Olive Garth, Miss Blanche Maple, Mrs
|
|
Maud Mahogany, Miss Myra Myrtle, Miss Priscilla Elderflower, Miss
|
|
Bee Honeysuckle, Miss Grace Poplar, Miss O Mimosa San, Miss Rachel
|
|
Cedarfrond, the Misses Lilian and Viola Lilac, Miss Timidity Aspenall,
|
|
Mrs Kitty Dewey-Mosse, Miss May Hawthorne, Mrs Gloriana Palme, Mrs Liana
|
|
Forrest, Mrs Arabella Blackwood and Mrs Norma Holyoake of Oakholme Regis
|
|
graced the ceremony by their presence. The bride who was given away by
|
|
her father, the M'Conifer of the Glands, looked exquisitely charming in
|
|
a creation carried out in green mercerised silk, moulded on an underslip
|
|
of gloaming grey, sashed with a yoke of broad emerald and finished with
|
|
a triple flounce of darkerhued fringe, the scheme being relieved by
|
|
bretelles and hip insertions of acorn bronze. The maids of honour, Miss
|
|
Larch Conifer and Miss Spruce Conifer, sisters of the bride, wore very
|
|
becoming costumes in the same tone, a dainty _motif_ of plume rose being
|
|
worked into the pleats in a pinstripe and repeated capriciously in the
|
|
jadegreen toques in the form of heron feathers of paletinted coral.
|
|
Senhor Enrique Flor presided at the organ with his wellknown ability
|
|
and, in addition to the prescribed numbers of the nuptial mass, played
|
|
a new and striking arrangement of _Woodman, spare that tree_ at the
|
|
conclusion of the service. On leaving the church of Saint Fiacre _in
|
|
Horto_ after the papal blessing the happy pair were subjected to a
|
|
playful crossfire of hazelnuts, beechmast, bayleaves, catkins of willow,
|
|
ivytod, hollyberries, mistletoe sprigs and quicken shoots. Mr and Mrs
|
|
Wyse Conifer Neaulan will spend a quiet honeymoon in the Black Forest.
|
|
|
|
--And our eyes are on Europe, says the citizen. We had our trade with
|
|
Spain and the French and with the Flemings before those mongrels were
|
|
pupped, Spanish ale in Galway, the winebark on the winedark waterway.
|
|
|
|
--And will again, says Joe.
|
|
|
|
--And with the help of the holy mother of God we will again, says the
|
|
citizen, clapping his thigh, our harbours that are empty will be full
|
|
again, Queenstown, Kinsale, Galway, Blacksod Bay, Ventry in the kingdom
|
|
of Kerry, Killybegs, the third largest harbour in the wide world with
|
|
a fleet of masts of the Galway Lynches and the Cavan O'Reillys and the
|
|
O'Kennedys of Dublin when the earl of Desmond could make a treaty with
|
|
the emperor Charles the Fifth himself. And will again, says he, when the
|
|
first Irish battleship is seen breasting the waves with our own flag to
|
|
the fore, none of your Henry Tudor's harps, no, the oldest flag afloat,
|
|
the flag of the province of Desmond and Thomond, three crowns on a blue
|
|
field, the three sons of Milesius.
|
|
|
|
And he took the last swig out of the pint. Moya. All wind and piss like
|
|
a tanyard cat. Cows in Connacht have long horns. As much as his bloody
|
|
life is worth to go down and address his tall talk to the assembled
|
|
multitude in Shanagolden where he daren't show his nose with the Molly
|
|
Maguires looking for him to let daylight through him for grabbing the
|
|
holding of an evicted tenant.
|
|
|
|
--Hear, hear to that, says John Wyse. What will you have?
|
|
|
|
--An imperial yeomanry, says Lenehan, to celebrate the occasion.
|
|
|
|
--Half one, Terry, says John Wyse, and a hands up. Terry! Are you
|
|
asleep?
|
|
|
|
--Yes, sir, says Terry. Small whisky and bottle of Allsop. Right, sir.
|
|
|
|
Hanging over the bloody paper with Alf looking for spicy bits instead of
|
|
attending to the general public. Picture of a butting match, trying to
|
|
crack their bloody skulls, one chap going for the other with his head
|
|
down like a bull at a gate. And another one: _Black Beast Burned in
|
|
Omaha, Ga_. A lot of Deadwood Dicks in slouch hats and they firing at a
|
|
Sambo strung up in a tree with his tongue out and a bonfire under
|
|
him. Gob, they ought to drown him in the sea after and electrocute and
|
|
crucify him to make sure of their job.
|
|
|
|
--But what about the fighting navy, says Ned, that keeps our foes at
|
|
bay?
|
|
|
|
--I'll tell you what about it, says the citizen. Hell upon earth it is.
|
|
Read the revelations that's going on in the papers about flogging on
|
|
the training ships at Portsmouth. A fellow writes that calls himself
|
|
_Disgusted One_.
|
|
|
|
So he starts telling us about corporal punishment and about the crew
|
|
of tars and officers and rearadmirals drawn up in cocked hats and the
|
|
parson with his protestant bible to witness punishment and a young lad
|
|
brought out, howling for his ma, and they tie him down on the buttend of
|
|
a gun.
|
|
|
|
--A rump and dozen, says the citizen, was what that old ruffian sir John
|
|
Beresford called it but the modern God's Englishman calls it caning on
|
|
the breech.
|
|
|
|
And says John Wyse:
|
|
|
|
--'Tis a custom more honoured in the breach than in the observance.
|
|
|
|
Then he was telling us the master at arms comes along with a long cane
|
|
and he draws out and he flogs the bloody backside off of the poor lad
|
|
till he yells meila murder.
|
|
|
|
--That's your glorious British navy, says the citizen, that bosses the
|
|
earth.
|
|
|
|
The fellows that never will be slaves, with the only hereditary chamber
|
|
on the face of God's earth and their land in the hands of a dozen
|
|
gamehogs and cottonball barons. That's the great empire they boast about
|
|
of drudges and whipped serfs.
|
|
|
|
--On which the sun never rises, says Joe.
|
|
|
|
--And the tragedy of it is, says the citizen, they believe it. The
|
|
unfortunate yahoos believe it.
|
|
|
|
They believe in rod, the scourger almighty, creator of hell upon earth,
|
|
and in Jacky Tar, the son of a gun, who was conceived of unholy boast,
|
|
born of the fighting navy, suffered under rump and dozen, was scarified,
|
|
flayed and curried, yelled like bloody hell, the third day he arose
|
|
again from the bed, steered into haven, sitteth on his beamend till
|
|
further orders whence he shall come to drudge for a living and be paid.
|
|
|
|
--But, says Bloom, isn't discipline the same everywhere. I mean wouldn't
|
|
it be the same here if you put force against force?
|
|
|
|
Didn't I tell you? As true as I'm drinking this porter if he was at his
|
|
last gasp he'd try to downface you that dying was living.
|
|
|
|
--We'll put force against force, says the citizen. We have our greater
|
|
Ireland beyond the sea. They were driven out of house and home in the
|
|
black 47. Their mudcabins and their shielings by the roadside were laid
|
|
low by the batteringram and the _Times_ rubbed its hands and told the
|
|
whitelivered Saxons there would soon be as few Irish in Ireland as
|
|
redskins in America. Even the Grand Turk sent us his piastres. But the
|
|
Sassenach tried to starve the nation at home while the land was full
|
|
of crops that the British hyenas bought and sold in Rio de Janeiro. Ay,
|
|
they drove out the peasants in hordes. Twenty thousand of them died in
|
|
the coffinships. But those that came to the land of the free remember
|
|
the land of bondage. And they will come again and with a vengeance, no
|
|
cravens, the sons of Granuaile, the champions of Kathleen ni Houlihan.
|
|
|
|
--Perfectly true, says Bloom. But my point was...
|
|
|
|
--We are a long time waiting for that day, citizen, says Ned. Since the
|
|
poor old woman told us that the French were on the sea and landed at
|
|
Killala.
|
|
|
|
--Ay, says John Wyse. We fought for the royal Stuarts that reneged us
|
|
against the Williamites and they betrayed us. Remember Limerick and the
|
|
broken treatystone. We gave our best blood to France and Spain, the
|
|
wild geese. Fontenoy, eh? And Sarsfield and O'Donnell, duke of Tetuan
|
|
in Spain, and Ulysses Browne of Camus that was fieldmarshal to Maria
|
|
Teresa. But what did we ever get for it?
|
|
|
|
--The French! says the citizen. Set of dancing masters! Do you know
|
|
what it is? They were never worth a roasted fart to Ireland. Aren't they
|
|
trying to make an _Entente cordiale_ now at Tay Pay's dinnerparty with
|
|
perfidious Albion? Firebrands of Europe and they always were.
|
|
|
|
--_Conspuez les Francais_, says Lenehan, nobbling his beer.
|
|
|
|
--And as for the Prooshians and the Hanoverians, says Joe, haven't we
|
|
had enough of those sausageeating bastards on the throne from George the
|
|
elector down to the German lad and the flatulent old bitch that's dead?
|
|
|
|
Jesus, I had to laugh at the way he came out with that about the old one
|
|
with the winkers on her, blind drunk in her royal palace every night of
|
|
God, old Vic, with her jorum of mountain dew and her coachman carting
|
|
her up body and bones to roll into bed and she pulling him by the
|
|
whiskers and singing him old bits of songs about _Ehren on the Rhine_
|
|
and come where the boose is cheaper.
|
|
|
|
--Well, says J. J. We have Edward the peacemaker now.
|
|
|
|
--Tell that to a fool, says the citizen. There's a bloody sight more pox
|
|
than pax about that boyo. Edward Guelph-Wettin!
|
|
|
|
--And what do you think, says Joe, of the holy boys, the priests
|
|
and bishops of Ireland doing up his room in Maynooth in His Satanic
|
|
Majesty's racing colours and sticking up pictures of all the horses his
|
|
jockeys rode. The earl of Dublin, no less.
|
|
|
|
--They ought to have stuck up all the women he rode himself, says little
|
|
Alf.
|
|
|
|
And says J. J.:
|
|
|
|
--Considerations of space influenced their lordships' decision.
|
|
|
|
--Will you try another, citizen? says Joe.
|
|
|
|
--Yes, sir, says he. I will.
|
|
|
|
--You? says Joe.
|
|
|
|
--Beholden to you, Joe, says I. May your shadow never grow less.
|
|
|
|
--Repeat that dose, says Joe.
|
|
|
|
Bloom was talking and talking with John Wyse and he quite excited with
|
|
his dunducketymudcoloured mug on him and his old plumeyes rolling about.
|
|
|
|
--Persecution, says he, all the history of the world is full of it.
|
|
Perpetuating national hatred among nations.
|
|
|
|
--But do you know what a nation means? says John Wyse.
|
|
|
|
--Yes, says Bloom.
|
|
|
|
--What is it? says John Wyse.
|
|
|
|
--A nation? says Bloom. A nation is the same people living in the same
|
|
place.
|
|
|
|
--By God, then, says Ned, laughing, if that's so I'm a nation for I'm
|
|
living in the same place for the past five years.
|
|
|
|
So of course everyone had the laugh at Bloom and says he, trying to muck
|
|
out of it:
|
|
|
|
--Or also living in different places.
|
|
|
|
--That covers my case, says Joe.
|
|
|
|
--What is your nation if I may ask? says the citizen.
|
|
|
|
--Ireland, says Bloom. I was born here. Ireland.
|
|
|
|
The citizen said nothing only cleared the spit out of his gullet and,
|
|
gob, he spat a Red bank oyster out of him right in the corner.
|
|
|
|
--After you with the push, Joe, says he, taking out his handkerchief to
|
|
swab himself dry.
|
|
|
|
--Here you are, citizen, says Joe. Take that in your right hand and
|
|
repeat after me the following words.
|
|
|
|
The muchtreasured and intricately embroidered ancient Irish facecloth
|
|
attributed to Solomon of Droma and Manus Tomaltach og MacDonogh, authors
|
|
of the Book of Ballymote, was then carefully produced and called forth
|
|
prolonged admiration. No need to dwell on the legendary beauty of the
|
|
cornerpieces, the acme of art, wherein one can distinctly discern each
|
|
of the four evangelists in turn presenting to each of the four masters
|
|
his evangelical symbol, a bogoak sceptre, a North American puma (a far
|
|
nobler king of beasts than the British article, be it said in passing),
|
|
a Kerry calf and a golden eagle from Carrantuohill. The scenes depicted
|
|
on the emunctory field, showing our ancient duns and raths and cromlechs
|
|
and grianauns and seats of learning and maledictive stones, are as
|
|
wonderfully beautiful and the pigments as delicate as when the Sligo
|
|
illuminators gave free rein to their artistic fantasy long long ago in
|
|
the time of the Barmecides. Glendalough, the lovely lakes of Killarney,
|
|
the ruins of Clonmacnois, Cong Abbey, Glen Inagh and the Twelve Pins,
|
|
Ireland's Eye, the Green Hills of Tallaght, Croagh Patrick, the brewery
|
|
of Messrs Arthur Guinness, Son and Company (Limited), Lough Neagh's
|
|
banks, the vale of Ovoca, Isolde's tower, the Mapas obelisk, Sir Patrick
|
|
Dun's hospital, Cape Clear, the glen of Aherlow, Lynch's castle, the
|
|
Scotch house, Rathdown Union Workhouse at Loughlinstown, Tullamore jail,
|
|
Castleconnel rapids, Kilballymacshonakill, the cross at Monasterboice,
|
|
Jury's Hotel, S. Patrick's Purgatory, the Salmon Leap, Maynooth college
|
|
refectory, Curley's hole, the three birthplaces of the first duke of
|
|
Wellington, the rock of Cashel, the bog of Allen, the Henry Street
|
|
Warehouse, Fingal's Cave--all these moving scenes are still there for us
|
|
today rendered more beautiful still by the waters of sorrow which have
|
|
passed over them and by the rich incrustations of time.
|
|
|
|
--Show us over the drink, says I. Which is which?
|
|
|
|
--That's mine, says Joe, as the devil said to the dead policeman.
|
|
|
|
--And I belong to a race too, says Bloom, that is hated and persecuted.
|
|
Also now. This very moment. This very instant.
|
|
|
|
Gob, he near burnt his fingers with the butt of his old cigar.
|
|
|
|
--Robbed, says he. Plundered. Insulted. Persecuted. Taking what belongs
|
|
to us by right. At this very moment, says he, putting up his fist, sold
|
|
by auction in Morocco like slaves or cattle.
|
|
|
|
--Are you talking about the new Jerusalem? says the citizen.
|
|
|
|
--I'm talking about injustice, says Bloom.
|
|
|
|
--Right, says John Wyse. Stand up to it then with force like men.
|
|
|
|
That's an almanac picture for you. Mark for a softnosed bullet. Old
|
|
lardyface standing up to the business end of a gun. Gob, he'd adorn a
|
|
sweepingbrush, so he would, if he only had a nurse's apron on him. And
|
|
then he collapses all of a sudden, twisting around all the opposite, as
|
|
limp as a wet rag.
|
|
|
|
--But it's no use, says he. Force, hatred, history, all that. That's not
|
|
life for men and women, insult and hatred. And everybody knows that it's
|
|
the very opposite of that that is really life.
|
|
|
|
--What? says Alf.
|
|
|
|
--Love, says Bloom. I mean the opposite of hatred. I must go now, says
|
|
he to John Wyse. Just round to the court a moment to see if Martin is
|
|
there. If he comes just say I'll be back in a second. Just a moment.
|
|
|
|
Who's hindering you? And off he pops like greased lightning.
|
|
|
|
--A new apostle to the gentiles, says the citizen. Universal love.
|
|
|
|
--Well, says John Wyse. Isn't that what we're told. Love your neighbour.
|
|
|
|
--That chap? says the citizen. Beggar my neighbour is his motto. Love,
|
|
moya! He's a nice pattern of a Romeo and Juliet.
|
|
|
|
Love loves to love love. Nurse loves the new chemist. Constable 14A
|
|
loves Mary Kelly. Gerty MacDowell loves the boy that has the bicycle. M.
|
|
B. loves a fair gentleman. Li Chi Han lovey up kissy Cha Pu Chow. Jumbo,
|
|
the elephant, loves Alice, the elephant. Old Mr Verschoyle with the ear
|
|
trumpet loves old Mrs Verschoyle with the turnedin eye. The man in the
|
|
brown macintosh loves a lady who is dead. His Majesty the King loves Her
|
|
Majesty the Queen. Mrs Norman W. Tupper loves officer Taylor. You love
|
|
a certain person. And this person loves that other person because
|
|
everybody loves somebody but God loves everybody.
|
|
|
|
--Well, Joe, says I, your very good health and song. More power,
|
|
citizen.
|
|
|
|
--Hurrah, there, says Joe.
|
|
|
|
--The blessing of God and Mary and Patrick on you, says the citizen.
|
|
|
|
And he ups with his pint to wet his whistle.
|
|
|
|
--We know those canters, says he, preaching and picking your pocket.
|
|
What about sanctimonious Cromwell and his ironsides that put the women
|
|
and children of Drogheda to the sword with the bible text _God is love_
|
|
pasted round the mouth of his cannon? The bible! Did you read that skit
|
|
in the _United Irishman_ today about that Zulu chief that's visiting
|
|
England?
|
|
|
|
--What's that? says Joe.
|
|
|
|
So the citizen takes up one of his paraphernalia papers and he starts
|
|
reading out:
|
|
|
|
--A delegation of the chief cotton magnates of Manchester was presented
|
|
yesterday to His Majesty the Alaki of Abeakuta by Gold Stick in Waiting,
|
|
Lord Walkup of Walkup on Eggs, to tender to His Majesty the heartfelt
|
|
thanks of British traders for the facilities afforded them in his
|
|
dominions. The delegation partook of luncheon at the conclusion of which
|
|
the dusky potentate, in the course of a happy speech, freely translated
|
|
by the British chaplain, the reverend Ananias Praisegod Barebones,
|
|
tendered his best thanks to Massa Walkup and emphasised the cordial
|
|
relations existing between Abeakuta and the British empire, stating that
|
|
he treasured as one of his dearest possessions an illuminated bible,
|
|
the volume of the word of God and the secret of England's greatness,
|
|
graciously presented to him by the white chief woman, the great squaw
|
|
Victoria, with a personal dedication from the august hand of the Royal
|
|
Donor. The Alaki then drank a lovingcup of firstshot usquebaugh to the
|
|
toast _Black and White_ from the skull of his immediate predecessor in
|
|
the dynasty Kakachakachak, surnamed Forty Warts, after which he visited
|
|
the chief factory of Cottonopolis and signed his mark in the visitors'
|
|
book, subsequently executing a charming old Abeakutic wardance, in the
|
|
course of which he swallowed several knives and forks, amid hilarious
|
|
applause from the girl hands.
|
|
|
|
--Widow woman, says Ned. I wouldn't doubt her. Wonder did he put that
|
|
bible to the same use as I would.
|
|
|
|
--Same only more so, says Lenehan. And thereafter in that fruitful land
|
|
the broadleaved mango flourished exceedingly.
|
|
|
|
--Is that by Griffith? says John Wyse.
|
|
|
|
--No, says the citizen. It's not signed Shanganagh. It's only
|
|
initialled: P.
|
|
|
|
--And a very good initial too, says Joe.
|
|
|
|
--That's how it's worked, says the citizen. Trade follows the flag.
|
|
|
|
--Well, says J. J., if they're any worse than those Belgians in the
|
|
Congo Free State they must be bad. Did you read that report by a man
|
|
what's this his name is?
|
|
|
|
--Casement, says the citizen. He's an Irishman.
|
|
|
|
--Yes, that's the man, says J. J. Raping the women and girls and
|
|
flogging the natives on the belly to squeeze all the red rubber they can
|
|
out of them.
|
|
|
|
--I know where he's gone, says Lenehan, cracking his fingers.
|
|
|
|
--Who? says I.
|
|
|
|
--Bloom, says he. The courthouse is a blind. He had a few bob on
|
|
_Throwaway_ and he's gone to gather in the shekels.
|
|
|
|
--Is it that whiteeyed kaffir? says the citizen, that never backed a
|
|
horse in anger in his life?
|
|
|
|
--That's where he's gone, says Lenehan. I met Bantam Lyons going to back
|
|
that horse only I put him off it and he told me Bloom gave him the tip.
|
|
Bet you what you like he has a hundred shillings to five on. He's the
|
|
only man in Dublin has it. A dark horse.
|
|
|
|
--He's a bloody dark horse himself, says Joe.
|
|
|
|
--Mind, Joe, says I. Show us the entrance out.
|
|
|
|
--There you are, says Terry.
|
|
|
|
Goodbye Ireland I'm going to Gort. So I just went round the back of
|
|
the yard to pumpship and begob (hundred shillings to five) while I was
|
|
letting off my _(Throwaway_ twenty to) letting off my load gob says I
|
|
to myself I knew he was uneasy in his (two pints off of Joe and one in
|
|
Slattery's off) in his mind to get off the mark to (hundred shillings
|
|
is five quid) and when they were in the (dark horse) pisser Burke was
|
|
telling me card party and letting on the child was sick (gob, must have
|
|
done about a gallon) flabbyarse of a wife speaking down the tube _she's
|
|
better_ or _she's_ (ow!) all a plan so he could vamoose with the pool if
|
|
he won or (Jesus, full up I was) trading without a licence (ow!) Ireland
|
|
my nation says he (hoik! phthook!) never be up to those bloody (there's
|
|
the last of it) Jerusalem (ah!) cuckoos.
|
|
|
|
So anyhow when I got back they were at it dingdong, John Wyse saying it
|
|
was Bloom gave the ideas for Sinn Fein to Griffith to put in his paper
|
|
all kinds of jerrymandering, packed juries and swindling the taxes off
|
|
of the government and appointing consuls all over the world to walk
|
|
about selling Irish industries. Robbing Peter to pay Paul. Gob, that
|
|
puts the bloody kybosh on it if old sloppy eyes is mucking up the show.
|
|
Give us a bloody chance. God save Ireland from the likes of that bloody
|
|
mouseabout. Mr Bloom with his argol bargol. And his old fellow before
|
|
him perpetrating frauds, old Methusalem Bloom, the robbing bagman, that
|
|
poisoned himself with the prussic acid after he swamping the country
|
|
with his baubles and his penny diamonds. Loans by post on easy terms.
|
|
Any amount of money advanced on note of hand. Distance no object. No
|
|
security. Gob, he's like Lanty MacHale's goat that'd go a piece of the
|
|
road with every one.
|
|
|
|
--Well, it's a fact, says John Wyse. And there's the man now that'll
|
|
tell you all about it, Martin Cunningham.
|
|
|
|
Sure enough the castle car drove up with Martin on it and Jack Power
|
|
with him and a fellow named Crofter or Crofton, pensioner out of
|
|
the collector general's, an orangeman Blackburn does have on the
|
|
registration and he drawing his pay or Crawford gallivanting around the
|
|
country at the king's expense.
|
|
|
|
Our travellers reached the rustic hostelry and alighted from their
|
|
palfreys.
|
|
|
|
--Ho, varlet! cried he, who by his mien seemed the leader of the party.
|
|
Saucy knave! To us!
|
|
|
|
So saying he knocked loudly with his swordhilt upon the open lattice.
|
|
|
|
Mine host came forth at the summons, girding him with his tabard.
|
|
|
|
--Give you good den, my masters, said he with an obsequious bow.
|
|
|
|
--Bestir thyself, sirrah! cried he who had knocked. Look to our steeds.
|
|
And for ourselves give us of your best for ifaith we need it.
|
|
|
|
--Lackaday, good masters, said the host, my poor house has but a bare
|
|
larder. I know not what to offer your lordships.
|
|
|
|
--How now, fellow? cried the second of the party, a man of pleasant
|
|
countenance, So servest thou the king's messengers, master Taptun?
|
|
|
|
An instantaneous change overspread the landlord's visage.
|
|
|
|
--Cry you mercy, gentlemen, he said humbly. An you be the king's
|
|
messengers (God shield His Majesty!) you shall not want for aught. The
|
|
king's friends (God bless His Majesty!) shall not go afasting in my
|
|
house I warrant me.
|
|
|
|
--Then about! cried the traveller who had not spoken, a lusty
|
|
trencherman by his aspect. Hast aught to give us?
|
|
|
|
Mine host bowed again as he made answer:
|
|
|
|
--What say you, good masters, to a squab pigeon pasty, some collops of
|
|
venison, a saddle of veal, widgeon with crisp hog's bacon, a boar's head
|
|
with pistachios, a bason of jolly custard, a medlar tansy and a flagon
|
|
of old Rhenish?
|
|
|
|
--Gadzooks! cried the last speaker. That likes me well. Pistachios!
|
|
|
|
--Aha! cried he of the pleasant countenance. A poor house and a bare
|
|
larder, quotha! 'Tis a merry rogue.
|
|
|
|
So in comes Martin asking where was Bloom.
|
|
|
|
--Where is he? says Lenehan. Defrauding widows and orphans.
|
|
|
|
--Isn't that a fact, says John Wyse, what I was telling the citizen
|
|
about Bloom and the Sinn Fein?
|
|
|
|
--That's so, says Martin. Or so they allege.
|
|
|
|
--Who made those allegations? says Alf.
|
|
|
|
--I, says Joe. I'm the alligator.
|
|
|
|
--And after all, says John Wyse, why can't a jew love his country like
|
|
the next fellow?
|
|
|
|
--Why not? says J. J., when he's quite sure which country it is.
|
|
|
|
--Is he a jew or a gentile or a holy Roman or a swaddler or what the
|
|
hell is he? says Ned. Or who is he? No offence, Crofton.
|
|
|
|
--Who is Junius? says J. J.
|
|
|
|
--We don't want him, says Crofter the Orangeman or presbyterian.
|
|
|
|
--He's a perverted jew, says Martin, from a place in Hungary and it was
|
|
he drew up all the plans according to the Hungarian system. We know that
|
|
in the castle.
|
|
|
|
--Isn't he a cousin of Bloom the dentist? says Jack Power.
|
|
|
|
--Not at all, says Martin. Only namesakes. His name was Virag, the
|
|
father's name that poisoned himself. He changed it by deedpoll, the
|
|
father did.
|
|
|
|
--That's the new Messiah for Ireland! says the citizen. Island of saints
|
|
and sages!
|
|
|
|
--Well, they're still waiting for their redeemer, says Martin. For that
|
|
matter so are we.
|
|
|
|
--Yes, says J. J., and every male that's born they think it may be their
|
|
Messiah. And every jew is in a tall state of excitement, I believe, till
|
|
he knows if he's a father or a mother.
|
|
|
|
--Expecting every moment will be his next, says Lenehan.
|
|
|
|
--O, by God, says Ned, you should have seen Bloom before that son of his
|
|
that died was born. I met him one day in the south city markets buying a
|
|
tin of Neave's food six weeks before the wife was delivered.
|
|
|
|
--_En ventre sa mere_, says J. J.
|
|
|
|
--Do you call that a man? says the citizen.
|
|
|
|
--I wonder did he ever put it out of sight, says Joe.
|
|
|
|
--Well, there were two children born anyhow, says Jack Power.
|
|
|
|
--And who does he suspect? says the citizen.
|
|
|
|
Gob, there's many a true word spoken in jest. One of those mixed
|
|
middlings he is. Lying up in the hotel Pisser was telling me once a
|
|
month with headache like a totty with her courses. Do you know what I'm
|
|
telling you? It'd be an act of God to take a hold of a fellow the like
|
|
of that and throw him in the bloody sea. Justifiable homicide, so it
|
|
would. Then sloping off with his five quid without putting up a pint of
|
|
stuff like a man. Give us your blessing. Not as much as would blind your
|
|
eye.
|
|
|
|
--Charity to the neighbour, says Martin. But where is he? We can't wait.
|
|
|
|
--A wolf in sheep's clothing, says the citizen. That's what he is. Virag
|
|
from Hungary! Ahasuerus I call him. Cursed by God.
|
|
|
|
--Have you time for a brief libation, Martin? says Ned.
|
|
|
|
--Only one, says Martin. We must be quick. J. J. and S.
|
|
|
|
--You, Jack? Crofton? Three half ones, Terry.
|
|
|
|
--Saint Patrick would want to land again at Ballykinlar and convert us,
|
|
says the citizen, after allowing things like that to contaminate our
|
|
shores.
|
|
|
|
--Well, says Martin, rapping for his glass. God bless all here is my
|
|
prayer.
|
|
|
|
--Amen, says the citizen.
|
|
|
|
--And I'm sure He will, says Joe.
|
|
|
|
And at the sound of the sacring bell, headed by a crucifer with
|
|
acolytes, thurifers, boatbearers, readers, ostiarii, deacons and
|
|
subdeacons, the blessed company drew nigh of mitred abbots and priors
|
|
and guardians and monks and friars: the monks of Benedict of Spoleto,
|
|
Carthusians and Camaldolesi, Cistercians and Olivetans, Oratorians
|
|
and Vallombrosans, and the friars of Augustine, Brigittines,
|
|
Premonstratensians, Servi, Trinitarians, and the children of Peter
|
|
Nolasco: and therewith from Carmel mount the children of Elijah prophet
|
|
led by Albert bishop and by Teresa of Avila, calced and other: and
|
|
friars, brown and grey, sons of poor Francis, capuchins, cordeliers,
|
|
minimes and observants and the daughters of Clara: and the sons of
|
|
Dominic, the friars preachers, and the sons of Vincent: and the monks
|
|
of S. Wolstan: and Ignatius his children: and the confraternity of the
|
|
christian brothers led by the reverend brother Edmund Ignatius Rice. And
|
|
after came all saints and martyrs, virgins and confessors: S. Cyr and
|
|
S. Isidore Arator and S. James the Less and S. Phocas of Sinope and S.
|
|
Julian Hospitator and S. Felix de Cantalice and S. Simon Stylites and
|
|
S. Stephen Protomartyr and S. John of God and S. Ferreol and S. Leugarde
|
|
and S. Theodotus and S. Vulmar and S. Richard and S. Vincent de Paul and
|
|
S. Martin of Todi and S. Martin of Tours and S. Alfred and S. Joseph and
|
|
S. Denis and S. Cornelius and S. Leopold and S. Bernard and S. Terence
|
|
and S. Edward and S. Owen Caniculus and S. Anonymous and S. Eponymous
|
|
and S. Pseudonymous and S. Homonymous and S. Paronymous and S.
|
|
Synonymous and S. Laurence O'Toole and S. James of Dingle and
|
|
Compostella and S. Columcille and S. Columba and S. Celestine and S.
|
|
Colman and S. Kevin and S. Brendan and S. Frigidian and S. Senan and S.
|
|
Fachtna and S. Columbanus and S. Gall and S. Fursey and S. Fintan and S.
|
|
Fiacre and S. John Nepomuc and S. Thomas Aquinas and S. Ives of Brittany
|
|
and S. Michan and S. Herman-Joseph and the three patrons of holy youth
|
|
S. Aloysius Gonzaga and S. Stanislaus Kostka and S. John Berchmans
|
|
and the saints Gervasius, Servasius and Bonifacius and S. Bride and S.
|
|
Kieran and S. Canice of Kilkenny and S. Jarlath of Tuam and S. Finbarr
|
|
and S. Pappin of Ballymun and Brother Aloysius Pacificus and Brother
|
|
Louis Bellicosus and the saints Rose of Lima and of Viterbo and S.
|
|
Martha of Bethany and S. Mary of Egypt and S. Lucy and S. Brigid and
|
|
S. Attracta and S. Dympna and S. Ita and S. Marion Calpensis and
|
|
the Blessed Sister Teresa of the Child Jesus and S. Barbara and S.
|
|
Scholastica and S. Ursula with eleven thousand virgins. And all came
|
|
with nimbi and aureoles and gloriae, bearing palms and harps and swords
|
|
and olive crowns, in robes whereon were woven the blessed symbols of
|
|
their efficacies, inkhorns, arrows, loaves, cruses, fetters, axes,
|
|
trees, bridges, babes in a bathtub, shells, wallets, shears, keys,
|
|
dragons, lilies, buckshot, beards, hogs, lamps, bellows, beehives,
|
|
soupladles, stars, snakes, anvils, boxes of vaseline, bells, crutches,
|
|
forceps, stags' horns, watertight boots, hawks, millstones, eyes on a
|
|
dish, wax candles, aspergills, unicorns. And as they wended their way by
|
|
Nelson's Pillar, Henry street, Mary street, Capel street, Little Britain
|
|
street chanting the introit in _Epiphania Domini_ which beginneth
|
|
_Surge, illuminare_ and thereafter most sweetly the gradual _Omnes_
|
|
which saith _de Saba venient_ they did divers wonders such as casting
|
|
out devils, raising the dead to life, multiplying fishes, healing the
|
|
halt and the blind, discovering various articles which had been mislaid,
|
|
interpreting and fulfilling the scriptures, blessing and prophesying.
|
|
And last, beneath a canopy of cloth of gold came the reverend Father
|
|
O'Flynn attended by Malachi and Patrick. And when the good fathers
|
|
had reached the appointed place, the house of Bernard Kiernan and Co,
|
|
limited, 8, 9 and 10 little Britain street, wholesale grocers, wine
|
|
and brandy shippers, licensed fo the sale of beer, wine and spirits for
|
|
consumption on the premises, the celebrant blessed the house and censed
|
|
the mullioned windows and the groynes and the vaults and the arrises and
|
|
the capitals and the pediments and the cornices and the engrailed arches
|
|
and the spires and the cupolas and sprinkled the lintels thereof with
|
|
blessed water and prayed that God might bless that house as he had
|
|
blessed the house of Abraham and Isaac and Jacob and make the angels of
|
|
His light to inhabit therein. And entering he blessed the viands and the
|
|
beverages and the company of all the blessed answered his prayers.
|
|
|
|
--_Adiutorium nostrum in nomine Domini._
|
|
|
|
--_Qui fecit coelum et terram._
|
|
|
|
--_Dominus vobiscum._
|
|
|
|
--_Et cum spiritu tuo._
|
|
|
|
And he laid his hands upon that he blessed and gave thanks and he prayed
|
|
and they all with him prayed:
|
|
|
|
--_Deus, cuius verbo sanctificantur omnia, benedictionem tuam effunde
|
|
super creaturas istas: et praesta ut quisquis eis secundum legem et
|
|
voluntatem Tuam cum gratiarum actione usus fuerit per invocationem
|
|
sanctissimi nominis Tui corporis sanitatem et animae tutelam Te auctore
|
|
percipiat per Christum Dominum nostrum._
|
|
|
|
--And so say all of us, says Jack.
|
|
|
|
--Thousand a year, Lambert, says Crofton or Crawford.
|
|
|
|
--Right, says Ned, taking up his John Jameson. And butter for fish.
|
|
|
|
I was just looking around to see who the happy thought would strike when
|
|
be damned but in he comes again letting on to be in a hell of a hurry.
|
|
|
|
--I was just round at the courthouse, says he, looking for you. I hope
|
|
I'm not...
|
|
|
|
--No, says Martin, we're ready.
|
|
|
|
Courthouse my eye and your pockets hanging down with gold and silver.
|
|
Mean bloody scut. Stand us a drink itself. Devil a sweet fear! There's
|
|
a jew for you! All for number one. Cute as a shithouse rat. Hundred to
|
|
five.
|
|
|
|
--Don't tell anyone, says the citizen,
|
|
|
|
--Beg your pardon, says he.
|
|
|
|
--Come on boys, says Martin, seeing it was looking blue. Come along now.
|
|
|
|
--Don't tell anyone, says the citizen, letting a bawl out of him. It's a
|
|
secret.
|
|
|
|
And the bloody dog woke up and let a growl.
|
|
|
|
--Bye bye all, says Martin.
|
|
|
|
And he got them out as quick as he could, Jack Power and Crofton or
|
|
whatever you call him and him in the middle of them letting on to be all
|
|
at sea and up with them on the bloody jaunting car.
|
|
|
|
---Off with you, says
|
|
|
|
Martin to the jarvey.
|
|
|
|
The milkwhite dolphin tossed his mane and, rising in the golden poop the
|
|
helmsman spread the bellying sail upon the wind and stood off forward
|
|
with all sail set, the spinnaker to larboard. A many comely nymphs drew
|
|
nigh to starboard and to larboard and, clinging to the sides of
|
|
the noble bark, they linked their shining forms as doth the cunning
|
|
wheelwright when he fashions about the heart of his wheel the
|
|
equidistant rays whereof each one is sister to another and he binds them
|
|
all with an outer ring and giveth speed to the feet of men whenas they
|
|
ride to a hosting or contend for the smile of ladies fair. Even so did
|
|
they come and set them, those willing nymphs, the undying sisters. And
|
|
they laughed, sporting in a circle of their foam: and the bark clave the
|
|
waves.
|
|
|
|
But begob I was just lowering the heel of the pint when I saw the
|
|
citizen getting up to waddle to the door, puffing and blowing with the
|
|
dropsy, and he cursing the curse of Cromwell on him, bell, book and
|
|
candle in Irish, spitting and spatting out of him and Joe and little Alf
|
|
round him like a leprechaun trying to peacify him.
|
|
|
|
--Let me alone, says he.
|
|
|
|
And begob he got as far as the door and they holding him and he bawls
|
|
out of him:
|
|
|
|
--Three cheers for Israel!
|
|
|
|
Arrah, sit down on the parliamentary side of your arse for Christ' sake
|
|
and don't be making a public exhibition of yourself. Jesus, there's
|
|
always some bloody clown or other kicking up a bloody murder about
|
|
bloody nothing. Gob, it'd turn the porter sour in your guts, so it
|
|
would.
|
|
|
|
And all the ragamuffins and sluts of the nation round the door and
|
|
Martin telling the jarvey to drive ahead and the citizen bawling and Alf
|
|
and Joe at him to whisht and he on his high horse about the jews and
|
|
the loafers calling for a speech and Jack Power trying to get him to sit
|
|
down on the car and hold his bloody jaw and a loafer with a patch over
|
|
his eye starts singing _If the man in the moon was a jew, jew, jew_ and
|
|
a slut shouts out of her:
|
|
|
|
--Eh, mister! Your fly is open, mister!
|
|
|
|
And says he:
|
|
|
|
--Mendelssohn was a jew and Karl Marx and Mercadante and Spinoza. And
|
|
the Saviour was a jew and his father was a jew. Your God.
|
|
|
|
--He had no father, says Martin. That'll do now. Drive ahead.
|
|
|
|
--Whose God? says the citizen.
|
|
|
|
--Well, his uncle was a jew, says he. Your God was a jew. Christ was a
|
|
jew like me.
|
|
|
|
Gob, the citizen made a plunge back into the shop.
|
|
|
|
--By Jesus, says he, I'll brain that bloody jewman for using the holy
|
|
name.
|
|
|
|
By Jesus, I'll crucify him so I will. Give us that biscuitbox here.
|
|
|
|
--Stop! Stop! says Joe.
|
|
|
|
A large and appreciative gathering of friends and acquaintances from
|
|
the metropolis and greater Dublin assembled in their thousands to bid
|
|
farewell to Nagyasagos uram Lipoti Virag, late of Messrs Alexander
|
|
Thom's, printers to His Majesty, on the occasion of his departure
|
|
for the distant clime of Szazharminczbrojugulyas-Dugulas (Meadow of
|
|
Murmuring Waters). The ceremony which went off with great _eclat_ was
|
|
characterised by the most affecting cordiality. An illuminated scroll
|
|
of ancient Irish vellum, the work of Irish artists, was presented to
|
|
the distinguished phenomenologist on behalf of a large section of the
|
|
community and was accompanied by the gift of a silver casket, tastefully
|
|
executed in the style of ancient Celtic ornament, a work which reflects
|
|
every credit on the makers, Messrs Jacob _agus_ Jacob. The departing
|
|
guest was the recipient of a hearty ovation, many of those who were
|
|
present being visibly moved when the select orchestra of Irish pipes
|
|
struck up the wellknown strains of _Come back to Erin_, followed
|
|
immediately by _Rakoczsy's March_. Tarbarrels and bonfires were lighted
|
|
along the coastline of the four seas on the summits of the Hill of
|
|
Howth, Three Rock Mountain, Sugarloaf, Bray Head, the mountains of
|
|
Mourne, the Galtees, the Ox and Donegal and Sperrin peaks, the Nagles
|
|
and the Bograghs, the Connemara hills, the reeks of M Gillicuddy, Slieve
|
|
Aughty, Slieve Bernagh and Slieve Bloom. Amid cheers that rent the
|
|
welkin, responded to by answering cheers from a big muster of
|
|
henchmen on the distant Cambrian and Caledonian hills, the mastodontic
|
|
pleasureship slowly moved away saluted by a final floral tribute from
|
|
the representatives of the fair sex who were present in large numbers
|
|
while, as it proceeded down the river, escorted by a flotilla of barges,
|
|
the flags of the Ballast office and Custom House were dipped in salute
|
|
as were also those of the electrical power station at the
|
|
Pigeonhouse and the Poolbeg Light. _Visszontlatasra, kedves baraton!
|
|
Visszontlatasra!_ Gone but not forgotten.
|
|
|
|
Gob, the devil wouldn't stop him till he got hold of the bloody tin
|
|
anyhow and out with him and little Alf hanging on to his elbow and he
|
|
shouting like a stuck pig, as good as any bloody play in the Queen's
|
|
royal theatre:
|
|
|
|
--Where is he till I murder him?
|
|
|
|
And Ned and J. J. paralysed with the laughing.
|
|
|
|
--Bloody wars, says I, I'll be in for the last gospel.
|
|
|
|
But as luck would have it the jarvey got the nag's head round the other
|
|
way and off with him.
|
|
|
|
--Hold on, citizen, says Joe. Stop!
|
|
|
|
Begob he drew his hand and made a swipe and let fly. Mercy of God the
|
|
sun was in his eyes or he'd have left him for dead. Gob, he near sent it
|
|
into the county Longford. The bloody nag took fright and the old
|
|
mongrel after the car like bloody hell and all the populace shouting and
|
|
laughing and the old tinbox clattering along the street.
|
|
|
|
The catastrophe was terrific and instantaneous in its effect. The
|
|
observatory of Dunsink registered in all eleven shocks, all of the fifth
|
|
grade of Mercalli's scale, and there is no record extant of a similar
|
|
seismic disturbance in our island since the earthquake of 1534, the year
|
|
of the rebellion of Silken Thomas. The epicentre appears to have been
|
|
that part of the metropolis which constitutes the Inn's Quay ward and
|
|
parish of Saint Michan covering a surface of fortyone acres, two roods
|
|
and one square pole or perch. All the lordly residences in the vicinity
|
|
of the palace of justice were demolished and that noble edifice itself,
|
|
in which at the time of the catastrophe important legal debates were in
|
|
progress, is literally a mass of ruins beneath which it is to be
|
|
feared all the occupants have been buried alive. From the reports of
|
|
eyewitnesses it transpires that the seismic waves were accompanied by
|
|
a violent atmospheric perturbation of cyclonic character. An article of
|
|
headgear since ascertained to belong to the much respected clerk of the
|
|
crown and peace Mr George Fottrell and a silk umbrella with gold handle
|
|
with the engraved initials, crest, coat of arms and house number of
|
|
the erudite and worshipful chairman of quarter sessions sir Frederick
|
|
Falkiner, recorder of Dublin, have been discovered by search parties
|
|
in remote parts of the island respectively, the former on the third
|
|
basaltic ridge of the giant's causeway, the latter embedded to the
|
|
extent of one foot three inches in the sandy beach of Holeopen bay near
|
|
the old head of Kinsale. Other eyewitnesses depose that they observed
|
|
an incandescent object of enormous proportions hurtling through the
|
|
atmosphere at a terrifying velocity in a trajectory directed southwest
|
|
by west. Messages of condolence and sympathy are being hourly received
|
|
from all parts of the different continents and the sovereign pontiff has
|
|
been graciously pleased to decree that a special _missa pro defunctis_
|
|
shall be celebrated simultaneously by the ordinaries of each and every
|
|
cathedral church of all the episcopal dioceses subject to the spiritual
|
|
authority of the Holy See in suffrage of the souls of those faithful
|
|
departed who have been so unexpectedly called away from our midst.
|
|
The work of salvage, removal of _debris,_ human remains etc has been
|
|
entrusted to Messrs Michael Meade and Son, 159 Great Brunswick street,
|
|
and Messrs T. and C. Martin, 77, 78, 79 and 80 North Wall, assisted by
|
|
the men and officers of the Duke of Cornwall's light infantry under the
|
|
general supervision of H. R. H., rear admiral, the right honourable sir
|
|
Hercules Hannibal Habeas Corpus Anderson, K. G., K. P., K. T., P. C., K.
|
|
C. B., M. P, J. P., M. B., D. S. O., S. O. D., M. F. H., M. R. I. A., B.
|
|
L., Mus. Doc., P. L. G., F. T. C. D., F. R. U. I., F. R. C. P. I. and F.
|
|
R. C. S. I.
|
|
|
|
You never saw the like of it in all your born puff. Gob, if he got that
|
|
lottery ticket on the side of his poll he'd remember the gold cup, he
|
|
would so, but begob the citizen would have been lagged for assault and
|
|
battery and Joe for aiding and abetting. The jarvey saved his life by
|
|
furious driving as sure as God made Moses. What? O, Jesus, he did. And
|
|
he let a volley of oaths after him.
|
|
|
|
--Did I kill him, says he, or what?
|
|
|
|
And he shouting to the bloody dog:
|
|
|
|
--After him, Garry! After him, boy!
|
|
|
|
And the last we saw was the bloody car rounding the corner and old
|
|
sheepsface on it gesticulating and the bloody mongrel after it with his
|
|
lugs back for all he was bloody well worth to tear him limb from limb.
|
|
Hundred to five! Jesus, he took the value of it out of him, I promise
|
|
you.
|
|
|
|
When, lo, there came about them all a great brightness and they beheld
|
|
the chariot wherein He stood ascend to heaven. And they beheld Him in
|
|
the chariot, clothed upon in the glory of the brightness, having raiment
|
|
as of the sun, fair as the moon and terrible that for awe they durst not
|
|
look upon Him. And there came a voice out of heaven, calling: _Elijah!
|
|
Elijah!_ And He answered with a main cry: _Abba! Adonai!_ And they
|
|
beheld Him even Him, ben Bloom Elijah, amid clouds of angels ascend
|
|
to the glory of the brightness at an angle of fortyfive degrees over
|
|
Donohoe's in Little Green street like a shot off a shovel.
|
|
|
|
|
|
|
|
The summer evening had begun to fold the world in its mysterious
|
|
embrace. Far away in the west the sun was setting and the last glow of
|
|
all too fleeting day lingered lovingly on sea and strand, on the proud
|
|
promontory of dear old Howth guarding as ever the waters of the bay, on
|
|
the weedgrown rocks along Sandymount shore and, last but not least, on
|
|
the quiet church whence there streamed forth at times upon the stillness
|
|
the voice of prayer to her who is in her pure radiance a beacon ever to
|
|
the stormtossed heart of man, Mary, star of the sea.
|
|
|
|
The three girl friends were seated on the rocks, enjoying the evening
|
|
scene and the air which was fresh but not too chilly. Many a time and
|
|
oft were they wont to come there to that favourite nook to have a cosy
|
|
chat beside the sparkling waves and discuss matters feminine, Cissy
|
|
Caffrey and Edy Boardman with the baby in the pushcar and Tommy and
|
|
Jacky Caffrey, two little curlyheaded boys, dressed in sailor suits with
|
|
caps to match and the name H.M.S. Belleisle printed on both. For Tommy
|
|
and Jacky Caffrey were twins, scarce four years old and very noisy and
|
|
spoiled twins sometimes but for all that darling little fellows with
|
|
bright merry faces and endearing ways about them. They were dabbling in
|
|
the sand with their spades and buckets, building castles as children do,
|
|
or playing with their big coloured ball, happy as the day was long. And
|
|
Edy Boardman was rocking the chubby baby to and fro in the pushcar while
|
|
that young gentleman fairly chuckled with delight. He was but eleven
|
|
months and nine days old and, though still a tiny toddler, was just
|
|
beginning to lisp his first babyish words. Cissy Caffrey bent over to
|
|
him to tease his fat little plucks and the dainty dimple in his chin.
|
|
|
|
--Now, baby, Cissy Caffrey said. Say out big, big. I want a drink of
|
|
water.
|
|
|
|
And baby prattled after her:
|
|
|
|
--A jink a jink a jawbo.
|
|
|
|
Cissy Caffrey cuddled the wee chap for she was awfully fond of children,
|
|
so patient with little sufferers and Tommy Caffrey could never be got to
|
|
take his castor oil unless it was Cissy Caffrey that held his nose and
|
|
promised him the scatty heel of the loaf or brown bread with golden
|
|
syrup on. What a persuasive power that girl had! But to be sure baby
|
|
Boardman was as good as gold, a perfect little dote in his new fancy
|
|
bib. None of your spoilt beauties, Flora MacFlimsy sort, was Cissy
|
|
Caffrey. A truerhearted lass never drew the breath of life, always with
|
|
a laugh in her gipsylike eyes and a frolicsome word on her cherryripe
|
|
red lips, a girl lovable in the extreme. And Edy Boardman laughed too at
|
|
the quaint language of little brother.
|
|
|
|
But just then there was a slight altercation between Master Tommy and
|
|
Master Jacky. Boys will be boys and our two twins were no exception
|
|
to this golden rule. The apple of discord was a certain castle of sand
|
|
which Master Jacky had built and Master Tommy would have it right go
|
|
wrong that it was to be architecturally improved by a frontdoor like the
|
|
Martello tower had. But if Master Tommy was headstrong Master Jacky was
|
|
selfwilled too and, true to the maxim that every little Irishman's house
|
|
is his castle, he fell upon his hated rival and to such purpose that the
|
|
wouldbe assailant came to grief and (alas to relate!) the coveted castle
|
|
too. Needless to say the cries of discomfited Master Tommy drew the
|
|
attention of the girl friends.
|
|
|
|
--Come here, Tommy, his sister called imperatively. At once! And you,
|
|
Jacky, for shame to throw poor Tommy in the dirty sand. Wait till I
|
|
catch you for that.
|
|
|
|
His eyes misty with unshed tears Master Tommy came at her call for their
|
|
big sister's word was law with the twins. And in a sad plight he was
|
|
too after his misadventure. His little man-o'-war top and unmentionables
|
|
were full of sand but Cissy was a past mistress in the art of smoothing
|
|
over life's tiny troubles and very quickly not one speck of sand was to
|
|
be seen on his smart little suit. Still the blue eyes were glistening
|
|
with hot tears that would well up so she kissed away the hurtness and
|
|
shook her hand at Master Jacky the culprit and said if she was near him
|
|
she wouldn't be far from him, her eyes dancing in admonition.
|
|
|
|
--Nasty bold Jacky! she cried.
|
|
|
|
She put an arm round the little mariner and coaxed winningly:
|
|
|
|
--What's your name? Butter and cream?
|
|
|
|
--Tell us who is your sweetheart, spoke Edy Boardman. Is Cissy your
|
|
sweetheart?
|
|
|
|
--Nao, tearful Tommy said.
|
|
|
|
--Is Edy Boardman your sweetheart? Cissy queried.
|
|
|
|
--Nao, Tommy said.
|
|
|
|
--I know, Edy Boardman said none too amiably with an arch glance from
|
|
her shortsighted eyes. I know who is Tommy's sweetheart. Gerty is
|
|
Tommy's sweetheart.
|
|
|
|
--Nao, Tommy said on the verge of tears.
|
|
|
|
Cissy's quick motherwit guessed what was amiss and she whispered to
|
|
Edy Boardman to take him there behind the pushcar where the gentleman
|
|
couldn't see and to mind he didn't wet his new tan shoes.
|
|
|
|
But who was Gerty?
|
|
|
|
Gerty MacDowell who was seated near her companions, lost in thought,
|
|
gazing far away into the distance was, in very truth, as fair a specimen
|
|
of winsome Irish girlhood as one could wish to see. She was pronounced
|
|
beautiful by all who knew her though, as folks often said, she was
|
|
more a Giltrap than a MacDowell. Her figure was slight and graceful,
|
|
inclining even to fragility but those iron jelloids she had been taking
|
|
of late had done her a world of good much better than the Widow Welch's
|
|
female pills and she was much better of those discharges she used to
|
|
get and that tired feeling. The waxen pallor of her face was almost
|
|
spiritual in its ivorylike purity though her rosebud mouth was a genuine
|
|
Cupid's bow, Greekly perfect. Her hands were of finely veined alabaster
|
|
with tapering fingers and as white as lemonjuice and queen of ointments
|
|
could make them though it was not true that she used to wear kid gloves
|
|
in bed or take a milk footbath either. Bertha Supple told that once to
|
|
Edy Boardman, a deliberate lie, when she was black out at daggers drawn
|
|
with Gerty (the girl chums had of course their little tiffs from time to
|
|
time like the rest of mortals) and she told her not to let on whatever
|
|
she did that it was her that told her or she'd never speak to her
|
|
again. No. Honour where honour is due. There was an innate refinement,
|
|
a languid queenly _hauteur_ about Gerty which was unmistakably evidenced
|
|
in her delicate hands and higharched instep. Had kind fate but willed
|
|
her to be born a gentlewoman of high degree in her own right and had
|
|
she only received the benefit of a good education Gerty MacDowell might
|
|
easily have held her own beside any lady in the land and have seen
|
|
herself exquisitely gowned with jewels on her brow and patrician suitors
|
|
at her feet vying with one another to pay their devoirs to her.
|
|
Mayhap it was this, the love that might have been, that lent to her
|
|
softlyfeatured face at whiles a look, tense with suppressed meaning,
|
|
that imparted a strange yearning tendency to the beautiful eyes, a charm
|
|
few could resist. Why have women such eyes of witchery? Gerty's were of
|
|
the bluest Irish blue, set off by lustrous lashes and dark expressive
|
|
brows. Time was when those brows were not so silkily seductive. It
|
|
was Madame Vera Verity, directress of the Woman Beautiful page of the
|
|
Princess Novelette, who had first advised her to try eyebrowleine which
|
|
gave that haunting expression to the eyes, so becoming in leaders
|
|
of fashion, and she had never regretted it. Then there was blushing
|
|
scientifically cured and how to be tall increase your height and you
|
|
have a beautiful face but your nose? That would suit Mrs Dignam because
|
|
she had a button one. But Gerty's crowning glory was her wealth of
|
|
wonderful hair. It was dark brown with a natural wave in it. She had cut
|
|
it that very morning on account of the new moon and it nestled about
|
|
her pretty head in a profusion of luxuriant clusters and pared her nails
|
|
too, Thursday for wealth. And just now at Edy's words as a telltale
|
|
flush, delicate as the faintest rosebloom, crept into her cheeks she
|
|
looked so lovely in her sweet girlish shyness that of a surety God's
|
|
fair land of Ireland did not hold her equal.
|
|
|
|
For an instant she was silent with rather sad downcast eyes. She
|
|
was about to retort but something checked the words on her tongue.
|
|
Inclination prompted her to speak out: dignity told her to be silent.
|
|
The pretty lips pouted awhile but then she glanced up and broke out into
|
|
a joyous little laugh which had in it all the freshness of a young May
|
|
morning. She knew right well, no-one better, what made squinty Edy
|
|
say that because of him cooling in his attentions when it was simply a
|
|
lovers' quarrel. As per usual somebody's nose was out of joint about the
|
|
boy that had the bicycle off the London bridge road always riding up
|
|
and down in front of her window. Only now his father kept him in in the
|
|
evenings studying hard to get an exhibition in the intermediate that was
|
|
on and he was going to go to Trinity college to study for a doctor when
|
|
he left the high school like his brother W. E. Wylie who was racing
|
|
in the bicycle races in Trinity college university. Little recked he
|
|
perhaps for what she felt, that dull aching void in her heart sometimes,
|
|
piercing to the core. Yet he was young and perchance he might learn
|
|
to love her in time. They were protestants in his family and of course
|
|
Gerty knew Who came first and after Him the Blessed Virgin and then
|
|
Saint Joseph. But he was undeniably handsome with an exquisite nose and
|
|
he was what he looked, every inch a gentleman, the shape of his head too
|
|
at the back without his cap on that she would know anywhere something
|
|
off the common and the way he turned the bicycle at the lamp with his
|
|
hands off the bars and also the nice perfume of those good cigarettes
|
|
and besides they were both of a size too he and she and that was why Edy
|
|
Boardman thought she was so frightfully clever because he didn't go and
|
|
ride up and down in front of her bit of a garden.
|
|
|
|
Gerty was dressed simply but with the instinctive taste of a votary of
|
|
Dame Fashion for she felt that there was just a might that he might be
|
|
out. A neat blouse of electric blue selftinted by dolly dyes (because it
|
|
was expected in the _Lady's Pictorial_ that electric blue would be worn)
|
|
with a smart vee opening down to the division and kerchief pocket (in
|
|
which she always kept a piece of cottonwool scented with her
|
|
favourite perfume because the handkerchief spoiled the sit) and a navy
|
|
threequarter skirt cut to the stride showed off her slim graceful figure
|
|
to perfection. She wore a coquettish little love of a hat of wideleaved
|
|
nigger straw contrast trimmed with an underbrim of eggblue chenille and
|
|
at the side a butterfly bow of silk to tone. All Tuesday week afternoon
|
|
she was hunting to match that chenille but at last she found what she
|
|
wanted at Clery's summer sales, the very it, slightly shopsoiled but you
|
|
would never notice, seven fingers two and a penny. She did it up all by
|
|
herself and what joy was hers when she tried it on then, smiling at the
|
|
lovely reflection which the mirror gave back to her! And when she put
|
|
it on the waterjug to keep the shape she knew that that would take the
|
|
shine out of some people she knew. Her shoes were the newest thing in
|
|
footwear (Edy Boardman prided herself that she was very _petite_ but she
|
|
never had a foot like Gerty MacDowell, a five, and never would ash,
|
|
oak or elm) with patent toecaps and just one smart buckle over
|
|
her higharched instep. Her wellturned ankle displayed its perfect
|
|
proportions beneath her skirt and just the proper amount and no more of
|
|
her shapely limbs encased in finespun hose with highspliced heels and
|
|
wide garter tops. As for undies they were Gerty's chief care and who
|
|
that knows the fluttering hopes and fears of sweet seventeen (though
|
|
Gerty would never see seventeen again) can find it in his heart to
|
|
blame her? She had four dinky sets with awfully pretty stitchery,
|
|
three garments and nighties extra, and each set slotted with different
|
|
coloured ribbons, rosepink, pale blue, mauve and peagreen, and she aired
|
|
them herself and blued them when they came home from the wash and ironed
|
|
them and she had a brickbat to keep the iron on because she wouldn't
|
|
trust those washerwomen as far as she'd see them scorching the things.
|
|
She was wearing the blue for luck, hoping against hope, her own colour
|
|
and lucky too for a bride to have a bit of blue somewhere on her because
|
|
the green she wore that day week brought grief because his father
|
|
brought him in to study for the intermediate exhibition and because
|
|
she thought perhaps he might be out because when she was dressing that
|
|
morning she nearly slipped up the old pair on her inside out and that
|
|
was for luck and lovers' meeting if you put those things on inside
|
|
out or if they got untied that he was thinking about you so long as it
|
|
wasn't of a Friday.
|
|
|
|
And yet and yet! That strained look on her face! A gnawing sorrow is
|
|
there all the time. Her very soul is in her eyes and she would give
|
|
worlds to be in the privacy of her own familiar chamber where,
|
|
giving way to tears, she could have a good cry and relieve her pentup
|
|
feelingsthough not too much because she knew how to cry nicely before
|
|
the mirror. You are lovely, Gerty, it said. The paly light of evening
|
|
falls upon a face infinitely sad and wistful. Gerty MacDowell yearns
|
|
in vain. Yes, she had known from the very first that her daydream of a
|
|
marriage has been arranged and the weddingbells ringing for Mrs Reggy
|
|
Wylie T. C. D. (because the one who married the elder brother would be
|
|
Mrs Wylie) and in the fashionable intelligence Mrs Gertrude Wylie was
|
|
wearing a sumptuous confection of grey trimmed with expensive blue fox
|
|
was not to be. He was too young to understand. He would not believe in
|
|
love, a woman's birthright. The night of the party long ago in Stoer's
|
|
(he was still in short trousers) when they were alone and he stole
|
|
an arm round her waist she went white to the very lips. He called her
|
|
little one in a strangely husky voice and snatched a half kiss (the
|
|
first!) but it was only the end of her nose and then he hastened from
|
|
the room with a remark about refreshments. Impetuous fellow! Strength of
|
|
character had never been Reggy Wylie's strong point and he who would
|
|
woo and win Gerty MacDowell must be a man among men. But waiting, always
|
|
waiting to be asked and it was leap year too and would soon be over. No
|
|
prince charming is her beau ideal to lay a rare and wondrous love at her
|
|
feet but rather a manly man with a strong quiet face who had not found
|
|
his ideal, perhaps his hair slightly flecked with grey, and who would
|
|
understand, take her in his sheltering arms, strain her to him in all
|
|
the strength of his deep passionate nature and comfort her with a long
|
|
long kiss. It would be like heaven. For such a one she yearns this balmy
|
|
summer eve. With all the heart of her she longs to be his only, his
|
|
affianced bride for riches for poor, in sickness in health, till death
|
|
us two part, from this to this day forward.
|
|
|
|
And while Edy Boardman was with little Tommy behind the pushcar she was
|
|
just thinking would the day ever come when she could call herself his
|
|
little wife to be. Then they could talk about her till they went blue in
|
|
the face, Bertha Supple too, and Edy, little spitfire, because she would
|
|
be twentytwo in November. She would care for him with creature comforts
|
|
too for Gerty was womanly wise and knew that a mere man liked that
|
|
feeling of hominess. Her griddlecakes done to a goldenbrown hue and
|
|
queen Ann's pudding of delightful creaminess had won golden opinions
|
|
from all because she had a lucky hand also for lighting a fire, dredge
|
|
in the fine selfraising flour and always stir in the same direction,
|
|
then cream the milk and sugar and whisk well the white of eggs though
|
|
she didn't like the eating part when there were any people that made her
|
|
shy and often she wondered why you couldn't eat something poetical like
|
|
violets or roses and they would have a beautifully appointed drawingroom
|
|
with pictures and engravings and the photograph of grandpapa Giltrap's
|
|
lovely dog Garryowen that almost talked it was so human and chintz
|
|
covers for the chairs and that silver toastrack in Clery's summer
|
|
jumble sales like they have in rich houses. He would be tall with
|
|
broad shoulders (she had always admired tall men for a husband) with
|
|
glistening white teeth under his carefully trimmed sweeping moustache
|
|
and they would go on the continent for their honeymoon (three wonderful
|
|
weeks!) and then, when they settled down in a nice snug and cosy little
|
|
homely house, every morning they would both have brekky, simple but
|
|
perfectly served, for their own two selves and before he went out to
|
|
business he would give his dear little wifey a good hearty hug and gaze
|
|
for a moment deep down into her eyes.
|
|
|
|
Edy Boardman asked Tommy Caffrey was he done and he said yes so then she
|
|
buttoned up his little knickerbockers for him and told him to run off
|
|
and play with Jacky and to be good now and not to fight. But Tommy said
|
|
he wanted the ball and Edy told him no that baby was playing with the
|
|
ball and if he took it there'd be wigs on the green but Tommy said it
|
|
was his ball and he wanted his ball and he pranced on the ground, if
|
|
you please. The temper of him! O, he was a man already was little Tommy
|
|
Caffrey since he was out of pinnies. Edy told him no, no and to be off
|
|
now with him and she told Cissy Caffrey not to give in to him.
|
|
|
|
--You're not my sister, naughty Tommy said. It's my ball.
|
|
|
|
But Cissy Caffrey told baby Boardman to look up, look up high at her
|
|
finger and she snatched the ball quickly and threw it along the sand and
|
|
Tommy after it in full career, having won the day.
|
|
|
|
--Anything for a quiet life, laughed Ciss.
|
|
|
|
And she tickled tiny tot's two cheeks to make him forget and played
|
|
here's the lord mayor, here's his two horses, here's his gingerbread
|
|
carriage and here he walks in, chinchopper, chinchopper, chinchopper
|
|
chin. But Edy got as cross as two sticks about him getting his own way
|
|
like that from everyone always petting him.
|
|
|
|
--I'd like to give him something, she said, so I would, where I won't
|
|
say.
|
|
|
|
--On the beeoteetom, laughed Cissy merrily.
|
|
|
|
Gerty MacDowell bent down her head and crimsoned at the idea of Cissy
|
|
saying an unladylike thing like that out loud she'd be ashamed of her
|
|
life to say, flushing a deep rosy red, and Edy Boardman said she was
|
|
sure the gentleman opposite heard what she said. But not a pin cared
|
|
Ciss.
|
|
|
|
--Let him! she said with a pert toss of her head and a piquant tilt of
|
|
her nose. Give it to him too on the same place as quick as I'd look at
|
|
him.
|
|
|
|
Madcap Ciss with her golliwog curls. You had to laugh at her sometimes.
|
|
For instance when she asked you would you have some more Chinese tea and
|
|
jaspberry ram and when she drew the jugs too and the men's faces on her
|
|
nails with red ink make you split your sides or when she wanted to go
|
|
where you know she said she wanted to run and pay a visit to the Miss
|
|
White. That was just like Cissycums. O, and will you ever forget her the
|
|
evening she dressed up in her father's suit and hat and the burned cork
|
|
moustache and walked down Tritonville road, smoking a cigarette. There
|
|
was none to come up to her for fun. But she was sincerity itself, one of
|
|
the bravest and truest hearts heaven ever made, not one of your twofaced
|
|
things, too sweet to be wholesome.
|
|
|
|
And then there came out upon the air the sound of voices and the pealing
|
|
anthem of the organ. It was the men's temperance retreat conducted
|
|
by the missioner, the reverend John Hughes S. J., rosary, sermon and
|
|
benediction of the Most Blessed Sacrament. They were there gathered
|
|
together without distinction of social class (and a most edifying
|
|
spectacle it was to see) in that simple fane beside the waves, after the
|
|
storms of this weary world, kneeling before the feet of the immaculate,
|
|
reciting the litany of Our Lady of Loreto, beseeching her to intercede
|
|
for them, the old familiar words, holy Mary, holy virgin of virgins. How
|
|
sad to poor Gerty's ears! Had her father only avoided the clutches of
|
|
the demon drink, by taking the pledge or those powders the drink habit
|
|
cured in Pearson's Weekly, she might now be rolling in her carriage,
|
|
second to none. Over and over had she told herself that as she mused by
|
|
the dying embers in a brown study without the lamp because she hated two
|
|
lights or oftentimes gazing out of the window dreamily by the hour at
|
|
the rain falling on the rusty bucket, thinking. But that vile decoction
|
|
which has ruined so many hearths and homes had cist its shadow over her
|
|
childhood days. Nay, she had even witnessed in the home circle deeds of
|
|
violence caused by intemperance and had seen her own father, a prey to
|
|
the fumes of intoxication, forget himself completely for if there was
|
|
one thing of all things that Gerty knew it was that the man who lifts
|
|
his hand to a woman save in the way of kindness, deserves to be branded
|
|
as the lowest of the low.
|
|
|
|
And still the voices sang in supplication to the Virgin most powerful,
|
|
Virgin most merciful. And Gerty, rapt in thought, scarce saw or heard
|
|
her companions or the twins at their boyish gambols or the gentleman
|
|
off Sandymount green that Cissy Caffrey called the man that was so like
|
|
himself passing along the strand taking a short walk. You never saw him
|
|
any way screwed but still and for all that she would not like him for a
|
|
father because he was too old or something or on account of his face
|
|
(it was a palpable case of Doctor Fell) or his carbuncly nose with the
|
|
pimples on it and his sandy moustache a bit white under his nose. Poor
|
|
father! With all his faults she loved him still when he sang _Tell me,
|
|
Mary, how to woo thee_ or _My love and cottage near Rochelle_ and they
|
|
had stewed cockles and lettuce with Lazenby's salad dressing for
|
|
supper and when he sang _The moon hath raised_ with Mr Dignam that
|
|
died suddenly and was buried, God have mercy on him, from a stroke. Her
|
|
mother's birthday that was and Charley was home on his holidays and Tom
|
|
and Mr Dignam and Mrs and Patsy and Freddy Dignam and they were to have
|
|
had a group taken. No-one would have thought the end was so near. Now he
|
|
was laid to rest. And her mother said to him to let that be a warning to
|
|
him for the rest of his days and he couldn't even go to the funeral on
|
|
account of the gout and she had to go into town to bring him the
|
|
letters and samples from his office about Catesby's cork lino, artistic,
|
|
standard designs, fit for a palace, gives tiptop wear and always bright
|
|
and cheery in the home.
|
|
|
|
A sterling good daughter was Gerty just like a second mother in the
|
|
house, a ministering angel too with a little heart worth its weight in
|
|
gold. And when her mother had those raging splitting headaches who was
|
|
it rubbed the menthol cone on her forehead but Gerty though she didn't
|
|
like her mother's taking pinches of snuff and that was the only single
|
|
thing they ever had words about, taking snuff. Everyone thought the
|
|
world of her for her gentle ways. It was Gerty who turned off the gas at
|
|
the main every night and it was Gerty who tacked up on the wall of that
|
|
place where she never forgot every fortnight the chlorate of lime Mr
|
|
Tunney the grocer's christmas almanac, the picture of halcyon days
|
|
where a young gentleman in the costume they used to wear then with a
|
|
threecornered hat was offering a bunch of flowers to his ladylove with
|
|
oldtime chivalry through her lattice window. You could see there was a
|
|
story behind it. The colours were done something lovely. She was in
|
|
a soft clinging white in a studied attitude and the gentleman was in
|
|
chocolate and he looked a thorough aristocrat. She often looked at them
|
|
dreamily when she went there for a certain purpose and felt her own
|
|
arms that were white and soft just like hers with the sleeves back
|
|
and thought about those times because she had found out in Walker's
|
|
pronouncing dictionary that belonged to grandpapa Giltrap about the
|
|
halcyon days what they meant.
|
|
|
|
The twins were now playing in the most approved brotherly fashion
|
|
till at last Master Jacky who was really as bold as brass there was
|
|
no getting behind that deliberately kicked the ball as hard as ever he
|
|
could down towards the seaweedy rocks. Needless to say poor Tommy was
|
|
not slow to voice his dismay but luckily the gentleman in black who was
|
|
sitting there by himself came gallantly to the rescue and intercepted
|
|
the ball. Our two champions claimed their plaything with lusty cries and
|
|
to avoid trouble Cissy Caffrey called to the gentleman to throw it to
|
|
her please. The gentleman aimed the ball once or twice and then threw
|
|
it up the strand towards Cissy Caffrey but it rolled down the slope and
|
|
stopped right under Gerty's skirt near the little pool by the rock. The
|
|
twins clamoured again for it and Cissy told her to kick it away and
|
|
let them fight for it so Gerty drew back her foot but she wished their
|
|
stupid ball hadn't come rolling down to her and she gave a kick but she
|
|
missed and Edy and Cissy laughed.
|
|
|
|
--If you fail try again, Edy Boardman said.
|
|
|
|
Gerty smiled assent and bit her lip. A delicate pink crept into her
|
|
pretty cheek but she was determined to let them see so she just lifted
|
|
her skirt a little but just enough and took good aim and gave the ball a
|
|
jolly good kick and it went ever so far and the two twins after it down
|
|
towards the shingle. Pure jealousy of course it was nothing else to draw
|
|
attention on account of the gentleman opposite looking. She felt the
|
|
warm flush, a danger signal always with Gerty MacDowell, surging and
|
|
flaming into her cheeks. Till then they had only exchanged glances of
|
|
the most casual but now under the brim of her new hat she ventured a
|
|
look at him and the face that met her gaze there in the twilight, wan
|
|
and strangely drawn, seemed to her the saddest she had ever seen.
|
|
|
|
Through the open window of the church the fragrant incense was wafted
|
|
and with it the fragrant names of her who was conceived without stain of
|
|
original sin, spiritual vessel, pray for us, honourable vessel, pray
|
|
for us, vessel of singular devotion, pray for us, mystical rose. And
|
|
careworn hearts were there and toilers for their daily bread and many
|
|
who had erred and wandered, their eyes wet with contrition but for all
|
|
that bright with hope for the reverend father Father Hughes had told
|
|
them what the great saint Bernard said in his famous prayer of Mary, the
|
|
most pious Virgin's intercessory power that it was not recorded in any
|
|
age that those who implored her powerful protection were ever abandoned
|
|
by her.
|
|
|
|
The twins were now playing again right merrily for the troubles of
|
|
childhood are but as fleeting summer showers. Cissy Caffrey played with
|
|
baby Boardman till he crowed with glee, clapping baby hands in air. Peep
|
|
she cried behind the hood of the pushcar and Edy asked where was Cissy
|
|
gone and then Cissy popped up her head and cried ah! and, my word,
|
|
didn't the little chap enjoy that! And then she told him to say papa.
|
|
|
|
--Say papa, baby. Say pa pa pa pa pa pa pa.
|
|
|
|
And baby did his level best to say it for he was very intelligent for
|
|
eleven months everyone said and big for his age and the picture of
|
|
health, a perfect little bunch of love, and he would certainly turn out
|
|
to be something great, they said.
|
|
|
|
--Haja ja ja haja.
|
|
|
|
Cissy wiped his little mouth with the dribbling bib and wanted him to
|
|
sit up properly and say pa pa pa but when she undid the strap she cried
|
|
out, holy saint Denis, that he was possing wet and to double the half
|
|
blanket the other way under him. Of course his infant majesty was most
|
|
obstreperous at such toilet formalities and he let everyone know it:
|
|
|
|
--Habaa baaaahabaaa baaaa.
|
|
|
|
And two great big lovely big tears coursing down his cheeks. It was all
|
|
no use soothering him with no, nono, baby, no and telling him about the
|
|
geegee and where was the puffpuff but Ciss, always readywitted, gave
|
|
him in his mouth the teat of the suckingbottle and the young heathen was
|
|
quickly appeased.
|
|
|
|
Gerty wished to goodness they would take their squalling baby home out
|
|
of that and not get on her nerves, no hour to be out, and the little
|
|
brats of twins. She gazed out towards the distant sea. It was like the
|
|
paintings that man used to do on the pavement with all the coloured
|
|
chalks and such a pity too leaving them there to be all blotted out, the
|
|
evening and the clouds coming out and the Bailey light on Howth and to
|
|
hear the music like that and the perfume of those incense they burned
|
|
in the church like a kind of waft. And while she gazed her heart went
|
|
pitapat. Yes, it was her he was looking at, and there was meaning in his
|
|
look. His eyes burned into her as though they would search her through
|
|
and through, read her very soul. Wonderful eyes they were, superbly
|
|
expressive, but could you trust them? People were so queer. She could
|
|
see at once by his dark eyes and his pale intellectual face that he
|
|
was a foreigner, the image of the photo she had of Martin Harvey, the
|
|
matinee idol, only for the moustache which she preferred because she
|
|
wasn't stagestruck like Winny Rippingham that wanted they two to always
|
|
dress the same on account of a play but she could not see whether he had
|
|
an aquiline nose or a slightly _retrousse_ from where he was sitting.
|
|
He was in deep mourning, she could see that, and the story of a haunting
|
|
sorrow was written on his face. She would have given worlds to know what
|
|
it was. He was looking up so intently, so still, and he saw her kick the
|
|
ball and perhaps he could see the bright steel buckles of her shoes if
|
|
she swung them like that thoughtfully with the toes down. She was glad
|
|
that something told her to put on the transparent stockings thinking
|
|
Reggy Wylie might be out but that was far away. Here was that of which
|
|
she had so often dreamed. It was he who mattered and there was joy on
|
|
her face because she wanted him because she felt instinctively that he
|
|
was like no-one else. The very heart of the girlwoman went out to him,
|
|
her dreamhusband, because she knew on the instant it was him. If he had
|
|
suffered, more sinned against than sinning, or even, even, if he had
|
|
been himself a sinner, a wicked man, she cared not. Even if he was a
|
|
protestant or methodist she could convert him easily if he truly loved
|
|
her. There were wounds that wanted healing with heartbalm. She was a
|
|
womanly woman not like other flighty girls unfeminine he had known,
|
|
those cyclists showing off what they hadn't got and she just yearned to
|
|
know all, to forgive all if she could make him fall in love with her,
|
|
make him forget the memory of the past. Then mayhap he would embrace her
|
|
gently, like a real man, crushing her soft body to him, and love her,
|
|
his ownest girlie, for herself alone.
|
|
|
|
Refuge of sinners. Comfortress of the afflicted. _Ora pro nobis_. Well
|
|
has it been said that whosoever prays to her with faith and constancy
|
|
can never be lost or cast away: and fitly is she too a haven of refuge
|
|
for the afflicted because of the seven dolours which transpierced
|
|
her own heart. Gerty could picture the whole scene in the church, the
|
|
stained glass windows lighted up, the candles, the flowers and the blue
|
|
banners of the blessed Virgin's sodality and Father Conroy was helping
|
|
Canon O'Hanlon at the altar, carrying things in and out with his eyes
|
|
cast down. He looked almost a saint and his confessionbox was so quiet
|
|
and clean and dark and his hands were just like white wax and if ever
|
|
she became a Dominican nun in their white habit perhaps he might come to
|
|
the convent for the novena of Saint Dominic. He told her that time when
|
|
she told him about that in confession, crimsoning up to the roots of her
|
|
hair for fear he could see, not to be troubled because that was only the
|
|
voice of nature and we were all subject to nature's laws, he said, in
|
|
this life and that that was no sin because that came from the nature of
|
|
woman instituted by God, he said, and that Our Blessed Lady herself said
|
|
to the archangel Gabriel be it done unto me according to Thy Word. He
|
|
was so kind and holy and often and often she thought and thought could
|
|
she work a ruched teacosy with embroidered floral design for him as a
|
|
present or a clock but they had a clock she noticed on the mantelpiece
|
|
white and gold with a canarybird that came out of a little house to tell
|
|
the time the day she went there about the flowers for the forty hours'
|
|
adoration because it was hard to know what sort of a present to give or
|
|
perhaps an album of illuminated views of Dublin or some place.
|
|
|
|
The exasperating little brats of twins began to quarrel again and Jacky
|
|
threw the ball out towards the sea and they both ran after it. Little
|
|
monkeys common as ditchwater. Someone ought to take them and give them
|
|
a good hiding for themselves to keep them in their places, the both of
|
|
them. And Cissy and Edy shouted after them to come back because they
|
|
were afraid the tide might come in on them and be drowned.
|
|
|
|
--Jacky! Tommy!
|
|
|
|
Not they! What a great notion they had! So Cissy said it was the very
|
|
last time she'd ever bring them out. She jumped up and called them and
|
|
she ran down the slope past him, tossing her hair behind her which had
|
|
a good enough colour if there had been more of it but with all the
|
|
thingamerry she was always rubbing into it she couldn't get it to grow
|
|
long because it wasn't natural so she could just go and throw her hat at
|
|
it. She ran with long gandery strides it was a wonder she didn't rip up
|
|
her skirt at the side that was too tight on her because there was a lot
|
|
of the tomboy about Cissy Caffrey and she was a forward piece whenever
|
|
she thought she had a good opportunity to show and just because she was
|
|
a good runner she ran like that so that he could see all the end of her
|
|
petticoat running and her skinny shanks up as far as possible. It
|
|
would have served her just right if she had tripped up over something
|
|
accidentally on purpose with her high crooked French heels on her to
|
|
make her look tall and got a fine tumble. _Tableau!_ That would have
|
|
been a very charming expose for a gentleman like that to witness.
|
|
|
|
Queen of angels, queen of patriarchs, queen of prophets, of all saints,
|
|
they prayed, queen of the most holy rosary and then Father Conroy handed
|
|
the thurible to Canon O'Hanlon and he put in the incense and censed the
|
|
Blessed Sacrament and Cissy Caffrey caught the two twins and she was
|
|
itching to give them a ringing good clip on the ear but she didn't
|
|
because she thought he might be watching but she never made a bigger
|
|
mistake in all her life because Gerty could see without looking that
|
|
he never took his eyes off of her and then Canon O'Hanlon handed the
|
|
thurible back to Father Conroy and knelt down looking up at the Blessed
|
|
Sacrament and the choir began to sing the _Tantum ergo_ and she just
|
|
swung her foot in and out in time as the music rose and fell to
|
|
the _Tantumer gosa cramen tum_. Three and eleven she paid for those
|
|
stockings in Sparrow's of George's street on the Tuesday, no the Monday
|
|
before Easter and there wasn't a brack on them and that was what he
|
|
was looking at, transparent, and not at her insignificant ones that had
|
|
neither shape nor form (the cheek of her!) because he had eyes in his
|
|
head to see the difference for himself.
|
|
|
|
Cissy came up along the strand with the two twins and their ball with
|
|
her hat anyhow on her to one side after her run and she did look a
|
|
streel tugging the two kids along with the flimsy blouse she bought only
|
|
a fortnight before like a rag on her back and a bit of her petticoat
|
|
hanging like a caricature. Gerty just took off her hat for a moment to
|
|
settle her hair and a prettier, a daintier head of nutbrown tresses was
|
|
never seen on a girl's shoulders--a radiant little vision, in sooth,
|
|
almost maddening in its sweetness. You would have to travel many a long
|
|
mile before you found a head of hair the like of that. She could almost
|
|
see the swift answering flash of admiration in his eyes that set her
|
|
tingling in every nerve. She put on her hat so that she could see from
|
|
underneath the brim and swung her buckled shoe faster for her breath
|
|
caught as she caught the expression in his eyes. He was eying her as a
|
|
snake eyes its prey. Her woman's instinct told her that she had raised
|
|
the devil in him and at the thought a burning scarlet swept from throat
|
|
to brow till the lovely colour of her face became a glorious rose.
|
|
|
|
Edy Boardman was noticing it too because she was squinting at Gerty,
|
|
half smiling, with her specs like an old maid, pretending to nurse the
|
|
baby. Irritable little gnat she was and always would be and that was why
|
|
no-one could get on with her poking her nose into what was no concern of
|
|
hers. And she said to Gerty:
|
|
|
|
--A penny for your thoughts.
|
|
|
|
--What? replied Gerty with a smile reinforced by the whitest of teeth. I
|
|
was only wondering was it late.
|
|
|
|
Because she wished to goodness they'd take the snottynosed twins and
|
|
their babby home to the mischief out of that so that was why she just
|
|
gave a gentle hint about its being late. And when Cissy came up Edy
|
|
asked her the time and Miss Cissy, as glib as you like, said it was half
|
|
past kissing time, time to kiss again. But Edy wanted to know because
|
|
they were told to be in early.
|
|
|
|
--Wait, said Cissy, I'll run ask my uncle Peter over there what's the
|
|
time by his conundrum.
|
|
|
|
So over she went and when he saw her coming she could see him take his
|
|
hand out of his pocket, getting nervous, and beginning to play with his
|
|
watchchain, looking up at the church. Passionate nature though he was
|
|
Gerty could see that he had enormous control over himself. One moment he
|
|
had been there, fascinated by a loveliness that made him gaze, and the
|
|
next moment it was the quiet gravefaced gentleman, selfcontrol expressed
|
|
in every line of his distinguishedlooking figure.
|
|
|
|
Cissy said to excuse her would he mind please telling her what was the
|
|
right time and Gerty could see him taking out his watch, listening to it
|
|
and looking up and clearing his throat and he said he was very sorry his
|
|
watch was stopped but he thought it must be after eight because the
|
|
sun was set. His voice had a cultured ring in it and though he spoke in
|
|
measured accents there was a suspicion of a quiver in the mellow tones.
|
|
Cissy said thanks and came back with her tongue out and said uncle said
|
|
his waterworks were out of order.
|
|
|
|
Then they sang the second verse of the _Tantum ergo_ and Canon O'Hanlon
|
|
got up again and censed the Blessed Sacrament and knelt down and he told
|
|
Father Conroy that one of the candles was just going to set fire to the
|
|
flowers and Father Conroy got up and settled it all right and she could
|
|
see the gentleman winding his watch and listening to the works and she
|
|
swung her leg more in and out in time. It was getting darker but he
|
|
could see and he was looking all the time that he was winding the watch
|
|
or whatever he was doing to it and then he put it back and put his hands
|
|
back into his pockets. She felt a kind of a sensation rushing all over
|
|
her and she knew by the feel of her scalp and that irritation against
|
|
her stays that that thing must be coming on because the last time too
|
|
was when she clipped her hair on account of the moon. His dark eyes
|
|
fixed themselves on her again drinking in her every contour, literally
|
|
worshipping at her shrine. If ever there was undisguised admiration in a
|
|
man's passionate gaze it was there plain to be seen on that man's face.
|
|
It is for you, Gertrude MacDowell, and you know it.
|
|
|
|
Edy began to get ready to go and it was high time for her and Gerty
|
|
noticed that that little hint she gave had had the desired effect
|
|
because it was a long way along the strand to where there was the place
|
|
to push up the pushcar and Cissy took off the twins' caps and tidied
|
|
their hair to make herself attractive of course and Canon O'Hanlon stood
|
|
up with his cope poking up at his neck and Father Conroy handed him the
|
|
card to read off and he read out _Panem de coelo praestitisti eis_ and
|
|
Edy and Cissy were talking about the time all the time and asking her
|
|
but Gerty could pay them back in their own coin and she just answered
|
|
with scathing politeness when Edy asked her was she heartbroken about
|
|
her best boy throwing her over. Gerty winced sharply. A brief cold blaze
|
|
shone from her eyes that spoke volumes of scorn immeasurable. It hurt--O
|
|
yes, it cut deep because Edy had her own quiet way of saying things
|
|
like that she knew would wound like the confounded little cat she was.
|
|
Gerty's lips parted swiftly to frame the word but she fought back
|
|
the sob that rose to her throat, so slim, so flawless, so beautifully
|
|
moulded it seemed one an artist might have dreamed of. She had loved him
|
|
better than he knew. Lighthearted deceiver and fickle like all his sex
|
|
he would never understand what he had meant to her and for an instant
|
|
there was in the blue eyes a quick stinging of tears. Their eyes were
|
|
probing her mercilessly but with a brave effort she sparkled back in
|
|
sympathy as she glanced at her new conquest for them to see.
|
|
|
|
--O, responded Gerty, quick as lightning, laughing, and the proud head
|
|
flashed up. I can throw my cap at who I like because it's leap year.
|
|
|
|
Her words rang out crystalclear, more musical than the cooing of the
|
|
ringdove, but they cut the silence icily. There was that in her young
|
|
voice that told that she was not a one to be lightly trifled with. As
|
|
for Mr Reggy with his swank and his bit of money she could just chuck
|
|
him aside as if he was so much filth and never again would she cast as
|
|
much as a second thought on him and tear his silly postcard into a dozen
|
|
pieces. And if ever after he dared to presume she could give him one
|
|
look of measured scorn that would make him shrivel up on the spot. Miss
|
|
puny little Edy's countenance fell to no slight extent and Gerty could
|
|
see by her looking as black as thunder that she was simply in a towering
|
|
rage though she hid it, the little kinnatt, because that shaft had
|
|
struck home for her petty jealousy and they both knew that she was
|
|
something aloof, apart, in another sphere, that she was not of them and
|
|
never would be and there was somebody else too that knew it and saw it
|
|
so they could put that in their pipe and smoke it.
|
|
|
|
Edy straightened up baby Boardman to get ready to go and Cissy tucked in
|
|
the ball and the spades and buckets and it was high time too because the
|
|
sandman was on his way for Master Boardman junior. And Cissy told him
|
|
too that billy winks was coming and that baby was to go deedaw and baby
|
|
looked just too ducky, laughing up out of his gleeful eyes, and Cissy
|
|
poked him like that out of fun in his wee fat tummy and baby, without as
|
|
much as by your leave, sent up his compliments to all and sundry on to
|
|
his brandnew dribbling bib.
|
|
|
|
--O my! Puddeny pie! protested Ciss. He has his bib destroyed.
|
|
|
|
The slight _contretemps_ claimed her attention but in two twos she set
|
|
that little matter to rights.
|
|
|
|
Gerty stifled a smothered exclamation and gave a nervous cough and Edy
|
|
asked what and she was just going to tell her to catch it while it was
|
|
flying but she was ever ladylike in her deportment so she simply passed
|
|
it off with consummate tact by saying that that was the benediction
|
|
because just then the bell rang out from the steeple over the quiet
|
|
seashore because Canon O'Hanlon was up on the altar with the veil that
|
|
Father Conroy put round his shoulders giving the benediction with the
|
|
Blessed Sacrament in his hands.
|
|
|
|
How moving the scene there in the gathering twilight, the last glimpse
|
|
of Erin, the touching chime of those evening bells and at the same
|
|
time a bat flew forth from the ivied belfry through the dusk, hither,
|
|
thither, with a tiny lost cry. And she could see far away the lights of
|
|
the lighthouses so picturesque she would have loved to do with a box of
|
|
paints because it was easier than to make a man and soon the lamplighter
|
|
would be going his rounds past the presbyterian church grounds and along
|
|
by shady Tritonville avenue where the couples walked and lighting the
|
|
lamp near her window where Reggy Wylie used to turn his freewheel like
|
|
she read in that book _The Lamplighter_ by Miss Cummins, author of
|
|
_Mabel Vaughan_ and other tales. For Gerty had her dreams that no-one
|
|
knew of. She loved to read poetry and when she got a keepsake from
|
|
Bertha Supple of that lovely confession album with the coralpink cover
|
|
to write her thoughts in she laid it in the drawer of her toilettable
|
|
which, though it did not err on the side of luxury, was scrupulously
|
|
neat and clean. It was there she kept her girlish treasure trove, the
|
|
tortoiseshell combs, her child of Mary badge, the whiterose scent, the
|
|
eyebrowleine, her alabaster pouncetbox and the ribbons to change
|
|
when her things came home from the wash and there were some beautiful
|
|
thoughts written in it in violet ink that she bought in Hely's of Dame
|
|
Street for she felt that she too could write poetry if she could only
|
|
express herself like that poem that appealed to her so deeply that
|
|
she had copied out of the newspaper she found one evening round the
|
|
potherbs. _Art thou real, my ideal?_ it was called by Louis J Walsh,
|
|
Magherafelt, and after there was something about _twilight, wilt thou
|
|
ever?_ and ofttimes the beauty of poetry, so sad in its transient
|
|
loveliness, had misted her eyes with silent tears for she felt that
|
|
the years were slipping by for her, one by one, and but for that one
|
|
shortcoming she knew she need fear no competition and that was an
|
|
accident coming down Dalkey hill and she always tried to conceal it.
|
|
But it must end, she felt. If she saw that magic lure in his eyes there
|
|
would be no holding back for her. Love laughs at locksmiths. She
|
|
would make the great sacrifice. Her every effort would be to share his
|
|
thoughts. Dearer than the whole world would she be to him and gild his
|
|
days with happiness. There was the allimportant question and she was
|
|
dying to know was he a married man or a widower who had lost his wife
|
|
or some tragedy like the nobleman with the foreign name from the land
|
|
of song had to have her put into a madhouse, cruel only to be kind.
|
|
But even if--what then? Would it make a very great difference? From
|
|
everything in the least indelicate her finebred nature instinctively
|
|
recoiled. She loathed that sort of person, the fallen women off the
|
|
accommodation walk beside the Dodder that went with the soldiers and
|
|
coarse men with no respect for a girl's honour, degrading the sex and
|
|
being taken up to the police station. No, no: not that. They would be
|
|
just good friends like a big brother and sister without all that other
|
|
in spite of the conventions of Society with a big ess. Perhaps it was
|
|
an old flame he was in mourning for from the days beyond recall. She
|
|
thought she understood. She would try to understand him because men were
|
|
so different. The old love was waiting, waiting with little white
|
|
hands stretched out, with blue appealing eyes. Heart of mine! She would
|
|
follow, her dream of love, the dictates of her heart that told her he
|
|
was her all in all, the only man in all the world for her for love was
|
|
the master guide. Nothing else mattered. Come what might she would be
|
|
wild, untrammelled, free.
|
|
|
|
Canon O'Hanlon put the Blessed Sacrament back into the tabernacle and
|
|
genuflected and the choir sang _Laudate Dominum omnes gentes_ and then
|
|
he locked the tabernacle door because the benediction was over and
|
|
Father Conroy handed him his hat to put on and crosscat Edy asked wasn't
|
|
she coming but Jacky Caffrey called out:
|
|
|
|
--O, look, Cissy!
|
|
|
|
And they all looked was it sheet lightning but Tommy saw it too over the
|
|
trees beside the church, blue and then green and purple.
|
|
|
|
--It's fireworks, Cissy Caffrey said.
|
|
|
|
And they all ran down the strand to see over the houses and the church,
|
|
helterskelter, Edy with the pushcar with baby Boardman in it and Cissy
|
|
holding Tommy and Jacky by the hand so they wouldn't fall running.
|
|
|
|
--Come on, Gerty, Cissy called. It's the bazaar fireworks.
|
|
|
|
But Gerty was adamant. She had no intention of being at their beck and
|
|
call. If they could run like rossies she could sit so she said she could
|
|
see from where she was. The eyes that were fastened upon her set her
|
|
pulses tingling. She looked at him a moment, meeting his glance, and
|
|
a light broke in upon her. Whitehot passion was in that face, passion
|
|
silent as the grave, and it had made her his. At last they were left
|
|
alone without the others to pry and pass remarks and she knew he could
|
|
be trusted to the death, steadfast, a sterling man, a man of inflexible
|
|
honour to his fingertips. His hands and face were working and a tremour
|
|
went over her. She leaned back far to look up where the fireworks were
|
|
and she caught her knee in her hands so as not to fall back looking up
|
|
and there was no-one to see only him and her when she revealed all her
|
|
graceful beautifully shaped legs like that, supply soft and delicately
|
|
rounded, and she seemed to hear the panting of his heart, his hoarse
|
|
breathing, because she knew too about the passion of men like that,
|
|
hotblooded, because Bertha Supple told her once in dead secret and made
|
|
her swear she'd never about the gentleman lodger that was staying with
|
|
them out of the Congested Districts Board that had pictures cut out of
|
|
papers of those skirtdancers and highkickers and she said he used to do
|
|
something not very nice that you could imagine sometimes in the bed. But
|
|
this was altogether different from a thing like that because there was
|
|
all the difference because she could almost feel him draw her face to
|
|
his and the first quick hot touch of his handsome lips. Besides there
|
|
was absolution so long as you didn't do the other thing before being
|
|
married and there ought to be women priests that would understand
|
|
without your telling out and Cissy Caffrey too sometimes had that dreamy
|
|
kind of dreamy look in her eyes so that she too, my dear, and Winny
|
|
Rippingham so mad about actors' photographs and besides it was on
|
|
account of that other thing coming on the way it did.
|
|
|
|
And Jacky Caffrey shouted to look, there was another and she leaned back
|
|
and the garters were blue to match on account of the transparent and
|
|
they all saw it and they all shouted to look, look, there it was and
|
|
she leaned back ever so far to see the fireworks and something queer was
|
|
flying through the air, a soft thing, to and fro, dark. And she saw a
|
|
long Roman candle going up over the trees, up, up, and, in the tense
|
|
hush, they were all breathless with excitement as it went higher and
|
|
higher and she had to lean back more and more to look up after it, high,
|
|
high, almost out of sight, and her face was suffused with a divine, an
|
|
entrancing blush from straining back and he could see her other things
|
|
too, nainsook knickers, the fabric that caresses the skin, better than
|
|
those other pettiwidth, the green, four and eleven, on account of being
|
|
white and she let him and she saw that he saw and then it went so high
|
|
it went out of sight a moment and she was trembling in every limb from
|
|
being bent so far back that he had a full view high up above her knee
|
|
where no-one ever not even on the swing or wading and she wasn't ashamed
|
|
and he wasn't either to look in that immodest way like that because he
|
|
couldn't resist the sight of the wondrous revealment half offered like
|
|
those skirtdancers behaving so immodest before gentlemen looking and he
|
|
kept on looking, looking. She would fain have cried to him chokingly,
|
|
held out her snowy slender arms to him to come, to feel his lips laid on
|
|
her white brow, the cry of a young girl's love, a little strangled cry,
|
|
wrung from her, that cry that has rung through the ages. And then a
|
|
rocket sprang and bang shot blind blank and O! then the Roman candle
|
|
burst and it was like a sigh of O! and everyone cried O! O! in raptures
|
|
and it gushed out of it a stream of rain gold hair threads and they
|
|
shed and ah! they were all greeny dewy stars falling with golden, O so
|
|
lovely, O, soft, sweet, soft!
|
|
|
|
Then all melted away dewily in the grey air: all was silent. Ah! She
|
|
glanced at him as she bent forward quickly, a pathetic little glance of
|
|
piteous protest, of shy reproach under which he coloured like a girl He
|
|
was leaning back against the rock behind. Leopold Bloom (for it is he)
|
|
stands silent, with bowed head before those young guileless eyes. What a
|
|
brute he had been! At it again? A fair unsullied soul had called to him
|
|
and, wretch that he was, how had he answered? An utter cad he had been!
|
|
He of all men! But there was an infinite store of mercy in those eyes,
|
|
for him too a word of pardon even though he had erred and sinned and
|
|
wandered. Should a girl tell? No, a thousand times no. That was their
|
|
secret, only theirs, alone in the hiding twilight and there was none to
|
|
know or tell save the little bat that flew so softly through the evening
|
|
to and fro and little bats don't tell.
|
|
|
|
Cissy Caffrey whistled, imitating the boys in the football field to show
|
|
what a great person she was: and then she cried:
|
|
|
|
--Gerty! Gerty! We're going. Come on. We can see from farther up.
|
|
|
|
Gerty had an idea, one of love's little ruses. She slipped a hand into
|
|
her kerchief pocket and took out the wadding and waved in reply of
|
|
course without letting him and then slipped it back. Wonder if he's too
|
|
far to. She rose. Was it goodbye? No. She had to go but they would meet
|
|
again, there, and she would dream of that till then, tomorrow, of her
|
|
dream of yester eve. She drew herself up to her full height. Their souls
|
|
met in a last lingering glance and the eyes that reached her heart, full
|
|
of a strange shining, hung enraptured on her sweet flowerlike face. She
|
|
half smiled at him wanly, a sweet forgiving smile, a smile that verged
|
|
on tears, and then they parted.
|
|
|
|
Slowly, without looking back she went down the uneven strand to Cissy,
|
|
to Edy to Jacky and Tommy Caffrey, to little baby Boardman. It was
|
|
darker now and there were stones and bits of wood on the strand and
|
|
slippy seaweed. She walked with a certain quiet dignity characteristic
|
|
of her but with care and very slowly because--because Gerty MacDowell
|
|
was...
|
|
|
|
Tight boots? No. She's lame! O!
|
|
|
|
Mr Bloom watched her as she limped away. Poor girl! That's why she's
|
|
left on the shelf and the others did a sprint. Thought something was
|
|
wrong by the cut of her jib. Jilted beauty. A defect is ten times worse
|
|
in a woman. But makes them polite. Glad I didn't know it when she was on
|
|
show. Hot little devil all the same. I wouldn't mind. Curiosity like a
|
|
nun or a negress or a girl with glasses. That squinty one is delicate.
|
|
Near her monthlies, I expect, makes them feel ticklish. I have such
|
|
a bad headache today. Where did I put the letter? Yes, all right. All
|
|
kinds of crazy longings. Licking pennies. Girl in Tranquilla convent
|
|
that nun told me liked to smell rock oil. Virgins go mad in the end I
|
|
suppose. Sister? How many women in Dublin have it today? Martha, she.
|
|
Something in the air. That's the moon. But then why don't all women
|
|
menstruate at the same time with the same moon, I mean? Depends on the
|
|
time they were born I suppose. Or all start scratch then get out of
|
|
step. Sometimes Molly and Milly together. Anyhow I got the best of that.
|
|
Damned glad I didn't do it in the bath this morning over her silly I
|
|
will punish you letter. Made up for that tramdriver this morning. That
|
|
gouger M'Coy stopping me to say nothing. And his wife engagement in the
|
|
country valise, voice like a pickaxe. Thankful for small mercies.
|
|
Cheap too. Yours for the asking. Because they want it themselves. Their
|
|
natural craving. Shoals of them every evening poured out of offices.
|
|
Reserve better. Don't want it they throw it at you. Catch em alive, O.
|
|
Pity they can't see themselves. A dream of wellfilled hose. Where was
|
|
that? Ah, yes. Mutoscope pictures in Capel street: for men only. Peeping
|
|
Tom. Willy's hat and what the girls did with it. Do they snapshot those
|
|
girls or is it all a fake? _Lingerie_ does it. Felt for the curves
|
|
inside her _deshabille._ Excites them also when they're. I'm all clean
|
|
come and dirty me. And they like dressing one another for the sacrifice.
|
|
Milly delighted with Molly's new blouse. At first. Put them all on to
|
|
take them all off. Molly. Why I bought her the violet garters. Us too:
|
|
the tie he wore, his lovely socks and turnedup trousers. He wore a pair
|
|
of gaiters the night that first we met. His lovely shirt was shining
|
|
beneath his what? of jet. Say a woman loses a charm with every pin she
|
|
takes out. Pinned together. O, Mairy lost the pin of her. Dressed up to
|
|
the nines for somebody. Fashion part of their charm. Just changes when
|
|
you're on the track of the secret. Except the east: Mary, Martha: now as
|
|
then. No reasonable offer refused. She wasn't in a hurry either. Always
|
|
off to a fellow when they are. They never forget an appointment. Out on
|
|
spec probably. They believe in chance because like themselves. And the
|
|
others inclined to give her an odd dig. Girl friends at school, arms
|
|
round each other's necks or with ten fingers locked, kissing and
|
|
whispering secrets about nothing in the convent garden. Nuns with
|
|
whitewashed faces, cool coifs and their rosaries going up and down,
|
|
vindictive too for what they can't get. Barbed wire. Be sure now and
|
|
write to me. And I'll write to you. Now won't you? Molly and Josie
|
|
Powell. Till Mr Right comes along, then meet once in a blue moon.
|
|
_Tableau!_ O, look who it is for the love of God! How are you at all?
|
|
What have you been doing with yourself? Kiss and delighted to, kiss,
|
|
to see you. Picking holes in each other's appearance. You're looking
|
|
splendid. Sister souls. Showing their teeth at one another. How many
|
|
have you left? Wouldn't lend each other a pinch of salt.
|
|
|
|
Ah!
|
|
|
|
Devils they are when that's coming on them. Dark devilish appearance.
|
|
Molly often told me feel things a ton weight. Scratch the sole of my
|
|
foot. O that way! O, that's exquisite! Feel it myself too. Good to rest
|
|
once in a way. Wonder if it's bad to go with them then. Safe in one way.
|
|
Turns milk, makes fiddlestrings snap. Something about withering plants I
|
|
read in a garden. Besides they say if the flower withers she wears she's
|
|
a flirt. All are. Daresay she felt 1. When you feel like that you often
|
|
meet what you feel. Liked me or what? Dress they look at. Always know a
|
|
fellow courting: collars and cuffs. Well cocks and lions do the same
|
|
and stags. Same time might prefer a tie undone or something. Trousers?
|
|
Suppose I when I was? No. Gently does it. Dislike rough and tumble. Kiss
|
|
in the dark and never tell. Saw something in me. Wonder what. Sooner
|
|
have me as I am than some poet chap with bearsgrease plastery hair,
|
|
lovelock over his dexter optic. To aid gentleman in literary. Ought to
|
|
attend to my appearance my age. Didn't let her see me in profile. Still,
|
|
you never know. Pretty girls and ugly men marrying. Beauty and the
|
|
beast. Besides I can't be so if Molly. Took off her hat to show her
|
|
hair. Wide brim. Bought to hide her face, meeting someone might know
|
|
her, bend down or carry a bunch of flowers to smell. Hair strong in rut.
|
|
Ten bob I got for Molly's combings when we were on the rocks in Holles
|
|
street. Why not? Suppose he gave her money. Why not? All a prejudice.
|
|
She's worth ten, fifteen, more, a pound. What? I think so. All that for
|
|
nothing. Bold hand: Mrs Marion. Did I forget to write address on
|
|
that letter like the postcard I sent to Flynn? And the day I went to
|
|
Drimmie's without a necktie. Wrangle with Molly it was put me off. No,
|
|
I remember. Richie Goulding: he's another. Weighs on his mind. Funny
|
|
my watch stopped at half past four. Dust. Shark liver oil they use to
|
|
clean. Could do it myself. Save. Was that just when he, she?
|
|
|
|
O, he did. Into her. She did. Done.
|
|
|
|
Ah!
|
|
|
|
Mr Bloom with careful hand recomposed his wet shirt. O Lord, that little
|
|
limping devil. Begins to feel cold and clammy. Aftereffect not pleasant.
|
|
Still you have to get rid of it someway. They don't care. Complimented
|
|
perhaps. Go home to nicey bread and milky and say night prayers with the
|
|
kiddies. Well, aren't they? See her as she is spoil all. Must have
|
|
the stage setting, the rouge, costume, position, music. The name too.
|
|
_Amours_ of actresses. Nell Gwynn, Mrs Bracegirdle, Maud Branscombe.
|
|
Curtain up. Moonlight silver effulgence. Maiden discovered with pensive
|
|
bosom. Little sweetheart come and kiss me. Still, I feel. The strength
|
|
it gives a man. That's the secret of it. Good job I let off there behind
|
|
the wall coming out of Dignam's. Cider that was. Otherwise I couldn't
|
|
have. Makes you want to sing after. _Lacaus esant taratara_. Suppose I
|
|
spoke to her. What about? Bad plan however if you don't know how to end
|
|
the conversation. Ask them a question they ask you another. Good idea if
|
|
you're stuck. Gain time. But then you're in a cart. Wonderful of course
|
|
if you say: good evening, and you see she's on for it: good evening. O
|
|
but the dark evening in the Appian way I nearly spoke to Mrs Clinch O
|
|
thinking she was. Whew! Girl in Meath street that night. All the dirty
|
|
things I made her say. All wrong of course. My arks she called it. It's
|
|
so hard to find one who. Aho! If you don't answer when they solicit must
|
|
be horrible for them till they harden. And kissed my hand when I gave
|
|
her the extra two shillings. Parrots. Press the button and the bird will
|
|
squeak. Wish she hadn't called me sir. O, her mouth in the dark! And you
|
|
a married man with a single girl! That's what they enjoy. Taking a man
|
|
from another woman. Or even hear of it. Different with me. Glad to get
|
|
away from other chap's wife. Eating off his cold plate. Chap in the
|
|
Burton today spitting back gumchewed gristle. French letter still in
|
|
my pocketbook. Cause of half the trouble. But might happen sometime,
|
|
I don't think. Come in, all is prepared. I dreamt. What? Worst is
|
|
beginning. How they change the venue when it's not what they like. Ask
|
|
you do you like mushrooms because she once knew a gentleman who. Or ask
|
|
you what someone was going to say when he changed his mind and stopped.
|
|
Yet if I went the whole hog, say: I want to, something like that.
|
|
Because I did. She too. Offend her. Then make it up. Pretend to want
|
|
something awfully, then cry off for her sake. Flatters them. She must
|
|
have been thinking of someone else all the time. What harm? Must since
|
|
she came to the use of reason, he, he and he. First kiss does the trick.
|
|
The propitious moment. Something inside them goes pop. Mushy like, tell
|
|
by their eye, on the sly. First thoughts are best. Remember that till
|
|
their dying day. Molly, lieutenant Mulvey that kissed her under the
|
|
Moorish wall beside the gardens. Fifteen she told me. But her breasts
|
|
were developed. Fell asleep then. After Glencree dinner that was when we
|
|
drove home. Featherbed mountain. Gnashing her teeth in sleep. Lord mayor
|
|
had his eye on her too. Val Dillon. Apoplectic.
|
|
|
|
There she is with them down there for the fireworks. My fireworks. Up
|
|
like a rocket, down like a stick. And the children, twins they must
|
|
be, waiting for something to happen. Want to be grownups. Dressing in
|
|
mother's clothes. Time enough, understand all the ways of the world. And
|
|
the dark one with the mop head and the nigger mouth. I knew she could
|
|
whistle. Mouth made for that. Like Molly. Why that highclass whore in
|
|
Jammet's wore her veil only to her nose. Would you mind, please, telling
|
|
me the right time? I'll tell you the right time up a dark lane.
|
|
Say prunes and prisms forty times every morning, cure for fat lips.
|
|
Caressing the little boy too. Onlookers see most of the game. Of course
|
|
they understand birds, animals, babies. In their line.
|
|
|
|
Didn't look back when she was going down the strand. Wouldn't give that
|
|
satisfaction. Those girls, those girls, those lovely seaside girls. Fine
|
|
eyes she had, clear. It's the white of the eye brings that out not so
|
|
much the pupil. Did she know what I? Course. Like a cat sitting beyond
|
|
a dog's jump. Women never meet one like that Wilkins in the high school
|
|
drawing a picture of Venus with all his belongings on show. Call that
|
|
innocence? Poor idiot! His wife has her work cut out for her. Never see
|
|
them sit on a bench marked _Wet Paint_. Eyes all over them. Look under
|
|
the bed for what's not there. Longing to get the fright of their lives.
|
|
Sharp as needles they are. When I said to Molly the man at the corner of
|
|
Cuffe street was goodlooking, thought she might like, twigged at once he
|
|
had a false arm. Had, too. Where do they get that? Typist going up Roger
|
|
Greene's stairs two at a time to show her understandings. Handed down
|
|
from father to, mother to daughter, I mean. Bred in the bone. Milly for
|
|
example drying her handkerchief on the mirror to save the ironing. Best
|
|
place for an ad to catch a woman's eye on a mirror. And when I sent
|
|
her for Molly's Paisley shawl to Prescott's by the way that ad I must,
|
|
carrying home the change in her stocking! Clever little minx. I never
|
|
told her. Neat way she carries parcels too. Attract men, small thing
|
|
like that. Holding up her hand, shaking it, to let the blood flow back
|
|
when it was red. Who did you learn that from? Nobody. Something the
|
|
nurse taught me. O, don't they know! Three years old she was in front of
|
|
Molly's dressingtable, just before we left Lombard street west. Me have
|
|
a nice pace. Mullingar. Who knows? Ways of the world. Young student.
|
|
Straight on her pins anyway not like the other. Still she was game.
|
|
Lord, I am wet. Devil you are. Swell of her calf. Transparent stockings,
|
|
stretched to breaking point. Not like that frump today. A. E. Rumpled
|
|
stockings. Or the one in Grafton street. White. Wow! Beef to the heel.
|
|
|
|
A monkey puzzle rocket burst, spluttering in darting crackles. Zrads and
|
|
zrads, zrads, zrads. And Cissy and Tommy and Jacky ran out to see and
|
|
Edy after with the pushcar and then Gerty beyond the curve of the rocks.
|
|
Will she? Watch! Watch! See! Looked round. She smelt an onion. Darling,
|
|
I saw, your. I saw all.
|
|
|
|
Lord!
|
|
|
|
Did me good all the same. Off colour after Kiernan's, Dignam's. For
|
|
this relief much thanks. In _Hamlet,_ that is. Lord! It was all things
|
|
combined. Excitement. When she leaned back, felt an ache at the butt
|
|
of my tongue. Your head it simply swirls. He's right. Might have made a
|
|
worse fool of myself however. Instead of talking about nothing. Then
|
|
I will tell you all. Still it was a kind of language between us. It
|
|
couldn't be? No, Gerty they called her. Might be false name however like
|
|
my name and the address Dolphin's barn a blind.
|
|
|
|
_Her maiden name was Jemina Brown And she lived with her mother in
|
|
Irishtown._
|
|
|
|
Place made me think of that I suppose. All tarred with the same brush
|
|
Wiping pens in their stockings. But the ball rolled down to her as if
|
|
it understood. Every bullet has its billet. Course I never could throw
|
|
anything straight at school. Crooked as a ram's horn. Sad however
|
|
because it lasts only a few years till they settle down to potwalloping
|
|
and papa's pants will soon fit Willy and fuller's earth for the baby
|
|
when they hold him out to do ah ah. No soft job. Saves them. Keeps
|
|
them out of harm's way. Nature. Washing child, washing corpse. Dignam.
|
|
Children's hands always round them. Cocoanut skulls, monkeys, not even
|
|
closed at first, sour milk in their swaddles and tainted curds. Oughtn't
|
|
to have given that child an empty teat to suck. Fill it up with wind.
|
|
Mrs Beaufoy, Purefoy. Must call to the hospital. Wonder is nurse Callan
|
|
there still. She used to look over some nights when Molly was in the
|
|
Coffee Palace. That young doctor O'Hare I noticed her brushing his coat.
|
|
And Mrs Breen and Mrs Dignam once like that too, marriageable. Worst
|
|
of all at night Mrs Duggan told me in the City Arms. Husband rolling in
|
|
drunk, stink of pub off him like a polecat. Have that in your nose in
|
|
the dark, whiff of stale boose. Then ask in the morning: was I drunk
|
|
last night? Bad policy however to fault the husband. Chickens come home
|
|
to roost. They stick by one another like glue. Maybe the women's fault
|
|
also. That's where Molly can knock spots off them. It's the blood of the
|
|
south. Moorish. Also the form, the figure. Hands felt for the opulent.
|
|
Just compare for instance those others. Wife locked up at home, skeleton
|
|
in the cupboard. Allow me to introduce my. Then they trot you out some
|
|
kind of a nondescript, wouldn't know what to call her. Always see a
|
|
fellow's weak point in his wife. Still there's destiny in it, falling
|
|
in love. Have their own secrets between them. Chaps that would go to the
|
|
dogs if some woman didn't take them in hand. Then little chits of girls,
|
|
height of a shilling in coppers, with little hubbies. As God made them
|
|
he matched them. Sometimes children turn out well enough. Twice nought
|
|
makes one. Or old rich chap of seventy and blushing bride. Marry in May
|
|
and repent in December. This wet is very unpleasant. Stuck. Well the
|
|
foreskin is not back. Better detach.
|
|
|
|
Ow!
|
|
|
|
Other hand a sixfooter with a wifey up to his watchpocket. Long and
|
|
the short of it. Big he and little she. Very strange about my watch.
|
|
Wristwatches are always going wrong. Wonder is there any magnetic
|
|
influence between the person because that was about the time he. Yes, I
|
|
suppose, at once. Cat's away, the mice will play. I remember looking
|
|
in Pill lane. Also that now is magnetism. Back of everything magnetism.
|
|
Earth for instance pulling this and being pulled. That causes movement.
|
|
And time, well that's the time the movement takes. Then if one thing
|
|
stopped the whole ghesabo would stop bit by bit. Because it's all
|
|
arranged. Magnetic needle tells you what's going on in the sun, the
|
|
stars. Little piece of steel iron. When you hold out the fork. Come.
|
|
Come. Tip. Woman and man that is. Fork and steel. Molly, he. Dress up
|
|
and look and suggest and let you see and see more and defy you if you're
|
|
a man to see that and, like a sneeze coming, legs, look, look and if you
|
|
have any guts in you. Tip. Have to let fly.
|
|
|
|
Wonder how is she feeling in that region. Shame all put on before third
|
|
person. More put out about a hole in her stocking. Molly, her underjaw
|
|
stuck out, head back, about the farmer in the ridingboots and spurs at
|
|
the horse show. And when the painters were in Lombard street west.
|
|
Fine voice that fellow had. How Giuglini began. Smell that I did. Like
|
|
flowers. It was too. Violets. Came from the turpentine probably in the
|
|
paint. Make their own use of everything. Same time doing it scraped her
|
|
slipper on the floor so they wouldn't hear. But lots of them can't kick
|
|
the beam, I think. Keep that thing up for hours. Kind of a general all
|
|
round over me and half down my back.
|
|
|
|
Wait. Hm. Hm. Yes. That's her perfume. Why she waved her hand. I leave
|
|
you this to think of me when I'm far away on the pillow. What is it?
|
|
Heliotrope? No. Hyacinth? Hm. Roses, I think. She'd like scent of that
|
|
kind. Sweet and cheap: soon sour. Why Molly likes opoponax. Suits her,
|
|
with a little jessamine mixed. Her high notes and her low notes. At the
|
|
dance night she met him, dance of the hours. Heat brought it out. She
|
|
was wearing her black and it had the perfume of the time before. Good
|
|
conductor, is it? Or bad? Light too. Suppose there's some connection.
|
|
For instance if you go into a cellar where it's dark. Mysterious thing
|
|
too. Why did I smell it only now? Took its time in coming like herself,
|
|
slow but sure. Suppose it's ever so many millions of tiny grains
|
|
blown across. Yes, it is. Because those spice islands, Cinghalese this
|
|
morning, smell them leagues off. Tell you what it is. It's like a fine
|
|
fine veil or web they have all over the skin, fine like what do you
|
|
call it gossamer, and they're always spinning it out of them, fine as
|
|
anything, like rainbow colours without knowing it. Clings to everything
|
|
she takes off. Vamp of her stockings. Warm shoe. Stays. Drawers: little
|
|
kick, taking them off. Byby till next time. Also the cat likes to sniff
|
|
in her shift on the bed. Know her smell in a thousand. Bathwater too.
|
|
Reminds me of strawberries and cream. Wonder where it is really. There
|
|
or the armpits or under the neck. Because you get it out of all holes
|
|
and corners. Hyacinth perfume made of oil of ether or something.
|
|
Muskrat. Bag under their tails. One grain pour off odour for years. Dogs
|
|
at each other behind. Good evening. Evening. How do you sniff? Hm. Hm.
|
|
Very well, thank you. Animals go by that. Yes now, look at it that way.
|
|
We're the same. Some women, instance, warn you off when they have their
|
|
period. Come near. Then get a hogo you could hang your hat on. Like
|
|
what? Potted herrings gone stale or. Boof! Please keep off the grass.
|
|
|
|
Perhaps they get a man smell off us. What though? Cigary gloves long
|
|
John had on his desk the other day. Breath? What you eat and drink gives
|
|
that. No. Mansmell, I mean. Must be connected with that because priests
|
|
that are supposed to be are different. Women buzz round it like flies
|
|
round treacle. Railed off the altar get on to it at any cost. The tree
|
|
of forbidden priest. O, father, will you? Let me be the first to. That
|
|
diffuses itself all through the body, permeates. Source of life. And
|
|
it's extremely curious the smell. Celery sauce. Let me.
|
|
|
|
Mr Bloom inserted his nose. Hm. Into the. Hm. Opening of his waistcoat.
|
|
Almonds or. No. Lemons it is. Ah no, that's the soap.
|
|
|
|
O by the by that lotion. I knew there was something on my mind. Never
|
|
went back and the soap not paid. Dislike carrying bottles like that hag
|
|
this morning. Hynes might have paid me that three shillings. I could
|
|
mention Meagher's just to remind him. Still if he works that paragraph.
|
|
Two and nine. Bad opinion of me he'll have. Call tomorrow. How much do
|
|
I owe you? Three and nine? Two and nine, sir. Ah. Might stop him giving
|
|
credit another time. Lose your customers that way. Pubs do. Fellows run
|
|
up a bill on the slate and then slinking around the back streets into
|
|
somewhere else.
|
|
|
|
Here's this nobleman passed before. Blown in from the bay. Just went as
|
|
far as turn back. Always at home at dinnertime. Looks mangled out: had a
|
|
good tuck in. Enjoying nature now. Grace after meals. After supper walk
|
|
a mile. Sure he has a small bank balance somewhere, government sit. Walk
|
|
after him now make him awkward like those newsboys me today. Still you
|
|
learn something. See ourselves as others see us. So long as women don't
|
|
mock what matter? That's the way to find out. Ask yourself who is he
|
|
now. _The Mystery Man on the Beach_, prize titbit story by Mr Leopold
|
|
Bloom. Payment at the rate of one guinea per column. And that fellow
|
|
today at the graveside in the brown macintosh. Corns on his kismet
|
|
however. Healthy perhaps absorb all the. Whistle brings rain they say.
|
|
Must be some somewhere. Salt in the Ormond damp. The body feels the
|
|
atmosphere. Old Betty's joints are on the rack. Mother Shipton's
|
|
prophecy that is about ships around they fly in the twinkling. No. Signs
|
|
of rain it is. The royal reader. And distant hills seem coming nigh.
|
|
|
|
Howth. Bailey light. Two, four, six, eight, nine. See. Has to change or
|
|
they might think it a house. Wreckers. Grace Darling. People afraid of
|
|
the dark. Also glowworms, cyclists: lightingup time. Jewels diamonds
|
|
flash better. Women. Light is a kind of reassuring. Not going to hurt
|
|
you. Better now of course than long ago. Country roads. Run you through
|
|
the small guts for nothing. Still two types there are you bob against.
|
|
Scowl or smile. Pardon! Not at all. Best time to spray plants too in
|
|
the shade after the sun. Some light still. Red rays are longest. Roygbiv
|
|
Vance taught us: red, orange, yellow, green, blue, indigo, violet. A
|
|
star I see. Venus? Can't tell yet. Two. When three it's night. Were
|
|
those nightclouds there all the time? Looks like a phantom ship. No.
|
|
Wait. Trees are they? An optical illusion. Mirage. Land of the setting
|
|
sun this. Homerule sun setting in the southeast. My native land,
|
|
goodnight.
|
|
|
|
Dew falling. Bad for you, dear, to sit on that stone. Brings on white
|
|
fluxions. Never have little baby then less he was big strong fight his
|
|
way up through. Might get piles myself. Sticks too like a summer cold,
|
|
sore on the mouth. Cut with grass or paper worst. Friction of the
|
|
position. Like to be that rock she sat on. O sweet little, you don't
|
|
know how nice you looked. I begin to like them at that age. Green
|
|
apples. Grab at all that offer. Suppose it's the only time we cross
|
|
legs, seated. Also the library today: those girl graduates. Happy chairs
|
|
under them. But it's the evening influence. They feel all that. Open
|
|
like flowers, know their hours, sunflowers, Jerusalem artichokes, in
|
|
ballrooms, chandeliers, avenues under the lamps. Nightstock in Mat
|
|
Dillon's garden where I kissed her shoulder. Wish I had a full length
|
|
oilpainting of her then. June that was too I wooed. The year returns.
|
|
History repeats itself. Ye crags and peaks I'm with you once again.
|
|
Life, love, voyage round your own little world. And now? Sad about her
|
|
lame of course but must be on your guard not to feel too much pity. They
|
|
take advantage.
|
|
|
|
All quiet on Howth now. The distant hills seem. Where we. The
|
|
rhododendrons. I am a fool perhaps. He gets the plums, and I the
|
|
plumstones. Where I come in. All that old hill has seen. Names change:
|
|
that's all. Lovers: yum yum.
|
|
|
|
Tired I feel now. Will I get up? O wait. Drained all the manhood out of
|
|
me, little wretch. She kissed me. Never again. My youth. Only once it
|
|
comes. Or hers. Take the train there tomorrow. No. Returning not the
|
|
same. Like kids your second visit to a house. The new I want. Nothing
|
|
new under the sun. Care of P. O. Dolphin's Barn. Are you not happy in
|
|
your? Naughty darling. At Dolphin's barn charades in Luke Doyle's house.
|
|
Mat Dillon and his bevy of daughters: Tiny, Atty, Floey, Maimy, Louy,
|
|
Hetty. Molly too. Eightyseven that was. Year before we. And the old
|
|
major, partial to his drop of spirits. Curious she an only child, I an
|
|
only child. So it returns. Think you're escaping and run into yourself.
|
|
Longest way round is the shortest way home. And just when he and she.
|
|
Circus horse walking in a ring. Rip van Winkle we played. Rip: tear in
|
|
Henny Doyle's overcoat. Van: breadvan delivering. Winkle: cockles and
|
|
periwinkles. Then I did Rip van Winkle coming back. She leaned on the
|
|
sideboard watching. Moorish eyes. Twenty years asleep in Sleepy Hollow.
|
|
All changed. Forgotten. The young are old. His gun rusty from the dew.
|
|
|
|
Ba. What is that flying about? Swallow? Bat probably. Thinks I'm a tree,
|
|
so blind. Have birds no smell? Metempsychosis. They believed you could
|
|
be changed into a tree from grief. Weeping willow. Ba. There he goes.
|
|
Funny little beggar. Wonder where he lives. Belfry up there. Very
|
|
likely. Hanging by his heels in the odour of sanctity. Bell scared him
|
|
out, I suppose. Mass seems to be over. Could hear them all at it. Pray
|
|
for us. And pray for us. And pray for us. Good idea the repetition. Same
|
|
thing with ads. Buy from us. And buy from us. Yes, there's the light in
|
|
the priest's house. Their frugal meal. Remember about the mistake in the
|
|
valuation when I was in Thom's. Twentyeight it is. Two houses they have.
|
|
Gabriel Conroy's brother is curate. Ba. Again. Wonder why they come out
|
|
at night like mice. They're a mixed breed. Birds are like hopping mice.
|
|
What frightens them, light or noise? Better sit still. All instinct
|
|
like the bird in drouth got water out of the end of a jar by throwing
|
|
in pebbles. Like a little man in a cloak he is with tiny hands. Weeny
|
|
bones. Almost see them shimmering, kind of a bluey white. Colours depend
|
|
on the light you see. Stare the sun for example like the eagle then look
|
|
at a shoe see a blotch blob yellowish. Wants to stamp his trademark on
|
|
everything. Instance, that cat this morning on the staircase. Colour of
|
|
brown turf. Say you never see them with three colours. Not true. That
|
|
half tabbywhite tortoiseshell in the _City Arms_ with the letter em on
|
|
her forehead. Body fifty different colours. Howth a while ago amethyst.
|
|
Glass flashing. That's how that wise man what's his name with the
|
|
burning glass. Then the heather goes on fire. It can't be tourists'
|
|
matches. What? Perhaps the sticks dry rub together in the wind and
|
|
light. Or broken bottles in the furze act as a burning glass in the sun.
|
|
Archimedes. I have it! My memory's not so bad.
|
|
|
|
Ba. Who knows what they're always flying for. Insects? That bee last
|
|
week got into the room playing with his shadow on the ceiling. Might
|
|
be the one bit me, come back to see. Birds too. Never find out. Or what
|
|
they say. Like our small talk. And says she and says he. Nerve they have
|
|
to fly over the ocean and back. Lots must be killed in storms, telegraph
|
|
wires. Dreadful life sailors have too. Big brutes of oceangoing steamers
|
|
floundering along in the dark, lowing out like seacows. _Faugh a
|
|
Ballagh!_ Out of that, bloody curse to you! Others in vessels, bit of
|
|
a handkerchief sail, pitched about like snuff at a wake when the stormy
|
|
winds do blow. Married too. Sometimes away for years at the ends of the
|
|
earth somewhere. No ends really because it's round. Wife in every port
|
|
they say. She has a good job if she minds it till Johnny comes marching
|
|
home again. If ever he does. Smelling the tail end of ports. How can
|
|
they like the sea? Yet they do. The anchor's weighed. Off he sails with
|
|
a scapular or a medal on him for luck. Well. And the tephilim no what's
|
|
this they call it poor papa's father had on his door to touch. That
|
|
brought us out of the land of Egypt and into the house of bondage.
|
|
Something in all those superstitions because when you go out never know
|
|
what dangers. Hanging on to a plank or astride of a beam for grim life,
|
|
lifebelt round him, gulping salt water, and that's the last of his nibs
|
|
till the sharks catch hold of him. Do fish ever get seasick?
|
|
|
|
Then you have a beautiful calm without a cloud, smooth sea, placid,
|
|
crew and cargo in smithereens, Davy Jones' locker, moon looking down so
|
|
peaceful. Not my fault, old cockalorum.
|
|
|
|
A last lonely candle wandered up the sky from Mirus bazaar in search of
|
|
funds for Mercer's hospital and broke, drooping, and shed a cluster
|
|
of violet but one white stars. They floated, fell: they faded. The
|
|
shepherd's hour: the hour of folding: hour of tryst. From house to
|
|
house, giving his everwelcome double knock, went the nine o'clock
|
|
postman, the glowworm's lamp at his belt gleaming here and there through
|
|
the laurel hedges. And among the five young trees a hoisted lintstock
|
|
lit the lamp at Leahy's terrace. By screens of lighted windows, by equal
|
|
gardens a shrill voice went crying, wailing: _Evening Telegraph, stop
|
|
press edition! Result of the Gold Cup race!_ and from the door of
|
|
Dignam's house a boy ran out and called. Twittering the bat flew here,
|
|
flew there. Far out over the sands the coming surf crept, grey. Howth
|
|
settled for slumber, tired of long days, of yumyum rhododendrons (he was
|
|
old) and felt gladly the night breeze lift, ruffle his fell of ferns.
|
|
He lay but opened a red eye unsleeping, deep and slowly breathing,
|
|
slumberous but awake. And far on Kish bank the anchored lightship
|
|
twinkled, winked at Mr Bloom.
|
|
|
|
Life those chaps out there must have, stuck in the same spot. Irish
|
|
Lights board. Penance for their sins. Coastguards too. Rocket and
|
|
breeches buoy and lifeboat. Day we went out for the pleasure cruise in
|
|
the Erin's King, throwing them the sack of old papers. Bears in the zoo.
|
|
Filthy trip. Drunkards out to shake up their livers. Puking overboard
|
|
to feed the herrings. Nausea. And the women, fear of God in their faces.
|
|
Milly, no sign of funk. Her blue scarf loose, laughing. Don't know what
|
|
death is at that age. And then their stomachs clean. But being lost they
|
|
fear. When we hid behind the tree at Crumlin. I didn't want to. Mamma!
|
|
Mamma! Babes in the wood. Frightening them with masks too. Throwing them
|
|
up in the air to catch them. I'll murder you. Is it only half fun? Or
|
|
children playing battle. Whole earnest. How can people aim guns at each
|
|
other. Sometimes they go off. Poor kids! Only troubles wildfire and
|
|
nettlerash. Calomel purge I got her for that. After getting better
|
|
asleep with Molly. Very same teeth she has. What do they love? Another
|
|
themselves? But the morning she chased her with the umbrella. Perhaps so
|
|
as not to hurt. I felt her pulse. Ticking. Little hand it was: now big.
|
|
Dearest Papli. All that the hand says when you touch. Loved to count
|
|
my waistcoat buttons. Her first stays I remember. Made me laugh to see.
|
|
Little paps to begin with. Left one is more sensitive, I think. Mine
|
|
too. Nearer the heart? Padding themselves out if fat is in fashion. Her
|
|
growing pains at night, calling, wakening me. Frightened she was when
|
|
her nature came on her first. Poor child! Strange moment for the mother
|
|
too. Brings back her girlhood. Gibraltar. Looking from Buena Vista.
|
|
O'Hara's tower. The seabirds screaming. Old Barbary ape that gobbled all
|
|
his family. Sundown, gunfire for the men to cross the lines. Looking
|
|
out over the sea she told me. Evening like this, but clear, no clouds.
|
|
I always thought I'd marry a lord or a rich gentleman coming with a
|
|
private yacht. _Buenas noches, senorita. El hombre ama la muchacha
|
|
hermosa_. Why me? Because you were so foreign from the others.
|
|
|
|
Better not stick here all night like a limpet. This weather makes you
|
|
dull. Must be getting on for nine by the light. Go home. Too late for
|
|
_Leah, Lily of Killarney._ No. Might be still up. Call to the hospital
|
|
to see. Hope she's over. Long day I've had. Martha, the bath, funeral,
|
|
house of Keyes, museum with those goddesses, Dedalus' song. Then that
|
|
bawler in Barney Kiernan's. Got my own back there. Drunken ranters what
|
|
I said about his God made him wince. Mistake to hit back. Or? No.
|
|
Ought to go home and laugh at themselves. Always want to be swilling in
|
|
company. Afraid to be alone like a child of two. Suppose he hit me. Look
|
|
at it other way round. Not so bad then. Perhaps not to hurt he meant.
|
|
Three cheers for Israel. Three cheers for the sister-in-law he hawked
|
|
about, three fangs in her mouth. Same style of beauty. Particularly nice
|
|
old party for a cup of tea. The sister of the wife of the wild man of
|
|
Borneo has just come to town. Imagine that in the early morning at close
|
|
range. Everyone to his taste as Morris said when he kissed the cow. But
|
|
Dignam's put the boots on it. Houses of mourning so depressing because
|
|
you never know. Anyhow she wants the money. Must call to those Scottish
|
|
Widows as I promised. Strange name. Takes it for granted we're going to
|
|
pop off first. That widow on Monday was it outside Cramer's that
|
|
looked at me. Buried the poor husband but progressing favourably on
|
|
the premium. Her widow's mite. Well? What do you expect her to do? Must
|
|
wheedle her way along. Widower I hate to see. Looks so forlorn. Poor man
|
|
O'Connor wife and five children poisoned by mussels here. The sewage.
|
|
Hopeless. Some good matronly woman in a porkpie hat to mother him. Take
|
|
him in tow, platter face and a large apron. Ladies' grey flannelette
|
|
bloomers, three shillings a pair, astonishing bargain. Plain and loved,
|
|
loved for ever, they say. Ugly: no woman thinks she is. Love, lie and be
|
|
handsome for tomorrow we die. See him sometimes walking about trying to
|
|
find out who played the trick. U. p: up. Fate that is. He, not me. Also
|
|
a shop often noticed. Curse seems to dog it. Dreamt last night? Wait.
|
|
Something confused. She had red slippers on. Turkish. Wore the breeches.
|
|
Suppose she does? Would I like her in pyjamas? Damned hard to answer.
|
|
Nannetti's gone. Mailboat. Near Holyhead by now. Must nail that ad
|
|
of Keyes's. Work Hynes and Crawford. Petticoats for Molly. She has
|
|
something to put in them. What's that? Might be money.
|
|
|
|
Mr Bloom stooped and turned over a piece of paper on the strand. He
|
|
brought it near his eyes and peered. Letter? No. Can't read. Better go.
|
|
Better. I'm tired to move. Page of an old copybook. All those holes and
|
|
pebbles. Who could count them? Never know what you find. Bottle with
|
|
story of a treasure in it, thrown from a wreck. Parcels post. Children
|
|
always want to throw things in the sea. Trust? Bread cast on the waters.
|
|
What's this? Bit of stick.
|
|
|
|
O! Exhausted that female has me. Not so young now. Will she come here
|
|
tomorrow? Wait for her somewhere for ever. Must come back. Murderers do.
|
|
Will I?
|
|
|
|
Mr Bloom with his stick gently vexed the thick sand at his foot. Write a
|
|
message for her. Might remain. What?
|
|
|
|
I.
|
|
|
|
Some flatfoot tramp on it in the morning. Useless. Washed away. Tide
|
|
comes here. Saw a pool near her foot. Bend, see my face there, dark
|
|
mirror, breathe on it, stirs. All these rocks with lines and scars and
|
|
letters. O, those transparent! Besides they don't know. What is the
|
|
meaning of that other world. I called you naughty boy because I do not
|
|
like.
|
|
|
|
AM. A.
|
|
|
|
No room. Let it go.
|
|
|
|
Mr Bloom effaced the letters with his slow boot. Hopeless thing sand.
|
|
Nothing grows in it. All fades. No fear of big vessels coming up here.
|
|
Except Guinness's barges. Round the Kish in eighty days. Done half by
|
|
design.
|
|
|
|
He flung his wooden pen away. The stick fell in silted sand, stuck. Now
|
|
if you were trying to do that for a week on end you couldn't. Chance.
|
|
We'll never meet again. But it was lovely. Goodbye, dear. Thanks. Made
|
|
me feel so young.
|
|
|
|
Short snooze now if I had. Must be near nine. Liverpool boat long gone..
|
|
Not even the smoke. And she can do the other. Did too. And Belfast. I
|
|
won't go. Race there, race back to Ennis. Let him. Just close my eyes
|
|
a moment. Won't sleep, though. Half dream. It never comes the same. Bat
|
|
again. No harm in him. Just a few.
|
|
|
|
O sweety all your little girlwhite up I saw dirty bracegirdle made me do
|
|
love sticky we two naughty Grace darling she him half past the bed met
|
|
him pike hoses frillies for Raoul de perfume your wife black hair heave
|
|
under embon _senorita_ young eyes Mulvey plump bubs me breadvan Winkle
|
|
red slippers she rusty sleep wander years of dreams return tail end
|
|
Agendath swoony lovey showed me her next year in drawers return next in
|
|
her next her next.
|
|
|
|
A bat flew. Here. There. Here. Far in the grey a bell chimed. Mr Bloom
|
|
with open mouth, his left boot sanded sideways, leaned, breathed. Just
|
|
for a few
|
|
|
|
_Cuckoo
|
|
Cuckoo
|
|
Cuckoo._
|
|
|
|
The clock on the mantelpiece in the priest's house cooed where Canon
|
|
O'Hanlon and Father Conroy and the reverend John Hughes S. J. were
|
|
taking tea and sodabread and butter and fried mutton chops with catsup
|
|
and talking about
|
|
|
|
_Cuckoo
|
|
Cuckoo
|
|
Cuckoo._
|
|
|
|
Because it was a little canarybird that came out of its little house
|
|
to tell the time that Gerty MacDowell noticed the time she was there
|
|
because she was as quick as anything about a thing like that, was Gerty
|
|
MacDowell, and she noticed at once that that foreign gentleman that was
|
|
sitting on the rocks looking was
|
|
|
|
_Cuckoo
|
|
Cuckoo
|
|
Cuckoo._
|
|
|
|
|
|
Deshil Holles Eamus. Deshil Holles Eamus. Deshil Holles Eamus.
|
|
|
|
Send us bright one, light one, Horhorn, quickening and wombfruit. Send
|
|
us bright one, light one, Horhorn, quickening and wombfruit. Send us
|
|
bright one, light one, Horhorn, quickening and wombfruit.
|
|
|
|
Hoopsa boyaboy hoopsa! Hoopsa boyaboy hoopsa! Hoopsa boyaboy hoopsa!
|
|
|
|
Universally that person's acumen is esteemed very little perceptive
|
|
concerning whatsoever matters are being held as most profitably by
|
|
mortals with sapience endowed to be studied who is ignorant of that
|
|
which the most in doctrine erudite and certainly by reason of that in
|
|
them high mind's ornament deserving of veneration constantly maintain
|
|
when by general consent they affirm that other circumstances being
|
|
equal by no exterior splendour is the prosperity of a nation more
|
|
efficaciously asserted than by the measure of how far forward may
|
|
have progressed the tribute of its solicitude for that proliferent
|
|
continuance which of evils the original if it be absent when fortunately
|
|
present constitutes the certain sign of omnipotent nature's incorrupted
|
|
benefaction. For who is there who anything of some significance has
|
|
apprehended but is conscious that that exterior splendour may be the
|
|
surface of a downwardtending lutulent reality or on the contrary anyone
|
|
so is there unilluminated as not to perceive that as no nature's boon
|
|
can contend against the bounty of increase so it behoves every most just
|
|
citizen to become the exhortator and admonisher of his semblables and
|
|
to tremble lest what had in the past been by the nation excellently
|
|
commenced might be in the future not with similar excellence
|
|
accomplished if an inverecund habit shall have gradually traduced
|
|
the honourable by ancestors transmitted customs to that thither of
|
|
profundity that that one was audacious excessively who would have the
|
|
hardihood to rise affirming that no more odious offence can for anyone
|
|
be than to oblivious neglect to consign that evangel simultaneously
|
|
command and promise which on all mortals with prophecy of abundance
|
|
or with diminution's menace that exalted of reiteratedly procreating
|
|
function ever irrevocably enjoined?
|
|
|
|
It is not why therefore we shall wonder if, as the best historians
|
|
relate, among the Celts, who nothing that was not in its nature
|
|
admirable admired, the art of medicine shall have been highly honoured.
|
|
Not to speak of hostels, leperyards, sweating chambers, plaguegraves,
|
|
their greatest doctors, the O'Shiels, the O'Hickeys, the O'Lees,
|
|
have sedulously set down the divers methods by which the sick and the
|
|
relapsed found again health whether the malady had been the trembling
|
|
withering or loose boyconnell flux. Certainly in every public work which
|
|
in it anything of gravity contains preparation should be with importance
|
|
commensurate and therefore a plan was by them adopted (whether by having
|
|
preconsidered or as the maturation of experience it is difficult in
|
|
being said which the discrepant opinions of subsequent inquirers are not
|
|
up to the present congrued to render manifest) whereby maternity was so
|
|
far from all accident possibility removed that whatever care the patient
|
|
in that all hardest of woman hour chiefly required and not solely
|
|
for the copiously opulent but also for her who not being sufficiently
|
|
moneyed scarcely and often not even scarcely could subsist valiantly and
|
|
for an inconsiderable emolument was provided.
|
|
|
|
To her nothing already then and thenceforward was anyway able to be
|
|
molestful for this chiefly felt all citizens except with proliferent
|
|
mothers prosperity at all not to can be and as they had received
|
|
eternity gods mortals generation to befit them her beholding, when the
|
|
case was so hoving itself, parturient in vehicle thereward carrying
|
|
desire immense among all one another was impelling on of her to be
|
|
received into that domicile. O thing of prudent nation not merely in
|
|
being seen but also even in being related worthy of being praised that
|
|
they her by anticipation went seeing mother, that she by them suddenly
|
|
to be about to be cherished had been begun she felt!
|
|
|
|
Before born bliss babe had. Within womb won he worship. Whatever in that
|
|
one case done commodiously done was. A couch by midwives attended with
|
|
wholesome food reposeful, cleanest swaddles as though forthbringing were
|
|
now done and by wise foresight set: but to this no less of what drugs
|
|
there is need and surgical implements which are pertaining to her
|
|
case not omitting aspect of all very distracting spectacles in various
|
|
latitudes by our terrestrial orb offered together with images, divine
|
|
and human, the cogitation of which by sejunct females is to tumescence
|
|
conducive or eases issue in the high sunbright wellbuilt fair home of
|
|
mothers when, ostensibly far gone and reproductitive, it is come by her
|
|
thereto to lie in, her term up.
|
|
|
|
Some man that wayfaring was stood by housedoor at night's oncoming. Of
|
|
Israel's folk was that man that on earth wandering far had fared. Stark
|
|
ruth of man his errand that him lone led till that house.
|
|
|
|
Of that house A. Horne is lord. Seventy beds keeps he there teeming
|
|
mothers are wont that they lie for to thole and bring forth bairns hale
|
|
so God's angel to Mary quoth. Watchers tway there walk, white sisters
|
|
in ward sleepless. Smarts they still, sickness soothing: in twelve moons
|
|
thrice an hundred. Truest bedthanes they twain are, for Horne holding
|
|
wariest ward.
|
|
|
|
In ward wary the watcher hearing come that man mildhearted eft rising
|
|
with swire ywimpled to him her gate wide undid. Lo, levin leaping
|
|
lightens in eyeblink Ireland's westward welkin. Full she drad that
|
|
God the Wreaker all mankind would fordo with water for his evil sins.
|
|
Christ's rood made she on breastbone and him drew that he would rathe
|
|
infare under her thatch. That man her will wotting worthful went in
|
|
Horne's house.
|
|
|
|
Loth to irk in Horne's hall hat holding the seeker stood. On her stow he
|
|
ere was living with dear wife and lovesome daughter that then over land
|
|
and seafloor nine years had long outwandered. Once her in townhithe
|
|
meeting he to her bow had not doffed. Her to forgive now he craved with
|
|
good ground of her allowed that that of him swiftseen face, hers, so
|
|
young then had looked. Light swift her eyes kindled, bloom of blushes
|
|
his word winning.
|
|
|
|
As her eyes then ongot his weeds swart therefor sorrow she feared. Glad
|
|
after she was that ere adread was. Her he asked if O'Hare Doctor tidings
|
|
sent from far coast and she with grameful sigh him answered that O'Hare
|
|
Doctor in heaven was. Sad was the man that word to hear that him so
|
|
heavied in bowels ruthful. All she there told him, ruing death for
|
|
friend so young, algate sore unwilling God's rightwiseness to withsay.
|
|
She said that he had a fair sweet death through God His goodness with
|
|
masspriest to be shriven, holy housel and sick men's oil to his limbs.
|
|
The man then right earnest asked the nun of which death the dead man was
|
|
died and the nun answered him and said that he was died in Mona Island
|
|
through bellycrab three year agone come Childermas and she prayed to God
|
|
the Allruthful to have his dear soul in his undeathliness. He heard her
|
|
sad words, in held hat sad staring. So stood they there both awhile in
|
|
wanhope sorrowing one with other.
|
|
|
|
Therefore, everyman, look to that last end that is thy death and the
|
|
dust that gripeth on every man that is born of woman for as he came
|
|
naked forth from his mother's womb so naked shall he wend him at the
|
|
last for to go as he came.
|
|
|
|
The man that was come in to the house then spoke to the nursingwoman and
|
|
he asked her how it fared with the woman that lay there in childbed.
|
|
The nursingwoman answered him and said that that woman was in throes
|
|
now full three days and that it would be a hard birth unneth to bear
|
|
but that now in a little it would be. She said thereto that she had
|
|
seen many births of women but never was none so hard as was that woman's
|
|
birth. Then she set it all forth to him for because she knew the man
|
|
that time was had lived nigh that house. The man hearkened to her words
|
|
for he felt with wonder women's woe in the travail that they have of
|
|
motherhood and he wondered to look on her face that was a fair face for
|
|
any man to see but yet was she left after long years a handmaid. Nine
|
|
twelve bloodflows chiding her childless.
|
|
|
|
And whiles they spake the door of the castle was opened and there nighed
|
|
them a mickle noise as of many that sat there at meat. And there came
|
|
against the place as they stood a young learningknight yclept Dixon. And
|
|
the traveller Leopold was couth to him sithen it had happed that they
|
|
had had ado each with other in the house of misericord where this
|
|
learningknight lay by cause the traveller Leopold came there to be
|
|
healed for he was sore wounded in his breast by a spear wherewith a
|
|
horrible and dreadful dragon was smitten him for which he did do make
|
|
a salve of volatile salt and chrism as much as he might suffice. And he
|
|
said now that he should go in to that castle for to make merry with
|
|
them that were there. And the traveller Leopold said that he should go
|
|
otherwhither for he was a man of cautels and a subtile. Also the lady
|
|
was of his avis and repreved the learningknight though she trowed well
|
|
that the traveller had said thing that was false for his subtility. But
|
|
the learningknight would not hear say nay nor do her mandement ne have
|
|
him in aught contrarious to his list and he said how it was a marvellous
|
|
castle. And the traveller Leopold went into the castle for to rest him
|
|
for a space being sore of limb after many marches environing in divers
|
|
lands and sometime venery.
|
|
|
|
And in the castle was set a board that was of the birchwood of Finlandy
|
|
and it was upheld by four dwarfmen of that country but they durst not
|
|
move more for enchantment. And on this board were frightful swords and
|
|
knives that are made in a great cavern by swinking demons out of white
|
|
flames that they fix then in the horns of buffalos and stags that there
|
|
abound marvellously. And there were vessels that are wrought by magic of
|
|
Mahound out of seasand and the air by a warlock with his breath that he
|
|
blases in to them like to bubbles. And full fair cheer and rich was on
|
|
the board that no wight could devise a fuller ne richer. And there was
|
|
a vat of silver that was moved by craft to open in the which lay strange
|
|
fishes withouten heads though misbelieving men nie that this be possible
|
|
thing without they see it natheless they are so. And these fishes lie
|
|
in an oily water brought there from Portugal land because of the fatness
|
|
that therein is like to the juices of the olivepress. And also it was
|
|
a marvel to see in that castle how by magic they make a compost out of
|
|
fecund wheatkidneys out of Chaldee that by aid of certain angry spirits
|
|
that they do in to it swells up wondrously like to a vast mountain. And
|
|
they teach the serpents there to entwine themselves up on long sticks
|
|
out of the ground and of the scales of these serpents they brew out a
|
|
brewage like to mead.
|
|
|
|
And the learning knight let pour for childe Leopold a draught and halp
|
|
thereto the while all they that were there drank every each. And childe
|
|
Leopold did up his beaver for to pleasure him and took apertly somewhat
|
|
in amity for he never drank no manner of mead which he then put by and
|
|
anon full privily he voided the more part in his neighbour glass and
|
|
his neighbour nist not of this wile. And he sat down in that castle with
|
|
them for to rest him there awhile. Thanked be Almighty God.
|
|
|
|
This meanwhile this good sister stood by the door and begged them at the
|
|
reverence of Jesu our alther liege Lord to leave their wassailing for
|
|
there was above one quick with child, a gentle dame, whose time hied
|
|
fast. Sir Leopold heard on the upfloor cry on high and he wondered what
|
|
cry that it was whether of child or woman and I marvel, said he, that it
|
|
be not come or now. Meseems it dureth overlong. And he was ware and saw
|
|
a franklin that hight Lenehan on that side the table that was older than
|
|
any of the tother and for that they both were knights virtuous in the
|
|
one emprise and eke by cause that he was elder he spoke to him full
|
|
gently. But, said he, or it be long too she will bring forth by God His
|
|
bounty and have joy of her childing for she hath waited marvellous long.
|
|
And the franklin that had drunken said, Expecting each moment to be her
|
|
next. Also he took the cup that stood tofore him for him needed never
|
|
none asking nor desiring of him to drink and, Now drink, said he, fully
|
|
delectably, and he quaffed as far as he might to their both's health for
|
|
he was a passing good man of his lustiness. And sir Leopold that was the
|
|
goodliest guest that ever sat in scholars' hall and that was the meekest
|
|
man and the kindest that ever laid husbandly hand under hen and that was
|
|
the very truest knight of the world one that ever did minion service
|
|
to lady gentle pledged him courtly in the cup. Woman's woe with wonder
|
|
pondering.
|
|
|
|
Now let us speak of that fellowship that was there to the intent to be
|
|
drunken an they might. There was a sort of scholars along either side
|
|
the board, that is to wit, Dixon yclept junior of saint Mary Merciable's
|
|
with other his fellows Lynch and Madden, scholars of medicine, and the
|
|
franklin that hight Lenehan and one from Alba Longa, one Crotthers, and
|
|
young Stephen that had mien of a frere that was at head of the board
|
|
and Costello that men clepen Punch Costello all long of a mastery of
|
|
him erewhile gested (and of all them, reserved young Stephen, he was the
|
|
most drunken that demanded still of more mead) and beside the meek sir
|
|
Leopold. But on young Malachi they waited for that he promised to have
|
|
come and such as intended to no goodness said how he had broke his avow.
|
|
And sir Leopold sat with them for he bore fast friendship to sir Simon
|
|
and to this his son young Stephen and for that his languor becalmed him
|
|
there after longest wanderings insomuch as they feasted him for that
|
|
time in the honourablest manner. Ruth red him, love led on with will to
|
|
wander, loth to leave.
|
|
|
|
For they were right witty scholars. And he heard their aresouns each gen
|
|
other as touching birth and righteousness, young Madden maintaining that
|
|
put such case it were hard the wife to die (for so it had fallen out a
|
|
matter of some year agone with a woman of Eblana in Horne's house that
|
|
now was trespassed out of this world and the self night next before her
|
|
death all leeches and pothecaries had taken counsel of her case). And
|
|
they said farther she should live because in the beginning, they said,
|
|
the woman should bring forth in pain and wherefore they that were of
|
|
this imagination affirmed how young Madden had said truth for he had
|
|
conscience to let her die. And not few and of these was young Lynch
|
|
were in doubt that the world was now right evil governed as it was never
|
|
other howbeit the mean people believed it otherwise but the law nor his
|
|
judges did provide no remedy. A redress God grant. This was scant said
|
|
but all cried with one acclaim nay, by our Virgin Mother, the wife
|
|
should live and the babe to die. In colour whereof they waxed hot
|
|
upon that head what with argument and what for their drinking but the
|
|
franklin Lenehan was prompt each when to pour them ale so that at the
|
|
least way mirth might not lack. Then young Madden showed all the whole
|
|
affair and said how that she was dead and how for holy religion sake by
|
|
rede of palmer and bedesman and for a vow he had made to Saint Ultan of
|
|
Arbraccan her goodman husband would not let her death whereby they were
|
|
all wondrous grieved. To whom young Stephen had these words following:
|
|
Murmur, sirs, is eke oft among lay folk. Both babe and parent now
|
|
glorify their Maker, the one in limbo gloom, the other in purgefire.
|
|
But, gramercy, what of those Godpossibled souls that we nightly
|
|
impossibilise, which is the sin against the Holy Ghost, Very God, Lord
|
|
and Giver of Life? For, sirs, he said, our lust is brief. We are means
|
|
to those small creatures within us and nature has other ends than we.
|
|
Then said Dixon junior to Punch Costello wist he what ends. But he had
|
|
overmuch drunken and the best word he could have of him was that he
|
|
would ever dishonest a woman whoso she were or wife or maid or leman if
|
|
it so fortuned him to be delivered of his spleen of lustihead. Whereat
|
|
Crotthers of Alba Longa sang young Malachi's praise of that beast the
|
|
unicorn how once in the millennium he cometh by his horn, the other all
|
|
this while, pricked forward with their jibes wherewith they did malice
|
|
him, witnessing all and several by saint Foutinus his engines that
|
|
he was able to do any manner of thing that lay in man to do. Thereat
|
|
laughed they all right jocundly only young Stephen and sir Leopold which
|
|
never durst laugh too open by reason of a strange humour which he would
|
|
not bewray and also for that he rued for her that bare whoso she might
|
|
be or wheresoever. Then spake young Stephen orgulous of mother Church
|
|
that would cast him out of her bosom, of law of canons, of Lilith,
|
|
patron of abortions, of bigness wrought by wind of seeds of brightness
|
|
or by potency of vampires mouth to mouth or, as Virgilius saith, by the
|
|
influence of the occident or by the reek of moonflower or an she lie
|
|
with a woman which her man has but lain with, _effectu secuto_, or
|
|
peradventure in her bath according to the opinions of Averroes and Moses
|
|
Maimonides. He said also how at the end of the second month a human soul
|
|
was infused and how in all our holy mother foldeth ever souls for God's
|
|
greater glory whereas that earthly mother which was but a dam to bear
|
|
beastly should die by canon for so saith he that holdeth the fisherman's
|
|
seal, even that blessed Peter on which rock was holy church for all ages
|
|
founded. All they bachelors then asked of sir Leopold would he in like
|
|
case so jeopard her person as risk life to save life. A wariness of
|
|
mind he would answer as fitted all and, laying hand to jaw, he said
|
|
dissembling, as his wont was, that as it was informed him, who had ever
|
|
loved the art of physic as might a layman, and agreeing also with his
|
|
experience of so seldomseen an accident it was good for that mother
|
|
Church belike at one blow had birth and death pence and in such sort
|
|
deliverly he scaped their questions. That is truth, pardy, said Dixon,
|
|
and, or I err, a pregnant word. Which hearing young Stephen was a
|
|
marvellous glad man and he averred that he who stealeth from the poor
|
|
lendeth to the Lord for he was of a wild manner when he was drunken and
|
|
that he was now in that taking it appeared eftsoons.
|
|
|
|
But sir Leopold was passing grave maugre his word by cause he still had
|
|
pity of the terrorcausing shrieking of shrill women in their labour
|
|
and as he was minded of his good lady Marion that had borne him an only
|
|
manchild which on his eleventh day on live had died and no man of art
|
|
could save so dark is destiny. And she was wondrous stricken of heart
|
|
for that evil hap and for his burial did him on a fair corselet of
|
|
lamb's wool, the flower of the flock, lest he might perish utterly and
|
|
lie akeled (for it was then about the midst of the winter) and now Sir
|
|
Leopold that had of his body no manchild for an heir looked upon him his
|
|
friend's son and was shut up in sorrow for his forepassed happiness and
|
|
as sad as he was that him failed a son of such gentle courage (for all
|
|
accounted him of real parts) so grieved he also in no less measure
|
|
for young Stephen for that he lived riotously with those wastrels and
|
|
murdered his goods with whores.
|
|
|
|
About that present time young Stephen filled all cups that stood empty
|
|
so as there remained but little mo if the prudenter had not shadowed
|
|
their approach from him that still plied it very busily who, praying for
|
|
the intentions of the sovereign pontiff, he gave them for a pledge the
|
|
vicar of Christ which also as he said is vicar of Bray. Now drink we,
|
|
quod he, of this mazer and quaff ye this mead which is not indeed parcel
|
|
of my body but my soul's bodiment. Leave ye fraction of bread to them
|
|
that live by bread alone. Be not afeard neither for any want for this
|
|
will comfort more than the other will dismay. See ye here. And he showed
|
|
them glistering coins of the tribute and goldsmith notes the worth of
|
|
two pound nineteen shilling that he had, he said, for a song which he
|
|
writ. They all admired to see the foresaid riches in such dearth of
|
|
money as was herebefore. His words were then these as followeth: Know
|
|
all men, he said, time's ruins build eternity's mansions. What means
|
|
this? Desire's wind blasts the thorntree but after it becomes from a
|
|
bramblebush to be a rose upon the rood of time. Mark me now. In woman's
|
|
womb word is made flesh but in the spirit of the maker all flesh
|
|
that passes becomes the word that shall not pass away. This is the
|
|
postcreation. _Omnis caro ad te veniet_. No question but her name is
|
|
puissant who aventried the dear corse of our Agenbuyer, Healer and Herd,
|
|
our mighty mother and mother most venerable and Bernardus saith aptly
|
|
that She hath an _omnipotentiam deiparae supplicem_, that is to wit, an
|
|
almightiness of petition because she is the second Eve and she won
|
|
us, saith Augustine too, whereas that other, our grandam, which we are
|
|
linked up with by successive anastomosis of navelcords sold us all,
|
|
seed, breed and generation, for a penny pippin. But here is the matter
|
|
now. Or she knew him, that second I say, and was but creature of her
|
|
creature, _vergine madre, figlia di tuo figlio_, or she knew him not and
|
|
then stands she in the one denial or ignorancy with Peter Piscator who
|
|
lives in the house that Jack built and with Joseph the joiner patron of
|
|
the happy demise of all unhappy marriages, _parceque M. Leo Taxil nous
|
|
a dit que qui l'avait mise dans cette fichue position c'etait le
|
|
sacre pigeon, ventre de Dieu! Entweder_ transubstantiality ODER
|
|
consubstantiality but in no case subsubstantiality. And all cried out
|
|
upon it for a very scurvy word. A pregnancy without joy, he said, a
|
|
birth without pangs, a body without blemish, a belly without bigness.
|
|
Let the lewd with faith and fervour worship. With will will we
|
|
withstand, withsay.
|
|
|
|
Hereupon Punch Costello dinged with his fist upon the board and would
|
|
sing a bawdy catch _Staboo Stabella_ about a wench that was put in pod
|
|
of a jolly swashbuckler in Almany which he did straightways now attack:
|
|
_The first three months she was not well, Staboo,_ when here nurse
|
|
Quigley from the door angerly bid them hist ye should shame you nor
|
|
was it not meet as she remembered them being her mind was to have all
|
|
orderly against lord Andrew came for because she was jealous that
|
|
no gasteful turmoil might shorten the honour of her guard. It was an
|
|
ancient and a sad matron of a sedate look and christian walking,
|
|
in habit dun beseeming her megrims and wrinkled visage, nor did her
|
|
hortative want of it effect for incontinently Punch Costello was of them
|
|
all embraided and they reclaimed the churl with civil rudeness some and
|
|
shaked him with menace of blandishments others whiles they all chode
|
|
with him, a murrain seize the dolt, what a devil he would be at, thou
|
|
chuff, thou puny, thou got in peasestraw, thou losel, thou chitterling,
|
|
thou spawn of a rebel, thou dykedropt, thou abortion thou, to shut up
|
|
his drunken drool out of that like a curse of God ape, the good sir
|
|
Leopold that had for his cognisance the flower of quiet, margerain
|
|
gentle, advising also the time's occasion as most sacred and most worthy
|
|
to be most sacred. In Horne's house rest should reign.
|
|
|
|
To be short this passage was scarce by when Master Dixon of Mary in
|
|
Eccles, goodly grinning, asked young Stephen what was the reason why he
|
|
had not cided to take friar's vows and he answered him obedience in the
|
|
womb, chastity in the tomb but involuntary poverty all his days. Master
|
|
Lenehan at this made return that he had heard of those nefarious deeds
|
|
and how, as he heard hereof counted, he had besmirched the lily virtue
|
|
of a confiding female which was corruption of minors and they all
|
|
intershowed it too, waxing merry and toasting to his fathership. But he
|
|
said very entirely it was clean contrary to their suppose for he was
|
|
the eternal son and ever virgin. Thereat mirth grew in them the more and
|
|
they rehearsed to him his curious rite of wedlock for the disrobing and
|
|
deflowering of spouses, as the priests use in Madagascar island, she
|
|
to be in guise of white and saffron, her groom in white and grain, with
|
|
burning of nard and tapers, on a bridebed while clerks sung kyries and
|
|
the anthem _Ut novetur sexus omnis corporis mysterium_ till she was
|
|
there unmaided. He gave them then a much admirable hymen minim by those
|
|
delicate poets Master John Fletcher and Master Francis Beaumont that is
|
|
in their _Maid's Tragedy_ that was writ for a like twining of lovers:
|
|
_To bed, to bed_ was the burden of it to be played with accompanable
|
|
concent upon the virginals. An exquisite dulcet epithalame of most
|
|
mollificative suadency for juveniles amatory whom the odoriferous
|
|
flambeaus of the paranymphs have escorted to the quadrupedal proscenium
|
|
of connubial communion. Well met they were, said Master Dixon, joyed,
|
|
but, harkee, young sir, better were they named Beau Mount and Lecher
|
|
for, by my troth, of such a mingling much might come. Young Stephen said
|
|
indeed to his best remembrance they had but the one doxy between them
|
|
and she of the stews to make shift with in delights amorous for life ran
|
|
very high in those days and the custom of the country approved with it.
|
|
Greater love than this, he said, no man hath that a man lay down his
|
|
wife for his friend. Go thou and do likewise. Thus, or words to that
|
|
effect, saith Zarathustra, sometime regius professor of French letters
|
|
to the university of Oxtail nor breathed there ever that man to whom
|
|
mankind was more beholden. Bring a stranger within thy tower it will
|
|
go hard but thou wilt have the secondbest bed. _Orate, fratres, pro
|
|
memetipso_. And all the people shall say, Amen. Remember, Erin, thy
|
|
generations and thy days of old, how thou settedst little by me and by
|
|
my word and broughtedst in a stranger to my gates to commit fornication
|
|
in my sight and to wax fat and kick like Jeshurum. Therefore hast thou
|
|
sinned against my light and hast made me, thy lord, to be the slave of
|
|
servants. Return, return, Clan Milly: forget me not, O Milesian. Why
|
|
hast thou done this abomination before me that thou didst spurn me for
|
|
a merchant of jalaps and didst deny me to the Roman and to the Indian of
|
|
dark speech with whom thy daughters did lie luxuriously? Look forth now,
|
|
my people, upon the land of behest, even from Horeb and from Nebo and
|
|
from Pisgah and from the Horns of Hatten unto a land flowing with milk
|
|
and money. But thou hast suckled me with a bitter milk: my moon and my
|
|
sun thou hast quenched for ever. And thou hast left me alone for ever
|
|
in the dark ways of my bitterness: and with a kiss of ashes hast thou
|
|
kissed my mouth. This tenebrosity of the interior, he proceeded to say,
|
|
hath not been illumined by the wit of the septuagint nor so much as
|
|
mentioned for the Orient from on high Which brake hell's gates visited a
|
|
darkness that was foraneous. Assuefaction minorates atrocities (as Tully
|
|
saith of his darling Stoics) and Hamlet his father showeth the prince no
|
|
blister of combustion. The adiaphane in the noon of life is an Egypt's
|
|
plague which in the nights of prenativity and postmortemity is their
|
|
most proper _ubi_ and _quomodo_. And as the ends and ultimates of
|
|
all things accord in some mean and measure with their inceptions and
|
|
originals, that same multiplicit concordance which leads forth growth
|
|
from birth accomplishing by a retrogressive metamorphosis that minishing
|
|
and ablation towards the final which is agreeable unto nature so is it
|
|
with our subsolar being. The aged sisters draw us into life: we wail,
|
|
batten, sport, clip, clasp, sunder, dwindle, die: over us dead they
|
|
bend. First, saved from waters of old Nile, among bulrushes, a bed
|
|
of fasciated wattles: at last the cavity of a mountain, an occulted
|
|
sepulchre amid the conclamation of the hillcat and the ossifrage. And as
|
|
no man knows the ubicity of his tumulus nor to what processes we shall
|
|
thereby be ushered nor whether to Tophet or to Edenville in the like way
|
|
is all hidden when we would backward see from what region of remoteness
|
|
the whatness of our whoness hath fetched his whenceness.
|
|
|
|
Thereto Punch Costello roared out mainly _Etienne chanson_ but he loudly
|
|
bid them, lo, wisdom hath built herself a house, this vast majestic
|
|
longstablished vault, the crystal palace of the Creator, all in applepie
|
|
order, a penny for him who finds the pea.
|
|
|
|
_Behold the mansion reared by dedal Jack
|
|
See the malt stored in many a refluent sack,
|
|
In the proud cirque of Jackjohn's bivouac._
|
|
|
|
A black crack of noise in the street here, alack, bawled back. Loud on
|
|
left Thor thundered: in anger awful the hammerhurler. Came now the storm
|
|
that hist his heart. And Master Lynch bade him have a care to flout and
|
|
witwanton as the god self was angered for his hellprate and paganry. And
|
|
he that had erst challenged to be so doughty waxed wan as they might all
|
|
mark and shrank together and his pitch that was before so haught uplift
|
|
was now of a sudden quite plucked down and his heart shook within the
|
|
cage of his breast as he tasted the rumour of that storm. Then did some
|
|
mock and some jeer and Punch Costello fell hard again to his yale which
|
|
Master Lenehan vowed he would do after and he was indeed but a word and
|
|
a blow on any the least colour. But the braggart boaster cried that an
|
|
old Nobodaddy was in his cups it was muchwhat indifferent and he would
|
|
not lag behind his lead. But this was only to dye his desperation as
|
|
cowed he crouched in Horne's hall. He drank indeed at one draught to
|
|
pluck up a heart of any grace for it thundered long rumblingly over all
|
|
the heavens so that Master Madden, being godly certain whiles, knocked
|
|
him on his ribs upon that crack of doom and Master Bloom, at the
|
|
braggart's side, spoke to him calming words to slumber his great fear,
|
|
advertising how it was no other thing but a hubbub noise that he heard,
|
|
the discharge of fluid from the thunderhead, look you, having taken
|
|
place, and all of the order of a natural phenomenon.
|
|
|
|
But was young Boasthard's fear vanquished by Calmer's words? No, for he
|
|
had in his bosom a spike named Bitterness which could not by words be
|
|
done away. And was he then neither calm like the one nor godly like the
|
|
other? He was neither as much as he would have liked to be either. But
|
|
could he not have endeavoured to have found again as in his youth the
|
|
bottle Holiness that then he lived withal? Indeed no for Grace was not
|
|
there to find that bottle. Heard he then in that clap the voice of the
|
|
god Bringforth or, what Calmer said, a hubbub of Phenomenon? Heard?
|
|
Why, he could not but hear unless he had plugged him up the tube
|
|
Understanding (which he had not done). For through that tube he saw that
|
|
he was in the land of Phenomenon where he must for a certain one day die
|
|
as he was like the rest too a passing show. And would he not accept to
|
|
die like the rest and pass away? By no means would he though he must nor
|
|
would he make more shows according as men do with wives which Phenomenon
|
|
has commanded them to do by the book Law. Then wotted he nought of that
|
|
other land which is called Believe-on-Me, that is the land of promise
|
|
which behoves to the king Delightful and shall be for ever where there
|
|
is no death and no birth neither wiving nor mothering at which all shall
|
|
come as many as believe on it? Yes, Pious had told him of that land and
|
|
Chaste had pointed him to the way but the reason was that in the way he
|
|
fell in with a certain whore of an eyepleasing exterior whose name, she
|
|
said, is Bird-in-the-Hand and she beguiled him wrongways from the true
|
|
path by her flatteries that she said to him as, Ho, you pretty man, turn
|
|
aside hither and I will show you a brave place, and she lay at him so
|
|
flatteringly that she had him in her grot which is named Two-in-the-Bush
|
|
or, by some learned, Carnal Concupiscence.
|
|
|
|
This was it what all that company that sat there at commons in Manse
|
|
of Mothers the most lusted after and if they met with this whore
|
|
Bird-in-the-Hand (which was within all foul plagues, monsters and a
|
|
wicked devil) they would strain the last but they would make at her and
|
|
know her. For regarding Believe-on-Me they said it was nought else
|
|
but notion and they could conceive no thought of it for, first,
|
|
Two-in-the-Bush whither she ticed them was the very goodliest grot and
|
|
in it were four pillows on which were four tickets with these words
|
|
printed on them, Pickaback and Topsyturvy and Shameface and Cheek by
|
|
Jowl and, second, for that foul plague Allpox and the monsters they
|
|
cared not for them for Preservative had given them a stout shield of
|
|
oxengut and, third, that they might take no hurt neither from Offspring
|
|
that was that wicked devil by virtue of this same shield which was
|
|
named Killchild. So were they all in their blind fancy, Mr Cavil and Mr
|
|
Sometimes Godly, Mr Ape Swillale, Mr False Franklin, Mr Dainty Dixon,
|
|
Young Boasthard and Mr Cautious Calmer. Wherein, O wretched company,
|
|
were ye all deceived for that was the voice of the god that was in a
|
|
very grievous rage that he would presently lift his arm up and
|
|
spill their souls for their abuses and their spillings done by them
|
|
contrariwise to his word which forth to bring brenningly biddeth.
|
|
|
|
So Thursday sixteenth June Patk. Dignam laid in clay of an apoplexy and
|
|
after hard drought, please God, rained, a bargeman coming in by water a
|
|
fifty mile or thereabout with turf saying the seed won't sprout, fields
|
|
athirst, very sadcoloured and stunk mightily, the quags and tofts too.
|
|
Hard to breathe and all the young quicks clean consumed without sprinkle
|
|
this long while back as no man remembered to be without. The rosy buds
|
|
all gone brown and spread out blobs and on the hills nought but dry flag
|
|
and faggots that would catch at first fire. All the world saying, for
|
|
aught they knew, the big wind of last February a year that did havoc the
|
|
land so pitifully a small thing beside this barrenness. But by and
|
|
by, as said, this evening after sundown, the wind sitting in the
|
|
west, biggish swollen clouds to be seen as the night increased and the
|
|
weatherwise poring up at them and some sheet lightnings at first and
|
|
after, past ten of the clock, one great stroke with a long thunder and
|
|
in a brace of shakes all scamper pellmell within door for the smoking
|
|
shower, the men making shelter for their straws with a clout or
|
|
kerchief, womenfolk skipping off with kirtles catched up soon as the
|
|
pour came. In Ely place, Baggot street, Duke's lawn, thence through
|
|
Merrion green up to Holles street a swash of water flowing that was
|
|
before bonedry and not one chair or coach or fiacre seen about but
|
|
no more crack after that first. Over against the Rt. Hon. Mr Justice
|
|
Fitzgibbon's door (that is to sit with Mr Healy the lawyer upon the
|
|
college lands) Mal. Mulligan a gentleman's gentleman that had but come
|
|
from Mr Moore's the writer's (that was a papish but is now, folk say,
|
|
a good Williamite) chanced against Alec. Bannon in a cut bob (which are
|
|
now in with dance cloaks of Kendal green) that was new got to town from
|
|
Mullingar with the stage where his coz and Mal M's brother will stay a
|
|
month yet till Saint Swithin and asks what in the earth he does there,
|
|
he bound home and he to Andrew Horne's being stayed for to crush a cup
|
|
of wine, so he said, but would tell him of a skittish heifer, big of
|
|
her age and beef to the heel, and all this while poured with rain and
|
|
so both together on to Horne's. There Leop. Bloom of Crawford's journal
|
|
sitting snug with a covey of wags, likely brangling fellows, Dixon jun.,
|
|
scholar of my lady of Mercy's, Vin. Lynch, a Scots fellow, Will. Madden,
|
|
T. Lenehan, very sad about a racer he fancied and Stephen D. Leop. Bloom
|
|
there for a languor he had but was now better, be having dreamed tonight
|
|
a strange fancy of his dame Mrs Moll with red slippers on in a pair of
|
|
Turkey trunks which is thought by those in ken to be for a change and
|
|
Mistress Purefoy there, that got in through pleading her belly, and now
|
|
on the stools, poor body, two days past her term, the midwives sore put
|
|
to it and can't deliver, she queasy for a bowl of riceslop that is a
|
|
shrewd drier up of the insides and her breath very heavy more than good
|
|
and should be a bullyboy from the knocks, they say, but God give her
|
|
soon issue. 'Tis her ninth chick to live, I hear, and Lady day bit off
|
|
her last chick's nails that was then a twelvemonth and with other three
|
|
all breastfed that died written out in a fair hand in the king's bible.
|
|
Her hub fifty odd and a methodist but takes the sacrament and is to
|
|
be seen any fair sabbath with a pair of his boys off Bullock harbour
|
|
dapping on the sound with a heavybraked reel or in a punt he has
|
|
trailing for flounder and pollock and catches a fine bag, I hear. In sum
|
|
an infinite great fall of rain and all refreshed and will much increase
|
|
the harvest yet those in ken say after wind and water fire shall come
|
|
for a prognostication of Malachi's almanac (and I hear that Mr Russell
|
|
has done a prophetical charm of the same gist out of the Hindustanish
|
|
for his farmer's gazette) to have three things in all but this a mere
|
|
fetch without bottom of reason for old crones and bairns yet sometimes
|
|
they are found in the right guess with their queerities no telling how.
|
|
|
|
With this came up Lenehan to the feet of the table to say how the letter
|
|
was in that night's gazette and he made a show to find it about him
|
|
(for he swore with an oath that he had been at pains about it) but on
|
|
Stephen's persuasion he gave over the search and was bidden to sit near
|
|
by which he did mighty brisk. He was a kind of sport gentleman that
|
|
went for a merryandrew or honest pickle and what belonged of women,
|
|
horseflesh or hot scandal he had it pat. To tell the truth he was mean
|
|
in fortunes and for the most part hankered about the coffeehouses
|
|
and low taverns with crimps, ostlers, bookies, Paul's men, runners,
|
|
flatcaps, waistcoateers, ladies of the bagnio and other rogues of the
|
|
game or with a chanceable catchpole or a tipstaff often at nights
|
|
till broad day of whom he picked up between his sackpossets much loose
|
|
gossip. He took his ordinary at a boilingcook's and if he had but gotten
|
|
into him a mess of broken victuals or a platter of tripes with a bare
|
|
tester in his purse he could always bring himself off with his tongue,
|
|
some randy quip he had from a punk or whatnot that every mother's son of
|
|
them would burst their sides. The other, Costello that is, hearing this
|
|
talk asked was it poetry or a tale. Faith, no, he says, Frank (that was
|
|
his name), 'tis all about Kerry cows that are to be butchered along of
|
|
the plague. But they can go hang, says he with a wink, for me with their
|
|
bully beef, a pox on it. There's as good fish in this tin as ever came
|
|
out of it and very friendly he offered to take of some salty sprats that
|
|
stood by which he had eyed wishly in the meantime and found the place
|
|
which was indeed the chief design of his embassy as he was sharpset.
|
|
_Mort aux vaches_, says Frank then in the French language that had been
|
|
indentured to a brandyshipper that has a winelodge in Bordeaux and he
|
|
spoke French like a gentleman too. From a child this Frank had been
|
|
a donought that his father, a headborough, who could ill keep him to
|
|
school to learn his letters and the use of the globes, matriculated at
|
|
the university to study the mechanics but he took the bit between his
|
|
teeth like a raw colt and was more familiar with the justiciary and the
|
|
parish beadle than with his volumes. One time he would be a playactor,
|
|
then a sutler or a welsher, then nought would keep him from the bearpit
|
|
and the cocking main, then he was for the ocean sea or to hoof it on
|
|
the roads with the romany folk, kidnapping a squire's heir by favour of
|
|
moonlight or fecking maids' linen or choking chicken behind a hedge. He
|
|
had been off as many times as a cat has lives and back again with naked
|
|
pockets as many more to his father the headborough who shed a pint
|
|
of tears as often as he saw him. What, says Mr Leopold with his hands
|
|
across, that was earnest to know the drift of it, will they slaughter
|
|
all? I protest I saw them but this day morning going to the Liverpool
|
|
boats, says he. I can scarce believe 'tis so bad, says he. And he had
|
|
experience of the like brood beasts and of springers, greasy hoggets and
|
|
wether wool, having been some years before actuary for Mr Joseph Cuffe,
|
|
a worthy salesmaster that drove his trade for live stock and meadow
|
|
auctions hard by Mr Gavin Low's yard in Prussia street. I question with
|
|
you there, says he. More like 'tis the hoose or the timber tongue. Mr
|
|
Stephen, a little moved but very handsomely told him no such matter and
|
|
that he had dispatches from the emperor's chief tailtickler thanking
|
|
him for the hospitality, that was sending over Doctor Rinderpest, the
|
|
bestquoted cowcatcher in all Muscovy, with a bolus or two of physic to
|
|
take the bull by the horns. Come, come, says Mr Vincent, plain dealing.
|
|
He'll find himself on the horns of a dilemma if he meddles with a
|
|
bull that's Irish, says he. Irish by name and irish by nature, says Mr
|
|
Stephen, and he sent the ale purling about, an Irish bull in an English
|
|
chinashop. I conceive you, says Mr Dixon. It is that same bull that was
|
|
sent to our island by farmer Nicholas, the bravest cattlebreeder of them
|
|
all, with an emerald ring in his nose. True for you, says Mr Vincent
|
|
cross the table, and a bullseye into the bargain, says he, and a plumper
|
|
and a portlier bull, says he, never shit on shamrock. He had horns
|
|
galore, a coat of cloth of gold and a sweet smoky breath coming out of
|
|
his nostrils so that the women of our island, leaving doughballs and
|
|
rollingpins, followed after him hanging his bulliness in daisychains.
|
|
What for that, says Mr Dixon, but before he came over farmer Nicholas
|
|
that was a eunuch had him properly gelded by a college of doctors who
|
|
were no better off than himself. So be off now, says he, and do all my
|
|
cousin german the lord Harry tells you and take a farmer's blessing, and
|
|
with that he slapped his posteriors very soundly. But the slap and the
|
|
blessing stood him friend, says Mr Vincent, for to make up he taught him
|
|
a trick worth two of the other so that maid, wife, abbess and widow to
|
|
this day affirm that they would rather any time of the month whisper
|
|
in his ear in the dark of a cowhouse or get a lick on the nape from his
|
|
long holy tongue than lie with the finest strapping young ravisher in
|
|
the four fields of all Ireland. Another then put in his word: And they
|
|
dressed him, says he, in a point shift and petticoat with a tippet and
|
|
girdle and ruffles on his wrists and clipped his forelock and rubbed him
|
|
all over with spermacetic oil and built stables for him at every turn of
|
|
the road with a gold manger in each full of the best hay in the market
|
|
so that he could doss and dung to his heart's content. By this time the
|
|
father of the faithful (for so they called him) was grown so heavy that
|
|
he could scarce walk to pasture. To remedy which our cozening dames and
|
|
damsels brought him his fodder in their apronlaps and as soon as his
|
|
belly was full he would rear up on his hind uarters to show their
|
|
ladyships a mystery and roar and bellow out of him in bulls' language
|
|
and they all after him. Ay, says another, and so pampered was he that he
|
|
would suffer nought to grow in all the land but green grass for himself
|
|
(for that was the only colour to his mind) and there was a board put up
|
|
on a hillock in the middle of the island with a printed notice, saying:
|
|
By the Lord Harry, Green is the grass that grows on the ground. And,
|
|
says Mr Dixon, if ever he got scent of a cattleraider in Roscommon or
|
|
the wilds of Connemara or a husbandman in Sligo that was sowing as much
|
|
as a handful of mustard or a bag of rapeseed out he'd run amok over half
|
|
the countryside rooting up with his horns whatever was planted and all
|
|
by lord Harry's orders. There was bad blood between them at first, says
|
|
Mr Vincent, and the lord Harry called farmer Nicholas all the old Nicks
|
|
in the world and an old whoremaster that kept seven trulls in his house
|
|
and I'll meddle in his matters, says he. I'll make that animal smell
|
|
hell, says he, with the help of that good pizzle my father left me. But
|
|
one evening, says Mr Dixon, when the lord Harry was cleaning his royal
|
|
pelt to go to dinner after winning a boatrace (he had spade oars for
|
|
himself but the first rule of the course was that the others were to row
|
|
with pitchforks) he discovered in himself a wonderful likeness to a bull
|
|
and on picking up a blackthumbed chapbook that he kept in the pantry
|
|
he found sure enough that he was a lefthanded descendant of the famous
|
|
champion bull of the Romans, _Bos Bovum_, which is good bog Latin for
|
|
boss of the show. After that, says Mr Vincent, the lord Harry put his
|
|
head into a cow's drinkingtrough in the presence of all his courtiers
|
|
and pulling it out again told them all his new name. Then, with the
|
|
water running off him, he got into an old smock and skirt that had
|
|
belonged to his grandmother and bought a grammar of the bulls' language
|
|
to study but he could never learn a word of it except the first personal
|
|
pronoun which he copied out big and got off by heart and if ever he went
|
|
out for a walk he filled his pockets with chalk to write it upon what
|
|
took his fancy, the side of a rock or a teahouse table or a bale of
|
|
cotton or a corkfloat. In short, he and the bull of Ireland were soon as
|
|
fast friends as an arse and a shirt. They were, says Mr Stephen, and
|
|
the end was that the men of the island seeing no help was toward, as
|
|
the ungrate women were all of one mind, made a wherry raft, loaded
|
|
themselves and their bundles of chattels on shipboard, set all masts
|
|
erect, manned the yards, sprang their luff, heaved to, spread three
|
|
sheets in the wind, put her head between wind and water, weighed anchor,
|
|
ported her helm, ran up the jolly Roger, gave three times three, let the
|
|
bullgine run, pushed off in their bumboat and put to sea to recover
|
|
the main of America. Which was the occasion, says Mr Vincent, of the
|
|
composing by a boatswain of that rollicking chanty:
|
|
|
|
_--Pope Peter's but a pissabed.
|
|
A man's a man for a' that._
|
|
|
|
Our worthy acquaintance Mr Malachi Mulligan now appeared in the doorway
|
|
as the students were finishing their apologue accompanied with a friend
|
|
whom he had just rencountered, a young gentleman, his name Alec Bannon,
|
|
who had late come to town, it being his intention to buy a colour or a
|
|
cornetcy in the fencibles and list for the wars. Mr Mulligan was civil
|
|
enough to express some relish of it all the more as it jumped with a
|
|
project of his own for the cure of the very evil that had been touched
|
|
on. Whereat he handed round to the company a set of pasteboard cards
|
|
which he had had printed that day at Mr Quinnell's bearing a legend
|
|
printed in fair italics: _Mr Malachi Mulligan. Fertiliser and Incubator.
|
|
Lambay Island_. His project, as he went on to expound, was to withdraw
|
|
from the round of idle pleasures such as form the chief business of sir
|
|
Fopling Popinjay and sir Milksop Quidnunc in town and to devote himself
|
|
to the noblest task for which our bodily organism has been framed. Well,
|
|
let us hear of it, good my friend, said Mr Dixon. I make no doubt it
|
|
smacks of wenching. Come, be seated, both. 'Tis as cheap sitting as
|
|
standing. Mr Mulligan accepted of the invitation and, expatiating upon
|
|
his design, told his hearers that he had been led into this thought by
|
|
a consideration of the causes of sterility, both the inhibitory and the
|
|
prohibitory, whether the inhibition in its turn were due to conjugal
|
|
vexations or to a parsimony of the balance as well as whether the
|
|
prohibition proceeded from defects congenital or from proclivities
|
|
acquired. It grieved him plaguily, he said, to see the nuptial couch
|
|
defrauded of its dearest pledges: and to reflect upon so many agreeable
|
|
females with rich jointures, a prey to the vilest bonzes, who hide their
|
|
flambeau under a bushel in an uncongenial cloister or lose their womanly
|
|
bloom in the embraces of some unaccountable muskin when they might
|
|
multiply the inlets of happiness, sacrificing the inestimable jewel of
|
|
their sex when a hundred pretty fellows were at hand to caress, this, he
|
|
assured them, made his heart weep. To curb this inconvenient (which
|
|
he concluded due to a suppression of latent heat), having advised with
|
|
certain counsellors of worth and inspected into this matter, he had
|
|
resolved to purchase in fee simple for ever the freehold of Lambay
|
|
island from its holder, lord Talbot de Malahide, a Tory gentleman of
|
|
note much in favour with our ascendancy party. He proposed to set up
|
|
there a national fertilising farm to be named _Omphalos_ with an obelisk
|
|
hewn and erected after the fashion of Egypt and to offer his dutiful
|
|
yeoman services for the fecundation of any female of what grade of life
|
|
soever who should there direct to him with the desire of fulfilling the
|
|
functions of her natural. Money was no object, he said, nor would he
|
|
take a penny for his pains. The poorest kitchenwench no less than the
|
|
opulent lady of fashion, if so be their constructions and their tempers
|
|
were warm persuaders for their petitions, would find in him their man.
|
|
For his nutriment he shewed how he would feed himself exclusively upon a
|
|
diet of savoury tubercles and fish and coneys there, the flesh of these
|
|
latter prolific rodents being highly recommended for his purpose, both
|
|
broiled and stewed with a blade of mace and a pod or two of capsicum
|
|
chillies. After this homily which he delivered with much warmth of
|
|
asseveration Mr Mulligan in a trice put off from his hat a kerchief with
|
|
which he had shielded it. They both, it seems, had been overtaken by the
|
|
rain and for all their mending their pace had taken water, as might be
|
|
observed by Mr Mulligan's smallclothes of a hodden grey which was now
|
|
somewhat piebald. His project meanwhile was very favourably entertained
|
|
by his auditors and won hearty eulogies from all though Mr Dixon of
|
|
Mary's excepted to it, asking with a finicking air did he purpose also
|
|
to carry coals to Newcastle. Mr Mulligan however made court to the
|
|
scholarly by an apt quotation from the classics which, as it dwelt
|
|
upon his memory, seemed to him a sound and tasteful support of his
|
|
contention: _Talis ac tanta depravatio hujus seculi, O quirites,
|
|
ut matresfamiliarum nostrae lascivas cujuslibet semiviri libici
|
|
titillationes testibus ponderosis atque excelsis erectionibus
|
|
centurionum Romanorum magnopere anteponunt_, while for those of ruder
|
|
wit he drove home his point by analogies of the animal kingdom more
|
|
suitable to their stomach, the buck and doe of the forest glade, the
|
|
farmyard drake and duck.
|
|
|
|
Valuing himself not a little upon his elegance, being indeed a proper
|
|
man of person, this talkative now applied himself to his dress with
|
|
animadversions of some heat upon the sudden whimsy of the atmospherics
|
|
while the company lavished their encomiums upon the project he had
|
|
advanced. The young gentleman, his friend, overjoyed as he was at a
|
|
passage that had late befallen him, could not forbear to tell it his
|
|
nearest neighbour. Mr Mulligan, now perceiving the table, asked for whom
|
|
were those loaves and fishes and, seeing the stranger, he made him
|
|
a civil bow and said, Pray, sir, was you in need of any professional
|
|
assistance we could give? Who, upon his offer, thanked him very
|
|
heartily, though preserving his proper distance, and replied that he was
|
|
come there about a lady, now an inmate of Horne's house, that was in an
|
|
interesting condition, poor body, from woman's woe (and here he fetched
|
|
a deep sigh) to know if her happiness had yet taken place. Mr Dixon,
|
|
to turn the table, took on to ask of Mr Mulligan himself whether
|
|
his incipient ventripotence, upon which he rallied him, betokened an
|
|
ovoblastic gestation in the prostatic utricle or male womb or was due,
|
|
as with the noted physician, Mr Austin Meldon, to a wolf in the stomach.
|
|
For answer Mr Mulligan, in a gale of laughter at his smalls, smote
|
|
himself bravely below the diaphragm, exclaiming with an admirable droll
|
|
mimic of Mother Grogan (the most excellent creature of her sex though
|
|
'tis pity she's a trollop): There's a belly that never bore a bastard.
|
|
This was so happy a conceit that it renewed the storm of mirth and threw
|
|
the whole room into the most violent agitations of delight. The spry
|
|
rattle had run on in the same vein of mimicry but for some larum in the
|
|
antechamber.
|
|
|
|
Here the listener who was none other than the Scotch student, a little
|
|
fume of a fellow, blond as tow, congratulated in the liveliest fashion
|
|
with the young gentleman and, interrupting the narrative at a salient
|
|
point, having desired his visavis with a polite beck to have the
|
|
obligingness to pass him a flagon of cordial waters at the same time by
|
|
a questioning poise of the head (a whole century of polite breeding had
|
|
not achieved so nice a gesture) to which was united an equivalent but
|
|
contrary balance of the bottle asked the narrator as plainly as was ever
|
|
done in words if he might treat him with a cup of it. _Mais bien sur_,
|
|
noble stranger, said he cheerily, _et mille compliments_. That you may
|
|
and very opportunely. There wanted nothing but this cup to crown my
|
|
felicity. But, gracious heaven, was I left with but a crust in my wallet
|
|
and a cupful of water from the well, my God, I would accept of them and
|
|
find it in my heart to kneel down upon the ground and give thanks to
|
|
the powers above for the happiness vouchsafed me by the Giver of good
|
|
things. With these words he approached the goblet to his lips, took a
|
|
complacent draught of the cordial, slicked his hair and, opening his
|
|
bosom, out popped a locket that hung from a silk riband, that very
|
|
picture which he had cherished ever since her hand had wrote therein.
|
|
Gazing upon those features with a world of tenderness, Ah, Monsieur, he
|
|
said, had you but beheld her as I did with these eyes at that affecting
|
|
instant with her dainty tucker and her new coquette cap (a gift for her
|
|
feastday as she told me prettily) in such an artless disorder, of so
|
|
melting a tenderness, 'pon my conscience, even you, Monsieur, had been
|
|
impelled by generous nature to deliver yourself wholly into the hands of
|
|
such an enemy or to quit the field for ever. I declare, I was never so
|
|
touched in all my life. God, I thank thee, as the Author of my days!
|
|
Thrice happy will he be whom so amiable a creature will bless with her
|
|
favours. A sigh of affection gave eloquence to these words and, having
|
|
replaced the locket in his bosom, he wiped his eye and sighed again.
|
|
Beneficent Disseminator of blessings to all Thy creatures, how great
|
|
and universal must be that sweetest of Thy tyrannies which can hold in
|
|
thrall the free and the bond, the simple swain and the polished coxcomb,
|
|
the lover in the heyday of reckless passion and the husband of maturer
|
|
years. But indeed, sir, I wander from the point. How mingled and
|
|
imperfect are all our sublunary joys. Maledicity! he exclaimed in
|
|
anguish. Would to God that foresight had but remembered me to take my
|
|
cloak along! I could weep to think of it. Then, though it had poured
|
|
seven showers, we were neither of us a penny the worse. But beshrew me,
|
|
he cried, clapping hand to his forehead, tomorrow will be a new day and,
|
|
thousand thunders, I know of a _marchand de capotes_, Monsieur Poyntz,
|
|
from whom I can have for a livre as snug a cloak of the French fashion
|
|
as ever kept a lady from wetting. Tut, tut! cries Le Fecondateur,
|
|
tripping in, my friend Monsieur Moore, that most accomplished traveller
|
|
(I have just cracked a half bottle AVEC LUI in a circle of the best wits
|
|
of the town), is my authority that in Cape Horn, _ventre biche_, they
|
|
have a rain that will wet through any, even the stoutest cloak. A
|
|
drenching of that violence, he tells me, _sans blague_, has sent more
|
|
than one luckless fellow in good earnest posthaste to another world.
|
|
Pooh! A _livre!_ cries Monsieur Lynch. The clumsy things are dear at a
|
|
sou. One umbrella, were it no bigger than a fairy mushroom, is worth ten
|
|
such stopgaps. No woman of any wit would wear one. My dear Kitty told me
|
|
today that she would dance in a deluge before ever she would starve in
|
|
such an ark of salvation for, as she reminded me (blushing piquantly and
|
|
whispering in my ear though there was none to snap her words but giddy
|
|
butterflies), dame Nature, by the divine blessing, has implanted it in
|
|
our hearts and it has become a household word that _il y a deux choses_
|
|
for which the innocence of our original garb, in other circumstances a
|
|
breach of the proprieties, is the fittest, nay, the only garment. The
|
|
first, said she (and here my pretty philosopher, as I handed her to her
|
|
tilbury, to fix my attention, gently tipped with her tongue the outer
|
|
chamber of my ear), the first is a bath... But at this point a bell
|
|
tinkling in the hall cut short a discourse which promised so bravely for
|
|
the enrichment of our store of knowledge.
|
|
|
|
Amid the general vacant hilarity of the assembly a bell rang and, while
|
|
all were conjecturing what might be the cause, Miss Callan entered and,
|
|
having spoken a few words in a low tone to young Mr Dixon, retired with
|
|
a profound bow to the company. The presence even for a moment among a
|
|
party of debauchees of a woman endued with every quality of modesty and
|
|
not less severe than beautiful refrained the humourous sallies even of
|
|
the most licentious but her departure was the signal for an outbreak of
|
|
ribaldry. Strike me silly, said Costello, a low fellow who was fuddled.
|
|
A monstrous fine bit of cowflesh! I'll be sworn she has rendezvoused
|
|
you. What, you dog? Have you a way with them? Gad's bud, immensely
|
|
so, said Mr Lynch. The bedside manner it is that they use in the Mater
|
|
hospice. Demme, does not Doctor O'Gargle chuck the nuns there under the
|
|
chin. As I look to be saved I had it from my Kitty who has been wardmaid
|
|
there any time these seven months. Lawksamercy, doctor, cried the young
|
|
blood in the primrose vest, feigning a womanish simper and with immodest
|
|
squirmings of his body, how you do tease a body! Drat the man! Bless
|
|
me, I'm all of a wibbly wobbly. Why, you're as bad as dear little Father
|
|
Cantekissem, that you are! May this pot of four half choke me, cried
|
|
Costello, if she aint in the family way. I knows a lady what's got a
|
|
white swelling quick as I claps eyes on her. The young surgeon, however,
|
|
rose and begged the company to excuse his retreat as the nurse had just
|
|
then informed him that he was needed in the ward. Merciful providence
|
|
had been pleased to put a period to the sufferings of the lady who was
|
|
_enceinte_ which she had borne with a laudable fortitude and she had
|
|
given birth to a bouncing boy. I want patience, said he, with those
|
|
who, without wit to enliven or learning to instruct, revile an ennobling
|
|
profession which, saving the reverence due to the Deity, is the greatest
|
|
power for happiness upon the earth. I am positive when I say that if
|
|
need were I could produce a cloud of witnesses to the excellence of
|
|
her noble exercitations which, so far from being a byword, should be a
|
|
glorious incentive in the human breast. I cannot away with them. What?
|
|
Malign such an one, the amiable Miss Callan, who is the lustre of
|
|
her own sex and the astonishment of ours? And at an instant the most
|
|
momentous that can befall a puny child of clay? Perish the thought! I
|
|
shudder to think of the future of a race where the seeds of such malice
|
|
have been sown and where no right reverence is rendered to mother and
|
|
maid in house of Horne. Having delivered himself of this rebuke he
|
|
saluted those present on the by and repaired to the door. A murmur
|
|
of approval arose from all and some were for ejecting the low soaker
|
|
without more ado, a design which would have been effected nor would
|
|
he have received more than his bare deserts had he not abridged his
|
|
transgression by affirming with a horrid imprecation (for he swore a
|
|
round hand) that he was as good a son of the true fold as ever drew
|
|
breath. Stap my vitals, said he, them was always the sentiments of
|
|
honest Frank Costello which I was bred up most particular to honour thy
|
|
father and thy mother that had the best hand to a rolypoly or a hasty
|
|
pudding as you ever see what I always looks back on with a loving heart.
|
|
|
|
To revert to Mr Bloom who, after his first entry, had been conscious of
|
|
some impudent mocks which he however had borne with as being the fruits
|
|
of that age upon which it is commonly charged that it knows not
|
|
pity. The young sparks, it is true, were as full of extravagancies
|
|
as overgrown children: the words of their tumultuary discussions
|
|
were difficultly understood and not often nice: their testiness and
|
|
outrageous _mots_ were such that his intellects resiled from: nor were
|
|
they scrupulously sensible of the proprieties though their fund of
|
|
strong animal spirits spoke in their behalf. But the word of Mr Costello
|
|
was an unwelcome language for him for he nauseated the wretch that
|
|
seemed to him a cropeared creature of a misshapen gibbosity, born out
|
|
of wedlock and thrust like a crookback toothed and feet first into the
|
|
world, which the dint of the surgeon's pliers in his skull lent indeed
|
|
a colour to, so as to put him in thought of that missing link of
|
|
creation's chain desiderated by the late ingenious Mr Darwin. It was now
|
|
for more than the middle span of our allotted years that he had passed
|
|
through the thousand vicissitudes of existence and, being of a wary
|
|
ascendancy and self a man of rare forecast, he had enjoined his heart
|
|
to repress all motions of a rising choler and, by intercepting them
|
|
with the readiest precaution, foster within his breast that plenitude
|
|
of sufferance which base minds jeer at, rash judgers scorn and all find
|
|
tolerable and but tolerable. To those who create themselves wits at the
|
|
cost of feminine delicacy (a habit of mind which he never did hold
|
|
with) to them he would concede neither to bear the name nor to herit
|
|
the tradition of a proper breeding: while for such that, having lost
|
|
all forbearance, can lose no more, there remained the sharp antidote of
|
|
experience to cause their insolency to beat a precipitate and inglorious
|
|
retreat. Not but what he could feel with mettlesome youth which, caring
|
|
nought for the mows of dotards or the gruntlings of the severe, is ever
|
|
(as the chaste fancy of the Holy Writer expresses it) for eating of the
|
|
tree forbid it yet not so far forth as to pretermit humanity upon any
|
|
condition soever towards a gentlewoman when she was about her lawful
|
|
occasions. To conclude, while from the sister's words he had reckoned
|
|
upon a speedy delivery he was, however, it must be owned, not a little
|
|
alleviated by the intelligence that the issue so auspicated after an
|
|
ordeal of such duress now testified once more to the mercy as well as to
|
|
the bounty of the Supreme Being.
|
|
|
|
Accordingly he broke his mind to his neighbour, saying that, to express
|
|
his notion of the thing, his opinion (who ought not perchance to express
|
|
one) was that one must have a cold constitution and a frigid genius not
|
|
to be rejoiced by this freshest news of the fruition of her confinement
|
|
since she had been in such pain through no fault of hers. The dressy
|
|
young blade said it was her husband's that put her in that expectation
|
|
or at least it ought to be unless she were another Ephesian matron. I
|
|
must acquaint you, said Mr Crotthers, clapping on the table so as to
|
|
evoke a resonant comment of emphasis, old Glory Allelujurum was round
|
|
again today, an elderly man with dundrearies, preferring through his
|
|
nose a request to have word of Wilhelmina, my life, as he calls her. I
|
|
bade him hold himself in readiness for that the event would burst anon.
|
|
'Slife, I'll be round with you. I cannot but extol the virile potency of
|
|
the old bucko that could still knock another child out of her. All fell
|
|
to praising of it, each after his own fashion, though the same young
|
|
blade held with his former view that another than her conjugial had
|
|
been the man in the gap, a clerk in orders, a linkboy (virtuous) or
|
|
an itinerant vendor of articles needed in every household. Singular,
|
|
communed the guest with himself, the wonderfully unequal faculty of
|
|
metempsychosis possessed by them, that the puerperal dormitory and the
|
|
dissecting theatre should be the seminaries of such frivolity, that the
|
|
mere acquisition of academic titles should suffice to transform in a
|
|
pinch of time these votaries of levity into exemplary practitioners of
|
|
an art which most men anywise eminent have esteemed the noblest. But,
|
|
he further added, it is mayhap to relieve the pentup feelings that in
|
|
common oppress them for I have more than once observed that birds of a
|
|
feather laugh together.
|
|
|
|
But with what fitness, let it be asked of the noble lord, his patron,
|
|
has this alien, whom the concession of a gracious prince has admitted
|
|
to civic rights, constituted himself the lord paramount of our
|
|
internal polity? Where is now that gratitude which loyalty should have
|
|
counselled? During the recent war whenever the enemy had a temporary
|
|
advantage with his granados did this traitor to his kind not seize that
|
|
moment to discharge his piece against the empire of which he is a tenant
|
|
at will while he trembled for the security of his four per cents? Has he
|
|
forgotten this as he forgets all benefits received? Or is it that from
|
|
being a deluder of others he has become at last his own dupe as he is,
|
|
if report belie him not, his own and his only enjoyer? Far be it from
|
|
candour to violate the bedchamber of a respectable lady, the daughter of
|
|
a gallant major, or to cast the most distant reflections upon her
|
|
virtue but if he challenges attention there (as it was indeed highly his
|
|
interest not to have done) then be it so. Unhappy woman, she has been
|
|
too long and too persistently denied her legitimate prerogative to
|
|
listen to his objurgations with any other feeling than the derision of
|
|
the desperate. He says this, a censor of morals, a very pelican in his
|
|
piety, who did not scruple, oblivious of the ties of nature, to attempt
|
|
illicit intercourse with a female domestic drawn from the lowest strata
|
|
of society! Nay, had the hussy's scouringbrush not been her tutelary
|
|
angel, it had gone with her as hard as with Hagar, the Egyptian! In the
|
|
question of the grazing lands his peevish asperity is notorious and in
|
|
Mr Cuffe's hearing brought upon him from an indignant rancher a scathing
|
|
retort couched in terms as straightforward as they were bucolic. It ill
|
|
becomes him to preach that gospel. Has he not nearer home a seedfield
|
|
that lies fallow for the want of the ploughshare? A habit reprehensible
|
|
at puberty is second nature and an opprobrium in middle life. If he must
|
|
dispense his balm of Gilead in nostrums and apothegms of dubious taste
|
|
to restore to health a generation of unfledged profligates let his
|
|
practice consist better with the doctrines that now engross him. His
|
|
marital breast is the repository of secrets which decorum is reluctant
|
|
to adduce. The lewd suggestions of some faded beauty may console him for
|
|
a consort neglected and debauched but this new exponent of morals and
|
|
healer of ills is at his best an exotic tree which, when rooted in
|
|
its native orient, throve and flourished and was abundant in balm
|
|
but, transplanted to a clime more temperate, its roots have lost their
|
|
quondam vigour while the stuff that comes away from it is stagnant, acid
|
|
and inoperative.
|
|
|
|
The news was imparted with a circumspection recalling the ceremonial
|
|
usage of the Sublime Porte by the second female infirmarian to the
|
|
junior medical officer in residence, who in his turn announced to the
|
|
delegation that an heir had been born, When he had betaken himself
|
|
to the women's apartment to assist at the prescribed ceremony of the
|
|
afterbirth in the presence of the secretary of state for domestic
|
|
affairs and the members of the privy council, silent in unanimous
|
|
exhaustion and approbation the delegates, chafing under the length and
|
|
solemnity of their vigil and hoping that the joyful occurrence would
|
|
palliate a licence which the simultaneous absence of abigail and
|
|
obstetrician rendered the easier, broke out at once into a strife of
|
|
tongues. In vain the voice of Mr Canvasser Bloom was heard endeavouring
|
|
to urge, to mollify, to refrain. The moment was too propitious for the
|
|
display of that discursiveness which seemed the only bond of union among
|
|
tempers so divergent. Every phase of the situation was successively
|
|
eviscerated: the prenatal repugnance of uterine brothers, the Caesarean
|
|
section, posthumity with respect to the father and, that rarer form,
|
|
with respect to the mother, the fratricidal case known as the Childs
|
|
Murder and rendered memorable by the impassioned plea of Mr Advocate
|
|
Bushe which secured the acquittal of the wrongfully accused, the
|
|
rights of primogeniture and king's bounty touching twins and triplets,
|
|
miscarriages and infanticides, simulated or dissimulated, the acardiac
|
|
_foetus in foetu_ and aprosopia due to a congestion, the agnathia
|
|
of certain chinless Chinamen (cited by Mr Candidate Mulligan) in
|
|
consequence of defective reunion of the maxillary knobs along the medial
|
|
line so that (as he said) one ear could hear what the other spoke, the
|
|
benefits of anesthesia or twilight sleep, the prolongation of labour
|
|
pains in advanced gravidancy by reason of pressure on the vein, the
|
|
premature relentment of the amniotic fluid (as exemplified in the
|
|
actual case) with consequent peril of sepsis to the matrix, artificial
|
|
insemination by means of syringes, involution of the womb consequent
|
|
upon the menopause, the problem of the perpetration of the species in
|
|
the case of females impregnated by delinquent rape, that distressing
|
|
manner of delivery called by the Brandenburghers _Sturzgeburt,_ the
|
|
recorded instances of multiseminal, twikindled and monstrous births
|
|
conceived during the catamenic period or of consanguineous parents--in
|
|
a word all the cases of human nativity which Aristotle has classified
|
|
in his masterpiece with chromolithographic illustrations. The gravest
|
|
problems of obstetrics and forensic medicine were examined with as much
|
|
animation as the most popular beliefs on the state of pregnancy such as
|
|
the forbidding to a gravid woman to step over a countrystile lest,
|
|
by her movement, the navelcord should strangle her creature and
|
|
the injunction upon her in the event of a yearning, ardently and
|
|
ineffectually entertained, to place her hand against that part of her
|
|
person which long usage has consecrated as the seat of castigation.
|
|
The abnormalities of harelip, breastmole, supernumerary digits, negro's
|
|
inkle, strawberry mark and portwine stain were alleged by one as a
|
|
_prima facie_ and natural hypothetical explanation of those swineheaded
|
|
(the case of Madame Grissel Steevens was not forgotten) or doghaired
|
|
infants occasionally born. The hypothesis of a plasmic memory, advanced
|
|
by the Caledonian envoy and worthy of the metaphysical traditions of
|
|
the land he stood for, envisaged in such cases an arrest of embryonic
|
|
development at some stage antecedent to the human. An outlandish
|
|
delegate sustained against both these views, with such heat as almost
|
|
carried conviction, the theory of copulation between women and the males
|
|
of brutes, his authority being his own avouchment in support of fables
|
|
such as that of the Minotaur which the genius of the elegant Latin poet
|
|
has handed down to us in the pages of his Metamorphoses. The impression
|
|
made by his words was immediate but shortlived. It was effaced as easily
|
|
as it had been evoked by an allocution from Mr Candidate Mulligan in
|
|
that vein of pleasantry which none better than he knew how to affect,
|
|
postulating as the supremest object of desire a nice clean old man.
|
|
Contemporaneously, a heated argument having arisen between Mr Delegate
|
|
Madden and Mr Candidate Lynch regarding the juridical and theological
|
|
dilemma created in the event of one Siamese twin predeceasing the other,
|
|
the difficulty by mutual consent was referred to Mr Canvasser Bloom
|
|
for instant submittal to Mr Coadjutor Deacon Dedalus. Hitherto silent,
|
|
whether the better to show by preternatural gravity that curious dignity
|
|
of the garb with which he was invested or in obedience to an inward
|
|
voice, he delivered briefly and, as some thought, perfunctorily the
|
|
ecclesiastical ordinance forbidding man to put asunder what God has
|
|
joined.
|
|
|
|
But Malachias' tale began to freeze them with horror. He conjured up the
|
|
scene before them. The secret panel beside the chimney slid back and
|
|
in the recess appeared... Haines! Which of us did not feel his flesh
|
|
creep! He had a portfolio full of Celtic literature in one hand, in the
|
|
other a phial marked _Poison._ Surprise, horror, loathing were depicted
|
|
on all faces while he eyed them with a ghostly grin. I anticipated some
|
|
such reception, he began with an eldritch laugh, for which, it seems,
|
|
history is to blame. Yes, it is true. I am the murderer of Samuel
|
|
Childs. And how I am punished! The inferno has no terrors for me. This
|
|
is the appearance is on me. Tare and ages, what way would I be resting
|
|
at all, he muttered thickly, and I tramping Dublin this while back
|
|
with my share of songs and himself after me the like of a soulth or a
|
|
bullawurrus? My hell, and Ireland's, is in this life. It is what I tried
|
|
to obliterate my crime. Distractions, rookshooting, the Erse language
|
|
(he recited some), laudanum (he raised the phial to his lips), camping
|
|
out. In vain! His spectre stalks me. Dope is my only hope... Ah!
|
|
Destruction! The black panther! With a cry he suddenly vanished and the
|
|
panel slid back. An instant later his head appeared in the door opposite
|
|
and said: Meet me at Westland Row station at ten past eleven. He was
|
|
gone. Tears gushed from the eyes of the dissipated host. The seer
|
|
raised his hand to heaven, murmuring: The vendetta of Mananaun! The
|
|
sage repeated: _Lex talionis_. The sentimentalist is he who would enjoy
|
|
without incurring the immense debtorship for a thing done. Malachias,
|
|
overcome by emotion, ceased. The mystery was unveiled. Haines was the
|
|
third brother. His real name was Childs. The black panther was himself
|
|
the ghost of his own father. He drank drugs to obliterate. For this
|
|
relief much thanks. The lonely house by the graveyard is uninhabited.
|
|
No soul will live there. The spider pitches her web in the solitude.
|
|
The nocturnal rat peers from his hole. A curse is on it. It is haunted.
|
|
Murderer's ground.
|
|
|
|
What is the age of the soul of man? As she hath the virtue of the
|
|
chameleon to change her hue at every new approach, to be gay with the
|
|
merry and mournful with the downcast, so too is her age changeable as
|
|
her mood. No longer is Leopold, as he sits there, ruminating, chewing
|
|
the cud of reminiscence, that staid agent of publicity and holder of a
|
|
modest substance in the funds. A score of years are blown away. He is
|
|
young Leopold. There, as in a retrospective arrangement, a mirror within
|
|
a mirror (hey, presto!), he beholdeth himself. That young figure of then
|
|
is seen, precociously manly, walking on a nipping morning from the old
|
|
house in Clanbrassil street to the high school, his booksatchel on
|
|
him bandolierwise, and in it a goodly hunk of wheaten loaf, a mother's
|
|
thought. Or it is the same figure, a year or so gone over, in his first
|
|
hard hat (ah, that was a day!), already on the road, a fullfledged
|
|
traveller for the family firm, equipped with an orderbook, a scented
|
|
handkerchief (not for show only), his case of bright trinketware (alas!
|
|
a thing now of the past!) and a quiverful of compliant smiles for this
|
|
or that halfwon housewife reckoning it out upon her fingertips or for
|
|
a budding virgin, shyly acknowledging (but the heart? tell me!) his
|
|
studied baisemoins. The scent, the smile, but, more than these, the dark
|
|
eyes and oleaginous address, brought home at duskfall many a commission
|
|
to the head of the firm, seated with Jacob's pipe after like labours in
|
|
the paternal ingle (a meal of noodles, you may be sure, is aheating),
|
|
reading through round horned spectacles some paper from the Europe of a
|
|
month before. But hey, presto, the mirror is breathed on and the young
|
|
knighterrant recedes, shrivels, dwindles to a tiny speck within the
|
|
mist. Now he is himself paternal and these about him might be his
|
|
sons. Who can say? The wise father knows his own child. He thinks of a
|
|
drizzling night in Hatch street, hard by the bonded stores there, the
|
|
first. Together (she is a poor waif, a child of shame, yours and mine
|
|
and of all for a bare shilling and her luckpenny), together they hear
|
|
the heavy tread of the watch as two raincaped shadows pass the new royal
|
|
university. Bridie! Bridie Kelly! He will never forget the name, ever
|
|
remember the night: first night, the bridenight. They are entwined
|
|
in nethermost darkness, the willer with the willed, and in an instant
|
|
(_fiat_!) light shall flood the world. Did heart leap to heart? Nay,
|
|
fair reader. In a breath 'twas done but--hold! Back! It must not be! In
|
|
terror the poor girl flees away through the murk. She is the bride of
|
|
darkness, a daughter of night. She dare not bear the sunnygolden babe
|
|
of day. No, Leopold. Name and memory solace thee not. That youthful
|
|
illusion of thy strength was taken from thee--and in vain. No son of thy
|
|
loins is by thee. There is none now to be for Leopold, what Leopold was
|
|
for Rudolph.
|
|
|
|
The voices blend and fuse in clouded silence: silence that is the
|
|
infinite of space: and swiftly, silently the soul is wafted over regions
|
|
of cycles of generations that have lived. A region where grey twilight
|
|
ever descends, never falls on wide sagegreen pasturefields, shedding her
|
|
dusk, scattering a perennial dew of stars. She follows her mother with
|
|
ungainly steps, a mare leading her fillyfoal. Twilight phantoms
|
|
are they, yet moulded in prophetic grace of structure, slim shapely
|
|
haunches, a supple tendonous neck, the meek apprehensive skull. They
|
|
fade, sad phantoms: all is gone. Agendath is a waste land, a home of
|
|
screechowls and the sandblind upupa. Netaim, the golden, is no more. And
|
|
on the highway of the clouds they come, muttering thunder of rebellion,
|
|
the ghosts of beasts. Huuh! Hark! Huuh! Parallax stalks behind and goads
|
|
them, the lancinating lightnings of whose brow are scorpions. Elk and
|
|
yak, the bulls of Bashan and of Babylon, mammoth and mastodon, they come
|
|
trooping to the sunken sea, _Lacus Mortis_. Ominous revengeful zodiacal
|
|
host! They moan, passing upon the clouds, horned and capricorned, the
|
|
trumpeted with the tusked, the lionmaned, the giantantlered, snouter
|
|
and crawler, rodent, ruminant and pachyderm, all their moving moaning
|
|
multitude, murderers of the sun.
|
|
|
|
Onward to the dead sea they tramp to drink, unslaked and with horrible
|
|
gulpings, the salt somnolent inexhaustible flood. And the equine portent
|
|
grows again, magnified in the deserted heavens, nay to heaven's own
|
|
magnitude, till it looms, vast, over the house of Virgo. And lo, wonder
|
|
of metempsychosis, it is she, the everlasting bride, harbinger of the
|
|
daystar, the bride, ever virgin. It is she, Martha, thou lost one,
|
|
Millicent, the young, the dear, the radiant. How serene does she now
|
|
arise, a queen among the Pleiades, in the penultimate antelucan hour,
|
|
shod in sandals of bright gold, coifed with a veil of what do you call
|
|
it gossamer. It floats, it flows about her starborn flesh and loose it
|
|
streams, emerald, sapphire, mauve and heliotrope, sustained on currents
|
|
of the cold interstellar wind, winding, coiling, simply swirling,
|
|
writhing in the skies a mysterious writing till, after a myriad
|
|
metamorphoses of symbol, it blazes, Alpha, a ruby and triangled sign
|
|
upon the forehead of Taurus.
|
|
|
|
Francis was reminding Stephen of years before when they had been at
|
|
school together in Conmee's time. He asked about Glaucon, Alcibiades,
|
|
Pisistratus. Where were they now? Neither knew. You have spoken of the
|
|
past and its phantoms, Stephen said. Why think of them? If I call them
|
|
into life across the waters of Lethe will not the poor ghosts troop to
|
|
my call? Who supposes it? I, Bous Stephanoumenos, bullockbefriending
|
|
bard, am lord and giver of their life. He encircled his gadding hair
|
|
with a coronal of vineleaves, smiling at Vincent. That answer and those
|
|
leaves, Vincent said to him, will adorn you more fitly when something
|
|
more, and greatly more, than a capful of light odes can call your genius
|
|
father. All who wish you well hope this for you. All desire to see
|
|
you bring forth the work you meditate, to acclaim you Stephaneforos. I
|
|
heartily wish you may not fail them. O no, Vincent Lenehan said, laying
|
|
a hand on the shoulder near him. Have no fear. He could not leave his
|
|
mother an orphan. The young man's face grew dark. All could see how hard
|
|
it was for him to be reminded of his promise and of his recent loss. He
|
|
would have withdrawn from the feast had not the noise of voices allayed
|
|
the smart. Madden had lost five drachmas on Sceptre for a whim of the
|
|
rider's name: Lenehan as much more. He told them of the race. The flag
|
|
fell and, huuh! off, scamper, the mare ran out freshly with 0. Madden
|
|
up. She was leading the field. All hearts were beating. Even Phyllis
|
|
could not contain herself. She waved her scarf and cried: Huzzah!
|
|
Sceptre wins! But in the straight on the run home when all were in close
|
|
order the dark horse Throwaway drew level, reached, outstripped her. All
|
|
was lost now. Phyllis was silent: her eyes were sad anemones. Juno, she
|
|
cried, I am undone. But her lover consoled her and brought her a bright
|
|
casket of gold in which lay some oval sugarplums which she partook. A
|
|
tear fell: one only. A whacking fine whip, said Lenehan, is W. Lane.
|
|
Four winners yesterday and three today. What rider is like him? Mount
|
|
him on the camel or the boisterous buffalo the victory in a hack canter
|
|
is still his. But let us bear it as was the ancient wont. Mercy on the
|
|
luckless! Poor Sceptre! he said with a light sigh. She is not the filly
|
|
that she was. Never, by this hand, shall we behold such another. By gad,
|
|
sir, a queen of them. Do you remember her, Vincent? I wish you could
|
|
have seen my queen today, Vincent said. How young she was and radiant
|
|
(Lalage were scarce fair beside her) in her yellow shoes and frock of
|
|
muslin, I do not know the right name of it. The chestnuts that shaded
|
|
us were in bloom: the air drooped with their persuasive odour and with
|
|
pollen floating by us. In the sunny patches one might easily have
|
|
cooked on a stone a batch of those buns with Corinth fruit in them that
|
|
Periplipomenes sells in his booth near the bridge. But she had nought
|
|
for her teeth but the arm with which I held her and in that she nibbled
|
|
mischievously when I pressed too close. A week ago she lay ill, four
|
|
days on the couch, but today she was free, blithe, mocked at peril.
|
|
She is more taking then. Her posies tool Mad romp that she is, she had
|
|
pulled her fill as we reclined together. And in your ear, my friend, you
|
|
will not think who met us as we left the field. Conmee himself! He was
|
|
walking by the hedge, reading, I think a brevier book with, I doubt not,
|
|
a witty letter in it from Glycera or Chloe to keep the page. The sweet
|
|
creature turned all colours in her confusion, feigning to reprove a
|
|
slight disorder in her dress: a slip of underwood clung there for the
|
|
very trees adore her. When Conmee had passed she glanced at her lovely
|
|
echo in that little mirror she carries. But he had been kind. In going
|
|
by he had blessed us. The gods too are ever kind, Lenehan said. If I had
|
|
poor luck with Bass's mare perhaps this draught of his may serve me more
|
|
propensely. He was laying his hand upon a winejar: Malachi saw it and
|
|
withheld his act, pointing to the stranger and to the scarlet label.
|
|
Warily, Malachi whispered, preserve a druid silence. His soul is far
|
|
away. It is as painful perhaps to be awakened from a vision as to be
|
|
born. Any object, intensely regarded, may be a gate of access to the
|
|
incorruptible eon of the gods. Do you not think it, Stephen? Theosophos
|
|
told me so, Stephen answered, whom in a previous existence Egyptian
|
|
priests initiated into the mysteries of karmic law. The lords of the
|
|
moon, Theosophos told me, an orangefiery shipload from planet Alpha
|
|
of the lunar chain would not assume the etheric doubles and these
|
|
were therefore incarnated by the rubycoloured egos from the second
|
|
constellation.
|
|
|
|
However, as a matter of fact though, the preposterous surmise about him
|
|
being in some description of a doldrums or other or mesmerised which
|
|
was entirely due to a misconception of the shallowest character, was
|
|
not the case at all. The individual whose visual organs while the above
|
|
was going on were at this juncture commencing to exhibit symptoms of
|
|
animation was as astute if not astuter than any man living and anybody
|
|
that conjectured the contrary would have found themselves pretty
|
|
speedily in the wrong shop. During the past four minutes or thereabouts
|
|
he had been staring hard at a certain amount of number one Bass bottled
|
|
by Messrs Bass and Co at Burton-on-Trent which happened to be situated
|
|
amongst a lot of others right opposite to where he was and which was
|
|
certainly calculated to attract anyone's remark on account of its
|
|
scarlet appearance. He was simply and solely, as it subsequently
|
|
transpired for reasons best known to himself, which put quite an
|
|
altogether different complexion on the proceedings, after the moment
|
|
before's observations about boyhood days and the turf, recollecting two
|
|
or three private transactions of his own which the other two were as
|
|
mutually innocent of as the babe unborn. Eventually, however, both
|
|
their eyes met and as soon as it began to dawn on him that the other was
|
|
endeavouring to help himself to the thing he involuntarily determined
|
|
to help him himself and so he accordingly took hold of the neck of the
|
|
mediumsized glass recipient which contained the fluid sought after and
|
|
made a capacious hole in it by pouring a lot of it out with, also at the
|
|
same time, however, a considerable degree of attentiveness in order not
|
|
to upset any of the beer that was in it about the place.
|
|
|
|
The debate which ensued was in its scope and progress an epitome of the
|
|
course of life. Neither place nor council was lacking in dignity. The
|
|
debaters were the keenest in the land, the theme they were engaged on
|
|
the loftiest and most vital. The high hall of Horne's house had never
|
|
beheld an assembly so representative and so varied nor had the
|
|
old rafters of that establishment ever listened to a language so
|
|
encyclopaedic. A gallant scene in truth it made. Crotthers was there at
|
|
the foot of the table in his striking Highland garb, his face glowing
|
|
from the briny airs of the Mull of Galloway. There too, opposite to him,
|
|
was Lynch whose countenance bore already the stigmata of early depravity
|
|
and premature wisdom. Next the Scotchman was the place assigned to
|
|
Costello, the eccentric, while at his side was seated in stolid repose
|
|
the squat form of Madden. The chair of the resident indeed stood vacant
|
|
before the hearth but on either flank of it the figure of Bannon in
|
|
explorer's kit of tweed shorts and salted cowhide brogues contrasted
|
|
sharply with the primrose elegance and townbred manners of Malachi
|
|
Roland St John Mulligan. Lastly at the head of the board was the young
|
|
poet who found a refuge from his labours of pedagogy and metaphysical
|
|
inquisition in the convivial atmosphere of Socratic discussion, while
|
|
to right and left of him were accommodated the flippant prognosticator,
|
|
fresh from the hippodrome, and that vigilant wanderer, soiled by the
|
|
dust of travel and combat and stained by the mire of an indelible
|
|
dishonour, but from whose steadfast and constant heart no lure or peril
|
|
or threat or degradation could ever efface the image of that voluptuous
|
|
loveliness which the inspired pencil of Lafayette has limned for ages
|
|
yet to come.
|
|
|
|
It had better be stated here and now at the outset that the perverted
|
|
transcendentalism to which Mr S. Dedalus' (Div. Scep.) contentions
|
|
would appear to prove him pretty badly addicted runs directly counter to
|
|
accepted scientific methods. Science, it cannot be too often repeated,
|
|
deals with tangible phenomena. The man of science like the man in the
|
|
street has to face hardheaded facts that cannot be blinked and explain
|
|
them as best he can. There may be, it is true, some questions which
|
|
science cannot answer--at present--such as the first problem submitted
|
|
by Mr L. Bloom (Pubb. Canv.) regarding the future determination of sex.
|
|
Must we accept the view of Empedocles of Trinacria that the right ovary
|
|
(the postmenstrual period, assert others) is responsible for the birth
|
|
of males or are the too long neglected spermatozoa or nemasperms the
|
|
differentiating factors or is it, as most embryologists incline to
|
|
opine, such as Culpepper, Spallanzani, Blumenbach, Lusk, Hertwig,
|
|
Leopold and Valenti, a mixture of both? This would be tantamount to
|
|
a cooperation (one of nature's favourite devices) between the _nisus
|
|
formativus_ of the nemasperm on the one hand and on the other a happily
|
|
chosen position, _succubitus felix_ of the passive element. The other
|
|
problem raised by the same inquirer is scarcely less vital: infant
|
|
mortality. It is interesting because, as he pertinently remarks, we
|
|
are all born in the same way but we all die in different ways. Mr M.
|
|
Mulligan (Hyg. et Eug. Doc.) blames the sanitary conditions in which
|
|
our greylunged citizens contract adenoids, pulmonary complaints etc. by
|
|
inhaling the bacteria which lurk in dust. These factors, he alleged,
|
|
and the revolting spectacles offered by our streets, hideous publicity
|
|
posters, religious ministers of all denominations, mutilated soldiers
|
|
and sailors, exposed scorbutic cardrivers, the suspended carcases of
|
|
dead animals, paranoic bachelors and unfructified duennas--these, he
|
|
said, were accountable for any and every fallingoff in the calibre of
|
|
the race. Kalipedia, he prophesied, would soon be generally adopted
|
|
and all the graces of life, genuinely good music, agreeable literature,
|
|
light philosophy, instructive pictures, plastercast reproductions of
|
|
the classical statues such as Venus and Apollo, artistic coloured
|
|
photographs of prize babies, all these little attentions would enable
|
|
ladies who were in a particular condition to pass the intervening months
|
|
in a most enjoyable manner. Mr J. Crotthers (Disc. Bacc.) attributes
|
|
some of these demises to abdominal trauma in the case of women workers
|
|
subjected to heavy labours in the workshop and to marital discipline in
|
|
the home but by far the vast majority to neglect, private or official,
|
|
culminating in the exposure of newborn infants, the practice of criminal
|
|
abortion or in the atrocious crime of infanticide. Although the former
|
|
(we are thinking of neglect) is undoubtedly only too true the case he
|
|
cites of nurses forgetting to count the sponges in the peritoneal cavity
|
|
is too rare to be normative. In fact when one comes to look into it the
|
|
wonder is that so many pregnancies and deliveries go off so well as they
|
|
do, all things considered and in spite of our human shortcomings which
|
|
often baulk nature in her intentions. An ingenious suggestion is
|
|
that thrown out by Mr V. Lynch (Bacc. Arith.) that both natality and
|
|
mortality, as well as all other phenomena of evolution, tidal movements,
|
|
lunar phases, blood temperatures, diseases in general, everything, in
|
|
fine, in nature's vast workshop from the extinction of some remote sun
|
|
to the blossoming of one of the countless flowers which beautify our
|
|
public parks is subject to a law of numeration as yet unascertained.
|
|
Still the plain straightforward question why a child of normally healthy
|
|
parents and seemingly a healthy child and properly looked after succumbs
|
|
unaccountably in early childhood (though other children of the same
|
|
marriage do not) must certainly, in the poet's words, give us pause.
|
|
Nature, we may rest assured, has her own good and cogent reasons for
|
|
whatever she does and in all probability such deaths are due to some law
|
|
of anticipation by which organisms in which morbous germs have taken
|
|
up their residence (modern science has conclusively shown that only the
|
|
plasmic substance can be said to be immortal) tend to disappear at an
|
|
increasingly earlier stage of development, an arrangement which, though
|
|
productive of pain to some of our feelings (notably the maternal), is
|
|
nevertheless, some of us think, in the long run beneficial to the
|
|
race in general in securing thereby the survival of the fittest. Mr S.
|
|
Dedalus' (Div. Scep.) remark (or should it be called an interruption?)
|
|
that an omnivorous being which can masticate, deglute, digest and
|
|
apparently pass through the ordinary channel with pluterperfect
|
|
imperturbability such multifarious aliments as cancrenous females
|
|
emaciated by parturition, corpulent professional gentlemen, not to speak
|
|
of jaundiced politicians and chlorotic nuns, might possibly find gastric
|
|
relief in an innocent collation of staggering bob, reveals as nought
|
|
else could and in a very unsavoury light the tendency above alluded to.
|
|
For the enlightenment of those who are not so intimately acquainted with
|
|
the minutiae of the municipal abattoir as this morbidminded esthete and
|
|
embryo philosopher who for all his overweening bumptiousness in things
|
|
scientific can scarcely distinguish an acid from an alkali prides
|
|
himself on being, it should perhaps be stated that staggering bob in
|
|
the vile parlance of our lowerclass licensed victuallers signifies the
|
|
cookable and eatable flesh of a calf newly dropped from its mother. In
|
|
a recent public controversy with Mr L. Bloom (Pubb. Canv.) which took
|
|
place in the commons' hall of the National Maternity Hospital, 29, 30
|
|
and 31 Holles street, of which, as is well known, Dr A. Horne (Lic. in
|
|
Midw., F. K. Q. C. P. I.) is the able and popular master, he is reported
|
|
by eyewitnesses as having stated that once a woman has let the cat
|
|
into the bag (an esthete's allusion, presumably, to one of the most
|
|
complicated and marvellous of all nature's processes--the act of sexual
|
|
congress) she must let it out again or give it life, as he phrased it,
|
|
to save her own. At the risk of her own, was the telling rejoinder of
|
|
his interlocutor, none the less effective for the moderate and measured
|
|
tone in which it was delivered.
|
|
|
|
Meanwhile the skill and patience of the physician had brought about a
|
|
happy _accouchement._ It had been a weary weary while both for patient
|
|
and doctor. All that surgical skill could do was done and the brave
|
|
woman had manfully helped. She had. She had fought the good fight and
|
|
now she was very very happy. Those who have passed on, who have gone
|
|
before, are happy too as they gaze down and smile upon the touching
|
|
scene. Reverently look at her as she reclines there with the motherlight
|
|
in her eyes, that longing hunger for baby fingers (a pretty sight it is
|
|
to see), in the first bloom of her new motherhood, breathing a silent
|
|
prayer of thanksgiving to One above, the Universal Husband. And as her
|
|
loving eyes behold her babe she wishes only one blessing more, to have
|
|
her dear Doady there with her to share her joy, to lay in his arms that
|
|
mite of God's clay, the fruit of their lawful embraces. He is older now
|
|
(you and I may whisper it) and a trifle stooped in the shoulders yet
|
|
in the whirligig of years a grave dignity has come to the conscientious
|
|
second accountant of the Ulster bank, College Green branch. O Doady,
|
|
loved one of old, faithful lifemate now, it may never be again, that
|
|
faroff time of the roses! With the old shake of her pretty head she
|
|
recalls those days. God! How beautiful now across the mist of years! But
|
|
their children are grouped in her imagination about the bedside, hers
|
|
and his, Charley, Mary Alice, Frederick Albert (if he had lived), Mamy,
|
|
Budgy (Victoria Frances), Tom, Violet Constance Louisa, darling little
|
|
Bobsy (called after our famous hero of the South African war, lord Bobs
|
|
of Waterford and Candahar) and now this last pledge of their union, a
|
|
Purefoy if ever there was one, with the true Purefoy nose. Young hopeful
|
|
will be christened Mortimer Edward after the influential third cousin of
|
|
Mr Purefoy in the Treasury Remembrancer's office, Dublin Castle. And so
|
|
time wags on: but father Cronion has dealt lightly here. No, let no sigh
|
|
break from that bosom, dear gentle Mina. And Doady, knock the ashes from
|
|
your pipe, the seasoned briar you still fancy when the curfew rings for
|
|
you (may it be the distant day!) and dout the light whereby you read
|
|
in the Sacred Book for the oil too has run low, and so with a tranquil
|
|
heart to bed, to rest. He knows and will call in His own good time. You
|
|
too have fought the good fight and played loyally your man's part. Sir,
|
|
to you my hand. Well done, thou good and faithful servant!
|
|
|
|
There are sins or (let us call them as the world calls them) evil
|
|
memories which are hidden away by man in the darkest places of the heart
|
|
but they abide there and wait. He may suffer their memory to grow dim,
|
|
let them be as though they had not been and all but persuade himself
|
|
that they were not or at least were otherwise. Yet a chance word will
|
|
call them forth suddenly and they will rise up to confront him in the
|
|
most various circumstances, a vision or a dream, or while timbrel
|
|
and harp soothe his senses or amid the cool silver tranquility of the
|
|
evening or at the feast, at midnight, when he is now filled with wine.
|
|
Not to insult over him will the vision come as over one that lies under
|
|
her wrath, not for vengeance to cut him off from the living but shrouded
|
|
in the piteous vesture of the past, silent, remote, reproachful.
|
|
|
|
The stranger still regarded on the face before him a slow recession of
|
|
that false calm there, imposed, as it seemed, by habit or some studied
|
|
trick, upon words so embittered as to accuse in their speaker an
|
|
unhealthiness, a _flair,_ for the cruder things of life. A scene
|
|
disengages itself in the observer's memory, evoked, it would seem, by
|
|
a word of so natural a homeliness as if those days were really present
|
|
there (as some thought) with their immediate pleasures. A shaven space
|
|
of lawn one soft May evening, the wellremembered grove of lilacs at
|
|
Roundtown, purple and white, fragrant slender spectators of the game but
|
|
with much real interest in the pellets as they run slowly forward over
|
|
the sward or collide and stop, one by its fellow, with a brief alert
|
|
shock. And yonder about that grey urn where the water moves at times
|
|
in thoughtful irrigation you saw another as fragrant sisterhood, Floey,
|
|
Atty, Tiny and their darker friend with I know not what of arresting in
|
|
her pose then, Our Lady of the Cherries, a comely brace of them pendent
|
|
from an ear, bringing out the foreign warmth of the skin so daintily
|
|
against the cool ardent fruit. A lad of four or five in linseywoolsey
|
|
(blossomtime but there will be cheer in the kindly hearth when ere long
|
|
the bowls are gathered and hutched) is standing on the urn secured by
|
|
that circle of girlish fond hands. He frowns a little just as this young
|
|
man does now with a perhaps too conscious enjoyment of the danger but
|
|
must needs glance at whiles towards where his mother watches from the
|
|
PIAZZETTA giving upon the flowerclose with a faint shadow of remoteness
|
|
or of reproach (_alles Vergangliche_) in her glad look.
|
|
|
|
Mark this farther and remember. The end comes suddenly. Enter that
|
|
antechamber of birth where the studious are assembled and note their
|
|
faces. Nothing, as it seems, there of rash or violent. Quietude of
|
|
custody, rather, befitting their station in that house, the vigilant
|
|
watch of shepherds and of angels about a crib in Bethlehem of Juda long
|
|
ago. But as before the lightning the serried stormclouds, heavy with
|
|
preponderant excess of moisture, in swollen masses turgidly distended,
|
|
compass earth and sky in one vast slumber, impending above parched field
|
|
and drowsy oxen and blighted growth of shrub and verdure till in an
|
|
instant a flash rives their centres and with the reverberation of the
|
|
thunder the cloudburst pours its torrent, so and not otherwise was the
|
|
transformation, violent and instantaneous, upon the utterance of the
|
|
word.
|
|
|
|
Burke's! outflings my lord Stephen, giving the cry, and a tag and
|
|
bobtail of all them after, cockerel, jackanapes, welsher, pilldoctor,
|
|
punctual Bloom at heels with a universal grabbing at headgear,
|
|
ashplants, bilbos, Panama hats and scabbards, Zermatt alpenstocks and
|
|
what not. A dedale of lusty youth, noble every student there. Nurse
|
|
Callan taken aback in the hallway cannot stay them nor smiling surgeon
|
|
coming downstairs with news of placentation ended, a full pound if a
|
|
milligramme. They hark him on. The door! It is open? Ha! They are out,
|
|
tumultuously, off for a minute's race, all bravely legging it, Burke's
|
|
of Denzille and Holles their ulterior goal. Dixon follows giving them
|
|
sharp language but raps out an oath, he too, and on. Bloom stays with
|
|
nurse a thought to send a kind word to happy mother and nurseling up
|
|
there. Doctor Diet and Doctor Quiet. Looks she too not other now? Ward
|
|
of watching in Horne's house has told its tale in that washedout pallor.
|
|
Then all being gone, a glance of motherwit helping, he whispers close in
|
|
going: Madam, when comes the storkbird for thee?
|
|
|
|
The air without is impregnated with raindew moisture, life essence
|
|
celestial, glistening on Dublin stone there under starshiny _coelum._
|
|
God's air, the Allfather's air, scintillant circumambient cessile air.
|
|
Breathe it deep into thee. By heaven, Theodore Purefoy, thou hast done a
|
|
doughty deed and no botch! Thou art, I vow, the remarkablest progenitor
|
|
barring none in this chaffering allincluding most farraginous chronicle.
|
|
Astounding! In her lay a Godframed Godgiven preformed possibility which
|
|
thou hast fructified with thy modicum of man's work. Cleave to her!
|
|
Serve! Toil on, labour like a very bandog and let scholarment and all
|
|
Malthusiasts go hang. Thou art all their daddies, Theodore. Art drooping
|
|
under thy load, bemoiled with butcher's bills at home and ingots (not
|
|
thine!) in the countinghouse? Head up! For every newbegotten thou shalt
|
|
gather thy homer of ripe wheat. See, thy fleece is drenched. Dost envy
|
|
Darby Dullman there with his Joan? A canting jay and a rheumeyed
|
|
curdog is all their progeny. Pshaw, I tell thee! He is a mule, a dead
|
|
gasteropod, without vim or stamina, not worth a cracked kreutzer.
|
|
Copulation without population! No, say I! Herod's slaughter of the
|
|
innocents were the truer name. Vegetables, forsooth, and sterile
|
|
cohabitation! Give her beefsteaks, red, raw, bleeding! She is a hoary
|
|
pandemonium of ills, enlarged glands, mumps, quinsy, bunions, hayfever,
|
|
bedsores, ringworm, floating kidney, Derbyshire neck, warts, bilious
|
|
attacks, gallstones, cold feet, varicose veins. A truce to threnes and
|
|
trentals and jeremies and all such congenital defunctive music! Twenty
|
|
years of it, regret them not. With thee it was not as with many that
|
|
will and would and wait and never--do. Thou sawest thy America, thy
|
|
lifetask, and didst charge to cover like the transpontine bison. How
|
|
saith Zarathustra? _Deine Kuh Trubsal melkest Du. Nun Trinkst Du die
|
|
susse Milch des Euters_. See! it displodes for thee in abundance. Drink,
|
|
man, an udderful! Mother's milk, Purefoy, the milk of human kin, milk
|
|
too of those burgeoning stars overhead rutilant in thin rainvapour,
|
|
punch milk, such as those rioters will quaff in their guzzling den, milk
|
|
of madness, the honeymilk of Canaan's land. Thy cow's dug was tough,
|
|
what? Ay, but her milk is hot and sweet and fattening. No dollop this
|
|
but thick rich bonnyclaber. To her, old patriarch! Pap! _Per deam
|
|
Partulam et Pertundam nunc est bibendum_!
|
|
|
|
All off for a buster, armstrong, hollering down the street. Bonafides.
|
|
Where you slep las nigh? Timothy of the battered naggin. Like ole
|
|
Billyo. Any brollies or gumboots in the fambly? Where the Henry Nevil's
|
|
sawbones and ole clo? Sorra one o' me knows. Hurrah there, Dix! Forward
|
|
to the ribbon counter. Where's Punch? All serene. Jay, look at the
|
|
drunken minister coming out of the maternity hospal! _Benedicat vos
|
|
omnipotens Deus, Pater et Filius_. A make, mister. The Denzille lane
|
|
boys. Hell, blast ye! Scoot. Righto, Isaacs, shove em out of the
|
|
bleeding limelight. Yous join uz, dear sir? No hentrusion in life. Lou
|
|
heap good man. Allee samee dis bunch. _En avant, mes enfants_! Fire
|
|
away number one on the gun. Burke's! Burke's! Thence they advanced five
|
|
parasangs. Slattery's mounted foot. Where's that bleeding awfur? Parson
|
|
Steve, apostates' creed! No, no, Mulligan! Abaft there! Shove ahead.
|
|
Keep a watch on the clock. Chuckingout time. Mullee! What's on you? _Ma
|
|
mere m'a mariee._ British Beatitudes! _Retamplatan Digidi Boumboum_.
|
|
Ayes have it. To be printed and bound at the Druiddrum press by two
|
|
designing females. Calf covers of pissedon green. Last word in art
|
|
shades. Most beautiful book come out of Ireland my time. _Silentium!_
|
|
Get a spurt on. Tention. Proceed to nearest canteen and there annex
|
|
liquor stores. March! Tramp, tramp, tramp, the boys are (atitudes!)
|
|
parching. Beer, beef, business, bibles, bulldogs battleships, buggery
|
|
and bishops. Whether on the scaffold high. Beer, beef, trample the
|
|
bibles. When for Irelandear. Trample the trampellers. Thunderation! Keep
|
|
the durned millingtary step. We fall. Bishops boosebox. Halt! Heave to.
|
|
Rugger. Scrum in. No touch kicking. Wow, my tootsies! You hurt? Most
|
|
amazingly sorry!
|
|
|
|
Query. Who's astanding this here do? Proud possessor of damnall. Declare
|
|
misery. Bet to the ropes. Me nantee saltee. Not a red at me this week
|
|
gone. Yours? Mead of our fathers for the _Ubermensch._ Dittoh. Five
|
|
number ones. You, sir? Ginger cordial. Chase me, the cabby's caudle.
|
|
Stimulate the caloric. Winding of his ticker. Stopped short never to go
|
|
again when the old. Absinthe for me, savvy? _Caramba!_ Have an eggnog or
|
|
a prairie oyster. Enemy? Avuncular's got my timepiece. Ten to. Obligated
|
|
awful. Don't mention it. Got a pectoral trauma, eh, Dix? Pos fact. Got
|
|
bet be a boomblebee whenever he wus settin sleepin in hes bit garten.
|
|
Digs up near the Mater. Buckled he is. Know his dona? Yup, sartin I do.
|
|
Full of a dure. See her in her dishybilly. Peels off a credit. Lovey
|
|
lovekin. None of your lean kine, not much. Pull down the blind, love.
|
|
Two Ardilauns. Same here. Look slippery. If you fall don't wait to get
|
|
up. Five, seven, nine. Fine! Got a prime pair of mincepies, no kid. And
|
|
her take me to rests and her anker of rum. Must be seen to be believed.
|
|
Your starving eyes and allbeplastered neck you stole my heart, O
|
|
gluepot. Sir? Spud again the rheumatiz? All poppycock, you'll scuse me
|
|
saying. For the hoi polloi. I vear thee beest a gert vool. Well, doc?
|
|
Back fro Lapland? Your corporosity sagaciating O K? How's the squaws
|
|
and papooses? Womanbody after going on the straw? Stand and deliver.
|
|
Password. There's hair. Ours the white death and the ruddy birth. Hi!
|
|
Spit in your own eye, boss! Mummer's wire. Cribbed out of Meredith.
|
|
Jesified, orchidised, polycimical jesuit! Aunty mine's writing Pa Kinch.
|
|
Baddybad Stephen lead astray goodygood Malachi.
|
|
|
|
Hurroo! Collar the leather, youngun. Roun wi the nappy. Here, Jock braw
|
|
Hielentman's your barleybree. Lang may your lum reek and your kailpot
|
|
boil! My tipple. _Merci._ Here's to us. How's that? Leg before wicket.
|
|
Don't stain my brandnew sitinems. Give's a shake of peppe, you there.
|
|
Catch aholt. Caraway seed to carry away. Twig? Shrieks of silence. Every
|
|
cove to his gentry mort. Venus Pandemos. _Les petites femmes_. Bold bad
|
|
girl from the town of Mullingar. Tell her I was axing at her. Hauding
|
|
Sara by the wame. On the road to Malahide. Me? If she who seduced me had
|
|
left but the name. What do you want for ninepence? Machree, macruiskeen.
|
|
Smutty Moll for a mattress jig. And a pull all together. _Ex!_
|
|
|
|
Waiting, guvnor? Most deciduously. Bet your boots on. Stunned like,
|
|
seeing as how no shiners is acoming. Underconstumble? He've got the
|
|
chink _ad lib_. Seed near free poun on un a spell ago a said war hisn.
|
|
Us come right in on your invite, see? Up to you, matey. Out with the
|
|
oof. Two bar and a wing. You larn that go off of they there Frenchy
|
|
bilks? Won't wash here for nuts nohow. Lil chile velly solly. Ise de
|
|
cutest colour coon down our side. Gawds teruth, Chawley. We are nae fou.
|
|
We're nae tha fou. Au reservoir, mossoo. Tanks you.
|
|
|
|
'Tis, sure. What say? In the speakeasy. Tight. I shee you, shir. Bantam,
|
|
two days teetee. Bowsing nowt but claretwine. Garn! Have a glint, do.
|
|
Gum, I'm jiggered. And been to barber he have. Too full for words. With
|
|
a railway bloke. How come you so? Opera he'd like? Rose of Castile. Rows
|
|
of cast. Police! Some H2O for a gent fainted. Look at Bantam's flowers.
|
|
Gemini. He's going to holler. The colleen bawn. My colleen bawn. O,
|
|
cheese it! Shut his blurry Dutch oven with a firm hand. Had the winner
|
|
today till I tipped him a dead cert. The ruffin cly the nab of Stephen
|
|
Hand as give me the jady coppaleen. He strike a telegramboy paddock wire
|
|
big bug Bass to the depot. Shove him a joey and grahamise. Mare on form
|
|
hot order. Guinea to a goosegog. Tell a cram, that. Gospeltrue. Criminal
|
|
diversion? I think that yes. Sure thing. Land him in chokeechokee if the
|
|
harman beck copped the game. Madden back Madden's a maddening back. O
|
|
lust our refuge and our strength. Decamping. Must you go? Off to mammy.
|
|
Stand by. Hide my blushes someone. All in if he spots me. Come ahome,
|
|
our Bantam. Horryvar, mong vioo. Dinna forget the cowslips for hersel.
|
|
Cornfide. Wha gev ye thon colt? Pal to pal. Jannock. Of John Thomas, her
|
|
spouse. No fake, old man Leo. S'elp me, honest injun. Shiver my timbers
|
|
if I had. There's a great big holy friar. Vyfor you no me tell? Vel,
|
|
I ses, if that aint a sheeny nachez, vel, I vil get misha mishinnah.
|
|
Through yerd our lord, Amen.
|
|
|
|
You move a motion? Steve boy, you're going it some. More bluggy
|
|
drunkables? Will immensely splendiferous stander permit one stooder of
|
|
most extreme poverty and one largesize grandacious thirst to terminate
|
|
one expensive inaugurated libation? Give's a breather. Landlord,
|
|
landlord, have you good wine, staboo? Hoots, mon, a wee drap to pree.
|
|
Cut and come again. Right. Boniface! Absinthe the lot. _Nos omnes
|
|
biberimus viridum toxicum diabolus capiat posterioria nostria_.
|
|
Closingtime, gents. Eh? Rome boose for the Bloom toff. I hear you say
|
|
onions? Bloo? Cadges ads. Photo's papli, by all that's gorgeous. Play
|
|
low, pardner. Slide. _Bonsoir la compagnie_. And snares of the poxfiend.
|
|
Where's the buck and Namby Amby? Skunked? Leg bail. Aweel, ye maun e'en
|
|
gang yer gates. Checkmate. King to tower. Kind Kristyann wil yu help
|
|
yung man hoose frend tuk bungellow kee tu find plais whear tu lay crown
|
|
of his hed 2 night. Crickey, I'm about sprung. Tarnally dog gone my
|
|
shins if this beent the bestest puttiest longbreak yet. Item, curate,
|
|
couple of cookies for this child. Cot's plood and prandypalls, none! Not
|
|
a pite of sheeses? Thrust syphilis down to hell and with him those other
|
|
licensed spirits. Time, gents! Who wander through the world. Health all!
|
|
_a la votre_!
|
|
|
|
Golly, whatten tunket's yon guy in the mackintosh? Dusty Rhodes. Peep
|
|
at his wearables. By mighty! What's he got? Jubilee mutton. Bovril,
|
|
by James. Wants it real bad. D'ye ken bare socks? Seedy cuss in the
|
|
Richmond? Rawthere! Thought he had a deposit of lead in his penis.
|
|
Trumpery insanity. Bartle the Bread we calls him. That, sir, was once
|
|
a prosperous cit. Man all tattered and torn that married a maiden all
|
|
forlorn. Slung her hook, she did. Here see lost love. Walking Mackintosh
|
|
of lonely canyon. Tuck and turn in. Schedule time. Nix for the hornies.
|
|
Pardon? Seen him today at a runefal? Chum o' yourn passed in his checks?
|
|
Ludamassy! Pore piccaninnies! Thou'll no be telling me thot, Pold veg!
|
|
Did ums blubble bigsplash crytears cos fren Padney was took off in black
|
|
bag? Of all de darkies Massa Pat was verra best. I never see the like
|
|
since I was born. _Tiens, tiens_, but it is well sad, that, my faith,
|
|
yes. O, get, rev on a gradient one in nine. Live axle drives are souped.
|
|
Lay you two to one Jenatzy licks him ruddy well hollow. Jappies? High
|
|
angle fire, inyah! Sunk by war specials. Be worse for him, says he, nor
|
|
any Rooshian. Time all. There's eleven of them. Get ye gone. Forward,
|
|
woozy wobblers! Night. Night. May Allah the Excellent One your soul this
|
|
night ever tremendously conserve.
|
|
|
|
Your attention! We're nae tha fou. The Leith police dismisseth us. The
|
|
least tholice. Ware hawks for the chap puking. Unwell in his abominable
|
|
regions. Yooka. Night. Mona, my true love. Yook. Mona, my own love. Ook.
|
|
|
|
Hark! Shut your obstropolos. Pflaap! Pflaap! Blaze on. There she goes.
|
|
Brigade! Bout ship. Mount street way. Cut up! Pflaap! Tally ho. You not
|
|
come? Run, skelter, race. Pflaaaap!
|
|
|
|
Lynch! Hey? Sign on long o' me. Denzille lane this way. Change here for
|
|
Bawdyhouse. We two, she said, will seek the kips where shady Mary is.
|
|
Righto, any old time. _Laetabuntur in cubilibus suis_. You coming long?
|
|
Whisper, who the sooty hell's the johnny in the black duds? Hush! Sinned
|
|
against the light and even now that day is at hand when he shall come to
|
|
judge the world by fire. Pflaap! _Ut implerentur scripturae_. Strike
|
|
up a ballad. Then outspake medical Dick to his comrade medical Davy.
|
|
Christicle, who's this excrement yellow gospeller on the Merrion
|
|
hall? Elijah is coming! Washed in the blood of the Lamb. Come on you
|
|
winefizzling, ginsizzling, booseguzzling existences! Come on, you
|
|
dog-gone, bullnecked, beetlebrowed, hogjowled, peanutbrained, weaseleyed
|
|
fourflushers, false alarms and excess baggage! Come on, you triple
|
|
extract of infamy! Alexander J Christ Dowie, that's my name, that's
|
|
yanked to glory most half this planet from Frisco beach to Vladivostok.
|
|
The Deity aint no nickel dime bumshow. I put it to you that He's on the
|
|
square and a corking fine business proposition. He's the grandest thing
|
|
yet and don't you forget it. Shout salvation in King Jesus. You'll
|
|
need to rise precious early you sinner there, if you want to diddle the
|
|
Almighty God. Pflaaaap! Not half. He's got a coughmixture with a punch
|
|
in it for you, my friend, in his back pocket. Just you try it on.
|
|
|
|
|
|
|
|
_The Mabbot street entrance of nighttown, before which stretches
|
|
an uncobbled tramsiding set with skeleton tracks, red and green
|
|
will-o'-the-wisps and danger signals. Rows of grimy houses with gaping
|
|
doors. Rare lamps with faint rainbow fins. Round Rabaiotti's halted ice
|
|
gondola stunted men and women squabble. They grab wafers between which
|
|
are wedged lumps of coral and copper snow. Sucking, they scatter slowly.
|
|
Children. The swancomb of the gondola, highreared, forges on through the
|
|
murk, white and blue under a lighthouse. Whistles call and answer._
|
|
|
|
THE CALLS: Wait, my love, and I'll be with you.
|
|
|
|
THE ANSWERS: Round behind the stable.
|
|
|
|
_(A deafmute idiot with goggle eyes, his shapeless mouth dribbling,
|
|
jerks past, shaken in Saint Vitus' dance. A chain of children 's hands
|
|
imprisons him.)_
|
|
|
|
THE CHILDREN: Kithogue! Salute!
|
|
|
|
THE IDIOT: _(Lifts a palsied left arm and gurgles)_ Grhahute!
|
|
|
|
THE CHILDREN: Where's the great light?
|
|
|
|
THE IDIOT: _(Gobbing)_ Ghaghahest.
|
|
|
|
_(They release him. He jerks on. A pigmy woman swings on a rope slung
|
|
between two railings, counting. A form sprawled against a dustbin and
|
|
muffled by its arm and hat snores, groans, grinding growling teeth, and
|
|
snores again. On a step a gnome totting among a rubbishtip crouches
|
|
to shoulder a sack of rags and bones. A crone standing by with a smoky
|
|
oillamp rams her last bottle in the maw of his sack. He heaves his
|
|
booty, tugs askew his peaked cap and hobbles off mutely. The crone
|
|
makes back for her lair, swaying her lamp. A bandy child, asquat on the
|
|
doorstep with a paper shuttlecock, crawls sidling after her in spurts,
|
|
clutches her skirt, scrambles up. A drunken navvy grips with both hands
|
|
the railings of an area, lurching heavily. At a comer two night watch in
|
|
shouldercapes, their hands upon their staffholsters, loom tall. A plate
|
|
crashes: a woman screams: a child wails. Oaths of a man roar, mutter,
|
|
cease. Figures wander, lurk, peer from warrens. In a room lit by a
|
|
candle stuck in a bottleneck a slut combs out the tatts from the hair
|
|
of a scrofulous child. Cissy Caffrey's voice, still young, sings shrill
|
|
from a lane.)_
|
|
|
|
CISSY CAFFREY:
|
|
|
|
_I gave it to Molly
|
|
Because she was jolly,
|
|
The leg of the duck,
|
|
The leg of the duck._
|
|
|
|
_(Private Carr and Private Compton, swaggersticks tight in their oxters,
|
|
as they march unsteadily rightaboutface and burst together from their
|
|
mouths a volleyed fart. Laughter of men from the lane. A hoarse virago
|
|
retorts.)_
|
|
|
|
THE VIRAGO: Signs on you, hairy arse. More power the Cavan girl.
|
|
|
|
CISSY CAFFREY: More luck to me. Cavan, Cootehill and Belturbet. _(She
|
|
sings)_
|
|
|
|
_I gave it to Nelly
|
|
To stick in her belly,
|
|
The leg of the duck,
|
|
The leg of the duck._
|
|
|
|
_(Private Carr and Private Compton turn and counterretort, their tunics
|
|
bloodbright in a lampglow, black sockets of caps on their blond cropped
|
|
polls. Stephen Dedalus and Lynch pass through the crowd close to the
|
|
redcoats.)_
|
|
|
|
PRIVATE COMPTON: _(Jerks his finger)_ Way for the parson.
|
|
|
|
PRIVATE CARR: _(Turns and calls)_ What ho, parson!
|
|
|
|
CISSY CAFFREY: _(Her voice soaring higher)_
|
|
|
|
_She has it, she got it,
|
|
Wherever she put it,
|
|
The leg of the duck._
|
|
|
|
_(Stephen, flourishing the ashplant in his left hand, chants with joy
|
|
the_ introit _for paschal time. Lynch, his jockeycap low on his brow,
|
|
attends him, a sneer of discontent wrinkling his face.)_
|
|
|
|
STEPHEN: _Vidi aquam egredientem de templo a latere dextro. Alleluia_.
|
|
|
|
_(The famished snaggletusks of an elderly bawd protrude from a
|
|
doorway.)_
|
|
|
|
THE BAWD: _(Her voice whispering huskily)_ Sst! Come here till I tell
|
|
you. Maidenhead inside. Sst!
|
|
|
|
STEPHEN: _(Altius aliquantulum) Et omnes ad quos pervenit aqua ista_.
|
|
|
|
THE BAWD: _(Spits in their trail her jet of venom)_ Trinity medicals.
|
|
Fallopian tube. All prick and no pence.
|
|
|
|
_(Edy Boardman, sniffling, crouched with bertha supple, draws her shawl
|
|
across her nostrils.)_
|
|
|
|
EDY BOARDMAN: _(Bickering)_ And says the one: I seen you up Faithful
|
|
place with your squarepusher, the greaser off the railway, in his
|
|
cometobed hat. Did you, says I. That's not for you to say, says I. You
|
|
never seen me in the mantrap with a married highlander, says I. The
|
|
likes of her! Stag that one is! Stubborn as a mule! And her walking with
|
|
two fellows the one time, Kilbride, the enginedriver, and lancecorporal
|
|
Oliphant.
|
|
|
|
STEPHEN: _(Ttriumphaliter) Salvi facti sunt._
|
|
|
|
_(He flourishes his ashplant, shivering the lamp image, shattering light
|
|
over the world. A liver and white spaniel on the prowl slinks after him,
|
|
growling. Lynch scares it with a kick.)_
|
|
|
|
LYNCH: So that?
|
|
|
|
STEPHEN: (_Looks behind_) So that gesture, not music not odour, would be
|
|
a universal language, the gift of tongues rendering visible not the lay
|
|
sense but the first entelechy, the structural rhythm.
|
|
|
|
LYNCH: Pornosophical philotheology. Metaphysics in Mecklenburgh street!
|
|
|
|
STEPHEN: We have shrewridden Shakespeare and henpecked Socrates. Even
|
|
the allwisest Stagyrite was bitted, bridled and mounted by a light of
|
|
love.
|
|
|
|
LYNCH: Ba!
|
|
|
|
STEPHEN: Anyway, who wants two gestures to illustrate a loaf and a jug?
|
|
This movement illustrates the loaf and jug of bread or wine in Omar.
|
|
Hold my stick.
|
|
|
|
LYNCH: Damn your yellow stick. Where are we going?
|
|
|
|
STEPHEN: Lecherous lynx, _to la belle dame sans merci,_ Georgina
|
|
Johnson, _ad deam qui laetificat iuventutem meam._
|
|
|
|
_(Stephen thrusts the ashplant on him and slowly holds out his hands,
|
|
his head going back till both hands are a span from his breast, down
|
|
turned, in planes intersecting, the fingers about to part, the left
|
|
being higher.)_
|
|
|
|
LYNCH: Which is the jug of bread? It skills not. That or the
|
|
customhouse. Illustrate thou. Here take your crutch and walk.
|
|
|
|
_(They pass. Tommy Caffrey scrambles to a gaslamp and, clasping, climbs
|
|
in spasms. From the top spur he slides down. Jacky Caffrey clasps to
|
|
climb. The navvy lurches against the lamp. The twins scuttle off in the
|
|
dark. The navvy, swaying, presses a forefinger against a wing of his
|
|
nose and ejects from the farther nostril a long liquid jet of snot.
|
|
Shouldering the lamp he staggers away through the crowd with his flaring
|
|
cresset._
|
|
|
|
_Snakes of river fog creep slowly. From drains, clefts, cesspools,
|
|
middens arise on all sides stagnant fumes. A glow leaps in the south
|
|
beyond the seaward reaches of the river. The navvy, staggering forward,
|
|
cleaves the crowd and lurches towards the tramsiding on the farther side
|
|
under the railway bridge bloom appears, flushed, panting, cramming bread
|
|
and chocolate into a sidepocket. From Gillen's hairdresser's window a
|
|
composite portrait shows him gallant Nelson's image. A concave mirror
|
|
at the side presents to him lovelorn longlost lugubru Booloohoom. Grave
|
|
Gladstone sees him level, Bloom for Bloom. he passes, struck by the
|
|
stare of truculent Wellington, but in the convex mirror grin unstruck
|
|
the bonham eyes and fatchuck cheekchops of Jollypoldy the rixdix doldy._
|
|
|
|
_At Antonio Pabaiotti's door Bloom halts, sweated under the bright
|
|
arclamp. He disappears. In a moment he reappears and hurries on.)_
|
|
|
|
BLOOM: Fish and taters. N. g. Ah!
|
|
|
|
_(He disappears into Olhausen's, the porkbutcher's, under the downcoming
|
|
rollshutter. A few moments later he emerges from under the shutter,
|
|
puffing Poldy, blowing Bloohoom. In each hand he holds a parcel, one
|
|
containing a lukewarm pig's crubeen, the other a cold sheep's trotter,
|
|
sprinkled with wholepepper. He gasps, standing upright. Then bending to
|
|
one side he presses a parcel against his ribs and groans.)_
|
|
|
|
BLOOM: Stitch in my side. Why did I run?
|
|
|
|
_(He takes breath with care and goes forward slowly towards the lampset
|
|
siding. The glow leaps again.)_
|
|
|
|
BLOOM: What is that? A flasher? Searchlight.
|
|
|
|
_(He stands at Cormack's corner, watching)_
|
|
|
|
BLOOM: _Aurora borealis_ or a steel foundry? Ah, the brigade, of course.
|
|
South side anyhow. Big blaze. Might be his house. Beggar's bush. We're
|
|
safe. _(He hums cheerfully)_ London's burning, London's burning! On
|
|
fire, on fire! (_He catches sight of the navvy lurching through the
|
|
crowd at the farther side of Talbot street_) I'll miss him. Run. Quick.
|
|
Better cross here.
|
|
|
|
_(He darts to cross the road. Urchins shout.)_
|
|
|
|
THE URCHINS: Mind out, mister! (_Two cyclists, with lighted paper
|
|
lanterns aswing, swim by him, grazing him, their bells rattling_)
|
|
|
|
THE BELLS: Haltyaltyaltyall.
|
|
|
|
BLOOM: _(Halts erect, stung by a spasm)_ Ow!
|
|
|
|
_(He looks round, darts forward suddenly. Through rising fog a dragon
|
|
sandstrewer, travelling at caution, slews heavily down upon him,
|
|
its huge red headlight winking, its trolley hissing on the wire. The
|
|
motorman bangs his footgong.)_
|
|
|
|
THE GONG: Bang Bang Bla Bak Blud Bugg Bloo.
|
|
|
|
_(The brake cracks violently. Bloom, raising a policeman's whitegloved
|
|
hand, blunders stifflegged out of the track. The motorman, thrown
|
|
forward, pugnosed, on the guidewheel, yells as he slides past over
|
|
chains and keys.)_
|
|
|
|
THE MOTORMAN: Hey, shitbreeches, are you doing the hat trick?
|
|
|
|
BLOOM: _(Bloom trickleaps to the curbstone and halts again. He brushes a
|
|
mudflake from his cheek with a parcelled hand.)_ No thoroughfare. Close
|
|
shave that but cured the stitch. Must take up Sandow's exercises again.
|
|
On the hands down. Insure against street accident too. The Providential.
|
|
_(He feels his trouser pocket)_ Poor mamma's panacea. Heel easily catch
|
|
in track or bootlace in a cog. Day the wheel of the black Maria peeled
|
|
off my shoe at Leonard's corner. Third time is the charm. Shoe trick.
|
|
Insolent driver. I ought to report him. Tension makes them nervous.
|
|
Might be the fellow balked me this morning with that horsey woman. Same
|
|
style of beauty. Quick of him all the same. The stiff walk. True word
|
|
spoken in jest. That awful cramp in Lad lane. Something poisonous I
|
|
ate. Emblem of luck. Why? Probably lost cattle. Mark of the beast. _(He
|
|
closes his eyes an instant)_ Bit light in the head. Monthly or effect of
|
|
the other. Brainfogfag. That tired feeling. Too much for me now. Ow!
|
|
|
|
(A sinister figure leans on plaited legs against o'beirne's wall, a
|
|
visage unknown, injected with dark mercury. From under a wideleaved
|
|
sombrero the figure regards him with evil eye.)
|
|
|
|
BLOOM: _Buenas noches, senorita Blanca, que calle es esta?_
|
|
|
|
THE FIGURE: (_Impassive, raises a signal arm_) Password. _Sraid Mabbot._
|
|
|
|
BLOOM: Haha. _Merci._ Esperanto. _Slan leath. (He mutters)_ Gaelic
|
|
league spy, sent by that fireeater.
|
|
|
|
_(He steps forward. A sackshouldered ragman bars his path. He steps
|
|
left, ragsackman left.)_
|
|
|
|
BLOOM: I beg. (_He swerves, sidles, stepaside, slips past and on_.)
|
|
|
|
BLOOM: Keep to the right, right, right. If there is a signpost planted
|
|
by the Touring Club at Stepaside who procured that public boon? I who
|
|
lost my way and contributed to the columns of the _Irish Cyclist_ the
|
|
letter headed _In darkest Stepaside_. Keep, keep, keep to the right.
|
|
Rags and bones at midnight. A fence more likely. First place murderer
|
|
makes for. Wash off his sins of the world.
|
|
|
|
_(Jacky Caffrey, hunted by Tommy Caffrey, runs full tilt against
|
|
Bloom.)_
|
|
|
|
BLOOM: O
|
|
|
|
_(Shocked, on weak hams, he halts. Tommy and Jacky vanish there, there.
|
|
Bloom pats with parcelled hands watch fobpocket, bookpocket, pursepoket,
|
|
sweets of sin, potato soap.)_
|
|
|
|
BLOOM: Beware of pickpockets. Old thieves' dodge. Collide. Then snatch
|
|
your purse.
|
|
|
|
_(The retriever approaches sniffing, nose to the ground. A sprawled form
|
|
sneezes. A stooped bearded figure appears garbed in the long caftan
|
|
of an elder in Zion and a smokingcap with magenta tassels. Horned
|
|
spectacles hang down at the wings of the nose. Yellow poison streaks are
|
|
on the drawn face.)_
|
|
|
|
RUDOLPH: Second halfcrown waste money today. I told you not go with
|
|
drunken goy ever. So you catch no money.
|
|
|
|
BLOOM: _(Hides the crubeen and trotter behind his back and, crestfallen,
|
|
feels warm and cold feetmeat) Ja, ich weiss, papachi._
|
|
|
|
RUDOLPH: What you making down this place? Have you no soul? _(with
|
|
feeble vulture talons he feels the silent face of Bloom)_ Are you not
|
|
my son Leopold, the grandson of Leopold? Are you not my dear son Leopold
|
|
who left the house of his father and left the god of his fathers Abraham
|
|
and Jacob?
|
|
|
|
BLOOM: _(With precaution)_ I suppose so, father. Mosenthal. All that's
|
|
left of him.
|
|
|
|
RUDOLPH: _(Severely)_ One night they bring you home drunk as dog after
|
|
spend your good money. What you call them running chaps?
|
|
|
|
BLOOM: _(In youth's smart blue Oxford suit with white vestslips,
|
|
narrowshouldered, in brown Alpine hat, wearing gent's sterling silver
|
|
waterbury keyless watch and double curb Albert with seal attached, one
|
|
side of him coated with stiffening mud)_ Harriers, father. Only that
|
|
once.
|
|
|
|
RUDOLPH: Once! Mud head to foot. Cut your hand open. Lockjaw. They make
|
|
you kaputt, Leopoldleben. You watch them chaps.
|
|
|
|
BLOOM: _(Weakly)_ They challenged me to a sprint. It was muddy. I
|
|
slipped.
|
|
|
|
RUDOLPH: _(With contempt) Goim nachez_! Nice spectacles for your poor
|
|
mother!
|
|
|
|
BLOOM: Mamma!
|
|
|
|
ELLEN BLOOM: _(In pantomime dame's stringed mobcap, widow Twankey's
|
|
crinoline and bustle, blouse with muttonleg sleeves buttoned behind,
|
|
grey mittens and cameo brooch, her plaited hair in a crispine net,
|
|
appears over the staircase banisters, a slanted candlestick in her hand,
|
|
and cries out in shrill alarm)_ O blessed Redeemer, what have they done
|
|
to him! My smelling salts! _(She hauls up a reef of skirt and ransacks
|
|
the pouch of her striped blay petticoat. A phial, an Agnus Dei, a
|
|
shrivelled potato and a celluloid doll fall out)_ Sacred Heart of Mary,
|
|
where were you at all at all?
|
|
|
|
_(Bloom, mumbling, his eyes downcast, begins to bestow his parcels in
|
|
his filled pockets but desists, muttering.)_
|
|
|
|
A VOICE: _(Sharply)_ Poldy!
|
|
|
|
BLOOM: Who? _(He ducks and wards off a blow clumsily)_ At your service.
|
|
|
|
_(He looks up. Beside her mirage of datepalms a handsome woman in
|
|
Turkish costume stands before him. Opulent curves fill out her scarlet
|
|
trousers and jacket, slashed with gold. A wide yellow cummerbund girdles
|
|
her. A white yashmak, violet in the night, covers her face, leaving free
|
|
only her large dark eyes and raven hair.)_
|
|
|
|
BLOOM: Molly!
|
|
|
|
MARION: Welly? Mrs Marion from this out, my dear man, when you speak to
|
|
me. _(Satirically)_ Has poor little hubby cold feet waiting so long?
|
|
|
|
BLOOM: _(Shifts from foot to foot)_ No, no. Not the least little bit.
|
|
|
|
_(He breathes in deep agitation, swallowing gulps of air, questions,
|
|
hopes, crubeens for her supper, things to tell her, excuse, desire,
|
|
spellbound. A coin gleams on her forehead. On her feet are jewelled
|
|
toerings. Her ankles are linked by a slender fetterchain. Beside her
|
|
a camel, hooded with a turreting turban, waits. A silk ladder of
|
|
innumerable rungs climbs to his bobbing howdah. He ambles near with
|
|
disgruntled hindquarters. Fiercely she slaps his haunch, her goldcurb
|
|
wristbangles angriling, scolding him in Moorish.)_
|
|
|
|
MARION: Nebrakada! Femininum!
|
|
|
|
_(The camel, lifting a foreleg, plucks from a tree a large mango fruit,
|
|
offers it to his mistress, blinking, in his cloven hoof, then droops his
|
|
head and, grunting, with uplifted neck, fumbles to kneel. Bloom stoops
|
|
his back for leapfrog.)_
|
|
|
|
BLOOM: I can give you... I mean as your business menagerer... Mrs
|
|
Marion... if you...
|
|
|
|
MARION: So you notice some change? _(Her hands passing slowly over her
|
|
trinketed stomacher, a slow friendly mockery in her eyes)_ O Poldy,
|
|
Poldy, you are a poor old stick in the mud! Go and see life. See the
|
|
wide world.
|
|
|
|
BLOOM: I was just going back for that lotion whitewax, orangeflower
|
|
water. Shop closes early on Thursday. But the first thing in the
|
|
morning. _(He pats divers pockets)_ This moving kidney. Ah!
|
|
|
|
_(He points to the south, then to the east. A cake of new clean lemon
|
|
soap arises, diffusing light and perfume.)_
|
|
|
|
THE SOAP: We're a capital couple are Bloom and I. He brightens the
|
|
earth. I polish the sky.
|
|
|
|
|
|
_(The freckled face of Sweny, the druggist, appears in the disc of the
|
|
soapsun.)_
|
|
|
|
SWENY: Three and a penny, please.
|
|
|
|
BLOOM: Yes. For my wife. Mrs Marion. Special recipe.
|
|
|
|
MARION: _(Softly)_ Poldy!
|
|
|
|
BLOOM: Yes, ma'am?
|
|
|
|
MARION: _ti trema un poco il cuore?_
|
|
|
|
_(In disdain she saunters away, plump as a pampered pouter pigeon,
|
|
humming the duet from_ Don Giovanni.)
|
|
|
|
BLOOM: Are you sure about that _voglio_? I mean the pronunciati...
|
|
|
|
_(He follows, followed by the sniffing terrier. The elderly bawd seizes
|
|
his sleeve, the bristles of her chinmole glittering.)_
|
|
|
|
THE BAWD: Ten shillings a maidenhead. Fresh thing was never touched.
|
|
Fifteen. There's no-one in it only her old father that's dead drunk.
|
|
|
|
_(She points. In the gap of her dark den furtive, rainbedraggled, Bridie
|
|
Kelly stands.)_
|
|
|
|
BRIDIE: Hatch street. Any good in your mind?
|
|
|
|
_(With a squeak she flaps her bat shawl and runs. A burly rough pursues
|
|
with booted strides. He stumbles on the steps, recovers, plunges into
|
|
gloom. Weak squeaks of laughter are heard, weaker.)_
|
|
|
|
THE BAWD: _(Her wolfeyes shining)_ He's getting his pleasure. You won't
|
|
get a virgin in the flash houses. Ten shillings. Don't be all night
|
|
before the polis in plain clothes sees us. Sixtyseven is a bitch.
|
|
|
|
_(Leering, Gerty Macdowell limps forward. She draws from behind, ogling,
|
|
and shows coyly her bloodied clout.)_
|
|
|
|
GERTY: With all my worldly goods I thee and thou. _(She murmurs)_ You
|
|
did that. I hate you.
|
|
|
|
BLOOM: I? When? You're dreaming. I never saw you.
|
|
|
|
THE BAWD: Leave the gentleman alone, you cheat. Writing the gentleman
|
|
false letters. Streetwalking and soliciting. Better for your mother take
|
|
the strap to you at the bedpost, hussy like you.
|
|
|
|
GERTY: _(To Bloom)_ When you saw all the secrets of my bottom drawer.
|
|
_(She paws his sleeve, slobbering)_ Dirty married man! I love you for
|
|
doing that to me.
|
|
|
|
_(She glides away crookedly. Mrs Breen in man's frieze overcoat
|
|
with loose bellows pockets, stands in the causeway, her roguish eyes
|
|
wideopen, smiling in all her herbivorous buckteeth.)_
|
|
|
|
MRS BREEN: Mr...
|
|
|
|
BLOOM: _(Coughs gravely)_ Madam, when we last had this pleasure by
|
|
letter dated the sixteenth instant...
|
|
|
|
MRS BREEN: Mr Bloom! You down here in the haunts of sin! I caught you
|
|
nicely! Scamp!
|
|
|
|
BLOOM: _(Hurriedly)_ Not so loud my name. Whatever do you think of me?
|
|
Don't give me away. Walls have ears. How do you do? It's ages since I.
|
|
You're looking splendid. Absolutely it. Seasonable weather we are having
|
|
this time of year. Black refracts heat. Short cut home here. Interesting
|
|
quarter. Rescue of fallen women. Magdalen asylum. I am the secretary...
|
|
|
|
MRS BREEN: _(Holds up a finger)_ Now, don't tell a big fib! I know
|
|
somebody won't like that. O just wait till I see Molly! _(Slily)_
|
|
Account for yourself this very sminute or woe betide you!
|
|
|
|
BLOOM: _(Looks behind)_ She often said she'd like to visit. Slumming.
|
|
The exotic, you see. Negro servants in livery too if she had money.
|
|
Othello black brute. Eugene Stratton. Even the bones and cornerman at
|
|
the Livermore christies. Bohee brothers. Sweep for that matter.
|
|
|
|
_(Tom and Sam Bohee, coloured coons in white duck suits, scarlet socks,
|
|
upstarched Sambo chokers and large scarlet asters in their buttonholes,
|
|
leap out. Each has his banjo slung. Their paler smaller negroid hands
|
|
jingle the twingtwang wires. Flashing white Kaffir eyes and tusks they
|
|
rattle through a breakdown in clumsy clogs, twinging, singing, back to
|
|
back, toe heel, heel toe, with smackfatclacking nigger lips.)_
|
|
|
|
TOM AND SAM:
|
|
|
|
There's someone in the house with Dina
|
|
There's someone in the house, I know,
|
|
There's someone in the house with Dina
|
|
Playing on the old banjo.
|
|
|
|
_(They whisk black masks from raw babby faces: then, chuckling,
|
|
chortling, trumming, twanging, they diddle diddle cakewalk dance away.)_
|
|
|
|
BLOOM: _(With a sour tenderish smile)_ A little frivol, shall we, if
|
|
you are so inclined? Would you like me perhaps to embrace you just for a
|
|
fraction of a second?
|
|
|
|
MRS BREEN: _(Screams gaily)_ O, you ruck! You ought to see yourself!
|
|
|
|
BLOOM: For old sake' sake. I only meant a square party, a mixed marriage
|
|
mingling of our different little conjugials. You know I had a soft
|
|
corner for you. _(Gloomily)_ 'Twas I sent you that valentine of the dear
|
|
gazelle.
|
|
|
|
MRS BREEN: Glory Alice, you do look a holy show! Killing simply. _(She
|
|
puts out her hand inquisitively)_ What are you hiding behind your back?
|
|
Tell us, there's a dear.
|
|
|
|
BLOOM: _(Seizes her wrist with his free hand)_ Josie Powell that was,
|
|
prettiest deb in Dublin. How time flies by! Do you remember, harking
|
|
back in a retrospective arrangement, Old Christmas night, Georgina
|
|
Simpson's housewarming while they were playing the Irving Bishop game,
|
|
finding the pin blindfold and thoughtreading? Subject, what is in this
|
|
snuffbox?
|
|
|
|
MRS BREEN: You were the lion of the night with your seriocomic
|
|
recitation and you looked the part. You were always a favourite with the
|
|
ladies.
|
|
|
|
BLOOM: _(Squire of dames, in dinner jacket with wateredsilk facings,
|
|
blue masonic badge in his buttonhole, black bow and mother-of-pearl
|
|
studs, a prismatic champagne glass tilted in his hand)_ Ladies and
|
|
gentlemen, I give you Ireland, home and beauty.
|
|
|
|
MRS BREEN: The dear dead days beyond recall. Love's old sweet song.
|
|
|
|
BLOOM: _(Meaningfully dropping his voice)_ I confess I'm teapot with
|
|
curiosity to find out whether some person's something is a little teapot
|
|
at present.
|
|
|
|
MRS BREEN: _(Gushingly)_ Tremendously teapot! London's teapot and I'm
|
|
simply teapot all over me! _(She rubs sides with him)_ After the parlour
|
|
mystery games and the crackers from the tree we sat on the staircase
|
|
ottoman. Under the mistletoe. Two is company.
|
|
|
|
BLOOM: _(Wearing a purple Napoleon hat with an amber halfmoon, his
|
|
fingers and thumb passing slowly down to her soft moist meaty palm which
|
|
she surrenders gently)_ The witching hour of night. I took the splinter
|
|
out of this hand, carefully, slowly. _(Tenderly, as he slips on her
|
|
finger a ruby ring) La ci darem la mano._
|
|
|
|
MRS BREEN: _(In a onepiece evening frock executed in moonlight blue, a
|
|
tinsel sylph's diadem on her brow with her dancecard fallen beside
|
|
her moonblue satin slipper, curves her palm softly, breathing quickly)
|
|
Voglio e non._ You're hot! You're scalding! The left hand nearest the
|
|
heart.
|
|
|
|
BLOOM: When you made your present choice they said it was beauty and
|
|
the beast. I can never forgive you for that. _(His clenched fist at
|
|
his brow)_ Think what it means. All you meant to me then. _(Hoarsely)_
|
|
Woman, it's breaking me!
|
|
|
|
_(Denis Breen, whitetallhatted, with Wisdom Hely's sandwich-boards,
|
|
shuffles past them in carpet slippers, his dull beard thrust out,
|
|
muttering to right and left. Little Alf Bergan, cloaked in the pall of
|
|
the ace of spades, dogs him to left and right, doubled in laughter.)_
|
|
|
|
ALF BERGAN: _(Points jeering at the sandwichboards)_ U. p: Up.
|
|
|
|
MRS BREEN: _(To Bloom)_ High jinks below stairs. _(She gives him the
|
|
glad eye)_ Why didn't you kiss the spot to make it well? You wanted to.
|
|
|
|
BLOOM: _(Shocked)_ Molly's best friend! Could you?
|
|
|
|
MRS BREEN: _(Her pulpy tongue between her lips, offers a pigeon kiss)_
|
|
Hnhn. The answer is a lemon. Have you a little present for me there?
|
|
|
|
BLOOM: _(Offhandedly)_ Kosher. A snack for supper. The home without
|
|
potted meat is incomplete. I was at _Leah._ Mrs Bandmann Palmer.
|
|
Trenchant exponent of Shakespeare. Unfortunately threw away the
|
|
programme. Rattling good place round there for pigs' feet. Feel.
|
|
|
|
_(Richie Goulding, three ladies' hats pinned on his head, appears
|
|
weighted to one side by the black legal bag of Collis and Ward on which
|
|
a skull and crossbones are painted in white limewash. He opens it
|
|
and shows it full of polonies, kippered herrings, Findon haddies and
|
|
tightpacked pills.)_
|
|
|
|
RICHIE: Best value in Dub.
|
|
|
|
_(Bald Pat, bothered beetle, stands on the curbstone, folding his
|
|
napkin, waiting to wait.)_
|
|
|
|
PAT: _(Advances with a tilted dish of spillspilling gravy)_ Steak and
|
|
kidney. Bottle of lager. Hee hee hee. Wait till I wait.
|
|
|
|
RICHIE: Goodgod. Inev erate inall...
|
|
|
|
_(With hanging head he marches doggedly forward. The navvy, lurching by,
|
|
gores him with his flaming pronghorn.)_
|
|
|
|
RICHIE: _(With a cry of pain, his hand to his back)_ Ah! Bright's!
|
|
Lights!
|
|
|
|
BLOOM: _(Ooints to the navvy)_ A spy. Don't attract attention. I hate
|
|
stupid crowds. I am not on pleasure bent. I am in a grave predicament.
|
|
|
|
MRS BREEN: Humbugging and deluthering as per usual with your cock and
|
|
bull story.
|
|
|
|
BLOOM: I want to tell you a little secret about how I came to be here.
|
|
But you must never tell. Not even Molly. I have a most particular
|
|
reason.
|
|
|
|
MRS BREEN: _(All agog)_ O, not for worlds.
|
|
|
|
BLOOM: Let's walk on. Shall us?
|
|
|
|
MRS BREEN: Let's.
|
|
|
|
_(The bawd makes an unheeded sign. Bloom walks on with Mrs Breen. The
|
|
terrier follows, whining piteously, wagging his tail.)_
|
|
|
|
THE BAWD: Jewman's melt!
|
|
|
|
BLOOM: _(In an oatmeal sporting suit, a sprig of woodbine in the lapel,
|
|
tony buff shirt, shepherd's plaid Saint Andrew's cross scarftie, white
|
|
spats, fawn dustcoat on his arm, tawny red brogues, fieldglasses in
|
|
bandolier and a grey billycock hat)_ Do you remember a long long time,
|
|
years and years ago, just after Milly, Marionette we called her, was
|
|
weaned when we all went together to Fairyhouse races, was it?
|
|
|
|
MRS BREEN: _(In smart Saxe tailormade, white velours hat and spider
|
|
veil)_ Leopardstown.
|
|
|
|
BLOOM: I mean, Leopardstown. And Molly won seven shillings on a three
|
|
year old named Nevertell and coming home along by Foxrock in that old
|
|
fiveseater shanderadan of a waggonette you were in your heyday then and
|
|
you had on that new hat of white velours with a surround of molefur that
|
|
Mrs Hayes advised you to buy because it was marked down to nineteen and
|
|
eleven, a bit of wire and an old rag of velveteen, and I'll lay you what
|
|
you like she did it on purpose...
|
|
|
|
MRS BREEN: She did, of course, the cat! Don't tell me! Nice adviser!
|
|
|
|
BLOOM: Because it didn't suit you one quarter as well as the other ducky
|
|
little tammy toque with the bird of paradise wing in it that I admired
|
|
on you and you honestly looked just too fetching in it though it was a
|
|
pity to kill it, you cruel naughty creature, little mite of a thing with
|
|
a heart the size of a fullstop.
|
|
|
|
MRS BREEN: _(Squeezes his arm, simpers)_ Naughty cruel I was!
|
|
|
|
BLOOM: _(Low, secretly, ever more rapidly)_ And Molly was eating a
|
|
sandwich of spiced beef out of Mrs Joe Gallaher's lunch basket. Frankly,
|
|
though she had her advisers or admirers, I never cared much for her
|
|
style. She was...
|
|
|
|
MRS BREEN: Too...
|
|
|
|
BLOOM: Yes. And Molly was laughing because Rogers and Maggot O'Reilly
|
|
were mimicking a cock as we passed a farmhouse and Marcus Tertius Moses,
|
|
the tea merchant, drove past us in a gig with his daughter, Dancer Moses
|
|
was her name, and the poodle in her lap bridled up and you asked me if I
|
|
ever heard or read or knew or came across...
|
|
|
|
MRS BREEN: _(Eagerly)_ Yes, yes, yes, yes, yes, yes, yes.
|
|
|
|
_(She fades from his side. Followed by the whining dog he walks on
|
|
towards hellsgates. In an archway a standing woman, bent forward, her
|
|
feet apart, pisses cowily. Outside a shuttered pub a bunch of loiterers
|
|
listen to a tale which their brokensnouted gaffer rasps out with raucous
|
|
humour. An armless pair of them flop wrestling, growling, in maimed
|
|
sodden playfight.)_
|
|
|
|
THE GAFFER: _(Crouches, his voice twisted in his snout)_ And when Cairns
|
|
came down from the scaffolding in Beaver street what was he after doing
|
|
it into only into the bucket of porter that was there waiting on the
|
|
shavings for Derwan's plasterers.
|
|
|
|
THE LOITERERS: _(Guffaw with cleft palates)_ O jays!
|
|
|
|
_(Their paintspeckled hats wag. Spattered with size and lime of their
|
|
lodges they frisk limblessly about him.)_
|
|
|
|
BLOOM: Coincidence too. They think it funny. Anything but that. Broad
|
|
daylight. Trying to walk. Lucky no woman.
|
|
|
|
THE LOITERERS: Jays, that's a good one. Glauber salts. O jays, into the
|
|
men's porter.
|
|
|
|
_(Bloom passes. Cheap whores, singly, coupled, shawled, dishevelled,
|
|
call from lanes, doors, corners.)_
|
|
|
|
THE WHORES:
|
|
|
|
Are you going far, queer fellow?
|
|
How's your middle leg?
|
|
Got a match on you?
|
|
Eh, come here till I stiffen it for you.
|
|
|
|
|
|
_(He plodges through their sump towards the lighted street beyond. From
|
|
a bulge of window curtains a gramophone rears a battered brazen trunk.
|
|
In the shadow a shebeenkeeper haggles with the navvy and the two
|
|
redcoats.)_
|
|
|
|
THE NAVVY: _(Belching)_ Where's the bloody house?
|
|
|
|
THE SHEBEENKEEPER: Purdon street. Shilling a bottle of stout.
|
|
Respectable woman.
|
|
|
|
THE NAVVY: _(Gripping the two redcoats, staggers forward with them)_
|
|
Come on, you British army!
|
|
|
|
PRIVATE CARR: _(Behind his back)_ He aint half balmy.
|
|
|
|
PRIVATE COMPTON: _(Laughs)_ What ho!
|
|
|
|
PRIVATE CARR: _(To the navvy)_ Portobello barracks canteen. You ask for
|
|
Carr. Just Carr.
|
|
|
|
THE NAVVY: _(Shouts)_
|
|
|
|
We are the boys. Of Wexford.
|
|
|
|
PRIVATE COMPTON: Say! What price the sergeantmajor?
|
|
|
|
PRIVATE CARR: Bennett? He's my pal. I love old Bennett.
|
|
|
|
THE NAVVY: _(Shouts)_
|
|
|
|
The galling chain.
|
|
And free our native land.
|
|
|
|
_(He staggers forward, dragging them with him. Bloom stops, at fault.
|
|
The dog approaches, his tongue outlolling, panting)_
|
|
|
|
BLOOM: Wildgoose chase this. Disorderly houses. Lord knows where they
|
|
are gone. Drunks cover distance double quick. Nice mixup. Scene at
|
|
Westland row. Then jump in first class with third ticket. Then too far.
|
|
Train with engine behind. Might have taken me to Malahide or a siding
|
|
for the night or collision. Second drink does it. Once is a dose. What
|
|
am I following him for? Still, he's the best of that lot. If I hadn't
|
|
heard about Mrs Beaufoy Purefoy I wouldn't have gone and wouldn't have
|
|
met. Kismet. He'll lose that cash. Relieving office here. Good biz for
|
|
cheapjacks, organs. What do ye lack? Soon got, soon gone. Might have
|
|
lost my life too with that mangongwheeltracktrolleyglarejuggernaut only
|
|
for presence of mind. Can't always save you, though. If I had passed
|
|
Truelock's window that day two minutes later would have been shot.
|
|
Absence of body. Still if bullet only went through my coat get damages
|
|
for shock, five hundred pounds. What was he? Kildare street club toff.
|
|
God help his gamekeeper.
|
|
|
|
_(He gazes ahead, reading on the wall a scrawled chalk legend_ Wet Dream
|
|
_and a phallic design._) Odd! Molly drawing on the frosted carriagepane
|
|
at Kingstown. What's that like? _(Gaudy dollwomen loll in the lighted
|
|
doorways, in window embrasures, smoking birdseye cigarettes. The
|
|
odour of the sicksweet weed floats towards him in slow round ovalling
|
|
wreaths.)_
|
|
|
|
THE WREATHS: Sweet are the sweets. Sweets of sin.
|
|
|
|
BLOOM: My spine's a bit limp. Go or turn? And this food? Eat it and get
|
|
all pigsticky. Absurd I am. Waste of money. One and eightpence too
|
|
much. _(The retriever drives a cold snivelling muzzle against his hand,
|
|
wagging his tail.)_ Strange how they take to me. Even that brute today.
|
|
Better speak to him first. Like women they like _rencontres._ Stinks
|
|
like a polecat. _Chacun son gout_. He might be mad. Dogdays. Uncertain
|
|
in his movements. Good fellow! Fido! Good fellow! Garryowen! _(The
|
|
wolfdog sprawls on his back, wriggling obscenely with begging paws, his
|
|
long black tongue lolling out.)_ Influence of his surroundings. Give
|
|
and have done with it. Provided nobody. _(Calling encouraging words he
|
|
shambles back with a furtive poacher's tread, dogged by the setter into
|
|
a dark stalestunk corner. He unrolls one parcel and goes to dump the
|
|
crubeen softly but holds back and feels the trotter.)_ Sizeable for
|
|
threepence. But then I have it in my left hand. Calls for more effort.
|
|
Why? Smaller from want of use. O, let it slide. Two and six.
|
|
|
|
_(With regret he lets the unrolled crubeen and trotter slide. The
|
|
mastiff mauls the bundle clumsily and gluts himself with growling greed,
|
|
crunching the bones. Two raincaped watch approach, silent, vigilant.
|
|
They murmur together.)_
|
|
|
|
THE WATCH: Bloom. Of Bloom. For Bloom. Bloom.
|
|
|
|
_(Each lays hand on Bloom's shoulder.)_
|
|
|
|
FIRST WATCH: Caught in the act. Commit no nuisance.
|
|
|
|
BLOOM: _(Stammers)_ I am doing good to others.
|
|
|
|
_(A covey of gulls, storm petrels, rises hungrily from Liffey slime with
|
|
Banbury cakes in their beaks.)_
|
|
|
|
THE GULLS: Kaw kave kankury kake.
|
|
|
|
BLOOM: The friend of man. Trained by kindness.
|
|
|
|
_(He points. Bob Doran, toppling from a high barstool, sways over the
|
|
munching spaniel.)_
|
|
|
|
BOB DORAN: Towser. Give us the paw. Give the paw.
|
|
|
|
_(The bulldog growls, his scruff standing, a gobbet of pig's knuckle
|
|
between his molars through which rabid scumspittle dribbles. Bob Doran
|
|
fills silently into an area.)_
|
|
|
|
SECOND WATCH: Prevention of cruelty to animals.
|
|
|
|
BLOOM: _(Enthusiastically)_ A noble work! I scolded that tramdriver on
|
|
Harold's cross bridge for illusing the poor horse with his harness scab.
|
|
Bad French I got for my pains. Of course it was frosty and the last
|
|
tram. All tales of circus life are highly demoralising.
|
|
|
|
_(Signor Maffei, passionpale, in liontamer's costume with diamond studs
|
|
in his shirtfront, steps forward, holding a circus paperhoop, a
|
|
curling carriagewhip and a revolver with which he covers the gorging
|
|
boarhound.)_
|
|
|
|
SIGNOR MAFFEI: _(With a sinister smile)_ Ladies and gentlemen, my
|
|
educated greyhound. It was I broke in the bucking broncho Ajax with my
|
|
patent spiked saddle for carnivores. Lash under the belly with a knotted
|
|
thong. Block tackle and a strangling pulley will bring your lion to
|
|
heel, no matter how fractious, even _Leo ferox_ there, the Libyan
|
|
maneater. A redhot crowbar and some liniment rubbing on the burning part
|
|
produced Fritz of Amsterdam, the thinking hyena. _(He glares)_ I possess
|
|
the Indian sign. The glint of my eye does it with these breastsparklers.
|
|
_(With a bewitching smile)_ I now introduce Mademoiselle Ruby, the pride
|
|
of the ring.
|
|
|
|
FIRST WATCH: Come. Name and address.
|
|
|
|
BLOOM: I have forgotten for the moment. Ah, yes! _(He takes off his high
|
|
grade hat, saluting)_ Dr Bloom, Leopold, dental surgeon. You have heard
|
|
of von Blum Pasha. Umpteen millions. _Donnerwetter!_ Owns half Austria.
|
|
Egypt. Cousin.
|
|
|
|
FIRST WATCH: Proof.
|
|
|
|
_(A card falls from inside the leather headband of Bloom's hat.)_
|
|
|
|
BLOOM: _(In red fez, cadi's dress coat with broad green sash, wearing
|
|
a false badge of the Legion of Honour, picks up the card hastily and
|
|
offers it)_ Allow me. My club is the Junior Army and Navy. Solicitors:
|
|
Messrs John Henry Menton, 27 Bachelor's Walk.
|
|
|
|
FIRST WATCH: _(Reads)_ Henry Flower. No fixed abode. Unlawfully watching
|
|
and besetting.
|
|
|
|
SECOND WATCH: An alibi. You are cautioned.
|
|
|
|
BLOOM: _(Produces from his heartpocket a crumpled yellow flower)_ This
|
|
is the flower in question. It was given me by a man I don't know his
|
|
name. _(Plausibly)_ You know that old joke, rose of Castile. Bloom. The
|
|
change of name. Virag. _(He murmurs privately and confidentially)_ We
|
|
are engaged you see, sergeant. Lady in the case. Love entanglement. _(He
|
|
shoulders the second watch gently)_ Dash it all. It's a way we gallants
|
|
have in the navy. Uniform that does it. _(He turns gravely to the first
|
|
watch)_ Still, of course, you do get your Waterloo sometimes. Drop in
|
|
some evening and have a glass of old Burgundy. _(To the second watch
|
|
gaily)_ I'll introduce you, inspector. She's game. Do it in the shake of
|
|
a lamb's tail.
|
|
|
|
_(A dark mercurialised face appears, leading a veiled figure.)_
|
|
|
|
THE DARK MERCURY: The Castle is looking for him. He was drummed out of
|
|
the army.
|
|
|
|
MARTHA: _(Thickveiled, a crimson halter round her neck, a copy of
|
|
the_ Irish Times _in her hand, in tone of reproach, pointing)_ Henry!
|
|
Leopold! Lionel, thou lost one! Clear my name.
|
|
|
|
FIRST WATCH: _(Sternly)_ Come to the station.
|
|
|
|
BLOOM: _(Scared, hats himself, steps back, then, plucking at his heart
|
|
and lifting his right forearm on the square, he gives the sign and
|
|
dueguard of fellowcraft)_ No, no, worshipful master, light of love.
|
|
Mistaken identity. The Lyons mail. Lesurques and Dubosc. You remember
|
|
the Childs fratricide case. We medical men. By striking him dead with
|
|
a hatchet. I am wrongfully accused. Better one guilty escape than
|
|
ninetynine wrongfully condemned.
|
|
|
|
MARTHA: _(Sobbing behind her veil)_ Breach of promise. My real name
|
|
is Peggy Griffin. He wrote to me that he was miserable. I'll tell my
|
|
brother, the Bective rugger fullback, on you, heartless flirt.
|
|
|
|
BLOOM: _(Behind his hand)_ She's drunk. The woman is inebriated. _(He
|
|
murmurs vaguely the pass of Ephraim)_ Shitbroleeth.
|
|
|
|
SECOND WATCH: _(Tears in his eyes, to Bloom)_ You ought to be thoroughly
|
|
well ashamed of yourself.
|
|
|
|
BLOOM: Gentlemen of the jury, let me explain. A pure mare's nest. I am
|
|
a man misunderstood. I am being made a scapegoat of. I am a respectable
|
|
married man, without a stain on my character. I live in Eccles street.
|
|
My wife, I am the daughter of a most distinguished commander, a gallant
|
|
upstanding gentleman, what do you call him, Majorgeneral Brian Tweedy,
|
|
one of Britain's fighting men who helped to win our battles. Got his
|
|
majority for the heroic defence of Rorke's Drift.
|
|
|
|
FIRST WATCH: Regiment.
|
|
|
|
BLOOM: _(Turns to the gallery)_ The royal Dublins, boys, the salt of the
|
|
earth, known the world over. I think I see some old comrades in arms
|
|
up there among you. The R. D. F., with our own Metropolitan police,
|
|
guardians of our homes, the pluckiest lads and the finest body of men,
|
|
as physique, in the service of our sovereign.
|
|
|
|
A VOICE: Turncoat! Up the Boers! Who booed Joe Chamberlain?
|
|
|
|
BLOOM: _(His hand on the shoulder of the first watch)_ My old dad too
|
|
was a J. P. I'm as staunch a Britisher as you are, sir. I fought with
|
|
the colours for king and country in the absentminded war under general
|
|
Gough in the park and was disabled at Spion Kop and Bloemfontein, was
|
|
mentioned in dispatches. I did all a white man could. _(With quiet
|
|
feeling)_ Jim Bludso. Hold her nozzle again the bank.
|
|
|
|
FIRST WATCH: Profession or trade.
|
|
|
|
BLOOM: Well, I follow a literary occupation, author-journalist. In fact
|
|
we are just bringing out a collection of prize stories of which I am the
|
|
inventor, something that is an entirely new departure. I am connected
|
|
with the British and Irish press. If you ring up...
|
|
|
|
_(Myles Crawford strides out jerkily, a quill between his teeth. His
|
|
scarlet beak blazes within the aureole of his straw hat. He dangles
|
|
a hank of Spanish onions in one hand and holds with the other hand a
|
|
telephone receiver nozzle to his ear.)_
|
|
|
|
MYLES CRAWFORD: _(His cock's wattles wagging)_ Hello, seventyseven
|
|
eightfour. Hello. _Freeman's Urinal_ and _Weekly Arsewipe_ here.
|
|
Paralyse Europe. You which? Bluebags? Who writes? Is it Bloom?
|
|
|
|
_(Mr Philip Beaufoy, palefaced, stands in the witnessbox, in accurate
|
|
morning dress, outbreast pocket with peak of handkerchief showing,
|
|
creased lavender trousers and patent boots. He carries a large portfolio
|
|
labelled_ Matcham's Masterstrokes.)
|
|
|
|
BEAUFOY: _(Drawls)_ No, you aren't. Not by a long shot if I know it.
|
|
I don't see it that's all. No born gentleman, no-one with the most
|
|
rudimentary promptings of a gentleman would stoop to such particularly
|
|
loathsome conduct. One of those, my lord. A plagiarist. A soapy sneak
|
|
masquerading as a litterateur. It's perfectly obvious that with the most
|
|
inherent baseness he has cribbed some of my bestselling copy, really
|
|
gorgeous stuff, a perfect gem, the love passages in which are beneath
|
|
suspicion. The Beaufoy books of love and great possessions, with which
|
|
your lordship is doubtless familiar, are a household word throughout the
|
|
kingdom.
|
|
|
|
BLOOM: _(Murmurs with hangdog meekness glum)_ That bit about the
|
|
laughing witch hand in hand I take exception to, if I may...
|
|
|
|
BEAUFOY: _(His lip upcurled, smiles superciliously on the court)_ You
|
|
funny ass, you! You're too beastly awfully weird for words! I don't
|
|
think you need over excessively disincommodate yourself in that regard.
|
|
My literary agent Mr J. B. Pinker is in attendance. I presume, my
|
|
lord, we shall receive the usual witnesses' fees, shan't we? We are
|
|
considerably out of pocket over this bally pressman johnny, this jackdaw
|
|
of Rheims, who has not even been to a university.
|
|
|
|
BLOOM: _(Indistinctly)_ University of life. Bad art.
|
|
|
|
BEAUFOY: _(Shouts)_ It's a damnably foul lie, showing the moral
|
|
rottenness of the man! _(He extends his portfolio)_ We have here damning
|
|
evidence, the _corpus delicti_, my lord, a specimen of my maturer work
|
|
disfigured by the hallmark of the beast.
|
|
|
|
A VOICE FROM THE GALLERY:
|
|
|
|
Moses, Moses, king of the jews, Wiped his arse in the Daily News.
|
|
|
|
BLOOM: _(Bravely)_ Overdrawn.
|
|
|
|
BEAUFOY: You low cad! You ought to be ducked in the horsepond, you
|
|
rotter! _(To the court)_ Why, look at the man's private life! Leading
|
|
a quadruple existence! Street angel and house devil. Not fit to be
|
|
mentioned in mixed society! The archconspirator of the age!
|
|
|
|
BLOOM: _(To the court)_ And he, a bachelor, how...
|
|
|
|
FIRST WATCH: The King versus Bloom. Call the woman Driscoll.
|
|
|
|
THE CRIER: Mary Driscoll, scullerymaid!
|
|
|
|
_(Mary Driscoll, a slipshod servant girl, approaches. She has a bucket
|
|
on the crook of her arm and a scouringbrush in her hand.)_
|
|
|
|
SECOND WATCH: Another! Are you of the unfortunate class?
|
|
|
|
MARY DRISCOLL: _(Indignantly)_ I'm not a bad one. I bear a respectable
|
|
character and was four months in my last place. I was in a situation,
|
|
six pounds a year and my chances with Fridays out and I had to leave
|
|
owing to his carryings on.
|
|
|
|
FIRST WATCH: What do you tax him with?
|
|
|
|
MARY DRISCOLL: He made a certain suggestion but I thought more of myself
|
|
as poor as I am.
|
|
|
|
BLOOM: _(In housejacket of ripplecloth, flannel trousers, heelless
|
|
slippers, unshaven, his hair rumpled: softly)_ I treated you white.
|
|
I gave you mementos, smart emerald garters far above your station.
|
|
Incautiously I took your part when you were accused of pilfering.
|
|
There's a medium in all things. Play cricket.
|
|
|
|
MARY DRISCOLL: _(Excitedly)_ As God is looking down on me this night if
|
|
ever I laid a hand to them oysters!
|
|
|
|
FIRST WATCH: The offence complained of? Did something happen?
|
|
|
|
MARY DRISCOLL: He surprised me in the rere of the premises, Your honour,
|
|
when the missus was out shopping one morning with a request for a safety
|
|
pin. He held me and I was discoloured in four places as a result. And he
|
|
interfered twict with my clothing.
|
|
|
|
BLOOM: She counterassaulted.
|
|
|
|
MARY DRISCOLL: _(Scornfully)_ I had more respect for the scouringbrush,
|
|
so I had. I remonstrated with him, Your lord, and he remarked: keep it
|
|
quiet.
|
|
|
|
_(General laughter.)_
|
|
|
|
GEORGE FOTTRELL: _(Clerk of the crown and peace, resonantly)_ Order in
|
|
court! The accused will now make a bogus statement.
|
|
|
|
_(Bloom, pleading not guilty and holding a fullblown waterlily, begins
|
|
a long unintelligible speech. They would hear what counsel had to say in
|
|
his stirring address to the grand jury. He was down and out but, though
|
|
branded as a black sheep, if he might say so, he meant to reform, to
|
|
retrieve the memory of the past in a purely sisterly way and return to
|
|
nature as a purely domestic animal. A sevenmonths' child, he had been
|
|
carefully brought up and nurtured by an aged bedridden parent. There
|
|
might have been lapses of an erring father but he wanted to turn over
|
|
a new leaf and now, when at long last in sight of the whipping post,
|
|
to lead a homely life in the evening of his days, permeated by the
|
|
affectionate surroundings of the heaving bosom of the family. An
|
|
acclimatised Britisher, he had seen that summer eve from the footplate
|
|
of an engine cab of the Loop line railway company while the rain
|
|
refrained from falling glimpses, as it were, through the windows of
|
|
loveful households in Dublin city and urban district of scenes truly
|
|
rural of happiness of the better land with Dockrell's wallpaper at one
|
|
and ninepence a dozen, innocent Britishborn bairns lisping prayers to
|
|
the Sacred Infant, youthful scholars grappling with their pensums or
|
|
model young ladies playing on the pianoforte or anon all with fervour
|
|
reciting the family rosary round the crackling Yulelog while in the
|
|
boreens and green lanes the colleens with their swains strolled what
|
|
times the strains of the organtoned melodeon Britannia metalbound with
|
|
four acting stops and twelvefold bellows, a sacrifice, greatest bargain
|
|
ever..._
|
|
|
|
_(Renewed laughter. He mumbles incoherently. Reporters complain that
|
|
they cannot hear.)_
|
|
|
|
LONGHAND AND SHORTHAND: _(Without looking up from their notebooks)_
|
|
Loosen his boots.
|
|
|
|
PROFESSOR MACHUGH: _(From the presstable, coughs and calls)_ Cough it
|
|
up, man. Get it out in bits.
|
|
|
|
_(The crossexamination proceeds re Bloom and the bucket. A large bucket.
|
|
Bloom himself. Bowel trouble. In Beaver street Gripe, yes. Quite bad.
|
|
A plasterer's bucket. By walking stifflegged. Suffered untold misery.
|
|
Deadly agony. About noon. Love or burgundy. Yes, some spinach. Crucial
|
|
moment. He did not look in the bucket Nobody. Rather a mess. Not
|
|
completely._ A Titbits _back number_.)
|
|
|
|
_(Uproar and catcalls. Bloom in a torn frockcoat stained with whitewash,
|
|
dinged silk hat sideways on his head, a strip of stickingplaster across
|
|
his nose, talks inaudibly.)_
|
|
|
|
J. J. O'MOLLOY: _(In barrister's grey wig and stuffgown, speaking with
|
|
a voice of pained protest)_ This is no place for indecent levity at
|
|
the expense of an erring mortal disguised in liquor. We are not in a
|
|
beargarden nor at an Oxford rag nor is this a travesty of justice. My
|
|
client is an infant, a poor foreign immigrant who started scratch as
|
|
a stowaway and is now trying to turn an honest penny. The trumped up
|
|
misdemeanour was due to a momentary aberration of heredity, brought on
|
|
by hallucination, such familiarities as the alleged guilty occurrence
|
|
being quite permitted in my client's native place, the land of the
|
|
Pharaoh. _Prima facie_, I put it to you that there was no attempt at
|
|
carnally knowing. Intimacy did not occur and the offence complained of
|
|
by Driscoll, that her virtue was solicited, was not repeated. I would
|
|
deal in especial with atavism. There have been cases of shipwreck and
|
|
somnambulism in my client's family. If the accused could speak he could
|
|
a tale unfold--one of the strangest that have ever been narrated between
|
|
the covers of a book. He himself, my lord, is a physical wreck from
|
|
cobbler's weak chest. His submission is that he is of Mongolian
|
|
extraction and irresponsible for his actions. Not all there, in fact.
|
|
|
|
BLOOM: _(Barefoot, pigeonbreasted, in lascar's vest and trousers,
|
|
apologetic toes turned in, opens his tiny mole's eyes and looks about
|
|
him dazedly, passing a slow hand across his forehead. Then he hitches
|
|
his belt sailor fashion and with a shrug of oriental obeisance salutes
|
|
the court, pointing one thumb heavenward.)_ Him makee velly muchee fine
|
|
night. _(He begins to lilt simply)_
|
|
|
|
Li li poo lil chile
|
|
Blingee pigfoot evly night
|
|
Payee two shilly...
|
|
|
|
_(He is howled down.)_
|
|
|
|
J. J. O'MOLLOY: _(Hotly to the populace)_ This is a lonehand fight. By
|
|
Hades, I will not have any client of mine gagged and badgered in this
|
|
fashion by a pack of curs and laughing hyenas. The Mosaic code has
|
|
superseded the law of the jungle. I say it and I say it emphatically,
|
|
without wishing for one moment to defeat the ends of justice, accused
|
|
was not accessory before the act and prosecutrix has not been tampered
|
|
with. The young person was treated by defendant as if she were his very
|
|
own daughter. _(Bloom takes J. J. O'Molloy's hand and raises it to his
|
|
lips.)_ I shall call rebutting evidence to prove up to the hilt that the
|
|
hidden hand is again at its old game. When in doubt persecute Bloom. My
|
|
client, an innately bashful man, would be the last man in the world to
|
|
do anything ungentlemanly which injured modesty could object to or
|
|
cast a stone at a girl who took the wrong turning when some dastard,
|
|
responsible for her condition, had worked his own sweet will on her. He
|
|
wants to go straight. I regard him as the whitest man I know. He is down
|
|
on his luck at present owing to the mortgaging of his extensive property
|
|
at Agendath Netaim in faraway Asia Minor, slides of which will now be
|
|
shown. _(To Bloom)_ I suggest that you will do the handsome thing.
|
|
|
|
BLOOM: A penny in the pound.
|
|
|
|
_(The image of the lake of Kinnereth with blurred cattle cropping in
|
|
silver haze is projected on the wall. Moses Dlugacz, ferreteyed albino,
|
|
in blue dungarees, stands up in the gallery, holding in each hand an
|
|
orange citron and a pork kidney.)_
|
|
|
|
DLUGACZ: _(Hoarsely)_ Bleibtreustrasse, Berlin, W.13.
|
|
|
|
_(J. J. O'Molloy steps on to a low plinth and holds the lapel of his
|
|
coat with solemnity. His face lengthens, grows pale and bearded, with
|
|
sunken eyes, the blotches of phthisis and hectic cheekbones of John F.
|
|
Taylor. He applies his handkerchief to his mouth and scrutinises the
|
|
galloping tide of rosepink blood.)_
|
|
|
|
J.J.O'MOLLOY: _(Almost voicelessly)_ Excuse me. I am suffering from a
|
|
severe chill, have recently come from a sickbed. A few wellchosen words.
|
|
_(He assumes the avine head, foxy moustache and proboscidal eloquence of
|
|
Seymour Bushe.)_ When the angel's book comes to be opened if aught
|
|
that the pensive bosom has inaugurated of soultransfigured and of
|
|
soultransfiguring deserves to live I say accord the prisoner at the bar
|
|
the sacred benefit of the doubt. _(A paper with something written on it
|
|
is handed into court._)
|
|
|
|
BLOOM: _(In court dress)_ Can give best references. Messrs Callan,
|
|
Coleman. Mr Wisdom Hely J. P. My old chief Joe Cuffe. Mr V. B. Dillon,
|
|
ex lord mayor of Dublin. I have moved in the charmed circle of the
|
|
highest... Queens of Dublin society. _(Carelessly)_ I was just chatting
|
|
this afternoon at the viceregal lodge to my old pals, sir Robert and
|
|
lady Ball, astronomer royal at the levee. Sir Bob, I said...
|
|
|
|
MRS YELVERTON BARRY: _(In lowcorsaged opal balldress and elbowlength
|
|
ivory gloves, wearing a sabletrimmed brickquilted dolman, a comb of
|
|
brilliants and panache of osprey in her hair)_ Arrest him, constable. He
|
|
wrote me an anonymous letter in prentice backhand when my husband was
|
|
in the North Riding of Tipperary on the Munster circuit, signed James
|
|
Lovebirch. He said that he had seen from the gods my peerless globes as
|
|
I sat in a box of the _Theatre Royal_ at a command performance of _La
|
|
Cigale_. I deeply inflamed him, he said. He made improper overtures
|
|
to me to misconduct myself at half past four p.m. on the following
|
|
Thursday, Dunsink time. He offered to send me through the post a work
|
|
of fiction by Monsieur Paul de Kock, entitled _The Girl with the Three
|
|
Pairs of Stays_.
|
|
|
|
MRS BELLINGHAM: _(In cap and seal coney mantle, wrapped up to the
|
|
nose, steps out of her brougham and scans through tortoiseshell
|
|
quizzing-glasses which she takes from inside her huge opossum muff)_
|
|
Also to me. Yes, I believe it is the same objectionable person. Because
|
|
he closed my carriage door outside sir Thornley Stoker's one sleety day
|
|
during the cold snap of February ninetythree when even the grid of the
|
|
wastepipe and the ballstop in my bath cistern were frozen. Subsequently
|
|
he enclosed a bloom of edelweiss culled on the heights, as he said,
|
|
in my honour. I had it examined by a botanical expert and elicited the
|
|
information that it was ablossom of the homegrown potato plant purloined
|
|
from a forcingcase of the model farm.
|
|
|
|
MRS YELVERTON BARRY: Shame on him!
|
|
|
|
_(A crowd of sluts and ragamuffins surges forward)_
|
|
|
|
THE SLUTS AND RAGAMUFFINS: _(Screaming)_ Stop thief! Hurrah there,
|
|
Bluebeard! Three cheers for Ikey Mo!
|
|
|
|
SECOND WATCH: _(Produces handcuffs)_ Here are the darbies.
|
|
|
|
MRS BELLINGHAM: He addressed me in several handwritings with fulsome
|
|
compliments as a Venus in furs and alleged profound pity for my
|
|
frostbound coachman Palmer while in the same breath he expressed himself
|
|
as envious of his earflaps and fleecy sheepskins and of his fortunate
|
|
proximity to my person, when standing behind my chair wearing my livery
|
|
and the armorial bearings of the Bellingham escutcheon garnished sable,
|
|
a buck's head couped or. He lauded almost extravagantly my nether
|
|
extremities, my swelling calves in silk hose drawn up to the limit, and
|
|
eulogised glowingly my other hidden treasures in priceless lace which,
|
|
he said, he could conjure up. He urged me (stating that he felt it
|
|
his mission in life to urge me) to defile the marriage bed, to commit
|
|
adultery at the earliest possible opportunity.
|
|
|
|
THE HONOURABLE MRS MERVYN TALBOYS: _(In amazon costume, hard hat,
|
|
jackboots cockspurred, vermilion waistcoat, fawn musketeer gauntlets
|
|
with braided drums, long train held up and hunting crop with which she
|
|
strikes her welt constantly)_ Also me. Because he saw me on the polo
|
|
ground of the Phoenix park at the match All Ireland versus the Rest of
|
|
Ireland. My eyes, I know, shone divinely as I watched Captain Slogger
|
|
Dennehy of the Inniskillings win the final chukkar on his darling cob
|
|
_Centaur._ This plebeian Don Juan observed me from behind a hackney car
|
|
and sent me in double envelopes an obscene photograph, such as are sold
|
|
after dark on Paris boulevards, insulting to any lady. I have it still.
|
|
It represents a partially nude senorita, frail and lovely (his wife, as
|
|
he solemnly assured me, taken by him from nature), practising illicit
|
|
intercourse with a muscular torero, evidently a blackguard. He urged me
|
|
to do likewise, to misbehave, to sin with officers of the garrison. He
|
|
implored me to soil his letter in an unspeakable manner, to chastise
|
|
him as he richly deserves, to bestride and ride him, to give him a most
|
|
vicious horsewhipping.
|
|
|
|
MRS BELLINGHAM: Me too.
|
|
|
|
MRS YELVERTON BARRY: Me too.
|
|
|
|
_(Several highly respectable Dublin ladies hold up improper letters
|
|
received from Bloom.)_
|
|
|
|
THE HONOURABLE MRS MERVYN TALBOYS: _(Stamps her jingling spurs in a
|
|
sudden paroxysm of fury)_ I will, by the God above me. I'll scourge the
|
|
pigeonlivered cur as long as I can stand over him. I'll flay him alive.
|
|
|
|
BLOOM: _(His eyes closing, quails expectantly)_ Here? _(He squirms)_
|
|
Again! _(He pants cringing)_ I love the danger.
|
|
|
|
THE HONOURABLE MRS MERVYN TALBOYS: Very much so! I'll make it hot for
|
|
you. I'll make you dance Jack Latten for that.
|
|
|
|
MRS BELLINGHAM: Tan his breech well, the upstart! Write the stars and
|
|
stripes on it!
|
|
|
|
MRS YELVERTON BARRY: Disgraceful! There's no excuse for him! A married
|
|
man!
|
|
|
|
BLOOM: All these people. I meant only the spanking idea. A warm tingling
|
|
glow without effusion. Refined birching to stimulate the circulation.
|
|
|
|
THE HONOURABLE MRS MERVYN TALBOYS: _(Laughs derisively)_ O, did you, my
|
|
fine fellow? Well, by the living God, you'll get the surprise of your
|
|
life now, believe me, the most unmerciful hiding a man ever bargained
|
|
for. You have lashed the dormant tigress in my nature into fury.
|
|
|
|
MRS BELLINGHAM: _(Shakes her muff and quizzing-glasses vindictively)_
|
|
Make him smart, Hanna dear. Give him ginger. Thrash the mongrel within
|
|
an inch of his life. The cat-o'-nine-tails. Geld him. Vivisect him.
|
|
|
|
BLOOM: _(Shuddering, shrinking, joins his hands: with hangdog mien)_ O
|
|
cold! O shivery! It was your ambrosial beauty. Forget, forgive. Kismet.
|
|
Let me off this once. _(He offers the other cheek)_
|
|
|
|
MRS YELVERTON BARRY: _(Severely)_ Don't do so on any account, Mrs
|
|
Talboys! He should be soundly trounced!
|
|
|
|
THE HONOURABLE MRS MERVYN TALBOYS: _(Unbuttoning her gauntlet
|
|
violently)_ I'll do no such thing. Pigdog and always was ever since
|
|
he was pupped! To dare address me! I'll flog him black and blue in
|
|
the public streets. I'll dig my spurs in him up to the rowel. He is a
|
|
wellknown cuckold. _(She swishes her huntingcrop savagely in the air)_
|
|
Take down his trousers without loss of time. Come here, sir! Quick!
|
|
Ready?
|
|
|
|
BLOOM: _(Trembling, beginning to obey)_ The weather has been so warm.
|
|
|
|
_(Davy Stephens, ringletted, passes with a bevy of barefoot newsboys.)_
|
|
|
|
DAVY STEPHENS: _Messenger of the Sacred Heart and Evening Telegraph_
|
|
with Saint Patrick's Day supplement. Containing the new addresses of all
|
|
the cuckolds in Dublin.
|
|
|
|
_(The very reverend Canon O'Hanlon in cloth of gold cope elevates and
|
|
exposes a marble timepiece. Before him Father Conroy and the reverend
|
|
John Hughes S.J. bend low.)_
|
|
|
|
THE TIMEPIECE: _(Unportalling)_
|
|
|
|
Cuckoo.
|
|
Cuckoo.
|
|
Cuckoo.
|
|
|
|
_(The brass quoits of a bed are heard to jingle.)_
|
|
|
|
THE QUOITS: Jigjag. Jigajiga. Jigjag.
|
|
|
|
_(A panel of fog rolls back rapidly, revealing rapidly in the jurybox
|
|
the faces of Martin Cunningham, foreman, silkhatted, Jack Power, Simon
|
|
Dedalus, Tom Kernan, Ned Lambert, John Henry Menton Myles Crawford,
|
|
Lenehan, Paddy Leonard, Nosey Flynn, M'Coy and the featureless face of a
|
|
Nameless One.)_
|
|
|
|
THE NAMELESS ONE: Bareback riding. Weight for age. Gob, he organised
|
|
her.
|
|
|
|
THE JURORS: _(All their heads turned to his voice)_ Really?
|
|
|
|
THE NAMELESS ONE: _(Snarls)_ Arse over tip. Hundred shillings to five.
|
|
|
|
THE JURORS: _(All their heads lowered in assent)_ Most of us thought as
|
|
much.
|
|
|
|
FIRST WATCH: He is a marked man. Another girl's plait cut. Wanted: Jack
|
|
the Ripper. A thousand pounds reward.
|
|
|
|
SECOND WATCH: _(Awed, whispers)_ And in black. A mormon. Anarchist.
|
|
|
|
THE CRIER: _(Loudly)_ Whereas Leopold Bloom of no fixed abode is a
|
|
wellknown dynamitard, forger, bigamist, bawd and cuckold and a public
|
|
nuisance to the citizens of Dublin and whereas at this commission of
|
|
assizes the most honourable...
|
|
|
|
_(His Honour, sir Frederick Falkiner, recorder of Dublin, in judicial
|
|
garb of grey stone rises from the bench, stonebearded. He bears in his
|
|
arms an umbrella sceptre. From his forehead arise starkly the Mosaic
|
|
ramshorns.)_
|
|
|
|
THE RECORDER: I will put an end to this white slave traffic and rid
|
|
Dublin of this odious pest. Scandalous! _(He dons the black cap)_ Let
|
|
him be taken, Mr Subsheriff, from the dock where he now stands and
|
|
detained in custody in Mountjoy prison during His Majesty's pleasure
|
|
and there be hanged by the neck until he is dead and therein fail not
|
|
at your peril or may the Lord have mercy on your soul. Remove him. _(A
|
|
black skullcap descends upon his head.)_
|
|
|
|
_(The subsheriff Long John Fanning appears, smoking a pungent Henry
|
|
Clay.)_
|
|
|
|
LONG JOHN FANNING: _(Scowls and calls with rich rolling utterance)_
|
|
Who'll hang Judas Iscariot?
|
|
|
|
_(H. Rumbold, master barber, in a bloodcoloured jerkin and tanner's
|
|
apron, a rope coiled over his shoulder, mounts the block. A life
|
|
preserver and a nailstudded bludgeon are stuck in his belt. He rubs
|
|
grimly his grappling hands, knobbed with knuckledusters.)_
|
|
|
|
RUMBOLD: _(To the recorder with sinister familiarity)_ Hanging Harry,
|
|
your Majesty, the Mersey terror. Five guineas a jugular. Neck or
|
|
nothing.
|
|
|
|
_(The bells of George's church toll slowly, loud dark iron.)_
|
|
|
|
THE BELLS: Heigho! Heigho!
|
|
|
|
BLOOM: _(Desperately)_ Wait. Stop. Gulls. Good heart. I saw. Innocence.
|
|
Girl in the monkeyhouse. Zoo. Lewd chimpanzee. _(Breathlessly)_ Pelvic
|
|
basin. Her artless blush unmanned me. _(Overcome with emotion)_ I left
|
|
the precincts. (He turns to a figure in the crowd, appealing) Hynes, may
|
|
I speak to you? You know me. That three shillings you can keep. If you
|
|
want a little more...
|
|
|
|
HYNES: _(Coldly)_ You are a perfect stranger.
|
|
|
|
SECOND WATCH: _(Points to the corner)_ The bomb is here.
|
|
|
|
FIRST WATCH: Infernal machine with a time fuse.
|
|
|
|
BLOOM: No, no. Pig's feet. I was at a funeral.
|
|
|
|
FIRST WATCH: _(Draws his truncheon)_ Liar!
|
|
|
|
_(The beagle lifts his snout, showing the grey scorbutic face of Paddy
|
|
Dignam. He has gnawed all. He exhales a putrid carcasefed breath.
|
|
He grows to human size and shape. His dachshund coat becomes a brown
|
|
mortuary habit. His green eye flashes bloodshot. Half of one ear, all
|
|
the nose and both thumbs are ghouleaten.)_
|
|
|
|
PADDY DIGNAM: _(In a hollow voice)_ It is true. It was my funeral.
|
|
Doctor Finucane pronounced life extinct when I succumbed to the disease
|
|
from natural causes.
|
|
|
|
_(He lifts his mutilated ashen face moonwards and bays lugubriously.)_
|
|
|
|
BLOOM: _(In triumph)_ You hear?
|
|
|
|
PADDY DIGNAM: Bloom, I am Paddy Dignam's spirit. List, list, O list!
|
|
|
|
BLOOM: The voice is the voice of Esau.
|
|
|
|
SECOND WATCH: _(Blesses himself)_ How is that possible?
|
|
|
|
FIRST WATCH: It is not in the penny catechism.
|
|
|
|
PADDY DIGNAM: By metempsychosis. Spooks.
|
|
|
|
A VOICE: O rocks.
|
|
|
|
PADDY DIGNAM: _(Earnestly)_ Once I was in the employ of Mr J. H. Menton,
|
|
solicitor, commissioner for oaths and affidavits, of 27 Bachelor's Walk.
|
|
Now I am defunct, the wall of the heart hypertrophied. Hard lines. The
|
|
poor wife was awfully cut up. How is she bearing it? Keep her off that
|
|
bottle of sherry. _(He looks round him)_ A lamp. I must satisfy an
|
|
animal need. That buttermilk didn't agree with me.
|
|
|
|
_(The portly figure of John O'Connell, caretaker, stands forth, holding
|
|
a bunch of keys tied with crape. Beside him stands Father Coffey,
|
|
chaplain, toadbellied, wrynecked, in a surplice and bandanna nightcap,
|
|
holding sleepily a staff twisted poppies.)_
|
|
|
|
FATHER COFFEY: _(Yawns, then chants with a hoarse croak)_ Namine.
|
|
Jacobs. Vobiscuits. Amen.
|
|
|
|
JOHN O'CONNELL: _(Foghorns stormily through his megaphone)_ Dignam,
|
|
Patrick T, deceased.
|
|
|
|
PADDY DIGNAM: _(With pricked up ears, winces)_ Overtones. _(He wriggles
|
|
forward and places an ear to the ground)_ My master's voice!
|
|
|
|
JOHN O'CONNELL: Burial docket letter number U. P. eightyfive thousand.
|
|
Field seventeen. House of Keys. Plot, one hundred and one.
|
|
|
|
_(Paddy Dignam listens with visible effort, thinking, his tail
|
|
stiffpointcd, his ears cocked.)_
|
|
|
|
PADDY DIGNAM: Pray for the repose of his soul.
|
|
|
|
_(He worms down through a coalhole, his brown habit trailing its tether
|
|
over rattling pebbles. After him toddles an obese grandfather rat on
|
|
fungus turtle paws under a grey carapace. Dignam's voice, muffled, is
|
|
heard baying under ground:_ Dignam's dead and gone below. _Tom Rochford,
|
|
robinredbreasted, in cap and breeches, jumps from his twocolumned
|
|
machine.)_
|
|
|
|
TOM ROCHFORD: _(A hand to his breastbone, bows)_ Reuben J. A florin I
|
|
find him. _(He fixes the manhole with a resolute stare)_ My turn now on.
|
|
Follow me up to Carlow.
|
|
|
|
_(He executes a daredevil salmon leap in the air and is engulfed in the
|
|
coalhole. Two discs on the columns wobble, eyes of nought. All recedes.
|
|
Bloom plodges forward again through the sump. Kisses chirp amid
|
|
the rifts of fog a piano sounds. He stands before a lighted house,
|
|
listening. The kisses, winging from their bowers fly about him,
|
|
twittering, warbling, cooing.)_
|
|
|
|
THE KISSES: _(Warbling)_ Leo! _(Twittering)_ Icky licky micky sticky for
|
|
Leo! _(Cooing)_ Coo coocoo! Yummyyum, Womwom! _(Warbling)_ Big comebig!
|
|
Pirouette! Leopopold! _(Twittering)_ Leeolee! _(Warbling)_ O Leo!
|
|
|
|
_(They rustle, flutter upon his garments, alight, bright giddy flecks,
|
|
silvery sequins.)_
|
|
|
|
BLOOM: A man's touch. Sad music. Church music. Perhaps here.
|
|
|
|
_(Zoe Higgins, a young whore in a sapphire slip, closed with three
|
|
bronze buckles, a slim black velvet fillet round her throat, nods, trips
|
|
down the steps and accosts him.)_
|
|
|
|
ZOE: Are you looking for someone? He's inside with his friend.
|
|
|
|
BLOOM: Is this Mrs Mack's?
|
|
|
|
ZOE: No, eightyone. Mrs Cohen's. You might go farther and fare worse.
|
|
Mother Slipperslapper. _(Familiarly)_ She's on the job herself tonight
|
|
with the vet her tipster that gives her all the winners and pays for
|
|
her son in Oxford. Working overtime but her luck's turned today.
|
|
_(Suspiciously)_ You're not his father, are you?
|
|
|
|
BLOOM: Not I!
|
|
|
|
ZOE: You both in black. Has little mousey any tickles tonight?
|
|
|
|
_(His skin, alert, feels her fingertips approach. A hand glides over his
|
|
left thigh.)_
|
|
|
|
ZOE: How's the nuts?
|
|
|
|
BLOOM: Off side. Curiously they are on the right. Heavier, I suppose.
|
|
One in a million my tailor, Mesias, says.
|
|
|
|
ZOE: _(In sudden alarm)_ You've a hard chancre.
|
|
|
|
BLOOM: Not likely.
|
|
|
|
ZOE: I feel it.
|
|
|
|
_(Her hand slides into his left trouser pocket and brings out a hard
|
|
black shrivelled potato. She regards it and Bloom with dumb moist
|
|
lips.)_
|
|
|
|
BLOOM: A talisman. Heirloom.
|
|
|
|
ZOE: For Zoe? For keeps? For being so nice, eh?
|
|
|
|
_(She puts the potato greedily into a pocket then links his arm,
|
|
cuddling him with supple warmth. He smiles uneasily. Slowly, note by
|
|
note, oriental music is played. He gazes in the tawny crystal of her
|
|
eyes, ringed with kohol. His smile softens.)_
|
|
|
|
ZOE: You'll know me the next time.
|
|
|
|
BLOOM: _(Forlornly)_ I never loved a dear gazelle but it was sure to...
|
|
|
|
_(Gazelles are leaping, feeding on the mountains. Near are lakes. Round
|
|
their shores file shadows black of cedargroves. Aroma rises, a strong
|
|
hairgrowth of resin. It burns, the orient, a sky of sapphire, cleft by
|
|
the bronze flight of eagles. Under it lies the womancity nude, white,
|
|
still, cool, in luxury. A fountain murmurs among damask roses. Mammoth
|
|
roses murmur of scarlet winegrapes. A wine of shame, lust, blood exudes,
|
|
strangely murmuring.)_
|
|
|
|
ZOE: _(Murmuring singsong with the music, her odalisk lips lusciously
|
|
smeared with salve of swinefat and rosewater) Schorach ani wenowach,
|
|
benoith Hierushaloim._
|
|
|
|
BLOOM: _(Fascinated)_ I thought you were of good stock by your accent.
|
|
|
|
ZOE: And you know what thought did?
|
|
|
|
_(She bites his ear gently with little goldstopped teeth, sending on
|
|
him a cloying breath of stale garlic. The roses draw apart, disclose a
|
|
sepulchre of the gold of kings and their mouldering bones.)_
|
|
|
|
BLOOM: _(Draws back, mechanically caressing her right bub with a flat
|
|
awkward hand)_ Are you a Dublin girl?
|
|
|
|
ZOE: _(Catches a stray hair deftly and twists it to her coil)_ No bloody
|
|
fear. I'm English. Have you a swaggerroot?
|
|
|
|
BLOOM: _(As before)_ Rarely smoke, dear. Cigar now and then. Childish
|
|
device. _(Lewdly)_ The mouth can be better engaged than with a cylinder
|
|
of rank weed.
|
|
|
|
ZOE: Go on. Make a stump speech out of it.
|
|
|
|
BLOOM: _(In workman's corduroy overalls, black gansy with red floating
|
|
tie and apache cap)_ Mankind is incorrigible. Sir Walter Ralegh brought
|
|
from the new world that potato and that weed, the one a killer of
|
|
pestilence by absorption, the other a poisoner of the ear, eye, heart,
|
|
memory, will understanding, all. That is to say he brought the poison
|
|
a hundred years before another person whose name I forget brought the
|
|
food. Suicide. Lies. All our habits. Why, look at our public life!
|
|
|
|
_(Midnight chimes from distant steeples.)_
|
|
|
|
THE CHIMES: Turn again, Leopold! Lord mayor of Dublin!
|
|
|
|
BLOOM: _(In alderman's gown and chain)_ Electors of Arran Quay, Inns
|
|
Quay, Rotunda, Mountjoy and North Dock, better run a tramline, I say,
|
|
from the cattlemarket to the river. That's the music of the future.
|
|
That's my programme. _Cui bono_? But our bucaneering Vanderdeckens in
|
|
their phantom ship of finance...
|
|
|
|
AN ELECTOR: Three times three for our future chief magistrate!
|
|
|
|
_(The aurora borealis of the torchlight procession leaps.)_
|
|
|
|
THE TORCHBEARERS: Hooray!
|
|
|
|
_(Several wellknown burgesses, city magnates and freemen of the city
|
|
shake hands with Bloom and congratulate him. Timothy Harrington, late
|
|
thrice Lord Mayor of Dublin, imposing in mayoral scarlet, gold chain and
|
|
white silk tie, confers with councillor Lorcan Sherlock, locum tenens.
|
|
They nod vigorously in agreement.)_
|
|
|
|
LATE LORD MAYOR HARRINGTON: _(In scarlet robe with mace, gold mayoral
|
|
chain and large white silk scarf)_ That alderman sir Leo Bloom's speech
|
|
be printed at the expense of the ratepayers. That the house in which
|
|
he was born be ornamented with a commemorative tablet and that the
|
|
thoroughfare hitherto known as Cow Parlour off Cork street be henceforth
|
|
designated Boulevard Bloom.
|
|
|
|
COUNCILLOR LORCAN SHERLOCK: Carried unanimously.
|
|
|
|
BLOOM: _(Impassionedly)_ These flying Dutchmen or lying Dutchmen as
|
|
they recline in their upholstered poop, casting dice, what reck they?
|
|
Machines is their cry, their chimera, their panacea. Laboursaving
|
|
apparatuses, supplanters, bugbears, manufactured monsters for mutual
|
|
murder, hideous hobgoblins produced by a horde of capitalistic lusts
|
|
upon our prostituted labour. The poor man starves while they are
|
|
grassing their royal mountain stags or shooting peasants and phartridges
|
|
in their purblind pomp of pelf and power. But their reign is rover for
|
|
rever and ever and ev...
|
|
|
|
_(Prolonged applause. Venetian masts, maypoles and festal arches spring
|
|
up. A streamer bearing the legends_ Cead Mile Failte _and_ Mah Ttob
|
|
Melek Israel _Spans the street. All the windows are thronged with
|
|
sightseers, chiefly ladies. Along the route the regiments of the
|
|
royal Dublin Fusiliers, the King's own Scottish Borderers, the Cameron
|
|
Highlanders and the Welsh Fusiliers standing to attention, keep back
|
|
the crowd. Boys from High school are perched on the lampposts,
|
|
telegraph poles, windowsills, cornices, gutters, chimneypots, railings,
|
|
rainspouts, whistling and cheering the pillar of the cloud appears. A
|
|
fife and drum band is heard in the distance playing the Kol Nidre. The
|
|
beaters approach with imperial eagles hoisted, trailing banners and
|
|
waving oriental palms. The chryselephantine papal standard rises high,
|
|
surrounded by pennons of the civic flag. The van of the procession
|
|
appears headed by John Howard Parnell, city marshal, in a chessboard
|
|
tabard, the Athlone Poursuivant and Ulster King of Arms. They are
|
|
followed by the Right Honourable Joseph Hutchinson, lord mayor of
|
|
Dublin, his lordship the lord mayor of Cork, their worships the
|
|
mayors of Limerick, Galway, Sligo and Waterford, twentyeight Irish
|
|
representative peers, sirdars, grandees and maharajahs bearing the cloth
|
|
of estate, the Dublin Metropolitan Fire Brigade, the chapter of the
|
|
saints of finance in their plutocratic order of precedence, the bishop
|
|
of Down and Connor, His Eminence Michael cardinal Logue, archbishop of
|
|
Armagh, primate of all Ireland, His Grace, the most reverend Dr William
|
|
Alexander, archbishop of Armagh, primate of all Ireland, the chief
|
|
rabbi, the presbyterian moderator, the heads of the baptist, anabaptist,
|
|
methodist and Moravian chapels and the honorary secretary of the society
|
|
of friends. After them march the guilds and trades and trainbands
|
|
with flying colours: coopers, bird fanciers, millwrights, newspaper
|
|
canvassers, law scriveners, masseurs, vintners, trussmakers,
|
|
chimneysweeps, lard refiners, tabinet and poplin weavers, farriers,
|
|
Italian warehousemen, church decorators, bootjack manufacturers,
|
|
undertakers, silk mercers, lapidaries, salesmasters, corkcutters,
|
|
assessors of fire losses, dyers and cleaners, export bottlers,
|
|
fellmongers, ticketwriters, heraldic seal engravers, horse repository
|
|
hands, bullion brokers, cricket and archery outfitters, riddlemakers,
|
|
egg and potato factors, hosiers and glovers, plumbing contractors. After
|
|
them march gentlemen of the bedchamber, Black Rod, Deputy Garter,
|
|
Gold Stick, the master of horse, the lord great chamberlain, the earl
|
|
marshal, the high constable carrying the sword of state, saint Stephen's
|
|
iron crown, the chalice and bible. Four buglers on foot blow a sennet.
|
|
Beefeaters reply, winding clarions of welcome. Under an arch of triumph
|
|
Bloom appears, bareheaded, in a crimson velvet mantle trimmed with
|
|
ermine, bearing Saint Edward's staff the orb and sceptre with the dove,
|
|
the curtana. He is seated on a milkwhite horse with long flowing crimson
|
|
tail, richly caparisoned, with golden headstall. Wild excitement. The
|
|
ladies from their balconies throw down rosepetals. The air is perfumed
|
|
with essences. The men cheer. Bloom's boys run amid the bystanders with
|
|
branches of hawthorn and wrenbushes.)_
|
|
|
|
BLOOM'S BOYS:
|
|
|
|
The wren, the wren,
|
|
The king of all birds,
|
|
Saint Stephen's his day
|
|
Was caught in the furze.
|
|
|
|
|
|
A BLACKSMITH: _(Murmurs)_ For the honour of God! And is that Bloom? He
|
|
scarcely looks thirtyone.
|
|
|
|
A PAVIOR AND FLAGGER: That's the famous Bloom now, the world's greatest
|
|
reformer. Hats off!
|
|
|
|
_(All uncover their heads. Women whisper eagerly.)_
|
|
|
|
A MILLIONAIRESS: _(Richly)_ Isn't he simply wonderful?
|
|
|
|
A NOBLEWOMAN: _(Nobly)_ All that man has seen!
|
|
|
|
A FEMINIST: _(Masculinely)_ And done!
|
|
|
|
A BELLHANGER: A classic face! He has the forehead of a thinker.
|
|
|
|
_(Bloom's weather. A sunburst appears in the northwest.)_
|
|
|
|
THE BISHOP OF DOWN AND CONNOR: I here present your undoubted
|
|
emperor-president and king-chairman, the most serene and potent and very
|
|
puissant ruler of this realm. God save Leopold the First!
|
|
|
|
ALL: God save Leopold the First!
|
|
|
|
BLOOM: _(In dalmatic and purple mantle, to the bishop of Down and
|
|
Connor, with dignity)_ Thanks, somewhat eminent sir.
|
|
|
|
WILLIAM, ARCHBISHOP OF ARMAGH: _(In purple stock and shovel hat)_
|
|
Will you to your power cause law and mercy to be executed in all your
|
|
judgments in Ireland and territories thereunto belonging?
|
|
|
|
BLOOM: _(Placing his right hand on his testicles, swears)_ So may the
|
|
Creator deal with me. All this I promise to do.
|
|
|
|
MICHAEL, ARCHBISHOP OF ARMAGH: _(Pours a cruse of hairoil over Bloom's
|
|
head) Gaudium magnum annuntio vobis. Habemus carneficem._ Leopold,
|
|
Patrick, Andrew, David, George, be thou anointed!
|
|
|
|
_(Bloom assumes a mantle of cloth of gold and puts on a ruby ring. He
|
|
ascends and stands on the stone of destiny. The representative peers put
|
|
on at the same time their twentyeight crowns. Joybells ring in Christ
|
|
church, Saint Patrick's, George's and gay Malahide. Mirus bazaar
|
|
fireworks go up from all sides with symbolical phallopyrotechnic
|
|
designs. The peers do homage, one by one, approaching and
|
|
genuflecting.)_
|
|
|
|
THE PEERS: I do become your liege man of life and limb to earthly
|
|
worship.
|
|
|
|
_(Bloom holds up his right hand on which sparkles the Koh-i-Noor
|
|
diamond. His palfrey neighs. Immediate silence. Wireless
|
|
intercontinental and interplanetary transmitters are set for reception
|
|
of message.)_
|
|
|
|
BLOOM: My subjects! We hereby nominate our faithful charger Copula Felix
|
|
hereditary Grand Vizier and announce that we have this day repudiated
|
|
our former spouse and have bestowed our royal hand upon the princess
|
|
Selene, the splendour of night.
|
|
|
|
_(The former morganatic spouse of Bloom is hastily removed in the Black
|
|
Maria. The princess Selene, in moonblue robes, a silver crescent on her
|
|
head, descends from a Sedan chair, borne by two giants. An outburst of
|
|
cheering.)_
|
|
|
|
JOHN HOWARD PARNELL: _(Raises the royal standard)_ Illustrious Bloom!
|
|
Successor to my famous brother!
|
|
|
|
BLOOM: _(Embraces John Howard Parnell)_ We thank you from our heart,
|
|
John, for this right royal welcome to green Erin, the promised land of
|
|
our common ancestors.
|
|
|
|
_(The freedom of the city is presented to him embodied in a charter. The
|
|
keys of Dublin, crossed on a crimson cushion, are given to him. He shows
|
|
all that he is wearing green socks.)_
|
|
|
|
TOM KERNAN: You deserve it, your honour.
|
|
|
|
BLOOM: On this day twenty years ago we overcame the hereditary enemy at
|
|
Ladysmith. Our howitzers and camel swivel guns played on his lines with
|
|
telling effect. Half a league onward! They charge! All is lost now! Do
|
|
we yield? No! We drive them headlong! Lo! We charge! Deploying to the
|
|
left our light horse swept across the heights of Plevna and, uttering
|
|
their warcry _Bonafide Sabaoth_, sabred the Saracen gunners to a man.
|
|
|
|
THE CHAPEL OF FREEMAN TYPESETTERS: Hear! Hear!
|
|
|
|
JOHN WYSE NOLAN: There's the man that got away James Stephens.
|
|
|
|
A BLUECOAT SCHOOLBOY: Bravo!
|
|
|
|
AN OLD RESIDENT: You're a credit to your country, sir, that's what you
|
|
are.
|
|
|
|
AN APPLEWOMAN: He's a man like Ireland wants.
|
|
|
|
BLOOM: My beloved subjects, a new era is about to dawn. I, Bloom, tell
|
|
you verily it is even now at hand. Yea, on the word of a Bloom, ye shall
|
|
ere long enter into the golden city which is to be, the new Bloomusalem
|
|
in the Nova Hibernia of the future.
|
|
|
|
_(Thirtytwo workmen, wearing rosettes, from all the counties of Ireland,
|
|
under the guidance of Derwan the builder, construct the new Bloomusalem.
|
|
It is a colossal edifice with crystal roof, built in the shape of a
|
|
huge pork kidney, containing forty thousand rooms. In the course of its
|
|
extension several buildings and monuments are demolished. Government
|
|
offices are temporarily transferred to railway sheds. Numerous houses
|
|
are razed to the ground. The inhabitants are lodged in barrels and
|
|
boxes, all marked in red with the letters: L. B. several paupers
|
|
fill from a ladder. A part of the walls of Dublin, crowded with loyal
|
|
sightseers, collapses.)_
|
|
|
|
THE SIGHTSEERS: _(Dying) Morituri te salutant. (They die)_
|
|
|
|
_(A man in a brown macintosh springs up through a trapdoor. He points an
|
|
elongated finger at Bloom.)_
|
|
|
|
THE MAN IN THE MACINTOSH: Don't you believe a word he says. That man is
|
|
Leopold M'Intosh, the notorious fireraiser. His real name is Higgins.
|
|
|
|
BLOOM: Shoot him! Dog of a christian! So much for M'Intosh!
|
|
|
|
_(A cannonshot. The man in the macintosh disappears. Bloom with his
|
|
sceptre strikes down poppies. The instantaneous deaths of many
|
|
powerful enemies, graziers, members of parliament, members of standing
|
|
committees, are reported. Bloom's bodyguard distribute Maundy money,
|
|
commemoration medals, loaves and fishes, temperance badges, expensive
|
|
Henry Clay cigars, free cowbones for soup, rubber preservatives in
|
|
sealed envelopes tied with gold thread, butter scotch, pineapple rock,_
|
|
billets doux _in the form of cocked hats, readymade suits, porringers
|
|
of toad in the hole, bottles of Jeyes' Fluid, purchase stamps, 40 days'
|
|
indulgences, spurious coins, dairyfed pork sausages, theatre passes,
|
|
season tickets available for all tramlines, coupons of the royal and
|
|
privileged Hungarian lottery, penny dinner counters, cheap reprints of
|
|
the World's Twelve Worst Books: Froggy And Fritz (politic), Care of the
|
|
Baby (infantilic), 50 Meals for 7/6 (culinic), Was Jesus a Sun Myth?
|
|
(historic), Expel that Pain (medic), Infant's Compendium of the
|
|
Universe (cosmic), Let's All Chortle (hilaric), Canvasser's Vade Mecum
|
|
(journalic), Loveletters of Mother Assistant (erotic), Who's Who in
|
|
Space (astric), Songs that Reached Our Heart (melodic), Pennywise's Way
|
|
to Wealth (parsimonic). A general rush and scramble. Women press forward
|
|
to touch the hem of Bloom's robe. The Lady Gwendolen Dubedat bursts
|
|
through the throng, leaps on his horse and kisses him on both cheeks
|
|
amid great acclamation. A magnesium flashlight photograph is taken.
|
|
Babes and sucklings are held up.)_
|
|
|
|
THE WOMEN: Little father! Little father!
|
|
|
|
THE BABES AND SUCKLINGS:
|
|
|
|
Clap clap hands till Poldy comes home,
|
|
Cakes in his pocket for Leo alone.
|
|
|
|
|
|
_(Bloom, bending down, pokes Baby Boardman gently in the stomach.)_
|
|
|
|
BABY BOARDMAN: _(Hiccups, curdled milk flowing from his mouth)_
|
|
Hajajaja.
|
|
|
|
BLOOM: _(Shaking hands with a blind stripling)_ My more than Brother!
|
|
_(Placing his arms round the shoulders of an old couple)_ Dear old
|
|
friends! _(He plays pussy fourcorners with ragged boys and girls)_
|
|
Peep! Bopeep! _(He wheels twins in a perambulator)_ Ticktacktwo
|
|
wouldyousetashoe? _(He performs juggler's tricks, draws red, orange,
|
|
yellow, green, blue, indigo and violet silk handkerchiefs from his
|
|
mouth)_ Roygbiv. 32 feet per second. _(He consoles a widow)_ Absence
|
|
makes the heart grow younger. _(He dances the Highland fling with
|
|
grotesque antics)_ Leg it, ye devils! _(He kisses the bedsores of a
|
|
palsied veteran_) Honourable wounds! _(He trips up a fit policeman)_
|
|
U. p: up. U. p: up. _(He whispers in the ear of a blushing waitress and
|
|
laughs kindly)_ Ah, naughty, naughty! _(He eats a raw turnip offered
|
|
him by Maurice Butterly, farmer)_ Fine! Splendid! _(He refuses to
|
|
accept three shillings offered him by Joseph Hynes, journalist)_ My dear
|
|
fellow, not at all! (He gives his coat to a beggar) Please accept. _(He
|
|
takes part in a stomach race with elderly male and female cripples)_
|
|
Come on, boys! Wriggle it, girls!
|
|
|
|
THE CITIZEN: _(Choked with emotion, brushes aside a tear in his emerald
|
|
muffler)_ May the good God bless him!
|
|
|
|
_(The rams' horns sound for silence. The standard of Zion is hoisted.)_
|
|
|
|
BLOOM: _(Uncloaks impressively, revealing obesity, unrolls a paper and
|
|
reads solemnly)_ Aleph Beth Ghimel Daleth Hagadah Tephilim Kosher Yom
|
|
Kippur Hanukah Roschaschana Beni Brith Bar Mitzvah Mazzoth Askenazim
|
|
Meshuggah Talith.
|
|
|
|
_(An official translation is read by Jimmy Henry, assistant town
|
|
clerk.)_
|
|
|
|
JIMMY HENRY: The Court of Conscience is now open. His Most Catholic
|
|
Majesty will now administer open air justice. Free medical and legal
|
|
advice, solution of doubles and other problems. All cordially invited.
|
|
Given at this our loyal city of Dublin in the year I of the Paradisiacal
|
|
Era.
|
|
|
|
PADDY LEONARD: What am I to do about my rates and taxes?
|
|
|
|
BLOOM: Pay them, my friend.
|
|
|
|
PADDY LEONARD: Thank you.
|
|
|
|
NOSEY FLYNN: Can I raise a mortgage on my fire insurance?
|
|
|
|
BLOOM: _(Obdurately)_ Sirs, take notice that by the law of torts you are
|
|
bound over in your own recognisances for six months in the sum of five
|
|
pounds.
|
|
|
|
J. J. O'MOLLOY: A Daniel did I say? Nay! A Peter O'Brien!
|
|
|
|
NOSEY FLYNN: Where do I draw the five pounds?
|
|
|
|
PISSER BURKE: For bladder trouble?
|
|
|
|
BLOOM:
|
|
|
|
_Acid. nit. hydrochlor. dil.,_ 20 minims
|
|
_Tinct. nux vom.,_ 5 minims
|
|
_Extr. taraxel. iiq.,_ 30 minims.
|
|
_Aq. dis. ter in die._
|
|
|
|
CHRIS CALLINAN: What is the parallax of the subsolar ecliptic of
|
|
Aldebaran?
|
|
|
|
BLOOM: Pleased to hear from you, Chris. K. II.
|
|
|
|
JOE HYNES: Why aren't you in uniform?
|
|
|
|
BLOOM: When my progenitor of sainted memory wore the uniform of the
|
|
Austrian despot in a dank prison where was yours?
|
|
|
|
BEN DOLLARD: Pansies?
|
|
|
|
BLOOM: Embellish (beautify) suburban gardens.
|
|
|
|
BEN DOLLARD: When twins arrive?
|
|
|
|
BLOOM: Father (pater, dad) starts thinking.
|
|
|
|
LARRY O'ROURKE: An eightday licence for my new premises. You remember
|
|
me, sir Leo, when you were in number seven. I'm sending around a dozen
|
|
of stout for the missus.
|
|
|
|
BLOOM: _(Coldly)_ You have the advantage of me. Lady Bloom accepts no
|
|
presents.
|
|
|
|
CROFTON: This is indeed a festivity.
|
|
|
|
BLOOM: _(Solemnly)_ You call it a festivity. I call it a sacrament.
|
|
|
|
ALEXANDER KEYES: When will we have our own house of keys?
|
|
|
|
BLOOM: I stand for the reform of municipal morals and the plain ten
|
|
commandments. New worlds for old. Union of all, jew, moslem and gentile.
|
|
Three acres and a cow for all children of nature. Saloon motor hearses.
|
|
Compulsory manual labour for all. All parks open to the public day and
|
|
night. Electric dishscrubbers. Tuberculosis, lunacy, war and mendicancy
|
|
must now cease. General amnesty, weekly carnival with masked licence,
|
|
bonuses for all, esperanto the universal language with universal
|
|
brotherhood. No more patriotism of barspongers and dropsical impostors.
|
|
Free money, free rent, free love and a free lay church in a free lay
|
|
state.
|
|
|
|
O'MADDEN BURKE: Free fox in a free henroost.
|
|
|
|
DAVY BYRNE: _(Yawning)_ Iiiiiiiiiaaaaaaach!
|
|
|
|
BLOOM: Mixed races and mixed marriage.
|
|
|
|
LENEHAN: What about mixed bathing?
|
|
|
|
_(bloom explains to those near him his schemes for social regeneration.
|
|
All agree with him. The keeper of the Kildare Street Museum appears,
|
|
dragging a lorry on which are the shaking statues of several naked
|
|
goddesses, Venus Callipyge, Venus Pandemos, Venus Metempsychosis, and
|
|
plaster figures, also naked, representing the new nine muses, Commerce,
|
|
Operatic Music, Amor, Publicity, Manufacture, Liberty of Speech, Plural
|
|
Voting, Gastronomy, Private Hygiene, Seaside Concert Entertainments,
|
|
Painless Obstetrics and Astronomy for the People.)_
|
|
|
|
FATHER FARLEY: He is an episcopalian, an agnostic, an anythingarian
|
|
seeking to overthrow our holy faith.
|
|
|
|
MRS RIORDAN: _(Tears up her will)_ I'm disappointed in you! You bad man!
|
|
|
|
MOTHER GROGAN: _(Removes her boot to throw it at Bloom)_ You beast! You
|
|
abominable person!
|
|
|
|
NOSEY FLYNN: Give us a tune, Bloom. One of the old sweet songs.
|
|
|
|
BLOOM: _(With rollicking humour)_
|
|
|
|
I vowed that I never would leave her,
|
|
She turned out a cruel deceiver.
|
|
With my tooraloom tooraloom tooraloom tooraloom.
|
|
|
|
HOPPY HOLOHAN: Good old Bloom! There's nobody like him after all.
|
|
|
|
PADDY LEONARD: Stage Irishman!
|
|
|
|
BLOOM: What railway opera is like a tramline in Gibraltar? The Rows of
|
|
Casteele._(Laughter.)_
|
|
|
|
LENEHAN: Plagiarist! Down with Bloom!
|
|
|
|
THE VEILED SIBYL: _(Enthusiastically)_ I'm a Bloomite and I glory in it.
|
|
I believe in him in spite of all. I'd give my life for him, the funniest
|
|
man on earth.
|
|
|
|
BLOOM: _(Winks at the bystanders)_ I bet she's a bonny lassie.
|
|
|
|
THEODORE PUREFOY: _(In fishingcap and oilskin jacket)_ He employs a
|
|
mechanical device to frustrate the sacred ends of nature.
|
|
|
|
THE VEILED SIBYL: _(Stabs herself)_ My hero god! _(She dies)_
|
|
|
|
_(Many most attractive and enthusiastic women also commit suicide by
|
|
stabbing, drowning, drinking prussic acid, aconite, arsenic, opening
|
|
their veins, refusing food, casting themselves under steamrollers, from
|
|
the top of Nelson's Pillar, into the great vat of Guinness's brewery,
|
|
asphyxiating themselves by placing their heads in gasovens, hanging
|
|
themselves in stylish garters, leaping from windows of different
|
|
storeys.)_
|
|
|
|
ALEXANDER J DOWIE: _(Violently)_ Fellowchristians and antiBloomites, the
|
|
man called Bloom is from the roots of hell, a disgrace to christian
|
|
men. A fiendish libertine from his earliest years this stinking goat
|
|
of Mendes gave precocious signs of infantile debauchery, recalling the
|
|
cities of the plain, with a dissolute granddam. This vile hypocrite,
|
|
bronzed with infamy, is the white bull mentioned in the Apocalypse.
|
|
A worshipper of the Scarlet Woman, intrigue is the very breath of his
|
|
nostrils. The stake faggots and the caldron of boiling oil are for him.
|
|
Caliban!
|
|
|
|
THE MOB: Lynch him! Roast him! He's as bad as Parnell was. Mr Fox!
|
|
|
|
_(Mother Grogan throws her boot at Bloom. Several shopkeepers from upper
|
|
and lower Dorset street throw objects of little or no commercial value,
|
|
hambones, condensed milk tins, unsaleable cabbage, stale bread, sheep's
|
|
tails, odd pieces of fat.)_
|
|
|
|
BLOOM: _(Excitedly)_ This is midsummer madness, some ghastly joke again.
|
|
By heaven, I am guiltless as the unsunned snow! It was my brother Henry.
|
|
He is my double. He lives in number 2 Dolphin's Barn. Slander, the
|
|
viper, has wrongfully accused me. Fellowcountrymen, _sgenl inn ban bata
|
|
coisde gan capall._ I call on my old friend, Dr Malachi Mulligan, sex
|
|
specialist, to give medical testimony on my behalf.
|
|
|
|
DR MULLIGAN: _(In motor jerkin, green motorgoggles on his brow)_ Dr
|
|
Bloom is bisexually abnormal. He has recently escaped from Dr Eustace's
|
|
private asylum for demented gentlemen. Born out of bedlock hereditary
|
|
epilepsy is present, the consequence of unbridled lust. Traces of
|
|
elephantiasis have been discovered among his ascendants. There are
|
|
marked symptoms of chronic exhibitionism. Ambidexterity is also
|
|
latent. He is prematurely bald from selfabuse, perversely idealistic in
|
|
consequence, a reformed rake, and has metal teeth. In consequence of a
|
|
family complex he has temporarily lost his memory and I believe him
|
|
to be more sinned against than sinning. I have made a pervaginal
|
|
examination and, after application of the acid test to 5427 anal,
|
|
axillary, pectoral and pubic hairs, I declare him to be _virgo intacta._
|
|
|
|
_(Bloom holds his high grade hat over his genital organs.)_
|
|
|
|
DR MADDEN: Hypsospadia is also marked. In the interest of coming
|
|
generations I suggest that the parts affected should be preserved in
|
|
spirits of wine in the national teratological museum.
|
|
|
|
DR CROTTHERS: I have examined the patient's urine. It is albuminoid.
|
|
Salivation is insufficient, the patellar reflex intermittent.
|
|
|
|
DR PUNCH COSTELLO: The _fetor judaicus_ is most perceptible.
|
|
|
|
DR DIXON: _(Reads a bill of health)_ Professor Bloom is a finished
|
|
example of the new womanly man. His moral nature is simple and lovable.
|
|
Many have found him a dear man, a dear person. He is a rather quaint
|
|
fellow on the whole, coy though not feebleminded in the medical sense.
|
|
He has written a really beautiful letter, a poem in itself, to the court
|
|
missionary of the Reformed Priests' Protection Society which clears up
|
|
everything. He is practically a total abstainer and I can affirm that
|
|
he sleeps on a straw litter and eats the most Spartan food, cold dried
|
|
grocer's peas. He wears a hairshirt of pure Irish manufacture winter and
|
|
summer and scourges himself every Saturday. He was, I understand, at one
|
|
time a firstclass misdemeanant in Glencree reformatory. Another report
|
|
states that he was a very posthumous child. I appeal for clemency in the
|
|
name of the most sacred word our vocal organs have ever been called upon
|
|
to speak. He is about to have a baby.
|
|
|
|
_(General commotion and compassion. Women faint. A wealthy American
|
|
makes a street collection for Bloom. Gold and silver coins, blank
|
|
cheques, banknotes, jewels, treasury bonds, maturing bills of exchange,
|
|
I. O. U's, wedding rings, watchchains, lockets, necklaces and bracelets
|
|
are rapidly collected.)_
|
|
|
|
BLOOM: O, I so want to be a mother.
|
|
|
|
MRS THORNTON: _(In nursetender's gown)_ Embrace me tight, dear. You'll
|
|
be soon over it. Tight, dear.
|
|
|
|
_(Bloom embraces her tightly and bears eight male yellow and white
|
|
children. They appear on a redcarpeted staircase adorned with expensive
|
|
plants. All the octuplets are handsome, with valuable metallic faces,
|
|
wellmade, respectably dressed and wellconducted, speaking five modern
|
|
languages fluently and interested in various arts and sciences. Each
|
|
has his name printed in legible letters on his shirtfront: Nasodoro,
|
|
Goldfinger, Chrysostomos, Maindoree, Silversmile, Silberselber,
|
|
Vifargent, Panargyros. They are immediately appointed to positions of
|
|
high public trust in several different countries as managing directors
|
|
of banks, traffic managers of railways, chairmen of limited liability
|
|
companies, vicechairmen of hotel syndicates.)_
|
|
|
|
A VOICE: Bloom, are you the Messiah ben Joseph or ben David?
|
|
|
|
BLOOM: _(Darkly)_ You have said it.
|
|
|
|
BROTHER BUZZ: Then perform a miracle like Father Charles.
|
|
|
|
BANTAM LYONS: Prophesy who will win the Saint Leger.
|
|
|
|
_(Bloom walks on a net, covers his left eye with his left ear, passes
|
|
through several walls, climbs Nelson's Pillar, hangs from the top ledge
|
|
by his eyelids, eats twelve dozen oysters (shells included), heals
|
|
several sufferers from king's evil, contracts his face so as to resemble
|
|
many historical personages, Lord Beaconsfield, Lord Byron, Wat Tyler,
|
|
Moses of Egypt, Moses Maimonides, Moses Mendelssohn, Henry Irving, Rip
|
|
van Winkle, Kossuth, Jean Jacques Rousseau, Baron Leopold Rothschild,
|
|
Robinson Crusoe, Sherlock Holmes, Pasteur, turns each foot
|
|
simultaneously in different directions, bids the tide turn back,
|
|
eclipses the sun by extending his little finger.)_
|
|
|
|
BRINI, PAPAL NUNCIO: _(In papal zouave's uniform, steel cuirasses as
|
|
breastplate, armplates, thighplates, legplates, large profane moustaches
|
|
and brown paper mitre) Leopoldi autem generatio._ Moses begat Noah
|
|
and Noah begat Eunuch and Eunuch begat O'Halloran and O'Halloran begat
|
|
Guggenheim and Guggenheim begat Agendath and Agendath begat Netaim and
|
|
Netaim begat Le Hirsch and Le Hirsch begat Jesurum and Jesurum begat
|
|
MacKay and MacKay begat Ostrolopsky and Ostrolopsky begat Smerdoz
|
|
and Smerdoz begat Weiss and Weiss begat Schwarz and Schwarz begat
|
|
Adrianopoli and Adrianopoli begat Aranjuez and Aranjuez begat Lewy
|
|
Lawson and Lewy Lawson begat Ichabudonosor and Ichabudonosor begat
|
|
O'Donnell Magnus and O'Donnell Magnus begat Christbaum and Christbaum
|
|
begat ben Maimun and ben Maimun begat Dusty Rhodes and Dusty Rhodes
|
|
begat Benamor and Benamor begat Jones-Smith and Jones-Smith begat
|
|
Savorgnanovich and Savorgnanovich begat Jasperstone and Jasperstone
|
|
begat Vingtetunieme and Vingtetunieme begat Szombathely and Szombathely
|
|
begat Virag and Virag begat Bloom _et vocabitur nomen eius Emmanuel._
|
|
|
|
A DEADHAND: _(Writes on the wall)_ Bloom is a cod.
|
|
|
|
CRAB: _(In bushranger's kit)_ What did you do in the cattlecreep behind
|
|
Kilbarrack?
|
|
|
|
A FEMALE INFANT: _(Shakes a rattle)_ And under Ballybough bridge?
|
|
|
|
A HOLLYBUSH: And in the devil's glen?
|
|
|
|
BLOOM: _(Blushes furiously all over from frons to nates, three tears
|
|
filling from his left eye)_ Spare my past.
|
|
|
|
THE IRISH EVICTED TENANTS: _(In bodycoats, kneebreeches, with Donnybrook
|
|
fair shillelaghs)_ Sjambok him!
|
|
|
|
_(Bloom with asses' ears seats himself in the pillory with crossed arms,
|
|
his feet protruding. He whistles_ Don Giovanni, a cenar teco. _Artane
|
|
orphans, joining hands, caper round him. Girls of the Prison Gate
|
|
Mission, joining hands, caper round in the opposite direction.)_
|
|
|
|
THE ARTANE ORPHANS:
|
|
|
|
You hig, you hog, you dirty dog!
|
|
You think the ladies love you!
|
|
THE PRISON GATE GIRLS:
|
|
|
|
|
|
If you see Kay
|
|
Tell him he may
|
|
See you in tea
|
|
Tell him from me.
|
|
|
|
HORNBLOWER: _(In ephod and huntingcap, announces)_ And he shall carry
|
|
the sins of the people to Azazel, the spirit which is in the wilderness,
|
|
and to Lilith, the nighthag. And they shall stone him and defile him,
|
|
yea, all from Agendath Netaim and from Mizraim, the land of Ham.
|
|
|
|
_(All the people cast soft pantomime stones at Bloom. Many bonafide
|
|
travellers and ownerless dogs come near him and defile him. Mastiansky
|
|
and Citron approach in gaberdines, wearing long earlocks. They wag their
|
|
beards at Bloom.)_
|
|
|
|
MASTIANSKY AND CITRON: Belial! Laemlein of Istria, the false Messiah!
|
|
Abulafia! Recant!
|
|
|
|
_(George R Mesias, Bloom's tailor, appears, a tailor's goose under his
|
|
arm, presenting a bill)_
|
|
|
|
MESIAS: To alteration one pair trousers eleven shillings.
|
|
|
|
BLOOM: _(Rubs his hands cheerfully)_ Just like old times. Poor Bloom!
|
|
|
|
_(Reuben J Dodd, blackbearded iscariot, bad shepherd, bearing on his
|
|
shoulders the drowned corpse of his son, approaches the pillory.)_
|
|
|
|
REUBEN J: _(Whispers hoarsely)_ The squeak is out. A split is gone for
|
|
the flatties. Nip the first rattler.
|
|
|
|
THE FIRE BRIGADE: Pflaap!
|
|
|
|
BROTHER BUZZ: _(Invests Bloom in a yellow habit with embroidery of
|
|
painted flames and high pointed hat. He places a bag of gunpowder round
|
|
his neck and hands him over to the civil power, saying)_ Forgive him his
|
|
trespasses.
|
|
|
|
_(Lieutenant Myers of the Dublin Fire Brigade by general request sets
|
|
fire to Bloom. Lamentations.)_
|
|
|
|
THE CITIZEN: Thank heaven!
|
|
|
|
BLOOM: _(In a seamless garment marked I. H. S. stands upright amid
|
|
phoenix flames)_ Weep not for me, O daughters of Erin.
|
|
|
|
_(He exhibits to Dublin reporters traces of burning. The daughters of
|
|
Erin, in black garments, with large prayerbooks and long lighted candles
|
|
in their hands, kneel down and pray.)_
|
|
|
|
THE DAUGHTERS OF ERIN:
|
|
|
|
Kidney of Bloom, pray for us
|
|
Flower of the Bath, pray for us
|
|
Mentor of Menton, pray for us
|
|
Canvasser for the Freeman, pray for us
|
|
Charitable Mason, pray for us
|
|
Wandering Soap, pray for us
|
|
Sweets of Sin, pray for us
|
|
Music without Words, pray for us
|
|
Reprover of the Citizen, pray for us
|
|
Friend of all Frillies, pray for us
|
|
Midwife Most Merciful, pray for us
|
|
Potato Preservative against Plague and Pestilence, pray for us.
|
|
|
|
_(A choir of six hundred voices, conducted by Vincent O'brien, sings
|
|
the chorus from Handel's Messiah alleluia for the lord god omnipotent
|
|
reigneth, accompanied on the organ by Joseph Glynn. Bloom becomes mute,
|
|
shrunken, carbonised.)_
|
|
|
|
|
|
ZOE: Talk away till you're black in the face.
|
|
|
|
BLOOM: _(In caubeen with clay pipe stuck in the band, dusty brogues, an
|
|
emigrant's red handkerchief bundle in his hand, leading a black bogoak
|
|
pig by a sugaun, with a smile in his eye)_ Let me be going now, woman of
|
|
the house, for by all the goats in Connemara I'm after having the
|
|
father and mother of a bating. _(With a tear in his eye)_ All insanity.
|
|
Patriotism, sorrow for the dead, music, future of the race. To be or not
|
|
to be. Life's dream is o'er. End it peacefully. They can live on. _(He
|
|
gazes far away mournfully)_ I am ruined. A few pastilles of aconite. The
|
|
blinds drawn. A letter. Then lie back to rest. _(He breathes softly)_ No
|
|
more. I have lived. Fare. Farewell.
|
|
|
|
ZOE: _(Stiffly, her finger in her neckfillet)_ Honest? Till the next
|
|
time. _(She sneers)_ Suppose you got up the wrong side of the bed or
|
|
came too quick with your best girl. O, I can read your thoughts!
|
|
|
|
BLOOM: _(Bitterly)_ Man and woman, love, what is it? A cork and bottle.
|
|
I'm sick of it. Let everything rip.
|
|
|
|
ZOE: _(In sudden sulks)_ I hate a rotter that's insincere. Give a
|
|
bleeding whore a chance.
|
|
|
|
BLOOM: _(Repentantly)_ I am very disagreeable. You are a necessary evil.
|
|
Where are you from? London?
|
|
|
|
ZOE: _(Glibly)_ Hog's Norton where the pigs plays the organs. I'm
|
|
Yorkshire born. _(She holds his hand which is feeling for her nipple)_
|
|
I say, Tommy Tittlemouse. Stop that and begin worse. Have you cash for a
|
|
short time? Ten shillings?
|
|
|
|
BLOOM: _(Smiles, nods slowly)_ More, houri, more.
|
|
|
|
ZOE: And more's mother? _(She pats him offhandedly with velvet paws)_
|
|
Are you coming into the musicroom to see our new pianola? Come and I'll
|
|
peel off.
|
|
|
|
BLOOM: _(Feeling his occiput dubiously with the unparalleled
|
|
embarrassment of a harassed pedlar gauging the symmetry of her peeled
|
|
pears)_ Somebody would be dreadfully jealous if she knew. The greeneyed
|
|
monster. _(Earnestly)_ You know how difficult it is. I needn't tell you.
|
|
|
|
ZOE: _(Flattered)_ What the eye can't see the heart can't grieve for.
|
|
_(She pats him)_ Come.
|
|
|
|
BLOOM: Laughing witch! The hand that rocks the cradle.
|
|
|
|
ZOE: Babby!
|
|
|
|
BLOOM: _(In babylinen and pelisse, bigheaded, with a caul of dark hair,
|
|
fixes big eyes on her fluid slip and counts its bronze buckles with a
|
|
chubby finger, his moist tongue lolling and lisping)_ One two tlee: tlee
|
|
tlwo tlone.
|
|
|
|
THE BUCKLES: Love me. Love me not. Love me.
|
|
|
|
ZOE: Silent means consent. _(With little parted talons she captures his
|
|
hand, her forefinger giving to his palm the passtouch of secret monitor,
|
|
luring him to doom.)_ Hot hands cold gizzard.
|
|
|
|
_(He hesitates amid scents, music, temptations. She leads him towards
|
|
the steps, drawing him by the odour of her armpits, the vice of her
|
|
painted eyes, the rustle of her slip in whose sinuous folds lurks the
|
|
lion reek of all the male brutes that have possessed her.)_
|
|
|
|
THE MALE BRUTES: _(Exhaling sulphur of rut and dung and ramping in their
|
|
loosebox, faintly roaring, their drugged heads swaying to and fro)_
|
|
Good!
|
|
|
|
_(Zoe and Bloom reach the doorway where two sister whores are seated.
|
|
They examine him curiously from under their pencilled brows and smile to
|
|
his hasty bow. He trips awkwardly.)_
|
|
|
|
ZOE: _(Her lucky hand instantly saving him)_ Hoopsa! Don't fall
|
|
upstairs.
|
|
|
|
BLOOM: The just man falls seven times. _(He stands aside at the
|
|
threshold)_ After you is good manners.
|
|
|
|
ZOE: Ladies first, gentlemen after.
|
|
|
|
_(She crosses the threshold. He hesitates. She turns and, holding out
|
|
her hands, draws him over. He hops. On the antlered rack of the hall
|
|
hang a man 's hat and waterproof. Bloom uncovers himself but, seeing
|
|
them, frowns, then smiles, preoccupied. A door on the return landing is
|
|
flung open. A man in purple shirt and grey trousers, brownsocked, passes
|
|
with an ape's gait, his bald head and goatee beard upheld, hugging a
|
|
full waterjugjar, his twotailed black braces dangling at heels. Averting
|
|
his face quickly Bloom bends to examine on the halltable the spaniel
|
|
eyes of a running fox: then, his lifted head sniffing, follows Zoe
|
|
into the musicroom. A shade of mauve tissuepaper dims the light of the
|
|
chandelier. Round and round a moth flies, colliding, escaping. The
|
|
floor is covered with an oilcloth mosaic of jade and azure and cinnabar
|
|
rhomboids. Footmarks are stamped over it in all senses, heel to heel,
|
|
heel to hollow, toe to toe, feet locked, a morris of shuffling feet
|
|
without body phantoms, all in a scrimmage higgledypiggledy. The walls
|
|
are tapestried with a paper of yewfronds and clear glades. In the grate
|
|
is spread a screen of peacock feathers. Lynch squats crosslegged on
|
|
the hearthrug of matted hair, his cap back to the front. With a wand he
|
|
beats time slowly. Kitty Ricketts, a bony pallid whore in navy costume,
|
|
doeskin gloves rolled back from a coral wristlet, a chain purse in
|
|
her hand, sits perched on the edge of the table swinging her leg and
|
|
glancing at herself in the gilt mirror over the mantelpiece. A tag
|
|
of her corsetlace hangs slightly below her jacket. Lynch indicates
|
|
mockingly the couple at the piano.)_
|
|
|
|
KITTY: _(Coughs behind her hand)_ She's a bit imbecillic. _(She signs
|
|
with a waggling forefinger)_ Blemblem. _(Lynch lifts up her skirt and
|
|
white petticoat with his wand she settles them down quickly.)_ Respect
|
|
yourself. _(She hiccups, then bends quickly her sailor hat under which
|
|
her hair glows, red with henna)_ O, excuse!
|
|
|
|
ZOE: More limelight, Charley. _(She goes to the chandelier and turns the
|
|
gas full cock)_
|
|
|
|
KITTY: _(Peers at the gasjet)_ What ails it tonight?
|
|
|
|
LYNCH: _(Deeply)_ Enter a ghost and hobgoblins.
|
|
|
|
ZOE: Clap on the back for Zoe.
|
|
|
|
_(The wand in Lynch's hand flashes: a brass poker. Stephen stands at
|
|
the pianola on which sprawl his hat and ashplant. With two fingers he
|
|
repeats once more the series of empty fifths. Florry Talbot, a blond
|
|
feeble goosefat whore in a tatterdemalion gown of mildewed strawberry,
|
|
lolls spreadeagle in the sofacorner, her limp forearm pendent over the
|
|
bolster, listening. A heavy stye droops over her sleepy eyelid.)_
|
|
|
|
KITTY: _(Hiccups again with a kick of her horsed foot)_ O, excuse!
|
|
|
|
ZOE: _(Promptly)_ Your boy's thinking of you. Tie a knot on your shift.
|
|
|
|
_(Kitty Ricketts bends her head. Her boa uncoils, slides, glides over
|
|
her shoulder, back, arm, chair to the ground. Lynch lifts the curled
|
|
caterpillar on his wand. She snakes her neck, nestling. Stephen glances
|
|
behind at the squatted figure with its cap back to the front.)_
|
|
|
|
STEPHEN: As a matter of fact it is of no importance whether Benedetto
|
|
Marcello found it or made it. The rite is the poet's rest. It may be an
|
|
old hymn to Demeter or also illustrate _Coela enarrant gloriam Domini._
|
|
It is susceptible of nodes or modes as far apart as hyperphrygian and
|
|
mixolydian and of texts so divergent as priests haihooping round David's
|
|
that is Circe's or what am I saying Ceres' altar and David's tip
|
|
from the stable to his chief bassoonist about the alrightness of his
|
|
almightiness. _Mais nom de nom,_ that is another pair of trousers.
|
|
_Jetez la gourme. Faut que jeunesse se passe. (He stops, points at
|
|
Lynch's cap, smiles, laughs)_ Which side is your knowledge bump?
|
|
|
|
THE CAP: _(With saturnine spleen)_ Bah! It is because it is. Woman's
|
|
reason. Jewgreek is greekjew. Extremes meet. Death is the highest form
|
|
of life. Bah!
|
|
|
|
STEPHEN: You remember fairly accurately all my errors, boasts, mistakes.
|
|
How long shall I continue to close my eyes to disloyalty? Whetstone!
|
|
|
|
THE CAP: Bah!
|
|
|
|
STEPHEN: Here's another for you. _(He frowns)_ The reason is because
|
|
the fundamental and the dominant are separated by the greatest possible
|
|
interval which...
|
|
|
|
THE CAP: Which? Finish. You can't.
|
|
|
|
STEPHEN: _(With an effort)_ Interval which. Is the greatest possible
|
|
ellipse. Consistent with. The ultimate return. The octave. Which.
|
|
|
|
THE CAP: Which?
|
|
|
|
_(Outside the gramophone begins to blare_ The Holy City.)
|
|
|
|
STEPHEN: _(Abruptly)_ What went forth to the ends of the world to
|
|
traverse not itself, God, the sun, Shakespeare, a commercial traveller,
|
|
having itself traversed in reality itself becomes that self. Wait a
|
|
moment. Wait a second. Damn that fellow's noise in the street. Self
|
|
which it itself was ineluctably preconditioned to become. _Ecco!_
|
|
|
|
LYNCH: _(With a mocking whinny of laughter grins at Bloom and Zoe
|
|
Higgins)_ What a learned speech, eh?
|
|
|
|
ZOE: _(Briskly)_ God help your head, he knows more than you have
|
|
forgotten.
|
|
|
|
_(With obese stupidity Florry Talbot regards Stephen.)_
|
|
|
|
FLORRY: They say the last day is coming this summer.
|
|
|
|
KITTY: No!
|
|
|
|
ZOE: _(Explodes in laughter)_ Great unjust God!
|
|
|
|
FLORRY: _(Offended)_ Well, it was in the papers about Antichrist. O, my
|
|
foot's tickling.
|
|
|
|
_(Ragged barefoot newsboys, jogging a wagtail kite, patter past,
|
|
yelling.)_
|
|
|
|
THE NEWSBOYS: Stop press edition. Result of the rockinghorse races. Sea
|
|
serpent in the royal canal. Safe arrival of Antichrist.
|
|
|
|
_(Stephen turns and sees Bloom.)_
|
|
|
|
STEPHEN: A time, times and half a time.
|
|
|
|
_(Reuben I Antichrist, wandering jew, a clutching hand open on his
|
|
spine, stumps forward. Across his loins is slung a pilgrim's wallet from
|
|
which protrude promissory notes and dishonoured bills. Aloft over his
|
|
shoulder he bears a long boatpole from the hook of which the sodden
|
|
huddled mass of his only son, saved from Liffey waters, hangs from
|
|
the slack of its breeches. A hobgoblin in the image of Punch Costello,
|
|
hipshot, crookbacked, hydrocephalic, prognathic with receding forehead
|
|
and Ally Sloper nose, tumbles in somersaults through the gathering
|
|
darkness.)_
|
|
|
|
ALL: What?
|
|
|
|
THE HOBGOBLIN: _(His jaws chattering, capers to and fro, goggling his
|
|
eyes, squeaking, kangaroohopping with outstretched clutching arms, then
|
|
all at once thrusts his lipless face through the fork of his thighs) Il
|
|
vient! C'est moi! L'homme qui rit! L'homme primigene! (He whirls round
|
|
and round with dervish howls) Sieurs et dames, faites vos jeux! (He
|
|
crouches juggling. Tiny roulette planets fly from his hands.) Les jeux
|
|
sont faits! (The planets rush together, uttering crepitant cracks) Rien
|
|
va plus! (The planets, buoyant balloons, sail swollen up and away. He
|
|
springs off into vacuum.)_
|
|
|
|
FLORRY: _(Sinking into torpor, crossing herself secretly)_ The end of
|
|
the world!
|
|
|
|
_(A female tepid effluvium leaks out from her. Nebulous obscurity
|
|
occupies space. Through the drifting fog without the gramophone blares
|
|
over coughs and feetshuffling.)_
|
|
|
|
THE GRAMOPHONE: Jerusalem!
|
|
|
|
Open your gates and sing
|
|
|
|
Hosanna...
|
|
|
|
_(A rocket rushes up the sky and bursts. A white star fills from it,
|
|
proclaiming the consummation of all things and second coming of Elijah.
|
|
Along an infinite invisible tightrope taut from zenith to nadir the End
|
|
of the World, a twoheaded octopus in gillie's kilts, busby and tartan
|
|
filibegs, whirls through the murk, head over heels, in the form of the
|
|
Three Legs of Man.)_
|
|
|
|
THE END OF THE WORLD: _(with a Scotch accent)_ Wha'll dance the keel
|
|
row, the keel row, the keel row?
|
|
|
|
_(Over the possing drift and choking breathcoughs, Elijah's voice, harsh
|
|
as a corncrake's, jars on high. Perspiring in a loose lawn surplice with
|
|
funnel sleeves he is seen, vergerfaced, above a rostrum about which the
|
|
banner of old glory is draped. He thumps the parapet.)_
|
|
|
|
ELIJAH: No yapping, if you please, in this booth. Jake Crane, Creole
|
|
Sue, Dove Campbell, Abe Kirschner, do your coughing with your mouths
|
|
shut. Say, I am operating all this trunk line. Boys, do it now. God's
|
|
time is 12.25. Tell mother you'll be there. Rush your order and you play
|
|
a slick ace. Join on right here. Book through to eternity junction, the
|
|
nonstop run. Just one word more. Are you a god or a doggone clod? If the
|
|
second advent came to Coney Island are we ready? Florry Christ, Stephen
|
|
Christ, Zoe Christ, Bloom Christ, Kitty Christ, Lynch Christ, it's up to
|
|
you to sense that cosmic force. Have we cold feet about the cosmos?
|
|
No. Be on the side of the angels. Be a prism. You have that something
|
|
within, the higher self. You can rub shoulders with a Jesus, a Gautama,
|
|
an Ingersoll. Are you all in this vibration? I say you are. You once
|
|
nobble that, congregation, and a buck joyride to heaven becomes a back
|
|
number. You got me? It's a lifebrightener, sure. The hottest stuff ever
|
|
was. It's the whole pie with jam in. It's just the cutest snappiest line
|
|
out. It is immense, supersumptuous. It restores. It vibrates. I know
|
|
and I am some vibrator. Joking apart and, getting down to bedrock, A.
|
|
J. Christ Dowie and the harmonial philosophy, have you got that? O. K.
|
|
Seventyseven west sixtyninth street. Got me? That's it. You call me up
|
|
by sunphone any old time. Bumboosers, save your stamps. _(He shouts)_
|
|
Now then our glory song. All join heartily in the singing. Encore! _(He
|
|
sings)_ Jeru...
|
|
|
|
THE GRAMOPHONE: _(Drowning his voice)_ Whorusalaminyourhighhohhhh...
|
|
_(The disc rasps gratingly against the needle)_
|
|
|
|
THE THREE WHORES: _(Covering their ears, squawk)_ Ahhkkk!
|
|
|
|
ELIJAH: _(In rolledup shirtsleeves, black in the face, shouts at the top
|
|
of his voice, his arms uplifted)_ Big Brother up there, Mr President,
|
|
you hear what I done just been saying to you. Certainly, I sort of
|
|
believe strong in you, Mr President. I certainly am thinking now Miss
|
|
Higgins and Miss Ricketts got religion way inside them. Certainly seems
|
|
to me I don't never see no wusser scared female than the way you been,
|
|
Miss Florry, just now as I done seed you. Mr President, you come long
|
|
and help me save our sisters dear. _(He winks at his audience)_ Our Mr
|
|
President, he twig the whole lot and he aint saying nothing.
|
|
|
|
KITTY-KATE: I forgot myself. In a weak moment I erred and did what I did
|
|
on Constitution hill. I was confirmed by the bishop and enrolled in
|
|
the brown scapular. My mother's sister married a Montmorency. It was a
|
|
working plumber was my ruination when I was pure.
|
|
|
|
ZOE-FANNY: I let him larrup it into me for the fun of it.
|
|
|
|
FLORRY-TERESA: It was in consequence of a portwine beverage on top of
|
|
Hennessy's three star. I was guilty with Whelan when he slipped into the
|
|
bed.
|
|
|
|
STEPHEN: In the beginning was the word, in the end the world without
|
|
end. Blessed be the eight beatitudes.
|
|
|
|
_(The beatitudes, Dixon, Madden, Crotthers, Costello, Lenehan, Bannon,
|
|
Mulligan and Lynch in white surgical students' gowns, four abreast,
|
|
goosestepping, tramp fist past in noisy marching)_
|
|
|
|
THE BEATITUDES: _(Incoherently)_ Beer beef battledog buybull businum
|
|
barnum buggerum bishop.
|
|
|
|
LYSTER: _(In quakergrey kneebreeches and broadbrimmed hat, says
|
|
discreetly)_ He is our friend. I need not mention names. Seek thou the
|
|
light.
|
|
|
|
_(He corantos by. Best enters in hairdresser's attire, shinily
|
|
laundered, his locks in curlpapers. He leads John Eglinton who wears a
|
|
mandarin's kimono of Nankeen yellow, lizardlettered, and a high pagoda
|
|
hat.)_
|
|
|
|
BEST: _(Smiling, lifts the hat and displays a shaven poll from the crown
|
|
of which bristles a pigtail toupee tied with an orange topknot)_ I was
|
|
just beautifying him, don't you know. A thing of beauty, don't you know,
|
|
Yeats says, or I mean, Keats says.
|
|
|
|
JOHN EGLINTON: _(Produces a greencapped dark lantern and flashes it
|
|
towards a corner: with carping accent)_ Esthetics and cosmetics are for
|
|
the boudoir. I am out for truth. Plain truth for a plain man. Tanderagee
|
|
wants the facts and means to get them.
|
|
|
|
_(In the cone of the searchlight behind the coalscuttle, ollave,
|
|
holyeyed, the bearded figure of Mananaun Maclir broods, chin on knees.
|
|
He rises slowly. A cold seawind blows from his druid mouth. About his
|
|
head writhe eels and elvers. He is encrusted with weeds and shells. His
|
|
right hand holds a bicycle pump. His left hand grasps a huge crayfish by
|
|
its two talons.)_
|
|
|
|
MANANAUN MACLIR: _(With a voice of waves)_ Aum! Hek! Wal! Ak! Lub! Mor!
|
|
Ma! White yoghin of the gods. Occult pimander of Hermes Trismegistos.
|
|
_(With a voice of whistling seawind)_ Punarjanam patsypunjaub! I won't
|
|
have my leg pulled. It has been said by one: beware the left, the cult
|
|
of Shakti. _(With a cry of stormbirds)_ Shakti Shiva, darkhidden Father!
|
|
_(He smites with his bicycle pump the crayfish in his left hand. On its
|
|
cooperative dial glow the twelve signs of the zodiac. He wails with
|
|
the vehemence of the ocean.)_ Aum! Baum! Pyjaum! I am the light of the
|
|
homestead! I am the dreamery creamery butter.
|
|
|
|
_(A skeleton judashand strangles the light. The green light wanes to
|
|
mauve. The gasjet wails whistling.)_
|
|
|
|
THE GASJET: Pooah! Pfuiiiiiii!
|
|
|
|
_(Zoe runs to the chandelier and, crooking her leg, adjusts the
|
|
mantle.)_
|
|
|
|
ZOE: Who has a fag as I'm here?
|
|
|
|
LYNCH: _(Tossing a cigarette on to the table)_ Here.
|
|
|
|
ZOE: _(Her head perched aside in mock pride)_ Is that the way to hand
|
|
the _pot_ to a lady? _(She stretches up to light the cigarette over the
|
|
flame, twirling it slowly, showing the brown tufts of her armpits. Lynch
|
|
with his poker lifts boldly a side of her slip. Bare from her garters up
|
|
her flesh appears under the sapphire a nixie's green. She puffs calmly
|
|
at her cigarette.)_ Can you see the beautyspot of my behind?
|
|
|
|
LYNCH: I'm not looking
|
|
|
|
ZOE: _(Makes sheep's eyes)_ No? You wouldn't do a less thing. Would you
|
|
suck a lemon?
|
|
|
|
_(Squinting in mock shame she glances with sidelong meaning at Bloom,
|
|
then twists round towards him, pulling her slip free of the poker. Blue
|
|
fluid again flows over her flesh. Bloom stands, smiling desirously,
|
|
twirling his thumbs. Kitty Ricketts licks her middle finger with her
|
|
spittle and, gazing in the mirror, smooths both eyebrows. Lipoti Virag,
|
|
basilicogrammate, chutes rapidly down through the chimneyflue and struts
|
|
two steps to the left on gawky pink stilts. He is sausaged into several
|
|
overcoats and wears a brown macintosh under which he holds a roll of
|
|
parchment. In his left eye flashes the monocle of Cashel Boyle O'connor
|
|
Fitzmaurice Tisdall Farrell. On his head is perched an Egyptian pshent.
|
|
Two quills project over his ears.)_
|
|
|
|
VIRAG: _(Heels together, bows)_ My name is Virag Lipoti, of Szombathely.
|
|
_(He coughs thoughtfully, drily)_ Promiscuous nakedness is much in
|
|
evidence hereabouts, eh? Inadvertently her backview revealed the fact
|
|
that she is not wearing those rather intimate garments of which you
|
|
are a particular devotee. The injection mark on the thigh I hope you
|
|
perceived? Good.
|
|
|
|
BLOOM: Granpapachi. But...
|
|
|
|
VIRAG: Number two on the other hand, she of the cherry rouge and
|
|
coiffeuse white, whose hair owes not a little to our tribal elixir of
|
|
gopherwood, is in walking costume and tightly staysed by her sit, I
|
|
should opine. Backbone in front, so to say. Correct me but I always
|
|
understood that the act so performed by skittish humans with glimpses of
|
|
lingerie appealed to you in virtue of its exhibitionististicicity. In a
|
|
word. Hippogriff. Am I right?
|
|
|
|
BLOOM: She is rather lean.
|
|
|
|
VIRAG: _(Not unpleasantly)_ Absolutely! Well observed and those pannier
|
|
pockets of the skirt and slightly pegtop effect are devised to suggest
|
|
bunchiness of hip. A new purchase at some monster sale for which a gull
|
|
has been mulcted. Meretricious finery to deceive the eye. Observe the
|
|
attention to details of dustspecks. Never put on you tomorrow what you
|
|
can wear today. Parallax! _(With a nervous twitch of his head)_ Did you
|
|
hear my brain go snap? Pollysyllabax!
|
|
|
|
BLOOM: _(An elbow resting in a hand, a forefinger against his cheek)_
|
|
She seems sad.
|
|
|
|
VIRAG: _(Cynically, his weasel teeth bared yellow, draws down his left
|
|
eye with a finger and barks hoarsely)_ Hoax! Beware of the flapper
|
|
and bogus mournful. Lily of the alley. All possess bachelor's button
|
|
discovered by Rualdus Columbus. Tumble her. Columble her. Chameleon.
|
|
_(More genially)_ Well then, permit me to draw your attention to item
|
|
number three. There is plenty of her visible to the naked eye. Observe
|
|
the mass of oxygenated vegetable matter on her skull. What ho, she
|
|
bumps! The ugly duckling of the party, longcasted and deep in keel.
|
|
|
|
BLOOM: _(Regretfully)_ When you come out without your gun.
|
|
|
|
VIRAG: We can do you all brands, mild, medium and strong. Pay your
|
|
money, take your choice. How happy could you be with either...
|
|
|
|
BLOOM: With...?
|
|
|
|
VIRAG: _(His tongue upcurling)_ Lyum! Look. Her beam is broad. She
|
|
is coated with quite a considerable layer of fat. Obviously mammal in
|
|
weight of bosom you remark that she has in front well to the fore two
|
|
protuberances of very respectable dimensions, inclined to fall in the
|
|
noonday soupplate, while on her rere lower down are two additional
|
|
protuberances, suggestive of potent rectum and tumescent for palpation,
|
|
which leave nothing to be desired save compactness. Such fleshy parts
|
|
are the product of careful nurture. When coopfattened their livers
|
|
reach an elephantine size. Pellets of new bread with fennygreek and
|
|
gumbenjamin swamped down by potions of green tea endow them during their
|
|
brief existence with natural pincushions of quite colossal blubber. That
|
|
suits your book, eh? Fleshhotpots of Egypt to hanker after. Wallow in
|
|
it. Lycopodium. _(His throat twitches)_ Slapbang! There he goes again.
|
|
|
|
BLOOM: The stye I dislike.
|
|
|
|
VIRAG: _(Arches his eyebrows)_ Contact with a goldring, they say.
|
|
_Argumentum ad feminam_, as we said in old Rome and ancient Greece
|
|
in the consulship of Diplodocus and Ichthyosauros. For the rest Eve's
|
|
sovereign remedy. Not for sale. Hire only. Huguenot. _(He twitches)_ It
|
|
is a funny sound. _(He coughs encouragingly)_ But possibly it is only a
|
|
wart. I presume you shall have remembered what I will have taught you on
|
|
that head? Wheatenmeal with honey and nutmeg.
|
|
|
|
BLOOM: _(Reflecting)_ Wheatenmeal with lycopodium and syllabax. This
|
|
searching ordeal. It has been an unusually fatiguing day, a chapter of
|
|
accidents. Wait. I mean, wartsblood spreads warts, you said...
|
|
|
|
VIRAG: _(Severely, his nose hardhumped, his side eye winking)_ Stop
|
|
twirling your thumbs and have a good old thunk. See, you have forgotten.
|
|
Exercise your mnemotechnic. _La causa e santa_. Tara. Tara. _(Aside)_ He
|
|
will surely remember.
|
|
|
|
BLOOM: Rosemary also did I understand you to say or willpower over
|
|
parasitic tissues. Then nay no I have an inkling. The touch of a
|
|
deadhand cures. Mnemo?
|
|
|
|
VIRAG: _(Excitedly)_ I say so. I say so. E'en so. Technic. _(He taps his
|
|
parchmentroll energetically)_ This book tells you how to act with all
|
|
descriptive particulars. Consult index for agitated fear of aconite,
|
|
melancholy of muriatic, priapic pulsatilla. Virag is going to talk about
|
|
amputation. Our old friend caustic. They must be starved. Snip off with
|
|
horsehair under the denned neck. But, to change the venue to the Bulgar
|
|
and the Basque, have you made up your mind whether you like or dislike
|
|
women in male habiliments? _(With a dry snigger)_ You intended to devote
|
|
an entire year to the study of the religious problem and the summer
|
|
months of 1886 to square the circle and win that million. Pomegranate!
|
|
From the sublime to the ridiculous is but a step. Pyjamas, let us say?
|
|
Or stockingette gussetted knickers, closed? Or, put we the case,
|
|
those complicated combinations, camiknickers? _(He crows derisively)_
|
|
Keekeereekee!
|
|
|
|
_(Bloom surveys uncertainly the three whores then gazes at the veiled
|
|
mauve light, hearing the everflying moth.)_
|
|
|
|
BLOOM: I wanted then to have now concluded. Nightdress was never. Hence
|
|
this. But tomorrow is a new day will be. Past was is today. What now is
|
|
will then morrow as now was be past yester.
|
|
|
|
VIRAG: _(Prompts in a pig's whisper)_ Insects of the day spend their
|
|
brief existence in reiterated coition, lured by the smell of the
|
|
inferiorly pulchritudinous fumale possessing extendified pudendal nerve
|
|
in dorsal region. Pretty Poll! _(His yellow parrotbeak gabbles nasally)_
|
|
They had a proverb in the Carpathians in or about the year five thousand
|
|
five hundred and fifty of our era. One tablespoonful of honey will
|
|
attract friend Bruin more than half a dozen barrels of first choice malt
|
|
vinegar. Bear's buzz bothers bees. But of this apart. At another time
|
|
we may resume. We were very pleased, we others. _(He coughs and, bending
|
|
his brow, rubs his nose thoughtfully with a scooping hand)_ You shall
|
|
find that these night insects follow the light. An illusion for remember
|
|
their complex unadjustable eye. For all these knotty points see the
|
|
seventeenth book of my Fundamentals of Sexology or the Love Passion
|
|
which Doctor L.B. says is the book sensation of the year. Some, to
|
|
example, there are again whose movements are automatic. Perceive. That
|
|
is his appropriate sun. Nightbird nightsun nighttown. Chase me, Charley!
|
|
_(He blows into bloom's ear)_ Buzz!
|
|
|
|
BLOOM: Bee or bluebottle too other day butting shadow on wall dazed self
|
|
then me wandered dazed down shirt good job I...
|
|
|
|
VIRAG: _(His face impassive, laughs in a rich feminine key)_ Splendid!
|
|
Spanish fly in his fly or mustard plaster on his dibble. _(He gobbles
|
|
gluttonously with turkey wattles)_ Bubbly jock! Bubbly jock! Where are
|
|
we? Open Sesame! Cometh forth! _(He unrolls his parchment rapidly and
|
|
reads, his glowworm's nose running backwards over the letters which he
|
|
claws)_ Stay, good friend. I bring thee thy answer. Redbank oysters will
|
|
shortly be upon us. I'm the best o'cook. Those succulent bivalves may
|
|
help us and the truffles of Perigord, tubers dislodged through mister
|
|
omnivorous porker, were unsurpassed in cases of nervous debility or
|
|
viragitis. Though they stink yet they sting. _(He wags his head with
|
|
cackling raillery)_ Jocular. With my eyeglass in my ocular. _(He
|
|
sneezes)_ Amen!
|
|
|
|
BLOOM: _(Absently)_ Ocularly woman's bivalve case is worse. Always open
|
|
sesame. The cloven sex. Why they fear vermin, creeping things. Yet Eve
|
|
and the serpent contradicts. Not a historical fact. Obvious analogy
|
|
to my idea. Serpents too are gluttons for woman's milk. Wind their way
|
|
through miles of omnivorous forest to sucksucculent her breast dry. Like
|
|
those bubblyjocular Roman matrons one reads of in Elephantuliasis.
|
|
|
|
VIRAG: _(His mouth projected in hard wrinkles, eyes stonily forlornly
|
|
closed, psalms in outlandish monotone)_ That the cows with their those
|
|
distended udders that they have been the the known...
|
|
|
|
BLOOM: I am going to scream. I beg your pardon. Ah? So. _(He repeats)_
|
|
Spontaneously to seek out the saurian's lair in order to entrust their
|
|
teats to his avid suction. Ant milks aphis. _(Profoundly)_ Instinct
|
|
rules the world. In life. In death.
|
|
|
|
VIRAG: _(Head askew, arches his back and hunched wingshoulders, peers
|
|
at the moth out of blear bulged eyes, points a horning claw and cries)_
|
|
Who's moth moth? Who's dear Gerald? Dear Ger, that you? O dear, he is
|
|
Gerald. O, I much fear he shall be most badly burned. Will some pleashe
|
|
pershon not now impediment so catastrophics mit agitation of firstclass
|
|
tablenumpkin? _(He mews)_ Puss puss puss puss! _(He sighs, draws back
|
|
and stares sideways down with dropping underjaw)_ Well, well. He doth
|
|
rest anon. (He snaps his jaws suddenly on the air)
|
|
|
|
THE MOTH:
|
|
|
|
I'm a tiny tiny thing
|
|
Ever flying in the spring
|
|
Round and round a ringaring.
|
|
Long ago I was a king
|
|
Now I do this kind of thing
|
|
On the wing, on the wing!
|
|
Bing!
|
|
|
|
_(He rushes against the mauve shade, flapping noisily)_ Pretty pretty
|
|
pretty pretty pretty pretty petticoats.
|
|
|
|
_(From left upper entrance with two gliding steps Henry Flower comes
|
|
forward to left front centre. He wears a dark mantle and drooping plumed
|
|
sombrero. He carries a silverstringed inlaid dulcimer and a longstemmed
|
|
bamboo Jacob's pipe, its clay bowl fashioned as a female head. He wears
|
|
dark velvet hose and silverbuckled pumps. He has the romantic Saviour's
|
|
face with flowing locks, thin beard and moustache. His spindlelegs and
|
|
sparrow feet are those of the tenor Mario, prince of Candia. He settles
|
|
down his goffered ruffs and moistens his lips with a passage of his
|
|
amorous tongue.)_
|
|
|
|
HENRY: _(In a low dulcet voice, touching the strings of his guitar)_
|
|
There is a flower that bloometh.
|
|
|
|
_(Virag truculent, his jowl set, stares at the lamp. Grave Bloom regards
|
|
Zoe's neck. Henry gallant turns with pendant dewlap to the piano.)_
|
|
|
|
STEPHEN: _(To himself)_ Play with your eyes shut. Imitate pa. Filling my
|
|
belly with husks of swine. Too much of this. I will arise and go to my.
|
|
Expect this is the. Steve, thou art in a parlous way. Must visit old
|
|
Deasy or telegraph. Our interview of this morning has left on me a deep
|
|
impression. Though our ages. Will write fully tomorrow. I'm partially
|
|
drunk, by the way. _(He touches the keys again)_ Minor chord comes now.
|
|
Yes. Not much however.
|
|
|
|
_(Almidano Artifoni holds out a batonroll of music with vigorous
|
|
moustachework.)_
|
|
|
|
ARTIFONI: _Ci rifletta. Lei rovina tutto._
|
|
|
|
FLORRY: Sing us something. Love's old sweet song.
|
|
|
|
STEPHEN: No voice. I am a most finished artist. Lynch, did I show you
|
|
the letter about the lute?
|
|
|
|
FLORRY: _(Smirking)_ The bird that can sing and won't sing.
|
|
|
|
_(The Siamese twins, Philip Drunk and Philip Sober, two Oxford dons with
|
|
lawnmowers, appear in the window embrasure. Both are masked with Matthew
|
|
Arnold's face.)_
|
|
|
|
PHILIP SOBER: Take a fool's advice. All is not well. Work it out with
|
|
the buttend of a pencil, like a good young idiot. Three pounds twelve
|
|
you got, two notes, one sovereign, two crowns, if youth but knew.
|
|
Mooney's en ville, Mooney's sur mer, the Moira, Larchet's, Holles street
|
|
hospital, Burke's. Eh? I am watching you.
|
|
|
|
PHILIP DRUNK: _(Impatiently)_ Ah, bosh, man. Go to hell! I paid my way.
|
|
If I could only find out about octaves. Reduplication of personality.
|
|
Who was it told me his name? _(His lawnmower begins to purr)_ Aha, yes.
|
|
_Zoe mou sas agapo_. Have a notion I was here before. When was it not
|
|
Atkinson his card I have somewhere. Mac Somebody. Unmack I have it. He
|
|
told me about, hold on, Swinburne, was it, no?
|
|
|
|
FLORRY: And the song?
|
|
|
|
STEPHEN: Spirit is willing but the flesh is weak.
|
|
|
|
FLORRY: Are you out of Maynooth? You're like someone I knew once.
|
|
|
|
STEPHEN: Out of it now. _(To himself)_ Clever.
|
|
|
|
PHILIP DRUNK AND PHILIP SOBER: _(Their lawnmowers purring with a
|
|
rigadoon of grasshalms)_ Clever ever. Out of it out of it. By the
|
|
bye have you the book, the thing, the ashplant? Yes, there it, yes.
|
|
Cleverever outofitnow. Keep in condition. Do like us.
|
|
|
|
ZOE: There was a priest down here two nights ago to do his bit of
|
|
business with his coat buttoned up. You needn't try to hide, I says to
|
|
him. I know you've a Roman collar.
|
|
|
|
VIRAG: Perfectly logical from his standpoint. Fall of man. _(Harshly,
|
|
his pupils waxing)_ To hell with the pope! Nothing new under the sun. I
|
|
am the Virag who disclosed the Sex Secrets of Monks and Maidens. Why
|
|
I left the church of Rome. Read the Priest, the Woman and the
|
|
Confessional. Penrose. Flipperty Jippert. _(He wriggles)_ Woman, undoing
|
|
with sweet pudor her belt of rushrope, offers her allmoist yoni to man's
|
|
lingam. Short time after man presents woman with pieces of jungle meat.
|
|
Woman shows joy and covers herself with featherskins. Man loves her yoni
|
|
fiercely with big lingam, the stiff one. _(He cries) Coactus volui._
|
|
Then giddy woman will run about. Strong man grapses woman's wrist.
|
|
Woman squeals, bites, spucks. Man, now fierce angry, strikes woman's fat
|
|
yadgana. _(He chases his tail)_ Piffpaff! Popo! _(He stops, sneezes)_
|
|
Pchp! _(He worries his butt)_ Prrrrrht!
|
|
|
|
LYNCH: I hope you gave the good father a penance. Nine glorias for
|
|
shooting a bishop.
|
|
|
|
ZOE: _(Spouts walrus smoke through her nostrils)_ He couldn't get a
|
|
connection. Only, you know, sensation. A dry rush.
|
|
|
|
BLOOM: Poor man!
|
|
|
|
ZOE: _(Lightly)_ Only for what happened him.
|
|
|
|
BLOOM: How?
|
|
|
|
VIRAG: _(A diabolic rictus of black luminosity contracting his visage,
|
|
cranes his scraggy neck forward. He lifts a mooncalf nozzle and howls.)
|
|
Verfluchte Goim!_ He had a father, forty fathers. He never existed. Pig
|
|
God! He had two left feet. He was Judas Iacchia, a Libyan eunuch, the
|
|
pope's bastard. _(He leans out on tortured forepaws, elbows bent rigid,
|
|
his eye agonising in his flat skullneck and yelps over the mute world)_
|
|
A son of a whore. Apocalypse.
|
|
|
|
KITTY: And Mary Shortall that was in the lock with the pox she got from
|
|
Jimmy Pidgeon in the blue caps had a child off him that couldn't swallow
|
|
and was smothered with the convulsions in the mattress and we all
|
|
subscribed for the funeral.
|
|
|
|
PHILIP DRUNK: _(Gravely) Qui vous a mis dans cette fichue position,
|
|
Philippe?_
|
|
|
|
PHILIP SOBER: _(Gaily) c'etait le sacre pigeon, Philippe._
|
|
|
|
_(Kitty unpins her hat and sets it down calmly, patting her henna hair.
|
|
And a prettier, a daintier head of winsome curls was never seen on a
|
|
whore's shoulders. Lynch puts on her hat. She whips it off.)_
|
|
|
|
LYNCH: _(Laughs)_ And to such delights has Metchnikoff inoculated
|
|
anthropoid apes.
|
|
|
|
FLORRY: _(Nods)_ Locomotor ataxy.
|
|
|
|
ZOE: _(Gaily)_ O, my dictionary.
|
|
|
|
LYNCH: Three wise virgins.
|
|
|
|
VIRAG: _(Agueshaken, profuse yellow spawn foaming over his bony
|
|
epileptic lips)_ She sold lovephiltres, whitewax, orangeflower. Panther,
|
|
the Roman centurion, polluted her with his genitories. _(He sticks out
|
|
a flickering phosphorescent scorpion tongue, his hand on his fork)_
|
|
Messiah! He burst her tympanum. _(With gibbering baboon's cries he jerks
|
|
his hips in the cynical spasm)_ Hik! Hek! Hak! Hok! Huk! Kok! Kuk!
|
|
|
|
_(Ben Jumbo Dollard, Rubicund, musclebound, hairynostrilled,
|
|
hugebearded, cabbageeared, shaggychested, shockmaned, fat-papped, stands
|
|
forth, his loins and genitals tightened into a pair of black bathing
|
|
bagslops.)_
|
|
|
|
BEN DOLLARD: _(Nakkering castanet bones in his huge padded paws, yodels
|
|
jovially in base barreltone)_ When love absorbs my ardent soul.
|
|
|
|
_(The virgins Nurse Callan and Nurse Quigley burst through the
|
|
ringkeepers and the ropes and mob him with open arms.)_
|
|
|
|
THE VIRGINS: _(Gushingly)_ Big Ben! Ben my Chree!
|
|
|
|
A VOICE: Hold that fellow with the bad breeches.
|
|
|
|
BEN DOLLARD: _(Smites his thigh in abundant laughter)_ Hold him now.
|
|
|
|
HENRY: _(Caressing on his breast a severed female head, murmurs)_ Thine
|
|
heart, mine love. _(He plucks his lutestrings)_ When first I saw...
|
|
|
|
VIRAG: _(Sloughing his skins, his multitudinous plumage moulting)_ Rats!
|
|
_(He yawns, showing a coalblack throat, and closes his jaws by an upward
|
|
push of his parchmentroll)_ After having said which I took my departure.
|
|
Farewell. Fare thee well. _Dreck!_
|
|
|
|
_(Henry Flower combs his moustache and beard rapidly with a pocketcomb
|
|
and gives a cow's lick to his hair. Steered by his rapier, he glides to
|
|
the door, his wild harp slung behind him. Virag reaches the door in two
|
|
ungainly stilthops, his tail cocked, and deftly claps sideways on the
|
|
wall a pusyellow flybill, butting it with his head.)_
|
|
|
|
THE FLYBILL: K. II. Post No Bills. Strictly confidential. Dr Hy Franks.
|
|
|
|
HENRY: All is lost now.
|
|
|
|
_(Virag unscrews his head in a trice and holds it under his arm.)_
|
|
|
|
VIRAG'S HEAD: Quack!
|
|
|
|
_(Exeunt severally.)_
|
|
|
|
STEPHEN: _(Over his shoulder to zoe)_ You would have preferred
|
|
the fighting parson who founded the protestant error. But beware
|
|
Antisthenes, the dog sage, and the last end of Arius Heresiarchus. The
|
|
agony in the closet.
|
|
|
|
LYNCH: All one and the same God to her.
|
|
|
|
STEPHEN: _(Devoutly)_ And sovereign Lord of all things.
|
|
|
|
FLORRY: _(To Stephen)_ I'm sure you're a spoiled priest. Or a monk.
|
|
|
|
LYNCH: He is. A cardinal's son.
|
|
|
|
STEPHEN: Cardinal sin. Monks of the screw.
|
|
|
|
_(His Eminence Simon Stephen Cardinal Dedalus, Primate of all Ireland,
|
|
appears in the doorway, dressed in red soutane, sandals and socks. Seven
|
|
dwarf simian acolytes, also in red, cardinal sins, uphold his train,
|
|
peeping under it. He wears a battered silk hat sideways on his head. His
|
|
thumbs are stuck in his armpits and his palms outspread. Round his
|
|
neck hangs a rosary of corks ending on his breast in a corkscrew cross.
|
|
Releasing his thumbs, he invokes grace from on high with large wave
|
|
gestures and proclaims with bloated pomp:)_
|
|
|
|
THE CARDINAL:
|
|
|
|
Conservio lies captured
|
|
He lies in the lowest dungeon
|
|
With manacles and chains around his limbs
|
|
Weighing upwards of three tons.
|
|
|
|
_(He looks at all for a moment, his right eye closed tight, his left
|
|
cheek puffed out. Then, unable to repress his merriment, he rocks to and
|
|
fro, arms akimbo, and sings with broad rollicking humour:)_
|
|
|
|
O, the poor little fellow
|
|
Hihihihihis legs they were yellow
|
|
He was plump, fat and heavy and brisk as a snake
|
|
But some bloody savage
|
|
To graize his white cabbage
|
|
He murdered Nell Flaherty's duckloving drake.
|
|
|
|
_(A multitude of midges swarms white over his robe. He scratches himself
|
|
with crossed arms at his ribs, grimacing, and exclaims:)_
|
|
|
|
I'm suffering the agony of the damned. By the hoky fiddle, thanks be to
|
|
Jesus those funny little chaps are not unanimous. If they were they'd
|
|
walk me off the face of the bloody globe.
|
|
|
|
_(His head aslant he blesses curtly with fore and middle fingers,
|
|
imparts the Easter kiss and doubleshuffles off comically, swaying
|
|
his hat from side to side, shrinking quickly to the size of his
|
|
trainbearers. The dwarf acolytes, giggling, peeping, nudging, ogling,
|
|
Easterkissing, zigzag behind him. His voice is heard mellow from afar,
|
|
merciful male, melodious:)_
|
|
|
|
Shall carry my heart to thee,
|
|
Shall carry my heart to thee,
|
|
And the breath of the balmy night
|
|
Shall carry my heart to thee!
|
|
_(The trick doorhandle turns.)_
|
|
|
|
|
|
THE DOORHANDLE: Theeee!
|
|
|
|
ZOE: The devil is in that door.
|
|
|
|
_(A male form passes down the creaking staircase and is heard taking
|
|
the waterproof and hat from the rack. Bloom starts forward involuntarily
|
|
and, half closing the door as he passes, takes the chocolate from his
|
|
pocket and offers it nervously to Zoe.)_
|
|
|
|
ZOE: _(Sniffs his hair briskly)_ Hmmm! Thank your mother for the
|
|
rabbits. I'm very fond of what I like.
|
|
|
|
BLOOM: _(Hearing a male voice in talk with the whores on the doorstep,
|
|
pricks his ears)_ If it were he? After? Or because not? Or the double
|
|
event?
|
|
|
|
ZOE: _(Tears open the silverfoil)_ Fingers was made before forks. _(She
|
|
breaks off and nibbles a piece gives a piece to Kitty Ricketts and then
|
|
turns kittenishly to Lynch)_ No objection to French lozenges? _(He nods.
|
|
She taunts him.)_ Have it now or wait till you get it? _(He opens his
|
|
mouth, his head cocked. She whirls the prize in left circle. His head
|
|
follows. She whirls it back in right circle. He eyes her.)_ Catch!
|
|
|
|
_(She tosses a piece. With an adroit snap he catches it and bites it
|
|
through with a crack.)_
|
|
|
|
KITTY: _(Chewing)_ The engineer I was with at the bazaar does have
|
|
lovely ones. Full of the best liqueurs. And the viceroy was there with
|
|
his lady. The gas we had on the Toft's hobbyhorses. I'm giddy still.
|
|
|
|
BLOOM: _(In Svengali's fur overcoat, with folded arms and Napoleonic
|
|
forelock, frowns in ventriloquial exorcism with piercing eagle glance
|
|
towards the door. Then rigid with left foot advanced he makes a swift
|
|
pass with impelling fingers and gives the sign of past master, drawing
|
|
his right arm downwards from his left shoulder.)_ Go, go, go, I conjure
|
|
you, whoever you are!
|
|
|
|
_(A male cough and tread are heard passing through the mist outside.
|
|
Bloom's features relax. He places a hand in his waistcoat, posing
|
|
calmly. Zoe offers him chocolate.)_
|
|
|
|
BLOOM: _(Solemnly)_ Thanks.
|
|
|
|
ZOE: Do as you're bid. Here!
|
|
|
|
_(A firm heelclacking tread is heard on the stairs.)_
|
|
|
|
BLOOM: _(Takes the chocolate)_ Aphrodisiac? Tansy and pennyroyal. But I
|
|
bought it. Vanilla calms or? Mnemo. Confused light confuses memory. Red
|
|
influences lupus. Colours affect women's characters, any they have. This
|
|
black makes me sad. Eat and be merry for tomorrow. _(He eats)_ Influence
|
|
taste too, mauve. But it is so long since I. Seems new. Aphro. That
|
|
priest. Must come. Better late than never. Try truffles at Andrews.
|
|
|
|
_(The door opens. Bella Cohen, a massive whoremistress, enters. She
|
|
is dressed in a threequarter ivory gown, fringed round the hem with
|
|
tasselled selvedge, and cools herself flirting a black horn fan like
|
|
Minnie Hauck in_ Carmen. _On her left hand are wedding and keeper rings.
|
|
Her eyes are deeply carboned. She has a sprouting moustache. Her
|
|
olive face is heavy, slightly sweated and fullnosed with orangetainted
|
|
nostrils. She has large pendant beryl eardrops.)_
|
|
|
|
BELLA: My word! I'm all of a mucksweat.
|
|
|
|
_(She glances round her at the couples. Then her eyes rest on Bloom with
|
|
hard insistence. Her large fan winnows wind towards her heated faceneck
|
|
and embonpoint. Her falcon eyes glitter.)_
|
|
|
|
THE FAN: _(Flirting quickly, then slowly)_ Married, I see.
|
|
|
|
BLOOM: Yes. Partly, I have mislaid...
|
|
|
|
THE FAN: _(Half opening, then closing)_ And the missus is master.
|
|
Petticoat government.
|
|
|
|
BLOOM: _(Looks down with a sheepish grin)_ That is so.
|
|
|
|
THE FAN: _(Folding together, rests against her left eardrop)_ Have you
|
|
forgotten me?
|
|
|
|
BLOOM: Yes. Yo.
|
|
|
|
THE FAN: _(Folded akimbo against her waist)_ Is me her was you dreamed
|
|
before? Was then she him you us since knew? Am all them and the same now
|
|
we?
|
|
|
|
_(Bella approaches, gently tapping with the fan.)_
|
|
|
|
BLOOM: _(Wincing)_ Powerful being. In my eyes read that slumber which
|
|
women love.
|
|
|
|
THE FAN: _(Tapping)_ We have met. You are mine. It is fate.
|
|
|
|
BLOOM: _(Cowed)_ Exuberant female. Enormously I desiderate your
|
|
domination. I am exhausted, abandoned, no more young. I stand, so to
|
|
speak, with an unposted letter bearing the extra regulation fee before
|
|
the too late box of the general postoffice of human life. The door
|
|
and window open at a right angle cause a draught of thirtytwo feet per
|
|
second according to the law of falling bodies. I have felt this instant
|
|
a twinge of sciatica in my left glutear muscle. It runs in our family.
|
|
Poor dear papa, a widower, was a regular barometer from it. He believed
|
|
in animal heat. A skin of tabby lined his winter waistcoat. Near the
|
|
end, remembering king David and the Sunamite, he shared his bed with
|
|
Athos, faithful after death. A dog's spittle as you probably... _(He
|
|
winces)_ Ah!
|
|
|
|
RICHIE GOULDING: _(Bagweighted, passes the door)_ Mocking is catch. Best
|
|
value in Dub. Fit for a prince's. Liver and kidney.
|
|
|
|
THE FAN: _(Tapping)_ All things end. Be mine. Now.
|
|
|
|
BLOOM: _(Undecided)_ All now? I should not have parted with my talisman.
|
|
Rain, exposure at dewfall on the searocks, a peccadillo at my time of
|
|
life. Every phenomenon has a natural cause.
|
|
|
|
THE FAN: _(Points downwards slowly)_ You may.
|
|
|
|
BLOOM: _(Looks downwards and perceives her unfastened bootlace)_ We are
|
|
observed.
|
|
|
|
THE FAN: _(Points downwards quickly)_ You must.
|
|
|
|
BLOOM: _(With desire, with reluctance)_ I can make a true black knot.
|
|
Learned when I served my time and worked the mail order line for
|
|
Kellett's. Experienced hand. Every knot says a lot. Let me. In courtesy.
|
|
I knelt once before today. Ah!
|
|
|
|
_(Bella raises her gown slightly and, steadying her pose, lifts to the
|
|
edge of a chair a plump buskined hoof and a full pastern, silksocked.
|
|
Bloom, stifflegged, aging, bends over her hoof and with gentle fingers
|
|
draws out and in her laces.)_
|
|
|
|
BLOOM: _(Murmurs lovingly)_ To be a shoefitter in Manfield's was my
|
|
love's young dream, the darling joys of sweet buttonhooking, to lace
|
|
up crisscrossed to kneelength the dressy kid footwear satinlined, so
|
|
incredibly impossibly small, of Clyde Road ladies. Even their wax model
|
|
Raymonde I visited daily to admire her cobweb hose and stick of rhubarb
|
|
toe, as worn in Paris.
|
|
|
|
THE HOOF: Smell my hot goathide. Feel my royal weight.
|
|
|
|
BLOOM: _(Crosslacing)_ Too tight?
|
|
|
|
THE HOOF: If you bungle, Handy Andy, I'll kick your football for you.
|
|
|
|
BLOOM: Not to lace the wrong eyelet as I did the night of the bazaar
|
|
dance. Bad luck. Hook in wrong tache of her... person you mentioned.
|
|
That night she met... Now!
|
|
|
|
_(He knots the lace. Bella places her foot on the floor. Bloom raises
|
|
his head. Her heavy face, her eyes strike him in midbrow. His eyes grow
|
|
dull, darker and pouched, his nose thickens.)_
|
|
|
|
BLOOM: _(Mumbles)_ Awaiting your further orders we remain, gentlemen,...
|
|
|
|
BELLO: _(With a hard basilisk stare, in a baritone voice)_ Hound of
|
|
dishonour!
|
|
|
|
BLOOM: _(Infatuated)_ Empress!
|
|
|
|
BELLO: _(His heavy cheekchops sagging)_ Adorer of the adulterous rump!
|
|
|
|
BLOOM: _(Plaintively)_ Hugeness!
|
|
|
|
BELLO: Dungdevourer!
|
|
|
|
BLOOM: _(With sinews semiflexed)_ Magmagnificence!
|
|
|
|
BELLO: Down! _(He taps her on the shoulder with his fan)_ Incline feet
|
|
forward! Slide left foot one pace back! You will fall. You are falling.
|
|
On the hands down!
|
|
|
|
BLOOM: _(Her eyes upturned in the sign of admiration, closing, yaps)_
|
|
Truffles!
|
|
|
|
_(With a piercing epileptic cry she sinks on all fours, grunting,
|
|
snuffling, rooting at his feet: then lies, shamming dead, with eyes shut
|
|
tight, trembling eyelids, bowed upon the ground in the attitude of most
|
|
excellent master.)_
|
|
|
|
BELLO: _(With bobbed hair, purple gills, fit moustache rings round his
|
|
shaven mouth, in mountaineer's puttees, green silverbuttoned coat, sport
|
|
skirt and alpine hat with moorcock's feather, his hands stuck deep in
|
|
his breeches pockets, places his heel on her neck and grinds it in)_
|
|
Footstool! Feel my entire weight. Bow, bondslave, before the throne of
|
|
your despot's glorious heels so glistening in their proud erectness.
|
|
|
|
BLOOM: _(Enthralled, bleats)_ I promise never to disobey.
|
|
|
|
BELLO: _(Laughs loudly)_ Holy smoke! You little know what's in store for
|
|
you. I'm the Tartar to settle your little lot and break you in! I'll bet
|
|
Kentucky cocktails all round I shame it out of you, old son. Cheek me,
|
|
I dare you. If you do tremble in anticipation of heel discipline to be
|
|
inflicted in gym costume.
|
|
|
|
_(Bloom creeps under the sofa and peers out through the fringe.)_
|
|
|
|
ZOE: _(Widening her slip to screen her)_ She's not here.
|
|
|
|
BLOOM: _(Closing her eyes)_ She's not here.
|
|
|
|
FLORRY: _(Hiding her with her gown)_ She didn't mean it, Mr Bello.
|
|
She'll be good, sir.
|
|
|
|
KITTY: Don't be too hard on her, Mr Bello. Sure you won't, ma'amsir.
|
|
|
|
BELLO: _(Coaxingly)_ Come, ducky dear, I want a word with you, darling,
|
|
just to administer correction. Just a little heart to heart talk,
|
|
sweety. _(Bloom puts out her timid head)_ There's a good girly now.
|
|
_(Bello grabs her hair violently and drags her forward)_ I only want
|
|
to correct you for your own good on a soft safe spot. How's that tender
|
|
behind? O, ever so gently, pet. Begin to get ready.
|
|
|
|
BLOOM: _(Fainting)_ Don't tear my...
|
|
|
|
BELLO: _(Savagely)_ The nosering, the pliers, the bastinado, the hanging
|
|
hook, the knout I'll make you kiss while the flutes play like the Nubian
|
|
slave of old. You're in for it this time! I'll make you remember me for
|
|
the balance of your natural life. _(His forehead veins swollen, his face
|
|
congested)_ I shall sit on your ottoman saddleback every morning after
|
|
my thumping good breakfast of Matterson's fat hamrashers and a bottle
|
|
of Guinness's porter. _(He belches)_ And suck my thumping good Stock
|
|
Exchange cigar while I read the _Licensed Victualler's Gazette_. Very
|
|
possibly I shall have you slaughtered and skewered in my stables and
|
|
enjoy a slice of you with crisp crackling from the baking tin basted
|
|
and baked like sucking pig with rice and lemon or currant sauce. It will
|
|
hurt you. _(He twists her arm. Bloom squeals, turning turtle.)_
|
|
|
|
BLOOM: Don't be cruel, nurse! Don't!
|
|
|
|
BELLO: _(Twisting)_ Another!
|
|
|
|
BLOOM: _(Screams)_ O, it's hell itself! Every nerve in my body aches
|
|
like mad!
|
|
|
|
BELLO: _(Shouts)_ Good, by the rumping jumping general! That's the best
|
|
bit of news I heard these six weeks. Here, don't keep me waiting, damn
|
|
you! _(He slaps her face)_
|
|
|
|
BLOOM: _(Whimpers)_ You're after hitting me. I'll tell...
|
|
|
|
BELLO: Hold him down, girls, till I squat on him.
|
|
|
|
ZOE: Yes. Walk on him! I will.
|
|
|
|
FLORRY: I will. Don't be greedy.
|
|
|
|
KITTY: No, me. Lend him to me.
|
|
|
|
_(The brothel cook, mrs keogh, wrinkled, greybearded, in a greasy bib,
|
|
men's grey and green socks and brogues, floursmeared, a rollingpin stuck
|
|
with raw pastry in her bare red arm and hand, appears at the door.)_
|
|
|
|
MRS KEOGH: _(Ferociously)_ Can I help? _(They hold and pinion Bloom.)_
|
|
|
|
BELLO: _(Squats with a grunt on Bloom's upturned face, puffing
|
|
cigarsmoke, nursing a fat leg)_ I see Keating Clay is elected
|
|
vicechairman of the Richmond asylum and by the by Guinness's preference
|
|
shares are at sixteen three quaffers. Curse me for a fool that didn't
|
|
buy that lot Craig and Gardner told me about. Just my infernal luck,
|
|
curse it. And that Goddamned outsider _Throwaway_ at twenty to one.
|
|
_(He quenches his cigar angrily on Bloom's ear)_ Where's that Goddamned
|
|
cursed ashtray?
|
|
|
|
BLOOM: _(Goaded, buttocksmothered)_ O! O! Monsters! Cruel one!
|
|
|
|
BELLO: Ask for that every ten minutes. Beg. Pray for it as you never
|
|
prayed before. _(He thrusts out a figged fist and foul cigar)_ Here,
|
|
kiss that. Both. Kiss. _(He throws a leg astride and, pressing with
|
|
horseman's knees, calls in a hard voice)_ Gee up! A cockhorse to Banbury
|
|
cross. I'll ride him for the Eclipse stakes. _(He bends sideways and
|
|
squeezes his mount's testicles roughly, shouting)_ Ho! Off we pop! I'll
|
|
nurse you in proper fashion. _(He horserides cockhorse, leaping in the
|
|
saddle)_ The lady goes a pace a pace and the coachman goes a trot a trot
|
|
and the gentleman goes a gallop a gallop a gallop a gallop.
|
|
|
|
FLORRY: _(Pulls at Bello)_ Let me on him now. You had enough. I asked
|
|
before you.
|
|
|
|
ZOE: _(Pulling at florry)_ Me. Me. Are you not finished with him yet,
|
|
suckeress?
|
|
|
|
BLOOM: _(Stifling)_ Can't.
|
|
|
|
BELLO: Well, I'm not. Wait. _(He holds in his breath)_ Curse it. Here.
|
|
This bung's about burst. _(He uncorks himself behind: then, contorting
|
|
his features, farts loudly)_ Take that! _(He recorks himself)_ Yes, by
|
|
Jingo, sixteen three quarters.
|
|
|
|
BLOOM: _(A sweat breaking out over him)_ Not man. _(He sniffs)_ Woman.
|
|
|
|
BELLO: _(Stands up)_ No more blow hot and cold. What you longed for has
|
|
come to pass. Henceforth you are unmanned and mine in earnest, a thing
|
|
under the yoke. Now for your punishment frock. You will shed your male
|
|
garments, you understand, Ruby Cohen? and don the shot silk luxuriously
|
|
rustling over head and shoulders. And quickly too!
|
|
|
|
BLOOM: _(Shrinks)_ Silk, mistress said! O crinkly! scrapy! Must I
|
|
tiptouch it with my nails?
|
|
|
|
BELLO: _(Points to his whores)_ As they are now so will you be, wigged,
|
|
singed, perfumesprayed, ricepowdered, with smoothshaven armpits. Tape
|
|
measurements will be taken next your skin. You will be laced with cruel
|
|
force into vicelike corsets of soft dove coutille with whalebone busk to
|
|
the diamondtrimmed pelvis, the absolute outside edge, while your figure,
|
|
plumper than when at large, will be restrained in nettight frocks,
|
|
pretty two ounce petticoats and fringes and things stamped, of course,
|
|
with my houseflag, creations of lovely lingerie for Alice and nice
|
|
scent for Alice. Alice will feel the pullpull. Martha and Mary will be
|
|
a little chilly at first in such delicate thighcasing but the frilly
|
|
flimsiness of lace round your bare knees will remind you...
|
|
|
|
BLOOM: _(A charming soubrette with dauby cheeks, mustard hair and large
|
|
male hands and nose, leering mouth)_ I tried her things on only twice,
|
|
a small prank, in Holles street. When we were hard up I washed them to
|
|
save the laundry bill. My own shirts I turned. It was the purest thrift.
|
|
|
|
BELLO: _(Jeers)_ Little jobs that make mother pleased, eh? And showed
|
|
off coquettishly in your domino at the mirror behind closedrawn blinds
|
|
your unskirted thighs and hegoat's udders in various poses of surrender,
|
|
eh? Ho! ho! I have to laugh! That secondhand black operatop shift and
|
|
short trunkleg naughties all split up the stitches at her last rape that
|
|
Mrs Miriam Dandrade sold you from the Shelbourne hotel, eh?
|
|
|
|
BLOOM: Miriam. Black. Demimondaine.
|
|
|
|
BELLO: _(Guffaws)_ Christ Almighty it's too tickling, this! You were
|
|
a nicelooking Miriam when you clipped off your backgate hairs and
|
|
lay swooning in the thing across the bed as Mrs Dandrade about to be
|
|
violated by lieutenant Smythe-Smythe, Mr Philip Augustus Blockwell M.
|
|
P., signor Laci Daremo, the robust tenor, blueeyed Bert, the liftboy,
|
|
Henri Fleury of Gordon Bennett fame, Sheridan, the quadroon Croesus, the
|
|
varsity wetbob eight from old Trinity, Ponto, her splendid Newfoundland
|
|
and Bobs, dowager duchess of Manorhamilton. _(He guffaws again)_ Christ,
|
|
wouldn't it make a Siamese cat laugh?
|
|
|
|
BLOOM: _(Her hands and features working)_ It was Gerald converted me to
|
|
be a true corsetlover when I was female impersonator in the High School
|
|
play _Vice Versa_. It was dear Gerald. He got that kink, fascinated by
|
|
sister's stays. Now dearest Gerald uses pinky greasepaint and gilds his
|
|
eyelids. Cult of the beautiful.
|
|
|
|
BELLO: _(With wicked glee)_ Beautiful! Give us a breather! When you
|
|
took your seat with womanish care, lifting your billowy flounces, on the
|
|
smoothworn throne.
|
|
|
|
BLOOM: Science. To compare the various joys we each enjoy. _(Earnestly)_
|
|
And really it's better the position... because often I used to wet...
|
|
|
|
BELLO: _(Sternly)_ No insubordination! The sawdust is there in the
|
|
corner for you. I gave you strict instructions, didn't I? Do it
|
|
standing, sir! I'll teach you to behave like a jinkleman! If I catch a
|
|
trace on your swaddles. Aha! By the ass of the Dorans you'll find I'm a
|
|
martinet. The sins of your past are rising against you. Many. Hundreds.
|
|
|
|
THE SINS OF THE PAST: _(In a medley of voices)_ He went through a form
|
|
of clandestine marriage with at least one woman in the shadow of the
|
|
Black church. Unspeakable messages he telephoned mentally to Miss Dunn
|
|
at an address in D'Olier street while he presented himself indecently to
|
|
the instrument in the callbox. By word and deed he frankly encouraged
|
|
a nocturnal strumpet to deposit fecal and other matter in an unsanitary
|
|
outhouse attached to empty premises. In five public conveniences
|
|
he wrote pencilled messages offering his nuptial partner to all
|
|
strongmembered males. And by the offensively smelling vitriol works did
|
|
he not pass night after night by loving courting couples to see if and
|
|
what and how much he could see? Did he not lie in bed, the gross boar,
|
|
gloating over a nauseous fragment of wellused toilet paper presented to
|
|
him by a nasty harlot, stimulated by gingerbread and a postal order?
|
|
|
|
BELLO: _(Whistles loudly)_ Say! What was the most revolting piece of
|
|
obscenity in all your career of crime? Go the whole hog. Puke it out! Be
|
|
candid for once.
|
|
|
|
_(Mute inhuman faces throng forward, leering, vanishing, gibbering,
|
|
Booloohoom. Poldy Kock, Bootlaces a penny Cassidy's hag, blind
|
|
stripling, Larry Rhinoceros, the girl, the woman, the whore, the other,
|
|
the...)_
|
|
|
|
BLOOM: Don't ask me! Our mutual faith. Pleasants street. I only thought
|
|
the half of the... I swear on my sacred oath...
|
|
|
|
BELLO: _(Peremptorily)_ Answer. Repugnant wretch! I insist on knowing.
|
|
Tell me something to amuse me, smut or a bloody good ghoststory or a
|
|
line of poetry, quick, quick, quick! Where? How? What time? With how
|
|
many? I give you just three seconds. One! Two! Thr...
|
|
|
|
BLOOM: _(Docile, gurgles)_ I rererepugnosed in rerererepugnant
|
|
|
|
BELLO: _(Imperiously)_ O, get out, you skunk! Hold your tongue! Speak
|
|
when you're spoken to.
|
|
|
|
BLOOM: _(Bows)_ Master! Mistress! Mantamer!
|
|
|
|
_(He lifts his arms. His bangle bracelets fill.)_
|
|
|
|
BELLO: _(Satirically)_ By day you will souse and bat our smelling
|
|
underclothes also when we ladies are unwell, and swab out our latrines
|
|
with dress pinned up and a dishclout tied to your tail. Won't that be
|
|
nice? _(He places a ruby ring on her finger)_ And there now! With this
|
|
ring I thee own. Say, thank you, mistress.
|
|
|
|
BLOOM: Thank you, mistress.
|
|
|
|
BELLO: You will make the beds, get my tub ready, empty the pisspots in
|
|
the different rooms, including old Mrs Keogh's the cook's, a sandy one.
|
|
Ay, and rinse the seven of them well, mind, or lap it up like champagne.
|
|
Drink me piping hot. Hop! You will dance attendance or I'll lecture you
|
|
on your misdeeds, Miss Ruby, and spank your bare bot right well, miss,
|
|
with the hairbrush. You'll be taught the error of your ways. At night
|
|
your wellcreamed braceletted hands will wear fortythreebutton gloves
|
|
newpowdered with talc and having delicately scented fingertips. For such
|
|
favours knights of old laid down their lives. _(He chuckles)_ My boys
|
|
will be no end charmed to see you so ladylike, the colonel, above
|
|
all, when they come here the night before the wedding to fondle my new
|
|
attraction in gilded heels. First I'll have a go at you myself. A man I
|
|
know on the turf named Charles Alberta Marsh (I was in bed with him just
|
|
now and another gentleman out of the Hanaper and Petty Bag office) is
|
|
on the lookout for a maid of all work at a short knock. Swell the bust.
|
|
Smile. Droop shoulders. What offers? _(He points)_ For that lot. Trained
|
|
by owner to fetch and carry, basket in mouth. _(He bares his arm and
|
|
plunges it elbowdeep in Bloom's vulva)_ There's fine depth for you!
|
|
What, boys? That give you a hardon? _(He shoves his arm in a bidder's
|
|
face)_ Here wet the deck and wipe it round!
|
|
|
|
A BIDDER: A florin.
|
|
|
|
_(Dillon's lacquey rings his handbell.)_
|
|
|
|
THE LACQUEY: Barang!
|
|
|
|
A VOICE: One and eightpence too much.
|
|
|
|
CHARLES ALBERTA MARSH: Must be virgin. Good breath. Clean.
|
|
|
|
BELLO: _(Gives a rap with his gavel)_ Two bar. Rockbottom figure and
|
|
cheap at the price. Fourteen hands high. Touch and examine his points.
|
|
Handle him. This downy skin, these soft muscles, this tender flesh. If
|
|
I had only my gold piercer here! And quite easy to milk. Three newlaid
|
|
gallons a day. A pure stockgetter, due to lay within the hour. His
|
|
sire's milk record was a thousand gallons of whole milk in forty weeks.
|
|
Whoa my jewel! Beg up! Whoa! _(He brands his initial C on Bloom's
|
|
croup)_ So! Warranted Cohen! What advance on two bob, gentlemen?
|
|
|
|
A DARKVISAGED MAN: _(In disguised accent)_ Hoondert punt sterlink.
|
|
|
|
VOICES: _(Subdued)_ For the Caliph. Haroun Al Raschid.
|
|
|
|
BELLO: _(Gaily)_ Right. Let them all come. The scanty, daringly short
|
|
skirt, riding up at the knee to show a peep of white pantalette, is a
|
|
potent weapon and transparent stockings, emeraldgartered, with the
|
|
long straight seam trailing up beyond the knee, appeal to the better
|
|
instincts of the _blase_ man about town. Learn the smooth mincing walk
|
|
on four inch Louis Quinze heels, the Grecian bend with provoking croup,
|
|
the thighs fluescent, knees modestly kissing. Bring all your powers of
|
|
fascination to bear on them. Pander to their Gomorrahan vices.
|
|
|
|
BLOOM: _(Bends his blushing face into his armpit and simpers with
|
|
forefinger in mouth)_ O, I know what you're hinting at now!
|
|
|
|
BELLO: What else are you good for, an impotent thing like you? _(He
|
|
stoops and, peering, pokes with his fan rudely under the fat suet folds
|
|
of Bloom's haunches)_ Up! Up! Manx cat! What have we here? Where's your
|
|
curly teapot gone to or who docked it on you, cockyolly? Sing, birdy,
|
|
sing. It's as limp as a boy of six's doing his pooly behind a cart. Buy
|
|
a bucket or sell your pump. _(Loudly)_ Can you do a man's job?
|
|
|
|
BLOOM: Eccles street...
|
|
|
|
BELLO: _(Sarcastically)_ I wouldn't hurt your feelings for the world but
|
|
there's a man of brawn in possession there. The tables are turned, my
|
|
gay young fellow! He is something like a fullgrown outdoor man. Well for
|
|
you, you muff, if you had that weapon with knobs and lumps and warts all
|
|
over it. He shot his bolt, I can tell you! Foot to foot, knee to knee,
|
|
belly to belly, bubs to breast! He's no eunuch. A shock of red hair he
|
|
has sticking out of him behind like a furzebush! Wait for nine months,
|
|
my lad! Holy ginger, it's kicking and coughing up and down in her guts
|
|
already! That makes you wild, don't it? Touches the spot? _(He spits in
|
|
contempt)_ Spittoon!
|
|
|
|
BLOOM: I was indecently treated, I... Inform the police. Hundred
|
|
pounds. Unmentionable. I...
|
|
|
|
BELLO: Would if you could, lame duck. A downpour we want not your
|
|
drizzle.
|
|
|
|
BLOOM: To drive me mad! Moll! I forgot! Forgive! Moll... We... Still...
|
|
|
|
BELLO: _(Ruthlessly)_ No, Leopold Bloom, all is changed by woman's will
|
|
since you slept horizontal in Sleepy Hollow your night of twenty years.
|
|
Return and see.
|
|
|
|
_(Old Sleepy Hollow calls over the wold.)_
|
|
|
|
SLEEPY HOLLOW: Rip van Wink! Rip van Winkle!
|
|
|
|
BLOOM: _(In tattered mocassins with a rusty fowlingpiece, tiptoeing,
|
|
fingertipping, his haggard bony bearded face peering through the diamond
|
|
panes, cries out)_ I see her! It's she! The first night at Mat Dillon's!
|
|
But that dress, the green! And her hair is dyed gold and he...
|
|
|
|
BELLO: _(Laughs mockingly)_ That's your daughter, you owl, with a
|
|
Mullingar student.
|
|
|
|
_(Milly Bloom, fairhaired, greenvested, slimsandalled, her blue scarf
|
|
in the seawind simply swirling, breaks from the arms of her lover and
|
|
calls, her young eyes wonderwide.)_
|
|
|
|
MILLY: My! It's Papli! But, O Papli, how old you've grown!
|
|
|
|
BELLO: Changed, eh? Our whatnot, our writingtable where we never wrote,
|
|
aunt Hegarty's armchair, our classic reprints of old masters. A man and
|
|
his menfriends are living there in clover. The _Cuckoos' Rest!_ Why not?
|
|
How many women had you, eh, following them up dark streets, flatfoot,
|
|
exciting them by your smothered grunts, what, you male prostitute?
|
|
Blameless dames with parcels of groceries. Turn about. Sauce for the
|
|
goose, my gander O.
|
|
|
|
BLOOM: They... I...
|
|
|
|
BELLO: _(Cuttingly)_ Their heelmarks will stamp the Brusselette carpet
|
|
you bought at Wren's auction. In their horseplay with Moll the romp to
|
|
find the buck flea in her breeches they will deface the little statue
|
|
you carried home in the rain for art for art' sake. They will violate
|
|
the secrets of your bottom drawer. Pages will be torn from your handbook
|
|
of astronomy to make them pipespills. And they will spit in your ten
|
|
shilling brass fender from Hampton Leedom's.
|
|
|
|
BLOOM: Ten and six. The act of low scoundrels. Let me go. I will return.
|
|
I will prove...
|
|
|
|
A VOICE: Swear!
|
|
|
|
_(Bloom clenches his fists and crawls forward, a bowieknife between his
|
|
teeth.)_
|
|
|
|
BELLO: As a paying guest or a kept man? Too late. You have made your
|
|
secondbest bed and others must lie in it. Your epitaph is written. You
|
|
are down and out and don't you forget it, old bean.
|
|
|
|
BLOOM: Justice! All Ireland versus one! Has nobody...? _(He bites his
|
|
thumb)_
|
|
|
|
BELLO: Die and be damned to you if you have any sense of decency
|
|
or grace about you. I can give you a rare old wine that'll send you
|
|
skipping to hell and back. Sign a will and leave us any coin you have!
|
|
If you have none see you damn well get it, steal it, rob it! We'll bury
|
|
you in our shrubbery jakes where you'll be dead and dirty with old Cuck
|
|
Cohen, my stepnephew I married, the bloody old gouty procurator and
|
|
sodomite with a crick in his neck, and my other ten or eleven husbands,
|
|
whatever the buggers' names were, suffocated in the one cesspool. _(He
|
|
explodes in a loud phlegmy laugh)_ We'll manure you, Mr Flower! _(He
|
|
pipes scoffingly)_ Byby, Poldy! Byby, Papli!
|
|
|
|
BLOOM: _(Clasps his head)_ My willpower! Memory! I have sinned! I have
|
|
suff...
|
|
|
|
_(He weeps tearlessly)_
|
|
|
|
BELLO: _(Sneers)_ Crybabby! Crocodile tears!
|
|
|
|
_(Bloom, broken, closely veiled for the sacrifice, sobs, his face to
|
|
the earth. The passing bell is heard. Darkshawled figures of the
|
|
circumcised, in sackcloth and ashes, stand by the wailing wall. M.
|
|
Shulomowitz, Joseph Goldwater, Moses Herzog, Harris Rosenberg, M.
|
|
Moisel, J. Citron, Minnie Watchman, P. Mastiansky, The Reverend Leopold
|
|
Abramovitz, Chazen. With swaying arms they wail in pneuma over the
|
|
recreant Bloom.)_
|
|
|
|
THE CIRCUMCISED: _(In dark guttural chant as they cast dead sea fruit
|
|
upon him, no flowers) Shema Israel Adonai Elohenu Adonai Echad._
|
|
|
|
VOICES: _(Sighing)_ So he's gone. Ah yes. Yes, indeed. Bloom? Never
|
|
heard of him. No? Queer kind of chap. There's the widow. That so? Ah,
|
|
yes.
|
|
|
|
_(From the suttee pyre the flame of gum camphire ascends. The pall of
|
|
incense smoke screens and disperses. Out of her oakframe a nymph with
|
|
hair unbound, lightly clad in teabrown artcolours, descends from her
|
|
grotto and passing under interlacing yews stands over Bloom.)_
|
|
|
|
THE YEWS: _(Their leaves whispering)_ Sister. Our sister. Ssh!
|
|
|
|
THE NYMPH: _(Softly)_ Mortal! _(Kindly)_ Nay, dost not weepest!
|
|
|
|
BLOOM: _(Crawls jellily forward under the boughs, streaked by sunlight,
|
|
with dignity)_ This position. I felt it was expected of me. Force of
|
|
habit.
|
|
|
|
THE NYMPH: Mortal! You found me in evil company, highkickers, coster
|
|
picnicmakers, pugilists, popular generals, immoral panto boys in
|
|
fleshtights and the nifty shimmy dancers, La Aurora and Karini, musical
|
|
act, the hit of the century. I was hidden in cheap pink paper that smelt
|
|
of rock oil. I was surrounded by the stale smut of clubmen, stories to
|
|
disturb callow youth, ads for transparencies, truedup dice and bustpads,
|
|
proprietary articles and why wear a truss with testimonial from ruptured
|
|
gentleman. Useful hints to the married.
|
|
|
|
BLOOM: _(Lifts a turtle head towards her lap)_ We have met before. On
|
|
another star.
|
|
|
|
THE NYMPH: _(Sadly)_ Rubber goods. Neverrip brand as supplied to the
|
|
aristocracy. Corsets for men. I cure fits or money refunded. Unsolicited
|
|
testimonials for Professor Waldmann's wonderful chest exuber. My bust
|
|
developed four inches in three weeks, reports Mrs Gus Rublin with photo.
|
|
|
|
BLOOM: You mean _Photo Bits?_
|
|
|
|
THE NYMPH: I do. You bore me away, framed me in oak and tinsel, set me
|
|
above your marriage couch. Unseen, one summer eve, you kissed me in
|
|
four places. And with loving pencil you shaded my eyes, my bosom and my
|
|
shame.
|
|
|
|
BLOOM: _(Humbly kisses her long hair)_ Your classic curves, beautiful
|
|
immortal, I was glad to look on you, to praise you, a thing of beauty,
|
|
almost to pray.
|
|
|
|
THE NYMPH: During dark nights I heard your praise.
|
|
|
|
BLOOM: _(Quickly)_ Yes, yes. You mean that I... Sleep reveals the worst
|
|
side of everyone, children perhaps excepted. I know I fell out of bed
|
|
or rather was pushed. Steel wine is said to cure snoring. For the rest
|
|
there is that English invention, pamphlet of which I received some days
|
|
ago, incorrectly addressed. It claims to afford a noiseless, inoffensive
|
|
vent. _(He sighs)_ 'Twas ever thus. Frailty, thy name is marriage.
|
|
|
|
THE NYMPH: _(Her fingers in her ears)_ And words. They are not in my
|
|
dictionary.
|
|
|
|
BLOOM: You understood them?
|
|
|
|
THE YEWS: Ssh!
|
|
|
|
THE NYMPH: _(Covers her face with her hands)_ What have I not seen in
|
|
that chamber? What must my eyes look down on?
|
|
|
|
BLOOM: _(Apologetically)_ I know. Soiled personal linen, wrong side up
|
|
with care. The quoits are loose. From Gibraltar by long sea long ago.
|
|
|
|
THE NYMPH: _(Bends her head)_ Worse, worse!
|
|
|
|
BLOOM: _(Reflects precautiously)_ That antiquated commode. It wasn't her
|
|
weight. She scaled just eleven stone nine. She put on nine pounds
|
|
after weaning. It was a crack and want of glue. Eh? And that absurd
|
|
orangekeyed utensil which has only one handle.
|
|
|
|
_(The sound of a waterfall is heard in bright cascade.)_
|
|
|
|
THE WATERFALL:
|
|
|
|
Poulaphouca Poulaphouca
|
|
Poulaphouca Poulaphouca.
|
|
|
|
THE YEWS: _(Mingling their boughs)_ Listen. Whisper. She is right, our
|
|
sister. We grew by Poulaphouca waterfall. We gave shade on languorous
|
|
summer days.
|
|
|
|
|
|
JOHN WYSE NOLAN: _(In the background, in Irish National Forester's
|
|
uniform, doffs his plumed hat)_ Prosper! Give shade on languorous days,
|
|
trees of Ireland!
|
|
|
|
THE YEWS: _(Murmuring)_ Who came to Poulaphouca with the High School
|
|
excursion? Who left his nutquesting classmates to seek our shade?
|
|
|
|
BLOOM: _(Scared)_ High School of Poula? Mnemo? Not in full possession of
|
|
faculties. Concussion. Run over by tram.
|
|
|
|
THE ECHO: Sham!
|
|
|
|
BLOOM: _(Pigeonbreasted, bottleshouldered, padded, in nondescript
|
|
juvenile grey and black striped suit, too small for him, white tennis
|
|
shoes, bordered stockings with turnover tops and a red schoolcap with
|
|
badge)_ I was in my teens, a growing boy. A little then sufficed, a
|
|
jolting car, the mingling odours of the ladies' cloakroom and lavatory,
|
|
the throng penned tight on the old Royal stairs (for they love crushes,
|
|
instinct of the herd, and the dark sexsmelling theatre unbridles
|
|
vice), even a pricelist of their hosiery. And then the heat. There were
|
|
sunspots that summer. End of school. And tipsycake. Halcyon days.
|
|
|
|
_(Halcyon days, high school boys in blue and white football jerseys and
|
|
shorts, Master Donald Turnbull, Master Abraham Chatterton, Master Owen
|
|
Goldberg, Master Jack Meredith, Master Percy Apjohn, stand in a clearing
|
|
of the trees and shout to Master Leopold Bloom.)_
|
|
|
|
THE HALCYON DAYS: Mackerel! Live us again. Hurray! _(They cheer)_
|
|
|
|
BLOOM: _(Hobbledehoy, warmgloved, mammamufflered, starred with spent
|
|
snowballs, struggles to rise)_ Again! I feel sixteen! What a lark! Let's
|
|
ring all the bells in Montague street. _(He cheers feebly)_ Hurray for
|
|
the High School!
|
|
|
|
THE ECHO: Fool!
|
|
|
|
THE YEWS: _(Rustling)_ She is right, our sister. Whisper. _(Whispered
|
|
kisses are heard in all the wood. Faces of hamadryads peep out from
|
|
the boles and among the leaves and break, blossoming into bloom.)_ Who
|
|
profaned our silent shade?
|
|
|
|
THE NYMPH: _(Coyly, through parting fingers)_ There? In the open air?
|
|
|
|
THE YEWS: _(Sweeping downward)_ Sister, yes. And on our virgin sward.
|
|
|
|
THE WATERFALL:
|
|
|
|
Poulaphouca Poulaphouca
|
|
Phoucaphouca Phoucaphouca.
|
|
|
|
THE NYMPH: _(With wide fingers)_ O, infamy!
|
|
|
|
BLOOM: I was precocious. Youth. The fauna. I sacrificed to the god of
|
|
the forest. The flowers that bloom in the spring. It was pairing
|
|
time. Capillary attraction is a natural phenomenon. Lotty Clarke,
|
|
flaxenhaired, I saw at her night toilette through illclosed curtains
|
|
with poor papa's operaglasses: The wanton ate grass wildly. She rolled
|
|
downhill at Rialto bridge to tempt me with her flow of animal spirits.
|
|
She climbed their crooked tree and I... A saint couldn't resist it. The
|
|
demon possessed me. Besides, who saw?
|
|
|
|
_(Staggering Bob, a whitepolled calf, thrusts a ruminating head with
|
|
humid nostrils through the foliage.)_
|
|
|
|
STAGGERING BOB: (LARGE TEARDROPS ROLLING FROM HIS PROMINENT EYES,
|
|
SNIVELS) Me. Me see.
|
|
|
|
BLOOM: Simply satisfying a need I... _(With pathos)_ No girl would when
|
|
I went girling. Too ugly. They wouldn't play...
|
|
|
|
_(High on Ben Howth through rhododendrons a nannygoat passes,
|
|
plumpuddered, buttytailed, dropping currants.)_
|
|
|
|
THE NANNYGOAT: _(Bleats)_ Megeggaggegg! Nannannanny!
|
|
|
|
BLOOM: _(Hatless, flushed, covered with burrs of thistledown and
|
|
gorsespine)_ Regularly engaged. Circumstances alter cases. _(He gazes
|
|
intently downwards on the water)_ Thirtytwo head over heels per second.
|
|
Press nightmare. Giddy Elijah. Fall from cliff. Sad end of government
|
|
printer's clerk. _(Through silversilent summer air the dummy of Bloom,
|
|
rolled in a mummy, rolls roteatingly from the Lion's Head cliff into the
|
|
purple waiting waters.)_
|
|
|
|
THE DUMMYMUMMY: Bbbbblllllblblblblobschbg!
|
|
|
|
_(Far out in the bay between bailey and kish lights the_ Erin's King
|
|
_sails, sending a broadening plume of coalsmoke from her funnel towards
|
|
the land.)_
|
|
|
|
COUNCILLOR NANNETII: _(Alone on deck, in dark alpaca, yellowkitefaced,
|
|
his hand in his waistcoat opening, declaims)_ When my country takes her
|
|
place among the nations of the earth, then, and not till then, let my
|
|
epitaph be written. I have...
|
|
|
|
BLOOM: Done. Prff!
|
|
|
|
THE NYMPH: _(Loftily)_ We immortals, as you saw today, have not such
|
|
a place and no hair there either. We are stonecold and pure. We eat
|
|
electric light. _(She arches her body in lascivious crispation, placing
|
|
her forefinger in her mouth)_ Spoke to me. Heard from behind. How then
|
|
could you...?
|
|
|
|
BLOOM: _(Pawing the heather abjectly)_ O, I have been a perfect pig.
|
|
Enemas too I have administered. One third of a pint of quassia to which
|
|
add a tablespoonful of rocksalt. Up the fundament. With Hamilton Long's
|
|
syringe, the ladies' friend.
|
|
|
|
THE NYMPH: In my presence. The powderpuff. _(She blushes and makes a
|
|
knee)_ And the rest!
|
|
|
|
BLOOM: _(Dejected)_ Yes. _Peccavi!_ I have paid homage on that living
|
|
altar where the back changes name. _(With sudden fervour)_ For why
|
|
should the dainty scented jewelled hand, the hand that rules...?
|
|
|
|
_(Figures wind serpenting in slow woodland pattern around the treestems,
|
|
cooeeing)_
|
|
|
|
THE VOICE OF KITTY: _(In the thicket)_ Show us one of them cushions.
|
|
|
|
THE VOICE OF FLORRY: Here.
|
|
|
|
_(A grouse wings clumsily through the underwood.)_
|
|
|
|
THE VOICE OF LYNCH: _(In the thicket)_ Whew! Piping hot!
|
|
|
|
THE VOICE OF ZOE: _(From the thicket)_ Came from a hot place.
|
|
|
|
THE VOICE OF VIRAG: _(A birdchief, bluestreaked and feathered in war
|
|
panoply with his assegai, striding through a crackling canebrake over
|
|
beechmast and acorns)_ Hot! Hot! Ware Sitting Bull!
|
|
|
|
BLOOM: It overpowers me. The warm impress of her warm form. Even to sit
|
|
where a woman has sat, especially with divaricated thighs, as though to
|
|
grant the last favours, most especially with previously well uplifted
|
|
white sateen coatpans. So womanly, full. It fills me full.
|
|
|
|
THE WATERFALL:
|
|
|
|
_Phillaphulla Poulaphouca
|
|
Poulaphouca Poulaphouca._
|
|
|
|
THE YEWS: Ssh! Sister, speak!
|
|
|
|
THE NYMPH: _(Eyeless, in nun's white habit, coif and hugewinged wimple,
|
|
softly, with remote eyes)_ Tranquilla convent. Sister Agatha. Mount
|
|
Carmel. The apparitions of Knock and Lourdes. No more desire. _(She
|
|
reclines her head, sighing)_ Only the ethereal. Where dreamy creamy gull
|
|
waves o'er the waters dull.
|
|
|
|
_(Bloom half rises. His back trouserbutton snaps.)_
|
|
|
|
THE BUTTON: Bip!
|
|
|
|
_(Two sluts of the coombe dance rainily by, shawled, yelling flatly.)_
|
|
|
|
THE SLUTS:
|
|
|
|
O, Leopold lost the pin of his drawers
|
|
He didn't know what to do,
|
|
To keep it up,
|
|
To keep it up.
|
|
|
|
BLOOM: _(Coldly)_ You have broken the spell. The last straw. If there
|
|
were only ethereal where would you all be, postulants and novices? Shy
|
|
but willing like an ass pissing.
|
|
|
|
THE YEWS: _(Their silverfoil of leaves precipitating, their skinny arms
|
|
aging and swaying)_ Deciduously!
|
|
|
|
THE NYMPH: _(Her features hardening, gropes in the folds of her habit)_
|
|
Sacrilege! To attempt my virtue! _(A large moist stain appears on her
|
|
robe)_ Sully my innocence! You are not fit to touch the garment of a
|
|
pure woman. _(She clutches again in her robe)_ Wait. Satan, you'll sing
|
|
no more lovesongs. Amen. Amen. Amen. Amen. _(She draws a poniard and,
|
|
clad in the sheathmail of an elected knight of nine, strikes at his
|
|
loins)_ Nekum!
|
|
|
|
BLOOM: _(Starts up, seizes her hand)_ Hoy! Nebrakada! Cat o' nine lives!
|
|
Fair play, madam. No pruningknife. The fox and the grapes, is it? What
|
|
do you lack with your barbed wire? Crucifix not thick enough? _(He
|
|
clutches her veil)_ A holy abbot you want or Brophy, the lame gardener,
|
|
or the spoutless statue of the watercarrier, or good mother Alphonsus,
|
|
eh Reynard?
|
|
|
|
THE NYMPH: _(With a cry flees from him unveiled, her plaster cast
|
|
cracking, a cloud of stench escaping from the cracks)_ Poli...!
|
|
|
|
BLOOM: _(Calls after her)_ As if you didn't get it on the double
|
|
yourselves. No jerks and multiple mucosities all over you. I tried it.
|
|
Your strength our weakness. What's our studfee? What will you pay on
|
|
the nail? You fee mendancers on the Riviera, I read. _(The fleeing nymph
|
|
raises a keen)_ Eh? I have sixteen years of black slave labour behind
|
|
me. And would a jury give me five shillings alimony tomorrow, eh? Fool
|
|
someone else, not me. _(He sniffs)_ Rut. Onions. Stale. Sulphur. Grease.
|
|
|
|
_(The figure of Bella Cohen stands before him.)_
|
|
|
|
BELLA: You'll know me the next time.
|
|
|
|
BLOOM: _(Composed, regards her) Passee._ Mutton dressed as lamb. Long
|
|
in the tooth and superfluous hair. A raw onion the last thing at night
|
|
would benefit your complexion. And take some double chin drill. Your
|
|
eyes are as vapid as the glasseyes of your stuffed fox. They have the
|
|
dimensions of your other features, that's all. I'm not a triple screw
|
|
propeller.
|
|
|
|
BELLA: _(Contemptuously)_ You're not game, in fact. _(Her sowcunt
|
|
barks)_ Fbhracht!
|
|
|
|
BLOOM: _(Contemptuously)_ Clean your nailless middle finger first, your
|
|
bully's cold spunk is dripping from your cockscomb. Take a handful of
|
|
hay and wipe yourself.
|
|
|
|
BELLA: I know you, canvasser! Dead cod!
|
|
|
|
BLOOM: I saw him, kipkeeper! Pox and gleet vendor!
|
|
|
|
BELLA: _(Turns to the piano)_ Which of you was playing the dead march
|
|
from _Saul?_
|
|
|
|
ZOE: Me. Mind your cornflowers. _(She darts to the piano and bangs
|
|
chords on it with crossed arms)_ The cat's ramble through the slag.
|
|
_(She glances back)_ Eh? Who's making love to my sweeties? _(She darts
|
|
back to the table)_ What's yours is mine and what's mine is my own.
|
|
|
|
_(Kitty, disconcerted, coats her teeth with the silver paper. Bloom
|
|
approaches Zoe.)_
|
|
|
|
BLOOM: _(Gently)_ Give me back that potato, will you?
|
|
|
|
ZOE: Forfeits, a fine thing and a superfine thing.
|
|
|
|
BLOOM: _(With feeling)_ It is nothing, but still, a relic of poor mamma.
|
|
|
|
ZOE:
|
|
|
|
Give a thing and take it back
|
|
God'll ask you where is that
|
|
You'll say you don't know
|
|
God'll send you down below.
|
|
|
|
BLOOM: There is a memory attached to it. I should like to have it.
|
|
|
|
STEPHEN: To have or not to have that is the question.
|
|
|
|
ZOE: Here. _(She hauls up a reef of her slip, revealing her bare thigh,
|
|
and unrolls the potato from the top of her stocking)_ Those that hides
|
|
knows where to find.
|
|
|
|
BELLA: _(Frowns)_ Here. This isn't a musical peepshow. And don't you
|
|
smash that piano. Who's paying here?
|
|
|
|
_(She goes to the pianola. Stephen fumbles in his pocket and, taking out
|
|
a banknote by its corner, hands it to her.)_
|
|
|
|
STEPHEN: _(With exaggerated politeness)_ This silken purse I made out
|
|
of the sow's ear of the public. Madam, excuse me. If you allow me. _(He
|
|
indicates vaguely Lynch and Bloom)_ We are all in the same sweepstake,
|
|
Kinch and Lynch. _Dans ce bordel ou tenons nostre etat_.
|
|
|
|
LYNCH: _(Calls from the hearth)_ Dedalus! Give her your blessing for me.
|
|
|
|
STEPHEN: _(Hands Bella a coin)_ Gold. She has it.
|
|
|
|
BELLA: _(Looks at the money, then at Stephen, then at Zoe, Florry and
|
|
Kitty)_ Do you want three girls? It's ten shillings here.
|
|
|
|
STEPHEN: _(Delightedly)_ A hundred thousand apologies. _(He fumbles
|
|
again and takes out and hands her two crowns)_ Permit, _brevi manu_, my
|
|
sight is somewhat troubled.
|
|
|
|
_(Bella goes to the table to count the money while Stephen talks to
|
|
himself in monosyllables. Zoe bends over the table. Kitty leans over
|
|
Zoe's neck. Lynch gets up, rights his cap and, clasping Kitty's waist,
|
|
adds his head to the group.)_
|
|
|
|
FLORRY: _(Strives heavily to rise)_ Ow! My foot's asleep. _(She limps
|
|
over to the table. Bloom approaches.)_
|
|
|
|
BELLA, ZOE, KITTY, LYNCH, BLOOM: _(Chattering and squabbling)_ The
|
|
gentleman... ten shillings... paying for the three... allow me a
|
|
moment... this gentleman pays separate... who's touching it?... ow!
|
|
... mind who you're pinching... are you staying the night or a short
|
|
time?... who did?... you're a liar, excuse me... the gentleman paid
|
|
down like a gentleman... drink... it's long after eleven.
|
|
|
|
STEPHEN: _(At the pianola, making a gesture of abhorrence)_ No bottles!
|
|
What, eleven? A riddle!
|
|
|
|
ZOE: _(Lifting up her pettigown and folding a half sovereign into the
|
|
top of her stocking)_ Hard earned on the flat of my back.
|
|
|
|
LYNCH: _(Lifting Kitty from the table)_ Come!
|
|
|
|
KITTY: Wait. _(She clutches the two crowns)_
|
|
|
|
FLORRY: And me?
|
|
|
|
LYNCH: Hoopla! _(He lifts her, carries her and bumps her down on the
|
|
sofa.)_
|
|
|
|
STEPHEN:
|
|
|
|
The fox crew, the cocks flew,
|
|
The bells in heaven
|
|
Were striking eleven.
|
|
'Tis time for her poor soul
|
|
To get out of heaven.
|
|
|
|
BLOOM: _(Quietly lays a half sovereign on the table between bella and
|
|
florry)_ So. Allow me. _(He takes up the poundnote)_ Three times ten.
|
|
We're square.
|
|
|
|
BELLA: _(Admiringly)_ You're such a slyboots, old cocky. I could kiss
|
|
you.
|
|
|
|
ZOE: _(Points)_ Him? Deep as a drawwell. _(Lynch bends Kitty back over
|
|
the sofa and kisses her. Bloom goes with the poundnote to Stephen.)_
|
|
|
|
BLOOM: This is yours.
|
|
|
|
STEPHEN: How is that? _Les distrait_ or absentminded beggar. _(He
|
|
fumbles again in his pocket and draws out a handful of coins. An object
|
|
fills.)_ That fell.
|
|
|
|
BLOOM: _(Stooping, picks up and hands a box of matches)_ This.
|
|
|
|
STEPHEN: Lucifer. Thanks.
|
|
|
|
BLOOM: _(Quietly)_ You had better hand over that cash to me to take care
|
|
of. Why pay more?
|
|
|
|
STEPHEN: _(Hands him all his coins)_ Be just before you are generous.
|
|
|
|
BLOOM: I will but is it wise? _(He counts)_ One, seven, eleven, and
|
|
five. Six. Eleven. I don't answer for what you may have lost.
|
|
|
|
STEPHEN: Why striking eleven? Proparoxyton. Moment before the next
|
|
Lessing says. Thirsty fox. _(He laughs loudly)_ Burying his grandmother.
|
|
Probably he killed her.
|
|
|
|
BLOOM: That is one pound six and eleven. One pound seven, say.
|
|
|
|
STEPHEN: Doesn't matter a rambling damn.
|
|
|
|
BLOOM: No, but...
|
|
|
|
STEPHEN: _(Comes to the table)_ Cigarette, please. _(Lynch tosses a
|
|
cigarette from the sofa to the table)_ And so Georgina Johnson is dead
|
|
and married. _(A cigarette appears on the table. Stephen looks at it)_
|
|
Wonder. Parlour magic. Married. Hm. _(He strikes a match and proceeds to
|
|
light the cigarette with enigmatic melancholy)_
|
|
|
|
LYNCH: _(Watching him)_ You would have a better chance of lighting it if
|
|
you held the match nearer.
|
|
|
|
STEPHEN: _(Brings the match near his eye)_ Lynx eye. Must get glasses.
|
|
Broke them yesterday. Sixteen years ago. Distance. The eye sees all
|
|
flat. _(He draws the match away. It goes out.)_ Brain thinks. Near:
|
|
far. Ineluctable modality of the visible. _(He frowns mysteriously)_ Hm.
|
|
Sphinx. The beast that has twobacks at midnight. Married.
|
|
|
|
ZOE: It was a commercial traveller married her and took her away with
|
|
him.
|
|
|
|
FLORRY: _(Nods)_ Mr Lambe from London.
|
|
|
|
STEPHEN: Lamb of London, who takest away the sins of our world.
|
|
|
|
LYNCH: _(Embracing Kitty on the sofa, chants deeply) Dona nobis pacem._
|
|
|
|
_(The cigarette slips from Stephen 's fingers. Bloom picks it up and
|
|
throws it in the grate.)_
|
|
|
|
BLOOM: Don't smoke. You ought to eat. Cursed dog I met. _(To Zoe)_ You
|
|
have nothing?
|
|
|
|
ZOE: Is he hungry?
|
|
|
|
STEPHEN: _(Extends his hand to her smiling and chants to the air of the
|
|
bloodoath in the_ Dusk of the Gods)
|
|
|
|
Hangende Hunger,
|
|
Fragende Frau,
|
|
Macht uns alle kaputt.
|
|
|
|
|
|
ZOE: _(Tragically)_ Hamlet, I am thy father's gimlet! _(She takes
|
|
his hand)_ Blue eyes beauty I'll read your hand. _(She points to his
|
|
forehead)_ No wit, no wrinkles. _(She counts)_ Two, three, Mars, that's
|
|
courage. _(Stephen shakes his head)_ No kid.
|
|
|
|
LYNCH: Sheet lightning courage. The youth who could not shiver and
|
|
shake. _(To Zoe)_ Who taught you palmistry?
|
|
|
|
ZOE: _(Turns)_ Ask my ballocks that I haven't got. _(To Stephen)_ I see
|
|
it in your face. The eye, like that. _(She frowns with lowered head)_
|
|
|
|
LYNCH: _(Laughing, slaps Kitty behind twice)_ Like that. Pandybat.
|
|
|
|
_(Twice loudly a pandybat cracks, the coffin of the pianola flies open,
|
|
the bald little round jack-in-the-box head of Father Dolan springs up.)_
|
|
|
|
FATHER DOLAN: Any boy want flogging? Broke his glasses? Lazy idle little
|
|
schemer. See it in your eye.
|
|
|
|
_(Mild, benign, rectorial, reproving, the head of Don John Conmee rises
|
|
from the pianola coffin.)_
|
|
|
|
DON JOHN CONMEE: Now, Father Dolan! Now. I'm sure that Stephen is a very
|
|
good little boy!
|
|
|
|
ZOE: _(Examining Stephen's palm)_ Woman's hand.
|
|
|
|
STEPHEN: _(Murmurs)_ Continue. Lie. Hold me. Caress. I never could read
|
|
His handwriting except His criminal thumbprint on the haddock.
|
|
|
|
ZOE: What day were you born?
|
|
|
|
STEPHEN: Thursday. Today.
|
|
|
|
ZOE: Thursday's child has far to go. _(She traces lines on his hand)_
|
|
Line of fate. Influential friends.
|
|
|
|
FLORRY: _(Pointing)_ Imagination.
|
|
|
|
ZOE: Mount of the moon. You'll meet with a... _(She peers at his hands
|
|
abruptly)_ I won't tell you what's not good for you. Or do you want to
|
|
know?
|
|
|
|
BLOOM: _(Detaches her fingers and offers his palm)_ More harm than good.
|
|
Here. Read mine.
|
|
|
|
BELLA: Show. _(She turns up bloom's hand)_ I thought so. Knobby knuckles
|
|
for the women.
|
|
|
|
ZOE: _(Peering at bloom's palm)_ Gridiron. Travels beyond the sea and
|
|
marry money.
|
|
|
|
BLOOM: Wrong.
|
|
|
|
ZOE: _(Quickly)_ O, I see. Short little finger. Henpecked husband. That
|
|
wrong?
|
|
|
|
_(Black Liz, a huge rooster hatching in a chalked circle, rises,
|
|
stretches her wings and clucks.)_
|
|
|
|
BLACK LIZ: Gara. Klook. Klook. Klook.
|
|
|
|
_(She sidles from her newlaid egg and waddles off)_
|
|
|
|
BLOOM: _(Points to his hand)_ That weal there is an accident. Fell and
|
|
cut it twentytwo years ago. I was sixteen.
|
|
|
|
ZOE: I see, says the blind man. Tell us news.
|
|
|
|
STEPHEN: See? Moves to one great goal. I am twentytwo. Sixteen years ago
|
|
he was twentytwo too. Sixteen years ago I twentytwo tumbled. Twentytwo
|
|
years ago he sixteen fell off his hobbyhorse. _(He winces)_ Hurt my hand
|
|
somewhere. Must see a dentist. Money?
|
|
|
|
_(Zoe whispers to Florry. They giggle. Bloom releases his hand and
|
|
writes idly on the table in backhand, pencilling slow curves.)_
|
|
|
|
FLORRY: What?
|
|
|
|
_(A hackneycar, number three hundred and twentyfour, with a
|
|
gallantbuttocked mare, driven by James Barton, Harmony Avenue,
|
|
Donnybrook, trots past. Blazes Boylan and Lenehan sprawl swaying on the
|
|
sideseats. The Ormond boots crouches behind on the axle. Sadly over the
|
|
crossblind Lydia Douce and Mina Kennedy gaze.)_
|
|
|
|
THE BOOTS: _(Jogging, mocks them with thumb and wriggling wormfingers)_
|
|
Haw haw have you the horn?
|
|
|
|
_(Bronze by gold they whisper.)_
|
|
|
|
ZOE: _(To Florry)_ Whisper.
|
|
|
|
_(They whisper again)_
|
|
|
|
_(Over the well of the car Blazes Boylan leans, his boater straw set
|
|
sideways, a red flower in his mouth. Lenehan in yachtsman's cap and
|
|
white shoes officiously detaches a long hair from Blazes Boylan's coat
|
|
shoulder.)_
|
|
|
|
LENEHAN: Ho! What do I here behold? Were you brushing the cobwebs off a
|
|
few quims?
|
|
|
|
BOYLAN: _(Seated, smiles)_ Plucking a turkey.
|
|
|
|
LENEHAN: A good night's work.
|
|
|
|
BOYLAN: _(Holding up four thick bluntungulated fingers, winks)_ Blazes
|
|
Kate! Up to sample or your money back. _(He holds out a forefinger)_
|
|
Smell that.
|
|
|
|
LENEHAN: _(Smells gleefully)_ Ah! Lobster and mayonnaise. Ah!
|
|
|
|
ZOE AND FLORRY: _(Laugh together)_ Ha ha ha ha.
|
|
|
|
BOYLAN: _(Jumps surely from the car and calls loudly for all to hear)_
|
|
Hello, Bloom! Mrs Bloom dressed yet?
|
|
|
|
BLOOM: _(In flunkey's prune plush coat and kneebreeches, buff stockings
|
|
and powdered wig)_ I'm afraid not, sir. The last articles...
|
|
|
|
BOYLAN: _(Tosses him sixpence)_ Here, to buy yourself a gin and splash.
|
|
_(He hangs his hat smartly on a peg of Bloom's antlered head)_ Show me
|
|
in. I have a little private business with your wife, you understand?
|
|
|
|
BLOOM: Thank you, sir. Yes, sir. Madam Tweedy is in her bath, sir.
|
|
|
|
MARION: He ought to feel himself highly honoured. _(She plops splashing
|
|
out of the water)_ Raoul darling, come and dry me. I'm in my pelt. Only
|
|
my new hat and a carriage sponge.
|
|
|
|
BOYLAN: _(A merry twinkle in his eye)_ Topping!
|
|
|
|
BELLA: What? What is it?
|
|
|
|
_(Zoe whispers to her.)_
|
|
|
|
MARION: Let him look, the pishogue! Pimp! And scourge himself! I'll
|
|
write to a powerful prostitute or Bartholomona, the bearded woman, to
|
|
raise weals out on him an inch thick and make him bring me back a signed
|
|
and stamped receipt.
|
|
|
|
BOYLAN: (clasps himself) Here, I can't hold this little lot much longer.
|
|
(he strides off on stiff cavalry legs)
|
|
|
|
BELLA: _(Laughing)_ Ho ho ho ho.
|
|
|
|
BOYLAN: _(To Bloom, over his shoulder)_ You can apply your eye to the
|
|
keyhole and play with yourself while I just go through her a few times.
|
|
|
|
BLOOM: Thank you, sir. I will, sir. May I bring two men chums to witness
|
|
the deed and take a snapshot? _(He holds out an ointment jar)_ Vaseline,
|
|
sir? Orangeflower...? Lukewarm water...?
|
|
|
|
KITTY: _(From the sofa)_ Tell us, Florry. Tell us. What.
|
|
|
|
_(Florry whispers to her. Whispering lovewords murmur, liplapping
|
|
loudly, poppysmic plopslop.)_
|
|
|
|
MINA KENNEDY: _(Her eyes upturned)_ O, it must be like the scent of
|
|
geraniums and lovely peaches! O, he simply idolises every bit of her!
|
|
Stuck together! Covered with kisses!
|
|
|
|
LYDIA DOUCE: _(Her mouth opening)_ Yumyum. O, he's carrying her round
|
|
the room doing it! Ride a cockhorse. You could hear them in Paris and
|
|
New York. Like mouthfuls of strawberries and cream.
|
|
|
|
KITTY: _(Laughing)_ Hee hee hee.
|
|
|
|
BOYLAN'S VOICE: _(Sweetly, hoarsely, in the pit of his stomach)_ Ah!
|
|
Gooblazqruk brukarchkrasht!
|
|
|
|
MARION'S VOICE: _(Hoarsely, sweetly, rising to her throat)_ O!
|
|
Weeshwashtkissinapooisthnapoohuck?
|
|
|
|
BLOOM: _(His eyes wildly dilated, clasps himself)_ Show! Hide! Show!
|
|
Plough her! More! Shoot!
|
|
|
|
BELLA, ZOE, FLORRY, KITTY: Ho ho! Ha ha! Hee hee!
|
|
|
|
LYNCH: _(Points)_ The mirror up to nature. _(He laughs)_ Hu hu hu hu hu!
|
|
|
|
_(Stephen and Bloom gaze in the mirror. The face of William Shakespeare,
|
|
beardless, appears there, rigid in facial paralysis, crowned by the
|
|
reflection of the reindeer antlered hatrack in the hall.)_
|
|
|
|
SHAKESPEARE: _(In dignified ventriloquy)_ 'Tis the loud laugh bespeaks
|
|
the vacant mind. _(To Bloom)_ Thou thoughtest as how thou wastest
|
|
invisible. Gaze. _(He crows with a black capon's laugh)_ Iagogo! How my
|
|
Oldfellow chokit his Thursdaymornun. Iagogogo!
|
|
|
|
BLOOM: _(Smiles yellowly at the three whores)_ When will I hear the
|
|
joke?
|
|
|
|
ZOE: Before you're twice married and once a widower.
|
|
|
|
BLOOM: Lapses are condoned. Even the great Napoleon when measurements
|
|
were taken next the skin after his death...
|
|
|
|
_(Mrs Dignam, widow woman, her snubnose and cheeks flushed with
|
|
deathtalk, tears and Tunney's tawny sherry, hurries by in her weeds,
|
|
her bonnet awry, rouging and powdering her cheeks, lips and nose, a
|
|
pen chivvying her brood of cygnets. Beneath her skirt appear her late
|
|
husband's everyday trousers and turnedup boots, large eights. She holds
|
|
a Scottish widows' insurance policy and a large marquee umbrella under
|
|
which her brood run with her, Patsy hopping on one shod foot, his collar
|
|
loose, a hank of porksteaks dangling, freddy whimpering, Susy with a
|
|
crying cod's mouth, Alice struggling with the baby. She cuffs them on,
|
|
her streamers flaunting aloft.)_
|
|
|
|
FREDDY: Ah, ma, you're dragging me along!
|
|
|
|
SUSY: Mamma, the beeftea is fizzing over!
|
|
|
|
SHAKESPEARE: _(With paralytic rage)_ Weda seca whokilla farst.
|
|
|
|
_(The face of Martin Cunningham, bearded, refeatures Shakespeare's
|
|
beardless face. The marquee umbrella sways drunkenly, the children run
|
|
aside. Under the umbrella appears Mrs Cunningham in Merry Widow hat and
|
|
kimono gown. She glides sidling and bowing, twirling japanesily.)_
|
|
|
|
MRS CUNNINGHAM: _(Sings)_
|
|
|
|
And they call me the jewel of Asia!
|
|
|
|
MARTIN CUNNINGHAM: _(Gazes on her, impassive)_ Immense! Most bloody
|
|
awful demirep!
|
|
|
|
STEPHEN: _Et exaltabuntur cornua iusti._ Queens lay with prize bulls.
|
|
Remember Pasiphae for whose lust my grandoldgrossfather made the first
|
|
confessionbox. Forget not Madam Grissel Steevens nor the suine scions
|
|
of the house of Lambert. And Noah was drunk with wine. And his ark was
|
|
open.
|
|
|
|
BELLA: None of that here. Come to the wrong shop.
|
|
|
|
LYNCH: Let him alone. He's back from Paris.
|
|
|
|
ZOE: _(Runs to stephen and links him)_ O go on! Give us some parleyvoo.
|
|
|
|
_(Stephen claps hat on head and leaps over to the fireplace where he
|
|
stands with shrugged shoulders, finny hands outspread, a painted smile
|
|
on his face.)_
|
|
|
|
LYNCH: _(Oommelling on the sofa)_ Rmm Rmm Rmm Rrrrrrmmmm.
|
|
|
|
STEPHEN: _(Gabbles with marionette jerks)_ Thousand places of
|
|
entertainment to expense your evenings with lovely ladies saling gloves
|
|
and other things perhaps hers heart beerchops perfect fashionable
|
|
house very eccentric where lots cocottes beautiful dressed much about
|
|
princesses like are dancing cancan and walking there parisian clowneries
|
|
extra foolish for bachelors foreigns the same if talking a poor english
|
|
how much smart they are on things love and sensations voluptuous.
|
|
Misters very selects for is pleasure must to visit heaven and hell show
|
|
with mortuary candles and they tears silver which occur every night.
|
|
Perfectly shocking terrific of religion's things mockery seen in
|
|
universal world. All chic womans which arrive full of modesty then
|
|
disrobe and squeal loud to see vampire man debauch nun very fresh young
|
|
with _dessous troublants_. _(He clacks his tongue loudly)_ _Ho, la la!
|
|
Ce pif qu'il a!_
|
|
|
|
LYNCH: _Vive le vampire!_
|
|
|
|
THE WHORES: Bravo! Parleyvoo!
|
|
|
|
STEPHEN: _(Grimacing with head back, laughs loudly, clapping himself)_
|
|
Great success of laughing. Angels much prostitutes like and holy
|
|
apostles big damn ruffians. _Demimondaines_ nicely handsome sparkling of
|
|
diamonds very amiable costumed. Or do you are fond better what belongs
|
|
they moderns pleasure turpitude of old mans? _(He points about him with
|
|
grotesque gestures which Lynch and the whores reply to)_ Caoutchouc
|
|
statue woman reversible or lifesize tompeeptom of virgins nudities very
|
|
lesbic the kiss five ten times. Enter, gentleman, to see in mirror every
|
|
positions trapezes all that machine there besides also if desire act
|
|
awfully bestial butcher's boy pollutes in warm veal liver or omlet on
|
|
the belly _piece de Shakespeare._
|
|
|
|
BELLA: _(Clapping her belly sinks back on the sofa, with a shout of
|
|
laughter)_ An omelette on the... Ho! ho! ho! ho!... omelette on the...
|
|
|
|
STEPHEN: _(Mincingly)_ I love you, sir darling. Speak you englishman
|
|
tongue for _double entente cordiale._ O yes, _mon loup_. How much cost?
|
|
Waterloo. Watercloset. _(He ceases suddenly and holds up a forefinger)_
|
|
|
|
BELLA: _(Laughing)_ Omelette...
|
|
|
|
THE WHORES: _(Laughing)_ Encore! Encore!
|
|
|
|
STEPHEN: Mark me. I dreamt of a watermelon.
|
|
|
|
ZOE: Go abroad and love a foreign lady.
|
|
|
|
LYNCH: Across the world for a wife.
|
|
|
|
FLORRY: Dreams goes by contraries.
|
|
|
|
STEPHEN: _(Extends his arms)_ It was here. Street of harlots. In
|
|
Serpentine avenue Beelzebub showed me her, a fubsy widow. Where's the
|
|
red carpet spread?
|
|
|
|
BLOOM: _(Approaching Stephen)_ Look...
|
|
|
|
STEPHEN: No, I flew. My foes beneath me. And ever shall be. World
|
|
without end. _(He cries) P_ater! Free!
|
|
|
|
BLOOM: I say, look...
|
|
|
|
STEPHEN: Break my spirit, will he? _O merde alors! (He cries, his
|
|
vulture talons sharpened)_ Hola! Hillyho!
|
|
|
|
_(Simon Dedalus' voice hilloes in answer, somewhat sleepy but ready.)_
|
|
|
|
SIMON: That's all right. _(He swoops uncertainly through the air,
|
|
wheeling, uttering cries of heartening, on strong ponderous buzzard
|
|
wings)_ Ho, boy! Are you going to win? Hoop! Pschatt! Stable with those
|
|
halfcastes. Wouldn't let them within the bawl of an ass. Head up! Keep
|
|
our flag flying! An eagle gules volant in a field argent displayed.
|
|
Ulster king at arms! Haihoop! _(He makes the beagle's call, giving
|
|
tongue)_ Bulbul! Burblblburblbl! Hai, boy!
|
|
|
|
_(The fronds and spaces of the wallpaper file rapidly across country.
|
|
A stout fox, drawn from covert, brush pointed, having buried his
|
|
grandmother, runs swift for the open, brighteyed, seeking badger earth,
|
|
under the leaves. The pack of staghounds follows, nose to the ground,
|
|
sniffing their quarry, beaglebaying, burblbrbling to be blooded. Ward
|
|
Union huntsmen and huntswomen live with them, hot for a kill. From Six
|
|
Mile Point, Flathouse, Nine Mile Stone follow the footpeople with knotty
|
|
sticks, hayforks, salmongaffs, lassos, flockmasters with stockwhips,
|
|
bearbaiters with tomtoms, toreadors with bullswords, greynegroes
|
|
waving torches. The crowd bawls of dicers, crown and anchor players,
|
|
thimbleriggers, broadsmen. Crows and touts, hoarse bookies in high
|
|
wizard hats clamour deafeningly.)_
|
|
|
|
THE CROWD:
|
|
|
|
Card of the races. Racing card!
|
|
Ten to one the field!
|
|
Tommy on the clay here! Tommy on the clay!
|
|
Ten to one bar one! Ten to one bar one!
|
|
Try your luck on Spinning Jenny!
|
|
Ten to one bar one!
|
|
Sell the monkey, boys! Sell the monkey!
|
|
I'll give ten to one!
|
|
Ten to one bar one!
|
|
|
|
_(A dark horse, riderless, bolts like a phantom past the winningpost,
|
|
his mane moonfoaming, his eyeballs stars. The field follows, a bunch of
|
|
bucking mounts. Skeleton horses, Sceptre, Maximum the Second, Zinfandel,
|
|
the Duke of Westminster's Shotover, Repulse, the Duke of Beaufort's
|
|
Ceylon, prix de Paris. Dwarfs ride them, rustyarmoured, leaping, leaping
|
|
in their, in their saddles. Last in a drizzle of rain on a brokenwinded
|
|
isabelle nag, Cock of the North, the favourite, honey cap, green jacket,
|
|
orange sleeves, Garrett Deasy up, gripping the reins, a hockeystick at
|
|
the ready. His nag on spavined whitegaitered feet jogs along the rocky
|
|
road.)_
|
|
|
|
THE ORANGE LODGES: _(Jeering)_ Get down and push, mister. Last lap!
|
|
You'll be home the night!
|
|
|
|
GARRETT DEASY: _(Bolt upright, his nailscraped face plastered with
|
|
postagestamps, brandishes his hockeystick, his blue eyes flashing in the
|
|
prism of the chandelier as his mount lopes by at schooling gallop)_
|
|
|
|
_Per vias rectas!_
|
|
|
|
_(A yoke of buckets leopards all over him and his rearing nag a torrent
|
|
of mutton broth with dancing coins of carrots, barley, onions, turnips,
|
|
potatoes.)_
|
|
|
|
THE GREEN LODGES: Soft day, sir John! Soft day, your honour!
|
|
|
|
_(Private Carr, Private Compton and Cissy Caffrey pass beneath the
|
|
windows, singing in discord.)_
|
|
|
|
STEPHEN: Hark! Our friend noise in the street.
|
|
|
|
ZOE: _(Holds up her hand)_ Stop!
|
|
|
|
PRIVATE CARR, PRIVATE COMPTON AND CISSY CAFFREY:
|
|
|
|
Yet I've a sort a Yorkshire relish for...
|
|
|
|
ZOE: That's me. _(She claps her hands)_ Dance! Dance! _(She runs to the
|
|
pianola)_ Who has twopence?
|
|
|
|
BLOOM: Who'll...?
|
|
|
|
LYNCH: _(Handing her coins)_ Here.
|
|
|
|
STEPHEN: _(Cracking his fingers impatiently)_ Quick! Quick! Where's my
|
|
augur's rod? _(He runs to the piano and takes his ashplant, beating his
|
|
foot in tripudium)_
|
|
|
|
ZOE: _(Turns the drumhandle)_ There.
|
|
|
|
_(She drops two pennies in the slot. Gold, pink and violet lights
|
|
start forth. The drum turns purring in low hesitation waltz. Professor
|
|
Goodwin, in a bowknotted periwig, in court dress, wearing a stained
|
|
inverness cape, bent in two from incredible age, totters across the
|
|
room, his hands fluttering. He sits tinily on the pianostool and lifts
|
|
and beats handless sticks of arms on the keyboard, nodding with damsel's
|
|
grace, his bowknot bobbing)_
|
|
|
|
ZOE: _(Twirls round herself, heeltapping)_ Dance. Anybody here for
|
|
there? Who'll dance? Clear the table.
|
|
|
|
_(The pianola with changing lights plays in waltz time the prelude of_
|
|
My Girl's a Yorkshire Girl. _Stephen throws his ashplant on the table
|
|
and seizes Zoe round the waist. Florry and Bella push the table towards
|
|
the fireplace. Stephen, arming Zoe with exaggerated grace, begins to
|
|
waltz her round the room. Bloom stands aside. Her sleeve filling from
|
|
gracing arms reveals a white fleshflower of vaccination. Between the
|
|
curtains Professor Maginni inserts a leg on the toepoint of which spins
|
|
a silk hat. With a deft kick he sends it spinning to his crown and
|
|
jauntyhatted skates in. He wears a slate frockcoat with claret silk
|
|
lapels, a gorget of cream tulle, a green lowcut waistcoat, stock collar
|
|
with white kerchief, tight lavender trousers, patent pumps and canary
|
|
gloves. In his buttonhole is an immense dahlia. He twirls in reversed
|
|
directions a clouded cane, then wedges it tight in his oxter. He places
|
|
a hand lightly on his breastbone, bows, and fondles his flower and
|
|
buttons.)_
|
|
|
|
MAGINNI: The poetry of motion, art of calisthenics. No connection
|
|
with Madam Legget Byrne's or Levenston's. Fancy dress balls arranged.
|
|
Deportment. The Katty Lanner step. So. Watch me! My terpsichorean
|
|
abilities. _(He minuets forward three paces on tripping bee's feet) Tout
|
|
le monde en avant! Reverence! Tout le monde en place!_
|
|
|
|
_(The prelude ceases. Professor Goodwin, beating vague arms shrivels,
|
|
sinks, his live cape filling about the stool. The air in firmer waltz
|
|
time sounds. Stephen and Zoe circle freely. The lights change, glow,
|
|
fide gold rosy violet.)_
|
|
|
|
THE PIANOLA:
|
|
|
|
Two young fellows were talking about their girls, girls, girls,
|
|
Sweethearts they'd left behind...
|
|
|
|
_(From a corner the morning hours run out, goldhaired, slimsandalled,
|
|
in girlish blue, waspwaisted, with innocent hands. Nimbly they dance,
|
|
twirling their skipping ropes. The hours of noon follow in amber gold.
|
|
Laughing, linked, high haircombs flashing, they catch the sun in mocking
|
|
mirrors, lifting their arms.)_
|
|
|
|
MAGINNI: _(Clipclaps glovesilent hands) Carre! Avant deux!_ Breathe
|
|
evenly! _Balance!_
|
|
|
|
_(The morning and noon hours waltz in their places, turning, advancing
|
|
to each other, shaping their curves, bowing visavis. Cavaliers behind
|
|
them arch and suspend their arms, with hands descending to, touching,
|
|
rising from their shoulders.)_
|
|
|
|
HOURS: You may touch my.
|
|
|
|
CAVALIERS: May I touch your?
|
|
|
|
HOURS: O, but lightly!
|
|
|
|
CAVALIERS: O, so lightly!
|
|
|
|
THE PIANOLA:
|
|
|
|
My little shy little lass has a waist.
|
|
|
|
_(Zoe and Stephen turn boldly with looser swing. The twilight hours
|
|
advance from long landshadows, dispersed, lagging, languideyed, their
|
|
cheeks delicate with cipria and false faint bloom. They are in grey
|
|
gauze with dark bat sleeves that flutter in the land breeze.)_
|
|
|
|
MAGINNI: _Avant huit! Traverse! Salut! Cours de mains! Croise!_
|
|
|
|
_(The night hours, one by one, steal to the last place. Morning, noon
|
|
and twilight hours retreat before them. They are masked, with daggered
|
|
hair and bracelets of dull bells. Weary they curchycurchy under veils.)_
|
|
|
|
THE BRACELETS: Heigho! Heigho!
|
|
|
|
ZOE: _(Twirling, her hand to her brow)_ O!
|
|
|
|
MAGINNI: _Les tiroirs! Chaine de dames! La corbeille! Dos a dos!_
|
|
|
|
_(Arabesquing wearily they weave a pattern on the floor, weaving,
|
|
unweaving, curtseying, twirling, simply swirling.)_
|
|
|
|
ZOE: I'm giddy!
|
|
|
|
_(She frees herself, droops on a chair. Stephen seizes Florry and turns
|
|
with her.)_
|
|
|
|
MAGINNI: Boulangere! Les ronds! Les ponts! Chevaux de bois! Escargots!
|
|
|
|
_(Twining, receding, with interchanging hands the night hours link each
|
|
each with arching arms in a mosaic of movements. Stephen and Florry turn
|
|
cumbrously.)_
|
|
|
|
MAGINNI: _Dansez avec vos dames! Changez de dames! Donnez le petit
|
|
bouquet a votre dame! Remerciez!_
|
|
|
|
THE PIANOLA:
|
|
|
|
Best, best of all,
|
|
Baraabum!
|
|
|
|
KITTY: (JUMPS UP) O, they played that on the hobbyhorses at the Mirus
|
|
bazaar!
|
|
|
|
_(She runs to Stephen. He leaves florry brusquely and seizes Kitty.
|
|
A screaming bittern's harsh high whistle shrieks. Groangrousegurgling
|
|
Toft's cumbersome whirligig turns slowly the room right roundabout the
|
|
room.)_
|
|
|
|
THE PIANOLA:
|
|
|
|
My girl's a Yorkshire girl.
|
|
|
|
ZOE:
|
|
|
|
Yorkshire through and through.
|
|
|
|
Come on all!
|
|
|
|
_(She seizes Florry and waltzes her.)_
|
|
|
|
STEPHEN: _Pas seul!_
|
|
|
|
_(He wheels Kitty into Lynch's arms, snatches up his ashplant from
|
|
the table and takes the floor. All wheel whirl waltz twirl. Bloombella
|
|
Kittylynch Florryzoe jujuby women. Stephen with hat ashplant frogsplits
|
|
in middle highkicks with skykicking mouth shut hand clasp part under
|
|
thigh. With clang tinkle boomhammer tallyho hornblower blue green yellow
|
|
flashes Toft's cumbersome turns with hobbyhorse riders from gilded
|
|
snakes dangled, bowels fandango leaping spurn soil foot and fall
|
|
again.)_
|
|
|
|
THE PIANOLA:
|
|
|
|
Though she's a factory lass
|
|
And wears no fancy clothes.
|
|
|
|
_(Closeclutched swift swifter with glareblareflare scudding they
|
|
scootlootshoot lumbering by. Baraabum!)_
|
|
|
|
TUTTI: Encore! Bis! Bravo! Encore!
|
|
|
|
SIMON: Think of your mother's people!
|
|
|
|
STEPHEN: Dance of death.
|
|
|
|
_(Bang fresh barang bang of lacquey's bell, horse, nag, steer, piglings,
|
|
Conmee on Christass, lame crutch and leg sailor in cockboat armfolded
|
|
ropepulling hitching stamp hornpipe through and through. Baraabum! On
|
|
nags hogs bellhorses Gadarene swine Corny in coffin Steel shark stone
|
|
onehandled nelson two trickies Frauenzimmer plumstained from pram
|
|
filling bawling gum he's a champion. Fuseblue peer from barrel rev.
|
|
evensong Love on hackney jaunt Blazes blind coddoubled bicyclers Dilly
|
|
with snowcake no fancy clothes. Then in last switchback lumbering up
|
|
and down bump mashtub sort of viceroy and reine relish for tublumber
|
|
bumpshire rose. Baraabum!)_
|
|
|
|
_(The couples fall aside. Stephen whirls giddily. Room whirls back. Eyes
|
|
closed he totters. Red rails fly spacewards. Stars all around suns turn
|
|
roundabout. Bright midges dance on walls. He stops dead.)_
|
|
|
|
STEPHEN: Ho!
|
|
|
|
_(Stephen's mother, emaciated, rises stark through the floor, in leper
|
|
grey with a wreath of faded orangeblossoms and a torn bridal veil, her
|
|
face worn and noseless, green with gravemould. Her hair is scant and
|
|
lank. She fixes her bluecircled hollow eyesockets on Stephen and opens
|
|
her toothless mouth uttering a silent word. A choir of virgins and
|
|
confessors sing voicelessly.)_
|
|
|
|
THE CHOIR:
|
|
|
|
Liliata rutilantium te confessorum...
|
|
Iubilantium te virginum...
|
|
|
|
_(from the top of a tower Buck Mulligan, in particoloured jester's dress
|
|
of puce and yellow and clown's cap with curling bell, stands gaping at
|
|
her, a smoking buttered split scone in his hand.)_
|
|
|
|
BUCK MULLIGAN: She's beastly dead. The pity of it! Mulligan meets the
|
|
afflicted mother. _(He upturns his eyes)_ Mercurial Malachi!
|
|
|
|
THE MOTHER: _(With the subtle smile of death's madness)_ I was once the
|
|
beautiful May Goulding. I am dead.
|
|
|
|
STEPHEN: _(Horrorstruck)_ Lemur, who are you? No. What bogeyman's trick
|
|
is this?
|
|
|
|
BUCK MULLIGAN: _(Shakes his curling capbell)_ The mockery of it! Kinch
|
|
dogsbody killed her bitchbody. She kicked the bucket. _(Tears of molten
|
|
butter fall from his eyes on to the scone)_ Our great sweet mother! _Epi
|
|
oinopa ponton._
|
|
|
|
THE MOTHER: _(Comes nearer, breathing upon him softly her breath of
|
|
wetted ashes)_ All must go through it, Stephen. More women than men in
|
|
the world. You too. Time will come.
|
|
|
|
STEPHEN: _(Choking with fright, remorse and horror)_ They say I killed
|
|
you, mother. He offended your memory. Cancer did it, not I. Destiny.
|
|
|
|
THE MOTHER: _(A green rill of bile trickling from a side of her mouth)_
|
|
You sang that song to me. _Love's bitter mystery._
|
|
|
|
STEPHEN: _(Eagerly)_ Tell me the word, mother, if you know now. The word
|
|
known to all men.
|
|
|
|
THE MOTHER: Who saved you the night you jumped into the train at
|
|
Dalkey with Paddy Lee? Who had pity for you when you were sad among the
|
|
strangers? Prayer is allpowerful. Prayer for the suffering souls in the
|
|
Ursuline manual and forty days' indulgence. Repent, Stephen.
|
|
|
|
STEPHEN: The ghoul! Hyena!
|
|
|
|
THE MOTHER: I pray for you in my other world. Get Dilly to make you that
|
|
boiled rice every night after your brainwork. Years and years I loved
|
|
you, O, my son, my firstborn, when you lay in my womb.
|
|
|
|
ZOE: _(Fanning herself with the grate fan)_ I'm melting!
|
|
|
|
FLORRY: _(Points to Stephen)_ Look! He's white.
|
|
|
|
BLOOM: _(Goes to the window to open it more)_ Giddy.
|
|
|
|
THE MOTHER: _(With smouldering eyes)_ Repent! O, the fire of hell!
|
|
|
|
STEPHEN: _(Panting)_ His noncorrosive sublimate! The corpsechewer! Raw
|
|
head and bloody bones.
|
|
|
|
THE MOTHER: _(Her face drawing near and nearer, sending out an ashen
|
|
breath)_ Beware! _(She raises her blackened withered right arm slowly
|
|
towards Stephen's breast with outstretched finger)_ Beware God's hand!
|
|
_(A green crab with malignant red eyes sticks deep its grinning claws in
|
|
Stephen's heart.)_
|
|
|
|
STEPHEN: _(Strangled with rage)_ Shite! _(His features grow drawn grey
|
|
and old)_
|
|
|
|
BLOOM: _(At the window)_ What?
|
|
|
|
STEPHEN: _Ah non, par exemple!_ The intellectual imagination! With me
|
|
all or not at all. _Non serviam!_
|
|
|
|
FLORRY: Give him some cold water. Wait. _(She rushes out)_
|
|
|
|
THE MOTHER: _(Wrings her hands slowly, moaning desperately)_ O Sacred
|
|
Heart of Jesus, have mercy on him! Save him from hell, O Divine Sacred
|
|
Heart!
|
|
|
|
STEPHEN: No! No! No! Break my spirit, all of you, if you can! I'll bring
|
|
you all to heel!
|
|
|
|
THE MOTHER: _(In the agony of her deathrattle)_ Have mercy on Stephen,
|
|
Lord, for my sake! Inexpressible was my anguish when expiring with love,
|
|
grief and agony on Mount Calvary.
|
|
|
|
STEPHEN: _Nothung_!
|
|
|
|
_(He lifts his ashplant high with both hands and smashes the chandelier.
|
|
Time's livid final flame leaps and, in the following darkness, ruin of
|
|
all space, shattered glass and toppling masonry.)_
|
|
|
|
THE GASJET: Pwfungg!
|
|
|
|
BLOOM: Stop!
|
|
|
|
LYNCH: _(Rushes forward and seizes Stephen's hand)_ Here! Hold on! Don't
|
|
run amok!
|
|
|
|
BELLA: Police!
|
|
|
|
_(Stephen, abandoning his ashplant, his head and arms thrown back stark,
|
|
beats the ground and flies from the room, past the whores at the door.)_
|
|
|
|
BELLA: _(Screams)_ After him!
|
|
|
|
_(The two whores rush to the halldoor. Lynch and Kitty and Zoe stampede
|
|
from the room. They talk excitedly. Bloom follows, returns.)_
|
|
|
|
THE WHORES: _(Jammed in the doorway, pointing)_ Down there.
|
|
|
|
ZOE: _(Pointing)_ There. There's something up.
|
|
|
|
BELLA: Who pays for the lamp? _(She seizes Bloom's coattail)_ Here, you
|
|
were with him. The lamp's broken.
|
|
|
|
BLOOM: _(Rushes to the hall, rushes back)_ What lamp, woman?
|
|
|
|
A WHORE: He tore his coat.
|
|
|
|
BELLA: _(Her eyes hard with anger and cupidity, points)_ Who's to pay
|
|
for that? Ten shillings. You're a witness.
|
|
|
|
BLOOM: _(Snatches up Stephen's ashplant)_ Me? Ten shillings? Haven't you
|
|
lifted enough off him? Didn't he...?
|
|
|
|
BELLA: _(Loudly)_ Here, none of your tall talk. This isn't a brothel. A
|
|
ten shilling house.
|
|
|
|
BLOOM: _(His head under the lamp, pulls the chain. Puling, the gasjet
|
|
lights up a crushed mauve purple shade. He raises the ashplant.)_ Only
|
|
the chimney's broken. Here is all he...
|
|
|
|
BELLA: _(Shrinks back and screams)_ Jesus! Don't!
|
|
|
|
BLOOM: _(Warding off a blow)_ To show you how he hit the paper. There's
|
|
not sixpenceworth of damage done. Ten shillings!
|
|
|
|
FLORRY: _(With a glass of water, enters)_ Where is he?
|
|
|
|
BELLA: Do you want me to call the police?
|
|
|
|
BLOOM: O, I know. Bulldog on the premises. But he's a Trinity student.
|
|
Patrons of your establishment. Gentlemen that pay the rent. _(He makes
|
|
a masonic sign)_ Know what I mean? Nephew of the vice-chancellor. You
|
|
don't want a scandal.
|
|
|
|
BELLA: _(Angrily)_ Trinity. Coming down here ragging after the boatraces
|
|
and paying nothing. Are you my commander here or? Where is he? I'll
|
|
charge him! Disgrace him, I will! (She Shouts) Zoe! Zoe!
|
|
|
|
BLOOM: _(Urgently)_ And if it were your own son in Oxford? _(Warningly)_
|
|
I know.
|
|
|
|
BELLA: _(Almost speechless)_ Who are. Incog!
|
|
|
|
ZOE: _(In the doorway)_ There's a row on.
|
|
|
|
BLOOM: What? Where? _(He throws a shilling on the table and starts)_
|
|
That's for the chimney. Where? I need mountain air.
|
|
|
|
_(He hurries out through the hall. The whores point. Florry follows,
|
|
spilling water from her tilted tumbler. On the doorstep all the whores
|
|
clustered talk volubly, pointing to the right where the fog has cleared
|
|
off. From the left arrives a jingling hackney car. It slows to in front
|
|
of the house. Bloom at the halldoor perceives Corny Kelleher who is
|
|
about to dismount from the car with two silent lechers. He averts
|
|
his face. Bella from within the hall urges on her whores. They blow
|
|
ickylickysticky yumyum kisses. Corny Kelleher replies with a ghastly
|
|
lewd smile. The silent lechers turn to pay the jarvey. Zoe and Kitty
|
|
still point right. Bloom, parting them swiftly, draws his caliph's hood
|
|
and poncho and hurries down the steps with sideways face. Incog Haroun
|
|
al Raschid he flits behind the silent lechers and hastens on by the
|
|
railings with fleet step of a pard strewing the drag behind him, torn
|
|
envelopes drenched in aniseed. The ashplant marks his stride. A pack
|
|
of bloodhounds, led by Hornblower of Trinity brandishing a dogwhip in
|
|
tallyho cap and an old pair of grey trousers, follow from fir, picking
|
|
up the scent, nearer, baying, panting, at fault, breaking away, throwing
|
|
their tongues, biting his heels, leaping at his tail. He walks,
|
|
runs, zigzags, gallops, lugs laid back. He is pelted with gravel,
|
|
cabbagestumps, biscuitboxes, eggs, potatoes, dead codfish, woman's
|
|
slipperslappers. After him freshfound the hue and cry zigzag gallops
|
|
in hot pursuit of follow my leader: 65 C, 66 C, night watch, John Henry
|
|
Menton, Wisdom Hely, V. B. Dillon, Councillor Nannetti, Alexander Keyes,
|
|
Larry O'rourke, Joe Cuffe Mrs O'dowd, Pisser Burke, The Nameless One,
|
|
Mrs Riordan, The Citizen, Garryowen, Whodoyoucallhim, Strangeface,
|
|
Fellowthatsolike, Sawhimbefore, Chapwithawen, Chris Callinan, Sir
|
|
Charles Cameron, Benjamin Dollard, Lenehan, Bartell d'Arcy, Joe Hynes,
|
|
red Murray, editor Brayden, T. M. Healy, Mr Justice Fitzgibbon, John
|
|
Howard Parnell, the reverend Tinned Salmon, Professor Joly, Mrs
|
|
Breen, Denis Breen, Theodore Purefoy, Mina Purefoy, the Westland
|
|
Row postmistress, C. P. M'Coy, friend of Lyons, Hoppy Holohan,
|
|
maninthestreet, othermaninthestreet, Footballboots, pugnosed driver,
|
|
rich protestant lady, Davy Byrne, Mrs Ellen M'Guinness, Mrs Joe
|
|
Gallaher, George Lidwell, Jimmy Henry on corns, Superintendent Laracy,
|
|
Father Cowley, Crofton out of the Collector-general's, Dan Dawson,
|
|
dental surgeon Bloom with tweezers, Mrs Bob Doran, Mrs Kennefick, Mrs
|
|
Wyse Nolan, John Wyse Nolan, handsomemarriedwomanrubbedagainstwide
|
|
behindinClonskeatram, the bookseller of_ Sweets of Sin, _Miss
|
|
Dubedatandshedidbedad, Mesdames Gerald and Stanislaus Moran of Roebuck,
|
|
the managing clerk of Drimmie's, Wetherup, colonel Hayes, Mastiansky,
|
|
Citron, Penrose, Aaron Figatner, Moses Herzog, Michael E Geraghty,
|
|
Inspector Troy, Mrs Galbraith, the constable off Eccles Street corner,
|
|
old doctor Brady with stethoscope, the mystery man on the beach, a
|
|
retriever, Mrs Miriam Dandrade and all her lovers.)_
|
|
|
|
THE HUE AND CRY: _(Helterskelterpelterwelter)_ He's Bloom! Stop Bloom!
|
|
Stopabloom! Stopperrobber! Hi! Hi! Stophim on the corner!
|
|
|
|
_(At the corner of Beaver Street beneath the scaffolding Bloom panting
|
|
stops on the fringe of the noisy quarrelling knot, a lot not knowing a
|
|
jot what hi! hi! row and wrangle round the whowhat brawlaltogether.)_
|
|
|
|
STEPHEN: _(With elaborate gestures, breathing deeply and slowly)_ You
|
|
are my guests. Uninvited. By virtue of the fifth of George and seventh
|
|
of Edward. History to blame. Fabled by mothers of memory.
|
|
|
|
PRIVATE CARR: _(To Cissy Caffrey)_ Was he insulting you?
|
|
|
|
STEPHEN: Addressed her in vocative feminine. Probably neuter.
|
|
Ungenitive.
|
|
|
|
VOICES: No, he didn't. I seen him. The girl there. He was in Mrs
|
|
Cohen's. What's up? Soldier and civilian.
|
|
|
|
CISSY CAFFREY: I was in company with the soldiers and they left me to
|
|
do--you know, and the young man run up behind me. But I'm faithful to
|
|
the man that's treating me though I'm only a shilling whore.
|
|
|
|
STEPHEN: _(Catches sight of Lynch's and Kitty's heads)_ Hail, Sisyphus.
|
|
_(He points to himself and the others)_ Poetic. Uropoetic.
|
|
|
|
VOICES: Shes faithfultheman.
|
|
|
|
CISSY CAFFREY: Yes, to go with him. And me with a soldier friend.
|
|
|
|
PRIVATE COMPTON: He doesn't half want a thick ear, the blighter. Biff
|
|
him one, Harry.
|
|
|
|
PRIVATE CARR: _(To Cissy)_ Was he insulting you while me and him was
|
|
having a piss?
|
|
|
|
LORD TENNYSON: _(Gentleman poet in Union Jack blazer and cricket
|
|
flannels, bareheaded, flowingbearded)_ Theirs not to reason why.
|
|
|
|
PRIVATE COMPTON: Biff him, Harry.
|
|
|
|
STEPHEN: _(To Private Compton)_ I don't know your name but you are quite
|
|
right. Doctor Swift says one man in armour will beat ten men in their
|
|
shirts. Shirt is synechdoche. Part for the whole.
|
|
|
|
CISSY CAFFREY: _(To The Crowd)_ No, I was with the privates.
|
|
|
|
STEPHEN: _(Amiably)_ Why not? The bold soldier boy. In my opinion every
|
|
lady for example...
|
|
|
|
PRIVATE CARR: _(His cap awry, advances to Stephen)_ Say, how would it
|
|
be, governor, if I was to bash in your jaw?
|
|
|
|
STEPHEN: _(Looks up to the sky)_ How? Very unpleasant. Noble art of
|
|
selfpretence. Personally, I detest action. _(He waves his hand)_ Hand
|
|
hurts me slightly. _Enfin ce sont vos oignons._ _(To Cissy Caffrey)_
|
|
Some trouble is on here. What is it precisely?
|
|
|
|
DOLLY GRAY: _(From her balcony waves her handkerchief, giving the sign
|
|
of the heroine of Jericho)_ Rahab. Cook's son, goodbye. Safe home to
|
|
Dolly. Dream of the girl you left behind and she will dream of you.
|
|
|
|
_(The soldiers turn their swimming eyes.)_
|
|
|
|
BLOOM: _(Elbowing through the crowd, plucks Stephen's sleeve
|
|
vigorously)_ Come now, professor, that carman is waiting.
|
|
|
|
STEPHEN: _(Turns)_ Eh? _(He disengages himself)_ Why should I not speak
|
|
to him or to any human being who walks upright upon this oblate orange?
|
|
_(He points his finger)_ I'm not afraid of what I can talk to if I see
|
|
his eye. Retaining the perpendicular.
|
|
|
|
_(He staggers a pace back)_
|
|
|
|
BLOOM: _(Propping him)_ Retain your own.
|
|
|
|
STEPHEN: _(Laughs emptily)_ My centre of gravity is displaced. I have
|
|
forgotten the trick. Let us sit down somewhere and discuss. Struggle
|
|
for life is the law of existence but but human philirenists, notably the
|
|
tsar and the king of England, have invented arbitration. _(He taps his
|
|
brow)_ But in here it is I must kill the priest and the king.
|
|
|
|
BIDDY THE CLAP: Did you hear what the professor said? He's a professor
|
|
out of the college.
|
|
|
|
CUNTY KATE: I did. I heard that.
|
|
|
|
BIDDY THE CLAP: He expresses himself with such marked refinement of
|
|
phraseology.
|
|
|
|
CUNTY KATE: Indeed, yes. And at the same time with such apposite
|
|
trenchancy.
|
|
|
|
PRIVATE CARR: _(Pulls himself free and comes forward)_ What's that
|
|
you're saying about my king?
|
|
|
|
_(Edward the Seventh appears in an archway. He wars a white jersey on
|
|
which an image of the Sacred Heart is stitched with the insignia of
|
|
Garter and Thistle, Golden Fleece, Elephant of Denmark, Skinner's
|
|
and Probyn's horse, Lincoln's Inn bencher and ancient and honourable
|
|
artillery company of Massachusetts. He sucks a red jujube. He is robed
|
|
as a grand elect perfect and sublime mason with trowel and apron,
|
|
marked_ made in Germany. _In his left hand he holds a plasterer's bucket
|
|
on which is printed_ Defense d'uriner. _A roar of welcome greets him.)_
|
|
|
|
EDWARD THE SEVENTH: _(Slowly, solemnly but indistinctly)_ Peace, perfect
|
|
peace. For identification, bucket in my hand. Cheerio, boys. _(He turns
|
|
to his subjects)_ We have come here to witness a clean straight fight
|
|
and we heartily wish both men the best of good luck. Mahak makar a bak.
|
|
|
|
_(He shakes hands with Private Carr, Private Compton, Stephen, Bloom and
|
|
Lynch. General applause. Edward the Seventh lifts his bucket graciously
|
|
in acknowledgment.)_
|
|
|
|
PRIVATE CARR: _(To Stephen)_ Say it again.
|
|
|
|
STEPHEN: _(Nervous, friendly, pulls himself up)_ I understand your point
|
|
of view though I have no king myself for the moment. This is the age of
|
|
patent medicines. A discussion is difficult down here. But this is the
|
|
point. You die for your country. Suppose. _(He places his arm on Private
|
|
Carr's sleeve)_ Not that I wish it for you. But I say: Let my country
|
|
die for me. Up to the present it has done so. I didn't want it to die.
|
|
Damn death. Long live life!
|
|
|
|
EDWARD THE SEVENTH: _(Levitates over heaps of slain, in the garb and
|
|
with the halo of Joking Jesus, a white jujube in his phosphorescent
|
|
face)_
|
|
|
|
My methods are new and are causing surprise. To make the blind see I
|
|
throw dust in their eyes.
|
|
|
|
STEPHEN: Kings and unicorns! _(He fills back a pace)_ Come somewhere and
|
|
we'll... What was that girl saying?...
|
|
|
|
PRIVATE COMPTON: Eh, Harry, give him a kick in the knackers. Stick one
|
|
into Jerry.
|
|
|
|
BLOOM: _(To the privates, softly)_ He doesn't know what he's saying.
|
|
Taken a little more than is good for him. Absinthe. Greeneyed monster. I
|
|
know him. He's a gentleman, a poet. It's all right.
|
|
|
|
STEPHEN: _(Nods, smiling and laughing)_ Gentleman, patriot, scholar and
|
|
judge of impostors.
|
|
|
|
PRIVATE CARR: I don't give a bugger who he is.
|
|
|
|
PRIVATE COMPTON: We don't give a bugger who he is.
|
|
|
|
STEPHEN: I seem to annoy them. Green rag to a bull.
|
|
|
|
_(Kevin Egan of Paris in black Spanish tasselled shirt and peep-o'-day
|
|
boy's hat signs to Stephen.)_
|
|
|
|
KEVIN EGAN: H'lo! _Bonjour!_ The _vieille ogresse_ with the _dents
|
|
jaunes_.
|
|
|
|
_(Patrice Egan peeps from behind, his rabbitface nibbling a quince
|
|
leaf.)_
|
|
|
|
PATRICE: _Socialiste!_
|
|
|
|
DON EMILE PATRIZIO FRANZ RUPERT POPE HENNESSY: _(In medieval hauberk,
|
|
two wild geese volant on his helm, with noble indignation points a
|
|
mailed hand against the privates)_ Werf those eykes to footboden, big
|
|
grand porcos of johnyellows todos covered of gravy!
|
|
|
|
BLOOM: _(To Stephen)_ Come home. You'll get into trouble.
|
|
|
|
STEPHEN: _(Swaying)_ I don't avoid it. He provokes my intelligence.
|
|
|
|
BIDDY THE CLAP: One immediately observes that he is of patrician
|
|
lineage.
|
|
|
|
THE VIRAGO: Green above the red, says he. Wolfe Tone.
|
|
|
|
THE BAWD: The red's as good as the green. And better. Up the soldiers!
|
|
Up King Edward!
|
|
|
|
A ROUGH: _(Laughs)_ Ay! Hands up to De Wet.
|
|
|
|
THE CITIZEN: _(With a huge emerald muffler and shillelagh, calls)_
|
|
|
|
May the God above
|
|
Send down a dove
|
|
With teeth as sharp as razors
|
|
To slit the throats
|
|
Of the English dogs
|
|
That hanged our Irish leaders.
|
|
|
|
THE CROPPY BOY: _(The ropenoose round his neck, gripes in his issuing
|
|
bowels with both hands)_
|
|
|
|
I bear no hate to a living thing, But I love my country beyond the king.
|
|
|
|
RUMBOLD, DEMON BARBER: _(Accompanied by two blackmasked assistants,
|
|
advances with gladstone bag which he opens)_ Ladies and gents,
|
|
cleaver purchased by Mrs Pearcy to slay Mogg. Knife with which Voisin
|
|
dismembered the wife of a compatriot and hid remains in a sheet in the
|
|
cellar, the unfortunate female's throat being cut from ear to ear. Phial
|
|
containing arsenic retrieved from body of Miss Barron which sent Seddon
|
|
to the gallows.
|
|
|
|
_(He jerks the rope. The assistants leap at the victim's legs and drag
|
|
him downward, grunting the croppy boy's tongue protrudes violently.)_
|
|
|
|
THE CROPPY BOY:
|
|
|
|
Horhot ho hray hor hother's hest.
|
|
|
|
_(He gives up the ghost. A violent erection of the hanged sends gouts
|
|
of sperm spouting through his deathclothes on to the cobblestones. Mrs
|
|
Bellingham, Mrs Yelverton Barry and the Honourable Mrs Mervyn Talboys
|
|
rush forward with their handkerchiefs to sop it up.)_
|
|
|
|
RUMBOLD: I'm near it myself. _(He undoes the noose)_ Rope which hanged
|
|
the awful rebel. Ten shillings a time. As applied to Her Royal Highness.
|
|
_(He plunges his head into the gaping belly of the hanged and draws out
|
|
his head again clotted with coiled and smoking entrails)_ My painful
|
|
duty has now been done. God save the king!
|
|
|
|
EDWARD THE SEVENTH: _(Dances slowly, solemnly, rattling his bucket, and
|
|
sings with soft contentment)_
|
|
|
|
On coronation day, on coronation day, O, won't we have a merry time,
|
|
Drinking whisky, beer and wine!
|
|
|
|
PRIVATE CARR: Here. What are you saying about my king?
|
|
|
|
STEPHEN: _(Throws up his hands)_ O, this is too monotonous! Nothing.
|
|
He wants my money and my life, though want must be his master, for
|
|
some brutish empire of his. Money I haven't. _(He searches his pockets
|
|
vaguely)_ GAVE IT TO SOMEONE.
|
|
|
|
PRIVATE CARR: Who wants your bleeding money?
|
|
|
|
STEPHEN: _(Tries to move off)_ Will someone tell me where I am least
|
|
likely to meet these necessary evils? _Ca se voit aussi a paris._ Not
|
|
that I... But, by Saint Patrick...!
|
|
|
|
_(The women's heads coalesce. Old Gummy Granny in sugarloaf hat appears
|
|
seated on a toadstool, the deathflower of the potato blight on her
|
|
breast.)_
|
|
|
|
STEPHEN: Aha! I know you, gammer! Hamlet, revenge! The old sow that eats
|
|
her farrow!
|
|
|
|
OLD GUMMY GRANNY: _(Rocking to and fro)_ Ireland's sweetheart, the king
|
|
of Spain's daughter, alanna. Strangers in my house, bad manners to them!
|
|
_(She keens with banshee woe)_ Ochone! Ochone! Silk of the kine! _(She
|
|
wails)_ You met with poor old Ireland and how does she stand?
|
|
|
|
STEPHEN: How do I stand you? The hat trick! Where's the third person of
|
|
the Blessed Trinity? Soggarth Aroon? The reverend Carrion Crow.
|
|
|
|
CISSY CAFFREY: _(Shrill)_ Stop them from fighting!
|
|
|
|
A ROUGH: Our men retreated.
|
|
|
|
PRIVATE CARR: _(Tugging at his belt)_ I'll wring the neck of any fucker
|
|
says a word against my fucking king.
|
|
|
|
BLOOM: _(Terrified)_ He said nothing. Not a word. A pure
|
|
misunderstanding.
|
|
|
|
THE CITIZEN: _Erin go bragh!_
|
|
|
|
_(Major Tweedy and the Citizen exhibit to each other medals,
|
|
decorations, trophies of war, wounds. Both salute with fierce
|
|
hostility.)_
|
|
|
|
PRIVATE COMPTON: Go it, Harry. Do him one in the eye. He's a proboer.
|
|
|
|
STEPHEN: Did I? When?
|
|
|
|
BLOOM: _(To the redcoats)_ We fought for you in South Africa, Irish
|
|
missile troops. Isn't that history? Royal Dublin Fusiliers. Honoured by
|
|
our monarch.
|
|
|
|
THE NAVVY: _(Staggering past)_ O, yes! O God, yes! O, make the kwawr a
|
|
krowawr! O! Bo!
|
|
|
|
_(Casqued halberdiers in armour thrust forward a pentice of gutted
|
|
spearpoints. Major Tweedy, moustached like Turko the terrible, in
|
|
bearskin cap with hackleplume and accoutrements, with epaulettes, gilt
|
|
chevrons and sabretaches, his breast bright with medals, toes the line.
|
|
He gives the pilgrim warrior's sign of the knights templars.)_
|
|
|
|
MAJOR TWEEDY: _(Growls gruffly)_ Rorke's Drift! Up, guards, and at them!
|
|
Mahar shalal hashbaz.
|
|
|
|
PRIVATE CARR: I'll do him in.
|
|
|
|
PRIVATE COMPTON: _(Waves the crowd back)_ Fair play, here. Make a
|
|
bleeding butcher's shop of the bugger.
|
|
|
|
_(Massed bands blare_ Garryowen _and_ God save the King.)
|
|
|
|
CISSY CAFFREY: They're going to fight. For me!
|
|
|
|
CUNTY KATE: The brave and the fair.
|
|
|
|
BIDDY THE CLAP: Methinks yon sable knight will joust it with the best.
|
|
|
|
CUNTY KATE: _(Blushing deeply)_ Nay, madam. The gules doublet and merry
|
|
saint George for me!
|
|
|
|
STEPHEN:
|
|
|
|
The harlot's cry from street to street Shall weave Old Ireland's
|
|
windingsheet.
|
|
|
|
PRIVATE CARR: _(Loosening his belt, shouts)_ I'll wring the neck of any
|
|
fucking bastard says a word against my bleeding fucking king.
|
|
|
|
BLOOM: _(Shakes Cissy Caffrey's shoulders)_ Speak, you! Are you struck
|
|
dumb? You are the link between nations and generations. Speak, woman,
|
|
sacred lifegiver!
|
|
|
|
CISSY CAFFREY: _(Alarmed, seizes Private Carr's sleeve)_ Amn't I with
|
|
you? Amn't I your girl? Cissy's your girl. _(She cries)_ Police!
|
|
|
|
STEPHEN: _(Ecstatically, to Cissy Caffrey)_
|
|
|
|
White thy fambles, red thy gan
|
|
And thy quarrons dainty is.
|
|
|
|
|
|
VOICES: Police!
|
|
|
|
DISTANT VOICES: Dublin's burning! Dublin's burning! On fire, on fire!
|
|
|
|
_(Brimstone fires spring up. Dense clouds roll past. Heavy Gatling guns
|
|
boom. Pandemonium. Troops deploy. Gallop of hoofs. Artillery. Hoarse
|
|
commands. Bells clang. Backers shout. Drunkards bawl. Whores screech.
|
|
Foghorns hoot. Cries of valour. Shrieks of dying. Pikes clash on
|
|
cuirasses. Thieves rob the slain. Birds of prey, winging from the sea,
|
|
rising from marshlands, swooping from eyries, hover screaming, gannets,
|
|
cormorants, vultures, goshawks, climbing woodcocks, peregrines, merlins,
|
|
blackgrouse, sea eagles, gulls, albatrosses, barnacle geese. The
|
|
midnight sun is darkened. The earth trembles. The dead of Dublin
|
|
from Prospect and Mount Jerome in white sheepskin overcoats and black
|
|
goatfell cloaks arise and appear to many. A chasm opens with a noiseless
|
|
yawn. Tom Rochford, winner, in athlete's singlet and breeches, arrives
|
|
at the head of the national hurdle handicap and leaps into the void.
|
|
He is followed by a race of runners and leapers. In wild attitudes they
|
|
spring from the brink. Their bodies plunge. Factory lasses with fancy
|
|
clothes toss redhot Yorkshire baraabombs. Society ladies lift their
|
|
skirts above their heads to protect themselves. Laughing witches in red
|
|
cutty sarks ride through the air on broomsticks. Quakerlyster plasters
|
|
blisters. It rains dragons' teeth. Armed heroes spring up from furrows.
|
|
They exchange in amity the pass of knights of the red cross and fight
|
|
duels with cavalry sabres: Wolfe Tone against Henry Grattan, Smith
|
|
O'Brien against Daniel O'Connell, Michael Davitt against Isaac Butt,
|
|
Justin M'Carthy against Parnell, Arthur Griffith against John Redmond,
|
|
John O'Leary against Lear O'Johnny, Lord Edward Fitzgerald against Lord
|
|
Gerald Fitzedward, The O'Donoghue of the Glens against The Glens of The
|
|
O'Donoghue. On an eminence, the centre of the earth, rises the feldaltar
|
|
of Saint Barbara. Black candles rise from its gospel and epistle horns.
|
|
From the high barbacans of the tower two shafts of light fall on the
|
|
smokepalled altarstone. On the altarstone Mrs Mina Purefoy, goddess of
|
|
unreason, lies, naked, fettered, a chalice resting on her swollen belly.
|
|
Father Malachi O'Flynn in a lace petticoat and reversed chasuble, his
|
|
two left feet back to the front, celebrates camp mass. The Reverend Mr
|
|
Hugh C Haines Love M. A. in a plain cassock and mortarboard, his head
|
|
and collar back to the front, holds over the celebrant's head an open
|
|
umbrella.)_
|
|
|
|
FATHER MALACHI O'FLYNN: _Introibo ad altare diaboli._
|
|
|
|
THE REVEREND MR HAINES LOVE: To the devil which hath made glad my young
|
|
days.
|
|
|
|
FATHER MALACHI O'FLYNN: _(Takes from the chalice and elevates a
|
|
blooddripping host) Corpus meum._
|
|
|
|
THE REVEREND MR HAINES LOVE: _(Raises high behind the celebrant's
|
|
petticoat, revealing his grey bare hairy buttocks between which a carrot
|
|
is stuck)_ My body.
|
|
|
|
THE VOICE OF ALL THE DAMNED: Htengier Tnetopinmo Dog Drol eht rof,
|
|
Aiulella!
|
|
|
|
_(From on high the voice of Adonai calls.)_
|
|
|
|
ADONAI: Dooooooooooog!
|
|
|
|
THE VOICE OF ALL THE BLESSED: Alleluia, for the Lord God Omnipotent
|
|
reigneth!
|
|
|
|
_(From on high the voice of Adonai calls.)_
|
|
|
|
ADONAI: Goooooooooood!
|
|
|
|
_(In strident discord peasants and townsmen of Orange and Green factions
|
|
sing_ Kick the Pope _and_ Daily, daily sing to Mary.)
|
|
|
|
PRIVATE CARR: _(With ferocious articulation)_ I'll do him in, so help me
|
|
fucking Christ! I'll wring the bastard fucker's bleeding blasted fucking
|
|
windpipe!
|
|
|
|
OLD GUMMY GRANNY: _(Thrusts a dagger towards Stephen's hand)_ Remove
|
|
him, acushla. At 8.35 a.m. you will be in heaven and Ireland will be
|
|
free. _(She prays)_ O good God, take him!
|
|
|
|
(THE RETRIEVER, NOSING ON THE FRINGE OF THE CROWD, BARKS NOISILY.)
|
|
|
|
BLOOM: _(Runs to lynch)_ Can't you get him away?
|
|
|
|
LYNCH: He likes dialectic, the universal language. Kitty! _(To Bloom)_
|
|
Get him away, you. He won't listen to me.
|
|
|
|
_(He drags Kitty away.)_
|
|
|
|
STEPHEN: _(Points) exit Judas. Et laqueo se suspendit._
|
|
|
|
BLOOM: _(Runs to Stephen)_ Come along with me now before worse happens.
|
|
Here's your stick.
|
|
|
|
STEPHEN: Stick, no. Reason. This feast of pure reason.
|
|
|
|
CISSY CAFFREY: _(Pulling Private Carr)_ Come on, you're boosed. He
|
|
insulted me but I forgive him. _(Shouting in his ear)_ I forgive him for
|
|
insulting me.
|
|
|
|
BLOOM: _(Over Stephen's shoulder)_ Yes, go. You see he's incapable.
|
|
|
|
PRIVATE CARR: _(Breaks loose)_ I'll insult him.
|
|
|
|
_(He rushes towards Stephen, fist outstretched, and strikes him in the
|
|
face. Stephen totters, collapses, falls, stunned. He lies prone, his
|
|
face to the sky, his hat rolling to the wall. Bloom follows and picks it
|
|
up.)_
|
|
|
|
MAJOR TWEEDY: _(Loudly)_ Carbine in bucket! Cease fire! Salute!
|
|
|
|
THE RETRIEVER: _(Barking furiously)_ Ute ute ute ute ute ute ute ute.
|
|
|
|
THE CROWD: Let him up! Don't strike him when he's down! Air! Who? The
|
|
soldier hit him. He's a professor. Is he hurted? Don't manhandle him!
|
|
He's fainted!
|
|
|
|
A HAG: What call had the redcoat to strike the gentleman and he under
|
|
the influence. Let them go and fight the Boers!
|
|
|
|
THE BAWD: Listen to who's talking! Hasn't the soldier a right to go with
|
|
his girl? He gave him the coward's blow.
|
|
|
|
_(They grab at each other's hair, claw at each other and spit)_
|
|
|
|
THE RETRIEVER: _(Barking)_ Wow wow wow.
|
|
|
|
BLOOM: _(Shoves them back, loudly)_ Get back, stand back!
|
|
|
|
PRIVATE COMPTON: _(Tugging his comrade)_ Here. Bugger off, Harry. Here's
|
|
the cops! _(Two raincaped watch, tall, stand in the group.)_
|
|
|
|
FIRST WATCH: What's wrong here?
|
|
|
|
PRIVATE COMPTON: We were with this lady. And he insulted us. And
|
|
assaulted my chum. _(The retriever barks)_ Who owns the bleeding tyke?
|
|
|
|
CISSY CAFFREY: _(With expectation)_ Is he bleeding!
|
|
|
|
A MAN: _(Rising from his knees)_ No. Gone off. He'll come to all right.
|
|
|
|
BLOOM: _(Glances sharply at the man)_ Leave him to me. I can easily...
|
|
|
|
SECOND WATCH: Who are you? Do you know him?
|
|
|
|
PRIVATE CARR: _(Lurches towards the watch)_ He insulted my lady friend.
|
|
|
|
BLOOM: _(Angrily)_ You hit him without provocation. I'm a witness.
|
|
Constable, take his regimental number.
|
|
|
|
SECOND WATCH: I don't want your instructions in the discharge of my
|
|
duty.
|
|
|
|
PRIVATE COMPTON: _(Pulling his comrade)_ Here, bugger off Harry. Or
|
|
Bennett'll shove you in the lockup.
|
|
|
|
PRIVATE CARR: _(Staggering as he is pulled away)_ God fuck old Bennett.
|
|
He's a whitearsed bugger. I don't give a shit for him.
|
|
|
|
FIRST WATCH: _(Takes out his notebook)_ What's his name?
|
|
|
|
BLOOM: _(Peering over the crowd)_ I just see a car there. If you give me
|
|
a hand a second, sergeant...
|
|
|
|
FIRST WATCH: Name and address.
|
|
|
|
_(Corny Kelleker, weepers round his hat, a death wreath in his hand,
|
|
appears among the bystanders.)_
|
|
|
|
BLOOM: _(Quickly)_ O, the very man! _(He whispers)_ Simon Dedalus' son.
|
|
A bit sprung. Get those policemen to move those loafers back.
|
|
|
|
SECOND WATCH: Night, Mr Kelleher.
|
|
|
|
CORNY KELLEHER: _(To the watch, with drawling eye)_ That's all right.
|
|
I know him. Won a bit on the races. Gold cup. Throwaway. _(He laughs)_
|
|
Twenty to one. Do you follow me?
|
|
|
|
FIRST WATCH: _(Turns to the crowd)_ Here, what are you all gaping at?
|
|
Move on out of that.
|
|
|
|
_(The crowd disperses slowly, muttering, down the lane.)_
|
|
|
|
CORNY KELLEHER: Leave it to me, sergeant. That'll be all right. _(He
|
|
laughs, shaking his head)_ We were often as bad ourselves, ay or worse.
|
|
What? Eh, what?
|
|
|
|
FIRST WATCH: _(Laughs)_ I suppose so.
|
|
|
|
CORNY KELLEHER: _(Nudges the second watch)_ Come and wipe your name off
|
|
the slate. _(He lilts, wagging his head)_ With my tooraloom tooraloom
|
|
tooraloom tooraloom. What, eh, do you follow me?
|
|
|
|
SECOND WATCH: _(Genially)_ Ah, sure we were too.
|
|
|
|
CORNY KELLEHER: _(Winking)_ Boys will be boys. I've a car round there.
|
|
|
|
SECOND WATCH: All right, Mr Kelleher. Good night.
|
|
|
|
CORNY KELLEHER: I'll see to that.
|
|
|
|
BLOOM: _(Shakes hands with both of the watch in turn)_ Thank you very
|
|
much, gentlemen. Thank you. _(He mumbles confidentially)_ We don't want
|
|
any scandal, you understand. Father is a wellknown highly respected
|
|
citizen. Just a little wild oats, you understand.
|
|
|
|
FIRST WATCH: O. I understand, sir.
|
|
|
|
SECOND WATCH: That's all right, sir.
|
|
|
|
FIRST WATCH: It was only in case of corporal injuries I'd have to report
|
|
it at the station.
|
|
|
|
BLOOM: _(Nods rapidly)_ Naturally. Quite right. Only your bounden duty.
|
|
|
|
SECOND WATCH: It's our duty.
|
|
|
|
CORNY KELLEHER: Good night, men.
|
|
|
|
THE WATCH: _(Saluting together)_ Night, gentlemen. _(They move off with
|
|
slow heavy tread)_
|
|
|
|
BLOOM: _(Blows)_ Providential you came on the scene. You have a car?...
|
|
|
|
CORNY KELLEHER: _(Laughs, pointing his thumb over his right shoulder to
|
|
the car brought up against the scaffolding)_ Two commercials that were
|
|
standing fizz in Jammet's. Like princes, faith. One of them lost two
|
|
quid on the race. Drowning his grief. And were on for a go with the
|
|
jolly girls. So I landed them up on Behan's car and down to nighttown.
|
|
|
|
BLOOM: I was just going home by Gardiner street when I happened to...
|
|
|
|
CORNY KELLEHER: _(Laughs)_ Sure they wanted me to join in with the mots.
|
|
No, by God, says I. Not for old stagers like myself and yourself. _(He
|
|
laughs again and leers with lacklustre eye)_ Thanks be to God we have it
|
|
in the house, what, eh, do you follow me? Hah, hah, hah!
|
|
|
|
BLOOM: _(Tries to laugh)_ He, he, he! Yes. Matter of fact I was just
|
|
visiting an old friend of mine there, Virag, you don't know him (poor
|
|
fellow, he's laid up for the past week) and we had a liquor together and
|
|
I was just making my way home...
|
|
|
|
_(The horse neighs.)_
|
|
|
|
THE HORSE: Hohohohohohoh! Hohohohome!
|
|
|
|
CORNY KELLEHER: Sure it was Behan our jarvey there that told me after
|
|
we left the two commercials in Mrs Cohen's and I told him to pull up and
|
|
got off to see. _(He laughs)_ Sober hearsedrivers a speciality. Will I
|
|
give him a lift home? Where does he hang out? Somewhere in Cabra, what?
|
|
|
|
BLOOM: No, in Sandycove, I believe, from what he let drop.
|
|
|
|
_(Stephen, prone, breathes to the stars. Corny Kelleher, asquint, drawls
|
|
at the horse. Bloom, in gloom, looms down.)_
|
|
|
|
CORNY KELLEHER: _(Scratches his nape)_ Sandycove! _(He bends down and
|
|
calls to Stephen)_ Eh! _(He calls again)_ Eh! He's covered with shavings
|
|
anyhow. Take care they didn't lift anything off him.
|
|
|
|
BLOOM: No, no, no. I have his money and his hat here and stick.
|
|
|
|
CORNY KELLEHER: Ah, well, he'll get over it. No bones broken. Well, I'll
|
|
shove along. _(He laughs)_ I've a rendezvous in the morning. Burying the
|
|
dead. Safe home!
|
|
|
|
THE HORSE: _(Neighs)_ Hohohohohome.
|
|
|
|
BLOOM: Good night. I'll just wait and take him along in a few...
|
|
|
|
_(Corny Kelleher returns to the outside car and mounts it. The horse
|
|
harness jingles.)_
|
|
|
|
CORNY KELLEHER: _(From the car, standing)_ Night.
|
|
|
|
BLOOM: Night.
|
|
|
|
_(The jarvey chucks the reins and raises his whip encouragingly. The
|
|
car and horse back slowly, awkwardly, and turn. Corny Kelleher on the
|
|
sideseat sways his head to and fro in sign of mirth at Bloom's plight.
|
|
The jarvey joins in the mute pantomimic merriment nodding from the
|
|
farther seat. Bloom shakes his head in mute mirthful reply. With thumb
|
|
and palm Corny Kelleher reassures that the two bobbies will allow the
|
|
sleep to continue for what else is to be done. With a slow nod Bloom
|
|
conveys his gratitude as that is exactly what Stephen needs. The car
|
|
jingles tooraloom round the corner of the tooraloom lane. Corny Kelleher
|
|
again reassuralooms with his hand. Bloom with his hand assuralooms Corny
|
|
Kelleher that he is reassuraloomtay. The tinkling hoofs and jingling
|
|
harness grow fainter with their tooralooloo looloo lay. Bloom, holding
|
|
in his hand Stephen's hat, festooned with shavings, and ashplant, stands
|
|
irresolute. Then he bends to him and shakes him by the shoulder.)_
|
|
|
|
BLOOM: Eh! Ho! _(There is no answer; he bends again)_ Mr Dedalus!
|
|
_(There is no answer)_ The name if you call. Somnambulist. _(He bends
|
|
again and hesitating, brings his mouth near the face of the prostrate
|
|
form)_ Stephen! _(There is no answer. He calls again.)_ Stephen!
|
|
|
|
STEPHEN: _(Groans)_ Who? Black panther. Vampire. _(He sighs and
|
|
stretches himself, then murmurs thickly with prolonged vowels)_
|
|
|
|
Who... drive... Fergus now
|
|
And pierce... wood's woven shade?...
|
|
|
|
_(He turns on his left side, sighing, doubling himself together.)_
|
|
|
|
BLOOM: Poetry. Well educated. Pity. _(He bends again and undoes
|
|
the buttons of Stephen's waistcoat)_ To breathe. _(He brushes the
|
|
woodshavings from Stephen's clothes with light hand and fingers)_ One
|
|
pound seven. Not hurt anyhow. _(He listens)_ What?
|
|
|
|
STEPHEN: _(Murmurs)_
|
|
|
|
... shadows... the woods
|
|
... white breast... dim sea.
|
|
|
|
_(He stretches out his arms, sighs again and curls his body. Bloom,
|
|
holding the hat and ashplant, stands erect. A dog barks in the distance.
|
|
Bloom tightens and loosens his grip on the ashplant. He looks down on
|
|
Stephen's face and form.)_
|
|
|
|
BLOOM: _(Communes with the night)_ Face reminds me of his poor mother.
|
|
In the shady wood. The deep white breast. Ferguson, I think I caught. A
|
|
girl. Some girl. Best thing could happen him. _(He murmurs)_... swear
|
|
that I will always hail, ever conceal, never reveal, any part or parts,
|
|
art or arts... _(He murmurs)_... in the rough sands of the sea... a
|
|
cabletow's length from the shore... where the tide ebbs... and flows
|
|
...
|
|
|
|
_(Silent, thoughtful, alert he stands on guard, his fingers at his lips
|
|
in the attitude of secret master. Against the dark wall a figure appears
|
|
slowly, a fairy boy of eleven, a changeling, kidnapped, dressed in an
|
|
eton suit with glass shoes and a little bronze helmet, holding a book
|
|
in his hand. He reads from right to left inaudibly, smiling, kissing the
|
|
page.)_
|
|
|
|
BLOOM: _(Wonderstruck, calls inaudibly)_ Rudy!
|
|
|
|
RUDY: _(Gazes, unseeing, into Bloom's eyes and goes on reading, kissing,
|
|
smiling. He has a delicate mauve face. On his suit he has diamond and
|
|
ruby buttons. In his free left hand he holds a slim ivory cane with a
|
|
violet bowknot. A white lambkin peeps out of his waistcoat pocket.)_
|
|
|
|
|
|
|
|
|
|
-- III --
|
|
|
|
Preparatory to anything else Mr Bloom brushed off the greater bulk of
|
|
the shavings and handed Stephen the hat and ashplant and bucked him up
|
|
generally in orthodox Samaritan fashion which he very badly needed. His
|
|
(Stephen's) mind was not exactly what you would call wandering but a bit
|
|
unsteady and on his expressed desire for some beverage to drink Mr
|
|
Bloom in view of the hour it was and there being no pump of Vartry water
|
|
available for their ablutions let alone drinking purposes hit upon an
|
|
expedient by suggesting, off the reel, the propriety of the cabman's
|
|
shelter, as it was called, hardly a stonesthrow away near Butt bridge
|
|
where they might hit upon some drinkables in the shape of a milk and
|
|
soda or a mineral. But how to get there was the rub. For the nonce he
|
|
was rather nonplussed but inasmuch as the duty plainly devolved upon him
|
|
to take some measures on the subject he pondered suitable ways and means
|
|
during which Stephen repeatedly yawned. So far as he could see he was
|
|
rather pale in the face so that it occurred to him as highly advisable
|
|
to get a conveyance of some description which would answer in their
|
|
then condition, both of them being e.d.ed, particularly Stephen, always
|
|
assuming that there was such a thing to be found. Accordingly after a
|
|
few such preliminaries as brushing, in spite of his having forgotten
|
|
to take up his rather soapsuddy handkerchief after it had done yeoman
|
|
service in the shaving line, they both walked together along Beaver
|
|
street or, more properly, lane as far as the farrier's and the
|
|
distinctly fetid atmosphere of the livery stables at the corner of
|
|
Montgomery street where they made tracks to the left from thence
|
|
debouching into Amiens street round by the corner of Dan Bergin's. But
|
|
as he confidently anticipated there was not a sign of a Jehu plying for
|
|
hire anywhere to be seen except a fourwheeler, probably engaged by some
|
|
fellows inside on the spree, outside the North Star hotel and there was
|
|
no symptom of its budging a quarter of an inch when Mr Bloom, who was
|
|
anything but a professional whistler, endeavoured to hail it by emitting
|
|
a kind of a whistle, holding his arms arched over his head, twice.
|
|
|
|
This was a quandary but, bringing common sense to bear on it, evidently
|
|
there was nothing for it but put a good face on the matter and foot it
|
|
which they accordingly did. So, bevelling around by Mullett's and the
|
|
Signal House which they shortly reached, they proceeded perforce in the
|
|
direction of Amiens street railway terminus, Mr Bloom being handicapped
|
|
by the circumstance that one of the back buttons of his trousers had,
|
|
to vary the timehonoured adage, gone the way of all buttons though,
|
|
entering thoroughly into the spirit of the thing, he heroically made
|
|
light of the mischance. So as neither of them were particularly pressed
|
|
for time, as it happened, and the temperature refreshing since it
|
|
cleared up after the recent visitation of Jupiter Pluvius, they dandered
|
|
along past by where the empty vehicle was waiting without a fare or a
|
|
jarvey. As it so happened a Dublin United Tramways Company's sandstrewer
|
|
happened to be returning and the elder man recounted to his companion _a
|
|
propos_ of the incident his own truly miraculous escape of some little
|
|
while back. They passed the main entrance of the Great Northern railway
|
|
station, the starting point for Belfast, where of course all traffic was
|
|
suspended at that late hour and passing the backdoor of the morgue
|
|
(a not very enticing locality, not to say gruesome to a degree, more
|
|
especially at night) ultimately gained the Dock Tavern and in due course
|
|
turned into Store street, famous for its C division police station.
|
|
Between this point and the high at present unlit warehouses of Beresford
|
|
place Stephen thought to think of Ibsen, associated with Baird's the
|
|
stonecutter's in his mind somehow in Talbot place, first turning on the
|
|
right, while the other who was acting as his _fidus Achates_ inhaled
|
|
with internal satisfaction the smell of James Rourke's city bakery,
|
|
situated quite close to where they were, the very palatable odour indeed
|
|
of our daily bread, of all commodities of the public the primary and
|
|
most indispensable. Bread, the staff of life, earn your bread, O tell me
|
|
where is fancy bread, at Rourke's the baker's it is said.
|
|
|
|
_En route_ to his taciturn and, not to put too fine a point on it, not
|
|
yet perfectly sober companion Mr Bloom who at all events was in complete
|
|
possession of his faculties, never more so, in fact disgustingly sober,
|
|
spoke a word of caution re the dangers of nighttown, women of ill fame
|
|
and swell mobsmen, which, barely permissible once in a while though not
|
|
as a habitual practice, was of the nature of a regular deathtrap for
|
|
young fellows of his age particularly if they had acquired drinking
|
|
habits under the influence of liquor unless you knew a little jiujitsu
|
|
for every contingency as even a fellow on the broad of his back could
|
|
administer a nasty kick if you didn't look out. Highly providential
|
|
was the appearance on the scene of Corny Kelleher when Stephen was
|
|
blissfully unconscious but for that man in the gap turning up at the
|
|
eleventh hour the finis might have been that he might have been a
|
|
candidate for the accident ward or, failing that, the bridewell and
|
|
an appearance in the court next day before Mr Tobias or, he being the
|
|
solicitor rather, old Wall, he meant to say, or Mahony which simply
|
|
spelt ruin for a chap when it got bruited about. The reason he mentioned
|
|
the fact was that a lot of those policemen, whom he cordially disliked,
|
|
were admittedly unscrupulous in the service of the Crown and, as Mr
|
|
Bloom put it, recalling a case or two in the A division in Clanbrassil
|
|
street, prepared to swear a hole through a ten gallon pot. Never on
|
|
the spot when wanted but in quiet parts of the city, Pembroke road for
|
|
example, the
|
|
|
|
guardians of the law were well in evidence, the obvious reason being
|
|
they were paid to protect the upper classes. Another thing he commented
|
|
on was equipping soldiers with firearms or sidearms of any description
|
|
liable to go off at any time which was tantamount to inciting them
|
|
against civilians should by any chance they fall out over anything. You
|
|
frittered away your time, he very sensibly maintained, and health and
|
|
also character besides which, the squandermania of the thing, fast women
|
|
of the _demimonde_ ran away with a lot of l s. d. into the bargain and
|
|
the greatest danger of all was who you got drunk with though, touching
|
|
the much vexed question of stimulants, he relished a glass of choice old
|
|
wine in season as both
|
|
|
|
nourishing and bloodmaking and possessing aperient virtues (notably a
|
|
good burgundy which he was a staunch believer in) still never beyond
|
|
a certain point where he invariably drew the line as it simply led to
|
|
trouble all round to say nothing of your being at the tender mercy of
|
|
others practically. Most of all he commented adversely on the desertion
|
|
of Stephen by all his pubhunting _confreres_ but one, a most glaring
|
|
piece of ratting on the part of his brother medicos under all the circs.
|
|
|
|
--And that one was Judas, Stephen said, who up to then had said nothing
|
|
whatsoever of any kind.
|
|
|
|
Discussing these and kindred topics they made a beeline across the back
|
|
of the Customhouse and passed under the Loop Line bridge where a brazier
|
|
of coke burning in front of a sentrybox or something like one attracted
|
|
their rather lagging footsteps. Stephen of his own accord stopped for
|
|
no special reason to look at the heap of barren cobblestones and by
|
|
the light emanating from the brazier he could just make out the darker
|
|
figure of the corporation watchman inside the gloom of the sentrybox. He
|
|
began to remember that this had happened or had been mentioned as having
|
|
happened before but it cost him no small effort before he remembered
|
|
that he recognised in the sentry a quondam friend of his father's,
|
|
Gumley. To avoid a meeting he drew nearer to the pillars of the railway
|
|
bridge.
|
|
|
|
--Someone saluted you, Mr Bloom said.
|
|
|
|
A figure of middle height on the prowl evidently under the arches
|
|
saluted again, calling:
|
|
|
|
--_Night!_
|
|
|
|
Stephen of course started rather dizzily and stopped to return the
|
|
compliment. Mr Bloom actuated by motives of inherent delicacy inasmuch
|
|
as he always believed in minding his own business moved off but
|
|
nevertheless remained on the _qui vive_ with just a shade of anxiety
|
|
though not funkyish in the least. Though unusual in the Dublin area he
|
|
knew that it was not by any means unknown for desperadoes who had next
|
|
to nothing to live on to be abroad waylaying and generally terrorising
|
|
peaceable pedestrians by placing a pistol at their head in some
|
|
secluded spot outside the city proper, famished loiterers of the
|
|
Thames embankment category they might be hanging about there or simply
|
|
marauders ready to decamp with whatever boodle they could in one fell
|
|
swoop at a moment's notice, your money or your life, leaving you there
|
|
to point a moral, gagged and garrotted.
|
|
|
|
Stephen, that is when the accosting figure came to close quarters,
|
|
though he was not in an over sober state himself recognised Corley's
|
|
breath redolent of rotten cornjuice. Lord John Corley some called him
|
|
and his genealogy came about in this wise. He was the eldest son of
|
|
inspector Corley of the G division, lately deceased, who had married
|
|
a certain Katherine Brophy, the daughter of a Louth farmer. His
|
|
grandfather Patrick Michael Corley of New Ross had married the widow
|
|
of a publican there whose maiden name had been Katherine (also) Talbot.
|
|
Rumour had it (though not proved) that she descended from the house of
|
|
the lords Talbot de Malahide in whose mansion, really an unquestionably
|
|
fine residence of its kind and well worth seeing, her mother or aunt or
|
|
some relative, a woman, as the tale went, of extreme beauty, had enjoyed
|
|
the distinction of being in service in the washkitchen. This therefore
|
|
was the reason why the still comparatively young though dissolute
|
|
man who now addressed Stephen was spoken of by some with facetious
|
|
proclivities as Lord John Corley.
|
|
|
|
Taking Stephen on one side he had the customary doleful ditty to tell.
|
|
Not as much as a farthing to purchase a night's lodgings. His friends
|
|
had all deserted him. Furthermore he had a row with Lenehan and called
|
|
him to Stephen a mean bloody swab with a sprinkling of a number of other
|
|
uncalledfor expressions. He was out of a job and implored of Stephen to
|
|
tell him where on God's earth he could get something, anything at all,
|
|
to do. No, it was the daughter of the mother in the washkitchen that
|
|
was fostersister to the heir of the house or else they were connected
|
|
through the mother in some way, both occurrences happening at the same
|
|
time if the whole thing wasn't a complete fabrication from start to
|
|
finish. Anyhow he was all in.
|
|
|
|
--I wouldn't ask you only, pursued he, on my solemn oath and God knows
|
|
I'm on the rocks.
|
|
|
|
--There'll be a job tomorrow or next day, Stephen told him, in a boys'
|
|
school at Dalkey for a gentleman usher. Mr Garrett Deasy. Try it. You
|
|
may mention my name.
|
|
|
|
--Ah, God, Corley replied, sure I couldn't teach in a school, man. I was
|
|
never one of your bright ones, he added with a half laugh. I got stuck
|
|
twice in the junior at the christian brothers.
|
|
|
|
--I have no place to sleep myself, Stephen informed him.
|
|
|
|
Corley at the first go-off was inclined to suspect it was something to
|
|
do with Stephen being fired out of his digs for bringing in a bloody
|
|
tart off the street. There was a dosshouse in Marlborough street, Mrs
|
|
Maloney's, but it was only a tanner touch and full of undesirables but
|
|
M'Conachie told him you got a decent enough do in the Brazen Head over
|
|
in Winetavern street (which was distantly suggestive to the person
|
|
addressed of friar Bacon) for a bob. He was starving too though he
|
|
hadn't said a word about it.
|
|
|
|
Though this sort of thing went on every other night or very near it
|
|
still Stephen's feelings got the better of him in a sense though he knew
|
|
that Corley's brandnew rigmarole on a par with the others was hardly
|
|
deserving of much credence. However _haud ignarus malorum miseris
|
|
succurrere disco_ etcetera as the Latin poet remarks especially as luck
|
|
would have it he got paid his screw after every middle of the month on
|
|
the sixteenth which was the date of the month as a matter of fact though
|
|
a good bit of the wherewithal was demolished. But the cream of the joke
|
|
was nothing would get it out of Corley's head that he was living in
|
|
affluence and hadn't a thing to do but hand out the needful. Whereas.
|
|
He put his hand in a pocket anyhow not with the idea of finding any food
|
|
there but thinking he might lend him anything up to a bob or so in lieu
|
|
so that he might endeavour at all events and get sufficient to eat but
|
|
the result was in the negative for, to his chagrin, he found his cash
|
|
missing. A few broken biscuits were all the result of his investigation.
|
|
He tried his hardest to recollect for the moment whether he had lost
|
|
as well he might have or left because in that contingency it was not a
|
|
pleasant lookout, very much the reverse in fact. He was altogether too
|
|
fagged out to institute a thorough search though he tried to recollect.
|
|
About biscuits he dimly remembered. Who now exactly gave them he
|
|
wondered or where was or did he buy. However in another pocket he came
|
|
across what he surmised in the dark were pennies, erroneously however,
|
|
as it turned out.
|
|
|
|
--Those are halfcrowns, man, Corley corrected him.
|
|
|
|
And so in point of fact they turned out to be. Stephen anyhow lent him
|
|
one of them.
|
|
|
|
--Thanks, Corley answered, you're a gentleman. I'll pay you back one
|
|
time. Who's that with you? I saw him a few times in the Bleeding Horse
|
|
in Camden street with Boylan, the billsticker. You might put in a good
|
|
word for us to get me taken on there. I'd carry a sandwichboard only
|
|
the girl in the office told me they're full up for the next three weeks,
|
|
man. God, you've to book ahead, man, you'd think it was for the Carl
|
|
Rosa. I don't give a shite anyway so long as I get a job, even as a
|
|
crossing sweeper.
|
|
|
|
Subsequently being not quite so down in the mouth after the two and six
|
|
he got he informed Stephen about a fellow by the name of Bags Comisky
|
|
that he said Stephen knew well out of Fullam's, the shipchandler's,
|
|
bookkeeper there that used to be often round in Nagle's back with O'Mara
|
|
and a little chap with a stutter the name of Tighe. Anyhow he was lagged
|
|
the night before last and fined ten bob for a drunk and disorderly and
|
|
refusing to go with the constable.
|
|
|
|
210
|
|
|
|
Mr Bloom in the meanwhile kept dodging about in the vicinity of the
|
|
cobblestones near the brazier of coke in front of the corporation
|
|
watchman's sentrybox who evidently a glutton for work, it struck him,
|
|
was having a quiet forty winks for all intents and purposes on his own
|
|
private account while Dublin slept. He threw an odd eye at the same time
|
|
now and then at Stephen's anything but immaculately attired interlocutor
|
|
as if he had seen that nobleman somewhere or other though where he was
|
|
not in a position to truthfully state nor had he the remotest idea when.
|
|
Being a levelheaded individual who could give points to not a few in
|
|
point of shrewd observation he also remarked on his very dilapidated
|
|
hat and slouchy wearing apparel generally testifying to a chronic
|
|
impecuniosity. Palpably he was one of his hangerson but for the
|
|
matter of that it was merely a question of one preying on his nextdoor
|
|
neighbour all round, in every deep, so to put it, a deeper depth and for
|
|
the matter of that if the man in the street chanced to be in the dock
|
|
himself penal servitude with or without the option of a fine would be
|
|
a very rara avis altogether. In any case he had a consummate amount of
|
|
cool assurance intercepting people at that hour of the night or morning.
|
|
Pretty thick that was certainly.
|
|
|
|
The pair parted company and Stephen rejoined Mr Bloom who, with his
|
|
practised eye, was not without perceiving that he had succumbed to the
|
|
blandiloquence of the other parasite. Alluding to the encounter he said,
|
|
laughingly, Stephen, that is:
|
|
|
|
--He is down on his luck. He asked me to ask you to ask somebody named
|
|
Boylan, a billsticker, to give him a job as a sandwichman.
|
|
|
|
At this intelligence, in which he seemingly evinced little interest, Mr
|
|
Bloom gazed abstractedly for the space of a half a second or so in the
|
|
direction of a bucketdredger, rejoicing in the farfamed name of Eblana,
|
|
moored alongside Customhouse quay and quite possibly out of repair,
|
|
whereupon he observed evasively:
|
|
|
|
--Everybody gets their own ration of luck, they say. Now you mention it
|
|
his face was familiar to me. But, leaving that for the moment, how much
|
|
did you part with, he queried, if I am not too inquisitive?
|
|
|
|
--Half a crown, Stephen responded. I daresay he needs it to sleep
|
|
somewhere.
|
|
|
|
--Needs! Mr Bloom ejaculated, professing not the least surprise at
|
|
the intelligence, I can quite credit the assertion and I guarantee he
|
|
invariably does. Everyone according to his needs or everyone according
|
|
to his deeds. But, talking about things in general, where, added he with
|
|
a smile, will you sleep yourself? Walking to Sandycove is out of
|
|
the question. And even supposing you did you won't get in after what
|
|
occurred at Westland Row station. Simply fag out there for nothing. I
|
|
don't mean to presume to dictate to you in the slightest degree but why
|
|
did you leave your father's house?
|
|
|
|
--To seek misfortune, was Stephen's answer.
|
|
|
|
--I met your respected father on a recent occasion, Mr Bloom
|
|
diplomatically returned, today in fact, or to be strictly accurate, on
|
|
yesterday. Where does he live at present? I gathered in the course of
|
|
conversation that he had moved.
|
|
|
|
--I believe he is in Dublin somewhere, Stephen answered unconcernedly.
|
|
Why?
|
|
|
|
--A gifted man, Mr Bloom said of Mr Dedalus senior, in more respects
|
|
than one and a born _raconteur_ if ever there was one. He takes great
|
|
pride, quite legitimate, out of you. You could go back perhaps, he
|
|
hasarded, still thinking of the very unpleasant scene at Westland Row
|
|
terminus when it was perfectly evident that the other two, Mulligan,
|
|
that is, and that English tourist friend of his, who eventually euchred
|
|
their third companion, were patently trying as if the whole bally
|
|
station belonged to them to give Stephen the slip in the confusion,
|
|
which they did.
|
|
|
|
There was no response forthcoming to the suggestion however, such as it
|
|
was, Stephen's mind's eye being too busily engaged in repicturing his
|
|
family hearth the last time he saw it with his sister Dilly sitting by
|
|
the ingle, her hair hanging down, waiting for some weak Trinidad shell
|
|
cocoa that was in the sootcoated kettle to be done so that she and he
|
|
could drink it with the oatmealwater for milk after the Friday herrings
|
|
they had eaten at two a penny with an egg apiece for Maggy, Boody and
|
|
Katey, the cat meanwhile under the mangle devouring a mess of eggshells
|
|
and charred fish heads and bones on a square of brown paper, in
|
|
accordance with the third precept of the church to fast and abstain
|
|
on the days commanded, it being quarter tense or if not, ember days or
|
|
something like that.
|
|
|
|
--No, Mr Bloom repeated again, I wouldn't personally repose much trust
|
|
in that boon companion of yours who contributes the humorous element, Dr
|
|
Mulligan, as a guide, philosopher and friend if I were in your shoes. He
|
|
knows which side his bread is buttered on though in all probability he
|
|
never realised what it is to be without regular meals. Of course you
|
|
didn't notice as much as I did. But it wouldn't occasion me the least
|
|
surprise to learn that a pinch of tobacco or some narcotic was put in
|
|
your drink for some ulterior object.
|
|
|
|
He understood however from all he heard that Dr Mulligan was a versatile
|
|
allround man, by no means confined to medicine only, who was rapidly
|
|
coming to the fore in his line and, if the report was verified, bade
|
|
fair to enjoy a flourishing practice in the not too distant future as
|
|
a tony medical practitioner drawing a handsome fee for his services
|
|
in addition to which professional status his rescue of that man from
|
|
certain drowning by artificial respiration and what they call first
|
|
aid at Skerries, or Malahide was it?, was, he was bound to admit, an
|
|
exceedingly plucky deed which he could not too highly praise, so that
|
|
frankly he was utterly at a loss to fathom what earthly reason could be
|
|
at the back of it except he put it down to sheer cussedness or jealousy,
|
|
pure and simple.
|
|
|
|
--Except it simply amounts to one thing and he is what they call picking
|
|
your brains, he ventured to throw out.
|
|
|
|
The guarded glance of half solicitude half curiosity augmented by
|
|
friendliness which he gave at Stephen's at present morose expression
|
|
of features did not throw a flood of light, none at all in fact on the
|
|
problem as to whether he had let himself be badly bamboozled to judge by
|
|
two or three lowspirited remarks he let drop or the other way about saw
|
|
through the affair and for some reason or other best known to himself
|
|
allowed matters to more or less. Grinding poverty did have that effect
|
|
and he more than conjectured that, high educational abilities though he
|
|
possessed, he experienced no little difficulty in making both ends meet.
|
|
|
|
Adjacent to the men's public urinal they perceived an icecream car round
|
|
which a group of presumably Italians in heated altercation were getting
|
|
rid of voluble expressions in their vivacious language in a particularly
|
|
animated way, there being some little differences between the parties.
|
|
|
|
--_Puttana madonna, che ci dia i quattrini! Ho ragione? Culo rotto!_
|
|
|
|
_--Intendiamoci. Mezzo sovrano piu..._
|
|
|
|
_--Dice lui, pero!_
|
|
|
|
_--Mezzo._
|
|
|
|
_--Farabutto! Mortacci sui!_
|
|
|
|
_--Ma ascolta! Cinque la testa piu..._
|
|
|
|
Mr Bloom and Stephen entered the cabman's shelter, an unpretentious
|
|
wooden structure, where, prior to then, he had rarely if ever been
|
|
before, the former having previously whispered to the latter a few
|
|
hints anent the keeper of it said to be the once famous Skin-the-Goat
|
|
Fitzharris, the invincible, though he could not vouch for the actual
|
|
facts which quite possibly there was not one vestige of truth in. A few
|
|
moments later saw our two noctambules safely seated in a discreet corner
|
|
only to be greeted by stares from the decidedly miscellaneous collection
|
|
of waifs and strays and other nondescript specimens of the genus _homo_
|
|
already there engaged in eating and drinking diversified by conversation
|
|
for whom they seemingly formed an object of marked curiosity.
|
|
|
|
--Now touching a cup of coffee, Mr Bloom ventured to plausibly suggest
|
|
to break the ice, it occurs to me you ought to sample something in the
|
|
shape of solid food, say, a roll of some description.
|
|
|
|
Accordingly his first act was with characteristic _sangfroid_ to order
|
|
these commodities quietly. The _hoi polloi_ of jarvies or stevedores
|
|
or whatever they were after a cursory examination turned their eyes
|
|
apparently dissatisfied, away though one redbearded bibulous individual
|
|
portion of whose hair was greyish, a sailor probably, still stared for
|
|
some appreciable time before transferring his rapt attention to the
|
|
floor. Mr Bloom, availing himself of the right of free speech, he having
|
|
just a bowing acquaintance with the language in dispute, though, to be
|
|
sure, rather in a quandary over _voglio_, remarked to his _protege_ in
|
|
an audible tone of voice _a propos_ of the battle royal in the street
|
|
which was still raging fast and furious:
|
|
|
|
--A beautiful language. I mean for singing purposes. Why do you not
|
|
write your poetry in that language? _Bella Poetria_! It is so melodious
|
|
and full. _Belladonna. Voglio._
|
|
|
|
Stephen, who was trying his dead best to yawn if he could, suffering
|
|
from lassitude generally, replied:
|
|
|
|
--To fill the ear of a cow elephant. They were haggling over money.
|
|
|
|
--Is that so? Mr Bloom asked. Of course, he subjoined pensively, at the
|
|
inward reflection of there being more languages to start with than were
|
|
absolutely necessary, it may be only the southern glamour that surrounds
|
|
it.
|
|
|
|
The keeper of the shelter in the middle of this _tete-a-tete_ put a
|
|
boiling swimming cup of a choice concoction labelled coffee on the table
|
|
and a rather antediluvian specimen of a bun, or so it seemed. After
|
|
which he beat a retreat to his counter, Mr Bloom determining to have
|
|
a good square look at him later on so as not to appear to. For which
|
|
reason he encouraged Stephen to proceed with his eyes while he did
|
|
the honours by surreptitiously pushing the cup of what was temporarily
|
|
supposed to be called coffee gradually nearer him.
|
|
|
|
--Sounds are impostures, Stephen said after a pause of some little time,
|
|
like names. Cicero, Podmore. Napoleon, Mr Goodbody. Jesus, Mr Doyle.
|
|
Shakespeares were as common as Murphies. What's in a name?
|
|
|
|
--Yes, to be sure, Mr Bloom unaffectedly concurred. Of course. Our name
|
|
was changed too, he added, pushing the socalled roll across.
|
|
|
|
The redbearded sailor who had his weather eye on the newcomers boarded
|
|
Stephen, whom he had singled out for attention in particular, squarely
|
|
by asking:
|
|
|
|
--And what might your name be?
|
|
|
|
Just in the nick of time Mr Bloom touched his companion's boot but
|
|
Stephen, apparently disregarding the warm pressure from an unexpected
|
|
quarter, answered:
|
|
|
|
--Dedalus.
|
|
|
|
The sailor stared at him heavily from a pair of drowsy baggy eyes,
|
|
rather bunged up from excessive use of boose, preferably good old
|
|
Hollands and water.
|
|
|
|
--You know Simon Dedalus? he asked at length.
|
|
|
|
--I've heard of him, Stephen said.
|
|
|
|
Mr Bloom was all at sea for a moment, seeing the others evidently
|
|
eavesdropping too.
|
|
|
|
--He's Irish, the seaman bold affirmed, staring still in much the same
|
|
way and nodding. All Irish.
|
|
|
|
--All too Irish, Stephen rejoined.
|
|
|
|
As for Mr Bloom he could neither make head or tail of the whole business
|
|
and he was just asking himself what possible connection when the sailor
|
|
of his own accord turned to the other occupants of the shelter with the
|
|
remark:
|
|
|
|
--I seen him shoot two eggs off two bottles at fifty yards over his
|
|
shoulder. The lefthand dead shot.
|
|
|
|
Though he was slightly hampered by an occasional stammer and his
|
|
gestures being also clumsy as it was still he did his best to explain.
|
|
|
|
--Bottles out there, say. Fifty yards measured. Eggs on the bottles.
|
|
Cocks his gun over his shoulder. Aims.
|
|
|
|
He turned his body half round, shut up his right eye completely. Then he
|
|
screwed his features up someway sideways and glared out into the night
|
|
with an unprepossessing cast of countenance.
|
|
|
|
--Pom! he then shouted once.
|
|
|
|
The entire audience waited, anticipating an additional detonation, there
|
|
being still a further egg.
|
|
|
|
--Pom! he shouted twice.
|
|
|
|
Egg two evidently demolished, he nodded and winked, adding
|
|
bloodthirstily:
|
|
|
|
_--Buffalo Bill shoots to kill, Never missed nor he never will._
|
|
|
|
A silence ensued till Mr Bloom for agreeableness' sake just felt like
|
|
asking him whether it was for a marksmanship competition like the
|
|
Bisley.
|
|
|
|
--Beg pardon, the sailor said.
|
|
|
|
--Long ago? Mr Bloom pursued without flinching a hairsbreadth.
|
|
|
|
--Why, the sailor replied, relaxing to a certain extent under the magic
|
|
influence of diamond cut diamond, it might be a matter of ten years. He
|
|
toured the wide world with Hengler's Royal Circus. I seen him do that in
|
|
Stockholm.
|
|
|
|
--Curious coincidence, Mr Bloom confided to Stephen unobtrusively.
|
|
|
|
--Murphy's my name, the sailor continued. D. B. Murphy of Carrigaloe.
|
|
Know where that is?
|
|
|
|
--Queenstown harbour, Stephen replied.
|
|
|
|
--That's right, the sailor said. Fort Camden and Fort Carlisle. That's
|
|
where I hails from. I belongs there. That's where I hails from. My
|
|
little woman's down there. She's waiting for me, I know. _For England,
|
|
home and beauty_. She's my own true wife I haven't seen for seven years
|
|
now, sailing about.
|
|
|
|
Mr Bloom could easily picture his advent on this scene, the homecoming
|
|
to the mariner's roadside shieling after having diddled Davy Jones,
|
|
a rainy night with a blind moon. Across the world for a wife. Quite a
|
|
number of stories there were on that particular Alice Ben Bolt topic,
|
|
Enoch Arden and Rip van Winkle and does anybody hereabouts remember Caoc
|
|
O'Leary, a favourite and most trying declamation piece by the way of
|
|
poor John Casey and a bit of perfect poetry in its own small way.
|
|
Never about the runaway wife coming back, however much devoted to the
|
|
absentee. The face at the window! Judge of his astonishment when he
|
|
finally did breast the tape and the awful truth dawned upon him anent
|
|
his better half, wrecked in his affections. You little expected me but
|
|
I've come to stay and make a fresh start. There she sits, a grasswidow,
|
|
at the selfsame fireside. Believes me dead, rocked in the cradle of the
|
|
deep. And there sits uncle Chubb or Tomkin, as the case might be, the
|
|
publican of the Crown and Anchor, in shirtsleeves, eating rumpsteak and
|
|
onions. No chair for father. Broo! The wind! Her brandnew arrival is on
|
|
her knee, _post mortem_ child. With a high ro! and a randy ro! and my
|
|
galloping tearing tandy, O! Bow to the inevitable. Grin and bear it. I
|
|
remain with much love your brokenhearted husband D B Murphy.
|
|
|
|
The sailor, who scarcely seemed to be a Dublin resident, turned to one
|
|
of the jarvies with the request:
|
|
|
|
--You don't happen to have such a thing as a spare chaw about you?
|
|
|
|
The jarvey addressed as it happened had not but the keeper took a die of
|
|
plug from his good jacket hanging on a nail and the desired object was
|
|
passed from hand to hand.
|
|
|
|
--Thank you, the sailor said.
|
|
|
|
He deposited the quid in his gob and, chewing and with some slow
|
|
stammers, proceeded:
|
|
|
|
--We come up this morning eleven o'clock. The threemaster _Rosevean_
|
|
from Bridgwater with bricks. I shipped to get over. Paid off this
|
|
afternoon. There's my discharge. See? D. B. Murphy. A. B. S.
|
|
|
|
In confirmation of which statement he extricated from an inside pocket
|
|
and handed to his neighbour a not very cleanlooking folded document.
|
|
|
|
--You must have seen a fair share of the world, the keeper remarked,
|
|
leaning on the counter.
|
|
|
|
--Why, the sailor answered upon reflection upon it, I've circumnavigated
|
|
a bit since I first joined on. I was in the Red Sea. I was in China and
|
|
North America and South America. We was chased by pirates one voyage.
|
|
I seen icebergs plenty, growlers. I was in Stockholm and the Black Sea,
|
|
the Dardanelles under Captain Dalton, the best bloody man that ever
|
|
scuttled a ship. I seen Russia. _Gospodi pomilyou_. That's how the
|
|
Russians prays.
|
|
|
|
--You seen queer sights, don't be talking, put in a jarvey.
|
|
|
|
--Why, the sailor said, shifting his partially chewed plug. I seen
|
|
queer things too, ups and downs. I seen a crocodile bite the fluke of an
|
|
anchor same as I chew that quid.
|
|
|
|
He took out of his mouth the pulpy quid and, lodging it between his
|
|
teeth, bit ferociously:
|
|
|
|
--Khaan! Like that. And I seen maneaters in Peru that eats corpses and
|
|
the livers of horses. Look here. Here they are. A friend of mine sent
|
|
me.
|
|
|
|
He fumbled out a picture postcard from his inside pocket which seemed to
|
|
be in its way a species of repository and pushed it along the table. The
|
|
printed matter on it stated: _Choza de Indios. Beni, Bolivia._
|
|
|
|
All focussed their attention at the scene exhibited, a group of savage
|
|
women in striped loincloths, squatted, blinking, suckling, frowning,
|
|
sleeping amid a swarm of infants (there must have been quite a score of
|
|
them) outside some primitive shanties of osier.
|
|
|
|
--Chews coca all day, the communicative tarpaulin added. Stomachs
|
|
like breadgraters. Cuts off their diddies when they can't bear no more
|
|
children.
|
|
|
|
See them sitting there stark ballocknaked eating a dead horse's liver
|
|
raw.
|
|
|
|
His postcard proved a centre of attraction for Messrs the greenhorns for
|
|
several minutes if not more.
|
|
|
|
--Know how to keep them off? he inquired generally.
|
|
|
|
Nobody volunteering a statement he winked, saying:
|
|
|
|
--Glass. That boggles 'em. Glass.
|
|
|
|
Mr Bloom, without evincing surprise, unostentatiously turned over the
|
|
card to peruse the partially obliterated address and postmark. It ran
|
|
as follows: _Tarjeta Postal, Senor A Boudin, Galeria Becche, Santiago,
|
|
Chile._ There was no message evidently, as he took particular notice.
|
|
Though not an implicit believer in the lurid story narrated (or the
|
|
eggsniping transaction for that matter despite William Tell and the
|
|
Lazarillo-Don Cesar de Bazan incident depicted in _Maritana_ on which
|
|
occasion the former's ball passed through the latter's hat) having
|
|
detected a discrepancy between his name (assuming he was the person
|
|
he represented himself to be and not sailing under false colours
|
|
after having boxed the compass on the strict q.t. somewhere) and
|
|
the fictitious addressee of the missive which made him nourish some
|
|
suspicions of our friend's _bona fides_ nevertheless it reminded him in
|
|
a way of a longcherished plan he meant to one day realise some Wednesday
|
|
or Saturday of travelling to London via long sea not to say that he had
|
|
ever travelled extensively to any great extent but he was at heart a
|
|
born adventurer though by a trick of fate he had consistently remained
|
|
a landlubber except you call going to Holyhead which was his longest.
|
|
Martin Cunningham frequently said he would work a pass through Egan but
|
|
some deuced hitch or other eternally cropped up with the net result that
|
|
the scheme fell through. But even suppose it did come to planking
|
|
down the needful and breaking Boyd's heart it was not so dear, purse
|
|
permitting, a few guineas at the outside considering the fare to
|
|
Mullingar where he figured on going was five and six, there and back.
|
|
The trip would benefit health on account of the bracing ozone and be in
|
|
every way thoroughly pleasurable, especially for a chap whose liver was
|
|
out of order, seeing the different places along the route, Plymouth,
|
|
Falmouth, Southampton and so on culminating in an instructive tour of
|
|
the sights of the great metropolis, the spectacle of our modern Babylon
|
|
where doubtless he would see the greatest improvement, tower, abbey,
|
|
wealth of Park lane to renew acquaintance with. Another thing just
|
|
struck him as a by no means bad notion was he might have a gaze around
|
|
on the spot to see about trying to make arrangements about a concert
|
|
tour of summer music embracing the most prominent pleasure resorts,
|
|
Margate with mixed bathing and firstrate hydros and spas, Eastbourne,
|
|
Scarborough, Margate and so on, beautiful Bournemouth, the Channel
|
|
islands and similar bijou spots, which might prove highly remunerative.
|
|
Not, of course, with a hole and corner scratch company or local ladies
|
|
on the job, witness Mrs C P M'Coy type lend me your valise and I'll post
|
|
you the ticket. No, something top notch, an all star Irish caste, the
|
|
Tweedy-Flower grand opera company with his own legal consort as leading
|
|
lady as a sort of counterblast to the Elster Grimes and Moody-Manners,
|
|
perfectly simple matter and he was quite sanguine of success, providing
|
|
puffs in the local papers could be managed by some fellow with a bit of
|
|
bounce who could pull the indispensable wires and thus combine business
|
|
with pleasure. But who? That was the rub. Also, without being actually
|
|
positive, it struck him a great field was to be opened up in the line
|
|
of opening up new routes to keep pace with the times _apropos_ of the
|
|
Fishguard-Rosslare route which, it was mooted, was once more on the
|
|
_tapis_ in the circumlocution departments with the usual quantity of red
|
|
tape and dillydallying of effete fogeydom and dunderheads generally. A
|
|
great opportunity there certainly was for push and enterprise to meet
|
|
the travelling needs of the public at large, the average man, i.e.
|
|
Brown, Robinson and Co.
|
|
|
|
It was a subject of regret and absurd as well on the face of it and no
|
|
small blame to our vaunted society that the man in the street, when the
|
|
system really needed toning up, for the matter of a couple of paltry
|
|
pounds was debarred from seeing more of the world they lived in instead
|
|
of being always and ever cooped up since my old stick-in-the-mud took me
|
|
for a wife. After all, hang it, they had their eleven and more humdrum
|
|
months of it and merited a radical change of _venue_ after the grind
|
|
of city life in the summertime for choice when dame Nature is at her
|
|
spectacular best constituting nothing short of a new lease of life.
|
|
There were equally excellent opportunities for vacationists in the home
|
|
island, delightful sylvan spots for rejuvenation, offering a plethora
|
|
of attractions as well as a bracing tonic for the system in and around
|
|
Dublin and its picturesque environs even, Poulaphouca to which there was
|
|
a steamtram, but also farther away from the madding crowd in Wicklow,
|
|
rightly termed the garden of Ireland, an ideal neighbourhood for elderly
|
|
wheelmen so long as it didn't come down, and in the wilds of Donegal
|
|
where if report spoke true the _coup d'oeil_ was exceedingly grand
|
|
though the lastnamed locality was not easily getatable so that the
|
|
influx of visitors was not as yet all that it might be considering the
|
|
signal benefits to be derived from it while Howth with its historic
|
|
associations and otherwise, Silken Thomas, Grace O'Malley, George IV,
|
|
rhododendrons several hundred feet above sealevel was a favourite haunt
|
|
with all sorts and conditions of men especially in the spring when young
|
|
men's fancy, though it had its own toll of deaths by falling off the
|
|
cliffs by design or accidentally, usually, by the way, on their left
|
|
leg, it being only about three quarters of an hour's run from the
|
|
pillar. Because of course uptodate tourist travelling was as yet merely
|
|
in its infancy, so to speak, and the accommodation left much to be
|
|
desired. Interesting to fathom it seemed to him from a motive of
|
|
curiosity, pure and simple, was whether it was the traffic that created
|
|
the route or viceversa or the two sides in fact. He turned back the
|
|
other side of the card, picture, and passed it along to Stephen.
|
|
|
|
--I seen a Chinese one time, related the doughty narrator, that had
|
|
little pills like putty and he put them in the water and they opened and
|
|
every pill was something different. One was a ship, another was a house,
|
|
another was a flower. Cooks rats in your soup, he appetisingly added,
|
|
the chinks does.
|
|
|
|
Possibly perceiving an expression of dubiosity on their faces the
|
|
globetrotter went on, adhering to his adventures.
|
|
|
|
--And I seen a man killed in Trieste by an Italian chap. Knife in his
|
|
back. Knife like that.
|
|
|
|
Whilst speaking he produced a dangerouslooking claspknife quite in
|
|
keeping with his character and held it in the striking position.
|
|
|
|
--In a knockingshop it was count of a tryon between two smugglers.
|
|
Fellow hid behind a door, come up behind him. Like that. _Prepare to
|
|
meet your God_, says he. Chuk! It went into his back up to the butt.
|
|
|
|
His heavy glance drowsily roaming about kind of defied their further
|
|
questions even should they by any chance want to.
|
|
|
|
--That's a good bit of steel, repeated he, examining his formidable
|
|
_stiletto_.
|
|
|
|
After which harrowing _denouement_ sufficient to appal the stoutest he
|
|
snapped the blade to and stowed the weapon in question away as before in
|
|
his chamber of horrors, otherwise pocket.
|
|
|
|
--They're great for the cold steel, somebody who was evidently quite in
|
|
the dark said for the benefit of them all. That was why they thought
|
|
the park murders of the invincibles was done by foreigners on account of
|
|
them using knives.
|
|
|
|
At this remark passed obviously in the spirit of _where ignorance
|
|
is bliss_ Mr B. and Stephen, each in his own particular way, both
|
|
instinctively exchanged meaning glances, in a religious silence of the
|
|
strictly _entre nous_ variety however, towards where Skin-the-Goat,
|
|
_alias_ the keeper, not turning a hair, was drawing spurts of liquid
|
|
from his boiler affair. His inscrutable face which was really a work
|
|
of art, a perfect study in itself, beggaring description, conveyed
|
|
the impression that he didn't understand one jot of what was going on.
|
|
Funny, very!
|
|
|
|
There ensued a somewhat lengthy pause. One man was reading in fits and
|
|
starts a stained by coffee evening journal, another the card with the
|
|
natives _choza de_, another the seaman's discharge. Mr Bloom, so far
|
|
as he was personally concerned, was just pondering in pensive mood. He
|
|
vividly recollected when the occurrence alluded to took place as well
|
|
as yesterday, roughly some score of years previously in the days of the
|
|
land troubles, when it took the civilised world by storm, figuratively
|
|
speaking, early in the eighties, eightyone to be correct, when he was
|
|
just turned fifteen.
|
|
|
|
--Ay, boss, the sailor broke in. Give us back them papers.
|
|
|
|
The request being complied with he clawed them up with a scrape.
|
|
|
|
--Have you seen the rock of Gibraltar? Mr Bloom inquired.
|
|
|
|
The sailor grimaced, chewing, in a way that might be read as yes, ay or
|
|
no.
|
|
|
|
--Ah, you've touched there too, Mr Bloom said, Europa point, thinking he
|
|
had, in the hope that the rover might possibly by some reminiscences but
|
|
he failed to do so, simply letting spirt a jet of spew into the sawdust,
|
|
and shook his head with a sort of lazy scorn.
|
|
|
|
--What year would that be about? Mr B interrogated. Can you recall the
|
|
boats?
|
|
|
|
Our _soi-disant_ sailor munched heavily awhile hungrily before
|
|
answering:
|
|
|
|
--I'm tired of all them rocks in the sea, he said, and boats and ships.
|
|
Salt junk all the time.
|
|
|
|
Tired seemingly, he ceased. His questioner perceiving that he was not
|
|
likely to get a great deal of change out of such a wily old customer,
|
|
fell to woolgathering on the enormous dimensions of the water about the
|
|
globe, suffice it to say that, as a casual glance at the map revealed,
|
|
it covered fully three fourths of it and he fully realised accordingly
|
|
what it meant to rule the waves. On more than one occasion, a dozen
|
|
at the lowest, near the North Bull at Dollymount he had remarked a
|
|
superannuated old salt, evidently derelict, seated habitually near the
|
|
not particularly redolent sea on the wall, staring quite obliviously at
|
|
it and it at him, dreaming of fresh woods and pastures new as someone
|
|
somewhere sings. And it left him wondering why. Possibly he had tried to
|
|
find out the secret for himself, floundering up and down the antipodes
|
|
and all that sort of thing and over and under, well, not exactly under,
|
|
tempting the fates. And the odds were twenty to nil there was really no
|
|
secret about it at all. Nevertheless, without going into the _minutiae_
|
|
of the business, the eloquent fact remained that the sea was there in
|
|
all its glory and in the natural course of things somebody or other had
|
|
to sail on it and fly in the face of providence though it merely went
|
|
to show how people usually contrived to load that sort of onus on to the
|
|
other fellow like the hell idea and the lottery and insurance which were
|
|
run on identically the same lines so that for that very reason if no
|
|
other lifeboat Sunday was a highly laudable institution to which the
|
|
public at large, no matter where living inland or seaside, as the case
|
|
might be, having it brought home to them like that should extend its
|
|
gratitude also to the harbourmasters and coastguard service who had
|
|
to man the rigging and push off and out amid the elements whatever the
|
|
season when duty called _Ireland expects that every man_ and so on and
|
|
sometimes had a terrible time of it in the wintertime not forgetting the
|
|
Irish lights, Kish and others, liable to capsize at any moment, rounding
|
|
which he once with his daughter had experienced some remarkably choppy,
|
|
not to say stormy, weather.
|
|
|
|
--There was a fellow sailed with me in the Rover, the old seadog,
|
|
himself a rover, proceeded, went ashore and took up a soft job as
|
|
gentleman's valet at six quid a month. Them are his trousers I've on
|
|
me and he gave me an oilskin and that jackknife. I'm game for that job,
|
|
shaving and brushup. I hate roaming about. There's my son now, Danny,
|
|
run off to sea and his mother got him took in a draper's in Cork where
|
|
he could be drawing easy money.
|
|
|
|
--What age is he? queried one hearer who, by the way, seen from the
|
|
side, bore a distant resemblance to Henry Campbell, the townclerk, away
|
|
from the carking cares of office, unwashed of course and in a seedy
|
|
getup and a strong suspicion of nosepaint about the nasal appendage.
|
|
|
|
--Why, the sailor answered with a slow puzzled utterance, my son, Danny?
|
|
He'd be about eighteen now, way I figure it.
|
|
|
|
The Skibbereen father hereupon tore open his grey or unclean anyhow
|
|
shirt with his two hands and scratched away at his chest on which was to
|
|
be seen an image tattooed in blue Chinese ink intended to represent an
|
|
anchor.
|
|
|
|
--There was lice in that bunk in Bridgwater, he remarked, sure as nuts.
|
|
I must get a wash tomorrow or next day. It's them black lads I objects
|
|
to. I hate those buggers. Suck your blood dry, they does.
|
|
|
|
Seeing they were all looking at his chest he accommodatingly dragged
|
|
his shirt more open so that on top of the timehonoured symbol of the
|
|
mariner's hope and rest they had a full view of the figure 16 and a
|
|
young man's sideface looking frowningly rather.
|
|
|
|
--Tattoo, the exhibitor explained. That was done when we were Iying
|
|
becalmed off Odessa in the Black Sea under Captain Dalton. Fellow, the
|
|
name of Antonio, done that. There he is himself, a Greek.
|
|
|
|
--Did it hurt much doing it? one asked the sailor.
|
|
|
|
That worthy, however, was busily engaged in collecting round the.
|
|
Someway in his. Squeezing or.
|
|
|
|
--See here, he said, showing Antonio. There he is cursing the mate. And
|
|
there he is now, he added, the same fellow, pulling the skin with his
|
|
fingers, some special knack evidently, and he laughing at a yarn.
|
|
|
|
And in point of fact the young man named Antonio's livid face did
|
|
actually look like forced smiling and the curious effect excited the
|
|
unreserved admiration of everybody including Skin-the-Goat, who this
|
|
time stretched over.
|
|
|
|
--Ay, ay, sighed the sailor, looking down on his manly chest. He's gone
|
|
too. Ate by sharks after. Ay, ay.
|
|
|
|
He let go of the skin so that the profile resumed the normal expression
|
|
of before.
|
|
|
|
--Neat bit of work, one longshoreman said.
|
|
|
|
--And what's the number for? loafer number two queried.
|
|
|
|
--Eaten alive? a third asked the sailor.
|
|
|
|
--Ay, ay, sighed again the latter personage, more cheerily this
|
|
time with some sort of a half smile for a brief duration only in the
|
|
direction of the questioner about the number. Ate. A Greek he was.
|
|
|
|
And then he added with rather gallowsbird humour considering his alleged
|
|
end:
|
|
|
|
_--As bad as old Antonio, For he left me on my ownio._
|
|
|
|
The face of a streetwalker glazed and haggard under a black straw hat
|
|
peered askew round the door of the shelter palpably reconnoitring on
|
|
her own with the object of bringing more grist to her mill. Mr
|
|
Bloom, scarcely knowing which way to look, turned away on the moment
|
|
flusterfied but outwardly calm, and, picking up from the table the pink
|
|
sheet of the Abbey street organ which the jarvey, if such he was, had
|
|
laid aside, he picked it up and looked at the pink of the paper though
|
|
why pink. His reason for so doing was he recognised on the moment
|
|
round the door the same face he had caught a fleeting glimpse of that
|
|
afternoon on Ormond quay, the partially idiotic female, namely, of the
|
|
lane who knew the lady in the brown costume does be with you (Mrs B.)
|
|
and begged the chance of his washing. Also why washing which seemed
|
|
rather vague than not, your washing. Still candour compelled him to
|
|
admit he had washed his wife's undergarments when soiled in Holles
|
|
street and women would and did too a man's similar garments initialled
|
|
with Bewley and Draper's marking ink (hers were, that is) if they really
|
|
loved him, that is to say, love me, love my dirty shirt. Still just
|
|
then, being on tenterhooks, he desired the female's room more than her
|
|
company so it came as a genuine relief when the keeper made her a rude
|
|
sign to take herself off. Round the side of the Evening Telegraph he
|
|
just caught a fleeting glimpse of her face round the side of the door
|
|
with a kind of demented glassy grin showing that she was not exactly all
|
|
there, viewing with evident amusement the group of gazers round skipper
|
|
Murphy's nautical chest and then there was no more of her.
|
|
|
|
--The gunboat, the keeper said.
|
|
|
|
--It beats me, Mr Bloom confided to Stephen, medically I am speaking,
|
|
how a wretched creature like that from the Lock hospital reeking with
|
|
disease can be barefaced enough to solicit or how any man in his sober
|
|
senses, if he values his health in the least. Unfortunate creature! Of
|
|
course I suppose some man is ultimately responsible for her condition.
|
|
Still no matter what the cause is from...
|
|
|
|
Stephen had not noticed her and shrugged his shoulders, merely
|
|
remarking:
|
|
|
|
--In this country people sell much more than she ever had and do a
|
|
roaring trade. Fear not them that sell the body but have not power to
|
|
buy the soul. She is a bad merchant. She buys dear and sells cheap.
|
|
|
|
The elder man, though not by any manner of means an old maid or a prude,
|
|
said it was nothing short of a crying scandal that ought to be put a
|
|
stop to _instanter_ to say that women of that stamp (quite apart from
|
|
any oldmaidish squeamishness on the subject), a necessary evil, w ere
|
|
not licensed and medically inspected by the proper authorities, a thing,
|
|
he could truthfully state, he, as a _paterfamilias_, was a stalwart
|
|
advocate of from the very first start. Whoever embarked on a policy of
|
|
the sort, he said, and ventilated the matter thoroughly would confer a
|
|
lasting boon on everybody concerned.
|
|
|
|
--You as a good catholic, he observed, talking of body and soul, believe
|
|
in the soul. Or do you mean the intelligence, the brainpower as such,
|
|
as distinct from any outside object, the table, let us say, that cup. I
|
|
believe in that myself because it has been explained by competent men as
|
|
the convolutions of the grey matter. Otherwise we would never have such
|
|
inventions as X rays, for instance. Do you?
|
|
|
|
Thus cornered, Stephen had to make a superhuman effort of memory to try
|
|
and concentrate and remember before he could say:
|
|
|
|
--They tell me on the best authority it is a simple substance and
|
|
therefore incorruptible. It would be immortal, I understand, but for the
|
|
possibility of its annihilation by its First Cause Who, from all I
|
|
can hear, is quite capable of adding that to the number of His other
|
|
practical jokes, _corruptio per se_ and _corruptio per accidens_ both
|
|
being excluded by court etiquette.
|
|
|
|
Mr Bloom thoroughly acquiesced in the general gist of this though the
|
|
mystical finesse involved was a bit out of his sublunary depth still
|
|
he felt bound to enter a demurrer on the head of simple, promptly
|
|
rejoining:
|
|
|
|
--Simple? I shouldn't think that is the proper word. Of course, I grant
|
|
you, to concede a point, you do knock across a simple soul once in a
|
|
blue moon. But what I am anxious to arrive at is it is one thing for
|
|
instance to invent those rays Rontgen did or the telescope like Edison,
|
|
though I believe it was before his time Galileo was the man, I mean,
|
|
and the same applies to the laws, for example, of a farreaching natural
|
|
phenomenon such as electricity but it's a horse of quite another colour
|
|
to say you believe in the existence of a supernatural God.
|
|
|
|
--O that, Stephen expostulated, has been proved conclusively by several
|
|
of the bestknown passages in Holy Writ, apart from circumstantial
|
|
evidence.
|
|
|
|
On this knotty point however the views of the pair, poles apart as they
|
|
were both in schooling and everything else with the marked difference in
|
|
their respective ages, clashed.
|
|
|
|
--Has been? the more experienced of the two objected, sticking to his
|
|
original point with a smile of unbelief. I'm not so sure about that.
|
|
That's a matter for everyman's opinion and, without dragging in the
|
|
sectarian side of the business, I beg to differ with you _in toto_
|
|
there. My belief is, to tell you the candid truth, that those bits were
|
|
genuine forgeries all of them put in by monks most probably or it's the
|
|
big question of our national poet over again, who precisely wrote them
|
|
like _Hamlet_ and Bacon, as, you who know your Shakespeare infinitely
|
|
better than I, of course I needn't tell you. Can't you drink that
|
|
coffee, by the way? Let me stir it. And take a piece of that bun. It's
|
|
like one of our skipper's bricks disguised. Still no-one can give what
|
|
he hasn't got. Try a bit.
|
|
|
|
--Couldn't, Stephen contrived to get out, his mental organs for the
|
|
moment refusing to dictate further.
|
|
|
|
Faultfinding being a proverbially bad hat Mr Bloom thought well to stir
|
|
or try to the clotted sugar from the bottom and reflected with something
|
|
approaching acrimony on the Coffee Palace and its temperance (and
|
|
lucrative) work. To be sure it was a legitimate object and beyond yea or
|
|
nay did a world of good, shelters such as the present one they were in
|
|
run on teetotal lines for vagrants at night, concerts, dramatic evenings
|
|
and useful lectures (admittance free) by qualified men for the lower
|
|
orders. On the other hand he had a distinct and painful recollection
|
|
they paid his wife, Madam Marion Tweedy who had been prominently
|
|
associated with it at one time, a very modest remuneration indeed for
|
|
her pianoplaying. The idea, he was strongly inclined to believe, was
|
|
to do good and net a profit, there being no competition to speak
|
|
of. Sulphate of copper poison SO4 or something in some dried peas he
|
|
remembered reading of in a cheap eatinghouse somewhere but he couldn't
|
|
remember when it was or where. Anyhow inspection, medical inspection,
|
|
of all eatables seemed to him more than ever necessary which possibly
|
|
accounted for the vogue of Dr Tibble's Vi-Cocoa on account of the
|
|
medical analysis involved.
|
|
|
|
--Have a shot at it now, he ventured to say of the coffee after being
|
|
stirred.
|
|
|
|
Thus prevailed on to at any rate taste it Stephen lifted the heavy mug
|
|
from the brown puddle it clopped out of when taken up by the handle and
|
|
took a sip of the offending beverage.
|
|
|
|
--Still it's solid food, his good genius urged, I'm a stickler for solid
|
|
food, his one and only reason being not gormandising in the least but
|
|
regular meals as the _sine qua non_ for any kind of proper work, mental
|
|
or manual. You ought to eat more solid food. You would feel a different
|
|
man.
|
|
|
|
--Liquids I can eat, Stephen said. But O, oblige me by taking away that
|
|
knife. I can't look at the point of it. It reminds me of Roman history.
|
|
|
|
Mr Bloom promptly did as suggested and removed the incriminated article,
|
|
a blunt hornhandled ordinary knife with nothing particularly Roman or
|
|
antique about it to the lay eye, observing that the point was the least
|
|
conspicuous point about it.
|
|
|
|
--Our mutual friend's stories are like himself, Mr Bloom _apropos_ of
|
|
knives remarked to his _confidante sotto voce_. Do you think they are
|
|
genuine? He could spin those yarns for hours on end all night long and
|
|
lie like old boots. Look at him.
|
|
|
|
Yet still though his eyes were thick with sleep and sea air life was
|
|
full of a host of things and coincidences of a terrible nature and it
|
|
was quite within the bounds of possibility that it was not an
|
|
entire fabrication though at first blush there was not much inherent
|
|
probability in all the spoof he got off his chest being strictly
|
|
accurate gospel.
|
|
|
|
He had been meantime taking stock of the individual in front of him and
|
|
Sherlockholmesing him up ever since he clapped eyes on him. Though a
|
|
wellpreserved man of no little stamina, if a trifle prone to baldness,
|
|
there was something spurious in the cut of his jib that suggested a jail
|
|
delivery and it required no violent stretch of imagination to associate
|
|
such a weirdlooking specimen with the oakum and treadmill fraternity. He
|
|
might even have done for his man supposing it was his own case he told,
|
|
as people often did about others, namely, that he killed him himself
|
|
and had served his four or five goodlooking years in durance vile to say
|
|
nothing of the Antonio personage (no relation to the dramatic personage
|
|
of identical name who sprang from the pen of our national poet) who
|
|
expiated his crimes in the melodramatic manner above described. On the
|
|
other hand he might be only bluffing, a pardonable weakness because
|
|
meeting unmistakable mugs, Dublin residents, like those jarvies waiting
|
|
news from abroad would tempt any ancient mariner who sailed the ocean
|
|
seas to draw the long bow about the schooner _Hesperus_ and etcetera.
|
|
And when all was said and done the lies a fellow told about himself
|
|
couldn't probably hold a proverbial candle to the wholesale whoppers
|
|
other fellows coined about him.
|
|
|
|
--Mind you, I'm not saying that it's all a pure invention, he resumed.
|
|
Analogous scenes are occasionally, if not often, met with. Giants,
|
|
though that is rather a far cry, you see once in a way, Marcella the
|
|
midget queen. In those waxworks in Henry street I myself saw some
|
|
Aztecs, as they are called, sitting bowlegged, they couldn't straighten
|
|
their legs if you paid them because the muscles here, you see, he
|
|
proceeded, indicating on his companion the brief outline of the sinews
|
|
or whatever you like to call them behind the right knee, were utterly
|
|
powerless from sitting that way so long cramped up, being adored as
|
|
gods. There's an example again of simple souls.
|
|
|
|
However reverting to friend Sinbad and his horrifying adventures (who
|
|
reminded him a bit of Ludwig, _alias_ Ledwidge, when he occupied
|
|
the boards of the Gaiety when Michael Gunn was identified with the
|
|
management in the _Flying Dutchman_, a stupendous success, and his host
|
|
of admirers came in large numbers, everyone simply flocking to hear him
|
|
though ships of any sort, phantom or the reverse, on the stage usually
|
|
fell a bit flat as also did trains) there was nothing intrinsically
|
|
incompatible about it, he conceded. On the contrary that stab in the
|
|
back touch was quite in keeping with those italianos though candidly he
|
|
was none the less free to admit those icecreamers and friers in the fish
|
|
way not to mention the chip potato variety and so forth over in little
|
|
Italy there near the Coombe were sober thrifty hardworking fellows
|
|
except perhaps a bit too given to pothunting the harmless necessary
|
|
animal of the feline persuasion of others at night so as to have a good
|
|
old succulent tuckin with garlic _de rigueur_ off him or her next day on
|
|
the quiet and, he added, on the cheap.
|
|
|
|
--Spaniards, for instance, he continued, passionate temperaments like
|
|
that, impetuous as Old Nick, are given to taking the law into their own
|
|
hands and give you your quietus doublequick with those poignards they
|
|
carry in the abdomen. It comes from the great heat, climate generally.
|
|
My wife is, so to speak, Spanish, half that is. Point of fact she could
|
|
actually claim Spanish nationality if she wanted, having been born in
|
|
(technically) Spain, i.e. Gibraltar. She has the Spanish type. Quite
|
|
dark, regular brunette, black. I for one certainly believe climate
|
|
accounts for character. That's why I asked you if you wrote your poetry
|
|
in Italian.
|
|
|
|
--The temperaments at the door, Stephen interposed with, were very
|
|
passionate about ten shillings. _Roberto ruba roba sua_.
|
|
|
|
--Quite so, Mr Bloom dittoed.
|
|
|
|
--Then, Stephen said staring and rambling on to himself or some unknown
|
|
listener somewhere, we have the impetuosity of Dante and the isosceles
|
|
triangle miss Portinari he fell in love with and Leonardo and san
|
|
Tommaso Mastino.
|
|
|
|
--It's in the blood, Mr Bloom acceded at once. All are washed in the
|
|
blood of the sun. Coincidence I just happened to be in the Kildare
|
|
street museum 890 today, shortly prior to our meeting if I can so call
|
|
it, and I was just looking at those antique statues there. The splendid
|
|
proportions of hips, bosom. You simply don't knock against those kind of
|
|
women here. An exception here and there. Handsome yes, pretty in a way
|
|
you find but what I'm talking about is the female form. Besides they
|
|
have so little taste in dress, most of them, which greatly enhances a
|
|
woman's natural beauty, no matter what you say. Rumpled stockings, it
|
|
may be, possibly is, a foible of mine but still it's a thing I simply
|
|
hate to see.
|
|
|
|
Interest, however, was starting to flag somewhat all round and then the
|
|
others got on to talking about accidents at sea, ships lost in a fog,
|
|
goo collisions with icebergs, all that sort of thing. Shipahoy of course
|
|
had his own say to say. He had doubled the cape a few odd times and
|
|
weathered a monsoon, a kind of wind, in the China seas and through all
|
|
those perils of the deep there was one thing, he declared, stood to him
|
|
or words to that effect, a pious medal he had that saved him.
|
|
|
|
So then after that they drifted on to the wreck off Daunt's rock, wreck
|
|
of that illfated Norwegian barque nobody could think of her name for
|
|
the moment till the jarvey who had really quite a look of Henry Campbell
|
|
remembered it _Palme_ on Booterstown strand. That was the talk of the
|
|
town that year (Albert William Quill wrote a fine piece of original
|
|
verse of 910 distinctive merit on the topic for the Irish _Times_),
|
|
breakers running over her and crowds and crowds on the shore in
|
|
commotion petrified with horror. Then someone said something about the
|
|
case of the s. s. _Lady Cairns_ of Swansea run into by the _Mona_ which
|
|
was on an opposite tack in rather muggyish weather and lost with all
|
|
hands on deck. No aid was given. Her master, the _Mona's_, said he
|
|
was afraid his collision bulkhead would give way. She had no water, it
|
|
appears, in her hold.
|
|
|
|
At this stage an incident happened. It having become necessary for him
|
|
to unfurl a reef the sailor vacated his seat.
|
|
|
|
--Let me cross your bows mate, he said to his neighbour who was just
|
|
gently dropping off into a peaceful doze.
|
|
|
|
He made tracks heavily, slowly with a dumpy sort of a gait to the door,
|
|
stepped heavily down the one step there was out of the shelter and bore
|
|
due left. While he was in the act of getting his bearings Mr Bloom who
|
|
noticed when he stood up that he had two flasks of presumably ship's
|
|
rum sticking one out of each pocket for the private consumption of his
|
|
burning interior, saw him produce a bottle and uncork it or unscrew and,
|
|
applying its nozz1e to his lips, take a good old delectable swig out of
|
|
it with a gurgling noise. The irrepressible Bloom, who also had a
|
|
shrewd suspicion that the old stager went out on a manoeuvre after the
|
|
counterattraction in the shape of a female who however had disappeared
|
|
to all intents and purposes, could by straining just perceive him, when
|
|
duly refreshed by his rum puncheon exploit, gaping up at the piers and
|
|
girders of the Loop line rather out of his depth as of course it was all
|
|
radically altered since his last visit and greatly improved. Some person
|
|
or persons invisible directed him to the male urinal erected by the
|
|
cleansing committee all over the place for the purpose but after a brief
|
|
space of time during which silence reigned supreme the sailor, evidently
|
|
giving it a wide berth, eased himself closer at hand, the noise of his
|
|
bilgewater some little time subsequently splashing on the ground where
|
|
it apparently awoke a horse of the cabrank. A hoof scooped anyway for
|
|
new foothold after sleep and harness jingled. Slightly disturbed in his
|
|
sentrybox by the brazier of live coke the watcher of the corporation
|
|
stones who, though now broken down and fast breaking up, was none other
|
|
in stern reality than the Gumley aforesaid, now practically on the
|
|
parish rates, given the temporary job by Pat Tobin in all human
|
|
probability from dictates of humanity knowing him before shifted about
|
|
and shuffled in his box before composing his limbs again in to the arms
|
|
of Morpheus, a truly amazing piece of hard lines in its most virulent
|
|
form on a fellow most respectably connected and familiarised with decent
|
|
home comforts all his life who came in for a cool 100 pounds a year
|
|
at one time which of course the doublebarrelled ass proceeded to make
|
|
general ducks and drakes of. And there he was at the end of his tether
|
|
after having often painted the town tolerably pink without a beggarly
|
|
stiver. He drank needless to be told and it pointed only once more a
|
|
moral when he might quite easily be in a large way of business if--a
|
|
big if, however--he had contrived to cure himself of his particular
|
|
partiality.
|
|
|
|
All meantime were loudly lamenting the falling off in Irish shipping,
|
|
coastwise and foreign as well, which was all part and parcel of the same
|
|
thing. A Palgrave Murphy boat was put off the ways at Alexandra basin,
|
|
the only launch that year. Right enough the harbours were there only no
|
|
ships ever called.
|
|
|
|
There were wrecks and wreckers, the keeper said, who was evidently _au
|
|
fait_.
|
|
|
|
What he wanted to ascertain was why that ship ran bang against the only
|
|
rock in Galway bay when the Galway harbour scheme was mooted by a Mr
|
|
Worthington or some name like that, eh? Ask the then captain, he advised
|
|
them, how much palmoil the British government gave him for that day's
|
|
work, Captain John Lever of the Lever Line.
|
|
|
|
--Am I right, skipper? he queried of the sailor, now returning after his
|
|
private potation and the rest of his exertions.
|
|
|
|
That worthy picking up the scent of the fagend of the song or words
|
|
growled in wouldbe music but with great vim some kind of chanty or other
|
|
in seconds or thirds. Mr Bloom's sharp ears heard him then expectorate
|
|
the plug probably (which it was), so that he must have lodged it for the
|
|
time being in his fist while he did the drinking and making water jobs
|
|
and found it a bit sour after the liquid fire in question. Anyhow in
|
|
he rolled after his successful libation-_cum_-potation, introducing an
|
|
atmosphere of drink into the _soiree_, boisterously trolling, like a
|
|
veritable son of a seacook:
|
|
|
|
_--The biscuits was as hard as brass
|
|
And the beef as salt as Lot's wife's arse.
|
|
O, Johnny Lever!
|
|
Johnny Lever, O!_
|
|
|
|
After which effusion the redoubtable specimen duly arrived on the scene
|
|
and regaining his seat he sank rather than sat heavily on the form
|
|
provided. Skin-the-Goat, assuming he was he, evidently with an axe to
|
|
grind, was airing his grievances in a forcible-feeble philippic anent
|
|
the natural resources of Ireland or something of that sort which he
|
|
described in his lengthy dissertation as the richest country bar none on
|
|
the face of God's earth, far and away superior to England, with coal in
|
|
large quantities, six million pounds worth of pork exported every year,
|
|
ten millions between butter and eggs and all the riches drained out of
|
|
it by England levying taxes on the poor people that paid through the
|
|
nose always and gobbling up the best meat in the market and a lot more
|
|
surplus steam in the same vein. Their conversation accordingly became
|
|
general and all agreed that that was a fact. You could grow any mortal
|
|
thing in Irish soil, he stated, and there was that colonel Everard down
|
|
there in Navan growing tobacco. Where would you find anywhere the like
|
|
of Irish bacon? But a day of reckoning, he stated _crescendo_ with no
|
|
uncertain voice, thoroughly monopolising all the conversation, was in
|
|
store for mighty England, despite her power of pelf on account of her
|
|
crimes. There would be a fall and the greatest fall in history.
|
|
The Germans and the Japs were going to have their little lookin, he
|
|
affirmed. The Boers were the beginning of the end. Brummagem England was
|
|
toppling already and her downfall would be Ireland, her Achilles heel,
|
|
which he explained to them about the vulnerable point of Achilles, the
|
|
Greek hero, a point his auditors at once seized as he completely gripped
|
|
their attention by showing the tendon referred to on his boot. His
|
|
advice to every Irishman was: stay in the land of your birth and work
|
|
for Ireland and live for Ireland. Ireland, Parnell said, could not spare
|
|
a single one of her sons.
|
|
|
|
Silence all round marked the termination of his _finale_. The impervious
|
|
navigator heard these lurid tidings, undismayed.
|
|
|
|
--Take a bit of doing, boss, retaliated that rough diamond palpably a
|
|
bit peeved in response to the foregoing truism.
|
|
|
|
To which cold douche referring to downfall and so on the keeper
|
|
concurred but nevertheless held to his main view.
|
|
|
|
--Who's the best troops in the army? the grizzled old veteran irately
|
|
interrogated. And the best jumpers and racers? And the best admirals and
|
|
generals we've got? Tell me that.
|
|
|
|
--The Irish, for choice, retorted the cabby like Campbell, facial
|
|
blemishes apart.
|
|
|
|
--That's right, the old tarpaulin corroborated. The Irish catholic
|
|
peasant. He's the backbone of our empire. You know Jem Mullins?
|
|
|
|
While allowing him his individual opinions as everyman the keeper added
|
|
he cared nothing for any empire, ours or his, and considered no Irishman
|
|
worthy of his salt that served it. Then they began to have a few
|
|
irascible words when it waxed hotter, both, needless to say, appealing
|
|
to the listeners who followed the passage of arms with interest so long
|
|
as they didn't indulge in recriminations and come to blows.
|
|
|
|
From inside information extending over a series of years Mr Bloom was
|
|
rather inclined to poohpooh the suggestion as egregious balderdash for,
|
|
pending that consummation devoutly to be or not to be wished for, he was
|
|
fully cognisant of the fact that their neighbours across the channel,
|
|
unless they were much bigger fools than he took them for, rather
|
|
concealed their strength than the opposite. It was quite on a par with
|
|
the quixotic idea in certain quarters that in a hundred million years
|
|
the coal seam of the sister island would be played out and if, as
|
|
time went on, that turned out to be how the cat jumped all he could
|
|
personally say on the matter was that as a host of contingencies,
|
|
equally relevant to the issue, might occur ere then it was highly
|
|
advisable in the interim to try to make the most of both countries even
|
|
though poles apart. Another little interesting point, the amours of
|
|
whores and chummies, to put it in common parlance, reminded him Irish
|
|
soldiers had as often fought for England as against her, more so, in
|
|
fact. And now, why? So the scene between the pair of them, the licensee
|
|
of the place rumoured to be or have been Fitzharris, the famous
|
|
invincible, and the other, obviously bogus, reminded him forcibly as
|
|
being on all fours with the confidence trick, supposing, that is, it was
|
|
prearranged as the lookeron, a student of the human soul if anything,
|
|
the others seeing least of the game. And as for the lessee or keeper,
|
|
who probably wasn't the other person at all, he (B.) couldn't help
|
|
feeling and most properly it was better to give people like that the
|
|
goby unless you were a blithering idiot altogether and refuse to have
|
|
anything to do with them as a golden rule in private life and their
|
|
felonsetting, there always being the offchance of a Dannyman coming
|
|
forward and turning queen's evidence or king's now like Denis or Peter
|
|
Carey, an idea he utterly repudiated. Quite apart from that he disliked
|
|
those careers of wrongdoing and crime on principle. Yet, though such
|
|
criminal propensities had never been an inmate of his bosom in any
|
|
shape or form, he certainly did feel and no denying it (while inwardly
|
|
remaining what he was) a certain kind of admiration for a man who
|
|
had actually brandished a knife, cold steel, with the courage of his
|
|
political convictions (though, personally, he would never be a party to
|
|
any such thing), off the same bat as those love vendettas of the south,
|
|
have her or swing for her, when the husband frequently, after some words
|
|
passed between the two concerning her relations with the other lucky
|
|
mortal (he having had the pair watched), inflicted fatal injuries on
|
|
his adored one as a result of an alternative postnuptial _liaison_
|
|
by plunging his knife into her, until it just struck him that
|
|
Fitz, nicknamed Skin-the-Goat, merely drove the car for the actual
|
|
perpetrators of the outrage and so was not, if he was reliably informed,
|
|
actually party to the ambush which, in point of fact, was the plea some
|
|
legal luminary saved his skin on. In any case that was very ancient
|
|
history by now and as for our friend, the pseudo Skin-the-etcetera, he
|
|
had transparently outlived his welcome. He ought to have either died
|
|
naturally or on the scaffold high. Like actresses, always farewell
|
|
positively last performance then come up smiling again. Generous to a
|
|
fault of course, temperamental, no economising or any idea of the sort,
|
|
always snapping at the bone for the shadow. So similarly he had a very
|
|
shrewd suspicion that Mr Johnny Lever got rid of some l s d. in the
|
|
course of his perambulations round the docks in the congenial atmosphere
|
|
of the _Old Ireland_ tavern, come back to Erin and so on. Then as for
|
|
the other he had heard not so long before the same identical lingo as he
|
|
told Stephen how he simply but effectually silenced the offender.
|
|
|
|
--He took umbrage at something or other, that muchinjured but on the
|
|
whole eventempered person declared, I let slip. He called me a jew and
|
|
in a heated fashion offensively. So I without deviating from plain facts
|
|
in the least told him his God, I mean Christ, was a jew too and all his
|
|
family like me though in reality I'm not. That was one for him. A soft
|
|
answer turns away wrath. He hadn't a word to say for himself as everyone
|
|
saw. Am I not right?
|
|
|
|
He turned a long you are wrong gaze on Stephen of timorous dark pride
|
|
at the soft impeachment with a glance also of entreaty for he seemed to
|
|
glean in a kind of a way that it wasn't all exactly.
|
|
|
|
--_Ex quibus_, Stephen mumbled in a noncommittal accent, their two or
|
|
four eyes conversing, _Christus_ or Bloom his name is or after all any
|
|
other, _secundum carnem_.
|
|
|
|
--Of course, Mr B. proceeded to stipulate, you must look at both sides
|
|
of the question. It is hard to lay down any hard and fast rules as to
|
|
right and wrong but room for improvement all round there certainly is
|
|
though every country, they say, our own distressful included, has the
|
|
government it deserves. But with a little goodwill all round. It's all
|
|
very fine to boast of mutual superiority but what about mutual equality.
|
|
I resent violence and intolerance in any shape or form. It never
|
|
reaches anything or stops anything. A revolution must come on the due
|
|
instalments plan. It's a patent absurdity on the face of it to hate
|
|
people because they live round the corner and speak another vernacular,
|
|
in the next house so to speak.
|
|
|
|
--Memorable bloody bridge battle and seven minutes' war, Stephen
|
|
assented, between Skinner's alley and Ormond market.
|
|
|
|
Yes, Mr Bloom thoroughly agreed, entirely endorsing the remark, that
|
|
was overwhelmingly right. And the whole world was full of that sort of
|
|
thing.
|
|
|
|
--You just took the words out of my mouth, he said. A hocuspocus of
|
|
conflicting evidence that candidly you couldn't remotely...
|
|
|
|
All those wretched quarrels, in his humble opinion, stirring up
|
|
bad blood, from some bump of combativeness or gland of some kind,
|
|
erroneously supposed to be about a punctilio of honour and a flag, were
|
|
very largely a question of the money question which was at the back of
|
|
everything greed and jealousy, people never knowing when to stop.
|
|
|
|
--They accuse, remarked he audibly.
|
|
|
|
He turned away from the others who probably and spoke nearer to, so as
|
|
the others in case they.
|
|
|
|
--Jews, he softly imparted in an aside in Stephen's ear, are accused of
|
|
ruining. Not a vestige of truth in it, I can safely say. History, would
|
|
you be surprised to learn, proves up to the hilt Spain decayed when the
|
|
inquisition hounded the jews out and England prospered when Cromwell,
|
|
an uncommonly able ruffian who in other respects has much to answer for,
|
|
imported them. Why? Because they are imbued with the proper spirit. They
|
|
are practical and are proved to be so. I don't want to indulge in any
|
|
because you know the standard works on the subject and then orthodox as
|
|
you are. But in the economic, not touching religion, domain the priest
|
|
spells poverty. Spain again, you saw in the war, compared with goahead
|
|
America. Turks. It's in the dogma. Because if they didn't believe they'd
|
|
go straight to heaven when they die they'd try to live better, at least
|
|
so I think. That's the juggle on which the p.p's raise the wind on false
|
|
pretences. I'm, he resumed with dramatic force, as good an Irishman
|
|
as that rude person I told you about at the outset and I want to see
|
|
everyone, concluded he, all creeds and classes _pro rata_ having a
|
|
comfortable tidysized income, in no niggard fashion either, something
|
|
in the neighbourhood of 300 pounds per annum. That's the vital issue
|
|
at stake and it's feasible and would be provocative of friendlier
|
|
intercourse between man and man. At least that's my idea for what it's
|
|
worth. I call that patriotism. _Ubi patria_, as we learned a smattering
|
|
of in our classical days in _Alma Mater, vita bene_. Where you can live
|
|
well, the sense is, if you work.
|
|
|
|
Over his untastable apology for a cup of coffee, listening to this
|
|
synopsis of things in general, Stephen stared at nothing in particular.
|
|
He could hear, of course, all kinds of words changing colour like those
|
|
crabs about Ringsend in the morning burrowing quickly into all colours
|
|
of different sorts of the same sand where they had a home somewhere
|
|
beneath or seemed to. Then he looked up and saw the eyes that said or
|
|
didn't say the words the voice he heard said, if you work.
|
|
|
|
--Count me out, he managed to remark, meaning work.
|
|
|
|
The eyes were surprised at this observation because as he, the person
|
|
who owned them pro tem. observed or rather his voice speaking did, all
|
|
must work, have to, together.
|
|
|
|
--I mean, of course, the other hastened to affirm, work in the widest
|
|
possible sense. Also literary labour not merely for the kudos of
|
|
the thing. Writing for the newspapers which is the readiest channel
|
|
nowadays. That's work too. Important work. After all, from the little
|
|
I know of you, after all the money expended on your education you are
|
|
entitled to recoup yourself and command your price. You have every bit
|
|
as much right to live by your pen in pursuit of your philosophy as the
|
|
peasant has. What? You both belong to Ireland, the brain and the brawn.
|
|
Each is equally important.
|
|
|
|
--You suspect, Stephen retorted with a sort of a half laugh, that I may
|
|
be important because I belong to the _faubourg Saint Patrice_ called
|
|
Ireland for short.
|
|
|
|
--I would go a step farther, Mr Bloom insinuated.
|
|
|
|
--But I suspect, Stephen interrupted, that Ireland must be important
|
|
because it belongs to me.
|
|
|
|
--What belongs, queried Mr Bloom bending, fancying he was perhaps under
|
|
some misapprehension. Excuse me. Unfortunately, I didn't catch the
|
|
latter portion. What was it you...?
|
|
|
|
Stephen, patently crosstempered, repeated and shoved aside his mug of
|
|
coffee or whatever you like to call it none too politely, adding: 1170
|
|
|
|
--We can't change the country. Let us change the subject.
|
|
|
|
At this pertinent suggestion Mr Bloom, to change the subject, looked
|
|
down but in a quandary, as he couldn't tell exactly what construction
|
|
to put on belongs to which sounded rather a far cry. The rebuke of some
|
|
kind was clearer than the other part. Needless to say the fumes of
|
|
his recent orgy spoke then with some asperity in a curious bitter way
|
|
foreign to his sober state. Probably the homelife to which Mr B attached
|
|
the utmost importance had not been all that was needful or he hadn't
|
|
been familiarised with the right sort of people. With a touch of fear
|
|
for the young man beside him whom he furtively scrutinised with an air
|
|
of some consternation remembering he had just come back from Paris,
|
|
the eyes more especially reminding him forcibly of father and sister,
|
|
failing to throw much light on the subject, however, he brought to mind
|
|
instances of cultured fellows that promised so brilliantly nipped in the
|
|
bud of premature decay and nobody to blame but themselves. For instance
|
|
there was the case of O'Callaghan, for one, the halfcrazy faddist,
|
|
respectably connected though of inadequate means, with his mad vagaries
|
|
among whose other gay doings when rotto and making himself a nuisance
|
|
to everybody all round he was in the habit of ostentatiously sporting in
|
|
public a suit of brown paper (a fact). And then the usual _denouement_
|
|
after the fun had gone on fast and furious he got 1190 landed into hot
|
|
water and had to be spirited away by a few friends, after a strong hint
|
|
to a blind horse from John Mallon of Lower Castle Yard, so as not to
|
|
be made amenable under section two of the criminal law amendment act,
|
|
certain names of those subpoenaed being handed in but not divulged
|
|
for reasons which will occur to anyone with a pick of brains. Briefly,
|
|
putting two and two together, six sixteen which he pointedly turned a
|
|
deaf ear to, Antonio and so forth, jockeys and esthetes and the tattoo
|
|
which was all the go in the seventies or thereabouts even in the house
|
|
of lords because early in life the occupant of the throne, then heir
|
|
apparent, the other members of the upper ten and other high personages
|
|
simply following in the footsteps of the head of the state, he reflected
|
|
about the errors of notorieties and crowned heads running counter to
|
|
morality such as the Cornwall case a number of years before under their
|
|
veneer in a way scarcely intended by nature, a thing good Mrs Grundy,
|
|
as the law stands, was terribly down on though not for the reason they
|
|
thought they were probably whatever it was except women chiefly who were
|
|
always fiddling more or less at one another it being largely a matter of
|
|
dress and all the rest of it. Ladies who like distinctive underclothing
|
|
should, and every welltailored man must, trying to make the gap wider
|
|
between them by innuendo and give more of a genuine filip to acts of
|
|
impropriety between the two, she unbuttoned his and then he untied her,
|
|
mind the pin, whereas savages in the cannibal islands, say, at ninety
|
|
degrees in the shade not caring a continental. However, reverting to the
|
|
original, there were on the other hand others who had forced their way
|
|
to the top from the lowest rung by the aid of their bootstraps. Sheer
|
|
force of natural genius, that. With brains, sir.
|
|
|
|
For which and further reasons he felt it was his interest and duty even
|
|
to wait on and profit by the unlookedfor occasion though why he could
|
|
not exactly tell being as it was already several shillings to the
|
|
bad having in fact let himself in for it. Still to cultivate the
|
|
acquaintance of someone of no uncommon calibre who could provide food
|
|
for reflection would amply repay any small. Intellectual stimulation,
|
|
as such, was, he felt, from time to time a firstrate tonic for the mind.
|
|
Added to which was the coincidence of meeting, discussion, dance, row,
|
|
old salt of the here today and gone tomorrow type, night loafers, the
|
|
whole galaxy of events, all went to make up a miniature cameo of the
|
|
world we live in especially as the lives of the submerged tenth, viz.
|
|
coalminers, divers, scavengers etc., were very much under the microscope
|
|
lately. To improve the shining hour he wondered whether he might meet
|
|
with anything approaching the same luck as Mr Philip Beaufoy if taken
|
|
down in writing suppose he were to pen something out of the common
|
|
groove (as he fully intended doing) at the rate of one guinea per
|
|
column. _My Experiences_, let us say, _in a Cabman's Shelter_.
|
|
|
|
The pink edition extra sporting of the _Telegraph_ tell a graphic lie
|
|
lay, as luck would have it, beside his elbow and as he was just puzzling
|
|
again, far from satisfied, over a country belonging to him and the
|
|
preceding rebus the vessel came from Bridgwater and the postcard was
|
|
addressed A. Boudin find the captain's age, his eyes went aimlessly
|
|
over the respective captions which came under his special province the
|
|
allembracing give us this day our daily press. First he got a bit of a
|
|
start but it turned out to be only something about somebody named H.
|
|
du Boyes, agent for typewriters or something like that. Great battle,
|
|
Tokio. Lovemaking in Irish, 200 pounds damages. Gordon Bennett.
|
|
Emigration Swindle. Letter from His Grace. William. Ascot meeting,
|
|
the Gold Cup. Victory of outsider _Throwaway_ recalls Derby of '92 when
|
|
Capt. Marshall's dark horse _Sir Hugo_ captured the blue ribband at long
|
|
odds. New York disaster. Thousand lives lost. Foot and Mouth. Funeral of
|
|
the late Mr Patrick Dignam.
|
|
|
|
So to change the subject he read about Dignam R. I. P. which, he
|
|
reflected, was anything but a gay sendoff. Or a change of address
|
|
anyway.
|
|
|
|
--_This morning_ (Hynes put it in of course) _the remains of the late Mr
|
|
Patrick Dignam were removed from his residence, no 9 Newbridge Avenue,
|
|
Sandymount, for interment in Glasnevin. The deceased gentleman was a
|
|
most popular and genial personality in city life and his demise after a
|
|
brief illness came as a great shock to citizens of all classes by whom
|
|
he is deeply regretted. The obsequies, at which many friends of the
|
|
deceased were present, were carried out_ (certainly Hynes wrote it with
|
|
a nudge from Corny) _by Messrs H. J. O'Neill and Son, 164 North Strand
|
|
Road. The mourners included: Patk. Dignam (son), Bernard Corrigan
|
|
(brother-in-law), Jno. Henry Menton, solr, Martin Cunningham, John
|
|
Power, eatondph 1/8 ador dorador douradora_ (must be where he called
|
|
Monks the dayfather about Keyes's ad) _Thomas Kernan, Simon Dedalus,
|
|
Stephen Dedalus B.,4., Edw. J. Lambert, Cornelius T. Kelleher, Joseph
|
|
M'C Hynes, L. Boom, CP M'Coy,--M'lntosh and several others_.
|
|
|
|
Nettled not a little by L. _Boom_ (as it incorrectly stated) and the
|
|
line of bitched type but tickled to death simultaneously by C. P. M'Coy
|
|
and Stephen Dedalus B. A. who were conspicuous, needless to say, by
|
|
their total absence (to say nothing of M'Intosh) L. Boom pointed it
|
|
out to his companion B. A. engaged in stifling another yawn, half
|
|
nervousness, not forgetting the usual crop of nonsensical howlers of
|
|
misprints.
|
|
|
|
--Is that first epistle to the Hebrews, he asked as soon as his bottom
|
|
jaw would let him, in? Text: open thy mouth and put thy foot in it.
|
|
|
|
--It is. Really, Mr Bloom said (though first he fancied he alluded to
|
|
the archbishop till he added about foot and mouth with which there could
|
|
be no possible connection) overjoyed to set his mind at rest and a bit
|
|
flabbergasted at Myles Crawford's after all managing to. There.
|
|
|
|
While the other was reading it on page two Boom (to give him for the
|
|
nonce his new misnomer) whiled away a few odd leisure moments in fits
|
|
and starts with the account of the third event at Ascot on page three,
|
|
his side. Value 1000 sovs with 3000 sovs in specie added. For entire
|
|
colts and fillies. Mr F. Alexander's _Throwaway_, b. h. by _Rightaway_,
|
|
5 yrs, 9 st 4 lbs (W. Lane) 1, lord Howard de Walden's _Zinfandel_ (M.
|
|
Cannon) z, Mr W. Bass's _Sceptre_ 3. Betting 5 to 4 on _Zinfandel_,
|
|
20 to 1 _Throwaway_ (off). _Sceptre_ a shade heavier, 5 to 4 on
|
|
_Zinfandel_, 20 to 1 _Throwaway_ (off). _Throwaway_ and _Zinfandel_
|
|
stood close order. It was anybody's race then the rank outsider drew to
|
|
the fore, got long lead, beating lord Howard de Walden's chestnut
|
|
colt and Mr W. Bass's bay filly Sceptre on a 2 1/2 mile course. Winner
|
|
trained by Braime so that Lenehan's version of the business was all pure
|
|
buncombe. Secured the verdict cleverly by a length. 1000 sovs with
|
|
3000 in specie. Also ran: J de Bremond's (French horse Bantam Lyons was
|
|
anxiously inquiring after not in yet but expected any minute) _Maximum
|
|
II_. Different ways of bringing off a coup. Lovemaking damages. Though
|
|
that halfbaked Lyons ran off at a tangent in his impetuosity to get
|
|
left. Of course gambling eminently lent itself to that sort of thing
|
|
though as the event turned out the poor fool hadn't much reason to
|
|
congratulate himself on his pick, the forlorn hope. Guesswork it reduced
|
|
itself to eventually.
|
|
|
|
--There was every indication they would arrive at that, he, Bloom, said.
|
|
|
|
--Who? the other, whose hand by the way was hurt, said.
|
|
|
|
One morning you would open the paper, the cabman affirmed, and read:
|
|
_Return of Parnell_. He bet them what they liked. A Dublin fusilier was
|
|
in that shelter one night and said he saw him in South Africa. Pride it
|
|
was killed him. He ought to have done away with himself or lain low for
|
|
a time after committee room no 15 until he was his old self again with
|
|
no-one to point a finger at him. Then they would all to a man have gone
|
|
down on their marrowbones to him to come back when he had recovered
|
|
his senses. Dead he wasn't. Simply absconded somewhere. The coffin they
|
|
brought over was full of stones. He changed his name to De Wet, the Boer
|
|
general. He made a mistake to fight the priests. And so forth and so on.
|
|
|
|
All the same Bloom (properly so dubbed) was rather surprised at their
|
|
memories for in nine cases out of ten it was a case of tarbarrels and
|
|
not singly but in their thousands and then complete oblivion because it
|
|
was twenty odd years. Highly unlikely of course there was even a shadow
|
|
of truth in the stones and, even supposing, he thought a return highly
|
|
inadvisable, all things considered. Something evidently riled them in
|
|
his death. Either he petered out too tamely of acute pneumonia just when
|
|
his various different political arrangements were nearing completion
|
|
or whether it transpired he owed his death to his having neglected to
|
|
change his boots and clothes-after a wetting when a cold resulted and
|
|
failing to consult a specialist he being confined to his room till he
|
|
eventually died of it amid widespread regret before a fortnight was at
|
|
an end or quite possibly they were distressed to find the job was taken
|
|
out of their hands. Of course nobody being acquainted with his movements
|
|
even before there was absolutely no clue as to his whereabouts which
|
|
were decidedly of the _Alice, where art thou_ order even prior to his
|
|
starting to go under several aliases such as Fox and Stewart so the
|
|
remark which emanated from friend cabby might be within the bounds of
|
|
possibility. Naturally then it would prey on his mind as a born leader
|
|
of men which undoubtedly he was and a commanding figure, a sixfooter
|
|
or at any rate five feet ten or eleven in his stockinged feet, whereas
|
|
Messrs So and So who, though they weren't even a patch on the former
|
|
man, ruled the roost after their redeeming features were very few and
|
|
far between. It certainly pointed a moral, the idol with feet of clay,
|
|
and then seventytwo of his trusty henchmen rounding on him with mutual
|
|
mudslinging. And the identical same with murderers. You had to come
|
|
back. That haunting sense kind of drew you. To show the understudy in
|
|
the title _role_ how to. He saw him once on the auspicious occasion
|
|
when they broke up the type in the _Insuppressible_ or was it _United
|
|
Ireland_, a privilege he keenly appreciated, and, in point of fact,
|
|
handed him his silk hat when it was knocked off and he said _Thank you_,
|
|
excited as he undoubtedly was under his frigid exterior notwithstanding
|
|
the little misadventure mentioned between the cup and the lip: what's
|
|
bred in the bone. Still as regards return. You were a lucky dog if
|
|
they didn't set the terrier at you directly you got back. Then a lot of
|
|
shillyshally usually followed, Tom for and Dick and Harry against. And
|
|
then, number one, you came up against the man in possession and had to
|
|
produce your credentials like the claimant in the Tichborne case,
|
|
Roger Charles Tichborne, _Bella_ was the boat's name to the best of his
|
|
recollection he, the heir, went down in as the evidence went to show
|
|
and there was a tattoo mark too in Indian ink, lord Bellew was it, as he
|
|
might very easily have picked up the details from some pal on board ship
|
|
and then, when got up to tally with the description given, introduce
|
|
himself with: _Excuse me, my name is So and So_ or some such commonplace
|
|
remark. A more prudent course, as Bloom said to the not over effusive,
|
|
in fact like the distinguished personage under discussion beside him,
|
|
would have been to sound the lie of the land first.
|
|
|
|
--That bitch, that English whore, did for him, the shebeen proprietor
|
|
commented. She put the first nail in his coffin.
|
|
|
|
--Fine lump of a woman all the same, the _soi-disant_ townclerk Henry
|
|
Campbell remarked, and plenty of her. She loosened many a man's thighs.
|
|
I seen her picture in a barber's. The husband was a captain or an
|
|
officer.
|
|
|
|
--Ay, Skin-the-Goat amusingly added, he was and a cottonball one.
|
|
|
|
This gratuitous contribution of a humorous character occasioned a fair
|
|
amount of laughter among his _entourage_. As regards Bloom he, without
|
|
the faintest suspicion of a smile, merely gazed in the direction of
|
|
the door and reflected upon the historic story which had aroused
|
|
extraordinary interest at the time when the facts, to make matters
|
|
worse, were made public with the usual affectionate letters that passed
|
|
between them full of sweet nothings. First it was strictly Platonic till
|
|
nature intervened and an attachment sprang up between them till bit by
|
|
bit matters came to a climax and the matter became the talk of the town
|
|
till the staggering blow came as a welcome intelligence to not a few
|
|
evildisposed, however, who were resolved upon encompassing his downfall
|
|
though the thing was public property all along though not to anything
|
|
like the sensational extent that it subsequently blossomed into. Since
|
|
their names were coupled, though, since he was her declared favourite,
|
|
where was the particular necessity to proclaim it to the rank and file
|
|
from the housetops, the fact, namely, that he had shared her bedroom
|
|
which came out in the witnessbox on oath when a thrill went through the
|
|
packed court literally electrifying everybody in the shape of witnesses
|
|
swearing to having witnessed him on such and such a particular date in
|
|
the act of scrambling out of an upstairs apartment with the assistance
|
|
of a ladder in night apparel, having gained admittance in the same
|
|
fashion, a fact the weeklies, addicted to the lubric a little, simply
|
|
coined shoals of money out of. Whereas the simple fact of the case was
|
|
it was simply a case of the husband not being up to the scratch, with
|
|
nothing in common between them beyond the name, and then a real man
|
|
arriving on the scene, strong to the verge of weakness, falling a victim
|
|
to her siren charms and forgetting home ties, the usual sequel, to bask
|
|
in the loved one's smiles. The eternal question of the life connubial,
|
|
needless to say, cropped up. Can real love, supposing there happens to
|
|
be another chap in the case, exist between married folk? Poser.
|
|
Though it was no concern of theirs absolutely if he regarded her with
|
|
affection, carried away by a wave of folly. A magnificent specimen of
|
|
manhood he was truly augmented obviously by gifts of a high order, as
|
|
compared with the other military supernumerary that is (who was just the
|
|
usual everyday _farewell, my gallant captain_ kind of an individual in
|
|
the light dragoons, the 18th hussars to be accurate) and inflammable
|
|
doubtless (the fallen leader, that is, not the other) in his own
|
|
peculiar way which she of course, woman, quickly perceived as highly
|
|
likely to carve his way to fame which he almost bid fair to do till the
|
|
priests and ministers of the gospel as a whole, his erstwhile staunch
|
|
adherents, and his beloved evicted tenants for whom he had done yeoman
|
|
service in the rural parts of the country by taking up the cudgels on
|
|
their behalf in a way that exceeded their most sanguine expectations,
|
|
very effectually cooked his matrimonial goose, thereby heaping coals of
|
|
fire on his head much in the same way as the fabled ass's kick. Looking
|
|
back now in a retrospective kind of arrangement all seemed a kind of
|
|
dream. And then coming back was the worst thing you ever did because it
|
|
went without saying you would feel out of place as things always moved
|
|
with the times. Why, as he reflected, Irishtown strand, a locality he
|
|
had not been in for quite a number of years looked different somehow
|
|
since, as it happened, he went to reside on the north side. North or
|
|
south, however, it was just the wellknown case of hot passion, pure and
|
|
simple, upsetting the applecart with a vengeance and just bore out the
|
|
very thing he was saying as she also was Spanish or half so, types that
|
|
wouldn't do things by halves, passionate abandon of the south, casting
|
|
every shred of decency to the winds.
|
|
|
|
--Just bears out what I was saying, he, with glowing bosom said to
|
|
Stephen, about blood and the sun. And, if I don't greatly mistake she
|
|
was Spanish too.
|
|
|
|
--The king of Spain's daughter, Stephen answered, adding something or
|
|
other rather muddled about farewell and adieu to you Spanish onions and
|
|
the first land called the Deadman and from Ramhead to Scilly was so and
|
|
so many.
|
|
|
|
--Was she? Bloom ejaculated, surprised though not astonished by any
|
|
means, I never heard that rumour before. Possible, especially there, it
|
|
was as she lived there. So, Spain.
|
|
|
|
Carefully avoiding a book in his pocket _Sweets of_, which reminded him
|
|
by the by of that Cap l street library book out of date, he took out his
|
|
pocketbook and, turning over the various contents it contained rapidly
|
|
finally he.
|
|
|
|
--Do you consider, by the by, he said, thoughtfully selecting a faded
|
|
photo which he laid on the table, that a Spanish type?
|
|
|
|
Stephen, obviously addressed, looked down on the photo showing a large
|
|
sized lady with her fleshy charms on evidence in an open fashion as she
|
|
was in the full bloom of womanhood in evening dress cut ostentatiously
|
|
low for the occasion to give a liberal display of bosom, with more than
|
|
vision of breasts, her full lips parted and some perfect teeth, standing
|
|
near, ostensibly with gravity, a piano on the rest of which was _In Old
|
|
Madrid_, a ballad, pretty in its way, which was then all the vogue. Her
|
|
(the lady's) eyes, dark, large, looked at Stephen, about to smile about
|
|
something to be admired, Lafayette of Westmoreland street, Dublin's
|
|
premier photographic artist, being responsible for the esthetic
|
|
execution.
|
|
|
|
--Mrs Bloom, my wife the _prima donna_ Madam Marion Tweedy, Bloom
|
|
indicated. Taken a few years since. In or about ninety six. Very like
|
|
her then.
|
|
|
|
Beside the young man he looked also at the photo of the lady now his
|
|
1440 legal wife who, he intimated, was the accomplished daughter of
|
|
Major Brian Tweedy and displayed at an early age remarkable proficiency
|
|
as a singer having even made her bow to the public when her years
|
|
numbered barely sweet sixteen. As for the face it was a speaking
|
|
likeness in expression but it did not do justice to her figure which
|
|
came in for a lot of notice usually and which did not come out to the
|
|
best advantage in that getup. She could without difficulty, he said,
|
|
have posed for the ensemble, not to dwell on certain opulent curves of
|
|
the. He dwelt, being a bit of an artist in his spare time, on the female
|
|
form in general developmentally because, as it so happened, no later
|
|
than that afternoon he had seen those Grecian statues, 1450 perfectly
|
|
developed as works of art, in the National Museum. Marble could give
|
|
the original, shoulders, back, all the symmetry, all the rest. Yes,
|
|
puritanisme, it does though Saint Joseph's sovereign thievery alors
|
|
(Bandez!) Figne toi trop. Whereas no photo could because it simply
|
|
wasn't art in a word.
|
|
|
|
The spirit moving him he would much have liked to follow Jack Tar's good
|
|
example and leave the likeness there for a very few minutes to speak for
|
|
itself on the plea he so that the other could drink in the beauty for
|
|
himself, her stage presence being, frankly, a treat in itself which the
|
|
camera could not at all do justice to. But it was scarcely professional
|
|
etiquette so. Though it was a warm pleasant sort of a night now yet
|
|
wonderfully cool for the season considering, for sunshine after storm.
|
|
And he did feel a kind of need there and then to follow suit like a
|
|
kind of inward voice and satisfy a possible need by moving a motion.
|
|
Nevertheless he sat tight just viewing the slightly soiled photo creased
|
|
by opulent curves, none the worse for wear however, and looked away
|
|
thoughtfully with the intention of not further increasing the
|
|
other's possible embarrassment while gauging her symmetry of heaving
|
|
_embonpoint_. In fact the slight soiling was only an added charm like
|
|
the case of linen slightly soiled, good as new, much better in fact
|
|
with the starch out. Suppose she was gone when he? I looked for the lamp
|
|
which she told me came into his mind but merely as a passing fancy of
|
|
his because he then recollected the morning littered bed etcetera and
|
|
the book about Ruby with met him pike hoses (_sic_) in it which must
|
|
have fell down sufficiently appropriately beside the domestic chamberpot
|
|
with apologies to Lindley Murray.
|
|
|
|
The vicinity of the young man he certainly relished, educated,
|
|
_distingue_ and impulsive into the bargain, far and away the pick of the
|
|
bunch though you wouldn't think he had it in him yet you would. Besides
|
|
he said the picture was handsome which, say what you like, it was though
|
|
at the moment she was distinctly stouter. And why not? An awful lot of
|
|
makebelieve went on about that sort of thing involving a lifelong slur
|
|
with the usual splash page of gutterpress about the same old matrimonial
|
|
tangle alleging misconduct with professional golfer or the newest
|
|
stage favourite instead of being honest and aboveboard about the whole
|
|
business. How they were fated to meet and an attachment sprang up
|
|
between the two so that their names were coupled in the public eye
|
|
was told in court with letters containing the habitual mushy and
|
|
compromising expressions leaving no loophole to show that they openly
|
|
cohabited two or three times a week at some wellknown seaside hotel and
|
|
relations, when the thing ran its normal course, became in due course
|
|
intimate. Then the decree _nisi_ and the King's proctor tries to show
|
|
cause why and, he failing to quash it, _nisi_ was made absolute. But as
|
|
for that the two misdemeanants, wrapped up as they largely were in one
|
|
another, could safely afford to ignore it as they very largely did till
|
|
the matter was put in the hands of a solicitor who filed a petition for
|
|
the party wronged in due course. He, B, enjoyed the distinction of being
|
|
close to Erin's uncrowned king in the flesh when the thing occurred on
|
|
the historic _fracas_ when the fallen leader's, who notoriously stuck to
|
|
his guns to the last drop even when clothed in the mantle of adultery,
|
|
(leader's) trusty henchmen to the number of ten or a dozen or
|
|
possibly even more than that penetrated into the printing works of the
|
|
_Insuppressible_ or no it was _United Ireland_ (a by no means by the
|
|
by appropriate appellative) and broke up the typecases with hammers or
|
|
something like that all on account of some scurrilous effusions from
|
|
the facile pens of the O'Brienite scribes at the usual mudslinging
|
|
occupation reflecting on the erstwhile tribune's private morals. Though
|
|
palpably a radically altered man he was still a commanding figure though
|
|
carelessly garbed as usual with that look of settled purpose which went
|
|
a long way with the shillyshallyers till they discovered to their vast
|
|
discomfiture that their idol had feet of clay after placing him upon a
|
|
pedestal which she, however, was the first to perceive. As those were
|
|
particularly hot times in the general hullaballoo Bloom sustained a
|
|
minor injury from a nasty prod of some chap's elbow in the crowd that
|
|
of course congregated lodging some place about the pit of the stomach,
|
|
fortunately not of a grave character. His hat (Parnell's) a silk one was
|
|
inadvertently knocked off and, as a matter of strict history, Bloom was
|
|
the man who picked it up in the crush after witnessing the occurrence
|
|
meaning to return it to him (and return it to him he did with the utmost
|
|
celerity) who panting and hatless and whose thoughts were miles away
|
|
from his hat at the time all the same being a gentleman born with a
|
|
stake in the country he, as a matter of fact, having gone into it more
|
|
for the kudos of the thing than anything else, what's bred in the bone
|
|
instilled into him in infancy at his mother's knee in the shape of
|
|
knowing what good form was came out at once because he turned round to
|
|
the donor and thanked him with perfect _aplomb_, saying: _Thank you,
|
|
sir_, though in a very different tone of voice from the ornament of the
|
|
legal profession whose headgear Bloom also set to rights earlier in the
|
|
course of the day, history repeating itself with a difference, after
|
|
the burial of a mutual friend when they had left him alone in his glory
|
|
after the grim task of having committed his remains to the grave.
|
|
|
|
On the other hand what incensed him more inwardly was the blatant jokes
|
|
of the cabman and so on who passed it all off as a jest, laughing 1530
|
|
immoderately, pretending to understand everything, the why and the
|
|
wherefore, and in reality not knowing their own minds, it being a case
|
|
for the two parties themselves unless it ensued that the legitimate
|
|
husband happened to be a party to it owing to some anonymous letter from
|
|
the usual boy Jones, who happened to come across them at the crucial
|
|
moment in a loving position locked in one another's arms, drawing
|
|
attention to their illicit proceedings and leading up to a domestic
|
|
rumpus and the erring fair one begging forgiveness of her lord and
|
|
master upon her knees and promising to sever the connection and not
|
|
receive his visits any more if only the aggrieved husband would overlook
|
|
the matter and let bygones be bygones with tears in her eyes though
|
|
possibly with her tongue in her fair cheek at the same time as quite
|
|
possibly there were several others. He personally, being of a sceptical
|
|
bias, believed and didn't make the smallest bones about saying so either
|
|
that man or men in the plural were always hanging around on the waiting
|
|
list about a lady, even supposing she was the best wife in the world
|
|
and they got on fairly well together for the sake of argument, when,
|
|
neglecting her duties, she chose to be tired of wedded life and was on
|
|
for a little flutter in polite debauchery to press their attentions on
|
|
her with improper intent, the upshot being that her affections centred
|
|
on another, the cause of many _liaisons_ between still attractive
|
|
married women getting on for fair and forty and younger men, no doubt as
|
|
several famous cases of feminine infatuation proved up to the hilt.
|
|
|
|
It was a thousand pities a young fellow, blessed with an allowance of
|
|
brains as his neighbour obviously was, should waste his valuable time
|
|
with profligate women who might present him with a nice dose to last him
|
|
his lifetime. In the nature of single blessedness he would one day take
|
|
unto himself a wife when Miss Right came on the scene but in the interim
|
|
ladies' society was a _conditio sine qua non_ though he had the gravest
|
|
possible doubts, not that he wanted in the smallest to pump Stephen
|
|
about Miss Ferguson (who was very possibly the particular lodestar who
|
|
brought him down to Irishtown so early in the morning), as to whether he
|
|
would find much satisfaction basking in the boy and girl courtship idea
|
|
and the company of smirking misses without a penny to their names bi or
|
|
triweekly with the orthodox preliminary canter of complimentplaying and
|
|
walking out leading up to fond lovers' ways and flowers and chocs. To
|
|
think of him house and homeless, rooked by some landlady worse than any
|
|
stepmother, was really too bad at his age. The queer suddenly things
|
|
he popped out with attracted the elder man who was several years the
|
|
other's senior or like his father but something substantial he certainly
|
|
ought to eat even were it only an eggflip made on unadulterated maternal
|
|
nutriment or, failing that, the homely Humpty Dumpty boiled.
|
|
|
|
--At what o'clock did you dine? he questioned of the slim form and tired
|
|
though unwrinkled face.
|
|
|
|
--Some time yesterday, Stephen said.
|
|
|
|
--Yesterday! exclaimed Bloom till he remembered it was already tomorrow
|
|
Friday. Ah, you mean it's after twelve!
|
|
|
|
--The day before yesterday, Stephen said, improving on himself.
|
|
|
|
Literally astounded at this piece of intelligence Bloom reflected.
|
|
Though they didn't see eye to eye in everything a certain analogy there
|
|
somehow was as if both their minds were travelling, so to speak, in the
|
|
one train of thought. At his age when dabbling in politics roughly
|
|
some score of years previously when he had been a _quasi_ aspirant to
|
|
parliamentary honours in the Buckshot Foster days he too recollected in
|
|
retrospect (which was a source of keen satisfaction in itself) he had
|
|
a sneaking regard for those same ultra ideas. For instance when the
|
|
evicted tenants question, then at its first inception, bulked largely in
|
|
people's mind though, it goes without saying, not contributing a copper
|
|
or pinning his faith absolutely to its dictums, some of which wouldn't
|
|
exactly hold water, he at the outset in principle at all events was in
|
|
thorough sympathy with peasant possession as voicing the trend of modern
|
|
opinion (a partiality, however, which, realising his mistake, he was
|
|
subsequently partially cured of) and even was twitted with going a
|
|
step farther than Michael Davitt in the striking views he at one time
|
|
inculcated as a backtothelander, which was one reason he strongly
|
|
resented the innuendo put upon him in so barefaced a fashion by our
|
|
friend at the gathering of the clans in Barney Kiernan's so that he,
|
|
though often considerably misunderstood and the least pugnacious of
|
|
mortals, be it repeated, departed from his customary habit to give
|
|
him (metaphorically) one in the gizzard though, so far as politics
|
|
themselves were concerned, he was only too conscious of the casualties
|
|
invariably resulting from propaganda and displays of mutual animosity
|
|
and the misery and suffering it entailed as a foregone conclusion on
|
|
fine young fellows, chiefly, destruction of the fittest, in a word.
|
|
|
|
Anyhow upon weighing up the pros and cons, getting on for one, as it
|
|
was, it was high time to be retiring for the night. The crux was it
|
|
was a bit risky to bring him home as eventualities might possibly ensue
|
|
(somebody having a temper of her own sometimes) and spoil the hash
|
|
altogether as on the night he misguidedly brought home a dog (breed
|
|
unknown) with a lame paw (not that the cases were either identical or
|
|
the reverse though he had hurt his hand too) to Ontario Terrace as he
|
|
very distinctly remembered, having been there, so to speak. On the
|
|
other hand it was altogether far and away too late for the Sandymount
|
|
or Sandycove suggestion so that he was in some perplexity as to which of
|
|
the two alternatives. Everything pointed to the fact that it behoved him
|
|
to avail himself to the full of the opportunity, all things considered.
|
|
His initial impression was he was a shade standoffish or not over
|
|
effusive but it grew on him someway. For one thing he mightn't what you
|
|
call jump at the idea, if approached, and what mostly worried him was
|
|
he didn't know how to lead up to it or word it exactly, supposing he
|
|
did entertain the proposal, as it would afford him very great personal
|
|
pleasure if he would allow him to help to put coin in his way or some
|
|
wardrobe, if found suitable. At all events he wound up by concluding,
|
|
eschewing for the nonce hidebound precedent, a cup of Epps's cocoa and
|
|
a shakedown for the night plus the use of a rug or two and overcoat
|
|
doubled into a pillow at least he would be in safe hands and as warm as
|
|
a toast on a trivet he failed to perceive any very vast amount of harm
|
|
in that always with the proviso no rumpus of any sort was kicked up.
|
|
A move had to be made because that merry old soul, the grasswidower
|
|
in question who appeared to be glued to the spot, didn't appear in any
|
|
particular hurry to wend his way home to his dearly beloved Queenstown
|
|
and it was highly likely some sponger's bawdyhouse of retired beauties
|
|
where age was no bar off Sheriff street lower would be the best clue
|
|
to that equivocal character's whereabouts for a few days to come,
|
|
alternately racking their feelings (the mermaids') with sixchamber
|
|
revolver anecdotes verging on the tropical calculated to freeze
|
|
the marrow of anybody's bones and mauling their largesized charms
|
|
betweenwhiles with rough and tumble gusto to the accompaniment of large
|
|
potations of potheen and the usual blarney about himself for as to who
|
|
he in reality was let x equal my right name and address, as Mr Algebra
|
|
remarks _passim_. At the same time he inwardly chuckled over his gentle
|
|
repartee to the blood and ouns champion about his god being a jew.
|
|
People could put up with being bitten by a wolf but what properly riled
|
|
them was a bite from a sheep. The most vulnerable point too of tender
|
|
Achilles. Your god was a jew. Because mostly they appeared to imagine he
|
|
came from Carrick-on-Shannon or somewhereabouts in the county Sligo.
|
|
|
|
--I propose, our hero eventually suggested after mature reflection while
|
|
prudently pocketing her photo, as it's rather stuffy here you just come
|
|
home with me and talk things over. My diggings are quite close in the
|
|
vicinity. You can't drink that stuff. Do you like cocoa? Wait. I'll just
|
|
pay this lot.
|
|
|
|
The best plan clearly being to clear out, the remainder being plain
|
|
sailing, he beckoned, while prudently pocketing the photo, to the keeper
|
|
of the shanty who didn't seem to.
|
|
|
|
--Yes, that's the best, he assured Stephen to whom for the matter of
|
|
that Brazen Head or him or anywhere else was all more or less.
|
|
|
|
All kinds of Utopian plans were flashing through his (B's) busy brain,
|
|
education (the genuine article), literature, journalism, prize titbits,
|
|
up to date billing, concert tours in English watering resorts packed
|
|
with hydros and seaside theatres, turning money away, duets in Italian
|
|
with the accent perfectly true to nature and a quantity of other
|
|
things, no necessity, of course, to tell the world and his wife from the
|
|
housetops about it, and a slice of luck. An opening was all was wanted.
|
|
Because he more than suspected he had his father's voice to bank his
|
|
hopes on which it was quite on the cards he had so it would be just as
|
|
well, by the way no harm, to trail the conversation in the direction of
|
|
that particular red herring just to.
|
|
|
|
The cabby read out of the paper he had got hold of that the former
|
|
viceroy, earl Cadogan, had presided at the cabdrivers' association
|
|
dinner in London somewhere. Silence with a yawn or two accompanied this
|
|
thrilling announcement. Then the old specimen in the corner who appeared
|
|
to have some spark of vitality left read out that sir Anthony MacDonnell
|
|
had left Euston for the chief secretary's lodge or words to that effect.
|
|
To which absorbing piece of intelligence echo answered why.
|
|
|
|
--Give us a squint at that literature, grandfather, the ancient mariner
|
|
put in, manifesting some natural impatience.
|
|
|
|
--And welcome, answered the elderly party thus addressed.
|
|
|
|
The sailor lugged out from a case he had a pair of greenish goggles
|
|
which he very slowly hooked over his nose and both ears.
|
|
|
|
--Are you bad in the eyes? the sympathetic personage like the townclerk
|
|
queried.
|
|
|
|
--Why, answered the seafarer with the tartan beard, who seemingly was
|
|
a bit of a literary cove in his own small way, staring out of seagreen
|
|
portholes as you might well describe them as, I uses goggles reading.
|
|
Sand in the Red Sea done that. One time I could read a book in the dark,
|
|
manner of speaking. _The Arabian Nights Entertainment_ was my favourite
|
|
and _Red as a Rose is She._
|
|
|
|
Hereupon he pawed the journal open and pored upon Lord only knows what,
|
|
found drowned or the exploits of King Willow, Iremonger having made a
|
|
hundred and something second wicket not out for Notts, during which
|
|
time (completely regardless of Ire) the keeper was intensely occupied
|
|
loosening an apparently new or secondhand boot which manifestly pinched
|
|
him as he muttered against whoever it was sold it, all of them who were
|
|
sufficiently awake enough to be picked out by their facial expressions,
|
|
that is to say, either simply looking on glumly or passing a trivial
|
|
remark.
|
|
|
|
To cut a long story short Bloom, grasping the situation, was the first
|
|
to rise from his seat so as not to outstay their welcome having first
|
|
and foremost, being as good as his word that he would foot the bill for
|
|
the occasion, taken the wise precaution to unobtrusively motion to mine
|
|
host as a parting shot a scarcely perceptible sign when the others were
|
|
not looking to the effect that the amount due was forthcoming, making a
|
|
grand total of fourpence (the amount he deposited unobtrusively in
|
|
four coppers, literally the last of the Mohicans), he having previously
|
|
spotted on the printed pricelist for all who ran to read opposite him
|
|
in unmistakable figures, coffee 2d, confectionery do, and honestly well
|
|
worth twice the money once in a way, as Wetherup used to remark.
|
|
|
|
--Come, he counselled to close the _seance_.
|
|
|
|
Seeing that the ruse worked and the coast was clear they left the
|
|
shelter or shanty together and the _elite_ society of oilskin and
|
|
company whom nothing short of an earthquake would move out of their
|
|
_dolce far niente_. Stephen, who confessed to still feeling poorly and
|
|
fagged out, paused at the, for a moment, the door.
|
|
|
|
--One thing I never understood, he said to be original on the spur of
|
|
the moment. Why they put tables upside down at night, I mean chairs
|
|
upside down, on the tables in cafes. To which impromptu the neverfailing
|
|
Bloom replied without a moment's hesitation, saying straight off:
|
|
|
|
--To sweep the floor in the morning.
|
|
|
|
So saying he skipped around, nimbly considering, frankly at the same
|
|
time apologetic to get on his companion's right, a habit of his, by the
|
|
bye, his right side being, in classical idiom, his tender Achilles. The
|
|
night air was certainly now a treat to breathe though Stephen was a bit
|
|
weak on his pins.
|
|
|
|
--It will (the air) do you good, Bloom said, meaning also the walk, in
|
|
a moment. The only thing is to walk then you'll feel a different man.
|
|
Come. It's not far. Lean on me.
|
|
|
|
Accordingly he passed his left arm in Stephen's right and led him on
|
|
accordingly.
|
|
|
|
--Yes, Stephen said uncertainly because he thought he felt a strange
|
|
kind of flesh of a different man approach him, sinewless and wobbly and
|
|
all that.
|
|
|
|
Anyhow they passed the sentrybox with stones, brazier etc. where
|
|
the municipal supernumerary, ex Gumley, was still to all intents and
|
|
purposes wrapped in the arms of Murphy, as the adage has it, dreaming
|
|
of fresh fields and pastures new. And _apropos_ of coffin of stones the
|
|
analogy was not at all bad as it was in fact a stoning to death on the
|
|
part of seventytwo out of eighty odd constituencies that ratted at the
|
|
time of the split and chiefly the belauded peasant class, probably the
|
|
selfsame evicted tenants he had put in their holdings.
|
|
|
|
So they turned on to chatting about music, a form of art for which
|
|
Bloom, as a pure amateur, possessed the greatest love, as they made
|
|
tracks arm in arm across Beresford place. Wagnerian music, though
|
|
confessedly grand in its way, was a bit too heavy for Bloom and hard to
|
|
follow at the first go-off but the music of Mercadante's _Huguenots_,
|
|
Meyerbeer's _Seven Last Words on the Cross_ and Mozart's _Twelfth Mass_
|
|
he simply revelled in, the _Gloria_ in that being, to his mind, the acme
|
|
of first class music as such, literally knocking everything else into
|
|
a cocked hat. He infinitely preferred the sacred music of the catholic
|
|
church to anything the opposite shop could offer in that line such as
|
|
those Moody and Sankey hymns or _Bid me to live and i will live
|
|
thy protestant to be_. He also yielded to none in his admiration of
|
|
Rossini's _Stabat Mater_, a work simply abounding in immortal numbers,
|
|
in which his wife, Madam Marion Tweedy, made a hit, a veritable
|
|
sensation, he might safely say, greatly adding to her other laureis and
|
|
putting the others totally in the shade, in the jesuit fathers' church
|
|
in upper Gardiner street, the sacred edifice being thronged to the
|
|
doors to hear her with virtuosos, or _virtuosi_ rather. There was the
|
|
unanimous opinion that there was none to come up to her and suffice it
|
|
to say in a place of worship for music of a sacred character there was
|
|
a generally voiced desire for an encore. On the whole though favouring
|
|
preferably light opera of the _Don Giovanni_ description and _Martha_,
|
|
a gem in its line, he had a _penchant_, though with only a surface
|
|
knowledge, for the severe classical school such as Mendelssohn. And
|
|
talking of that, taking it for granted he knew all about the old
|
|
favourites, he mentioned _par excellence_ Lionel's air in _Martha,
|
|
M'appari_, which, curiously enough, he had heard or overheard, to be
|
|
more accurate, on yesterday, a privilege he keenly appreciated, from the
|
|
lips of Stephen's respected father, sung to perfection, a study of the
|
|
number, in fact, which made all the others take a back seat. Stephen, in
|
|
reply to a politely put query, said he didn't sing it but launched
|
|
out into praises of Shakespeare's songs, at least of in or about that
|
|
period, the lutenist Dowland who lived in Fetter lane near Gerard the
|
|
herbalist, who _anno ludendo hausi, Doulandus_, an instrument he was
|
|
contemplating purchasing from Mr Arnold Dolmetsch, whom B. did not quite
|
|
recall though the name certainly sounded familiar, for sixtyfive guineas
|
|
and Farnaby and son with their _dux_ and _comes_ conceits and Byrd
|
|
(William) who played the virginals, he said, in the Queen's chapel or
|
|
anywhere else he found them and one Tomkins who made toys or airs and
|
|
John Bull.
|
|
|
|
On the roadway which they were approaching whilst still speaking beyond
|
|
the swingchains a horse, dragging a sweeper, paced on the paven ground,
|
|
brushing a long swathe of mire up so that with the noise Bloom was not
|
|
perfectly certain whether he had caught aright the allusion to sixtyfive
|
|
guineas and John Bull. He inquired if it was John Bull the political
|
|
celebrity of that ilk, as it struck him, the two identical names, as a
|
|
striking coincidence.
|
|
|
|
By the chains the horse slowly swerved to turn, which perceiving, Bloom,
|
|
who was keeping a sharp lookout as usual, plucked the other's sleeve
|
|
gently, jocosely remarking:
|
|
|
|
--Our lives are in peril tonight. Beware of the steamroller.
|
|
|
|
They thereupon stopped. Bloom looked at the head of a horse not worth
|
|
anything like sixtyfive guineas, suddenly in evidence in the dark quite
|
|
near so that it seemed new, a different grouping of bones and even flesh
|
|
because palpably it was a fourwalker, a hipshaker, a blackbuttocker, a
|
|
taildangler, a headhanger putting his hind foot foremost the while the
|
|
lord of his creation sat on the perch, busy with his thoughts. But such
|
|
a good poor brute he was sorry he hadn't a lump of sugar but, as he
|
|
wisely reflected, you could scarcely be prepared for every emergency
|
|
that might crop up. He was just a big nervous foolish noodly kind of a
|
|
horse, without a second care in the world. But even a dog, he reflected,
|
|
take that mongrel in Barney Kiernan's, of the same size, would be a holy
|
|
horror to face. But it was no animal's fault in particular if he was
|
|
built that way like the camel, ship of the desert, distilling grapes
|
|
into potheen in his hump. Nine tenths of them all could be caged or
|
|
trained, nothing beyond the art of man barring the bees. Whale with a
|
|
harpoon hairpin, alligator tickle the small of his back and he sees the
|
|
joke, chalk a circle for a rooster, tiger my eagle eye. These timely
|
|
reflections anent the brutes of the field occupied his mind somewhat
|
|
distracted from Stephen's words while the ship of the street was
|
|
manoeuvring and Stephen went on about the highly interesting old.
|
|
|
|
--What's this I was saying? Ah, yes! My wife, he intimated, plunging
|
|
_in medias res_, would have the greatest of pleasure in making your
|
|
acquaintance as she is passionately attached to music of any kind.
|
|
|
|
He looked sideways in a friendly fashion at the sideface of Stephen,
|
|
image of his mother, which was not quite the same as the usual handsome
|
|
blackguard type they unquestionably had an insatiable hankering after as
|
|
he was perhaps not that way built.
|
|
|
|
Still, supposing he had his father's gift as he more than suspected,
|
|
it opened up new vistas in his mind such as Lady Fingall's Irish
|
|
industries, concert on the preceding Monday, and aristocracy in general.
|
|
|
|
Exquisite variations he was now describing on an air _Youth here has
|
|
End_ by Jans Pieter Sweelinck, a Dutchman of Amsterdam where the frows
|
|
come from. Even more he liked an old German song of _Johannes Jeep_
|
|
about the clear sea and the voices of sirens, sweet murderers of men,
|
|
which boggled Bloom a bit:
|
|
|
|
_Von der Sirenen Listigkeit
|
|
Tun die Poeten dichten._
|
|
|
|
These opening bars he sang and translated _extempore_. Bloom, nodding,
|
|
said he perfectly understood and begged him to go on by all means which
|
|
he did.
|
|
|
|
A phenomenally beautiful tenor voice like that, the rarest of boons,
|
|
which Bloom appreciated at the very first note he got out, could easily,
|
|
if properly handled by some recognised authority on voice production
|
|
such as Barraclough and being able to read music into the bargain,
|
|
command its own price where baritones were ten a penny and procure for
|
|
its fortunate possessor in the near future an _entree_ into fashionable
|
|
houses in the best residential quarters of financial magnates in a large
|
|
way of business and titled people where with his university degree of
|
|
B. A. (a huge ad in its way) and gentlemanly bearing to all the more
|
|
influence the good impression he would infallibly score a distinct
|
|
success, being blessed with brains which also could be utilised for the
|
|
purpose and other requisites, if his clothes were properly attended
|
|
to so as to the better worm his way into their good graces as he, a
|
|
youthful tyro in--society's sartorial niceties, hardly understood how a
|
|
little thing like that could militate against you. It was in fact only a
|
|
matter of months and he could easily foresee him participating in their
|
|
musical and artistic _conversaziones_ during the festivities of the
|
|
Christmas season, for choice, causing a slight flutter in the dovecotes
|
|
of the fair sex and being made a lot of by ladies out for sensation,
|
|
cases of which, as he happened to know, were on record--in fact, without
|
|
giving the show away, he himself once upon a time, if he cared to, could
|
|
easily have. Added to which of course would be the pecuniary emolument
|
|
by no means to be sneezed at, going hand in hand with his tuition
|
|
fees. Not, he parenthesised, that for the sake of filthy lucre he need
|
|
necessarily embrace the lyric platform as a walk in life for any lengthy
|
|
space of time. But a step in the required direction it was beyond yea or
|
|
nay and both monetarily and mentally it contained no reflection on his
|
|
dignity in the smallest and it often turned in uncommonly handy to
|
|
be handed a cheque at a muchneeded moment when every little helped.
|
|
Besides, though taste latterly had deteriorated to a degree, original
|
|
music like that, different from the conventional rut, would rapidly
|
|
have a great vogue as it would be a decided novelty for Dublin's musical
|
|
world after the usual hackneyed run of catchy tenor solos foisted on a
|
|
confiding public by Ivan St Austell and Hilton St Just and their _genus
|
|
omne_. Yes, beyond a shadow of a doubt he could with all the cards in
|
|
his hand and he had a capital opening to make a name for himself and win
|
|
a high place in the city's esteem where he could command a stiff figure
|
|
and, booking ahead, give a grand concert for the patrons of the King
|
|
street house, given a backerup, if one were forthcoming to kick him
|
|
upstairs, so to speak, a big _if_, however, with some impetus of the
|
|
goahead sort to obviate the inevitable procrastination which often
|
|
tripped-up a too much feted prince of good fellows. And it need not
|
|
detract from the other by one iota as, being his own master, he would
|
|
have heaps of time to practise literature in his spare moments when
|
|
desirous of so doing without its clashing with his vocal career or
|
|
containing anything derogatory whatsoever as it was a matter for himself
|
|
alone. In fact, he had the ball at his feet and that was the very reason
|
|
why the other, possessed of a remarkably sharp nose for smelling a rat
|
|
of any sort, hung on to him at all.
|
|
|
|
The horse was just then. And later on at a propitious opportunity he
|
|
purposed (Bloom did), without anyway prying into his private affairs on
|
|
the _fools step in where angels_ principle, advising him to sever his
|
|
connection with a certain budding practitioner who, he noticed, was
|
|
prone to disparage and even to a slight extent with some hilarious
|
|
pretext when not present, deprecate him, or whatever you like to call it
|
|
which in Bloom's humble opinion threw a nasty sidelight on that side of
|
|
a person's character, no pun intended.
|
|
|
|
The horse having reached the end of his tether, so to speak, halted and,
|
|
rearing high a proud feathering tail, added his quota by letting fall on
|
|
the floor which the brush would soon brush up and polish, three smoking
|
|
globes of turds. Slowly three times, one after another, from a full
|
|
crupper he mired. And humanely his driver waited till he (or she) had
|
|
ended, patient in his scythed car.
|
|
|
|
Side by side Bloom, profiting by the _contretemps_, with Stephen passed
|
|
through the gap of the chains, divided by the upright, and, stepping
|
|
over a strand of mire, went across towards Gardiner street lower,
|
|
Stephen singing more boldly, but not loudly, the end of the ballad.
|
|
|
|
_Und alle Schiffe brucken._
|
|
|
|
The driver never said a word, good, bad or indifferent, but merely
|
|
watched the two figures, as he sat on his lowbacked car, both black,
|
|
one full, one lean, walk towards the railway bridge, _to be married by
|
|
Father Maher_. As they walked they at times stopped and walked again
|
|
continuing their _tete-a-tete_ (which, of course, he was utterly out
|
|
of) about sirens enemies of man's reason, mingled with a number of other
|
|
topics of the same category, usurpers, historical cases of the kind
|
|
while the man in the sweeper car or you might as well call it in the
|
|
sleeper car who in any case couldn't possibly hear because they were too
|
|
far simply sat in his seat near the end of lower Gardiner street _and
|
|
looked after their lowbacked car_.
|
|
|
|
|
|
|
|
What parallel courses did Bloom and Stephen follow returning?
|
|
|
|
Starting united both at normal walking pace from Beresford place they
|
|
followed in the order named Lower and Middle Gardiner streets and
|
|
Mountjoy square, west: then, at reduced pace, each bearing left,
|
|
Gardiner's place by an inadvertence as far as the farther corner of
|
|
Temple street: then, at reduced pace with interruptions of halt, bearing
|
|
right, Temple street, north, as far as Hardwicke place. Approaching,
|
|
disparate, at relaxed walking pace they crossed both the circus before
|
|
George's church diametrically, the chord in any circle being less than
|
|
the arc which it subtends.
|
|
|
|
|
|
Of what did the duumvirate deliberate during their itinerary?
|
|
|
|
Music, literature, Ireland, Dublin, Paris, friendship, woman,
|
|
prostitution, diet, the influence of gaslight or the light of arc and
|
|
glowlamps on the growth of adjoining paraheliotropic trees, exposed
|
|
corporation emergency dustbuckets, the Roman catholic church,
|
|
ecclesiastical celibacy, the Irish nation, jesuit education, careers,
|
|
the study of medicine, the past day, the maleficent influence of the
|
|
presabbath, Stephen's collapse.
|
|
|
|
Did Bloom discover common factors of similarity between their respective
|
|
like and unlike reactions to experience?
|
|
|
|
Both were sensitive to artistic impressions, musical in preference to
|
|
plastic or pictorial. Both preferred a continental to an insular manner
|
|
of life, a cisatlantic to a transatlantic place of residence. Both
|
|
indurated by early domestic training and an inherited tenacity of
|
|
heterodox resistance professed their disbelief in many orthodox
|
|
religious, national, social and ethical doctrines. Both admitted
|
|
the alternately stimulating and obtunding influence of heterosexual
|
|
magnetism.
|
|
|
|
|
|
Were their views on some points divergent?
|
|
|
|
Stephen dissented openly from Bloom's views on the importance of dietary
|
|
and civic selfhelp while Bloom dissented tacitly from Stephen's views
|
|
on the eternal affirmation of the spirit of man in literature. Bloom
|
|
assented covertly to Stephen's rectification of the anachronism
|
|
involved in assigning the date of the conversion of the Irish nation to
|
|
christianity from druidism by Patrick son of Calpornus, son of Potitus,
|
|
son of Odyssus, sent by pope Celestine I in the year 432 in the reign of
|
|
Leary to the year 260 or thereabouts in the reign of Cormac MacArt (died
|
|
266 A.D.), suffocated by imperfect deglutition of aliment at Sletty
|
|
and interred at Rossnaree. The collapse which Bloom ascribed to
|
|
gastric inanition and certain chemical compounds of varying degrees of
|
|
adulteration and alcoholic strength, accelerated by mental exertion and
|
|
the velocity of rapid circular motion in a relaxing atmosphere, Stephen
|
|
attributed to the reapparition of a matutinal cloud (perceived by both
|
|
from two different points of observation Sandycove and Dublin) at first
|
|
no bigger than a woman's hand.
|
|
|
|
|
|
Was there one point on which their views were equal and negative?
|
|
|
|
The influence of gaslight or electric light on the growth of adjoining
|
|
paraheliotropic trees.
|
|
|
|
|
|
Had Bloom discussed similar subjects during nocturnal perambulations in
|
|
the past?
|
|
|
|
In 1884 with Owen Goldberg and Cecil Turnbull at night on public
|
|
thoroughfares between Longwood avenue and Leonard's corner and Leonard's
|
|
corner and Synge street and Synge street and Bloomfield avenue.
|
|
|
|
In 1885 with Percy Apjohn in the evenings, reclined against the wall
|
|
between Gibraltar villa and Bloomfield house in Crumlin, barony
|
|
of Uppercross. In 1886 occasionally with casual acquaintances and
|
|
prospective purchasers on doorsteps, in front parlours, in third class
|
|
railway carriages of suburban lines. In 1888 frequently with major Brian
|
|
Tweedy and his daughter Miss Marion Tweedy, together and separately on
|
|
the lounge in Matthew Dillon's house in Roundtown. Once in 1892 and once
|
|
in 1893 with Julius (Juda) Mastiansky, on both occasions in the parlour
|
|
of his (Bloom's) house in Lombard street, west.
|
|
|
|
|
|
What reflection concerning the irregular sequence of dates 1884, 1885,
|
|
1886, 1888, 1892, 1893, 1904 did Bloom make before their arrival at
|
|
their destination?
|
|
|
|
He reflected that the progressive extension of the field of individual
|
|
development and experience was regressively accompanied by a restriction
|
|
of the converse domain of interindividual relations.
|
|
|
|
|
|
As in what ways?
|
|
|
|
From inexistence to existence he came to many and was as one received:
|
|
existence with existence he was with any as any with any: from existence
|
|
to nonexistence gone he would be by all as none perceived.
|
|
|
|
What act did Bloom make on their arrival at their destination?
|
|
|
|
At the housesteps of the 4th Of the equidifferent uneven numbers, number
|
|
7 Eccles street, he inserted his hand mechanically into the back pocket
|
|
of his trousers to obtain his latchkey.
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|
|
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Was it there?
|
|
|
|
It was in the corresponding pocket of the trousers which he had worn on
|
|
the day but one preceding.
|
|
|
|
|
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Why was he doubly irritated?
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|
|
|
Because he had forgotten and because he remembered that he had reminded
|
|
himself twice not to forget.
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|
|
|
|
What were then the alternatives before the, premeditatedly
|
|
(respectively) and inadvertently, keyless couple?
|
|
|
|
To enter or not to enter. To knock or not to knock.
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|
|
|
|
Bloom's decision?
|
|
|
|
A stratagem. Resting his feet on the dwarf wall, he climbed over the
|
|
area railings, compressed his hat on his head, grasped two points at
|
|
the lower union of rails and stiles, lowered his body gradually by its
|
|
length of five feet nine inches and a half to within two feet ten inches
|
|
of the area pavement and allowed his body to move freely in space by
|
|
separating himself from the railings and crouching in preparation for
|
|
the impact of the fall.
|
|
|
|
|
|
Did he fall?
|
|
|
|
By his body's known weight of eleven stone and four pounds in
|
|
avoirdupois measure, as certified by the graduated machine for
|
|
periodical selfweighing in the premises of Francis Froedman,
|
|
pharmaceutical chemist of 19 Frederick street, north, on the last feast
|
|
of the Ascension, to wit, the twelfth day of May of the bissextile year
|
|
one thousand nine hundred and four of the christian era (jewish era five
|
|
thousand six hundred and sixtyfour, mohammadan era one thousand three
|
|
hundred and twentytwo), golden number 5, epact 13, solar cycle 9,
|
|
dominical letters C B, Roman indiction 2, Julian period 6617, MCMIV.
|
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|
|
|
|
Did he rise uninjured by concussion?
|
|
|
|
Regaining new stable equilibrium he rose uninjured though concussed by
|
|
the impact, raised the latch of the area door by the exertion of force
|
|
at its freely moving flange and by leverage of the first kind applied
|
|
at its fulcrum, gained retarded access to the kitchen through the
|
|
subadjacent scullery, ignited a lucifer match by friction, set free
|
|
inflammable coal gas by turningon the ventcock, lit a high flame which,
|
|
by regulating, he reduced to quiescent candescence and lit finally a
|
|
portable candle.
|
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|
|
|
|
What discrete succession of images did Stephen meanwhile perceive?
|
|
|
|
Reclined against the area railings he perceived through the transparent
|
|
kitchen panes a man regulating a gasflame of 14 CP, a man lighting a
|
|
candle of 1 CP, a man removing in turn each of his two boots, a man
|
|
leaving the kitchen holding a candle.
|
|
|
|
|
|
Did the man reappear elsewhere?
|
|
|
|
After a lapse of four minutes the glimmer of his candle was discernible
|
|
through the semitransparent semicircular glass fanlight over the
|
|
halldoor. The halldoor turned gradually on its hinges. In the open space
|
|
of the doorway the man reappeared without his hat, with his candle.
|
|
|
|
|
|
Did Stephen obey his sign?
|
|
|
|
Yes, entering softly, he helped to close and chain the door and followed
|
|
softly along the hallway the man's back and listed feet and lighted
|
|
candle past a lighted crevice of doorway on the left and carefully down
|
|
a turning staircase of more than five steps into the kitchen of Bloom's
|
|
house.
|
|
|
|
|
|
What did Bloom do?
|
|
|
|
He extinguished the candle by a sharp expiration of breath upon its
|
|
flame, drew two spoonseat deal chairs to the hearthstone, one for
|
|
Stephen with its back to the area window, the other for himself when
|
|
necessary, knelt on one knee, composed in the grate a pyre of crosslaid
|
|
resintipped sticks and various coloured papers and irregular polygons
|
|
of best Abram coal at twentyone shillings a ton from the yard of Messrs
|
|
Flower and M'Donald of 14 D'Olier street, kindled it at three projecting
|
|
points of paper with one ignited lucifer match, thereby releasing
|
|
the potential energy contained in the fuel by allowing its carbon and
|
|
hydrogen elements to enter into free union with the oxygen of the air.
|
|
|
|
|
|
Of what similar apparitions did Stephen think?
|
|
|
|
Of others elsewhere in other times who, kneeling on one knee or on two,
|
|
had kindled fires for him, of Brother Michael in the infirmary of the
|
|
college of the Society of Jesus at Clongowes Wood, Sallins, in the
|
|
county of Kildare: of his father, Simon Dedalus, in an unfurnished room
|
|
of his first residence in Dublin, number thirteen Fitzgibbon street:
|
|
of his godmother Miss Kate Morkan in the house of her dying sister Miss
|
|
Julia Morkan at 15 Usher's Island: of his aunt Sara, wife of Richie
|
|
(Richard) Goulding, in the kitchen of their lodgings at 62 Clanbrassil
|
|
street: of his mother Mary, wife of Simon Dedalus, in the kitchen of
|
|
number twelve North Richmond street on the morning of the feast of
|
|
Saint Francis Xavier 1898: of the dean of studies, Father Butt, in the
|
|
physics' theatre of university College, 16 Stephen's Green, north: of
|
|
his sister Dilly (Delia) in his father's house in Cabra.
|
|
|
|
|
|
What did Stephen see on raising his gaze to the height of a yard from
|
|
the fire towards the opposite wall?
|
|
|
|
Under a row of five coiled spring housebells a curvilinear rope,
|
|
stretched between two holdfasts athwart across the recess beside the
|
|
chimney pier, from which hung four smallsized square handkerchiefs
|
|
folded unattached consecutively in adjacent rectangles and one pair of
|
|
ladies' grey hose with Lisle suspender tops and feet in their habitual
|
|
position clamped by three erect wooden pegs two at their outer
|
|
extremities and the third at their point of junction.
|
|
|
|
|
|
What did Bloom see on the range?
|
|
|
|
On the right (smaller) hob a blue enamelled saucepan: on the left
|
|
(larger) hob a black iron kettle.
|
|
|
|
|
|
What did Bloom do at the range?
|
|
|
|
He removed the saucepan to the left hob, rose and carried the iron
|
|
kettle to the sink in order to tap the current by turning the faucet to
|
|
let it flow.
|
|
|
|
|
|
Did it flow?
|
|
|
|
Yes. From Roundwood reservoir in county Wicklow of a cubic capacity of
|
|
2400 million gallons, percolating through a subterranean aqueduct of
|
|
filter mains of single and double pipeage constructed at an initial
|
|
plant cost of 5 pounds per linear yard by way of the Dargle, Rathdown,
|
|
Glen of the Downs and Callowhill to the 26 acre reservoir at Stillorgan,
|
|
a distance of 22 statute miles, and thence, through a system of
|
|
relieving tanks, by a gradient of 250 feet to the city boundary at
|
|
Eustace bridge, upper Leeson street, though from prolonged summer drouth
|
|
and daily supply of 12 1/2 million gallons the water had fallen below
|
|
the sill of the overflow weir for which reason the borough surveyor and
|
|
waterworks engineer, Mr Spencer Harty, C. E., on the instructions of
|
|
the waterworks committee had prohibited the use of municipal water for
|
|
purposes other than those of consumption (envisaging the possibility of
|
|
recourse being had to the impotable water of the Grand and Royal canals
|
|
as in 1893) particularly as the South Dublin Guardians, notwithstanding
|
|
their ration of 15 gallons per day per pauper supplied through a 6 inch
|
|
meter, had been convicted of a wastage of 20,000 gallons per night by
|
|
a reading of their meter on the affirmation of the law agent of
|
|
the corporation, Mr Ignatius Rice, solicitor, thereby acting to the
|
|
detriment of another section of the public, selfsupporting taxpayers,
|
|
solvent, sound.
|
|
|
|
What in water did Bloom, waterlover, drawer of water, watercarrier,
|
|
returning to the range, admire?
|
|
|
|
Its universality: its democratic equality and constancy to its nature
|
|
in seeking its own level: its vastness in the ocean of Mercator's
|
|
projection: its unplumbed profundity in the Sundam trench of the Pacific
|
|
exceeding 8000 fathoms: the restlessness of its waves and surface
|
|
particles visiting in turn all points of its seaboard: the independence
|
|
of its units: the variability of states of sea: its hydrostatic
|
|
quiescence in calm: its hydrokinetic turgidity in neap and spring tides:
|
|
its subsidence after devastation: its sterility in the circumpolar
|
|
icecaps, arctic and antarctic: its climatic and commercial significance:
|
|
its preponderance of 3 to 1 over the dry land of the globe: its
|
|
indisputable hegemony extending in square leagues over all the region
|
|
below the subequatorial tropic of Capricorn: the multisecular stability
|
|
of its primeval basin: its luteofulvous bed: its capacity to dissolve
|
|
and hold in solution all soluble substances including millions of
|
|
tons of the most precious metals: its slow erosions of peninsulas and
|
|
islands, its persistent formation of homothetic islands, peninsulas
|
|
and downwardtending promontories: its alluvial deposits: its weight and
|
|
volume and density: its imperturbability in lagoons and highland tarns:
|
|
its gradation of colours in the torrid and temperate and frigid zones:
|
|
its vehicular ramifications in continental lakecontained streams and
|
|
confluent oceanflowing rivers with their tributaries and transoceanic
|
|
currents, gulfstream, north and south equatorial courses: its violence
|
|
in seaquakes, waterspouts, Artesian wells, eruptions, torrents, eddies,
|
|
freshets, spates, groundswells, watersheds, waterpartings, geysers,
|
|
cataracts, whirlpools, maelstroms, inundations, deluges, cloudbursts:
|
|
its vast circumterrestrial ahorizontal curve: its secrecy in springs and
|
|
latent humidity, revealed by rhabdomantic or hygrometric instruments
|
|
and exemplified by the well by the hole in the wall at Ashtown
|
|
gate, saturation of air, distillation of dew: the simplicity of its
|
|
composition, two constituent parts of hydrogen with one constituent part
|
|
of oxygen: its healing virtues: its buoyancy in the waters of the Dead
|
|
Sea: its persevering penetrativeness in runnels, gullies, inadequate
|
|
dams, leaks on shipboard: its properties for cleansing, quenching thirst
|
|
and fire, nourishing vegetation: its infallibility as paradigm and
|
|
paragon: its metamorphoses as vapour, mist, cloud, rain, sleet, snow,
|
|
hail: its strength in rigid hydrants: its variety of forms in loughs
|
|
and bays and gulfs and bights and guts and lagoons and atolls and
|
|
archipelagos and sounds and fjords and minches and tidal estuaries and
|
|
arms of sea: its solidity in glaciers, icebergs, icefloes: its docility
|
|
in working hydraulic millwheels, turbines, dynamos, electric power
|
|
stations, bleachworks, tanneries, scutchmills: its utility in canals,
|
|
rivers, if navigable, floating and graving docks: its potentiality
|
|
derivable from harnessed tides or watercourses falling from level
|
|
to level: its submarine fauna and flora (anacoustic, photophobe),
|
|
numerically, if not literally, the inhabitants of the globe: its
|
|
ubiquity as constituting 90 percent of the human body: the noxiousness
|
|
of its effluvia in lacustrine marshes, pestilential fens, faded
|
|
flowerwater, stagnant pools in the waning moon.
|
|
|
|
|
|
Having set the halffilled kettle on the now burning coals, why did he
|
|
return to the stillflowing tap?
|
|
|
|
To wash his soiled hands with a partially consumed tablet of
|
|
Barrington's lemonflavoured soap, to which paper still adhered, (bought
|
|
thirteen hours previously for fourpence and still unpaid for), in fresh
|
|
cold neverchanging everchanging water and dry them, face and hands, in a
|
|
long redbordered holland cloth passed over a wooden revolving roller.
|
|
|
|
|
|
What reason did Stephen give for declining Bloom's offer?
|
|
|
|
That he was hydrophobe, hating partial contact by immersion or total by
|
|
submersion in cold water, (his last bath having taken place in the month
|
|
of October of the preceding year), disliking the aqueous substances of
|
|
glass and crystal, distrusting aquacities of thought and language.
|
|
|
|
|
|
What impeded Bloom from giving Stephen counsels of hygiene and
|
|
prophylactic to which should be added suggestions concerning a
|
|
preliminary wetting of the head and contraction of the muscles with
|
|
rapid splashing of the face and neck and thoracic and epigastric region
|
|
in case of sea or river bathing, the parts of the human anatomy most
|
|
sensitive to cold being the nape, stomach and thenar or sole of foot?
|
|
|
|
The incompatibility of aquacity with the erratic originality of genius.
|
|
|
|
|
|
What additional didactic counsels did he similarly repress?
|
|
|
|
Dietary: concerning the respective percentage of protein and caloric
|
|
energy in bacon, salt ling and butter, the absence of the former in the
|
|
lastnamed and the abundance of the latter in the firstnamed.
|
|
|
|
|
|
Which seemed to the host to be the predominant qualities of his guest?
|
|
|
|
Confidence in himself, an equal and opposite power of abandonment and
|
|
recuperation.
|
|
|
|
|
|
What concomitant phenomenon took place in the vessel of liquid by the
|
|
agency of fire?
|
|
|
|
The phenomenon of ebullition. Fanned by a constant updraught of
|
|
ventilation between the kitchen and the chimneyflue, ignition was
|
|
communicated from the faggots of precombustible fuel to polyhedral
|
|
masses of bituminous coal, containing in compressed mineral form the
|
|
foliated fossilised decidua of primeval forests which had in turn
|
|
derived their vegetative existence from the sun, primal source of heat
|
|
(radiant), transmitted through omnipresent luminiferous diathermanous
|
|
ether. Heat (convected), a mode of motion developed by such
|
|
combustion, was constantly and increasingly conveyed from the source
|
|
of calorification to the liquid contained in the vessel, being radiated
|
|
through the uneven unpolished dark surface of the metal iron, in part
|
|
reflected, in part absorbed, in part transmitted, gradually raising
|
|
the temperature of the water from normal to boiling point, a rise in
|
|
temperature expressible as the result of an expenditure of 72 thermal
|
|
units needed to raise 1 pound of water from 50 degrees to 212 degrees
|
|
Fahrenheit.
|
|
|
|
|
|
What announced the accomplishment of this rise in temperature?
|
|
|
|
A double falciform ejection of water vapour from under the kettlelid at
|
|
both sides simultaneously.
|
|
|
|
|
|
For what personal purpose could Bloom have applied the water so boiled?
|
|
|
|
To shave himself.
|
|
|
|
|
|
What advantages attended shaving by night?
|
|
|
|
A softer beard: a softer brush if intentionally allowed to remain from
|
|
shave to shave in its agglutinated lather: a softer skin if unexpectedly
|
|
encountering female acquaintances in remote places at incustomary hours:
|
|
quiet reflections upon the course of the day: a cleaner sensation when
|
|
awaking after a fresher sleep since matutinal noises, premonitions and
|
|
perturbations, a clattered milkcan, a postman's double knock, a paper
|
|
read, reread while lathering, relathering the same spot, a shock, a
|
|
shoot, with thought of aught he sought though fraught with nought might
|
|
cause a faster rate of shaving and a nick on which incision plaster with
|
|
precision cut and humected and applied adhered: which was to be done.
|
|
|
|
|
|
Why did absence of light disturb him less than presence of noise?
|
|
|
|
Because of the surety of the sense of touch in his firm full masculine
|
|
feminine passive active hand.
|
|
|
|
|
|
What quality did it (his hand) possess but with what counteracting
|
|
influence?
|
|
|
|
The operative surgical quality but that he was reluctant to shed human
|
|
blood even when the end justified the means, preferring, in their
|
|
natural order, heliotherapy, psychophysicotherapeutics, osteopathic
|
|
surgery.
|
|
|
|
|
|
What lay under exposure on the lower, middle and upper shelves of the
|
|
kitchen dresser, opened by Bloom?
|
|
|
|
On the lower shelf five vertical breakfast plates, six horizontal
|
|
breakfast saucers on which rested inverted breakfast cups, a
|
|
moustachecup, uninverted, and saucer of Crown Derby, four white
|
|
goldrimmed eggcups, an open shammy purse displaying coins, mostly
|
|
copper, and a phial of aromatic (violet) comfits. On the middle shelf
|
|
a chipped eggcup containing pepper, a drum of table salt, four
|
|
conglomerated black olives in oleaginous paper, an empty pot of
|
|
Plumtree's potted meat, an oval wicker basket bedded with fibre and
|
|
containing one Jersey pear, a halfempty bottle of William Gilbey and
|
|
Co's white invalid port, half disrobed of its swathe of coralpink tissue
|
|
paper, a packet of Epps's soluble cocoa, five ounces of Anne Lynch's
|
|
choice tea at 2/- per lb in a crinkled leadpaper bag, a cylindrical
|
|
canister containing the best crystallised lump sugar, two onions, one,
|
|
the larger, Spanish, entire, the other, smaller, Irish, bisected with
|
|
augmented surface and more redolent, a jar of Irish Model Dairy's cream,
|
|
a jug of brown crockery containing a naggin and a quarter of soured
|
|
adulterated milk, converted by heat into water, acidulous serum and
|
|
semisolidified curds, which added to the quantity subtracted for Mr
|
|
Bloom's and Mrs Fleming's breakfasts, made one imperial pint, the total
|
|
quantity originally delivered, two cloves, a halfpenny and a small dish
|
|
containing a slice of fresh ribsteak. On the upper shelf a battery of
|
|
jamjars (empty) of various sizes and proveniences.
|
|
|
|
|
|
What attracted his attention lying on the apron of the dresser?
|
|
|
|
Four polygonal fragments of two lacerated scarlet betting tickets,
|
|
numbered 8 87, 88 6.
|
|
|
|
|
|
What reminiscences temporarily corrugated his brow?
|
|
|
|
Reminiscences of coincidences, truth stranger than fiction,
|
|
preindicative of the result of the Gold Cup flat handicap, the official
|
|
and definitive result of which he had read in the _Evening Telegraph_,
|
|
late pink edition, in the cabman's shelter, at Butt bridge.
|
|
|
|
|
|
Where had previous intimations of the result, effected or projected,
|
|
been received by him?
|
|
|
|
In Bernard Kiernan's licensed premises 8, 9 and 10 little Britain
|
|
street: in David Byrne's licensed premises, 14 Duke street: in O'Connell
|
|
street lower, outside Graham Lemon's when a dark man had placed in
|
|
his hand a throwaway (subsequently thrown away), advertising Elijah,
|
|
restorer of the church in Zion: in Lincoln place outside the premises of
|
|
F. W. Sweny and Co (Limited), dispensing chemists, when, when Frederick
|
|
M. (Bantam) Lyons had rapidly and successively requested, perused and
|
|
restituted the copy of the current issue of the _Freeman's Journal and
|
|
National Press_ which he had been about to throw away (subsequently
|
|
thrown away), he had proceeded towards the oriental edifice of
|
|
the Turkish and Warm Baths, 11 Leinster street, with the light of
|
|
inspiration shining in his countenance and bearing in his arms the
|
|
secret of the race, graven in the language of prediction.
|
|
|
|
What qualifying considerations allayed his perturbations?
|
|
|
|
The difficulties of interpretation since the significance of any event
|
|
followed its occurrence as variably as the acoustic report followed the
|
|
electrical discharge and of counterestimating against an actual loss
|
|
by failure to interpret the total sum of possible losses proceeding
|
|
originally from a successful interpretation.
|
|
|
|
|
|
His mood?
|
|
|
|
He had not risked, he did not expect, he had not been disappointed, he
|
|
was satisfied.
|
|
|
|
|
|
What satisfied him?
|
|
|
|
To have sustained no positive loss. To have brought a positive gain to
|
|
others. Light to the gentiles.
|
|
|
|
|
|
How did Bloom prepare a collation for a gentile?
|
|
|
|
He poured into two teacups two level spoonfuls, four in all, of Epps's
|
|
soluble cocoa and proceeded according to the directions for use printed
|
|
on the label, to each adding after sufficient time for infusion the
|
|
prescribed ingredients for diffusion in the manner and in the quantity
|
|
prescribed.
|
|
|
|
|
|
What supererogatory marks of special hospitality did the host show his
|
|
guest?
|
|
|
|
Relinquishing his symposiarchal right to the moustache cup of imitation
|
|
Crown Derby presented to him by his only daughter, Millicent (Milly),
|
|
he substituted a cup identical with that of his guest and served
|
|
extraordinarily to his guest and, in reduced measure, to himself the
|
|
viscous cream ordinarily reserved for the breakfast of his wife Marion
|
|
(Molly).
|
|
|
|
|
|
Was the guest conscious of and did he acknowledge these marks of
|
|
hospitality?
|
|
|
|
His attention was directed to them by his host jocosely, and he accepted
|
|
them seriously as they drank in jocoserious silence Epps's massproduct,
|
|
the creature cocoa.
|
|
|
|
|
|
Were there marks of hospitality which he contemplated but suppressed,
|
|
reserving them for another and for himself on future occasions to
|
|
complete the act begun?
|
|
|
|
The reparation of a fissure of the length of 1 1/2 inches in the right
|
|
side of his guest's jacket. A gift to his guest of one of the four
|
|
lady's handkerchiefs, if and when ascertained to be in a presentable
|
|
condition.
|
|
|
|
|
|
Who drank more quickly?
|
|
|
|
Bloom, having the advantage of ten seconds at the initiation and taking,
|
|
from the concave surface of a spoon along the handle of which a steady
|
|
flow of heat was conducted, three sips to his opponent's one, six to
|
|
two, nine to three.
|
|
|
|
|
|
What cerebration accompanied his frequentative act?
|
|
|
|
Concluding by inspection but erroneously that his silent companion was
|
|
engaged in mental composition he reflected on the pleasures derived from
|
|
literature of instruction rather than of amusement as he himself had
|
|
applied to the works of William Shakespeare more than once for the
|
|
solution of difficult problems in imaginary or real life.
|
|
|
|
|
|
Had he found their solution?
|
|
|
|
In spite of careful and repeated reading of certain classical passages,
|
|
aided by a glossary, he had derived imperfect conviction from the text,
|
|
the answers not bearing in all points.
|
|
|
|
|
|
What lines concluded his first piece of original verse written by him,
|
|
potential poet, at the age of 11 in 1877 on the occasion of the offering
|
|
of three prizes of 10/-, 5/- and 2/6 respectively for competition by the
|
|
_Shamrock_, a weekly newspaper?
|
|
|
|
_An ambition to squint
|
|
At my verses in print
|
|
Makes me hope that for these you'll find room?.
|
|
If you so condescend
|
|
Then please place at the end
|
|
The name of yours truly, L. Bloom._
|
|
|
|
Did he find four separating forces between his temporary guest and him?
|
|
|
|
Name, age, race, creed.
|
|
|
|
|
|
What anagrams had he made on his name in youth?
|
|
|
|
Leopold Bloom
|
|
Ellpodbomool
|
|
Molldopeloob
|
|
Bollopedoom
|
|
Old Ollebo, M. P.
|
|
|
|
|
|
What acrostic upon the abbreviation of his first name had he (kinetic
|
|
poet) sent to Miss Marion (Molly) Tweedy on the 14 February 1888?
|
|
|
|
_Poets oft have sung in rhyme
|
|
Of music sweet their praise divine.
|
|
Let them hymn it nine times nine.
|
|
Dearer far than song or wine.
|
|
You are mine. The world is mine._
|
|
|
|
|
|
What had prevented him from completing a topical song (music by R. G.
|
|
Johnston) on the events of the past, or fixtures for the actual, years,
|
|
entitled _If Brian Boru could but come back and see old Dublin now_,
|
|
commissioned by Michael Gunn, lessee of the Gaiety Theatre, 46, 47, 48,
|
|
49 South King street, and to be introduced into the sixth scene, the
|
|
valley of diamonds, of the second edition (30 January 1893) of the grand
|
|
annual Christmas pantomime _Sinbad the Sailor_ (produced by R Shelton
|
|
26 December 1892, written by Greenleaf Whittier, scenery by George
|
|
A. Jackson and Cecil Hicks, costumes by Mrs and Miss Whelan under
|
|
the personal supervision of Mrs Michael Gunn, ballets by Jessie Noir,
|
|
harlequinade by Thomas Otto) and sung by Nelly Bouverist, principal
|
|
girl?
|
|
|
|
Firstly, oscillation between events of imperial and of local interest,
|
|
the anticipated diamond jubilee of Queen Victoria (born 1820, acceded
|
|
1837) and the posticipated opening of the new municipal fish market:
|
|
secondly, apprehension of opposition from extreme circles on the
|
|
questions of the respective visits of Their Royal Highnesses the
|
|
duke and duchess of York (real) and of His Majesty King Brian Boru
|
|
(imaginary): thirdly, a conflict between professional etiquette and
|
|
professional emulation concerning the recent erections of the Grand
|
|
Lyric Hall on Burgh Quay and the Theatre Royal in Hawkins street:
|
|
fourthly, distraction resultant from compassion for Nelly Bouverist's
|
|
non-intellectual, non-political, non-topical expression of countenance
|
|
and concupiscence caused by Nelly Bouverist's revelations of white
|
|
articles of non-intellectual, non-political, non-topical underclothing
|
|
while she (Nelly Bouverist) was in the articles: fifthly, the
|
|
difficulties of the selection of appropriate music and humorous
|
|
allusions from _Everybody's Book of Jokes_ (1000 pages and a laugh in
|
|
every one): sixthly, the rhymes, homophonous and cacophonous, associated
|
|
with the names of the new lord mayor, Daniel Tallon, the new high
|
|
sheriff, Thomas Pile and the new solicitorgeneral, Dunbar Plunket
|
|
Barton.
|
|
|
|
|
|
What relation existed between their ages?
|
|
|
|
16 years before in 1888 when Bloom was of Stephen's present age Stephen
|
|
was 6. 16 years after in 1920 when Stephen would be of Bloom's present
|
|
age Bloom would be 54. In 1936 when Bloom would be 70 and Stephen 54
|
|
their ages initially in the ratio of 16 to 0 would be as 17 1/2 to 13
|
|
1/2, the proportion increasing and the disparity diminishing according
|
|
as arbitrary future years were added, for if the proportion existing in
|
|
1883 had continued immutable, conceiving that to be possible, till then
|
|
1904 when Stephen was 22 Bloom would be 374 and in 1920 when Stephen
|
|
would be 38, as Bloom then was, Bloom would be 646 while in 1952 when
|
|
Stephen would have attained the maximum postdiluvian age of 70 Bloom,
|
|
being 1190 years alive having been born in the year 714, would have
|
|
surpassed by 221 years the maximum antediluvian age, that of Methusalah,
|
|
969 years, while, if Stephen would continue to live until he would
|
|
attain that age in the year 3072 A.D., Bloom would have been obliged to
|
|
have been alive 83,300 years, having been obliged to have been born in
|
|
the year 81,396 B.C.
|
|
|
|
|
|
What events might nullify these calculations?
|
|
|
|
The cessation of existence of both or either, the inauguration of a
|
|
new era or calendar, the annihilation of the world and consequent
|
|
extermination of the human species, inevitable but impredictable.
|
|
|
|
|
|
How many previous encounters proved their preexisting acquaintance?
|
|
|
|
Two. The first in the lilacgarden of Matthew Dillon's house, Medina
|
|
Villa, Kimmage road, Roundtown, in 1887, in the company of Stephen's
|
|
mother, Stephen being then of the age of 5 and reluctant to give his
|
|
hand in salutation. The second in the coffeeroom of Breslin's hotel on a
|
|
rainy Sunday in the January of 1892, in the company of Stephen's father
|
|
and Stephen's granduncle, Stephen being then 5 years older.
|
|
|
|
|
|
Did Bloom accept the invitation to dinner given then by the son and
|
|
afterwards seconded by the father?
|
|
|
|
Very gratefully, with grateful appreciation, with sincere appreciative
|
|
gratitude, in appreciatively grateful sincerity of regret, he declined.
|
|
|
|
|
|
Did their conversation on the subject of these reminiscences reveal a
|
|
third connecting link between them?
|
|
|
|
Mrs Riordan (Dante), a widow of independent means, had resided in the
|
|
house of Stephen's parents from 1 September 1888 to 29 December 1891 and
|
|
had also resided during the years 1892, 1893 and 1894 in the City Arms
|
|
Hotel owned by Elizabeth O'Dowd of 54 Prussia street where, during parts
|
|
of the years 1893 and 1894, she had been a constant informant of Bloom
|
|
who resided also in the same hotel, being at that time a clerk in the
|
|
employment of Joseph Cuffe of 5 Smithfield for the superintendence of
|
|
sales in the adjacent Dublin Cattle market on the North Circular road.
|
|
|
|
|
|
Had he performed any special corporal work of mercy for her?
|
|
|
|
He had sometimes propelled her on warm summer evenings, an infirm widow
|
|
of independent, if limited, means, in her convalescent bathchair
|
|
with slow revolutions of its wheels as far as the corner of the North
|
|
Circular road opposite Mr Gavin Low's place of business where she had
|
|
remained for a certain time scanning through his onelensed binocular
|
|
fieldglasses unrecognisable citizens on tramcars, roadster bicycles
|
|
equipped with inflated pneumatic tyres, hackney carriages, tandems,
|
|
private and hired landaus, dogcarts, ponytraps and brakes passing from
|
|
the city to the Phoenix Park and vice versa.
|
|
|
|
|
|
Why could he then support that his vigil with the greater equanimity?
|
|
|
|
Because in middle youth he had often sat observing through a rondel
|
|
of bossed glass of a multicoloured pane the spectacle offered with
|
|
continual changes of the thoroughfare without, pedestrians, quadrupeds,
|
|
velocipedes, vehicles, passing slowly, quickly, evenly, round and round
|
|
and round the rim of a round and round precipitous globe.
|
|
|
|
|
|
What distinct different memories had each of her now eight years
|
|
deceased?
|
|
|
|
The older, her bezique cards and counters, her Skye terrier, her
|
|
suppositious wealth, her lapses of responsiveness and incipient
|
|
catarrhal deafness: the younger, her lamp of colza oil before the statue
|
|
of the Immaculate Conception, her green and maroon brushes for Charles
|
|
Stewart Parnell and for Michael Davitt, her tissue papers.
|
|
|
|
|
|
Were there no means still remaining to him to achieve the rejuvenation
|
|
which these reminiscences divulged to a younger companion rendered the
|
|
more desirable?
|
|
|
|
The indoor exercises, formerly intermittently practised, subsequently
|
|
abandoned, prescribed in Eugen Sandow's _Physical Strength and How to
|
|
Obtain It_ which, designed particularly for commercial men engaged in
|
|
sedentary occupations, were to be made with mental concentration in
|
|
front of a mirror so as to bring into play the various families of
|
|
muscles and produce successively a pleasant rigidity, a more pleasant
|
|
relaxation and the most pleasant repristination of juvenile agility.
|
|
|
|
|
|
Had any special agility been his in earlier youth?
|
|
|
|
Though ringweight lifting had been beyond his strength and the full
|
|
circle gyration beyond his courage yet as a High school scholar he
|
|
had excelled in his stable and protracted execution of the half lever
|
|
movement on the parallel bars in consequence of his abnormally developed
|
|
abdominal muscles.
|
|
|
|
|
|
Did either openly allude to their racial difference?
|
|
|
|
Neither.
|
|
|
|
|
|
What, reduced to their simplest reciprocal form, were Bloom's thoughts
|
|
about Stephen's thoughts about Bloom and about Stephen's thoughts about
|
|
Bloom's thoughts about Stephen?
|
|
|
|
He thought that he thought that he was a jew whereas he knew that he
|
|
knew that he knew that he was not.
|
|
|
|
|
|
What, the enclosures of reticence removed, were their respective
|
|
parentages?
|
|
|
|
Bloom, only born male transubstantial heir of Rudolf Virag (subsequently
|
|
Rudolph Bloom) of Szombathely, Vienna, Budapest, Milan, London and
|
|
Dublin and of Ellen Higgins, second daughter of Julius Higgins (born
|
|
Karoly) and Fanny Higgins (born Hegarty). Stephen, eldest surviving male
|
|
consubstantial heir of Simon Dedalus of Cork and Dublin and of Mary,
|
|
daughter of Richard and Christina Goulding (born Grier).
|
|
|
|
|
|
Had Bloom and Stephen been baptised, and where and by whom, cleric or
|
|
layman?
|
|
|
|
Bloom (three times), by the reverend Mr Gilmer Johnston M. A., alone,
|
|
in the protestant church of Saint Nicholas Without, Coombe, by James
|
|
O'Connor, Philip Gilligan and James Fitzpatrick, together, under a pump
|
|
in the village of Swords, and by the reverend Charles Malone C. C., in
|
|
the church of the Three Patrons, Rathgar. Stephen (once) by the reverend
|
|
Charles Malone C. C., alone, in the church of the Three Patrons,
|
|
Rathgar.
|
|
|
|
|
|
Did they find their educational careers similar?
|
|
|
|
Substituting Stephen for Bloom Stoom would have passed successively
|
|
through a dame's school and the high school. Substituting Bloom for
|
|
Stephen Blephen would have passed successively through the preparatory,
|
|
junior, middle and senior grades of the intermediate and through the
|
|
matriculation, first arts, second arts and arts degree courses of the
|
|
royal university.
|
|
|
|
|
|
Why did Bloom refrain from stating that he had frequented the university
|
|
of life?
|
|
|
|
Because of his fluctuating incertitude as to whether this observation
|
|
had or had not been already made by him to Stephen or by Stephen to him.
|
|
|
|
|
|
What two temperaments did they individually represent?
|
|
|
|
The scientific. The artistic.
|
|
|
|
|
|
What proofs did Bloom adduce to prove that his tendency was towards
|
|
applied, rather than towards pure, science?
|
|
|
|
Certain possible inventions of which he had cogitated when reclining
|
|
in a state of supine repletion to aid digestion, stimulated by his
|
|
appreciation of the importance of inventions now common but once
|
|
revolutionary, for example, the aeronautic parachute, the reflecting
|
|
telescope, the spiral corkscrew, the safety pin, the mineral water
|
|
siphon, the canal lock with winch and sluice, the suction pump.
|
|
|
|
|
|
Were these inventions principally intended for an improved scheme of
|
|
kindergarten?
|
|
|
|
Yes, rendering obsolete popguns, elastic airbladders, games of hazard,
|
|
catapults. They comprised astronomical kaleidoscopes exhibiting the
|
|
twelve constellations of the zodiac from Aries to Pisces, miniature
|
|
mechanical orreries, arithmetical gelatine lozenges, geometrical
|
|
to correspond with zoological biscuits, globemap playing balls,
|
|
historically costumed dolls.
|
|
|
|
|
|
What also stimulated him in his cogitations?
|
|
|
|
The financial success achieved by Ephraim Marks and Charles A. James,
|
|
the former by his 1d bazaar at 42 George's street, south, the latter
|
|
at his 6 1/2d shop and world's fancy fair and waxwork exhibition at 30
|
|
Henry street, admission 2d, children 1d: and the infinite possibilities
|
|
hitherto unexploited of the modern art of advertisement if condensed
|
|
in triliteral monoideal symbols, vertically of maximum visibility
|
|
(divined), horizontally of maximum legibility (deciphered) and of
|
|
magnetising efficacy to arrest involuntary attention, to interest, to
|
|
convince, to decide.
|
|
|
|
|
|
Such as?
|
|
|
|
K. II. Kino's 11/- Trousers. House of Keys. Alexander J. Keyes.
|
|
|
|
|
|
Such as not?
|
|
|
|
Look at this long candle. Calculate when it burns out and you receive
|
|
gratis 1 pair of our special non-compo boots, guaranteed 1 candle power.
|
|
Address: Barclay and Cook, 18 Talbot street.
|
|
|
|
Bacilikil (Insect Powder). Veribest (Boot Blacking). Uwantit (Combined
|
|
pocket twoblade penknife with corkscrew, nailfile and pipecleaner).
|
|
|
|
|
|
Such as never?
|
|
|
|
What is home without Plumtree's Potted Meat?
|
|
|
|
Incomplete.
|
|
|
|
With it an abode of bliss.
|
|
|
|
Manufactured by George Plumtree, 23 Merchants' quay, Dublin, put up in
|
|
4 oz pots, and inserted by Councillor Joseph P. Nannetti, M. P., Rotunda
|
|
Ward, 19 Hardwicke street, under the obituary notices and anniversaries
|
|
of deceases. The name on the label is Plumtree. A plumtree in a meatpot,
|
|
registered trade mark. Beware of imitations. Peatmot. Trumplee. Moutpat.
|
|
Plamtroo.
|
|
|
|
|
|
Which example did he adduce to induce Stephen to deduce that
|
|
originality, though producing its own reward, does not invariably
|
|
conduce to success?
|
|
|
|
His own ideated and rejected project of an illuminated showcart, drawn
|
|
by a beast of burden, in which two smartly dressed girls were to be
|
|
seated engaged in writing.
|
|
|
|
|
|
What suggested scene was then constructed by Stephen?
|
|
|
|
Solitary hotel in mountain pass. Autumn. Twilight. Fire lit. In dark
|
|
corner young man seated. Young woman enters. Restless. Solitary. She
|
|
sits. She goes to window. She stands. She sits. Twilight. She thinks.
|
|
On solitary hotel paper she writes. She thinks. She writes. She sighs.
|
|
Wheels and hoofs. She hurries out. He comes from his dark corner. He
|
|
seizes solitary paper. He holds it towards fire. Twilight. He reads.
|
|
Solitary.
|
|
|
|
|
|
What?
|
|
|
|
In sloping, upright and backhands: Queen's Hotel, Queen's Hotel, Queen's
|
|
Hotel. Queen's Ho...
|
|
|
|
|
|
What suggested scene was then reconstructed by Bloom?
|
|
|
|
The Queen's Hotel, Ennis, county Clare, where Rudolph Bloom (Rudolf
|
|
Virag) died on the evening of the 27 June 1886, at some hour unstated,
|
|
in consequence of an overdose of monkshood (aconite) selfadministered in
|
|
the form of a neuralgic liniment composed of 2 parts of aconite liniment
|
|
to I of chloroform liniment (purchased by him at 10.20 a.m. on the
|
|
morning of 27 June 1886 at the medical hall of Francis Dennehy, 17
|
|
Church street, Ennis) after having, though not in consequence of having,
|
|
purchased at 3.15 p.m. on the afternoon of 27 June 1886 a new boater
|
|
straw hat, extra smart (after having, though not in consequence of
|
|
having, purchased at the hour and in the place aforesaid, the toxin
|
|
aforesaid), at the general drapery store of James Cullen, 4 Main street,
|
|
Ennis.
|
|
|
|
|
|
Did he attribute this homonymity to information or coincidence or
|
|
intuition?
|
|
|
|
Coincidence.
|
|
|
|
|
|
Did he depict the scene verbally for his guest to see?
|
|
|
|
He preferred himself to see another's face and listen to another's
|
|
words by which potential narration was realised and kinetic temperament
|
|
relieved.
|
|
|
|
|
|
Did he see only a second coincidence in the second scene narrated to
|
|
him, described by the narrator as _A Pisgah Sight of Palestine or The
|
|
Parable of the Plums_?
|
|
|
|
It, with the preceding scene and with others unnarrated but existent by
|
|
implication, to which add essays on various subjects or moral apothegms
|
|
(e.g. _My Favourite Hero or Procrastination is the Thief of Time_)
|
|
composed during schoolyears, seemed to him to contain in itself and
|
|
in conjunction with the personal equation certain possibilities of
|
|
financial, social, personal and sexual success, whether specially
|
|
collected and selected as model pedagogic themes (of cent per cent
|
|
merit) for the use of preparatory and junior grade students or
|
|
contributed in printed form, following the precedent of Philip Beaufoy
|
|
or Doctor Dick or Heblon's _Studies in Blue_, to a publication of
|
|
certified circulation and solvency or employed verbally as intellectual
|
|
stimulation for sympathetic auditors, tacitly appreciative of successful
|
|
narrative and confidently augurative of successful achievement, during
|
|
the increasingly longer nights gradually following the summer solstice
|
|
on the day but three following, videlicet, Tuesday, 21 June (S. Aloysius
|
|
Gonzaga), sunrise 3.33 a.m., sunset 8.29 p.m.
|
|
|
|
|
|
Which domestic problem as much as, if not more than, any other
|
|
frequently engaged his mind?
|
|
|
|
What to do with our wives.
|
|
|
|
|
|
What had been his hypothetical singular solutions?
|
|
|
|
Parlour games (dominos, halma, tiddledywinks, spilikins, cup and ball,
|
|
nap, spoil five, bezique, twentyfive, beggar my neighbour, draughts,
|
|
chess or backgammon): embroidery, darning or knitting for the
|
|
policeaided clothing society: musical duets, mandoline and guitar, piano
|
|
and flute, guitar and piano: legal scrivenery or envelope addressing:
|
|
biweekly visits to variety entertainments: commercial activity as
|
|
pleasantly commanding and pleasingly obeyed mistress proprietress in
|
|
a cool dairy shop or warm cigar divan: the clandestine satisfaction of
|
|
erotic irritation in masculine brothels, state inspected and medically
|
|
controlled: social visits, at regular infrequent prevented intervals
|
|
and with regular frequent preventive superintendence, to and from female
|
|
acquaintances of recognised respectability in the vicinity: courses of
|
|
evening instruction specially designed to render liberal instruction
|
|
agreeable.
|
|
|
|
|
|
What instances of deficient mental development in his wife inclined him
|
|
in favour of the lastmentioned (ninth) solution?
|
|
|
|
In disoccupied moments she had more than once covered a sheet of paper
|
|
with signs and hieroglyphics which she stated were Greek and Irish and
|
|
Hebrew characters. She had interrogated constantly at varying intervals
|
|
as to the correct method of writing the capital initial of the name of
|
|
a city in Canada, Quebec. She understood little of political
|
|
complications, internal, or balance of power, external. In calculating
|
|
the addenda of bills she frequently had recourse to digital aid.
|
|
After completion of laconic epistolary compositions she abandoned
|
|
the implement of calligraphy in the encaustic pigment, exposed to
|
|
the corrosive action of copperas, green vitriol and nutgall. Unusual
|
|
polysyllables of foreign origin she interpreted phonetically or by false
|
|
analogy or by both: metempsychosis (met him pike hoses), _alias_ (a
|
|
mendacious person mentioned in sacred scripture).
|
|
|
|
|
|
What compensated in the false balance of her intelligence for these and
|
|
such deficiencies of judgment regarding persons, places and things?
|
|
|
|
The false apparent parallelism of all perpendicular arms of all
|
|
balances, proved true by construction. The counterbalance of her
|
|
proficiency of judgment regarding one person, proved true by experiment.
|
|
|
|
|
|
How had he attempted to remedy this state of comparative ignorance?
|
|
|
|
Variously. By leaving in a conspicuous place a certain book open at a
|
|
certain page: by assuming in her, when alluding explanatorily, latent
|
|
knowledge: by open ridicule in her presence of some absent other's
|
|
ignorant lapse.
|
|
|
|
|
|
With what success had he attempted direct instruction?
|
|
|
|
She followed not all, a part of the whole, gave attention with interest
|
|
comprehended with surprise, with care repeated, with greater difficulty
|
|
remembered, forgot with ease, with misgiving reremembered, rerepeated
|
|
with error.
|
|
|
|
|
|
What system had proved more effective?
|
|
|
|
Indirect suggestion implicating selfinterest.
|
|
|
|
|
|
Example?
|
|
|
|
She disliked umbrella with rain, he liked woman with umbrella, she
|
|
disliked new hat with rain, he liked woman with new hat, he bought new
|
|
hat with rain, she carried umbrella with new hat.
|
|
|
|
|
|
Accepting the analogy implied in his guest's parable which examples of
|
|
postexilic eminence did he adduce?
|
|
|
|
Three seekers of the pure truth, Moses of Egypt, Moses Maimonides,
|
|
author of _More Nebukim_ (Guide of the Perplexed) and Moses Mendelssohn
|
|
of such eminence that from Moses (of Egypt) to Moses (Mendelssohn) there
|
|
arose none like Moses (Maimonides).
|
|
|
|
|
|
What statement was made, under correction, by Bloom concerning a fourth
|
|
seeker of pure truth, by name Aristotle, mentioned, with permission, by
|
|
Stephen?
|
|
|
|
That the seeker mentioned had been a pupil of a rabbinical philosopher,
|
|
name uncertain.
|
|
|
|
|
|
Were other anapocryphal illustrious sons of the law and children of a
|
|
selected or rejected race mentioned?
|
|
|
|
Felix Bartholdy Mendelssohn (composer), Baruch Spinoza (philosopher),
|
|
Mendoza (pugilist), Ferdinand Lassalle (reformer, duellist).
|
|
|
|
|
|
What fragments of verse from the ancient Hebrew and ancient Irish
|
|
languages were cited with modulations of voice and translation of texts
|
|
by guest to host and by host to guest?
|
|
|
|
By Stephen: _suil, suil, suil arun, suil go siocair agus suil go cuin_
|
|
(walk, walk, walk your way, walk in safety, walk with care).
|
|
|
|
|
|
By Bloom: _Kkifeloch, harimon rakatejch m'baad l'zamatejch_ (thy temple
|
|
amid thy hair is as a slice of pomegranate).
|
|
|
|
|
|
How was a glyphic comparison of the phonic symbols of both languages
|
|
made in substantiation of the oral comparison?
|
|
|
|
By juxtaposition. On the penultimate blank page of a book of inferior
|
|
literary style, entituled _Sweets of Sin_ (produced by Bloom and so
|
|
manipulated that its front cover came in contact with the surface of
|
|
the table) with a pencil (supplied by Stephen) Stephen wrote the Irish
|
|
characters for gee, eh, dee, em, simple and modified, and Bloom in turn
|
|
wrote the Hebrew characters ghimel, aleph, daleth and (in the absence of
|
|
mem) a substituted qoph, explaining their arithmetical values as ordinal
|
|
and cardinal numbers, videlicet 3, 1, 4, and 100.
|
|
|
|
|
|
Was the knowledge possessed by both of each of these languages, the
|
|
extinct and the revived, theoretical or practical?
|
|
|
|
Theoretical, being confined to certain grammatical rules of accidence
|
|
and syntax and practically excluding vocabulary.
|
|
|
|
|
|
What points of contact existed between these languages and between the
|
|
peoples who spoke them?
|
|
|
|
The presence of guttural sounds, diacritic aspirations, epenthetic and
|
|
servile letters in both languages: their antiquity, both having been
|
|
taught on the plain of Shinar 242 years after the deluge in the seminary
|
|
instituted by Fenius Farsaigh, descendant of Noah, progenitor of Israel,
|
|
and ascendant of Heber and Heremon, progenitors of Ireland: their
|
|
archaeological, genealogical, hagiographical, exegetical, homiletic,
|
|
toponomastic, historical and religious literatures comprising the works
|
|
of rabbis and culdees, Torah, Talmud (Mischna and Ghemara), Massor,
|
|
Pentateuch, Book of the Dun Cow, Book of Ballymote, Garland of Howth,
|
|
Book of Kells: their dispersal, persecution, survival and revival: the
|
|
isolation of their synagogical and ecclesiastical rites in ghetto (S.
|
|
Mary's Abbey) and masshouse (Adam and Eve's tavern): the proscription
|
|
of their national costumes in penal laws and jewish dress acts: the
|
|
restoration in Chanah David of Zion and the possibility of Irish
|
|
political autonomy or devolution.
|
|
|
|
|
|
What anthem did Bloom chant partially in anticipation of that multiple,
|
|
ethnically irreducible consummation?
|
|
|
|
_Kolod balejwaw pnimah
|
|
Nefesch, jehudi, homijah._
|
|
|
|
|
|
Why was the chant arrested at the conclusion of this first distich?
|
|
|
|
In consequence of defective mnemotechnic.
|
|
|
|
|
|
How did the chanter compensate for this deficiency?
|
|
|
|
By a periphrastic version of the general text.
|
|
|
|
|
|
In what common study did their mutual reflections merge?
|
|
|
|
The increasing simplification traceable from the Egyptian epigraphic
|
|
hieroglyphs to the Greek and Roman alphabets and the anticipation of
|
|
modern stenography and telegraphic code in the cuneiform inscriptions
|
|
(Semitic) and the virgular quinquecostate ogham writing (Celtic). Did
|
|
the guest comply with his host's request?
|
|
|
|
Doubly, by appending his signature in Irish and Roman characters.
|
|
|
|
What was Stephen's auditive sensation?
|
|
|
|
He heard in a profound ancient male unfamiliar melody the accumulation
|
|
of the past.
|
|
|
|
|
|
What was Bloom's visual sensation?
|
|
|
|
He saw in a quick young male familiar form the predestination of a
|
|
future.
|
|
|
|
|
|
What were Stephen's and Bloom's quasisimultaneous volitional
|
|
quasisensations of concealed identities?
|
|
|
|
Visually, Stephen's: The traditional figure of hypostasis, depicted
|
|
by Johannes Damascenus, Lentulus Romanus and Epiphanius Monachus as
|
|
leucodermic, sesquipedalian with winedark hair. Auditively, Bloom's: The
|
|
traditional accent of the ecstasy of catastrophe.
|
|
|
|
|
|
What future careers had been possible for Bloom in the past and with
|
|
what exemplars?
|
|
|
|
In the church, Roman, Anglican or Nonconformist: exemplars, the very
|
|
reverend John Conmee S. J., the reverend T. Salmon, D. D., provost of
|
|
Trinity college, Dr Alexander J. Dowie. At the bar, English or Irish:
|
|
exemplars, Seymour Bushe, K. C., Rufus Isaacs, K. C. On the stage modern
|
|
or Shakespearean: exemplars, Charles Wyndham, high comedian Osmond
|
|
Tearle (died 1901), exponent of Shakespeare.
|
|
|
|
|
|
Did the host encourage his guest to chant in a modulated voice a strange
|
|
legend on an allied theme?
|
|
|
|
Reassuringly, their place, where none could hear them talk, being
|
|
secluded, reassured, the decocted beverages, allowing for subsolid
|
|
residual sediment of a mechanical mixture, water plus sugar plus cream
|
|
plus cocoa, having been consumed.
|
|
|
|
|
|
Recite the first (major) part of this chanted legend.
|
|
|
|
_Little Harry Hughes and his schoolfellows all
|
|
Went out for to play ball.
|
|
And the very first ball little Harry Hughes played
|
|
He drove it o'er the jew's garden wall.
|
|
And the very second ball little Harry Hughes played
|
|
He broke the jew's windows all._
|
|
|
|
|
|
|
|
How did the son of Rudolph receive this first part?
|
|
|
|
|
|
With unmixed feeling. Smiling, a jew he heard with pleasure and saw the
|
|
unbroken kitchen window.
|
|
|
|
|
|
Recite the second part (minor) of the legend.
|
|
|
|
_Then out there came the jew's daughter
|
|
And she all dressed in green.
|
|
"Come back, come back, you pretty little boy,
|
|
And play your ball again."
|
|
|
|
"I can't come back and I won't come back
|
|
Without my schoolfellows all.
|
|
For if my master he did hear
|
|
He'd make it a sorry ball."
|
|
|
|
She took him by the lilywhite hand
|
|
And led him along the hall
|
|
Until she led him to a room
|
|
Where none could hear him call.
|
|
|
|
She took a penknife out of her pocket
|
|
And cut off his little head.
|
|
And now he'll play his ball no more
|
|
For he lies among the dead._
|
|
|
|
|
|
How did the father of Millicent receive this second part?
|
|
|
|
With mixed feelings. Unsmiling, he heard and saw with wonder a jew's
|
|
daughter, all dressed in green.
|
|
|
|
|
|
Condense Stephen's commentary.
|
|
|
|
One of all, the least of all, is the victim predestined. Once by
|
|
inadvertence twice by design he challenges his destiny. It comes when he
|
|
is abandoned and challenges him reluctant and, as an apparition of hope
|
|
and youth, holds him unresisting. It leads him to a strange habitation,
|
|
to a secret infidel apartment, and there, implacable, immolates him,
|
|
consenting.
|
|
|
|
|
|
Why was the host (victim predestined) sad?
|
|
|
|
He wished that a tale of a deed should be told of a deed not by him
|
|
should by him not be told.
|
|
|
|
|
|
Why was the host (reluctant, unresisting) still?
|
|
|
|
In accordance with the law of the conservation of energy.
|
|
|
|
|
|
Why was the host (secret infidel) silent?
|
|
|
|
He weighed the possible evidences for and against ritual murder: the
|
|
incitations of the hierarchy, the superstition of the populace, the
|
|
propagation of rumour in continued fraction of veridicity, the envy of
|
|
opulence, the influence of retaliation, the sporadic reappearance of
|
|
atavistic delinquency, the mitigating circumstances of fanaticism,
|
|
hypnotic suggestion and somnambulism.
|
|
|
|
|
|
From which (if any) of these mental or physical disorders was he not
|
|
totally immune?
|
|
|
|
From hypnotic suggestion: once, waking, he had not recognised his
|
|
sleeping apartment: more than once, waking, he had been for an
|
|
indefinite time incapable of moving or uttering sounds. From
|
|
somnambulism: once, sleeping, his body had risen, crouched and
|
|
crawled in the direction of a heatless fire and, having attained
|
|
its destination, there, curled, unheated, in night attire had lain,
|
|
sleeping.
|
|
|
|
|
|
Had this latter or any cognate phenomenon declared itself in any member
|
|
of his family?
|
|
|
|
Twice, in Holles street and in Ontario terrace, his daughter Millicent
|
|
(Milly) at the ages of 6 and 8 years had uttered in sleep an exclamation
|
|
of terror and had replied to the interrogations of two figures in night
|
|
attire with a vacant mute expression.
|
|
|
|
|
|
What other infantile memories had he of her?
|
|
|
|
15 June 1889. A querulous newborn female infant crying to cause and
|
|
lessen congestion. A child renamed Padney Socks she shook with shocks
|
|
her moneybox: counted his three free moneypenny buttons, one, tloo,
|
|
tlee: a doll, a boy, a sailor she cast away: blond, born of two dark,
|
|
she had blond ancestry, remote, a violation, Herr Hauptmann Hainau,
|
|
Austrian army, proximate, a hallucination, lieutenant Mulvey, British
|
|
navy.
|
|
|
|
|
|
What endemic characteristics were present?
|
|
|
|
Conversely the nasal and frontal formation was derived in a direct
|
|
line of lineage which, though interrupted, would continue at distant
|
|
intervals to more distant intervals to its most distant intervals.
|
|
|
|
|
|
What memories had he of her adolescence?
|
|
|
|
She relegated her hoop and skippingrope to a recess. On the duke's lawn,
|
|
entreated by an English visitor, she declined to permit him to make and
|
|
take away her photographic image (objection not stated). On the South
|
|
Circular road in the company of Elsa Potter, followed by an individual
|
|
of sinister aspect, she went half way down Stamer street and turned
|
|
abruptly back (reason of change not stated). On the vigil of the 15th
|
|
anniversary of her birth she wrote a letter from Mullingar, county
|
|
Westmeath, making a brief allusion to a local student (faculty and year
|
|
not stated).
|
|
|
|
|
|
Did that first division, portending a second division, afflict him?
|
|
|
|
Less than he had imagined, more than he had hoped.
|
|
|
|
|
|
What second departure was contemporaneously perceived by him similarly,
|
|
if differently?
|
|
|
|
A temporary departure of his cat.
|
|
|
|
|
|
Why similarly, why differently?
|
|
|
|
Similarly, because actuated by a secret purpose the quest of a new male
|
|
|
|
(Mullingar student) or of a healing herb (valerian). Differently,
|
|
because of different possible returns to the inhabitants or to the
|
|
habitation.
|
|
|
|
|
|
In other respects were their differences similar?
|
|
|
|
In passivity, in economy, in the instinct of tradition, in
|
|
unexpectedness.
|
|
|
|
|
|
As?
|
|
|
|
Inasmuch as leaning she sustained her blond hair for him to ribbon it
|
|
for her (cf neckarching cat). Moreover, on the free surface of the lake
|
|
in Stephen's green amid inverted reflections of trees her uncommented
|
|
spit, describing concentric circles of waterrings, indicated by the
|
|
constancy of its permanence the locus of a somnolent prostrate fish (cf
|
|
mousewatching cat).
|
|
|
|
Again, in order to remember the date, combatants, issue and consequences
|
|
of a famous military engagement she pulled a plait of her hair (cf
|
|
earwashing cat). Furthermore, silly Milly, she dreamed of having had
|
|
an unspoken unremembered conversation with a horse whose name had been
|
|
Joseph to whom (which) she had offered a tumblerful of lemonade which
|
|
it (he) had appeared to have accepted (cf hearthdreaming cat). Hence, in
|
|
passivity, in economy, in the instinct of tradition, in unexpectedness,
|
|
their differences were similar.
|
|
|
|
|
|
In what way had he utilised gifts (1) an owl, (2) a clock, given as
|
|
matrimonial auguries, to interest and to instruct her?
|
|
|
|
As object lessons to explain: 1) the nature and habits of oviparous
|
|
animals, the possibility of aerial flight, certain abnormalities of
|
|
vision, the secular process of imbalsamation: 2) the principle of the
|
|
pendulum, exemplified in bob, wheelgear and regulator, the translation
|
|
in terms of human or social regulation of the various positions of
|
|
clockwise moveable indicators on an unmoving dial, the exactitude of the
|
|
recurrence per hour of an instant in each hour when the longer and the
|
|
shorter indicator were at the same angle of inclination, _videlicet_, 5
|
|
5/11 minutes past each hour per hour in arithmetical progression.
|
|
|
|
|
|
In what manners did she reciprocate?
|
|
|
|
She remembered: on the 27th anniversary of his birth she presented to
|
|
him a breakfast moustachecup of imitation Crown Derby porcelain ware.
|
|
She provided: at quarter day or thereabouts if or when purchases
|
|
had been made by him not for her she showed herself attentive to his
|
|
necessities, anticipating his desires. She admired: a natural phenomenon
|
|
having been explained by him to her she expressed the immediate desire
|
|
to possess without gradual acquisition a fraction of his science, the
|
|
moiety, the quarter, a thousandth part.
|
|
|
|
|
|
What proposal did Bloom, diambulist, father of Milly, somnambulist, make
|
|
to Stephen, noctambulist?
|
|
|
|
To pass in repose the hours intervening between Thursday (proper) and
|
|
Friday (normal) on an extemporised cubicle in the apartment immediately
|
|
above the kitchen and immediately adjacent to the sleeping apartment of
|
|
his host and hostess.
|
|
|
|
|
|
What various advantages would or might have resulted from a prolongation
|
|
of such an extemporisation?
|
|
|
|
For the guest: security of domicile and seclusion of study. For the
|
|
host: rejuvenation of intelligence, vicarious satisfaction. For the
|
|
hostess: disintegration of obsession, acquisition of correct Italian
|
|
pronunciation.
|
|
|
|
|
|
Why might these several provisional contingencies between a guest and
|
|
a hostess not necessarily preclude or be precluded by a permanent
|
|
eventuality of reconciliatory union between a schoolfellow and a jew's
|
|
daughter?
|
|
|
|
Because the way to daughter led through mother, the way to mother
|
|
through daughter.
|
|
|
|
|
|
To what inconsequent polysyllabic question of his host did the guest
|
|
return a monosyllabic negative answer?
|
|
|
|
If he had known the late Mrs Emily Sinico, accidentally killed at Sydney
|
|
Parade railway station, 14 October 1903.
|
|
|
|
|
|
What inchoate corollary statement was consequently suppressed by the
|
|
host?
|
|
|
|
A statement explanatory of his absence on the occasion of the interment
|
|
of Mrs Mary Dedalus (born Goulding), 26 June 1903, vigil of the
|
|
anniversary of the decease of Rudolph Bloom (born Virag).
|
|
|
|
|
|
Was the proposal of asylum accepted?
|
|
|
|
Promptly, inexplicably, with amicability, gratefully it was declined.
|
|
What exchange of money took place between host and guest?
|
|
|
|
The former returned to the latter, without interest, a sum of money
|
|
(1-7-0), one pound seven shillings sterling, advanced by the latter to
|
|
the former.
|
|
|
|
|
|
What counterproposals were alternately advanced, accepted, modified,
|
|
declined, restated in other terms, reaccepted, ratified, reconfirmed?
|
|
|
|
To inaugurate a prearranged course of Italian instruction, place
|
|
the residence of the instructed. To inaugurate a course of vocal
|
|
instruction, place the residence of the instructress. To inaugurate
|
|
a series of static semistatic and peripatetic intellectual dialogues,
|
|
places the residence of both speakers (if both speakers were resident in
|
|
the same place), the Ship hotel and tavern, 6 Lower Abbey street (W. and
|
|
E. Connery, proprietors), the National Library of Ireland, 10 Kildare
|
|
street, the National Maternity Hospital, 29, 30 and 31 Holles street, a
|
|
public garden, the vicinity of a place of worship, a conjunction of two
|
|
or more public thoroughfares, the point of bisection of a right line
|
|
drawn between their residences (if both speakers were resident in
|
|
different places).
|
|
|
|
|
|
What rendered problematic for Bloom the realisation of these mutually
|
|
selfexcluding propositions?
|
|
|
|
The irreparability of the past: once at a performance of Albert
|
|
Hengler's circus in the Rotunda, Rutland square, Dublin, an intuitive
|
|
particoloured clown in quest of paternity had penetrated from the ring
|
|
to a place in the auditorium where Bloom, solitary, was seated and had
|
|
publicly declared to an exhilarated audience that he (Bloom) was his
|
|
(the clown's) papa. The imprevidibility of the future: once in the
|
|
summer of 1898 he (Bloom) had marked a florin (2/-) with three notches
|
|
on the milled edge and tendered it m payment of an account due to and
|
|
received by J. and T. Davy, family grocers, 1 Charlemont Mall, Grand
|
|
Canal, for circulation on the waters of civic finance, for possible,
|
|
circuitous or direct, return.
|
|
|
|
|
|
Was the clown Bloom's son?
|
|
|
|
No.
|
|
|
|
|
|
Had Bloom's coin returned?
|
|
|
|
Never.
|
|
|
|
|
|
Why would a recurrent frustration the more depress him?
|
|
|
|
Because at the critical turningpoint of human existence he desired to
|
|
amend many social conditions, the product of inequality and avarice and
|
|
international animosity. He believed then that human life was infinitely
|
|
perfectible, eliminating these conditions?
|
|
|
|
There remained the generic conditions imposed by natural, as distinct
|
|
from human law, as integral parts of the human whole: the necessity of
|
|
destruction to procure alimentary sustenance: the painful character of
|
|
the ultimate functions of separate existence, the agonies of birth and
|
|
death: the monotonous menstruation of simian and (particularly) human
|
|
females extending from the age of puberty to the menopause: inevitable
|
|
accidents at sea, in mines and factories: certain very painful maladies
|
|
and their resultant surgical operations, innate lunacy and congenital
|
|
criminality, decimating epidemics: catastrophic cataclysms which make
|
|
terror the basis of human mentality: seismic upheavals the epicentres
|
|
of which are located in densely populated regions: the fact of vital
|
|
growth, through convulsions of metamorphosis, from infancy through
|
|
maturity to decay.
|
|
|
|
|
|
Why did he desist from speculation?
|
|
|
|
Because it was a task for a superior intelligence to substitute other
|
|
more acceptable phenomena in the place of the less acceptable phenomena
|
|
to be removed.
|
|
|
|
|
|
Did Stephen participate in his dejection?
|
|
|
|
He affirmed his significance as a conscious rational animal proceeding
|
|
syllogistically from the known to the unknown and a conscious rational
|
|
reagent between a micro and a macrocosm ineluctably constructed upon the
|
|
incertitude of the void.
|
|
|
|
|
|
Was this affirmation apprehended by Bloom?
|
|
|
|
Not verbally. Substantially.
|
|
|
|
|
|
What comforted his misapprehension?
|
|
|
|
That as a competent keyless citizen he had proceeded energetically from
|
|
the unknown to the known through the incertitude of the void.
|
|
|
|
|
|
In what order of precedence, with what attendant ceremony was the exodus
|
|
from the house of bondage to the wilderness of inhabitation effected?
|
|
|
|
Lighted Candle in Stick borne by
|
|
|
|
BLOOM
|
|
|
|
Diaconal Hat on Ashplant borne by
|
|
|
|
STEPHEN:
|
|
|
|
|
|
With what intonation secreto of what commemorative psalm?
|
|
|
|
The 113th, _modus peregrinus: In exitu Israel de Egypto: domus Jacob de
|
|
populo barbaro_.
|
|
|
|
|
|
What did each do at the door of egress?
|
|
|
|
Bloom set the candlestick on the floor. Stephen put the hat on his head.
|
|
|
|
|
|
For what creature was the door of egress a door of ingress?
|
|
|
|
For a cat.
|
|
|
|
|
|
What spectacle confronted them when they, first the host, then the
|
|
guest, emerged silently, doubly dark, from obscurity by a passage from
|
|
the rere of the house into the penumbra of the garden?
|
|
|
|
The heaventree of stars hung with humid nightblue fruit.
|
|
|
|
|
|
With what meditations did Bloom accompany his demonstration to his
|
|
companion of various constellations?
|
|
|
|
Meditations of evolution increasingly vaster: of the moon invisible in
|
|
incipient lunation, approaching perigee: of the infinite lattiginous
|
|
scintillating uncondensed milky way, discernible by daylight by an
|
|
observer placed at the lower end of a cylindrical vertical shaft 5000
|
|
ft deep sunk from the surface towards the centre of the earth: of Sirius
|
|
(alpha in Canis Maior) 10 lightyears (57,000,000,000,000 miles) distant
|
|
and in volume 900 times the dimension of our planet: of Arcturus: of the
|
|
precession of equinoxes: of Orion with belt and sextuple sun theta and
|
|
nebula in which 100 of our solar systems could be contained: of moribund
|
|
and of nascent new stars such as Nova in 1901: of our system plunging
|
|
towards the constellation of Hercules: of the parallax or parallactic
|
|
drift of socalled fixed stars, in reality evermoving wanderers from
|
|
immeasurably remote eons to infinitely remote futures in comparison with
|
|
which the years, threescore and ten, of allotted human life formed a
|
|
parenthesis of infinitesimal brevity.
|
|
|
|
|
|
Were there obverse meditations of involution increasingly less vast?
|
|
|
|
Of the eons of geological periods recorded in the stratifications of the
|
|
earth: of the myriad minute entomological organic existences concealed
|
|
in cavities of the earth, beneath removable stones, in hives and mounds,
|
|
of microbes, germs, bacteria, bacilli, spermatozoa: of the incalculable
|
|
trillions of billions of millions of imperceptible molecules contained
|
|
by cohesion of molecular affinity in a single pinhead: of the universe
|
|
of human serum constellated with red and white bodies, themselves
|
|
universes of void space constellated with other bodies, each, in
|
|
continuity, its universe of divisible component bodies of which each was
|
|
again divisible in divisions of redivisible component bodies, dividends
|
|
and divisors ever diminishing without actual division till, if the
|
|
progress were carried far enough, nought nowhere was never reached.
|
|
|
|
|
|
Why did he not elaborate these calculations to a more precise result?
|
|
|
|
Because some years previously in 1886 when occupied with the problem
|
|
of the quadrature of the circle he had learned of the existence of a
|
|
number computed to a relative degree of accuracy to be of such magnitude
|
|
and of so many places, e.g., the 9th power of the 9th power of 9, that,
|
|
the result having been obtained, 33 closely printed volumes of 1000
|
|
pages each of innumerable quires and reams of India paper would have to
|
|
be requisitioned in order to contain the complete tale of its printed
|
|
integers of units, tens, hundreds, thousands, tens of thousands,
|
|
hundreds of thousands, millions, tens of millions, hundreds of millions,
|
|
billions, the nucleus of the nebula of every digit of every series
|
|
containing succinctly the potentiality of being raised to the utmost
|
|
kinetic elaboration of any power of any of its powers.
|
|
|
|
|
|
Did he find the problems of the inhabitability of the planets and their
|
|
satellites by a race, given in species, and of the possible social and
|
|
moral redemption of said race by a redeemer, easier of solution?
|
|
|
|
Of a different order of difficulty. Conscious that the human organism,
|
|
normally capable of sustaining an atmospheric pressure of 19 tons,
|
|
when elevated to a considerable altitude in the terrestrial atmosphere
|
|
suffered with arithmetical progression of intensity, according as
|
|
the line of demarcation between troposphere and stratosphere was
|
|
approximated from nasal hemorrhage, impeded respiration and vertigo,
|
|
when proposing this problem for solution, he had conjectured as a
|
|
working hypothesis which could not be proved impossible that a more
|
|
adaptable and differently anatomically constructed race of beings might
|
|
subsist otherwise under Martian, Mercurial, Veneral, Jovian, Saturnian,
|
|
Neptunian or Uranian sufficient and equivalent conditions, though
|
|
an apogean humanity of beings created in varying forms with finite
|
|
differences resulting similar to the whole and to one another would
|
|
probably there as here remain inalterably and inalienably attached to
|
|
vanities, to vanities of vanities and to all that is vanity.
|
|
|
|
And the problem of possible redemption?
|
|
The minor was proved by the major.
|
|
|
|
|
|
Which various features of the constellations were in turn considered?
|
|
|
|
The various colours significant of various degrees of vitality (white,
|
|
yellow, crimson, vermilion, cinnabar): their degrees of brilliancy:
|
|
their magnitudes revealed up to and including the 7th: their positions:
|
|
the waggoner's star: Walsingham way: the chariot of David: the annular
|
|
cinctures of Saturn: the condensation of spiral nebulae into suns: the
|
|
interdependent gyrations of double suns: the independent synchronous
|
|
discoveries of Galileo, Simon Marius, Piazzi, Le Verrier, Herschel,
|
|
Galle: the systematisations attempted by Bode and Kepler of cubes
|
|
of distances and squares of times of revolution: the almost infinite
|
|
compressibility of hirsute comets and their vast elliptical egressive
|
|
and reentrant orbits from perihelion to aphelion: the sidereal origin of
|
|
meteoric stones: the Libyan floods on Mars about the period of the birth
|
|
of the younger astroscopist: the annual recurrence of meteoric showers
|
|
about the period of the feast of S. Lawrence (martyr, lo August): the
|
|
monthly recurrence known as the new moon with the old moon in her arms:
|
|
the posited influence of celestial on human bodies: the appearance of a
|
|
star (1st magnitude) of exceeding brilliancy dominating by night and
|
|
day (a new luminous sun generated by the collision and amalgamation in
|
|
incandescence of two nonluminous exsuns) about the period of the
|
|
birth of William Shakespeare over delta in the recumbent neversetting
|
|
constellation of Cassiopeia and of a star (2nd magnitude) of similar
|
|
origin but of lesser brilliancy which had appeared in and disappeared
|
|
from the constellation of the Corona Septentrionalis about the period
|
|
of the birth of Leopold Bloom and of other stars of (presumably) similar
|
|
origin which had (effectively or presumably) appeared in and disappeared
|
|
from the constellation of Andromeda about the period of the birth of
|
|
Stephen Dedalus, and in and from the constellation of Auriga some years
|
|
after the birth and death of Rudolph Bloom, junior, and in and from
|
|
other constellations some years before or after the birth or death of
|
|
other persons: the attendant phenomena of eclipses, solar and lunar,
|
|
from immersion to emersion, abatement of wind, transit of shadow,
|
|
taciturnity of winged creatures, emergence of nocturnal or crepuscular
|
|
animals, persistence of infernal light, obscurity of terrestrial waters,
|
|
pallor of human beings.
|
|
|
|
|
|
His (Bloom's) logical conclusion, having weighed the matter and allowing
|
|
for possible error?
|
|
|
|
That it was not a heaventree, not a heavengrot, not a heavenbeast, not
|
|
a heavenman. That it was a Utopia, there being no known method from
|
|
the known to the unknown: an infinity renderable equally finite by the
|
|
suppositious apposition of one or more bodies equally of the same and of
|
|
different magnitudes: a mobility of illusory forms immobilised in space,
|
|
remobilised in air: a past which possibly had ceased to exist as a
|
|
present before its probable spectators had entered actual present
|
|
existence.
|
|
|
|
|
|
Was he more convinced of the esthetic value of the spectacle?
|
|
|
|
Indubitably in consequence of the reiterated examples of poets in the
|
|
delirium of the frenzy of attachment or in the abasement of rejection
|
|
invoking ardent sympathetic constellations or the frigidity of the
|
|
satellite of their planet.
|
|
|
|
|
|
Did he then accept as an article of belief the theory of astrological
|
|
influences upon sublunary disasters?
|
|
|
|
It seemed to him as possible of proof as of confutation and the
|
|
nomenclature employed in its selenographical charts as attributable to
|
|
verifiable intuition as to fallacious analogy: the lake of dreams, the
|
|
sea of rains, the gulf of dews, the ocean of fecundity.
|
|
|
|
|
|
What special affinities appeared to him to exist between the moon and
|
|
woman?
|
|
|
|
Her antiquity in preceding and surviving successive tellurian
|
|
generations: her nocturnal predominance: her satellitic dependence:
|
|
her luminary reflection: her constancy under all her phases, rising
|
|
and setting by her appointed times, waxing and waning: the forced
|
|
invariability of her aspect: her indeterminate response to inaffirmative
|
|
interrogation: her potency over effluent and refluent waters: her power
|
|
to enamour, to mortify, to invest with beauty, to render insane, to
|
|
incite to and aid delinquency: the tranquil inscrutability of her
|
|
visage: the terribility of her isolated dominant implacable resplendent
|
|
propinquity: her omens of tempest and of calm: the stimulation of her
|
|
light, her motion and her presence: the admonition of her craters, her
|
|
arid seas, her silence: her splendour, when visible: her attraction,
|
|
when invisible.
|
|
|
|
|
|
What visible luminous sign attracted Bloom's, who attracted Stephen's,
|
|
gaze?
|
|
|
|
In the second storey (rere) of his (Bloom's) house the light of a
|
|
paraffin oil lamp with oblique shade projected on a screen of roller
|
|
blind supplied by Frank O'Hara, window blind, curtain pole and revolving
|
|
shutter manufacturer, 16 Aungier street.
|
|
|
|
|
|
How did he elucidate the mystery of an invisible attractive person, his
|
|
wife Marion (Molly) Bloom, denoted by a visible splendid sign, a lamp?
|
|
|
|
With indirect and direct verbal allusions or affirmations: with subdued
|
|
affection and admiration: with description: with impediment: with
|
|
suggestion.
|
|
|
|
|
|
Both then were silent?
|
|
|
|
Silent, each contemplating the other in both mirrors of the reciprocal
|
|
flesh of theirhisnothis fellowfaces.
|
|
|
|
|
|
Were they indefinitely inactive?
|
|
|
|
At Stephen's suggestion, at Bloom's instigation both, first Stephen,
|
|
then Bloom, in penumbra urinated, their sides contiguous, their organs
|
|
of micturition reciprocally rendered invisible by manual circumposition,
|
|
their gazes, first Bloom's, then Stephen's, elevated to the projected
|
|
luminous and semiluminous shadow.
|
|
|
|
|
|
Similarly?
|
|
|
|
The trajectories of their, first sequent, then simultaneous, urinations
|
|
were dissimilar: Bloom's longer, less irruent, in the incomplete form of
|
|
the bifurcated penultimate alphabetical letter, who in his ultimate
|
|
year at High School (1880) had been capable of attaining the point
|
|
of greatest altitude against the whole concurrent strength of the
|
|
institution, 210 scholars: Stephen's higher, more sibilant, who in the
|
|
ultimate hours of the previous day had augmented by diuretic consumption
|
|
an insistent vesical pressure.
|
|
|
|
|
|
What different problems presented themselves to each concerning the
|
|
invisible audible collateral organ of the other?
|
|
|
|
To Bloom: the problems of irritability, tumescence, rigidity,
|
|
reactivity, dimension, sanitariness, pilosity.
|
|
|
|
To Stephen: the problem of the sacerdotal integrity of Jesus circumcised
|
|
(I January, holiday of obligation to hear mass and abstain from
|
|
unnecessary servile work) and the problem as to whether the divine
|
|
prepuce, the carnal bridal ring of the holy Roman catholic apostolic
|
|
church, conserved in Calcata, were deserving of simple hyperduly or of
|
|
the fourth degree of latria accorded to the abscission of such divine
|
|
excrescences as hair and toenails.
|
|
|
|
|
|
What celestial sign was by both simultaneously observed?
|
|
|
|
A star precipitated with great apparent velocity across the firmament
|
|
from Vega in the Lyre above the zenith beyond the stargroup of the Tress
|
|
of Berenice towards the zodiacal sign of Leo.
|
|
|
|
|
|
How did the centripetal remainer afford egress to the centrifugal
|
|
departer?
|
|
|
|
By inserting the barrel of an arruginated male key in the hole of an
|
|
unstable female lock, obtaining a purchase on the bow of the key and
|
|
turning its wards from right to left, withdrawing a bolt from its
|
|
staple, pulling inward spasmodically an obsolescent unhinged door and
|
|
revealing an aperture for free egress and free ingress.
|
|
|
|
|
|
How did they take leave, one of the other, in separation?
|
|
|
|
Standing perpendicular at the same door and on different sides of its
|
|
base, the lines of their valedictory arms, meeting at any point and
|
|
forming any angle less than the sum of two right angles.
|
|
|
|
|
|
What sound accompanied the union of their tangent, the disunion of their
|
|
(respectively) centrifugal and centripetal hands?
|
|
|
|
The sound of the peal of the hour of the night by the chime of the bells
|
|
in the church of Saint George.
|
|
|
|
|
|
What echoes of that sound were by both and each heard?
|
|
|
|
By Stephen:
|
|
|
|
_Liliata rutilantium. Turma circumdet. Iubilantium te virginum. Chorus
|
|
excipiat._
|
|
|
|
By Bloom:
|
|
|
|
_Heigho, heigho,
|
|
Heigho, heigho._
|
|
|
|
|
|
Where were the several members of the company which with Bloom that day
|
|
at the bidding of that peal had travelled from Sandymount in the south
|
|
to Glasnevin in the north?
|
|
|
|
Martin Cunningham (in bed), Jack Power (in bed), Simon Dedalus (in bed),
|
|
Ned Lambert (in bed), Tom Kernan (in bed), Joe Hynes (in bed), John
|
|
Henry Menton (in bed), Bernard Corrigan (in bed), Patsy Dignam (in bed),
|
|
Paddy Dignam (in the grave).
|
|
|
|
|
|
Alone, what did Bloom hear?
|
|
|
|
The double reverberation of retreating feet on the heavenborn earth, the
|
|
double vibration of a jew's harp in the resonant lane.
|
|
|
|
|
|
Alone, what did Bloom feel?
|
|
|
|
The cold of interstellar space, thousands of degrees below freezing
|
|
point or the absolute zero of Fahrenheit, Centigrade or Reaumur: the
|
|
incipient intimations of proximate dawn.
|
|
|
|
|
|
Of what did bellchime and handtouch and footstep and lonechill remind
|
|
him?
|
|
|
|
Of companions now in various manners in different places defunct: Percy
|
|
Apjohn (killed in action, Modder River), Philip Gilligan (phthisis,
|
|
Jervis Street hospital), Matthew F. Kane (accidental drowning, Dublin
|
|
Bay), Philip Moisel (pyemia, Heytesbury street), Michael Hart (phthisis,
|
|
Mater Misericordiae hospital), Patrick Dignam (apoplexy, Sandymount).
|
|
|
|
|
|
What prospect of what phenomena inclined him to remain?
|
|
|
|
The disparition of three final stars, the diffusion of daybreak, the
|
|
apparition of a new solar disk.
|
|
|
|
|
|
Had he ever been a spectator of those phenomena?
|
|
|
|
Once, in 1887, after a protracted performance of charades in the house
|
|
of Luke Doyle, Kimmage, he had awaited with patience the apparition
|
|
of the diurnal phenomenon, seated on a wall, his gaze turned in the
|
|
direction of Mizrach, the east.
|
|
|
|
|
|
He remembered the initial paraphenomena?
|
|
|
|
More active air, a matutinal distant cock, ecclesiastical clocks at
|
|
various points, avine music, the isolated tread of an early wayfarer,
|
|
the visible diffusion of the light of an invisible luminous body, the
|
|
first golden limb of the resurgent sun perceptible low on the horizon.
|
|
|
|
|
|
Did he remain?
|
|
|
|
With deep inspiration he returned, retraversing the garden, reentering
|
|
the passage, reclosing the door. With brief suspiration he reassumed the
|
|
candle, reascended the stairs, reapproached the door of the front room,
|
|
hallfloor, and reentered.
|
|
|
|
|
|
What suddenly arrested his ingress?
|
|
|
|
The right temporal lobe of the hollow sphere of his cranium came into
|
|
contact with a solid timber angle where, an infinitesimal but sensible
|
|
fraction of a second later, a painful sensation was located in
|
|
consequence of antecedent sensations transmitted and registered.
|
|
|
|
|
|
Describe the alterations effected in the disposition of the articles of
|
|
furniture.
|
|
|
|
A sofa upholstered in prune plush had been translocated from opposite
|
|
the door to the ingleside near the compactly furled Union Jack (an
|
|
alteration which he had frequently intended to execute): the blue and
|
|
white checker inlaid majolicatopped table had been placed opposite the
|
|
door in the place vacated by the prune plush sofa: the walnut sideboard
|
|
(a projecting angle of which had momentarily arrested his ingress) had
|
|
been moved from its position beside the door to a more advantageous but
|
|
more perilous position in front of the door: two chairs had been moved
|
|
from right and left of the ingleside to the position originally occupied
|
|
by the blue and white checker inlaid majolicatopped table.
|
|
|
|
|
|
Describe them.
|
|
|
|
One: a squat stuffed easychair, with stout arms extended and back
|
|
slanted to the rere, which, repelled in recoil, had then upturned an
|
|
irregular fringe of a rectangular rug and now displayed on its amply
|
|
upholstered seat a centralised diffusing and diminishing discolouration.
|
|
The other: a slender splayfoot chair of glossy cane curves, placed
|
|
directly opposite the former, its frame from top to seat and from seat
|
|
to base being varnished dark brown, its seat being a bright circle of
|
|
white plaited rush.
|
|
|
|
|
|
What significances attached to these two chairs?
|
|
|
|
Significances of similitude, of posture, of symbolism, of circumstantial
|
|
evidence, of testimonial supermanence.
|
|
|
|
|
|
What occupied the position originally occupied by the sideboard?
|
|
|
|
A vertical piano (Cadby) with exposed keyboard, its closed coffin
|
|
supporting a pair of long yellow ladies' gloves and an emerald ashtray
|
|
containing four consumed matches, a partly consumed cigarette and two
|
|
discoloured ends of cigarettes, its musicrest supporting the music in
|
|
the key of G natural for voice and piano of _Love's Old Sweet Song_
|
|
(words by G. Clifton Bingham, composed by J. L. Molloy, sung by Madam
|
|
Antoinette Sterling) open at the last page with the final indications
|
|
_ad libitum, forte_, pedal, _animato_, sustained pedal, _ritirando_,
|
|
close.
|
|
|
|
|
|
With what sensations did Bloom contemplate in rotation these objects?
|
|
|
|
With strain, elevating a candlestick: with pain, feeling on his right
|
|
temple a contused tumescence: with attention, focussing his gaze on
|
|
a large dull passive and a slender bright active: with solicitation,
|
|
bending and downturning the upturned rugfringe: with amusement,
|
|
remembering Dr Malachi Mulligan's scheme of colour containing the
|
|
gradation of green: with pleasure, repeating the words and antecedent
|
|
act and perceiving through various channels of internal sensibility
|
|
the consequent and concomitant tepid pleasant diffusion of gradual
|
|
discolouration.
|
|
|
|
|
|
His next proceeding?
|
|
|
|
From an open box on the majolicatopped table he extracted a black
|
|
diminutive cone, one inch in height, placed it on its circular base on
|
|
a small tin plate, placed his candlestick on the right corner of the
|
|
mantelpiece, produced from his waistcoat a folded page of prospectus
|
|
(illustrated) entitled Agendath Netaim, unfolded the same, examined
|
|
it superficially, rolled it into a thin cylinder, ignited it in the
|
|
candleflame, applied it when ignited to the apex of the cone till the
|
|
latter reached the stage of rutilance, placed the cylinder in the basin
|
|
of the candlestick disposing its unconsumed part in such a manner as to
|
|
facilitate total combustion.
|
|
|
|
|
|
What followed this operation?
|
|
|
|
The truncated conical crater summit of the diminutive volcano emitted a
|
|
vertical and serpentine fume redolent of aromatic oriental incense.
|
|
|
|
|
|
What homothetic objects, other than the candlestick, stood on the
|
|
mantelpiece?
|
|
|
|
A timepiece of striated Connemara marble, stopped at the hour of 4.46
|
|
a.m. on the 21 March 1896, matrimonial gift of Matthew Dillon: a dwarf
|
|
tree of glacial arborescence under a transparent bellshade, matrimonial
|
|
gift of Luke and Caroline Doyle: an embalmed owl, matrimonial gift of
|
|
Alderman John Hooper.
|
|
|
|
|
|
What interchanges of looks took place between these three objects and
|
|
Bloom?
|
|
|
|
In the mirror of the giltbordered pierglass the undecorated back of the
|
|
dwarf tree regarded the upright back of the embalmed owl. Before
|
|
the mirror the matrimonial gift of Alderman John Hooper with a clear
|
|
melancholy wise bright motionless compassionate gaze regarded Bloom
|
|
while Bloom with obscure tranquil profound motionless compassionated
|
|
gaze regarded the matrimonial gift of Luke and Caroline Doyle.
|
|
|
|
|
|
What composite asymmetrical image in the mirror then attracted his
|
|
attention?
|
|
|
|
The image of a solitary (ipsorelative) mutable (aliorelative) man.
|
|
|
|
|
|
Why solitary (ipsorelative)?
|
|
|
|
_Brothers and sisters had he none. Yet that man's father was his
|
|
grandfather's son._
|
|
|
|
|
|
Why mutable (aliorelative)?
|
|
|
|
From infancy to maturity he had resembled his maternal procreatrix.
|
|
From maturity to senility he would increasingly resemble his paternal
|
|
procreator.
|
|
|
|
|
|
What final visual impression was communicated to him by the mirror?
|
|
|
|
The optical reflection of several inverted volumes improperly arranged
|
|
and not in the order of their common letters with scintillating titles
|
|
on the two bookshelves opposite.
|
|
|
|
|
|
Catalogue these books.
|
|
|
|
_Thom's Dublin Post Office Directory, 1886_. Denis Florence M'Carthy's
|
|
_Poetical Works_ (copper beechleaf bookmark at p. 5). Shakespeare's
|
|
_Works_ (dark crimson morocco, goldtooled).
|
|
|
|
_The Useful Ready Reckoner_ (brown cloth).
|
|
|
|
_The Secret History of the Court of Charles II_ (red cloth, tooled
|
|
binding). _The Child's Guide_ (blue cloth).
|
|
|
|
_The Beauties of Killarney_ (wrappers).
|
|
|
|
_When We Were Boys_ by William O'Brien M. P. (green cloth, slightly
|
|
faded, envelope bookmark at p. 217).
|
|
|
|
_Thoughts from Spinoza_ (maroon leather).
|
|
|
|
_The Story of the Heavens_ by Sir Robert Ball (blue cloth). Ellis's
|
|
_Three Trips to Madagascar_ (brown cloth, title obliterated).
|
|
|
|
_The Stark-Munro Letters_ by A. Conan Doyle, property of the City of
|
|
Dublin Public Library, 106 Capel street, lent 21 May (Whitsun Eve) 1904,
|
|
due 4 June 1904, 13 days overdue (black cloth binding, bearing white
|
|
letternumber ticket).
|
|
|
|
_Voyages in China_ by "Viator" (recovered with brown paper, red ink
|
|
title).
|
|
|
|
_Philosophy of the Talmud_ (sewn pamphlet). Lockhart's _Life of
|
|
Napoleon_ (cover wanting, marginal annotations, minimising victories,
|
|
aggrandising defeats of the protagonist).
|
|
|
|
_Soll und Haben_ by Gustav Freytag (black boards, Gothic characters,
|
|
cigarette coupon bookmark at p. 24). Hozier's _History of the
|
|
Russo-Turkish War_ (brown cloth, a volumes, with gummed label, Garrison
|
|
Library, Governor's Parade, Gibraltar, on verso of cover).
|
|
|
|
_Laurence Bloomfield in Ireland_ by William Allingham (second edition,
|
|
green cloth, gilt trefoil design, previous owner's name on recto of
|
|
flyleaf erased).
|
|
|
|
_A Handbook of Astronomy_ (cover, brown leather, detached, S plates,
|
|
antique letterpress long primer, author's footnotes nonpareil, marginal
|
|
clues brevier, captions small pica).
|
|
|
|
_The Hidden Life of Christ_ (black boards).
|
|
|
|
_In the Track of the Sun_ (yellow cloth, titlepage missing, recurrent
|
|
title intestation).
|
|
|
|
_Physical Strength and How to Obtain It_ by Eugen Sandow (red cloth).
|
|
|
|
_Short but yet Plain Elements of Geometry_ written in French by F.
|
|
Ignat. Pardies and rendered into English by John Harris D. D. London,
|
|
printed for R. Knaplock at the Bifhop's Head, MDCCXI, with dedicatory
|
|
epiftle to his worthy friend Charles Cox, efquire, Member of Parliament
|
|
for the burgh of Southwark and having ink calligraphed statement on the
|
|
flyleaf certifying that the book was the property of Michael Gallagher,
|
|
dated this 10th day of May 1822 and requefting the perfon who should
|
|
find it, if the book should be loft or go aftray, to reftore it to
|
|
Michael Gallagher, carpenter, Dufery Gate, Ennifcorthy, county Wicklow,
|
|
the fineft place in the world.
|
|
|
|
|
|
What reflections occupied his mind during the process of reversion of
|
|
the inverted volumes?
|
|
|
|
The necessity of order, a place for everything and everything in its
|
|
place: the deficient appreciation of literature possessed by females:
|
|
the incongruity of an apple incuneated in a tumbler and of an umbrella
|
|
inclined in a closestool: the insecurity of hiding any secret document
|
|
behind, beneath or between the pages of a book.
|
|
|
|
|
|
Which volume was the largest in bulk?
|
|
|
|
Hozier's _History of the Russo-Turkish war._
|
|
|
|
|
|
What among other data did the second volume of the work in question
|
|
contain?
|
|
|
|
The name of a decisive battle (forgotten), frequently remembered by a
|
|
decisive officer, major Brian Cooper Tweedy (remembered).
|
|
|
|
|
|
Why, firstly and secondly, did he not consult the work in question?
|
|
|
|
Firstly, in order to exercise mnemotechnic: secondly, because after an
|
|
interval of amnesia, when, seated at the central table, about to consult
|
|
the work in question, he remembered by mnemotechnic the name of the
|
|
military engagement, Plevna.
|
|
|
|
|
|
What caused him consolation in his sitting posture?
|
|
|
|
The candour, nudity, pose, tranquility, youth, grace, sex, counsel of a
|
|
statue erect in the centre of the table, an image of Narcissus purchased
|
|
by auction from P. A. Wren, 9 Bachelor's Walk.
|
|
|
|
|
|
What caused him irritation in his sitting posture? Inhibitory pressure
|
|
of collar (size 17) and waistcoat (5 buttons), two articles of clothing
|
|
superfluous in the costume of mature males and inelastic to alterations
|
|
of mass by expansion.
|
|
|
|
|
|
How was the irritation allayed?
|
|
|
|
He removed his collar, with contained black necktie and collapsible
|
|
stud, from his neck to a position on the left of the table. He
|
|
unbuttoned successively in reversed direction waistcoat, trousers, shirt
|
|
and vest along the medial line of irregular incrispated black hairs
|
|
extending in triangular convergence from the pelvic basin over the
|
|
circumference of the abdomen and umbilicular fossicle along the medial
|
|
line of nodes to the intersection of the sixth pectoral vertebrae,
|
|
thence produced both ways at right angles and terminating in circles
|
|
described about two equidistant points, right and left, on the summits
|
|
of the mammary prominences. He unbraced successively each of six minus
|
|
one braced trouser buttons, arranged in pairs, of which one incomplete.
|
|
|
|
|
|
What involuntary actions followed?
|
|
|
|
He compressed between 2 fingers the flesh circumjacent to a cicatrice in
|
|
the left infracostal region below the diaphragm resulting from a sting
|
|
inflicted 2 weeks and 3 days previously (23 May 1904) by a bee.
|
|
He scratched imprecisely with his right hand, though insensible of
|
|
prurition, various points and surfaces of his partly exposed, wholly
|
|
abluted skin. He inserted his left hand into the left lower pocket of
|
|
his waistcoat and extracted and replaced a silver coin (I shilling),
|
|
placed there (presumably) on the occasion (17 October 1903) of the
|
|
interment of Mrs Emily Sinico, Sydney Parade.
|
|
|
|
|
|
Compile the budget for 16 June 1904. DEBIT
|
|
|
|
1 Pork Kidney
|
|
1 Copy FREEMAN'S JOURNAL
|
|
1 Bath And Gratification
|
|
Tramfare
|
|
1 In Memoriam Patrick Dignam
|
|
2 Banbury cakes
|
|
1 Lunch
|
|
1 Renewal fee for book
|
|
1 Packet Notepaper and Envelopes
|
|
1 Dinner and Gratification
|
|
1 Postal Order and Stamp
|
|
Tramfare
|
|
1 Pig's Foot
|
|
1 Sheep's Trotter
|
|
1 Cake Fry's Plain Chocolate
|
|
1 Square Soda Bread
|
|
1 Coffee and Bun
|
|
Loan (Stephen Dedalus) refunded
|
|
BALANCE
|
|
|
|
|
|
L. s. d.
|
|
0--0--3
|
|
0--0--1
|
|
0--1--6
|
|
0--0--1
|
|
0--5--0
|
|
0--0--1
|
|
0--0--7
|
|
0--1--0
|
|
0--0--2
|
|
0--2--0
|
|
0--2--8
|
|
0--0--1
|
|
0--0--4
|
|
0--0--3
|
|
0--0--1
|
|
0--0--4
|
|
0--0--4
|
|
1--7--0
|
|
0-17--5
|
|
2-19--3
|
|
CREDIT
|
|
|
|
Cash in hand
|
|
Commission recd. _Freeman's Journal_
|
|
Loan (Stephen Dedalus)
|
|
|
|
|
|
|
|
|
|
|
|
L. s. d.
|
|
0--4--9
|
|
1--7--6
|
|
1--7--0
|
|
|
|
|
|
|
|
|
|
|
|
2-19--3
|
|
|
|
|
|
|
|
|
|
Did the process of divestiture continue?
|
|
|
|
Sensible of a benignant persistent ache in his footsoles he extended
|
|
his foot to one side and observed the creases, protuberances and salient
|
|
points caused by foot pressure in the course of walking repeatedly in
|
|
several different directions, then, inclined, he disnoded the laceknots,
|
|
unhooked and loosened the laces, took off each of his two boots for the
|
|
second time, detached the partially moistened right sock through the
|
|
fore part of which the nail of his great toe had again effracted, raised
|
|
his right foot and, having unhooked a purple elastic sock suspender,
|
|
took off his right sock, placed his unclothed right foot on the margin
|
|
of the seat of his chair, picked at and gently lacerated the protruding
|
|
part of the great toenail, raised the part lacerated to his nostrils and
|
|
inhaled the odour of the quick, then, with satisfaction, threw away the
|
|
lacerated ungual fragment.
|
|
|
|
|
|
Why with satisfaction?
|
|
|
|
Because the odour inhaled corresponded to other odours inhaled of other
|
|
ungual fragments, picked and lacerated by Master Bloom, pupil of Mrs
|
|
Ellis's juvenile school, patiently each night in the act of brief
|
|
genuflection and nocturnal prayer and ambitious meditation.
|
|
|
|
|
|
In what ultimate ambition had all concurrent and consecutive ambitions
|
|
now coalesced?
|
|
|
|
Not to inherit by right of primogeniture, gavelkind or borough English,
|
|
or possess in perpetuity an extensive demesne of a sufficient number of
|
|
acres, roods and perches, statute land measure (valuation 42 pounds), of
|
|
grazing turbary surrounding a baronial hall with gatelodge and carriage
|
|
drive nor, on the other hand, a terracehouse or semidetached villa,
|
|
described as _Rus in Urbe_ or _Qui si sana_, but to purchase by private
|
|
treaty in fee simple a thatched bungalowshaped 2 storey dwellinghouse of
|
|
southerly aspect, surmounted by vane and lightning conductor, connected
|
|
with the earth, with porch covered by parasitic plants (ivy or Virginia
|
|
creeper), halldoor, olive green, with smart carriage finish and neat
|
|
doorbrasses, stucco front with gilt tracery at eaves and gable, rising,
|
|
if possible, upon a gentle eminence with agreeable prospect from balcony
|
|
with stone pillar parapet over unoccupied and unoccupyable interjacent
|
|
pastures and standing in 5 or 6 acres of its own ground, at such
|
|
a distance from the nearest public thoroughfare as to render its
|
|
houselights visible at night above and through a quickset hornbeam hedge
|
|
of topiary cutting, situate at a given point not less than 1 statute
|
|
mile from the periphery of the metropolis, within a time limit of not
|
|
more than 15 minutes from tram or train line (e.g., Dundrum, south, or
|
|
Sutton, north, both localities equally reported by trial to resemble the
|
|
terrestrial poles in being favourable climates for phthisical subjects),
|
|
the premises to be held under feefarm grant, lease 999 years, the
|
|
messuage to consist of 1 drawingroom with baywindow (2 lancets),
|
|
thermometer affixed, 1 sittingroom, 4 bedrooms, 2 servants' rooms, tiled
|
|
kitchen with close range and scullery, lounge hall fitted with linen
|
|
wallpresses, fumed oak sectional bookcase containing the Encyclopaedia
|
|
Britannica and New Century Dictionary, transverse obsolete medieval and
|
|
oriental weapons, dinner gong, alabaster lamp, bowl pendant, vulcanite
|
|
automatic telephone receiver with adjacent directory, handtufted
|
|
Axminster carpet with cream ground and trellis border, loo table with
|
|
pillar and claw legs, hearth with massive firebrasses and ormolu mantel
|
|
chronometer clock, guaranteed timekeeper with cathedral chime, barometer
|
|
with hygrographic chart, comfortable lounge settees and corner fitments,
|
|
upholstered in ruby plush with good springing and sunk centre, three
|
|
banner Japanese screen and cuspidors (club style, rich winecoloured
|
|
leather, gloss renewable with a minimum of labour by use of linseed
|
|
oil and vinegar) and pyramidically prismatic central chandelier lustre,
|
|
bentwood perch with fingertame parrot (expurgated language), embossed
|
|
mural paper at 10/- per dozen with transverse swags of carmine floral
|
|
design and top crown frieze, staircase, three continuous flights at
|
|
successive right angles, of varnished cleargrained oak, treads and
|
|
risers, newel, balusters and handrail, with steppedup panel dado,
|
|
dressed with camphorated wax: bathroom, hot and cold supply, reclining
|
|
and shower: water closet on mezzanine provided with opaque singlepane
|
|
oblong window, tipup seat, bracket lamp, brass tierod and brace,
|
|
armrests, footstool and artistic oleograph on inner face of door:
|
|
ditto, plain: servants' apartments with separate sanitary and hygienic
|
|
necessaries for cook, general and betweenmaid (salary, rising by
|
|
biennial unearned increments of 2 pounds, with comprehensive fidelity
|
|
insurance, annual bonus (1 pound) and retiring allowance (based on
|
|
the 65 system) after 30 years' service), pantry, buttery, larder,
|
|
refrigerator, outoffices, coal and wood cellarage with winebin (still
|
|
and sparkling vintages) for distinguished guests, if entertained to
|
|
dinner (evening dress), carbon monoxide gas supply throughout.
|
|
|
|
|
|
What additional attractions might the grounds contain?
|
|
|
|
As addenda, a tennis and fives court, a shrubbery, a glass summerhouse
|
|
with tropical palms, equipped in the best botanical manner, a rockery
|
|
with waterspray, a beehive arranged on humane principles, oval
|
|
flowerbeds in rectangular grassplots set with eccentric ellipses of
|
|
scarlet and chrome tulips, blue scillas, crocuses, polyanthus, sweet
|
|
William, sweet pea, lily of the valley (bulbs obtainable from sir James
|
|
W. Mackey (Limited) wholesale and retail seed and bulb merchants and
|
|
nurserymen, agents for chemical manures, 23 Sackville street, upper), an
|
|
orchard, kitchen garden and vinery protected against illegal trespassers
|
|
by glasstopped mural enclosures, a lumbershed with padlock for various
|
|
inventoried implements.
|
|
|
|
|
|
As?
|
|
|
|
Eeltraps, lobsterpots, fishingrods, hatchet, steelyard, grindstone,
|
|
clodcrusher, swatheturner, carriagesack, telescope ladder, 10 tooth
|
|
rake, washing clogs, haytedder, tumbling rake, billhook, paintpot,
|
|
brush, hoe and so on.
|
|
|
|
What improvements might be subsequently introduced?
|
|
|
|
A rabbitry and fowlrun, a dovecote, a botanical conservatory, 2 hammocks
|
|
(lady's and gentleman's), a sundial shaded and sheltered by laburnum
|
|
or lilac trees, an exotically harmonically accorded Japanese tinkle
|
|
gatebell affixed to left lateral gatepost, a capacious waterbutt,
|
|
a lawnmower with side delivery and grassbox, a lawnsprinkler with
|
|
hydraulic hose.
|
|
|
|
|
|
What facilities of transit were desirable?
|
|
|
|
When citybound frequent connection by train or tram from their
|
|
respective intermediate station or terminal. When countrybound
|
|
velocipedes, a chainless freewheel roadster cycle with side basketcar
|
|
attached, or draught conveyance, a donkey with wicker trap or smart
|
|
phaeton with good working solidungular cob (roan gelding, 14 h).
|
|
|
|
|
|
What might be the name of this erigible or erected residence?
|
|
|
|
Bloom Cottage. Saint Leopold's. Flowerville.
|
|
|
|
|
|
Could Bloom of 7 Eccles street foresee Bloom of Flowerville?
|
|
|
|
In loose allwool garments with Harris tweed cap, price 8/6, and useful
|
|
garden boots with elastic gussets and wateringcan, planting aligned
|
|
young firtrees, syringing, pruning, staking, sowing hayseed, trundling a
|
|
weedladen wheelbarrow without excessive fatigue at sunset amid the scent
|
|
of newmown hay, ameliorating the soil, multiplying wisdom, achieving
|
|
longevity.
|
|
|
|
|
|
What syllabus of intellectual pursuits was simultaneously possible?
|
|
|
|
Snapshot photography, comparative study of religions, folklore relative
|
|
to various amatory and superstitious practices, contemplation of the
|
|
celestial constellations.
|
|
|
|
|
|
What lighter recreations?
|
|
|
|
Outdoor: garden and fieldwork, cycling on level macadamised causeways
|
|
ascents of moderately high hills, natation in secluded fresh water and
|
|
unmolested river boating in secure wherry or light curricle with kedge
|
|
anchor on reaches free from weirs and rapids (period of estivation),
|
|
vespertinal perambulation or equestrian circumprocession with inspection
|
|
of sterile landscape and contrastingly agreeable cottagers' fires of
|
|
smoking peat turves (period of hibernation). Indoor: discussion in
|
|
tepid security of unsolved historical and criminal problems: lecture of
|
|
unexpurgated exotic erotic masterpieces: house carpentry with toolbox
|
|
containing hammer, awl nails, screws, tintacks, gimlet, tweezers,
|
|
bullnose plane and turnscrew. Might he become a gentleman farmer of
|
|
field produce and live stock?
|
|
|
|
Not impossibly, with 1 or 2 stripper cows, 1 pike of upland hay and
|
|
requisite farming implements, e.g., an end-to-end churn, a turnip pulper
|
|
etc.
|
|
|
|
|
|
What would be his civic functions and social status among the county
|
|
families and landed gentry?
|
|
|
|
Arranged successively in ascending powers of hierarchical order, that
|
|
of gardener, groundsman, cultivator, breeder, and at the zenith of his
|
|
career, resident magistrate or justice of the peace with a family crest
|
|
and coat of arms and appropriate classical motto _(Semper paratus_),
|
|
duly recorded in the court directory (Bloom, Leopold P., M. P., P. C.,
|
|
K. P., L. L. D. (_honoris causa_), Bloomville, Dundrum) and mentioned in
|
|
court and fashionable intelligence (Mr and Mrs Leopold Bloom have left
|
|
Kingstown for England).
|
|
|
|
|
|
What course of action did he outline for himself in such capacity?
|
|
|
|
A course that lay between undue clemency and excessive rigour:
|
|
the dispensation in a heterogeneous society of arbitrary classes,
|
|
incessantly rearranged in terms of greater and lesser social inequality,
|
|
of unbiassed homogeneous indisputable justice, tempered with mitigants
|
|
of the widest possible latitude but exactable to the uttermost farthing
|
|
with confiscation of estate, real and personal, to the crown. Loyal to
|
|
the highest constituted power in the land, actuated by an innate love of
|
|
rectitude his aims would be the strict maintenance of public order,
|
|
the repression of many abuses though not of all simultaneously (every
|
|
measure of reform or retrenchment being a preliminary solution to be
|
|
contained by fluxion in the final solution), the upholding of the letter
|
|
of the law (common, statute and law merchant) against all traversers in
|
|
covin and trespassers acting in contravention of bylaws and regulations,
|
|
all resuscitators (by trespass and petty larceny of kindlings) of
|
|
venville rights, obsolete by desuetude, all orotund instigators
|
|
of international persecution, all perpetuators of international
|
|
animosities, all menial molestors of domestic conviviality, all
|
|
recalcitrant violators of domestic connubiality.
|
|
|
|
|
|
Prove that he had loved rectitude from his earliest youth.
|
|
|
|
To Master Percy Apjohn at High School in 1880 he had divulged his
|
|
disbelief in the tenets of the Irish (protestant) church (to which his
|
|
father Rudolf Virag (later Rudolph Bloom) had been converted from the
|
|
Israelitic faith and communion in 1865 by the Society for promoting
|
|
Christianity among the jews) subsequently abjured by him in favour of
|
|
Roman catholicism at the epoch of and with a view to his matrimony
|
|
in 1888. To Daniel Magrane and Francis Wade in 1882 during a juvenile
|
|
friendship (terminated by the premature emigration of the former) he
|
|
had advocated during nocturnal perambulations the political theory of
|
|
colonial (e.g. Canadian) expansion and the evolutionary theories of
|
|
Charles Darwin, expounded in _The Descent of Man_ and _The Origin
|
|
of Species_. In 1885 he had publicly expressed his adherence to the
|
|
collective and national economic programme advocated by James Fintan
|
|
Lalor, John Fisher Murray, John Mitchel, J. F. X. O'Brien and others,
|
|
the agrarian policy of Michael Davitt, the constitutional agitation of
|
|
Charles Stewart Parnell (M. P. for Cork City), the programme of
|
|
peace, retrenchment and reform of William Ewart Gladstone (M. P. for
|
|
Midlothian, N. B.) and, in support of his political convictions, had
|
|
climbed up into a secure position amid the ramifications of a tree
|
|
on Northumberland road to see the entrance (2 February 1888) into the
|
|
capital of a demonstrative torchlight procession of 20,000 torchbearers,
|
|
divided into 120 trade corporations, bearing 2000 torches in escort of
|
|
the marquess of Ripon and (honest) John Morley.
|
|
|
|
|
|
How much and how did he propose to pay for this country residence?
|
|
|
|
As per prospectus of the Industrious Foreign Acclimatised Nationalised
|
|
Friendly Stateaided Building Society (incorporated 1874), a maximum
|
|
of 60 pounds per annum, being 1/6 of an assured income, derived from
|
|
giltedged securities, representing at 5 % simple interest on capital of
|
|
1200 pounds (estimate of price at 20 years' purchase), of which to be
|
|
paid on acquisition and the balance in the form of annual rent, viz. 800
|
|
pounds plus 2 1/2 % interest on the same, repayable quarterly in equal
|
|
annual instalments until extinction by amortisation of loan advanced for
|
|
purchase within a period of 20 years, amounting to an annual rental of
|
|
64 pounds, headrent included, the titledeeds to remain in possession
|
|
of the lender or lenders with a saving clause envisaging forced sale,
|
|
foreclosure and mutual compensation in the event of protracted failure
|
|
to pay the terms assigned, otherwise the messuage to become the absolute
|
|
property of the tenant occupier upon expiry of the period of years
|
|
stipulated.
|
|
|
|
|
|
What rapid but insecure means to opulence might facilitate immediate
|
|
purchase?
|
|
|
|
A private wireless telegraph which would transmit by dot and dash system
|
|
the result of a national equine handicap (flat or steeplechase) of I or
|
|
more miles and furlongs won by an outsider at odds of 50 to 1 at 3 hr
|
|
8 m p.m. at Ascot (Greenwich time), the message being received and
|
|
available for betting purposes in Dublin at 2.59 p.m. (Dunsink time).
|
|
The unexpected discovery of an object of great monetary value (precious
|
|
stone, valuable adhesive or impressed postage stamps (7 schilling,
|
|
mauve, imperforate, Hamburg, 1866: 4 pence, rose, blue paper, perforate,
|
|
Great Britain, 1855: 1 franc, stone, official, rouletted, diagonal
|
|
surcharge, Luxemburg, 1878), antique dynastical ring, unique relic) in
|
|
unusual repositories or by unusual means: from the air (dropped by an
|
|
eagle in flight), by fire (amid the carbonised remains of an incendiated
|
|
edifice), in the sea (amid flotsam, jetsam, lagan and derelict), on
|
|
earth (in the gizzard of a comestible fowl). A Spanish prisoner's
|
|
donation of a distant treasure of valuables or specie or bullion lodged
|
|
with a solvent banking corporation loo years previously at 5% compound
|
|
interest of the collective worth of 5,000,000 pounds stg (five million
|
|
pounds sterling). A contract with an inconsiderate contractee for the
|
|
delivery of 32 consignments of some given commodity in consideration of
|
|
cash payment on delivery per delivery at the initial rate of 1/4d to be
|
|
increased constantly in the geometrical progression of 2 (1/4d, 1/2d,
|
|
1d, 2d, 4d, 8d, 1s 4d, 2s 8d to 32 terms). A prepared scheme
|
|
based on a study of the laws of probability to break the bank at Monte
|
|
Carlo. A solution of the secular problem of the quadrature of the
|
|
circle, government premium 1,000,000 pounds sterling.
|
|
|
|
|
|
Was vast wealth acquirable through industrial channels?
|
|
|
|
The reclamation of dunams of waste arenary soil, proposed in the
|
|
prospectus of Agendath Netaim, Bleibtreustrasse, Berlin, W. 15, by the
|
|
cultivation of orange plantations and melonfields and reafforestation.
|
|
The utilisation of waste paper, fells of sewer rodents, human excrement
|
|
possessing chemical properties, in view of the vast production of the
|
|
first, vast number of the second and immense quantity of the third,
|
|
every normal human being of average vitality and appetite producing
|
|
annually, cancelling byproducts of water, a sum total of 80 lbs. (mixed
|
|
animal and vegetable diet), to be multiplied by 4,386,035, the total
|
|
population of Ireland according to census returns of 1901.
|
|
|
|
|
|
Were there schemes of wider scope?
|
|
|
|
A scheme to be formulated and submitted for approval to the harbour
|
|
commissioners for the exploitation of white coal (hydraulic power),
|
|
obtained by hydroelectric plant at peak of tide at Dublin bar or at
|
|
head of water at Poulaphouca or Powerscourt or catchment basins of main
|
|
streams for the economic production of 500,000 W. H. P. of electricity.
|
|
A scheme to enclose the peninsular delta of the North Bull at Dollymount
|
|
and erect on the space of the foreland, used for golf links and rifle
|
|
ranges, an asphalted esplanade with casinos, booths, shooting galleries,
|
|
hotels, boardinghouses, readingrooms, establishments for mixed bathing.
|
|
A scheme for the use of dogvans and goatvans for the delivery of early
|
|
morning milk. A scheme for the development of Irish tourist traffic in
|
|
and around Dublin by means of petrolpropelled riverboats, plying in the
|
|
fluvial fairway between Island bridge and Ringsend, charabancs, narrow
|
|
gauge local railways, and pleasure steamers for coastwise navigation
|
|
(10/- per person per day, guide (trilingual) included). A scheme for
|
|
the repristination of passenger and goods traffics over Irish waterways,
|
|
when freed from weedbeds. A scheme to connect by tramline the Cattle
|
|
Market (North Circular road and Prussia street) with the quays (Sheriff
|
|
street, lower, and East Wall), parallel with the Link line railway
|
|
laid (in conjunction with the Great Southern and Western railway line)
|
|
between the cattle park, Liffey junction, and terminus of Midland Great
|
|
Western Railway 43 to 45 North
|
|
|
|
Wall, in proximity to the terminal stations or Dublin branches of Great
|
|
Central Railway, Midland Railway of England, City of Dublin Steam Packet
|
|
Company, Lancashire and Yorkshire Railway Company, Dublin and Glasgow
|
|
Steam Packet Company, Glasgow, Dublin and Londonderry Steam Packet
|
|
Company (Laird line), British and Irish Steam Packet Company, Dublin
|
|
and Morecambe Steamers, London and North Western Railway Company, Dublin
|
|
Port and Docks Board Landing Sheds and transit sheds of Palgrave, Murphy
|
|
and Company, steamship owners, agents for steamers from Mediterranean,
|
|
Spain, Portugal, France, Belgium and Holland and for Liverpool
|
|
Underwriters' Association, the cost of acquired rolling stock for
|
|
animal transport and of additional mileage operated by the Dublin United
|
|
Tramways Company, limited, to be covered by graziers' fees.
|
|
|
|
|
|
Positing what protasis would the contraction for such several schemes
|
|
become a natural and necessary apodosis?
|
|
|
|
Given a guarantee equal to the sum sought, the support, by deed of
|
|
gift and transfer vouchers during donor's lifetime or by bequest
|
|
after donor's painless extinction, of eminent financiers (Blum Pasha,
|
|
Rothschild Guggenheim, Hirsch, Montefiore, Morgan, Rockefeller)
|
|
possessing fortunes in 6 figures, amassed during a successful life, and
|
|
joining capital with opportunity the thing required was done.
|
|
|
|
|
|
What eventuality would render him independent of such wealth?
|
|
|
|
The independent discovery of a goldseam of inexhaustible ore.
|
|
|
|
|
|
For what reason did he meditate on schemes so difficult of realisation?
|
|
|
|
It was one of his axioms that similar meditations or the automatic
|
|
relation to himself of a narrative concerning himself or tranquil
|
|
recollection of the past when practised habitually before retiring for
|
|
the night alleviated fatigue and produced as a result sound repose and
|
|
renovated vitality.
|
|
|
|
|
|
His justifications?
|
|
|
|
As a physicist he had learned that of the 70 years of complete human
|
|
life at least 2/7, viz. 20 years are passed in sleep. As a philosopher
|
|
he knew that at the termination of any allotted life only an
|
|
infinitesimal part of any person's desires has been realised. As a
|
|
physiologist he believed in the artificial placation of malignant
|
|
agencies chiefly operative during somnolence.
|
|
|
|
|
|
What did he fear?
|
|
|
|
The committal of homicide or suicide during sleep by an aberration
|
|
of the light of reason, the incommensurable categorical intelligence
|
|
situated in the cerebral convolutions.
|
|
|
|
|
|
What were habitually his final meditations?
|
|
|
|
Of some one sole unique advertisement to cause passers to stop in
|
|
wonder, a poster novelty, with all extraneous accretions excluded,
|
|
reduced to its simplest and most efficient terms not exceeding the span
|
|
of casual vision and congruous with the velocity of modern life.
|
|
|
|
|
|
What did the first drawer unlocked contain?
|
|
|
|
A Vere Foster's handwriting copybook, property of Milly (Millicent)
|
|
Bloom, certain pages of which bore diagram drawings, marked _Papli_,
|
|
which showed a large globular head with 5 hairs erect, 2 eyes in
|
|
profile, the trunk full front with 3 large buttons, 1 triangular foot: 2
|
|
fading photographs of queen Alexandra of England and of Maud Branscombe,
|
|
actress and professional beauty: a Yuletide card, bearing on it a
|
|
pictorial representation of a parasitic plant, the legend _Mizpah_, the
|
|
date Xmas 1892, the name of the senders: from Mr + Mrs M. Comerford, the
|
|
versicle: _May this Yuletide bring to thee, Joy and peace and welcome
|
|
glee_: a butt of red partly liquefied sealing wax, obtained from the
|
|
stores department of Messrs Hely's, Ltd., 89, 90, and 91 Dame street:
|
|
a box containing the remainder of a gross of gilt "J" pennibs, obtained
|
|
from same department of same firm: an old sandglass which rolled
|
|
containing sand which rolled: a sealed prophecy (never unsealed) written
|
|
by Leopold Bloom in 1886 concerning the consequences of the passing into
|
|
law of William Ewart Gladstone's Home Rule bill of 1886 (never passed
|
|
into law): a bazaar ticket, no 2004, of S. Kevin's Charity Fair, price
|
|
6d, 100 prizes: an infantile epistle, dated, small em monday, reading:
|
|
capital pee Papli comma capital aitch How are you note of interrogation
|
|
capital eye I am very well full stop new paragraph signature with
|
|
flourishes capital em Milly no stop: a cameo brooch, property of Ellen
|
|
Bloom (born Higgins), deceased: a cameo scarfpin, property of Rudolph
|
|
Bloom (born Virag), deceased: 3 typewritten letters, addressee, Henry
|
|
Flower, c/o. P. O. Westland Row, addresser, Martha Clifford, c/o. P. O.
|
|
Dolphin's Barn: the transliterated name and address of the addresser
|
|
of the 3 letters in reversed alphabetic boustrophedonic punctated
|
|
quadrilinear cryptogram (vowels suppressed) N. IGS./WI. UU. OX/W. OKS.
|
|
MH/Y. IM: a press cutting from an English weekly periodical _Modern
|
|
Society_, subject corporal chastisement in girls' schools: a pink ribbon
|
|
which had festooned an Easter egg in the year 1899: two partly uncoiled
|
|
rubber preservatives with reserve pockets, purchased by post from Box
|
|
32, P. O., Charing Cross, London, W. C.: 1 pack of 1 dozen creamlaid
|
|
envelopes and feintruled notepaper, watermarked, now reduced by 3: some
|
|
assorted Austrian-Hungarian coins: 2 coupons of the Royal and Privileged
|
|
Hungarian Lottery: a lowpower magnifying glass: 2 erotic photocards
|
|
showing a) buccal coition between nude senorita (rere presentation,
|
|
superior position) and nude torero (fore presentation, inferior
|
|
position) b) anal violation by male religious (fully clothed, eyes
|
|
abject) of female religious (partly clothed, eyes direct), purchased by
|
|
post from Box 32, P. O., Charing Cross, London, W. C.: a press cutting
|
|
of recipe for renovation of old tan boots: a Id adhesive stamp,
|
|
lavender, of the reign of Queen Victoria: a chart of the measurements
|
|
of Leopold Bloom compiled before, during and after 2 months' consecutive
|
|
use of Sandow-Whiteley's pulley exerciser (men's 15/-, athlete's 20/-)
|
|
viz. chest 28 in and 29 1/2 in, biceps 9 in and 10 in, forearm 8 1/2 in
|
|
and 9 in, thigh 10 in and 12 in, calf 11 in and 12 in: 1 prospectus of
|
|
The Wonderworker, the world's greatest remedy for rectal complaints,
|
|
direct from Wonderworker, Coventry House, South Place, London E C,
|
|
addressed (erroneously) to Mrs L. Bloom with brief accompanying note
|
|
commencing (erroneously): Dear Madam.
|
|
|
|
|
|
Quote the textual terms in which the prospectus claimed advantages for
|
|
this thaumaturgic remedy.
|
|
|
|
It heals and soothes while you sleep, in case of trouble in breaking
|
|
wind, assists nature in the most formidable way, insuring instant relief
|
|
in discharge of gases, keeping parts clean and free natural action, an
|
|
initial outlay of 7/6 making a new man of you and life worth living.
|
|
Ladies find Wonderworker especially useful, a pleasant surprise when
|
|
they note delightful result like a cool drink of fresh spring water on
|
|
a sultry summer's day. Recommend it to your lady and gentlemen friends,
|
|
lasts a lifetime. Insert long round end. Wonderworker.
|
|
|
|
|
|
Were there testimonials?
|
|
|
|
Numerous. From clergyman, British naval officer, wellknown author, city
|
|
man, hospital nurse, lady, mother of five, absentminded beggar.
|
|
|
|
|
|
How did absentminded beggar's concluding testimonial conclude?
|
|
|
|
What a pity the government did not supply our men with wonderworkers
|
|
during the South African campaign! What a relief it would have been!
|
|
|
|
|
|
What object did Bloom add to this collection of objects?
|
|
|
|
A 4th typewritten letter received by Henry Flower (let H. F. be L. B.)
|
|
from Martha Clifford (find M. C.).
|
|
|
|
|
|
What pleasant reflection accompanied this action?
|
|
|
|
The reflection that, apart from the letter in question, his magnetic
|
|
face, form and address had been favourably received during the course of
|
|
the preceding day by a wife (Mrs Josephine Breen, born Josie Powell),
|
|
a nurse, Miss Callan (Christian name unknown), a maid, Gertrude (Gerty,
|
|
family name unknown).
|
|
|
|
|
|
What possibility suggested itself?
|
|
|
|
The possibility of exercising virile power of fascination in the not
|
|
immediate future after an expensive repast in a private apartment in
|
|
the company of an elegant courtesan, of corporal beauty, moderately
|
|
mercenary, variously instructed, a lady by origin.
|
|
|
|
|
|
What did the 2nd drawer contain?
|
|
|
|
Documents: the birth certificate of Leopold Paula Bloom: an endowment
|
|
assurance policy of 500 pounds in the Scottish Widows' Assurance
|
|
Society, intestated Millicent (Milly) Bloom, coming into force at 25
|
|
years as with profit policy of 430 pounds, 462/10/0 and 500 pounds at
|
|
60 years or death, 65 years or death and death, respectively, or
|
|
with profit policy (paidup) of 299/10/0 together with cash payment of
|
|
133/10/0, at option: a bank passbook issued by the Ulster Bank, College
|
|
Green branch showing statement of a/c for halfyear ending 31 December
|
|
1903, balance in depositor's favour: 18/14/6 (eighteen pounds, fourteen
|
|
shillings and sixpence, sterling), net personalty: certificate of
|
|
possession of 900 pounds, Canadian 4 percent (inscribed) government
|
|
stock (free of stamp duty): dockets of the Catholic Cemeteries'
|
|
(Glasnevin) Committee, relative to a graveplot purchased: a local press
|
|
cutting concerning change of name by deedpoll.
|
|
|
|
|
|
Quote the textual terms of this notice.
|
|
|
|
I, Rudolph Virag, now resident at no 52 Clanbrassil street, Dublin,
|
|
formerly of Szombathely in the kingdom of Hungary, hereby give notice
|
|
that I have assumed and intend henceforth upon all occasions and at all
|
|
times to be known by the name of Rudolph Bloom.
|
|
|
|
|
|
What other objects relative to Rudolph Bloom (born Virag) were in the
|
|
2nd drawer?
|
|
|
|
An indistinct daguerreotype of Rudolf Virag and his father Leopold
|
|
Virag executed in the year 1852 in the portrait atelier of their
|
|
(respectively) 1st and 2nd cousin, Stefan Virag of Szesfehervar,
|
|
Hungary. An ancient haggadah book in which a pair of hornrimmed convex
|
|
spectacles inserted marked the passage of thanksgiving in the ritual
|
|
prayers for Pessach (Passover): a photocard of the Queen's Hotel,
|
|
Ennis, proprietor, Rudolph Bloom: an envelope addressed: _To My Dear Son
|
|
Leopold_.
|
|
|
|
|
|
What fractions of phrases did the lecture of those five whole words
|
|
evoke?
|
|
|
|
Tomorrow will be a week that I received... it is no use Leopold to be
|
|
... with your dear mother... that is not more to stand... to her...
|
|
all for me is out... be kind to Athos, Leopold... my dear son...
|
|
always... of me... _das Herz... Gott... dein_...
|
|
|
|
|
|
What reminiscences of a human subject suffering from progressive
|
|
melancholia did these objects evoke in Bloom?
|
|
|
|
An old man, widower, unkempt of hair, in bed, with head covered,
|
|
sighing: an infirm dog, Athos: aconite, resorted to by increasing doses
|
|
of grains and scruples as a palliative of recrudescent neuralgia: the
|
|
face in death of a septuagenarian, suicide by poison.
|
|
|
|
|
|
Why did Bloom experience a sentiment of remorse?
|
|
|
|
Because in immature impatience he had treated with disrespect certain
|
|
beliefs and practices.
|
|
|
|
|
|
As?
|
|
|
|
The prohibition of the use of fleshmeat and milk at one meal: the
|
|
hebdomadary symposium of incoordinately abstract, perfervidly concrete
|
|
mercantile coexreligionist excompatriots: the circumcision of
|
|
male infants: the supernatural character of Judaic scripture: the
|
|
ineffability of the tetragrammaton: the sanctity of the sabbath.
|
|
|
|
|
|
How did these beliefs and practices now appear to him?
|
|
|
|
Not more rational than they had then appeared, not less rational than
|
|
other beliefs and practices now appeared.
|
|
|
|
|
|
What first reminiscence had he of Rudolph Bloom (deceased)?
|
|
|
|
Rudolph Bloom (deceased) narrated to his son Leopold Bloom (aged 6) a
|
|
retrospective arrangement of migrations and settlements in and between
|
|
Dublin, London, Florence, Milan, Vienna, Budapest, Szombathely with
|
|
statements of satisfaction (his grandfather having seen Maria Theresia,
|
|
empress of Austria, queen of Hungary), with commercial advice (having
|
|
taken care of pence, the pounds having taken care of themselves).
|
|
Leopold Bloom (aged 6) had accompanied these narrations by constant
|
|
consultation of a geographical map of Europe (political) and by
|
|
suggestions for the establishment of affiliated business premises in the
|
|
various centres mentioned.
|
|
|
|
|
|
Had time equally but differently obliterated the memory of these
|
|
migrations in narrator and listener?
|
|
|
|
In narrator by the access of years and in consequence of the use of
|
|
narcotic toxin: in listener by the access of years and in consequence of
|
|
the action of distraction upon vicarious experiences.
|
|
|
|
|
|
What idiosyncracies of the narrator were concomitant products of
|
|
amnesia?
|
|
|
|
Occasionally he ate without having previously removed his hat.
|
|
Occasionally he drank voraciously the juice of gooseberry fool from an
|
|
inclined plate. Occasionally he removed from his lips the traces of food
|
|
by means of a lacerated envelope or other accessible fragment of paper.
|
|
|
|
|
|
What two phenomena of senescence were more frequent?
|
|
|
|
The myopic digital calculation of coins, eructation consequent upon
|
|
repletion.
|
|
|
|
|
|
What object offered partial consolation for these reminiscences?
|
|
|
|
The endowment policy, the bank passbook, the certificate of the
|
|
possession of scrip.
|
|
|
|
|
|
Reduce Bloom by cross multiplication of reverses of fortune, from which
|
|
these supports protected him, and by elimination of all positive values
|
|
to a negligible negative irrational unreal quantity.
|
|
|
|
Successively, in descending helotic order: Poverty: that of the outdoor
|
|
hawker of imitation jewellery, the dun for the recovery of bad and
|
|
doubtful debts, the poor rate and deputy cess collector. Mendicancy:
|
|
that of the fraudulent bankrupt with negligible assets paying 1s. 4d.
|
|
in the pound, sandwichman, distributor of throwaways, nocturnal vagrant,
|
|
insinuating sycophant, maimed sailor, blind stripling, superannuated
|
|
bailiffs man, marfeast, lickplate, spoilsport, pickthank, eccentric
|
|
public laughingstock seated on bench of public park under discarded
|
|
perforated umbrella. Destitution: the inmate of Old Man's House (Royal
|
|
Hospital) Kilmainham, the inmate of Simpson's Hospital for reduced but
|
|
respectable men permanently disabled by gout or want of sight. Nadir of
|
|
misery: the aged impotent disfranchised ratesupported moribund lunatic
|
|
pauper.
|
|
|
|
|
|
With which attendant indignities?
|
|
|
|
The unsympathetic indifference of previously amiable females, the
|
|
contempt of muscular males, the acceptance of fragments of bread,
|
|
the simulated ignorance of casual acquaintances, the latration of
|
|
illegitimate unlicensed vagabond dogs, the infantile discharge of
|
|
decomposed vegetable missiles, worth little or nothing, nothing or less
|
|
than nothing.
|
|
|
|
|
|
By what could such a situation be precluded?
|
|
|
|
By decease (change of state): by departure (change of place).
|
|
|
|
|
|
Which preferably?
|
|
|
|
The latter, by the line of least resistance.
|
|
|
|
|
|
What considerations rendered departure not entirely undesirable?
|
|
|
|
Constant cohabitation impeding mutual toleration of personal defects.
|
|
The habit of independent purchase increasingly cultivated. The necessity
|
|
to counteract by impermanent sojourn the permanence of arrest.
|
|
|
|
|
|
What considerations rendered departure not irrational?
|
|
|
|
The parties concerned, uniting, had increased and multiplied, which
|
|
being done, offspring produced and educed to maturity, the parties, if
|
|
not disunited were obliged to reunite for increase and multiplication,
|
|
which was absurd, to form by reunion the original couple of uniting
|
|
parties, which was impossible.
|
|
|
|
|
|
What considerations rendered departure desirable?
|
|
|
|
The attractive character of certain localities in Ireland and abroad,
|
|
as represented in general geographical maps of polychrome design or
|
|
in special ordnance survey charts by employment of scale numerals and
|
|
hachures.
|
|
|
|
|
|
In Ireland?
|
|
|
|
The cliffs of Moher, the windy wilds of Connemara, lough Neagh with
|
|
submerged petrified city, the Giant's Causeway, Fort Camden and Fort
|
|
Carlisle, the Golden Vale of Tipperary, the islands of Aran, the
|
|
pastures of royal Meath, Brigid's elm in Kildare, the Queen's Island
|
|
shipyard in Belfast, the Salmon Leap, the lakes of Killarney.
|
|
|
|
|
|
Abroad?
|
|
|
|
Ceylon (with spicegardens supplying tea to Thomas Kernan, agent for
|
|
Pulbrook, Robertson and Co, 2 Mincing Lane, London, E. C., 5 Dame
|
|
street, Dublin), Jerusalem, the holy city (with mosque of Omar and gate
|
|
of Damascus, goal of aspiration), the straits of Gibraltar (the unique
|
|
birthplace of Marion Tweedy), the Parthenon (containing statues of nude
|
|
Grecian divinities), the Wall street money market (which controlled
|
|
international finance), the Plaza de Toros at La Linea, Spain (where
|
|
O'Hara of the Camerons had slain the bull), Niagara (over which no human
|
|
being had passed with impunity), the land of the Eskimos (eaters
|
|
of soap), the forbidden country of Thibet (from which no traveller
|
|
returns), the bay of Naples (to see which was to die), the Dead Sea.
|
|
|
|
|
|
Under what guidance, following what signs?
|
|
|
|
At sea, septentrional, by night the polestar, located at the point of
|
|
intersection of the right line from beta to alpha in Ursa Maior produced
|
|
and divided externally at omega and the hypotenuse of the rightangled
|
|
triangle formed by the line alpha omega so produced and the line alpha
|
|
delta of Ursa Maior. On land, meridional, a bispherical moon, revealed
|
|
in imperfect varying phases of lunation through the posterior interstice
|
|
of the imperfectly occluded skirt of a carnose negligent perambulating
|
|
female, a pillar of the cloud by day.
|
|
|
|
|
|
What public advertisement would divulge the occultation of the departed?
|
|
|
|
5 pounds reward, lost, stolen or strayed from his residence 7 Eccles
|
|
street, missing gent about 40, answering to the name of Bloom, Leopold
|
|
(Poldy), height 5 ft 9 1/2 inches, full build, olive complexion, may
|
|
have since grown a beard, when last seen was wearing a black suit. Above
|
|
sum will be paid for information leading to his discovery.
|
|
|
|
|
|
What universal binomial denominations would be his as entity and
|
|
nonentity?
|
|
|
|
Assumed by any or known to none. Everyman or Noman.
|
|
|
|
|
|
What tributes his?
|
|
|
|
Honour and gifts of strangers, the friends of Everyman. A nymph
|
|
immortal, beauty, the bride of Noman.
|
|
|
|
|
|
Would the departed never nowhere nohow reappear?
|
|
|
|
Ever he would wander, selfcompelled, to the extreme limit of his
|
|
cometary orbit, beyond the fixed stars and variable suns and telescopic
|
|
planets, astronomical waifs and strays, to the extreme boundary of
|
|
space, passing from land to land, among peoples, amid events. Somewhere
|
|
imperceptibly he would hear and somehow reluctantly, suncompelled, obey
|
|
the summons of recall. Whence, disappearing from the constellation of
|
|
the Northern Crown he would somehow reappear reborn above delta in the
|
|
constellation of Cassiopeia and after incalculable eons of peregrination
|
|
return an estranged avenger, a wreaker of justice on malefactors, a dark
|
|
crusader, a sleeper awakened, with financial resources (by supposition)
|
|
surpassing those of Rothschild or the silver king.
|
|
|
|
|
|
What would render such return irrational?
|
|
|
|
An unsatisfactory equation between an exodus and return in time through
|
|
reversible space and an exodus and return in space through irreversible
|
|
time.
|
|
|
|
|
|
What play of forces, inducing inertia, rendered departure undesirable?
|
|
|
|
The lateness of the hour, rendering procrastinatory: the obscurity
|
|
of the night, rendering invisible: the uncertainty of thoroughfares,
|
|
rendering perilous: the necessity for repose, obviating movement: the
|
|
proximity of an occupied bed, obviating research: the anticipation of
|
|
warmth (human) tempered with coolness (linen), obviating desire and
|
|
rendering desirable: the statue of Narcissus, sound without echo,
|
|
desired desire.
|
|
|
|
|
|
What advantages were possessed by an occupied, as distinct from an
|
|
unoccupied bed?
|
|
|
|
The removal of nocturnal solitude, the superior quality of human
|
|
(mature female) to inhuman (hotwaterjar) calefaction, the stimulation of
|
|
matutinal contact, the economy of mangling done on the premises in the
|
|
case of trousers accurately folded and placed lengthwise between the
|
|
spring mattress (striped) and the woollen mattress (biscuit section).
|
|
|
|
|
|
What past consecutive causes, before rising preapprehended, of
|
|
accumulated fatigue did Bloom, before rising, silently recapitulate?
|
|
|
|
The preparation of breakfast (burnt offering): intestinal congestion and
|
|
premeditative defecation (holy of holies): the bath (rite of John): the
|
|
funeral (rite of Samuel): the advertisement of Alexander Keyes (Urim and
|
|
Thummim): the unsubstantial lunch (rite of Melchisedek): the visit to
|
|
museum and national library (holy place): the bookhunt along Bedford
|
|
row, Merchants' Arch, Wellington Quay (Simchath Torah): the music in the
|
|
Ormond Hotel (Shira Shirim): the altercation with a truculent troglodyte
|
|
in Bernard Kiernan's premises (holocaust): a blank period of time
|
|
including a cardrive, a visit to a house of mourning, a leavetaking
|
|
(wilderness): the eroticism produced by feminine exhibitionism (rite of
|
|
Onan): the prolonged delivery of Mrs Mina Purefoy (heave offering):
|
|
the visit to the disorderly house of Mrs Bella Cohen, 82 Tyrone
|
|
street, lower and subsequent brawl and chance medley in Beaver street
|
|
(Armageddon)--nocturnal perambulation to and from the cabman's shelter,
|
|
Butt Bridge (atonement).
|
|
|
|
|
|
What selfimposed enigma did Bloom about to rise in order to go so as to
|
|
conclude lest he should not conclude involuntarily apprehend?
|
|
|
|
The cause of a brief sharp unforeseen heard loud lone crack emitted by
|
|
the insentient material of a strainveined timber table.
|
|
|
|
|
|
What selfinvolved enigma did Bloom risen, going, gathering multicoloured
|
|
multiform multitudinous garments, voluntarily apprehending, not
|
|
comprehend?
|
|
|
|
Who was M'Intosh?
|
|
|
|
|
|
What selfevident enigma pondered with desultory constancy during 30
|
|
years did Bloom now, having effected natural obscurity by the extinction
|
|
of artificial light, silently suddenly comprehend?
|
|
|
|
Where was Moses when the candle went out?
|
|
|
|
|
|
What imperfections in a perfect day did Bloom, walking, charged with
|
|
collected articles of recently disvested male wearing apparel, silently,
|
|
successively, enumerate?
|
|
|
|
A provisional failure to obtain renewal of an advertisement: to obtain
|
|
a certain quantity of tea from Thomas Kernan (agent for Pulbrook,
|
|
Robertson and Co, 5 Dame Street, Dublin, and 2 Mincing Lane, London E.
|
|
C.): to certify the presence or absence of posterior rectal orifice in
|
|
the case of Hellenic female divinities: to obtain admission (gratuitous
|
|
or paid) to the performance of Leah by Mrs Bandmann Palmer at the Gaiety
|
|
Theatre, 46, 47, 48, 49 South King street.
|
|
|
|
|
|
What impression of an absent face did Bloom, arrested, silently recall?
|
|
|
|
The face of her father, the late Major Brian Cooper Tweedy, Royal Dublin
|
|
Fusiliers, of Gibraltar and Rehoboth, Dolphin's Barn.
|
|
|
|
|
|
What recurrent impressions of the same were possible by hypothesis?
|
|
|
|
Retreating, at the terminus of the Great Northern Railway, Amiens
|
|
street, with constant uniform acceleration, along parallel lines
|
|
meeting at infinity, if produced: along parallel lines, reproduced from
|
|
infinity, with constant uniform retardation, at the terminus of the
|
|
Great Northern Railway, Amiens street, returning.
|
|
|
|
|
|
What miscellaneous effects of female personal wearing apparel were
|
|
perceived by him?
|
|
|
|
A pair of new inodorous halfsilk black ladies' hose, a pair of new
|
|
violet garters, a pair of outsize ladies' drawers of India mull, cut on
|
|
generous lines, redolent of opoponax, jessamine and Muratti's Turkish
|
|
cigarettes and containing a long bright steel safety pin, folded
|
|
curvilinear, a camisole of batiste with thin lace border, an accordion
|
|
underskirt of blue silk moirette, all these objects being disposed
|
|
irregularly on the top of a rectangular trunk, quadruple battened,
|
|
having capped corners, with multicoloured labels, initialled on its fore
|
|
side in white lettering B. C. T. (Brian Cooper Tweedy).
|
|
|
|
|
|
What impersonal objects were perceived?
|
|
|
|
A commode, one leg fractured, totally covered by square cretonne
|
|
cutting, apple design, on which rested a lady's black straw hat.
|
|
Orangekeyed ware, bought of Henry Price, basket, fancy goods, chinaware
|
|
and ironmongery manufacturer, 21, 22, 23 Moore street, disposed
|
|
irregularly on the washstand and floor and consisting of basin, soapdish
|
|
and brushtray (on the washstand, together), pitcher and night article
|
|
(on the floor, separate).
|
|
|
|
|
|
Bloom's acts?
|
|
|
|
He deposited the articles of clothing on a chair, removed his remaining
|
|
articles of clothing, took from beneath the bolster at the head of the
|
|
bed a folded long white nightshirt, inserted his head and arms into the
|
|
proper apertures of the nightshirt, removed a pillow from the head to
|
|
the foot of the bed, prepared the bedlinen accordingly and entered the
|
|
bed.
|
|
|
|
|
|
How?
|
|
|
|
With circumspection, as invariably when entering an abode (his own or
|
|
not his own): with solicitude, the snakespiral springs of the mattress
|
|
being old, the brass quoits and pendent viper radii loose and tremulous
|
|
under stress and strain: prudently, as entering a lair or ambush of
|
|
lust or adders: lightly, the less to disturb: reverently, the bed of
|
|
conception and of birth, of consummation of marriage and of breach of
|
|
marriage, of sleep and of death.
|
|
|
|
|
|
What did his limbs, when gradually extended, encounter?
|
|
|
|
New clean bedlinen, additional odours, the presence of a human form,
|
|
female, hers, the imprint of a human form, male, not his, some crumbs,
|
|
some flakes of potted meat, recooked, which he removed.
|
|
|
|
|
|
If he had smiled why would he have smiled?
|
|
|
|
To reflect that each one who enters imagines himself to be the first to
|
|
enter whereas he is always the last term of a preceding series even if
|
|
the first term of a succeeding one, each imagining himself to be first,
|
|
last, only and alone whereas he is neither first nor last nor only nor
|
|
alone in a series originating in and repeated to infinity.
|
|
|
|
|
|
What preceding series?
|
|
|
|
Assuming Mulvey to be the first term of his series, Penrose, Bartell
|
|
d'Arcy, professor Goodwin, Julius Mastiansky, John Henry Menton, Father
|
|
Bernard Corrigan, a farmer at the Royal Dublin Society's Horse Show,
|
|
Maggot O'Reilly, Matthew Dillon, Valentine Blake Dillon (Lord Mayor
|
|
of Dublin), Christopher Callinan, Lenehan, an Italian organgrinder,
|
|
an unknown gentleman in the Gaiety Theatre, Benjamin Dollard, Simon
|
|
Dedalus, Andrew (Pisser) Burke, Joseph Cuffe, Wisdom Hely, Alderman John
|
|
Hooper, Dr Francis Brady, Father Sebastian of Mount Argus, a bootblack
|
|
at the General Post Office, Hugh E. (Blazes) Boylan and so each and so
|
|
on to no last term.
|
|
|
|
|
|
What were his reflections concerning the last member of this series and
|
|
late occupant of the bed?
|
|
|
|
Reflections on his vigour (a bounder), corporal proportion (a
|
|
billsticker), commercial ability (a bester), impressionability (a
|
|
boaster).
|
|
|
|
|
|
Why for the observer impressionability in addition to vigour, corporal
|
|
proportion and commercial ability?
|
|
|
|
Because he had observed with augmenting frequency in the preceding
|
|
members of the same series the same concupiscence, inflammably
|
|
transmitted, first with alarm, then with understanding, then with
|
|
desire, finally with fatigue, with alternating symptoms of epicene
|
|
comprehension and apprehension.
|
|
|
|
|
|
With what antagonistic sentiments were his subsequent reflections
|
|
affected?
|
|
|
|
Envy, jealousy, abnegation, equanimity.
|
|
|
|
|
|
Envy?
|
|
|
|
Of a bodily and mental male organism specially adapted for the
|
|
superincumbent posture of energetic human copulation and energetic
|
|
piston and cylinder movement necessary for the complete satisfaction of
|
|
a constant but not acute concupiscence resident in a bodily and mental
|
|
female organism, passive but not obtuse.
|
|
|
|
|
|
Jealousy?
|
|
|
|
Because a nature full and volatile in its free state, was alternately
|
|
the agent and reagent of attraction. Because attraction between agent(s)
|
|
and reagent(s) at all instants varied, with inverse proportion of
|
|
increase and decrease, with incessant circular extension and radial
|
|
reentrance. Because the controlled contemplation of the fluctuation of
|
|
attraction produced, if desired, a fluctuation of pleasure.
|
|
|
|
|
|
Abnegation?
|
|
|
|
In virtue of a) acquaintance initiated in September 1903 in the
|
|
establishment of George Mesias, merchant tailor and outfitter, 5 Eden
|
|
Quay, b) hospitality extended and received in kind, reciprocated and
|
|
reappropriated in person, c) comparative youth subject to impulses of
|
|
ambition and magnanimity, colleagual altruism and amorous egoism, d)
|
|
extraracial attraction, intraracial inhibition, supraracial prerogative,
|
|
e) an imminent provincial musical tour, common current expenses, net
|
|
proceeds divided.
|
|
|
|
|
|
Equanimity?
|
|
|
|
As as natural as any and every natural act of a nature expressed or
|
|
understood executed in natured nature by natural creatures in accordance
|
|
with his, her and their natured natures, of dissimilar similarity.
|
|
As not so calamitous as a cataclysmic annihilation of the planet in
|
|
consequence of a collision with a dark sun. As less reprehensible than
|
|
theft, highway robbery, cruelty to children and animals, obtaining money
|
|
under false pretences, forgery, embezzlement, misappropriation of public
|
|
money, betrayal of public trust, malingering, mayhem, corruption of
|
|
minors, criminal libel, blackmail, contempt of court, arson, treason,
|
|
felony, mutiny on the high seas, trespass, burglary, jailbreaking,
|
|
practice of unnatural vice, desertion from armed forces in the field,
|
|
perjury, poaching, usury, intelligence with the king's enemies,
|
|
impersonation, criminal assault, manslaughter, wilful and premeditated
|
|
murder. As not more abnormal than all other parallel processes of
|
|
adaptation to altered conditions of existence, resulting in a reciprocal
|
|
equilibrium between the bodily organism and its attendant circumstances,
|
|
foods, beverages, acquired habits, indulged inclinations, significant
|
|
disease. As more than inevitable, irreparable.
|
|
|
|
|
|
Why more abnegation than jealousy, less envy than equanimity?
|
|
|
|
From outrage (matrimony) to outrage (adultery) there arose nought but
|
|
outrage (copulation) yet the matrimonial violator of the matrimonially
|
|
violated had not been outraged by the adulterous violator of the
|
|
adulterously violated.
|
|
|
|
|
|
What retribution, if any?
|
|
|
|
Assassination, never, as two wrongs did not make one right. Duel by
|
|
combat, no. Divorce, not now. Exposure by mechanical artifice (automatic
|
|
bed) or individual testimony (concealed ocular witnesses), not yet. Suit
|
|
for damages by legal influence or simulation of assault with evidence of
|
|
injuries sustained (selfinflicted), not impossibly. Hushmoney by moral
|
|
influence possibly. If any, positively, connivance, introduction of
|
|
emulation (material, a prosperous rival agency of publicity: moral,
|
|
a successful rival agent of intimacy), depreciation, alienation,
|
|
humiliation, separation protecting the one separated from the other,
|
|
protecting the separator from both.
|
|
|
|
|
|
By what reflections did he, a conscious reactor against the void of
|
|
incertitude, justify to himself his sentiments?
|
|
|
|
The preordained frangibility of the hymen: the presupposed intangibility
|
|
of the thing in itself: the incongruity and disproportion between
|
|
the selfprolonging tension of the thing proposed to be done and the
|
|
selfabbreviating relaxation of the thing done; the fallaciously inferred
|
|
debility of the female: the muscularity of the male: the variations of
|
|
ethical codes: the natural grammatical transition by inversion involving
|
|
no alteration of sense of an aorist preterite proposition (parsed as
|
|
masculine subject, monosyllabic onomatopoeic transitive verb with direct
|
|
feminine object) from the active voice into its correlative aorist
|
|
preterite proposition (parsed as feminine subject, auxiliary verb
|
|
and quasimonosyllabic onomatopoeic past participle with complementary
|
|
masculine agent) in the passive voice: the continued product of
|
|
seminators by generation: the continual production of semen by
|
|
distillation: the futility of triumph or protest or vindication: the
|
|
inanity of extolled virtue: the lethargy of nescient matter: the apathy
|
|
of the stars.
|
|
|
|
|
|
In what final satisfaction did these antagonistic sentiments and
|
|
reflections, reduced to their simplest forms, converge?
|
|
|
|
Satisfaction at the ubiquity in eastern and western terrestrial
|
|
hemispheres, in all habitable lands and islands explored or unexplored
|
|
(the land of the midnight sun, the islands of the blessed, the isles of
|
|
Greece, the land of promise), of adipose anterior and posterior female
|
|
hemispheres, redolent of milk and honey and of excretory sanguine and
|
|
seminal warmth, reminiscent of secular families of curves of amplitude,
|
|
insusceptible of moods of impression or of contrarieties of expression,
|
|
expressive of mute immutable mature animality.
|
|
|
|
|
|
The visible signs of antesatisfaction?
|
|
|
|
An approximate erection: a solicitous adversion: a gradual elevation: a
|
|
tentative revelation: a silent contemplation.
|
|
|
|
|
|
Then?
|
|
|
|
He kissed the plump mellow yellow smellow melons of her rump, on each
|
|
plump melonous hemisphere, in their mellow yellow furrow, with obscure
|
|
prolonged provocative melonsmellonous osculation.
|
|
|
|
|
|
The visible signs of postsatisfaction?
|
|
|
|
A silent contemplation: a tentative velation: a gradual abasement: a
|
|
solicitous aversion: a proximate erection.
|
|
|
|
|
|
What followed this silent action?
|
|
|
|
Somnolent invocation, less somnolent recognition, incipient excitation,
|
|
catechetical interrogation.
|
|
|
|
|
|
With what modifications did the narrator reply to this interrogation?
|
|
|
|
Negative: he omitted to mention the clandestine correspondence between
|
|
Martha Clifford and Henry Flower, the public altercation at, in and
|
|
in the vicinity of the licensed premises of Bernard Kiernan and Co,
|
|
Limited, 8, 9 and 10 Little Britain street, the erotic provocation
|
|
and response thereto caused by the exhibitionism of Gertrude (Gerty),
|
|
surname unknown. Positive: he included mention of a performance by Mrs
|
|
Bandmann Palmer of LEAH at the Gaiety Theatre, 46, 47, 48, 49 South King
|
|
street, an invitation to supper at Wynn's (Murphy's) Hotel, 35, 36 and
|
|
37 Lower Abbey street, a volume of peccaminous pornographical tendency
|
|
entituled SWEETS OF SIN, anonymous author a gentleman of fashion, a
|
|
temporary concussion caused by a falsely calculated movement in the
|
|
course of a postcenal gymnastic display, the victim (since completely
|
|
recovered) being Stephen Dedalus, professor and author, eldest surviving
|
|
son of Simon Dedalus, of no fixed occupation, an aeronautical feat
|
|
executed by him (narrator) in the presence of a witness, the professor
|
|
and author aforesaid, with promptitude of decision and gymnastic
|
|
flexibility.
|
|
|
|
|
|
Was the narration otherwise unaltered by modifications?
|
|
|
|
Absolutely.
|
|
|
|
|
|
Which event or person emerged as the salient point of his narration?
|
|
|
|
Stephen Dedalus, professor and author.
|
|
|
|
|
|
What limitations of activity and inhibitions of conjugal rights were
|
|
perceived by listener and narrator concerning themselves during the
|
|
course of this intermittent and increasingly more laconic narration?
|
|
|
|
By the listener a limitation of fertility inasmuch as marriage had been
|
|
celebrated 1 calendar month after the 18th anniversary of her birth (8
|
|
September 1870), viz. 8 October, and consummated on the same date with
|
|
female issue born 15 June 1889, having been anticipatorily consummated
|
|
on the lo September of the same year and complete carnal intercourse,
|
|
with ejaculation of semen within the natural female organ, having last
|
|
taken place 5 weeks previous, viz. 27 November 1893, to the birth on 29
|
|
December 1893 of second (and only male) issue, deceased 9 January 1894,
|
|
aged 11 days, there remained a period of 10 years, 5 months and 18 days
|
|
during which carnal intercourse had been incomplete, without ejaculation
|
|
of semen within the natural female organ. By the narrator a limitation
|
|
of activity, mental and corporal, inasmuch as complete mental
|
|
intercourse between himself and the listener had not taken place since
|
|
the consummation of puberty, indicated by catamenic hemorrhage, of the
|
|
female issue of narrator and listener, 15 September 1903, there remained
|
|
a period of 9 months and 1 day during which, in consequence of a
|
|
preestablished natural comprehension in incomprehension between the
|
|
consummated females (listener and issue), complete corporal liberty of
|
|
action had been circumscribed.
|
|
|
|
|
|
How?
|
|
|
|
By various reiterated feminine interrogation concerning the masculine
|
|
destination whither, the place where, the time at which, the duration
|
|
for which, the object with which in the case of temporary absences,
|
|
projected or effected.
|
|
|
|
|
|
What moved visibly above the listener's and the narrator's invisible
|
|
thoughts?
|
|
|
|
The upcast reflection of a lamp and shade, an inconstant series of
|
|
concentric circles of varying gradations of light and shadow.
|
|
|
|
|
|
In what directions did listener and narrator lie?
|
|
|
|
Listener, S. E. by E.: Narrator, N. W. by W.: on the 53rd parallel
|
|
of latitude, N., and 6th meridian of longitude, W.: at an angle of 45
|
|
degrees to the terrestrial equator.
|
|
|
|
|
|
In what state of rest or motion?
|
|
|
|
At rest relatively to themselves and to each other. In motion being each
|
|
and both carried westward, forward and rereward respectively, by the
|
|
proper perpetual motion of the earth through everchanging tracks of
|
|
neverchanging space.
|
|
|
|
|
|
In what posture?
|
|
|
|
Listener: reclined semilaterally, left, left hand under head, right
|
|
leg extended in a straight line and resting on left leg, flexed, in the
|
|
attitude of Gea-Tellus, fulfilled, recumbent, big with seed. Narrator:
|
|
reclined laterally, left, with right and left legs flexed, the index
|
|
finger and thumb of the right hand resting on the bridge of the nose, in
|
|
the attitude depicted in a snapshot photograph made by Percy Apjohn, the
|
|
childman weary, the manchild in the womb.
|
|
|
|
|
|
Womb? Weary?
|
|
|
|
He rests. He has travelled.
|
|
|
|
|
|
With?
|
|
|
|
Sinbad the Sailor and Tinbad the Tailor and Jinbad the Jailer and
|
|
Whinbad the Whaler and Ninbad the Nailer and Finbad the Failer and
|
|
Binbad the Bailer and Pinbad the Pailer and Minbad the Mailer and Hinbad
|
|
the Hailer and Rinbad the Railer and Dinbad the Kailer and Vinbad the
|
|
Quailer and Linbad the Yailer and Xinbad the Phthailer.
|
|
|
|
|
|
When?
|
|
|
|
Going to dark bed there was a square round Sinbad the Sailor roc's auk's
|
|
egg in the night of the bed of all the auks of the rocs of Darkinbad the
|
|
Brightdayler.
|
|
|
|
|
|
Where?
|
|
|
|
|
|
|
|
Yes because he never did a thing like that before as ask to get his
|
|
breakfast in bed with a couple of eggs since the _City Arms_ hotel
|
|
when he used to be pretending to be laid up with a sick voice doing his
|
|
highness to make himself interesting for that old faggot Mrs Riordan
|
|
that he thought he had a great leg of and she never left us a farthing
|
|
all for masses for herself and her soul greatest miser ever was actually
|
|
afraid to lay out 4d for her methylated spirit telling me all her
|
|
ailments she had too much old chat in her about politics and earthquakes
|
|
and the end of the world let us have a bit of fun first God help the
|
|
world if all the women were her sort down on bathingsuits and lownecks
|
|
of course nobody wanted her to wear them I suppose she was pious because
|
|
no man would look at her twice I hope Ill never be like her a wonder
|
|
she didnt want us to cover our faces but she was a welleducated woman
|
|
certainly and her gabby talk about Mr Riordan here and Mr Riordan there
|
|
I suppose he was glad to get shut of her and her dog smelling my fur and
|
|
always edging to get up under my petticoats especially then still I like
|
|
that in him polite to old women like that and waiters and beggars too
|
|
hes not proud out of nothing but not always if ever he got anything
|
|
really serious the matter with him its much better for them to go into
|
|
a hospital where everything is clean but I suppose Id have to dring it
|
|
into him for a month yes and then wed have a hospital nurse next thing
|
|
on the carpet have him staying there till they throw him out or a nun
|
|
maybe like the smutty photo he has shes as much a nun as Im not yes
|
|
because theyre so weak and puling when theyre sick they want a woman
|
|
to get well if his nose bleeds youd think it was O tragic and that
|
|
dyinglooking one off the south circular when he sprained his foot at
|
|
the choir party at the sugarloaf Mountain the day I wore that dress
|
|
Miss Stack bringing him flowers the worst old ones she could find at the
|
|
bottom of the basket anything at all to get into a mans bedroom with
|
|
her old maids voice trying to imagine he was dying on account of her to
|
|
never see thy face again though he looked more like a man with his beard
|
|
a bit grown in the bed father was the same besides I hate bandaging and
|
|
dosing when he cut his toe with the razor paring his corns afraid hed
|
|
get bloodpoisoning but if it was a thing I was sick then wed see what
|
|
attention only of course the woman hides it not to give all the trouble
|
|
they do yes he came somewhere Im sure by his appetite anyway love its
|
|
not or hed be off his feed thinking of her so either it was one of those
|
|
night women if it was down there he was really and the hotel story he
|
|
made up a pack of lies to hide it planning it Hynes kept me who did I
|
|
meet ah yes I met do you remember Menton and who else who let me see
|
|
that big babbyface I saw him and he not long married flirting with a
|
|
young girl at Pooles Myriorama and turned my back on him when he slinked
|
|
out looking quite conscious what harm but he had the impudence to make
|
|
up to me one time well done to him mouth almighty and his boiled eyes of
|
|
all the big stupoes I ever met and thats called a solicitor only for
|
|
I hate having a long wrangle in bed or else if its not that its some
|
|
little bitch or other he got in with somewhere or picked up on the
|
|
sly if they only knew him as well as I do yes because the day before
|
|
yesterday he was scribbling something a letter when I came into the
|
|
front room to show him Dignams death in the paper as if something told
|
|
me and he covered it up with the blottingpaper pretending to be thinking
|
|
about business so very probably that was it to somebody who thinks
|
|
she has a softy in him because all men get a bit like that at his age
|
|
especially getting on to forty he is now so as to wheedle any money she
|
|
can out of him no fool like an old fool and then the usual kissing my
|
|
bottom was to hide it not that I care two straws now who he does it with
|
|
or knew before that way though Id like to find out so long as I dont
|
|
have the two of them under my nose all the time like that slut that Mary
|
|
we had in Ontario terrace padding out her false bottom to excite him bad
|
|
enough to get the smell of those painted women off him once or twice
|
|
I had a suspicion by getting him to come near me when I found the
|
|
long hair on his coat without that one when I went into the kitchen
|
|
pretending he was drinking water 1 woman is not enough for them it was
|
|
all his fault of course ruining servants then proposing that she could
|
|
eat at our table on Christmas day if you please O no thank you not in my
|
|
house stealing my potatoes and the oysters 2/6 per doz going out to see
|
|
her aunt if you please common robbery so it was but I was sure he had
|
|
something on with that one it takes me to find out a thing like that he
|
|
said you have no proof it was her proof O yes her aunt was very fond of
|
|
oysters but I told her what I thought of her suggesting me to go out to
|
|
be alone with her I wouldnt lower myself to spy on them the garters I
|
|
found in her room the Friday she was out that was enough for me a little
|
|
bit too much her face swelled up on her with temper when I gave her her
|
|
weeks notice I saw to that better do without them altogether do out the
|
|
rooms myself quicker only for the damn cooking and throwing out the dirt
|
|
I gave it to him anyhow either she or me leaves the house I couldnt even
|
|
touch him if I thought he was with a dirty barefaced liar and sloven
|
|
like that one denying it up to my face and singing about the place in
|
|
the W C too because she knew she was too well off yes because he couldnt
|
|
possibly do without it that long so he must do it somewhere and the last
|
|
time he came on my bottom when was it the night Boylan gave my hand a
|
|
great squeeze going along by the Tolka in my hand there steals another
|
|
I just pressed the back of his like that with my thumb to squeeze back
|
|
singing the young May moon shes beaming love because he has an idea
|
|
about him and me hes not such a fool he said Im dining out and going to
|
|
the Gaiety though Im not going to give him the satisfaction in any case
|
|
God knows hes a change in a way not to be always and ever wearing the
|
|
same old hat unless I paid some nicelooking boy to do it since I cant do
|
|
it myself a young boy would like me Id confuse him a little alone with
|
|
him if we were Id let him see my garters the new ones and make him turn
|
|
red looking at him seduce him I know what boys feel with that down
|
|
on their cheek doing that frigging drawing out the thing by the hour
|
|
question and answer would you do this that and the other with the
|
|
coalman yes with a bishop yes I would because I told him about some dean
|
|
or bishop was sitting beside me in the jews temples gardens when I was
|
|
knitting that woollen thing a stranger to Dublin what place was it and
|
|
so on about the monuments and he tired me out with statues encouraging
|
|
him making him worse than he is who is in your mind now tell me who are
|
|
you thinking of who is it tell me his name who tell me who the german
|
|
Emperor is it yes imagine Im him think of him can you feel him trying to
|
|
make a whore of me what he never will he ought to give it up now at this
|
|
age of his life simply ruination for any woman and no satisfaction in it
|
|
pretending to like it till he comes and then finish it off myself anyway
|
|
and it makes your lips pale anyhow its done now once and for all with
|
|
all the talk of the world about it people make its only the first time
|
|
after that its just the ordinary do it and think no more about it why
|
|
cant you kiss a man without going and marrying him first you sometimes
|
|
love to wildly when you feel that way so nice all over you you cant help
|
|
yourself I wish some man or other would take me sometime when hes there
|
|
and kiss me in his arms theres nothing like a kiss long and hot down to
|
|
your soul almost paralyses you then I hate that confession when I used
|
|
to go to Father Corrigan he touched me father and what harm if he did
|
|
where and I said on the canal bank like a fool but whereabouts on your
|
|
person my child on the leg behind high up was it yes rather high up was
|
|
it where you sit down yes O Lord couldnt he say bottom right out and
|
|
have done with it what has that got to do with it and did you whatever
|
|
way he put it I forget no father and I always think of the real father
|
|
what did he want to know for when I already confessed it to God he had
|
|
a nice fat hand the palm moist always I wouldnt mind feeling it neither
|
|
would he Id say by the bullneck in his horsecollar I wonder did he know
|
|
me in the box I could see his face he couldnt see mine of course hed
|
|
never turn or let on still his eyes were red when his father died theyre
|
|
lost for a woman of course must be terrible when a man cries let alone
|
|
them Id like to be embraced by one in his vestments and the smell of
|
|
incense off him like the pope besides theres no danger with a priest if
|
|
youre married hes too careful about himself then give something to H
|
|
H the pope for a penance I wonder was he satisfied with me one thing I
|
|
didnt like his slapping me behind going away so familiarly in the hall
|
|
though I laughed Im not a horse or an ass am I I suppose he was thinking
|
|
of his fathers I wonder is he awake thinking of me or dreaming am I in
|
|
it who gave him that flower he said he bought he smelt of some kind of
|
|
drink not whisky or stout or perhaps the sweety kind of paste they stick
|
|
their bills up with some liqueur Id like to sip those richlooking green
|
|
and yellow expensive drinks those stagedoor johnnies drink with the
|
|
opera hats I tasted once with my finger dipped out of that American that
|
|
had the squirrel talking stamps with father he had all he could do to
|
|
keep himself from falling asleep after the last time after we took the
|
|
port and potted meat it had a fine salty taste yes because I felt lovely
|
|
and tired myself and fell asleep as sound as a top the moment I popped
|
|
straight into bed till that thunder woke me up God be merciful to us
|
|
I thought the heavens were coming down about us to punish us when I
|
|
blessed myself and said a Hail Mary like those awful thunderbolts in
|
|
Gibraltar as if the world was coming to an end and then they come and
|
|
tell you theres no God what could you do if it was running and rushing
|
|
about nothing only make an act of contrition the candle I lit that
|
|
evening in Whitefriars street chapel for the month of May see it brought
|
|
its luck though hed scoff if he heard because he never goes to church
|
|
mass or meeting he says your soul you have no soul inside only grey
|
|
matter because he doesnt know what it is to have one yes when I lit the
|
|
lamp because he must have come 3 or 4 times with that tremendous big red
|
|
brute of a thing he has I thought the vein or whatever the dickens they
|
|
call it was going to burst though his nose is not so big after I took
|
|
off all my things with the blinds down after my hours dressing and
|
|
perfuming and combing it like iron or some kind of a thick crowbar
|
|
standing all the time he must have eaten oysters I think a few dozen he
|
|
was in great singing voice no I never in all my life felt anyone had
|
|
one the size of that to make you feel full up he must have eaten a whole
|
|
sheep after whats the idea making us like that with a big hole in the
|
|
middle of us or like a Stallion driving it up into you because thats all
|
|
they want out of you with that determined vicious look in his eye I had
|
|
to halfshut my eyes still he hasnt such a tremendous amount of spunk in
|
|
him when I made him pull out and do it on me considering how big it is
|
|
so much the better in case any of it wasnt washed out properly the last
|
|
time I let him finish it in me nice invention they made for women for
|
|
him to get all the pleasure but if someone gave them a touch of it
|
|
themselves theyd know what I went through with Milly nobody would
|
|
believe cutting her teeth too and Mina Purefoys husband give us a swing
|
|
out of your whiskers filling her up with a child or twins once a year
|
|
as regular as the clock always with a smell of children off her the one
|
|
they called budgers or something like a nigger with a shock of hair on
|
|
it Jesusjack the child is a black the last time I was there a squad of
|
|
them falling over one another and bawling you couldnt hear your ears
|
|
supposed to be healthy not satisfied till they have us swollen out like
|
|
elephants or I dont know what supposing I risked having another not off
|
|
him though still if he was married Im sure hed have a fine strong child
|
|
but I dont know Poldy has more spunk in him yes thatd be awfully jolly
|
|
I suppose it was meeting Josie Powell and the funeral and thinking about
|
|
me and Boylan set him off well he can think what he likes now if thatll
|
|
do him any good I know they were spooning a bit when I came on the scene
|
|
he was dancing and sitting out with her the night of Georgina Simpsons
|
|
housewarming and then he wanted to ram it down my neck it was on account
|
|
of not liking to see her a wallflower that was why we had the standup
|
|
row over politics he began it not me when he said about Our Lord being a
|
|
carpenter at last he made me cry of course a woman is so sensitive about
|
|
everything I was fuming with myself after for giving in only for I knew
|
|
he was gone on me and the first socialist he said He was he annoyed me
|
|
so much I couldnt put him into a temper still he knows a lot of mixedup
|
|
things especially about the body and the inside I often wanted to study
|
|
up that myself what we have inside us in that family physician I could
|
|
always hear his voice talking when the room was crowded and watch him
|
|
after that I pretended I had a coolness on with her over him because he
|
|
used to be a bit on the jealous side whenever he asked who are you going
|
|
to and I said over to Floey and he made me the present of Byron's poems
|
|
and the three pairs of gloves so that finished that I could quite easily
|
|
get him to make it up any time I know how Id even supposing he got in
|
|
with her again and was going out to see her somewhere Id know if he
|
|
refused to eat the onions I know plenty of ways ask him to tuck down the
|
|
collar of my blouse or touch him with my veil and gloves on going out I
|
|
kiss then would send them all spinning however alright well see then let
|
|
him go to her she of course would only be too delighted to pretend shes
|
|
mad in love with him that I wouldnt so much mind Id just go to her and
|
|
ask her do you love him and look her square in the eyes she couldnt fool
|
|
me but he might imagine he was and make a declaration to her with his
|
|
plabbery kind of a manner like he did to me though I had the devils own
|
|
job to get it out of him though I liked him for that it showed he could
|
|
hold in and wasnt to be got for the asking he was on the pop of asking
|
|
me too the night in the kitchen I was rolling the potato cake theres
|
|
something I want to say to you only for I put him off letting on I was
|
|
in a temper with my hands and arms full of pasty flour in any case I let
|
|
out too much the night before talking of dreams so I didnt want to let
|
|
him know more than was good for him she used to be always embracing me
|
|
Josie whenever he was there meaning him of course glauming me over and
|
|
when I said I washed up and down as far as possible asking me and did
|
|
you wash possible the women are always egging on to that putting it on
|
|
thick when hes there they know by his sly eye blinking a bit putting on
|
|
the indifferent when they come out with something the kind he is what
|
|
spoils him I dont wonder in the least because he was very handsome at
|
|
that time trying to look like Lord Byron I said I liked though he
|
|
was too beautiful for a man and he was a little before we got engaged
|
|
afterwards though she didnt like it so much the day I was in fits of
|
|
laughing with the giggles I couldnt stop about all my hairpins falling
|
|
out one after another with the mass of hair I had youre always in great
|
|
humour she said yes because it grigged her because she knew what it
|
|
meant because I used to tell her a good bit of what went on between us
|
|
not all but just enough to make her mouth water but that wasnt my fault
|
|
she didnt darken the door much after we were married I wonder what shes
|
|
got like now after living with that dotty husband of hers she had her
|
|
face beginning to look drawn and run down the last time I saw her she
|
|
must have been just after a row with him because I saw on the moment she
|
|
was edging to draw down a conversation about husbands and talk about him
|
|
to run him down what was it she told me O yes that sometimes he used to
|
|
go to bed with his muddy boots on when the maggot takes him just imagine
|
|
having to get into bed with a thing like that that might murder you
|
|
any moment what a man well its not the one way everyone goes mad Poldy
|
|
anyhow whatever he does always wipes his feet on the mat when he comes
|
|
in wet or shine and always blacks his own boots too and he always takes
|
|
off his hat when he comes up in the street like then and now hes going
|
|
about in his slippers to look for 10000 pounds for a postcard U p up
|
|
O sweetheart May wouldnt a thing like that simply bore you stiff to
|
|
extinction actually too stupid even to take his boots off now what
|
|
could you make of a man like that Id rather die 20 times over than marry
|
|
another of their sex of course hed never find another woman like me to
|
|
put up with him the way I do know me come sleep with me yes and he knows
|
|
that too at the bottom of his heart take that Mrs Maybrick that poisoned
|
|
her husband for what I wonder in love with some other man yes it was
|
|
found out on her wasnt she the downright villain to go and do a thing
|
|
like that of course some men can be dreadfully aggravating drive you mad
|
|
and always the worst word in the world what do they ask us to marry them
|
|
for if were so bad as all that comes to yes because they cant get on
|
|
without us white Arsenic she put in his tea off flypaper wasnt it I
|
|
wonder why they call it that if I asked him hed say its from the Greek
|
|
leave us as wise as we were before she must have been madly in love with
|
|
the other fellow to run the chance of being hanged O she didnt care if
|
|
that was her nature what could she do besides theyre not brutes enough
|
|
to go and hang a woman surely are they
|
|
|
|
theyre all so different Boylan talking about the shape of my foot he
|
|
noticed at once even before he was introduced when I was in the D B C
|
|
with Poldy laughing and trying to listen I was waggling my foot we both
|
|
ordered 2 teas and plain bread and butter I saw him looking with his
|
|
two old maids of sisters when I stood up and asked the girl where it was
|
|
what do I care with it dropping out of me and that black closed breeches
|
|
he made me buy takes you half an hour to let them down wetting all
|
|
myself always with some brandnew fad every other week such a long one I
|
|
did I forgot my suede gloves on the seat behind that I never got after
|
|
some robber of a woman and he wanted me to put it in the Irish times
|
|
lost in the ladies lavatory D B C Dame street finder return to Mrs
|
|
Marion Bloom and I saw his eyes on my feet going out through the turning
|
|
door he was looking when I looked back and I went there for tea 2 days
|
|
after in the hope but he wasnt now how did that excite him because I was
|
|
crossing them when we were in the other room first he meant the shoes
|
|
that are too tight to walk in my hand is nice like that if I only had a
|
|
ring with the stone for my month a nice aquamarine Ill stick him for one
|
|
and a gold bracelet I dont like my foot so much still I made him spend
|
|
once with my foot the night after Goodwins botchup of a concert so cold
|
|
and windy it was well we had that rum in the house to mull and the fire
|
|
wasnt black out when he asked to take off my stockings lying on the
|
|
hearthrug in Lombard street west and another time it was my muddy boots
|
|
hed like me to walk in all the horses dung I could find but of course
|
|
hes not natural like the rest of the world that I what did he say I
|
|
could give 9 points in 10 to Katty Lanner and beat her what does that
|
|
mean I asked him I forget what he said because the stoppress edition
|
|
just passed and the man with the curly hair in the Lucan dairy thats so
|
|
polite I think I saw his face before somewhere I noticed him when I was
|
|
tasting the butter so I took my time Bartell dArcy too that he used to
|
|
make fun of when he commenced kissing me on the choir stairs after I
|
|
sang Gounods _Ave Maria_ what are we waiting for O my heart kiss me
|
|
straight on the brow and part which is my brown part he was pretty hot
|
|
for all his tinny voice too my low notes he was always raving about if
|
|
you can believe him I liked the way he used his mouth singing then he
|
|
said wasnt it terrible to do that there in a place like that I dont see
|
|
anything so terrible about it Ill tell him about that some day not now
|
|
and surprise him ay and Ill take him there and show him the very place
|
|
too we did it so now there you are like it or lump it he thinks nothing
|
|
can happen without him knowing he hadnt an idea about my mother till we
|
|
were engaged otherwise hed never have got me so cheap as he did he was
|
|
lo times worse himself anyhow begging me to give him a tiny bit cut off
|
|
my drawers that was the evening coming along Kenilworth square he kissed
|
|
me in the eye of my glove and I had to take it off asking me questions
|
|
is it permitted to enquire the shape of my bedroom so I let him keep it
|
|
as if I forgot it to think of me when I saw him slip it into his pocket
|
|
of course hes mad on the subject of drawers thats plain to be seen
|
|
always skeezing at those brazenfaced things on the bicycles with their
|
|
skirts blowing up to their navels even when Milly and I were out with
|
|
him at the open air fete that one in the cream muslin standing right
|
|
against the sun so he could see every atom she had on when he saw me
|
|
from behind following in the rain I saw him before he saw me however
|
|
standing at the corner of the Harolds cross road with a new raincoat on
|
|
him with the muffler in the Zingari colours to show off his complexion
|
|
and the brown hat looking slyboots as usual what was he doing there
|
|
where hed no business they can go and get whatever they like from
|
|
anything at all with a skirt on it and were not to ask any questions but
|
|
they want to know where were you where are you going I could feel him
|
|
coming along skulking after me his eyes on my neck he had been keeping
|
|
away from the house he felt it was getting too warm for him so I
|
|
halfturned and stopped then he pestered me to say yes till I took off my
|
|
glove slowly watching him he said my openwork sleeves were too cold for
|
|
the rain anything for an excuse to put his hand anear me drawers drawers
|
|
the whole blessed time till I promised to give him the pair off my doll
|
|
to carry about in his waistcoat pocket _O Maria Santisima_ he did look
|
|
a big fool dreeping in the rain splendid set of teeth he had made me
|
|
hungry to look at them and beseeched of me to lift the orange petticoat
|
|
I had on with the sunray pleats that there was nobody he said hed kneel
|
|
down in the wet if I didnt so persevering he would too and ruin his new
|
|
raincoat you never know what freak theyd take alone with you theyre so
|
|
savage for it if anyone was passing so I lifted them a bit and touched
|
|
his trousers outside the way I used to Gardner after with my ring hand
|
|
to keep him from doing worse where it was too public I was dying to find
|
|
out was he circumcised he was shaking like a jelly all over they want
|
|
to do everything too quick take all the pleasure out of it and father
|
|
waiting all the time for his dinner he told me to say I left my purse in
|
|
the butchers and had to go back for it what a Deceiver then he wrote me
|
|
that letter with all those words in it how could he have the face to any
|
|
woman after his company manners making it so awkward after when we met
|
|
asking me have I offended you with my eyelids down of course he saw I
|
|
wasnt he had a few brains not like that other fool Henny Doyle he was
|
|
always breaking or tearing something in the charades I hate an unlucky
|
|
man and if I knew what it meant of course I had to say no for form sake
|
|
dont understand you I said and wasnt it natural so it is of course
|
|
it used to be written up with a picture of a womans on that wall in
|
|
Gibraltar with that word I couldnt find anywhere only for children
|
|
seeing it too young then writing every morning a letter sometimes twice
|
|
a day I liked the way he made love then he knew the way to take a woman
|
|
when he sent me the 8 big poppies because mine was the 8th then I wrote
|
|
the night he kissed my heart at Dolphins barn I couldnt describe it
|
|
simply it makes you feel like nothing on earth but he never knew how to
|
|
embrace well like Gardner I hope hell come on Monday as he said at the
|
|
same time four I hate people who come at all hours answer the door you
|
|
think its the vegetables then its somebody and you all undressed or
|
|
the door of the filthy sloppy kitchen blows open the day old frostyface
|
|
Goodwin called about the concert in Lombard street and I just after
|
|
dinner all flushed and tossed with boiling old stew dont look at me
|
|
professor I had to say Im a fright yes but he was a real old gent in his
|
|
way it was impossible to be more respectful nobody to say youre out you
|
|
have to peep out through the blind like the messengerboy today I thought
|
|
it was a putoff first him sending the port and the peaches first and I
|
|
was just beginning to yawn with nerves thinking he was trying to make a
|
|
fool of me when I knew his tattarrattat at the door he must have been
|
|
a bit late because it was l/4 after 3 when I saw the 2 Dedalus girls
|
|
coming from school I never know the time even that watch he gave me
|
|
never seems to go properly Id want to get it looked after when I threw
|
|
the penny to that lame sailor for England home and beauty when I was
|
|
whistling there is a charming girl I love and I hadnt even put on my
|
|
clean shift or powdered myself or a thing then this day week were to go
|
|
to Belfast just as well he has to go to Ennis his fathers anniversary
|
|
the 27th it wouldnt be pleasant if he did suppose our rooms at the hotel
|
|
were beside each other and any fooling went on in the new bed I couldnt
|
|
tell him to stop and not bother me with him in the next room or perhaps
|
|
some protestant clergyman with a cough knocking on the wall then hed
|
|
never believe the next day we didnt do something its all very well a
|
|
husband but you cant fool a lover after me telling him we never did
|
|
anything of course he didnt believe me no its better hes going where
|
|
he is besides something always happens with him the time going to the
|
|
Mallow concert at Maryborough ordering boiling soup for the two of
|
|
us then the bell rang out he walks down the platform with the soup
|
|
splashing about taking spoonfuls of it hadnt he the nerve and the waiter
|
|
after him making a holy show of us screeching and confusion for the
|
|
engine to start but he wouldnt pay till he finished it the two gentlemen
|
|
in the 3rd class carriage said he was quite right so he was too hes so
|
|
pigheaded sometimes when he gets a thing into his head a good job he was
|
|
able to open the carriage door with his knife or theyd have taken us on
|
|
to Cork I suppose that was done out of revenge on him O I love jaunting
|
|
in a train or a car with lovely soft cushions I wonder will he take
|
|
a 1st class for me he might want to do it in the train by tipping the
|
|
guard well O I suppose therell be the usual idiots of men gaping at
|
|
us with their eyes as stupid as ever they can possibly be that was an
|
|
exceptional man that common workman that left us alone in the carriage
|
|
that day going to Howth Id like to find out something about him l or 2
|
|
tunnels perhaps then you have to look out of the window all the nicer
|
|
then coming back suppose I never came back what would they say eloped
|
|
with him that gets you on on the stage the last concert I sang at where
|
|
its over a year ago when was it St Teresas hall Clarendon St little
|
|
chits of missies they have now singing Kathleen Kearney and her like
|
|
on account of father being in the army and my singing the absentminded
|
|
beggar and wearing a brooch for Lord Roberts when I had the map of it
|
|
all and Poldy not Irish enough was it him managed it this time I wouldnt
|
|
put it past him like he got me on to sing in the _Stabat Mater_ by going
|
|
around saying he was putting Lead Kindly Light to music I put him up to
|
|
that till the jesuits found out he was a freemason thumping the piano
|
|
lead Thou me on copied from some old opera yes and he was going about
|
|
with some of them Sinner Fein lately or whatever they call themselves
|
|
talking his usual trash and nonsense he says that little man he showed
|
|
me without the neck is very intelligent the coming man Griffiths is he
|
|
well he doesnt look it thats all I can say still it must have been him
|
|
he knew there was a boycott I hate the mention of their politics after
|
|
the war that Pretoria and Ladysmith and Bloemfontein where Gardner lieut
|
|
Stanley G 8th Bn 2nd East Lancs Rgt of enteric fever he was a lovely
|
|
fellow in khaki and just the right height over me Im sure he was brave
|
|
too he said I was lovely the evening we kissed goodbye at the canal lock
|
|
my Irish beauty he was pale with excitement about going away or wed be
|
|
seen from the road he couldnt stand properly and I so hot as I never
|
|
felt they could have made their peace in the beginning or old oom Paul
|
|
and the rest of the other old Krugers go and fight it out between them
|
|
instead of dragging on for years killing any finelooking men there were
|
|
with their fever if he was even decently shot it wouldnt have been so
|
|
bad I love to see a regiment pass in review the first time I saw the
|
|
Spanish cavalry at La Roque it was lovely after looking across the bay
|
|
from Algeciras all the lights of the rock like fireflies or those sham
|
|
battles on the 15 acres the Black Watch with their kilts in time at the
|
|
march past the 10th hussars the prince of Wales own or the lancers O the
|
|
lancers theyre grand or the Dublins that won Tugela his father made his
|
|
money over selling the horses for the cavalry well he could buy me a
|
|
nice present up in Belfast after what I gave him theyve lovely linen up
|
|
there or one of those nice kimono things I must buy a mothball like I
|
|
had before to keep in the drawer with them it would be exciting going
|
|
round with him shopping buying those things in a new city better leave
|
|
this ring behind want to keep turning and turning to get it over the
|
|
knuckle there or they might bell it round the town in their papers or
|
|
tell the police on me but theyd think were married O let them all go and
|
|
smother themselves for the fat lot I care he has plenty of money and hes
|
|
not a marrying man so somebody better get it out of him if I could find
|
|
out whether he likes me I looked a bit washy of course when I looked
|
|
close in the handglass powdering a mirror never gives you the expression
|
|
besides scrooching down on me like that all the time with his big
|
|
hipbones hes heavy too with his hairy chest for this heat always having
|
|
to lie down for them better for him put it into me from behind the way
|
|
Mrs Mastiansky told me her husband made her like the dogs do it and
|
|
stick out her tongue as far as ever she could and he so quiet and mild
|
|
with his tingating cither can you ever be up to men the way it takes
|
|
them lovely stuff in that blue suit he had on and stylish tie and socks
|
|
with the skyblue silk things on them hes certainly well off I know by
|
|
the cut his clothes have and his heavy watch but he was like a perfect
|
|
devil for a few minutes after he came back with the stoppress tearing up
|
|
the tickets and swearing blazes because he lost 20 quid he said he lost
|
|
over that outsider that won and half he put on for me on account of
|
|
Lenehans tip cursing him to the lowest pits that sponger he was making
|
|
free with me after the Glencree dinner coming back that long joult over
|
|
the featherbed mountain after the lord Mayor looking at me with his
|
|
dirty eyes Val Dillon that big heathen I first noticed him at dessert
|
|
when I was cracking the nuts with my teeth I wished I could have picked
|
|
every morsel of that chicken out of my fingers it was so tasty
|
|
and browned and as tender as anything only for I didnt want to eat
|
|
everything on my plate those forks and fishslicers were hallmarked
|
|
silver too I wish I had some I could easily have slipped a couple into
|
|
my muff when I was playing with them then always hanging out of them for
|
|
money in a restaurant for the bit you put down your throat we have to
|
|
be thankful for our mangy cup of tea itself as a great compliment to be
|
|
noticed the way the world is divided in any case if its going to go on I
|
|
want at least two other good chemises for one thing and but I dont know
|
|
what kind of drawers he likes none at all I think didnt he say yes and
|
|
half the girls in Gibraltar never wore them either naked as God made
|
|
them that Andalusian singing her Manola she didnt make much secret of
|
|
what she hadnt yes and the second pair of silkette stockings is laddered
|
|
after one days wear I could have brought them back to Lewers this
|
|
morning and kicked up a row and made that one change them only not to
|
|
upset myself and run the risk of walking into him and ruining the whole
|
|
thing and one of those kidfitting corsets Id want advertised cheap in
|
|
the Gentlewoman with elastic gores on the hips he saved the one I have
|
|
but thats no good what did they say they give a delightful figure line
|
|
11/6 obviating that unsightly broad appearance across the lower back to
|
|
reduce flesh my belly is a bit too big Ill have to knock off the
|
|
stout at dinner or am I getting too fond of it the last they sent from
|
|
ORourkes was as flat as a pancake he makes his money easy Larry they
|
|
call him the old mangy parcel he sent at Xmas a cottage cake and a
|
|
bottle of hogwash he tried to palm off as claret that he couldnt get
|
|
anyone to drink God spare his spit for fear hed die of the drouth or
|
|
I must do a few breathing exercises I wonder is that antifat any good
|
|
might overdo it the thin ones are not so much the fashion now garters
|
|
that much I have the violet pair I wore today thats all he bought me
|
|
out of the cheque he got on the first O no there was the face lotion
|
|
I finished the last of yesterday that made my skin like new I told him
|
|
over and over again get that made up in the same place and dont forget
|
|
it God only knows whether he did after all I said to him 111 know by
|
|
the bottle anyway if not I suppose 111 only have to wash in my piss like
|
|
beeftea or chickensoup with some of that opoponax and violet I thought
|
|
it was beginning to look coarse or old a bit the skin underneath is much
|
|
finer where it peeled off there on my finger after the burn its a pity
|
|
it isnt all like that and the four paltry handkerchiefs about 6/- in all
|
|
sure you cant get on in this world without style all going in food and
|
|
rent when I get it Ill lash it around I tell you in fine style I always
|
|
want to throw a handful of tea into the pot measuring and mincing if
|
|
I buy a pair of old brogues itself do you like those new shoes yes how
|
|
much were they Ive no clothes at all the brown costume and the skirt and
|
|
jacket and the one at the cleaners 3 whats that for any woman cutting
|
|
up this old hat and patching up the other the men wont look at you and
|
|
women try to walk on you because they know youve no man then with all
|
|
the things getting dearer every day for the 4 years more I have of life
|
|
up to 35 no Im what am I at all 111 be 33 in September will I what O
|
|
well look at that Mrs Galbraith shes much older than me I saw her when
|
|
I was out last week her beautys on the wane she was a lovely woman
|
|
magnificent head of hair on her down to her waist tossing it back like
|
|
that like Kitty OShea in Grantham street 1st thing I did every morning
|
|
to look across see her combing it as if she loved it and was full of it
|
|
pity I only got to know her the day before we left and that Mrs Langtry
|
|
the jersey lily the prince of Wales was in love with I suppose hes like
|
|
the first man going the roads only for the name of a king theyre all
|
|
made the one way only a black mans Id like to try a beauty up to what
|
|
was she 45 there was some funny story about the jealous old husband what
|
|
was it at all and an oyster knife he went no he made her wear a kind
|
|
of a tin thing round her and the prince of Wales yes he had the oyster
|
|
knife cant be true a thing like that like some of those books he brings
|
|
me the works of Master Francois Somebody supposed to be a priest about
|
|
a child born out of her ear because her bumgut fell out a nice word for
|
|
any priest to write and her a--e as if any fool wouldnt know what that
|
|
meant I hate that pretending of all things with that old blackguards
|
|
face on him anybody can see its not true and that Ruby and Fair Tyrants
|
|
he brought me that twice I remember when I came to page 5 o the part
|
|
about where she hangs him up out of a hook with a cord flagellate
|
|
sure theres nothing for a woman in that all invention made up about he
|
|
drinking the champagne out of her slipper after the ball was over like
|
|
the infant Jesus in the crib at Inchicore in the Blessed Virgins arms
|
|
sure no woman could have a child that big taken out of her and I thought
|
|
first it came out of her side because how could she go to the chamber
|
|
when she wanted to and she a rich lady of course she felt honoured H R H
|
|
he was in Gibraltar the year I was born I bet he found lilies there too
|
|
where he planted the tree he planted more than that in his time he might
|
|
have planted me too if hed come a bit sooner then I wouldnt be here as
|
|
I am he ought to chuck that Freeman with the paltry few shillings
|
|
he knocks out of it and go into an office or something where hed get
|
|
regular pay or a bank where they could put him up on a throne to count
|
|
the money all the day of course he prefers plottering about the house
|
|
so you cant stir with him any side whats your programme today I wish hed
|
|
even smoke a pipe like father to get the smell of a man or pretending
|
|
to be mooching about for advertisements when he could have been in Mr
|
|
Cuffes still only for what he did then sending me to try and patch it up
|
|
I could have got him promoted there to be the manager he gave me a great
|
|
mirada once or twice first he was as stiff as the mischief really and
|
|
truly Mrs Bloom only I felt rotten simply with the old rubbishy dress
|
|
that I lost the leads out of the tails with no cut in it but theyre
|
|
coming into fashion again I bought it simply to please him I knew it was
|
|
no good by the finish pity I changed my mind of going to Todd and Bums
|
|
as I said and not Lees it was just like the shop itself rummage sale a
|
|
lot of trash I hate those rich shops get on your nerves nothing kills me
|
|
altogether only he thinks he knows a great lot about a womans dress and
|
|
cooking mathering everything he can scour off the shelves into it if
|
|
I went by his advices every blessed hat I put on does that suit me yes
|
|
take that thats alright the one like a weddingcake standing up miles
|
|
off my head he said suited me or the dishcover one coming down on my
|
|
backside on pins and needles about the shopgirl in that place in Grafton
|
|
street I had the misfortune to bring him into and she as insolent as
|
|
ever she could be with her smirk saying Im afraid were giving you too
|
|
much trouble what shes there for but I stared it out of her yes he was
|
|
awfully stiff and no wonder but he changed the second time he looked
|
|
Poldy pigheaded as usual like the soup but I could see him looking very
|
|
hard at my chest when he stood up to open the door for me it was nice of
|
|
him to show me out in any case Im extremely sorry Mrs Bloom believe me
|
|
without making it too marked the first time after him being insulted and
|
|
me being supposed to be his wife I just half smiled I know my chest was
|
|
out that way at the door when he said Im extremely sorry and Im sure you
|
|
were
|
|
|
|
yes I think he made them a bit firmer sucking them like that so long he
|
|
made me thirsty titties he calls them I had to laugh yes this one anyhow
|
|
stiff the nipple gets for the least thing Ill get him to keep that up
|
|
and Ill take those eggs beaten up with marsala fatten them out for him
|
|
what are all those veins and things curious the way its made 2 the same
|
|
in case of twins theyre supposed to represent beauty placed up there
|
|
like those statues in the museum one of them pretending to hide it with
|
|
her hand are they so beautiful of course compared with what a man looks
|
|
like with his two bags full and his other thing hanging down out of
|
|
him or sticking up at you like a hatrack no wonder they hide it with a
|
|
cabbageleaf that disgusting Cameron highlander behind the meat market or
|
|
that other wretch with the red head behind the tree where the statue
|
|
of the fish used to be when I was passing pretending he was pissing
|
|
standing out for me to see it with his babyclothes up to one side the
|
|
Queens own they were a nice lot its well the Surreys relieved them
|
|
theyre always trying to show it to you every time nearly I passed
|
|
outside the mens greenhouse near the Harcourt street station just to
|
|
try some fellow or other trying to catch my eye as if it was I of the
|
|
7 wonders of the world O and the stink of those rotten places the night
|
|
coming home with Poldy after the Comerfords party oranges and lemonade
|
|
to make you feel nice and watery I went into r of them it was so biting
|
|
cold I couldnt keep it when was that 93 the canal was frozen yes it was
|
|
a few months after a pity a couple of the Camerons werent there to see
|
|
me squatting in the mens place meadero I tried to draw a picture of
|
|
it before I tore it up like a sausage or something I wonder theyre not
|
|
afraid going about of getting a kick or a bang of something there the
|
|
woman is beauty of course thats admitted when he said I could pose for a
|
|
picture naked to some rich fellow in Holles street when he lost the
|
|
job in Helys and I was selling the clothes and strumming in the coffee
|
|
palace would I be like that bath of the nymph with my hair down yes only
|
|
shes younger or Im a little like that dirty bitch in that Spanish photo
|
|
he has nymphs used they go about like that I asked him about her and
|
|
that word met something with hoses in it and he came out with some
|
|
jawbreakers about the incarnation he never can explain a thing simply
|
|
the way a body can understand then he goes and burns the bottom out of
|
|
the pan all for his Kidney this one not so much theres the mark of his
|
|
teeth still where he tried to bite the nipple I had to scream out arent
|
|
they fearful trying to hurt you I had a great breast of milk with Milly
|
|
enough for two what was the reason of that he said I could have got a
|
|
pound a week as a wet nurse all swelled out the morning that delicate
|
|
looking student that stopped in no 28 with the Citrons Penrose nearly
|
|
caught me washing through the window only for I snapped up the towel to
|
|
my face that was his studenting hurt me they used to weaning her till he
|
|
got doctor Brady to give me the belladonna prescription I had to get him
|
|
to suck them they were so hard he said it was sweeter and thicker than
|
|
cows then he wanted to milk me into the tea well hes beyond everything I
|
|
declare somebody ought to put him in the budget if I only could remember
|
|
the I half of the things and write a book out of it the works of Master
|
|
Poldy yes and its so much smoother the skin much an hour he was at them
|
|
Im sure by the clock like some kind of a big infant I had at me they
|
|
want everything in their mouth all the pleasure those men get out of a
|
|
woman I can feel his mouth O Lord I must stretch myself I wished he was
|
|
here or somebody to let myself go with and come again like that I feel
|
|
all fire inside me or if I could dream it when he made me spend the 2nd
|
|
time tickling me behind with his finger I was coming for about 5 minutes
|
|
with my legs round him I had to hug him after O Lord I wanted to shout
|
|
out all sorts of things fuck or shit or anything at all only not to look
|
|
ugly or those lines from the strain who knows the way hed take it you
|
|
want to feel your way with a man theyre not all like him thank God some
|
|
of them want you to be so nice about it I noticed the contrast he does
|
|
it and doesnt talk I gave my eyes that look with my hair a bit loose
|
|
from the tumbling and my tongue between my lips up to him the savage
|
|
brute Thursday Friday one Saturday two Sunday three O Lord I cant wait
|
|
till Monday
|
|
|
|
frseeeeeeeefronnnng train somewhere whistling the strength those engines
|
|
have in them like big giants and the water rolling all over and out of
|
|
them all sides like the end of Loves old sweeeetsonnnng the poor men
|
|
that have to be out all the night from their wives and families in those
|
|
roasting engines stifling it was today Im glad I burned the half of
|
|
those old Freemans and Photo Bits leaving things like that lying about
|
|
hes getting very careless and threw the rest of them up in the W C 111
|
|
get him to cut them tomorrow for me instead of having them there for
|
|
the next year to get a few pence for them have him asking wheres last
|
|
Januarys paper and all those old overcoats I bundled out of the hall
|
|
making the place hotter than it is that rain was lovely and refreshing
|
|
just after my beauty sleep I thought it was going to get like Gibraltar
|
|
my goodness the heat there before the levanter came on black as night
|
|
and the glare of the rock standing up in it like a big giant compared
|
|
with their 3 Rock mountain they think is so great with the red sentries
|
|
here and there the poplars and they all whitehot and the smell of the
|
|
rainwater in those tanks watching the sun all the time weltering down on
|
|
you faded all that lovely frock fathers friend Mrs Stanhope sent me from
|
|
the B Marche paris what a shame my dearest Doggerina she wrote on it
|
|
she was very nice whats this her other name was just a p c to tell you I
|
|
sent the little present have just had a jolly warm bath and feel a very
|
|
clean dog now enjoyed it wogger she called him wogger wd give anything
|
|
to be back in Gib and hear you sing Waiting and in old Madrid Concone
|
|
is the name of those exercises he bought me one of those new some word
|
|
I couldnt make out shawls amusing things but tear for the least thing
|
|
still there lovely I think dont you will always think of the lovely teas
|
|
we had together scrumptious currant scones and raspberry wafers I adore
|
|
well now dearest Doggerina be sure and write soon kind she left out
|
|
regards to your father also captain Grove with love yrs affly Hester x
|
|
x x x x she didnt look a bit married just like a girl he was years older
|
|
than her wogger he was awfully fond of me when he held down the wire
|
|
with his foot for me to step over at the bullfight at La Linea when
|
|
that matador Gomez was given the bulls ear these clothes we have to wear
|
|
whoever invented them expecting you to walk up Killiney hill then for
|
|
example at that picnic all staysed up you cant do a blessed thing in
|
|
them in a crowd run or jump out of the way thats why I was afraid when
|
|
that other ferocious old Bull began to charge the banderilleros with
|
|
the sashes and the 2 things in their hats and the brutes of men shouting
|
|
bravo toro sure the women were as bad in their nice white mantillas
|
|
ripping all the whole insides out of those poor horses I never heard of
|
|
such a thing in all my life yes he used to break his heart at me taking
|
|
off the dog barking in bell lane poor brute and it sick what became
|
|
of them ever I suppose theyre dead long ago the 2 of them its like all
|
|
through a mist makes you feel so old I made the scones of course I had
|
|
everything all to myself then a girl Hester we used to compare our hair
|
|
mine was thicker than hers she showed me how to settle it at the back
|
|
when I put it up and whats this else how to make a knot on a thread with
|
|
the one hand we were like cousins what age was I then the night of the
|
|
storm I slept in her bed she had her arms round me then we were fighting
|
|
in the morning with the pillow what fun he was watching me whenever he
|
|
got an opportunity at the band on the Alameda esplanade when I was with
|
|
father and captain Grove I looked up at the church first and then at the
|
|
windows then down and our eyes met I felt something go through me like
|
|
all needles my eyes were dancing I remember after when I looked
|
|
at myself in the glass hardly recognised myself the change he was
|
|
attractive to a girl in spite of his being a little bald intelligent
|
|
looking disappointed and gay at the same time he was like Thomas in
|
|
the shadow of Ashlydyat I had a splendid skin from the sun and the
|
|
excitement like a rose I didnt get a wink of sleep it wouldnt have been
|
|
nice on account of her but I could have stopped it in time she gave me
|
|
the Moonstone to read that was the first I read of Wilkie Collins East
|
|
Lynne I read and the shadow of Ashlydyat Mrs Henry Wood Henry Dunbar by
|
|
that other woman I lent him afterwards with Mulveys photo in it so as he
|
|
see I wasnt without and Lord Lytton Eugene Aram Molly bawn she gave me
|
|
by Mrs Hungerford on account of the name I dont like books with a Molly
|
|
in them like that one he brought me about the one from Flanders a whore
|
|
always shoplifting anything she could cloth and stuff and yards of it
|
|
O this blanket is too heavy on me thats better I havent even one decent
|
|
nightdress this thing gets all rolled under me besides him and his
|
|
fooling thats better I used to be weltering then in the heat my shift
|
|
drenched with the sweat stuck in the cheeks of my bottom on the chair
|
|
when I stood up they were so fattish and firm when I got up on the sofa
|
|
cushions to see with my clothes up and the bugs tons of them at night
|
|
and the mosquito nets I couldnt read a line Lord how long ago it seems
|
|
centuries of course they never came back and she didnt put her address
|
|
right on it either she may have noticed her wogger people were always
|
|
going away and we never I remember that day with the waves and the
|
|
boats with their high heads rocking and the smell of ship those Officers
|
|
uniforms on shore leave made me seasick he didnt say anything he was
|
|
very serious I had the high buttoned boots on and my skirt was blowing
|
|
she kissed me six or seven times didnt I cry yes I believe I did or near
|
|
it my lips were taittering when I said goodbye she had a Gorgeous wrap
|
|
of some special kind of blue colour on her for the voyage made very
|
|
peculiarly to one side like and it was extremely pretty it got as dull
|
|
as the devil after they went I was almost planning to run away mad out
|
|
of it somewhere were never easy where we are father or aunt or marriage
|
|
waiting always waiting to guiiiide him toooo me waiting nor speeeed
|
|
his flying feet their damn guns bursting and booming all over the shop
|
|
especially the Queens birthday and throwing everything down in all
|
|
directions if you didnt open the windows when general Ulysses Grant
|
|
whoever he was or did supposed to be some great fellow landed off the
|
|
ship and old Sprague the consul that was there from before the flood
|
|
dressed up poor man and he in mourning for the son then the same old
|
|
bugles for reveille in the morning and drums rolling and the unfortunate
|
|
poor devils of soldiers walking about with messtins smelling the place
|
|
more than the old longbearded jews in their jellibees and levites
|
|
assembly and sound clear and gunfire for the men to cross the lines and
|
|
the warden marching with his keys to lock the gates and the bagpipes and
|
|
only captain Groves and father talking about Rorkes drift and Plevna and
|
|
sir Garnet Wolseley and Gordon at Khartoum lighting their pipes for
|
|
them everytime they went out drunken old devil with his grog on the
|
|
windowsill catch him leaving any of it picking his nose trying to think
|
|
of some other dirty story to tell up in a corner but he never forgot
|
|
himself when I was there sending me out of the room on some blind excuse
|
|
paying his compliments the Bushmills whisky talking of course but hed
|
|
do the same to the next woman that came along I suppose he died of
|
|
galloping drink ages ago the days like years not a letter from a living
|
|
soul except the odd few I posted to myself with bits of paper in them so
|
|
bored sometimes I could fight with my nails listening to that old Arab
|
|
with the one eye and his heass of an instrument singing his heah heah
|
|
aheah all my compriments on your hotchapotch of your heass as bad as now
|
|
with the hands hanging off me looking out of the window if there was a
|
|
nice fellow even in the opposite house that medical in Holles street the
|
|
nurse was after when I put on my gloves and hat at the window to show
|
|
I was going out not a notion what I meant arent they thick never
|
|
understand what you say even youd want to print it up on a big poster
|
|
for them not even if you shake hands twice with the left he didnt
|
|
recognise me either when I half frowned at him outside Westland row
|
|
chapel where does their great intelligence come in Id like to know
|
|
grey matter they have it all in their tail if you ask me those country
|
|
gougers up in the City Arms intelligence they had a damn sight less than
|
|
the bulls and cows they were selling the meat and the coalmans bell that
|
|
noisy bugger trying to swindle me with the wrong bill he took out of his
|
|
hat what a pair of paws and pots and pans and kettles to mend any broken
|
|
bottles for a poor man today and no visitors or post ever except his
|
|
cheques or some advertisement like that wonderworker they sent him
|
|
addressed dear Madam only his letter and the card from Milly this
|
|
morning see she wrote a letter to him who did I get the last letter from
|
|
O Mrs Dwenn now what possessed her to write from Canada after so many
|
|
years to know the recipe I had for pisto madrileno Floey Dillon since
|
|
she wrote to say she was married to a very rich architect if Im to
|
|
believe all I hear with a villa and eight rooms her father was an
|
|
awfully nice man he was near seventy always goodhumoured well now Miss
|
|
Tweedy or Miss Gillespie theres the piannyer that was a solid silver
|
|
coffee service he had too on the mahogany sideboard then dying so far
|
|
away I hate people that have always their poor story to tell everybody
|
|
has their own troubles that poor Nancy Blake died a month ago of acute
|
|
neumonia well I didnt know her so well as all that she was Floeys friend
|
|
more than mine poor Nancy its a bother having to answer he always tells
|
|
me the wrong things and no stops to say like making a speech your sad
|
|
bereavement symphathy I always make that mistake and newphew with 2
|
|
double yous in I hope hell write me a longer letter the next time if its
|
|
a thing he really likes me O thanks be to the great God I got somebody
|
|
to give me what I badly wanted to put some heart up into me youve no
|
|
chances at all in this place like you used long ago I wish somebody
|
|
would write me a loveletter his wasnt much and I told him he could write
|
|
what he liked yours ever Hugh Boylan in old Madrid stuff silly women
|
|
believe love is sighing I am dying still if he wrote it I suppose thered
|
|
be some truth in it true or no it fills up your whole day and life
|
|
always something to think about every moment and see it all round you
|
|
like a new world I could write the answer in bed to let him imagine me
|
|
short just a few words not those long crossed letters Atty Dillon used
|
|
to write to the fellow that was something in the four courts that jilted
|
|
her after out of the ladies letterwriter when I told her to say a few
|
|
simple words he could twist how he liked not acting with precipat precip
|
|
itancy with equal candour the greatest earthly happiness answer to a
|
|
gentlemans proposal affirmatively my goodness theres nothing else its
|
|
all very fine for them but as for being a woman as soon as youre old
|
|
they might as well throw you out in the bottom of the ashpit.
|
|
|
|
Mulveys was the first when I was in bed that morning and Mrs Rubio
|
|
brought it in with the coffee she stood there standing when I asked her
|
|
to hand me and I pointing at them I couldnt think of the word a hairpin
|
|
to open it with ah horquilla disobliging old thing and it staring her
|
|
in the face with her switch of false hair on her and vain about her
|
|
appearance ugly as she was near 80 or a loo her face a mass of wrinkles
|
|
with all her religion domineering because she never could get over the
|
|
Atlantic fleet coming in half the ships of the world and the Union Jack
|
|
flying with all her carabineros because 4 drunken English sailors took
|
|
all the rock from them and because I didnt run into mass often enough in
|
|
Santa Maria to please her with her shawl up on her except when there was
|
|
a marriage on with all her miracles of the saints and her black blessed
|
|
virgin with the silver dress and the sun dancing 3 times on Easter
|
|
Sunday morning and when the priest was going by with the bell bringing
|
|
the vatican to the dying blessing herself for his Majestad an admirer
|
|
he signed it I near jumped out of my skin I wanted to pick him up when
|
|
I saw him following me along the Calle Real in the shop window then
|
|
he tipped me just in passing but I never thought hed write making an
|
|
appointment I had it inside my petticoat bodice all day reading it up
|
|
in every hole and corner while father was up at the drill instructing to
|
|
find out by the handwriting or the language of stamps singing I remember
|
|
shall I wear a white rose and I wanted to put on the old stupid clock to
|
|
near the time he was the first man kissed me under the Moorish wall my
|
|
sweetheart when a boy it never entered my head what kissing meant till
|
|
he put his tongue in my mouth his mouth was sweetlike young I put my
|
|
knee up to him a few times to learn the way what did I tell him I was
|
|
engaged for for fun to the son of a Spanish nobleman named Don Miguel de
|
|
la Flora and he believed me that I was to be married to him in 3 years
|
|
time theres many a true word spoken in jest there is a flower that
|
|
bloometh a few things I told him true about myself just for him to be
|
|
imagining the Spanish girls he didnt like I suppose one of them wouldnt
|
|
have him I got him excited he crushed all the flowers on my bosom he
|
|
brought me he couldnt count the pesetas and the perragordas till I
|
|
taught him Cappoquin he came from he said on the black water but it was
|
|
too short then the day before he left May yes it was May when the infant
|
|
king of Spain was born Im always like that in the spring Id like a new
|
|
fellow every year up on the tiptop under the rockgun near OHaras tower
|
|
I told him it was struck by lightning and all about the old Barbary apes
|
|
they sent to Clapham without a tail careering all over the show on each
|
|
others back Mrs Rubio said she was a regular old rock scorpion robbing
|
|
the chickens out of Inces farm and throw stones at you if you went anear
|
|
he was looking at me I had that white blouse on open in the front to
|
|
encourage him as much as I could without too openly they were just
|
|
beginning to be plump I said I was tired we lay over the firtree cove
|
|
a wild place I suppose it must be the highest rock in existence the
|
|
galleries and casemates and those frightful rocks and Saint Michaels
|
|
cave with the icicles or whatever they call them hanging down and
|
|
ladders all the mud plotching my boots Im sure thats the way down the
|
|
monkeys go under the sea to Africa when they die the ships out far like
|
|
chips that was the Malta boat passing yes the sea and the sky you could
|
|
do what you liked lie there for ever he caressed them outside they love
|
|
doing that its the roundness there I was leaning over him with my white
|
|
ricestraw hat to take the newness out of it the left side of my face the
|
|
best my blouse open for his last day transparent kind of shirt he had I
|
|
could see his chest pink he wanted to touch mine with his for a moment
|
|
but I wouldnt lee him he was awfully put out first for fear you never
|
|
know consumption or leave me with a child embarazada that old servant
|
|
Ines told me that one drop even if it got into you at all after I tried
|
|
with the Banana but I was afraid it might break and get lost up in me
|
|
somewhere because they once took something down out of a woman that was
|
|
up there for years covered with limesalts theyre all mad to get in there
|
|
where they come out of youd think they could never go far enough up and
|
|
then theyre done with you in a way till the next time yes because theres
|
|
a wonderful feeling there so tender all the time how did we finish it
|
|
off yes O yes I pulled him off into my handkerchief pretending not to
|
|
be excited but I opened my legs I wouldnt let him touch me inside my
|
|
petticoat because I had a skirt opening up the side I tormented the
|
|
life out of him first tickling him I loved rousing that dog in the hotel
|
|
rrrsssstt awokwokawok his eyes shut and a bird flying below us he was
|
|
shy all the same I liked him like that moaning I made him blush a little
|
|
when I got over him that way when I unbuttoned him and took his out and
|
|
drew back the skin it had a kind of eye in it theyre all Buttons men
|
|
down the middle on the wrong side of them Molly darling he called me
|
|
what was his name Jack Joe Harry Mulvey was it yes I think a lieutenant
|
|
he was rather fair he had a laughing kind of a voice so I went round to
|
|
the whatyoucallit everything was whatyoucallit moustache had he he said
|
|
hed come back Lord its just like yesterday to me and if I was married
|
|
hed do it to me and I promised him yes faithfully Id let him block me
|
|
now flying perhaps hes dead or killed or a captain or admiral its nearly
|
|
20 years if I said firtree cove he would if he came up behind me and
|
|
put his hands over my eyes to guess who I might recognise him hes young
|
|
still about 40 perhaps hes married some girl on the black water and is
|
|
quite changed they all do they havent half the character a woman has she
|
|
little knows what I did with her beloved husband before he ever dreamt
|
|
of her in broad daylight too in the sight of the whole world you might
|
|
say they could have put an article about it in the Chronicle I was a bit
|
|
wild after when I blew out the old bag the biscuits were in from Benady
|
|
Bros and exploded it Lord what a bang all the woodcocks and pigeons
|
|
screaming coming back the same way that we went over middle hill round
|
|
by the old guardhouse and the jews burialplace pretending to read out
|
|
the Hebrew on them I wanted to fire his pistol he said he hadnt one he
|
|
didnt know what to make of me with his peak cap on that he always wore
|
|
crooked as often as I settled it straight H M S Calypso swinging my hat
|
|
that old Bishop that spoke off the altar his long preach about womans
|
|
higher functions about girls now riding the bicycle and wearing peak
|
|
caps and the new woman bloomers God send him sense and me more money I
|
|
suppose theyre called after him I never thought that would be my
|
|
name Bloom when I used to write it in print to see how it looked on a
|
|
visiting card or practising for the butcher and oblige M Bloom youre
|
|
looking blooming Josie used to say after I married him well its better
|
|
than Breen or Briggs does brig or those awful names with bottom in them
|
|
Mrs Ramsbottom or some other kind of a bottom Mulvey I wouldnt go mad
|
|
about either or suppose I divorced him Mrs Boylan my mother whoever she
|
|
was might have given me a nicer name the Lord knows after the lovely
|
|
one she had Lunita Laredo the fun we had running along Williss road to
|
|
Europa point twisting in and out all round the other side of Jersey they
|
|
were shaking and dancing about in my blouse like Millys little ones now
|
|
when she runs up the stairs I loved looking down at them I was jumping
|
|
up at the pepper trees and the white poplars pulling the leaves off and
|
|
throwing them at him he went to India he was to write the voyages those
|
|
men have to make to the ends of the world and back its the least they
|
|
might get a squeeze or two at a woman while they can going out to be
|
|
drowned or blown up somewhere I went up Windmill hill to the flats
|
|
that Sunday morning with captain Rubios that was dead spyglass like the
|
|
sentry had he said hed have one or two from on board I wore that frock
|
|
from the B Marche paris and the coral necklace the straits shining I
|
|
could see over to Morocco almost the bay of Tangier white and the Atlas
|
|
mountain with snow on it and the straits like a river so clear Harry
|
|
Molly darling I was thinking of him on the sea all the time after at
|
|
mass when my petticoat began to slip down at the elevation weeks and
|
|
weeks I kept the handkerchief under my pillow for the smell of him there
|
|
was no decent perfume to be got in that Gibraltar only that cheap peau
|
|
dEspagne that faded and left a stink on you more than anything else I
|
|
wanted to give him a memento he gave me that clumsy Claddagh ring for
|
|
luck that I gave Gardner going to south Africa where those Boers killed
|
|
him with their war and fever but they were well beaten all the same as
|
|
if it brought its bad luck with it like an opal or pearl still it must
|
|
have been pure 18 carrot gold because it was very heavy but what could
|
|
you get in a place like that the sandfrog shower from Africa and that
|
|
derelict ship that came up to the harbour Marie the Marie whatyoucallit
|
|
no he hadnt a moustache that was Gardner yes I can see his face
|
|
cleanshaven Frseeeeeeeeeeeeeeeeeeeefrong that train again weeping tone
|
|
once in the dear deaead days beyondre call close my eyes breath my lips
|
|
forward kiss sad look eyes open piano ere oer the world the mists began
|
|
I hate that istsbeg comes loves sweet sooooooooooong Ill let that out
|
|
full when I get in front of the footlights again Kathleen Kearney
|
|
and her lot of squealers Miss This Miss That Miss Theother lot of
|
|
sparrowfarts skitting around talking about politics they know as much
|
|
about as my backside anything in the world to make themselves someway
|
|
interesting Irish homemade beauties soldiers daughter am I ay and whose
|
|
are you bootmakers and publicans I beg your pardon coach I thought you
|
|
were a wheelbarrow theyd die down dead off their feet if ever they got
|
|
a chance of walking down the Alameda on an officers arm like me on the
|
|
bandnight my eyes flash my bust that they havent passion God help their
|
|
poor head I knew more about men and life when I was I S than theyll all
|
|
know at 50 they dont know how to sing a song like that Gardner said no
|
|
man could look at my mouth and teeth smiling like that and not think of
|
|
it I was afraid he mightnt like my accent first he so English all father
|
|
left me in spite of his stamps Ive my mothers eyes and figure anyhow
|
|
he always said theyre so snotty about themselves some of those cads he
|
|
wasnt a bit like that he was dead gone on my lips let them get a husband
|
|
first thats fit to be looked at and a daughter like mine or see if they
|
|
can excite a swell with money that can pick and choose whoever he wants
|
|
like Boylan to do it 4 or 5 times locked in each others arms or the
|
|
voice either I could have been a prima donna only I married him comes
|
|
looooves old deep down chin back not too much make it double My Ladys
|
|
Bower is too long for an encore about the moated grange at twilight and
|
|
vaunted rooms yes Ill sing Winds that blow from the south that he gave
|
|
after the choirstairs performance Ill change that lace on my black dress
|
|
to show off my bubs and Ill yes by God Ill get that big fan mended make
|
|
them burst with envy my hole is itching me always when I think of him I
|
|
feel I want to I feel some wind in me better go easy not wake him have
|
|
him at it again slobbering after washing every bit of myself back belly
|
|
and sides if we had even a bath itself or my own room anyway I wish hed
|
|
sleep in some bed by himself with his cold feet on me give us room even
|
|
to let a fart God or do the least thing better yes hold them like that
|
|
a bit on my side piano quietly sweeeee theres that train far away
|
|
pianissimo eeeee one more song
|
|
|
|
that was a relief wherever you be let your wind go free who knows if
|
|
that pork chop I took with my cup of tea after was quite good with the
|
|
heat I couldnt smell anything off it Im sure that queerlooking man in
|
|
the porkbutchers is a great rogue I hope that lamp is not smoking fill
|
|
my nose up with smuts better than having him leaving the gas on all
|
|
night I couldnt rest easy in my bed in Gibraltar even getting up to see
|
|
why am I so damned nervous about that though I like it in the winter its
|
|
more company O Lord it was rotten cold too that winter when I was
|
|
only about ten was I yes I had the big doll with all the funny clothes
|
|
dressing her up and undressing that icy wind skeeting across from those
|
|
mountains the something Nevada sierra nevada standing at the fire with
|
|
the little bit of a short shift I had up to heat myself I loved dancing
|
|
about in it then make a race back into bed Im sure that fellow opposite
|
|
used to be there the whole time watching with the lights out in the
|
|
summer and I in my skin hopping around I used to love myself then
|
|
stripped at the washstand dabbing and creaming only when it came to the
|
|
chamber performance I put out the light too so then there were 2 of us
|
|
goodbye to my sleep for this night anyhow I hope hes not going to get in
|
|
with those medicals leading him astray to imagine hes young again coming
|
|
in at 4 in the morning it must be if not more still he had the manners
|
|
not to wake me what do they find to gabber about all night squandering
|
|
money and getting drunker and drunker couldnt they drink water then he
|
|
starts giving us his orders for eggs and tea and Findon haddy and hot
|
|
buttered toast I suppose well have him sitting up like the king of
|
|
the country pumping the wrong end of the spoon up and down in his egg
|
|
wherever he learned that from and I love to hear him falling up the
|
|
stairs of a morning with the cups rattling on the tray and then play
|
|
with the cat she rubs up against you for her own sake I wonder has she
|
|
fleas shes as bad as a woman always licking and lecking but I hate their
|
|
claws I wonder do they see anything that we cant staring like that when
|
|
she sits at the top of the stairs so long and listening as I wait always
|
|
what a robber too that lovely fresh place I bought I think Ill get a bit
|
|
of fish tomorrow or today is it Friday yes I will with some blancmange
|
|
with black currant jam like long ago not those 2 lb pots of mixed plum
|
|
and apple from the London and Newcastle Williams and Woods goes twice as
|
|
far only for the bones I hate those eels cod yes Ill get a nice piece
|
|
of cod Im always getting enough for 3 forgetting anyway Im sick of that
|
|
everlasting butchers meat from Buckleys loin chops and leg beef and rib
|
|
steak and scrag of mutton and calfs pluck the very name is enough or
|
|
a picnic suppose we all gave 5/- each and or let him pay it and invite
|
|
some other woman for him who Mrs Fleming and drove out to the furry glen
|
|
or the strawberry beds wed have him examining all the horses toenails
|
|
first like he does with the letters no not with Boylan there yes with
|
|
some cold veal and ham mixed sandwiches there are little houses down
|
|
at the bottom of the banks there on purpose but its as hot as blazes he
|
|
says not a bank holiday anyhow I hate those ruck of Mary Ann coalboxes
|
|
out for the day Whit Monday is a cursed day too no wonder that bee bit
|
|
him better the seaside but Id never again in this life get into a boat
|
|
with him after him at Bray telling the boatman he knew how to row if
|
|
anyone asked could he ride the steeplechase for the gold cup hed say
|
|
yes then it came on to get rough the old thing crookeding about and the
|
|
weight all down my side telling me pull the right reins now pull the
|
|
left and the tide all swamping in floods in through the bottom and his
|
|
oar slipping out of the stirrup its a mercy we werent all drowned he can
|
|
swim of course me no theres no danger whatsoever keep yourself calm in
|
|
his flannel trousers Id like to have tattered them down off him before
|
|
all the people and give him what that one calls flagellate till he was
|
|
black and blue do him all the good in the world only for that longnosed
|
|
chap I dont know who he is with that other beauty Burke out of the City
|
|
Arms hotel was there spying around as usual on the slip always where he
|
|
wasnt wanted if there was a row on youd vomit a better face there was no
|
|
love lost between us thats 1 consolation I wonder what kind is that book
|
|
he brought me Sweets of Sin by a gentleman of fashion some other Mr de
|
|
Kock I suppose the people gave him that nickname going about with his
|
|
tube from one woman to another I couldnt even change my new white shoes
|
|
all ruined with the saltwater and the hat I had with that feather all
|
|
blowy and tossed on me how annoying and provoking because the smell of
|
|
the sea excited me of course the sardines and the bream in Catalan bay
|
|
round the back of the rock they were fine all silver in the fishermens
|
|
baskets old Luigi near a hundred they said came from Genoa and the tall
|
|
old chap with the earrings I dont like a man you have to climb up to to
|
|
get at I suppose theyre all dead and rotten long ago besides I dont like
|
|
being alone in this big barracks of a place at night I suppose Ill have
|
|
to put up with it I never brought a bit of salt in even when we moved
|
|
in the confusion musical academy he was going to make on the first floor
|
|
drawingroom with a brassplate or Blooms private hotel he suggested go
|
|
and ruin himself altogether the way his father did down in Ennis like
|
|
all the things he told father he was going to do and me but I saw
|
|
through him telling me all the lovely places we could go for the
|
|
honeymoon Venice by moonlight with the gondolas and the lake of Como he
|
|
had a picture cut out of some paper of and mandolines and lanterns O
|
|
how nice I said whatever I liked he was going to do immediately if
|
|
not sooner will you be my man will you carry my can he ought to get a
|
|
leather medal with a putty rim for all the plans he invents then leaving
|
|
us here all day youd never know what old beggar at the door for a crust
|
|
with his long story might be a tramp and put his foot in the way to
|
|
prevent me shutting it like that picture of that hardened criminal he
|
|
was called in Lloyds Weekly news 20 years in jail then he comes out and
|
|
murders an old woman for her money imagine his poor wife or mother or
|
|
whoever she is such a face youd run miles away from I couldnt rest easy
|
|
till I bolted all the doors and windows to make sure but its worse again
|
|
being locked up like in a prison or a madhouse they ought to be all shot
|
|
or the cat of nine tails a big brute like that that would attack a poor
|
|
old woman to murder her in her bed Id cut them off him so I would not
|
|
that hed be much use still better than nothing the night I was sure
|
|
I heard burglars in the kitchen and he went down in his shirt with a
|
|
candle and a poker as if he was looking for a mouse as white as a sheet
|
|
frightened out of his wits making as much noise as he possibly could
|
|
for the burglars benefit there isnt much to steal indeed the Lord knows
|
|
still its the feeling especially now with Milly away such an idea for
|
|
him to send the girl down there to learn to take photographs on account
|
|
of his grandfather instead of sending her to Skerrys academy where shed
|
|
have to learn not like me getting all IS at school only hed do a thing
|
|
like that all the same on account of me and Boylan thats why he did
|
|
it Im certain the way he plots and plans everything out I couldnt turn
|
|
round with her in the place lately unless I bolted the door first gave
|
|
me the fidgets coming in without knocking first when I put the chair
|
|
against the door just as I was washing myself there below with the glove
|
|
get on your nerves then doing the loglady all day put her in a glasscase
|
|
with two at a time to look at her if he knew she broke off the hand off
|
|
that little gimcrack statue with her roughness and carelessness before
|
|
she left that I got that little Italian boy to mend so that you cant
|
|
see the join for 2 shillings wouldnt even teem the potatoes for you of
|
|
course shes right not to ruin her hands I noticed he was always talking
|
|
to her lately at the table explaining things in the paper and she
|
|
pretending to understand sly of course that comes from his side of the
|
|
house he cant say I pretend things can he Im too honest as a matter of
|
|
fact and helping her into her coat but if there was anything wrong with
|
|
her its me shed tell not him I suppose he thinks Im finished out and
|
|
laid on the shelf well Im not no nor anything like it well see well see
|
|
now shes well on for flirting too with Tom Devans two sons imitating
|
|
me whistling with those romps of Murray girls calling for her can Milly
|
|
come out please shes in great demand to pick what they can out of her
|
|
round in Nelson street riding Harry Devans bicycle at night its as well
|
|
he sent her where she is she was just getting out of bounds wanting to
|
|
go on the skatingrink and smoking their cigarettes through their nose I
|
|
smelt it off her dress when I was biting off the thread of the button
|
|
I sewed on to the bottom of her jacket she couldnt hide much from me I
|
|
tell you only I oughtnt to have stitched it and it on her it brings a
|
|
parting and the last plumpudding too split in 2 halves see it comes out
|
|
no matter what they say her tongue is a bit too long for my taste
|
|
your blouse is open too low she says to me the pan calling the kettle
|
|
blackbottom and I had to tell her not to cock her legs up like that on
|
|
show on the windowsill before all the people passing they all look at
|
|
her like me when I was her age of course any old rag looks well on
|
|
you then a great touchmenot too in her own way at the Only Way in the
|
|
Theatre royal take your foot away out of that I hate people touching
|
|
me afraid of her life Id crush her skirt with the pleats a lot of that
|
|
touching must go on in theatres in the crush in the dark theyre always
|
|
trying to wiggle up to you that fellow in the pit at the Gaiety for
|
|
Beerbohm Tree in Trilby the last time Ill ever go there to be squashed
|
|
like that for any Trilby or her barebum every two minutes tipping me
|
|
there and looking away hes a bit daft I think I saw him after trying to
|
|
get near two stylishdressed ladies outside Switzers window at the same
|
|
little game I recognised him on the moment the face and everything but
|
|
he didnt remember me yes and she didnt even want me to kiss her at the
|
|
Broadstone going away well I hope shell get someone to dance attendance
|
|
on her the way I did when she was down with the mumps and her glands
|
|
swollen wheres this and wheres that of course she cant feel anything
|
|
deep yet I never came properly till I was what 22 or so it went into the
|
|
wrong place always only the usual girls nonsense and giggling that
|
|
Conny Connolly writing to her in white ink on black paper sealed with
|
|
sealingwax though she clapped when the curtain came down because he
|
|
looked so handsome then we had Martin Harvey for breakfast dinner and
|
|
supper I thought to myself afterwards it must be real love if a man
|
|
gives up his life for her that way for nothing I suppose there are a
|
|
few men like that left its hard to believe in it though unless it really
|
|
happened to me the majority of them with not a particle of love in their
|
|
natures to find two people like that nowadays full up of each other that
|
|
would feel the same way as you do theyre usually a bit foolish in the
|
|
head his father must have been a bit queer to go and poison himself
|
|
after her still poor old man I suppose he felt lost shes always making
|
|
love to my things too the few old rags I have wanting to put her hair up
|
|
at I S my powder too only ruin her skin on her shes time enough for that
|
|
all her life after of course shes restless knowing shes pretty with her
|
|
lips so red a pity they wont stay that way I was too but theres no use
|
|
going to the fair with the thing answering me like a fishwoman when
|
|
I asked to go for a half a stone of potatoes the day we met Mrs Joe
|
|
Gallaher at the trottingmatches and she pretended not to see us in her
|
|
trap with Friery the solicitor we werent grand enough till I gave her 2
|
|
damn fine cracks across the ear for herself take that now for answering
|
|
me like that and that for your impudence she had me that exasperated of
|
|
course contradicting I was badtempered too because how was it there was
|
|
a weed in the tea or I didnt sleep the night before cheese I ate was it
|
|
and I told her over and over again not to leave knives crossed like that
|
|
because she has nobody to command her as she said herself well if he
|
|
doesnt correct her faith I will that was the last time she turned on the
|
|
teartap I was just like that myself they darent order me about the place
|
|
its his fault of course having the two of us slaving here instead of
|
|
getting in a woman long ago am I ever going to have a proper servant
|
|
again of course then shed see him coming Id have to let her know or shed
|
|
revenge it arent they a nuisance that old Mrs Fleming you have to be
|
|
walking round after her putting the things into her hands sneezing and
|
|
farting into the pots well of course shes old she cant help it a good
|
|
job I found that rotten old smelly dishcloth that got lost behind the
|
|
dresser I knew there was something and opened the area window to let out
|
|
the smell bringing in his friends to entertain them like the night he
|
|
walked home with a dog if you please that might have been mad especially
|
|
Simon Dedalus son his father such a criticiser with his glasses up with
|
|
his tall hat on him at the cricket match and a great big hole in his
|
|
sock one thing laughing at the other and his son that got all those
|
|
prizes for whatever he won them in the intermediate imagine climbing
|
|
over the railings if anybody saw him that knew us I wonder he didnt tear
|
|
a big hole in his grand funeral trousers as if the one nature gave wasnt
|
|
enough for anybody hawking him down into the dirty old kitchen now is he
|
|
right in his head I ask pity it wasnt washing day my old pair of drawers
|
|
might have been hanging up too on the line on exhibition for all hed
|
|
ever care with the ironmould mark the stupid old bundle burned on them
|
|
he might think was something else and she never even rendered down the
|
|
fat I told her and now shes going such as she was on account of her
|
|
paralysed husband getting worse theres always something wrong with them
|
|
disease or they have to go under an operation or if its not that its
|
|
drink and he beats her Ill have to hunt around again for someone every
|
|
day I get up theres some new thing on sweet God sweet God well when Im
|
|
stretched out dead in my grave I suppose 111 have some peace I want to
|
|
get up a minute if Im let wait O Jesus wait yes that thing has come on
|
|
me yes now wouldnt that afflict you of course all the poking and rooting
|
|
and ploughing he had up in me now what am I to do Friday Saturday Sunday
|
|
wouldnt that pester the soul out of a body unless he likes it some men
|
|
do God knows theres always something wrong with us 5 days every 3 or 4
|
|
weeks usual monthly auction isnt it simply sickening that night it came
|
|
on me like that the one and only time we were in a box that Michael Gunn
|
|
gave him to see Mrs Kendal and her husband at the Gaiety something he
|
|
did about insurance for him in Drimmies I was fit to be tied though I
|
|
wouldnt give in with that gentleman of fashion staring down at me with
|
|
his glasses and him the other side of me talking about Spinoza and his
|
|
soul thats dead I suppose millions of years ago I smiled the best I
|
|
could all in a swamp leaning forward as if I was interested having to
|
|
sit it out then to the last tag I wont forget that wife of Scarli in
|
|
a hurry supposed to be a fast play about adultery that idiot in the
|
|
gallery hissing the woman adulteress he shouted I suppose he went and
|
|
had a woman in the next lane running round all the back ways after
|
|
to make up for it I wish he had what I had then hed boo I bet the cat
|
|
itself is better off than us have we too much blood up in us or what O
|
|
patience above its pouring out of me like the sea anyhow he didnt make
|
|
me pregnant as big as he is I dont want to ruin the clean sheets I just
|
|
put on I suppose the clean linen I wore brought it on too damn it damn
|
|
it and they always want to see a stain on the bed to know youre a virgin
|
|
for them all thats troubling them theyre such fools too you could be a
|
|
widow or divorced 40 times over a daub of red ink would do or blackberry
|
|
juice no thats too purply O Jamesy let me up out of this pooh sweets of
|
|
sin whoever suggested that business for women what between clothes and
|
|
cooking and children this damned old bed too jingling like the dickens
|
|
I suppose they could hear us away over the other side of the park till I
|
|
suggested to put the quilt on the floor with the pillow under my bottom
|
|
I wonder is it nicer in the day I think it is easy I think Ill cut
|
|
all this hair off me there scalding me I might look like a young girl
|
|
wouldnt he get the great suckin the next time he turned up my clothes on
|
|
me Id give anything to see his face wheres the chamber gone easy Ive a
|
|
holy horror of its breaking under me after that old commode I wonder
|
|
was I too heavy sitting on his knee I made him sit on the easychair
|
|
purposely when I took off only my blouse and skirt first in the other
|
|
room he was so busy where he oughtnt to be he never felt me I hope my
|
|
breath was sweet after those kissing comfits easy God I remember one
|
|
time I could scout it out straight whistling like a man almost easy O
|
|
Lord how noisy I hope theyre bubbles on it for a wad of money from some
|
|
fellow 111 have to perfume it in the morning dont forget I bet he
|
|
never saw a better pair of thighs than that look how white they are the
|
|
smoothest place is right there between this bit here how soft like a
|
|
peach easy God I wouldnt mind being a man and get up on a lovely woman
|
|
O Lord what a row youre making like the jersey lily easy easy O how the
|
|
waters come down at Lahore
|
|
|
|
who knows is there anything the matter with my insides or have I
|
|
something growing in me getting that thing like that every week when was
|
|
it last I Whit Monday yes its only about 3 weeks I ought to go to the
|
|
doctor only it would be like before I married him when I had that white
|
|
thing coming from me and Floey made me go to that dry old stick Dr
|
|
Collins for womens diseases on Pembroke road your vagina he called it I
|
|
suppose thats how he got all the gilt mirrors and carpets getting round
|
|
those rich ones off Stephens green running up to him for every little
|
|
fiddlefaddle her vagina and her cochinchina theyve money of course so
|
|
theyre all right I wouldnt marry him not if he was the last man in
|
|
the world besides theres something queer about their children always
|
|
smelling around those filthy bitches all sides asking me if what I did
|
|
had an offensive odour what did he want me to do but the one thing gold
|
|
maybe what a question if I smathered it all over his wrinkly old face
|
|
for him with all my compriments I suppose hed know then and could you
|
|
pass it easily pass what I thought he was talking about the rock of
|
|
Gibraltar the way he put it thats a very nice invention too by the
|
|
way only I like letting myself down after in the hole as far as I can
|
|
squeeze and pull the chain then to flush it nice cool pins and needles
|
|
still theres something in it I suppose I always used to know by Millys
|
|
when she was a child whether she had worms or not still all the same
|
|
paying him for that how much is that doctor one guinea please and asking
|
|
me had I frequent omissions where do those old fellows get all the words
|
|
they have omissions with his shortsighted eyes on me cocked sideways I
|
|
wouldnt trust him too far to give me chloroform or God knows what else
|
|
still I liked him when he sat down to write the thing out frowning so
|
|
severe his nose intelligent like that you be damned you lying strap O
|
|
anything no matter who except an idiot he was clever enough to spot
|
|
that of course that was all thinking of him and his mad crazy letters
|
|
my Precious one everything connected with your glorious Body everything
|
|
underlined that comes from it is a thing of beauty and of joy for ever
|
|
something he got out of some nonsensical book that he had me always at
|
|
myself 4 and 5 times a day sometimes and I said I hadnt are you sure
|
|
O yes I said I am quite sure in a way that shut him up I knew what was
|
|
coming next only natural weakness it was he excited me I dont know how
|
|
the first night ever we met when I was living in Rehoboth terrace we
|
|
stood staring at one another for about lo minutes as if we met somewhere
|
|
I suppose on account of my being jewess looking after my mother he used
|
|
to amuse me the things he said with the half sloothering smile on him
|
|
and all the Doyles said he was going to stand for a member of Parliament
|
|
O wasnt I the born fool to believe all his blather about home rule
|
|
and the land league sending me that long strool of a song out of the
|
|
Huguenots to sing in French to be more classy O beau pays de la Touraine
|
|
that I never even sang once explaining and rigmaroling about religion
|
|
and persecution he wont let you enjoy anything naturally then might he
|
|
as a great favour the very 1st opportunity he got a chance in Brighton
|
|
square running into my bedroom pretending the ink got on his hands to
|
|
wash it off with the Albion milk and sulphur soap I used to use and the
|
|
gelatine still round it O I laughed myself sick at him that day I better
|
|
not make an alnight sitting on this affair they ought to make chambers a
|
|
natural size so that a woman could sit on it properly he kneels down to
|
|
do it I suppose there isnt in all creation another man with the habits
|
|
he has look at the way hes sleeping at the foot of the bed how can he
|
|
without a hard bolster its well he doesnt kick or he might knock out
|
|
all my teeth breathing with his hand on his nose like that Indian god
|
|
he took me to show one wet Sunday in the museum in Kildare street all
|
|
yellow in a pinafore lying on his side on his hand with his ten toes
|
|
sticking out that he said was a bigger religion than the jews and
|
|
Our Lords both put together all over Asia imitating him as hes always
|
|
imitating everybody I suppose he used to sleep at the foot of the bed
|
|
too with his big square feet up in his wifes mouth damn this stinking
|
|
thing anyway wheres this those napkins are ah yes I know I hope the old
|
|
press doesnt creak ah I knew it would hes sleeping hard had a good time
|
|
somewhere still she must have given him great value for his money of
|
|
course he has to pay for it from her O this nuisance of a thing I hope
|
|
theyll have something better for us in the other world tying ourselves
|
|
up God help us thats all right for tonight now the lumpy old jingly
|
|
bed always reminds me of old Cohen I suppose he scratched himself in it
|
|
often enough and he thinks father bought it from Lord Napier that I used
|
|
to admire when I was a little girl because I told him easy piano O
|
|
I like my bed God here we are as bad as ever after 16 years how many
|
|
houses were we in at all Raymond terrace and Ontario terrace and Lombard
|
|
street and Holles street and he goes about whistling every time were on
|
|
the run again his huguenots or the frogs march pretending to help the
|
|
men with our 4 sticks of furniture and then the City Arms hotel worse
|
|
and worse says Warden Daly that charming place on the landing always
|
|
somebody inside praying then leaving all their stinks after them
|
|
always know who was in there last every time were just getting on right
|
|
something happens or he puts his big foot in it Thoms and Helys and Mr
|
|
Cuffes and Drimmies either hes going to be run into prison over his old
|
|
lottery tickets that was to be all our salvations or he goes and gives
|
|
impudence well have him coming home with the sack soon out of the
|
|
Freeman too like the rest on account of those Sinner Fein or the
|
|
freemasons then well see if the little man he showed me dribbling
|
|
along in the wet all by himself round by Coadys lane will give him much
|
|
consolation that he says is so capable and sincerely Irish he is indeed
|
|
judging by the sincerity of the trousers I saw on him wait theres
|
|
Georges church bells wait 3 quarters the hour l wait 2 oclock well
|
|
thats a nice hour of the night for him to be coming home at to anybody
|
|
climbing down into the area if anybody saw him Ill knock him off that
|
|
little habit tomorrow first Ill look at his shirt to see or Ill see if
|
|
he has that French letter still in his pocketbook I suppose he thinks I
|
|
dont know deceitful men all their 20 pockets arent enough for their lies
|
|
then why should we tell them even if its the truth they dont believe you
|
|
then tucked up in bed like those babies in the Aristocrats Masterpiece
|
|
he brought me another time as if we hadnt enough of that in real life
|
|
without some old Aristocrat or whatever his name is disgusting you more
|
|
with those rotten pictures children with two heads and no legs thats the
|
|
kind of villainy theyre always dreaming about with not another thing in
|
|
their empty heads they ought to get slow poison the half of them then
|
|
tea and toast for him buttered on both sides and newlaid eggs I suppose
|
|
Im nothing any more when I wouldnt let him lick me in Holles street one
|
|
night man man tyrant as ever for the one thing he slept on the floor
|
|
half the night naked the way the jews used when somebody dies belonged
|
|
to them and wouldnt eat any breakfast or speak a word wanting to be
|
|
petted so I thought I stood out enough for one time and let him he does
|
|
it all wrong too thinking only of his own pleasure his tongue is too
|
|
flat or I dont know what he forgets that wethen I dont Ill make him do
|
|
it again if he doesnt mind himself and lock him down to sleep in the
|
|
coalcellar with the blackbeetles I wonder was it her Josie off her head
|
|
with my castoffs hes such a born liar too no hed never have the courage
|
|
with a married woman thats why he wants me and Boylan though as for her
|
|
Denis as she calls him that forlornlooking spectacle you couldnt call
|
|
him a husband yes its some little bitch hes got in with even when I was
|
|
with him with Milly at the College races that Hornblower with the childs
|
|
bonnet on the top of his nob let us into by the back way he was throwing
|
|
his sheeps eyes at those two doing skirt duty up and down I tried to
|
|
wink at him first no use of course and thats the way his money goes this
|
|
is the fruits of Mr Paddy Dignam yes they were all in great style at the
|
|
grand funeral in the paper Boylan brought in if they saw a real officers
|
|
funeral thatd be something reversed arms muffled drums the poor horse
|
|
walking behind in black L Boom and Tom Kernan that drunken little
|
|
barrelly man that bit his tongue off falling down the mens W C drunk
|
|
in some place or other and Martin Cunningham and the two Dedaluses and
|
|
Fanny MCoys husband white head of cabbage skinny thing with a turn in
|
|
her eye trying to sing my songs shed want to be born all over again and
|
|
her old green dress with the lowneck as she cant attract them any other
|
|
way like dabbling on a rainy day I see it all now plainly and they call
|
|
that friendship killing and then burying one another and they all with
|
|
their wives and families at home more especially Jack Power keeping that
|
|
barmaid he does of course his wife is always sick or going to be sick
|
|
or just getting better of it and hes a goodlooking man still though
|
|
hes getting a bit grey over the ears theyre a nice lot all of them well
|
|
theyre not going to get my husband again into their clutches if I can
|
|
help it making fun of him then behind his back I know well when he goes
|
|
on with his idiotics because he has sense enough not to squander every
|
|
penny piece he earns down their gullets and looks after his wife and
|
|
family goodfornothings poor Paddy Dignam all the same Im sorry in a
|
|
way for him what are his wife and 5 children going to do unless he was
|
|
insured comical little teetotum always stuck up in some pub corner and
|
|
her or her son waiting Bill Bailey wont you please come home her widows
|
|
weeds wont improve her appearance theyre awfully becoming though if
|
|
youre goodlooking what men wasnt he yes he was at the Glencree dinner
|
|
and Ben Dollard base barreltone the night he borrowed the swallowtail
|
|
to sing out of in Holles street squeezed and squashed into them and
|
|
grinning all over his big Dolly face like a wellwhipped childs botty
|
|
didnt he look a balmy ballocks sure enough that must have been a
|
|
spectacle on the stage imagine paying 5/- in the preserved seats for
|
|
that to see him trotting off in his trowlers and Simon Dedalus too he
|
|
was always turning up half screwed singing the second verse first the
|
|
old love is the new was one of his so sweetly sang the maiden on the
|
|
hawthorn bough he was always on for flirtyfying too when I sang Maritana
|
|
with him at Freddy Mayers private opera he had a delicious glorious
|
|
voice Phoebe dearest goodbye _sweet_heart sweetheart he always sang it
|
|
not like Bartell Darcy sweet tart goodbye of course he had the gift of
|
|
the voice so there was no art in it all over you like a warm showerbath
|
|
O Maritana wildwood flower we sang splendidly though it was a bit too
|
|
high for my register even transposed and he was married at the time to
|
|
May Goulding but then hed say or do something to knock the good out of
|
|
it hes a widower now I wonder what sort is his son he says hes an author
|
|
and going to be a university professor of Italian and Im to take lessons
|
|
what is he driving at now showing him my photo its not good of me I
|
|
ought to have got it taken in drapery that never looks out of fashion
|
|
still I look young in it I wonder he didnt make him a present of it
|
|
altogether and me too after all why not I saw him driving down to the
|
|
Kingsbridge station with his father and mother I was in mourning thats
|
|
11 years ago now yes hed be 11 though what was the good in going into
|
|
mourning for what was neither one thing nor the other the first cry was
|
|
enough for me I heard the deathwatch too ticking in the wall of course
|
|
he insisted hed go into mourning for the cat I suppose hes a man now by
|
|
this time he was an innocent boy then and a darling little fellow in his
|
|
lord Fauntleroy suit and curly hair like a prince on the stage when I
|
|
saw him at Mat Dillons he liked me too I remember they all do wait by
|
|
God yes wait yes hold on he was on the cards this morning when I laid
|
|
out the deck union with a young stranger neither dark nor fair you met
|
|
before I thought it meant him but hes no chicken nor a stranger either
|
|
besides my face was turned the other way what was the 7th card after
|
|
that the 10 of spades for a journey by land then there was a letter on
|
|
its way and scandals too the 3 queens and the 8 of diamonds for a rise
|
|
in society yes wait it all came out and 2 red 8s for new garments look
|
|
at that and didnt I dream something too yes there was something about
|
|
poetry in it I hope he hasnt long greasy hair hanging into his eyes or
|
|
standing up like a red Indian what do they go about like that for only
|
|
getting themselves and their poetry laughed at I always liked poetry
|
|
when I was a girl first I thought he was a poet like lord Byron and not
|
|
an ounce of it in his composition I thought he was quite different I
|
|
wonder is he too young hes about wait 88 I was married 88 Milly is 15
|
|
yesterday 89 what age was he then at Dillons 5 or 6 about 88 I suppose
|
|
hes 20 or more Im not too old for him if hes 23 or 24 I hope hes not
|
|
that stuckup university student sort no otherwise he wouldnt go sitting
|
|
down in the old kitchen with him taking Eppss cocoa and talking of
|
|
course he pretended to understand it all probably he told him he was
|
|
out of Trinity college hes very young to be a professor I hope hes not
|
|
a professor like Goodwin was he was a potent professor of John Jameson
|
|
they all write about some woman in their poetry well I suppose he wont
|
|
find many like me where softly sighs of love the light guitar where
|
|
poetry is in the air the blue sea and the moon shining so beautifully
|
|
coming back on the nightboat from Tarifa the lighthouse at Europa point
|
|
the guitar that fellow played was so expressive will I ever go back
|
|
there again all new faces two glancing eyes a lattice hid Ill sing that
|
|
for him theyre my eyes if hes anything of a poet two eyes as darkly
|
|
bright as loves own star arent those beautiful words as loves young star
|
|
itll be a change the Lord knows to have an intelligent person to talk
|
|
to about yourself not always listening to him and Billy Prescotts ad
|
|
and Keyess ad and Tom the Devils ad then if anything goes wrong in their
|
|
business we have to suffer Im sure hes very distinguished Id like to
|
|
meet a man like that God not those other ruck besides hes young those
|
|
fine young men I could see down in Margate strand bathingplace from the
|
|
side of the rock standing up in the sun naked like a God or something
|
|
and then plunging into the sea with them why arent all men like that
|
|
thered be some consolation for a woman like that lovely little statue he
|
|
bought I could look at him all day long curly head and his shoulders
|
|
his finger up for you to listen theres real beauty and poetry for you
|
|
I often felt I wanted to kiss him all over also his lovely young cock
|
|
there so simple I wouldnt mind taking him in my mouth if nobody was
|
|
looking as if it was asking you to suck it so clean and white he looks
|
|
with his boyish face I would too in 1/2 a minute even if some of it went
|
|
down what its only like gruel or the dew theres no danger besides hed
|
|
be so clean compared with those pigs of men I suppose never dream of
|
|
washing it from I years end to the other the most of them only thats
|
|
what gives the women the moustaches Im sure itll be grand if I can only
|
|
get in with a handsome young poet at my age Ill throw them the 1st thing
|
|
in the morning till I see if the wishcard comes out or Ill try pairing
|
|
the lady herself and see if he comes out Ill read and study all I can
|
|
find or learn a bit off by heart if I knew who he likes so he wont think
|
|
me stupid if he thinks all women are the same and I can teach him the
|
|
other part Ill make him feel all over him till he half faints under
|
|
me then hell write about me lover and mistress publicly too with our 2
|
|
photographs in all the papers when he becomes famous O but then what am
|
|
I going to do about him though
|
|
|
|
no thats no way for him has he no manners nor no refinement nor no
|
|
nothing in his nature slapping us behind like that on my bottom because
|
|
I didnt call him Hugh the ignoramus that doesnt know poetry from a
|
|
cabbage thats what you get for not keeping them in their proper place
|
|
pulling off his shoes and trousers there on the chair before me so
|
|
barefaced without even asking permission and standing out that vulgar
|
|
way in the half of a shirt they wear to be admired like a priest or a
|
|
butcher or those old hypocrites in the time of Julius Caesar of course
|
|
hes right enough in his way to pass the time as a joke sure you might
|
|
as well be in bed with what with a lion God Im sure hed have something
|
|
better to say for himself an old Lion would O well I suppose its because
|
|
they were so plump and tempting in my short petticoat he couldnt resist
|
|
they excite myself sometimes its well for men all the amount of pleasure
|
|
they get off a womans body were so round and white for them always I
|
|
wished I was one myself for a change just to try with that thing they
|
|
have swelling up on you so hard and at the same time so soft when you
|
|
touch it my uncle John has a thing long I heard those cornerboys saying
|
|
passing the comer of Marrowbone lane my aunt Mary has a thing hairy
|
|
because it was dark and they knew a girl was passing it didnt make me
|
|
blush why should it either its only nature and he puts his thing long
|
|
into my aunt Marys hairy etcetera and turns out to be you put the handle
|
|
in a sweepingbrush men again all over they can pick and choose what they
|
|
please a married woman or a fast widow or a girl for their different
|
|
tastes like those houses round behind Irish street no but were to be
|
|
always chained up theyre not going to be chaining me up no damn fear
|
|
once I start I tell you for their stupid husbands jealousy why cant we
|
|
all remain friends over it instead of quarrelling her husband found it
|
|
out what they did together well naturally and if he did can he undo it
|
|
hes coronado anyway whatever he does and then he going to the other
|
|
mad extreme about the wife in Fair Tyrants of course the man never even
|
|
casts a 2nd thought on the husband or wife either its the woman he wants
|
|
and he gets her what else were we given all those desires for Id like to
|
|
know I cant help it if Im young still can I its a wonder Im not an old
|
|
shrivelled hag before my time living with him so cold never embracing
|
|
me except sometimes when hes asleep the wrong end of me not knowing I
|
|
suppose who he has any man thatd kiss a womans bottom Id throw my hat at
|
|
him after that hed kiss anything unnatural where we havent I atom of any
|
|
kind of expression in us all of us the same 2 lumps of lard before ever
|
|
Id do that to a man pfooh the dirty brutes the mere thought is enough
|
|
I kiss the feet of you senorita theres some sense in that didnt he kiss
|
|
our halldoor yes he did what a madman nobody understands his cracked
|
|
ideas but me still of course a woman wants to be embraced 20 times a day
|
|
almost to make her look young no matter by who so long as to be in love
|
|
or loved by somebody if the fellow you want isnt there sometimes by the
|
|
Lord God I was thinking would I go around by the quays there some dark
|
|
evening where nobodyd know me and pick up a sailor off the sea thatd be
|
|
hot on for it and not care a pin whose I was only do it off up in a gate
|
|
somewhere or one of those wildlooking gipsies in Rathfarnham had their
|
|
camp pitched near the Bloomfield laundry to try and steal our things if
|
|
they could I only sent mine there a few times for the name model
|
|
laundry sending me back over and over some old ones odd stockings that
|
|
blackguardlooking fellow with the fine eyes peeling a switch attack me
|
|
in the dark and ride me up against the wall without a word or a murderer
|
|
anybody what they do themselves the fine gentlemen in their silk hats
|
|
that K C lives up somewhere this way coming out of Hardwicke lane the
|
|
night he gave us the fish supper on account of winning over the boxing
|
|
match of course it was for me he gave it I knew him by his gaiters and
|
|
the walk and when I turned round a minute after just to see there was
|
|
a woman after coming out of it too some filthy prostitute then he goes
|
|
home to his wife after that only I suppose the half of those sailors are
|
|
rotten again with disease O move over your big carcass out of that for
|
|
the love of Mike listen to him the winds that waft my sighs to thee so
|
|
well he may sleep and sigh the great Suggester Don Poldo de la Flora if
|
|
he knew how he came out on the cards this morning hed have something to
|
|
sigh for a dark man in some perplexity between 2 7s too in prison for
|
|
Lord knows what he does that I dont know and Im to be slooching around
|
|
down in the kitchen to get his lordship his breakfast while hes rolled
|
|
up like a mummy will I indeed did you ever see me running Id just like
|
|
to see myself at it show them attention and they treat you like dirt
|
|
I dont care what anybody says itd be much better for the world to be
|
|
governed by the women in it you wouldnt see women going and killing one
|
|
another and slaughtering when do you ever see women rolling around drunk
|
|
like they do or gambling every penny they have and losing it on horses
|
|
yes because a woman whatever she does she knows where to stop sure they
|
|
wouldnt be in the world at all only for us they dont know what it is to
|
|
be a woman and a mother how could they where would they all of them be
|
|
if they hadnt all a mother to look after them what I never had thats
|
|
why I suppose hes running wild now out at night away from his books
|
|
and studies and not living at home on account of the usual rowy house I
|
|
suppose well its a poor case that those that have a fine son like that
|
|
theyre not satisfied and I none was he not able to make one it wasnt my
|
|
fault we came together when I was watching the two dogs up in her behind
|
|
in the middle of the naked street that disheartened me altogether I
|
|
suppose I oughtnt to have buried him in that little woolly jacket I
|
|
knitted crying as I was but give it to some poor child but I knew well
|
|
Id never have another our 1st death too it was we were never the same
|
|
since O Im not going to think myself into the glooms about that any
|
|
more I wonder why he wouldnt stay the night I felt all the time it was
|
|
somebody strange he brought in instead of roving around the city meeting
|
|
God knows who nightwalkers and pickpockets his poor mother wouldnt
|
|
like that if she was alive ruining himself for life perhaps still its a
|
|
lovely hour so silent I used to love coming home after dances the air of
|
|
the night they have friends they can talk to weve none either he wants
|
|
what he wont get or its some woman ready to stick her knife in you I
|
|
hate that in women no wonder they treat us the way they do we are a
|
|
dreadful lot of bitches I suppose its all the troubles we have makes us
|
|
so snappy Im not like that he could easy have slept in there on the sofa
|
|
in the other room I suppose he was as shy as a boy he being so young
|
|
hardly 20 of me in the next room hed have heard me on the chamber arrah
|
|
what harm Dedalus I wonder its like those names in Gibraltar Delapaz
|
|
Delagracia they had the devils queer names there father Vilaplana of
|
|
Santa Maria that gave me the rosary Rosales y OReilly in the Calle las
|
|
Siete Revueltas and Pisimbo and Mrs Opisso in Governor street O what a
|
|
name Id go and drown myself in the first river if I had a name like
|
|
her O my and all the bits of streets Paradise ramp and Bedlam ramp and
|
|
Rodgers ramp and Crutchetts ramp and the devils gap steps well small
|
|
blame to me if I am a harumscarum I know I am a bit I declare to God I
|
|
dont feel a day older than then I wonder could I get my tongue round
|
|
any of the Spanish como esta usted muy bien gracias y usted see I havent
|
|
forgotten it all I thought I had only for the grammar a noun is the
|
|
name of any person place or thing pity I never tried to read that novel
|
|
cantankerous Mrs Rubio lent me by Valera with the questions in it all
|
|
upside down the two ways I always knew wed go away in the end I can
|
|
tell him the Spanish and he tell me the Italian then hell see Im not
|
|
so ignorant what a pity he didnt stay Im sure the poor fellow was dead
|
|
tired and wanted a good sleep badly I could have brought him in his
|
|
breakfast in bed with a bit of toast so long as I didnt do it on
|
|
the knife for bad luck or if the woman was going her rounds with the
|
|
watercress and something nice and tasty there are a few olives in the
|
|
kitchen he might like I never could bear the look of them in Abrines
|
|
I could do the criada the room looks all right since I changed it the
|
|
other way you see something was telling me all the time Id have to
|
|
introduce myself not knowing me from Adam very funny wouldnt it Im his
|
|
wife or pretend we were in Spain with him half awake without a Gods
|
|
notion where he is dos huevos estrellados senor Lord the cracked things
|
|
come into my head sometimes itd be great fun supposing he stayed with us
|
|
why not theres the room upstairs empty and Millys bed in the back room
|
|
he could do his writing and studies at the table in there for all the
|
|
scribbling he does at it and if he wants to read in bed in the morning
|
|
like me as hes making the breakfast for I he can make it for 2 Im sure
|
|
Im not going to take in lodgers off the street for him if he takes
|
|
a gesabo of a house like this Id love to have a long talk with an
|
|
intelligent welleducated person Id have to get a nice pair of red
|
|
slippers like those Turks with the fez used to sell or yellow and a
|
|
nice semitransparent morning gown that I badly want or a peachblossom
|
|
dressing jacket like the one long ago in Walpoles only 8/6 or 18/6 Ill
|
|
just give him one more chance Ill get up early in the morning Im sick of
|
|
Cohens old bed in any case I might go over to the markets to see all
|
|
the vegetables and cabbages and tomatoes and carrots and all kinds of
|
|
splendid fruits all coming in lovely and fresh who knows whod be the 1st
|
|
man Id meet theyre out looking for it in the morning Mamy Dillon used
|
|
to say they are and the night too that was her massgoing Id love a
|
|
big juicy pear now to melt in your mouth like when I used to be in the
|
|
longing way then Ill throw him up his eggs and tea in the moustachecup
|
|
she gave him to make his mouth bigger I suppose hed like my nice cream
|
|
too I know what Ill do Ill go about rather gay not too much singing a
|
|
bit now and then mi fa pieta Masetto then Ill start dressing myself to
|
|
go out presto non son piu forte Ill put on my best shift and drawers let
|
|
him have a good eyeful out of that to make his micky stand for him Ill
|
|
let him know if thats what he wanted that his wife is I s l o fucked yes
|
|
and damn well fucked too up to my neck nearly not by him 5 or 6 times
|
|
handrunning theres the mark of his spunk on the clean sheet I wouldnt
|
|
bother to even iron it out that ought to satisfy him if you dont believe
|
|
me feel my belly unless I made him stand there and put him into me Ive a
|
|
mind to tell him every scrap and make him do it out in front of me serve
|
|
him right its all his own fault if I am an adulteress as the thing in
|
|
the gallery said O much about it if thats all the harm ever we did in
|
|
this vale of tears God knows its not much doesnt everybody only they
|
|
hide it I suppose thats what a woman is supposed to be there for or
|
|
He wouldnt have made us the way He did so attractive to men then if he
|
|
wants to kiss my bottom Ill drag open my drawers and bulge it right out
|
|
in his face as large as life he can stick his tongue 7 miles up my hole
|
|
as hes there my brown part then Ill tell him I want LI or perhaps 30/-
|
|
Ill tell him I want to buy underclothes then if he gives me that well he
|
|
wont be too bad I dont want to soak it all out of him like other women
|
|
do I could often have written out a fine cheque for myself and write his
|
|
name on it for a couple of pounds a few times he forgot to lock it up
|
|
besides he wont spend it Ill let him do it off on me behind provided he
|
|
doesnt smear all my good drawers O I suppose that cant be helped Ill do
|
|
the indifferent l or 2 questions Ill know by the answers when hes like
|
|
that he cant keep a thing back I know every turn in him Ill tighten my
|
|
bottom well and let out a few smutty words smellrump or lick my shit or
|
|
the first mad thing comes into my head then Ill suggest about yes O wait
|
|
now sonny my turn is coming Ill be quite gay and friendly over it O
|
|
but I was forgetting this bloody pest of a thing pfooh you wouldnt know
|
|
which to laugh or cry were such a mixture of plum and apple no Ill have
|
|
to wear the old things so much the better itll be more pointed hell
|
|
never know whether he did it or not there thats good enough for you
|
|
any old thing at all then Ill wipe him off me just like a business his
|
|
omission then Ill go out Ill have him eying up at the ceiling where is
|
|
she gone now make him want me thats the only way a quarter after what an
|
|
unearthly hour I suppose theyre just getting up in China now combing out
|
|
their pigtails for the day well soon have the nuns ringing the angelus
|
|
theyve nobody coming in to spoil their sleep except an odd priest or two
|
|
for his night office or the alarmclock next door at cockshout clattering
|
|
the brains out of itself let me see if I can doze off 1 2 3 4 5 what
|
|
kind of flowers are those they invented like the stars the wallpaper
|
|
in Lombard street was much nicer the apron he gave me was like that
|
|
something only I only wore it twice better lower this lamp and try again
|
|
so as I can get up early Ill go to Lambes there beside Findlaters and
|
|
get them to send us some flowers to put about the place in case he
|
|
brings him home tomorrow today I mean no no Fridays an unlucky day first
|
|
I want to do the place up someway the dust grows in it I think while Im
|
|
asleep then we can have music and cigarettes I can accompany him first I
|
|
must clean the keys of the piano with milk whatll I wear shall I wear
|
|
a white rose or those fairy cakes in Liptons I love the smell of a rich
|
|
big shop at 7 1/2d a lb or the other ones with the cherries in them
|
|
and the pinky sugar I Id a couple of lbs of those a nice plant for the
|
|
middle of the table Id get that cheaper in wait wheres this I saw them
|
|
not long ago I love flowers Id love to have the whole place swimming in
|
|
roses God of heaven theres nothing like nature the wild mountains then
|
|
the sea and the waves rushing then the beautiful country with the fields
|
|
of oats and wheat and all kinds of things and all the fine cattle going
|
|
about that would do your heart good to see rivers and lakes and flowers
|
|
all sorts of shapes and smells and colours springing up even out of the
|
|
ditches primroses and violets nature it is as for them saying theres no
|
|
God I wouldnt give a snap of my two fingers for all their learning why
|
|
dont they go and create something I often asked him atheists or whatever
|
|
they call themselves go and wash the cobbles off themselves first then
|
|
they go howling for the priest and they dying and why why because theyre
|
|
afraid of hell on account of their bad conscience ah yes I know them
|
|
well who was the first person in the universe before there was anybody
|
|
that made it all who ah that they dont know neither do I so there you
|
|
are they might as well try to stop the sun from rising tomorrow the sun
|
|
shines for you he said the day we were lying among the rhododendrons on
|
|
Howth head in the grey tweed suit and his straw hat the day I got him to
|
|
propose to me yes first I gave him the bit of seedcake out of my mouth
|
|
and it was leapyear like now yes 16 years ago my God after that long
|
|
kiss I near lost my breath yes he said I was a flower of the mountain
|
|
yes so we are flowers all a womans body yes that was one true thing he
|
|
said in his life and the sun shines for you today yes that was why I
|
|
liked him because I saw he understood or felt what a woman is and I knew
|
|
I could always get round him and I gave him all the pleasure I could
|
|
leading him on till he asked me to say yes and I wouldnt answer first
|
|
only looked out over the sea and the sky I was thinking of so many
|
|
things he didnt know of Mulvey and Mr Stanhope and Hester and father and
|
|
old captain Groves and the sailors playing all birds fly and I say stoop
|
|
and washing up dishes they called it on the pier and the sentry in front
|
|
of the governors house with the thing round his white helmet poor devil
|
|
half roasted and the Spanish girls laughing in their shawls and their
|
|
tall combs and the auctions in the morning the Greeks and the jews and
|
|
the Arabs and the devil knows who else from all the ends of Europe and
|
|
Duke street and the fowl market all clucking outside Larby Sharons
|
|
and the poor donkeys slipping half asleep and the vague fellows in the
|
|
cloaks asleep in the shade on the steps and the big wheels of the carts
|
|
of the bulls and the old castle thousands of years old yes and those
|
|
handsome Moors all in white and turbans like kings asking you to sit
|
|
down in their little bit of a shop and Ronda with the old windows of the
|
|
posadas 2 glancing eyes a lattice hid for her lover to kiss the iron
|
|
and the wineshops half open at night and the castanets and the night we
|
|
missed the boat at Algeciras the watchman going about serene with his
|
|
lamp and O that awful deepdown torrent O and the sea the sea crimson
|
|
sometimes like fire and the glorious sunsets and the figtrees in the
|
|
Alameda gardens yes and all the queer little streets and the pink
|
|
and blue and yellow houses and the rosegardens and the jessamine and
|
|
geraniums and cactuses and Gibraltar as a girl where I was a Flower
|
|
of the mountain yes when I put the rose in my hair like the Andalusian
|
|
girls used or shall I wear a red yes and how he kissed me under the
|
|
Moorish wall and I thought well as well him as another and then I asked
|
|
him with my eyes to ask again yes and then he asked me would I yes to
|
|
say yes my mountain flower and first I put my arms around him yes and
|
|
drew him down to me so he could feel my breasts all perfume yes and his
|
|
heart was going like mad and yes I said yes I will Yes.
|
|
|
|
Trieste-Zurich-Paris 1914-1921
|
|
|
|
|
|
|
|
|
|
|
|
End of the Project Gutenberg EBook of Ulysses, by James Joyce
|
|
|
|
*** END OF THIS PROJECT GUTENBERG EBOOK ULYSSES ***
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